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When Nithya Raman stepped up to a podium on the night of L.A.’s mayoral primary election, she thanked her supporters for standing up to the “powerful interests” who spent millions of dollars trying to “preserve this city’s broken and unjust status quo.”

“At a time when so many people have written Los Angeles off or have lost hope in the future of this incredible city,” the democratic socialist L.A. mayoral hopeful said, “you are proof that Angelenos are hungry for change.”

But as election results rolled in, the movement for change was underwhelming, or at least divided. Incumbent Mayor Karen Bass was in the lead, advancing to the November runoff. That left Raman locked in a battle for a second spot with Republican former reality TV star Spencer Pratt.

Bass is one of several high-profile establishment Democrats to emerge on top. In California’s gubernatorial race, centrist Xavier Becerra, a veteran of the Biden Cabinet, advanced to the runoff after being challenged from the left by billionaire green activist Tom Steyer and Democratic former U.S. Rep. Katie Porter. Steyer is now behind Steve Hilton, a Republican, and battling to make the runoff.

Still reeling from the rise of Donald Trump, Democrats in California and beyond are struggling to figure out the future direction of the party.

Some progressives, inspired by Zohran Mamdani’s New York mayoral victory, saw 2026 as an opportunity to move the city further left. But the results have been mixed in key races, with veteran Democrats like Bass and Becerra eking out leads even as polls show dissatisfaction with status quo politics in California.

“This was supposed to be a change revolution, but voters clearly said no to the revolution,” said Sara Sadhwani, a politics professor at Pomona College. “Voters want change,” she noted, “but it doesn’t appear right now that there has been an appetite for a major shift in the ideology of the city or the state.”

Xavier Becerra speaks during an election night event in downtown Los Angeles on Tuesday.

(Eric Thayer/Los Angeles Times)

Becerra emerged as the Democratic favorite late in the election and won support from many establishment party leaders. Pundits said after a wild primary that included the implosion of Democratic U.S. Rep. Eric Swalwell’s campaign amid sex assault allegations, Becerra emerged as a “safe” choice.

Some opponents attacked his moderate views and his willingness to accept campaign donations from big oil companies like Chevron. But that did not stop his rise.

Bass was also beset with challenges, being an incumbent in a city beset with problems.

For her, election night marked a “victory with an asterisk,” Sadhwani said, noting that Bass is first incumbent L.A. mayor in more than two decades to face a runoff. “It would be wrong for Karen Bass to think that this victory … is a ringing endorsement of the work she is currently doing.”

The results underscore Bass’ unpopularity as an incumbent, garnering just 35% of the vote so far. If Raman can catch up and eventually surpass Pratt in the vote count, she could pose a considerable challenge to Bass as more young voters come to the polls in November.

Mike Bonin, a former L.A. City Council member who leads the Pat Brown Institute for Public Affairs at Cal State L.A., said if Bass exceeded expectations it was because they were very low.

“Coming in first in a runoff isn’t a huge victory for an incumbent mayor,” he said. “Two-thirds of the city did not vote for her. That’s not a position of strength.”

James Adams, a political science professor at UC Davis, said that Becerra and Bass coming through indicates the centrist Democratic candidates were in a stronger short-term position than their rivals. But problems loom ahead, he said, as the longtime Democratic establishment that’s been governing California for the last 15 years failed to make notable progress in solving problems with affordable housing, homelessness, public transportation and education.

“I think the Democrats’ prospects are very bright in 2026 given the California Republicans’ dysfunctionality and a complete backlash against Donald Trump,” Adams said. “But I have much bigger concerns about the California Democrats long term, because it seems to me they’re setting a record for most consecutive years of failing to fix the state’s problems while getting reelected anyway.”

Democrats in California, he said, were suffering from being in power too long.

“Whenever one party gets into a long-term, dominant position, usually because the other party is just in the midst of self-destructing … the whole thing ends in tears, because the party that is in a dominant position, they don’t have to be that good.”

As the vote count continues in the mayor’s race, democratic socialists in Los Angeles already have some wins down-ballot.

“We are gaining momentum,” said Leslie Chang, a co-chair of the 5,000-member L.A. chapter of the Democratic Socialists of America, a decentralized anti-capitalist group that advocates for rental protections and defunding the police. Over the last six years, Angelenos have elected four DSA-backed City Council members and a DSA-recommended city controller.

The DSA did not officially endorse Raman, because she entered the race after the group had issued endorsements and another DSA candidate was also running for mayor. However, three of the six DSA-backed candidates for citywide office were projected to win outright.

DSA Councilmembers Hugo Soto-Martinez and Eunisses Hernandez were reelected by such large margins they avoided runoffs. In the city attorney’s race, DSA-endorsed Marissa Roy was in the lead and the mainstream Democratic incumbent became the first city attorney ousted in a primary in nearly a century. City Controller Kenneth Mejia, a progressive anti-establishment candidate who is not a DSA member but an ally of the group, led by nearly 20 percentage points.

When Chang knocked on doors, she said, some voters asked: “Well, what’s the difference between Nithya and Karen Bass?”

A few voters told her that after reviewing Bass’ and Raman’s websites, they found their platforms similar. Chang was surprised. She thought Raman articulated a clear and novel strategy for how to get L.A. out of the housing crisis, but she said some on the left took issue with her working with housing developers to reduce red tape.

Neel Sannappa, chair of the California Democratic Party’s progressive caucus, said Raman was stymied by getting into the race late and having only a few months to campaign. It also didn’t help that a more left-wing challenger, Rae Huang, already had some momentum — not enough to win, but enough to split the left.

“Nithya does represent something real and growing in Los Angeles,” Sannappa said. “There is a hunger for more progressive, left-leaning candidates that want to make sure that we’re investing in people and not so much investing in just police … and being able to build things that are new and innovative.”

Supporters watch election results come in on their phones during Nithya Raman’s election night party at Boomtown Brewery on Tuesday.

(Gina Ferazzi/Los Angeles Times)

Some have criticized Raman’s coalition-building, noting she was not endorsed by her fellow DSA-backed City Council members. Others said the MIT and Harvard graduate, who has been a councilmember for six years, performed tepidly in a May televised debate and suffered from Pratt’s attempts to tie her to the establishment.

“If you’re a part of the institution, which she is,” Sadhwani said, “then you can’t exactly claim that you’re going to bring massive change.”

Sadhwani said that California’s left, in contrast to New York’s, appears to have a charisma deficit. While Pratt and Hilton had an advantage with their television backgrounds, they also spoke “in plain terms about the real problems that the state faces.”

Part of Bass’ success can also be attributed to assembling a coalition that included the L.A. County Federation of Labor, the L.A. police officers union, the L.A. County Democratic Party and immigrant rights groups.

In the mayoral race, Sadhwani said, “the dominant political coalition still has power, money, the organization.”

“If you can garner the support of the unions, then having a broader message, maybe it’s less important,” she said. “You don’t have to work quite so hard, because the unions have the base machine.”

People attend Mayor Bass’ election party for the California 2026 primaries at the LINE Hotel on Tuesday.

(Carlin Stiehl/For The Times)

Yusef Robb, a longtime Democratic strategist who is an advisor to Bass, attributed the mayor’s lead to her campaign’s success in building a broad coalition and communicating across the political spectrum. Most voters, he said, tend to think less about ideology — and whether a Democrat was mainstream or DSA-supported — than candidates’ positions on bread and butter issues.

“Mayor’s races are first and foremost about what people see outside of their front doors, when they walk their kids to school, when they drive to work,” he said. “At the end of the day, the voters look at the field and say, ‘OK, who do I trust to keep my kids from having to skip around a tent on the way to school?’ ‘Who can I trust to hire more officers?’ … and ‘Who can I trust to fight back against ICE in court through executive action and even in the streets?’ And that’s Karen Bass.”

For Democrats in this robustly blue state, part of the challenge in figuring a path forward is that every candidate — even those already in power — pitches themselves as a bona fide progressive against the status quo.

“We have led a grassroots campaign because we want to bring change to our city,” Bass said on election night. “And that’s what we’ve been doing, and that’s what we’re going to continue to do.”

Raman also tried to tout herself as a change candidate. Articulating her platform in broad strokes rather than bread-and-butter detail, Raman said she wanted L.A. to be a place “where government actually functions and delivers every day on this city’s beautiful bighearted values, where we stand up against ICE, where we show up for our gay and trans siblings.”

But as she talked of neighborhoods “full of trees and shade … and people and good food,” she seemed low-key and equivocal. Her message was a far cry from the pressing one U.S. Sen. Bernie Sanders (I-Vt.) put forward in his presidential campaigns, highlighting the millions of Americans working for “starvation wages” and a young single mother in Nevada struggling on $10.45 an hour.

Ultimately, the fight between Bass and Raman, as a struggle between mainstream and progressive Democrats, is complicated by the fact that Bass came up through the progressive wing of the Democratic Party, founding the grassroots Community Coalition in South L.A. in the 1990s.

Campaign worker Khai Dombroe prepares balloons before Nithya Raman’s election night party.

(Gina Ferazzi/Los Angeles Times)

And even though Raman is a DSA member, she has tacked to the center during the campaign, distancing herself from past calls to defund the police by saying she did not want the LAPD to lose more officers.

While Raman and Bass have much in common, the most significant difference between them is on homelessness, Sannappa said. Even though Bass comes from a political tradition of not wanting to criminalize the unhoused, he said, she understood her voters include people wanting to move homeless people off the streets.

“Brass tacks is that we need people that are going to be willing to fight for mental health services,” Sannappa said.

“I think Nithya more so represents the direction where the Democratic Party is going to have to go.”

As L.A. becomes less affordable and homeownership becomes out of reach for many Angelenos, young renters have become a rising political constituency — a shift that many say will likely propel the city leftward.

Bonin said he expected the next new rising Democratic coalition in L.A. to be a labor-renter coalition. He cited Councilmember Soto-Martinez, a renter and union organizer, as probably the best avatar of that.

But as the middle-class splinters along generational lines, other political experts warn that many ordinary Angelenos feel increasingly shut out of L.A. politics.

“Once upon a time the Democratic Party was the party of the working class, and today it has become the party of the educated elites,” Sadhwani said. “Perhaps one of the gifts that Donald Trump has given to Democrats is to force them to contend with the everyday issues of voters, which they seem to have distanced themselves from.”

As many Angelenos feel worse off now than four years ago, Chang said Bass was not directly responsible for every problem. Still, she said, she could have done more to move the city in the right direction.

Delaying the wage boost tied to the 2028 Olympics, she said, was a move that failed working people at a time when many are struggling to make ends meet.

“My fear, of course, is people pivot away from corporate Democrats and they choose the MAGA Republican, because that is the most visible fight,” Chang said. “Or because they think, ‘Oh, well, a democratic socialist running on the Democratic Party line, this is just more of the same status quo.’ ”

Three years ago, Mattel Inc. struck box-office gold — or rather, pink — with the billion-dollar success of “Barbie.”

In its first return to theaters since the female-forward phenomenon, the El Segundo toymaker is turning to the brawny He-Man for another box-office lift.

Its latest film, “Masters of the Universe,” opens this weekend, as Mattel looks to build on that previous success and continue extending its signature toy brands into the entertainment arena.

“The movie is very much in tune with culture,” said Mattel Chief Executive Ynon Kreiz. “Everything is much more contemporary relative to what was created more than 40 years ago, but it’s still very true to the origin story and to the DNA of the brand.”

The new film arrives at a pivotal time for Mattel, which is facing pressure from investors to grow its business. The maker of Hot Wheels, American Girl and Uno has recently confronted a challenging market for toys, beset by tariffs on goods produced overseas and weaker-than-expected demand for Barbie dolls and Fisher-Price preschool products.

Amid uncertainty in the toy market and the fallout from tariffs, Mattel’s net income dropped 25% to $398 million in 2025. And since the company announced disappointing holiday sales totals in February, its stock has dropped more than 30%, closing at $14.34 on Wednesday.

“Masters of the Universe” toys at Mattel headquarters in El Segundo.

(Myung J. Chun / Los Angeles Times)

The share price slide prompted investor Southeastern Asset Management to send a letter last month to Mattel leadership suggesting the toy maker should sell itself and go private. Southeastern manages about 4% of the company’s stock on behalf of its clients.

“The frustration among investors has been the fact that if you look at the business from 2021 through 2025 and even this year … the business really hasn’t grown,” said Eric Handler, a Roth Capital senior media and entertainment analyst, referring to Mattel. “This is a company that needed something fresh in the portfolio, and there’s a wide range of investments being made, of which ‘Masters of the Universe’ is one part.”

Kreiz pushed back on the idea that the company is not growing. In the fourth quarter of 2025, net sales were up 7% to $1.8 billion, though the result was not as strong as the company expected.

Mattel has spent $1.2 billion in the last three years to buy back shares, with an additional $1.5-billion share repurchase planned for the next three years.

“We’re investing in our own stock because we believe it is undervalued,” he told The Times in an interview at his office, which has floor-to-ceiling windows that give an expansive view of El Segundo. “We absolutely agree that the share price doesn’t reflect the progress that we’ve achieved over the last few years financially, operationally, our place in culture, the strength of our brands, and the continued expansion of the business. And more importantly, the potential that we have down the road.”

“Masters of the Universe” is a key variable in that equation.

Ynon Kreiz, chief executive of Mattel.

(Myung J. Chun / Los Angeles Times)

The movie, which had a budget of roughly $170 million, is expected to bring in $25 million to $35 million in the U.S. and Canada during its debut weekend. That’s a far cry from the $162-million opening haul of “Barbie,” but box-office analysts say that film captured the cultural zeitgeist in a way that’s hard to replicate.

The ‘80s-era “Masters of the Universe” is “a property that was famous with a certain group of fans, but it hasn’t had much of a pop culture presence,” said Shawn Robbins, who directs movie analytics at Fandango and founded the forecasting site Box Office Theory. The movie has notched a respectable 74% approval rating from critics on aggregator Rotten Tomatoes.

“There’s been so many callbacks to nostalgic franchises,” he said. “Some people are always on board for them, and maybe the positive reviews bring people in who were on the fence. But people are also ready for something fresh and new and exciting.”

Kreiz said he’s often asked how the company will match the success of “Barbie.”

“The answer is, we don’t need to match ‘Barbie’s’ success for movies to have a meaningful economic impact on the company,” he said. “Not every movie will be ‘Barbie.’ If we create quality content that people want to watch and create quality experiences that people are engaged with, good things happen, and these brands will resonate and will be here for years to come.”

While theatrical revenue is important, the measure of success for “Masters of the Universe” could also include its eventual reception on streaming platforms and, of course, toy sales, analysts said.

There are hundreds of products tied to the movie, from collectible action figures of Nicholas Galitzine’s He-Man and Camila Mendes’ Teela, to branded Uno decks, Legos, clothing and skateboards.

Skeletor from “Masters of the Universe.”

(Myung J. Chun / Los Angeles Times)

“For us, it’s a huge win already,” said Robbie Brenner, president of Mattel Studios and chief content officer, who also served as a producer on the film. “We have reinvigorated and relaunched this brand that has been around for decades … and done it in a way with just the best-in-class toys. Obviously that’s our bread and butter. And then to have made an epic, incredible movie … is a huge win.”

While Mattel does not yet have sales totals for its “Masters of the Universe” toys, executives said during an earnings call in late April that product sales were “growing double digits” amid strong customer demand, particularly from adults.

When Kreiz was named CEO in 2018, he saw the potential for Mattel to expand beyond toys. In an entertainment landscape dominated by known franchises and intellectual property, the former TV and media executive wanted to leverage the company’s IP in new ways to attract consumers.

Hence, Mattel has expanded into real-world experiences such as a Barbie pop-up at Coachella or a traveling Hot Wheels monster truck show. In February, the company fully acquired Mattel163 mobile game studio after buying out a stake held by Chinese tech firm NetEase. The studio has released games based on Uno, Skip-Bo and other Mattel intellectual property.

And on the film and television front, the Mattel Studios division now has 51 people — most of whom are based in El Segundo — focused on projects across platforms.

After “Masters of the Universe,” Mattel Studios plans to release a “Matchbox” streaming movie in October. The division has more than a dozen films in development that have been announced, including an American Girl movie with Paramount, Polly Pocket with Amazon MGM Studios, as well as a live-action Magic 8 Ball series from M. Night Shyamalan.

“The journey for the company was to evolve from being a toy manufacturer that was making items to become an IP company that is managing franchises,” Kreiz said. “It’s not that we’re not creating toys — it’s obviously a big part of our business — but the opportunity is to expand so much more than the physical product.”

“Masters of the Universe” was in development for years at several different studios before it was picked up by Amazon MGM.

That partnership stemmed from Mattel’s work on the “Barbie” movie with Courtenay Valenti, then president of production and development at Warner Bros. Pictures who is now head of film at Amazon MGM.

“Masters of the Universe” felt like a good property for Mattel to bet on because of its nostalgia factor and deep bench of colorful characters, from the green tiger Battle Cat to the heavily armored Ram Man and ever meme-able Skeletor, which the company hopes will attract new audiences, Brenner said.

The movie is directed by Travis Knight — chief executive of stop-motion studio Laika who also led the 2018 “Transformers” spin-off “Bumblebee” — who Brenner said “nailed” the narrative’s tone. (It didn’t hurt that Knight was already a fan of the franchise and had sported the He-Man haircut as a child.)

“It’s a property that’s kind of out there,” said Brenner, who grew up watching He-Man and his twin sister She-Ra. “It’s got all these crazy characters. But just riding that line between what is funny and kind of irreverent and then kind of heartfelt, that is a very hard thing to put in a blender and to get right.”

A BRAND new aquapark is coming to a UK town just in time for the summer holidays.

Featuring slides, climbing walls and a splash zone, the inflatable waterpark will be open until the autumn.

Located at Hinchingbrooke Country Park in Cambridgeshire, the brand new aquapark will be open to the public from July 18.

The inflatable park promises a day out of full of water-based fun, including slides, balance beams, climbing walls and splash zones.

Aimed at visitors aged six and over, the temporary water attraction will be open in time for the summer holidays and remain in place until September.

Visitors are able to pre-book online now, and the park expects demand to be high throughout the summer.

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Tickets cost £19 per person and include a buoyancy aid, helmet and wetsuit hire.

From mid-July, the aquapark will be open from 10am to 5pm, with each session lasting an hour.

The new inflatable is part of a larger ongoing investment into Hinchingbrooke Country Park, improving its leisure activities and encouraging more visitors to the park’s large natural surroundings.

Executive member for Parks and Countryside, Waste and Street Scene, Cllr Julie Kerr, said: “We’re thrilled to be bringing this exciting new attraction to Hinchingbrooke Country Park.

“It’s a fantastic addition for residents and visitors alike, and part of our ongoing commitment to improving and evolving the park to enhance leisure and outdoor opportunities for users now and in the future.”

Hinchingbrooke Country Park even wants the community to get involved in an important aspect of the opening of the park.

In a post on Facebook, the park called upon residents to submit ideas for a new name for the aquapark, with the winner receiving a free visit for the entire family.

“Think adventurous, fun, family-friendly or inspired by Hinchingbrooke and the local area – we can’t wait to see your ideas,” read the post.

Entries for the competition close on Friday, June 5, and the winner will be announced shortly afterwards.

Some concerns were raised on the Hinchingbrooke Facebook post regarding the local wildlife of the area, but the park revealed they had worked “closely with an independent ecologist to understand how this could impact the wider park”.

An Ecological Impact Assessment was conducted and the park confirmed that their project team is now “working closely” with park rangers to “ensure all recommendations and any appropriate ecological mitigation is completed”.

The park will also be designating specific lake zones purely to wildlife and “adding an additional tern raft”.

The nearby car park is also currently undergoing works, but the park has confirmed this is expected to be complete by the time the aquapark opens.

THE UK’S tallest spinning pendulum ride has officially launched at Blackpool Pleasure Beach, and I was lucky enough to climb aboard before it opened to the public.

Called Aviktas, the £9million attraction made its debut on 21 May after more than a year under construction.

Spinning riders 138ft in the air, it is the biggest gyro-swing in the UK — nearly double the height of the previous record-holder, Maelstrom at Drayton Manor, Staffs, which tops out at 74ft.

The ride has been built on the former site of the Bowladrome, a popular arcade and bowling spot that had been part of the Blackpool seafront since the 1960s before closing last year.

Now that space is home to four enormous legs, each weighing 16 tons, which anchor Aviktas’s towering structure.

At the end of a swinging arm sits a circular gondola, where 40 riders are strapped into outward-facing seats.

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From there, the pendulum swings up to 120 degrees over the Blackpool coastline.

So what did it actually feel like to ride?

Aviktas was far more intense than I was expecting.

As you are strapped in, a thumping soundtrack composed especially for the ride pumps out from all directions, helping to build the suspense.

But what sets Aviktas apart is the lack of over-the-shoulder restraints — the only thing holding you in here is a lap bar, which really ramps up the fear factor.

Before you know it, the floor below you drops to leave your feet dangling, and the swinging begins.

It is gentle at first, but as each swing climbs higher than the last, so does the G-force — with the rush of air pushing your cheeks back as you plummet between arcs.

But the best bit comes right at the top.

For a few seconds at the peak of each swing, you feel weightless, as if floating in mid-air, while the crowds stare up at you from below.

Then you whoosh back down and do it all again on the other side.

It is terrifying but exhilarating — made worthwhile by the views, which offer glimpses for miles down the coast, right down the promenade to Blackpool Tower and beyond.

This is a proper stomach-churner but, if you are anything like me, you will be eagerly queueing up to ride it again before your feet hit the ground.

It is surely the best ride of its type in the UK right now — but it is also just one of many reasons to head to the Lancashire coast this summer.

The new ride arrives during a big year for Pleasure Beach, which celebrates its 130th anniversary as the UK’s oldest amusement park, having first welcomed visitors in 1896.

It has remained family-owned ever since.

Earlier this year, it was named one of the world’s best theme parks by Tripadvisor, the only UK park to make the top ten.

Last season saw the revamp of Launch Pad (formerly Ice Blast), and River Caves is also on the list for an overhaul soon.

What is more, the Pleasure Beach is one of the cheaper big theme-park days out in the country, with standard prices starting from £28 for kids and £30 adults.

For those who like to keep their feet on the ground, there is a new ticket type called Flex Pass.

Costing £18, it is aimed at non-riders and includes park entry, a ride on the Pleasure Beach Express, and the option to buy individual ride tickets as you go.

Looking for somewhere good to stay nearby?

The award-winning Boulevard Hotel sits right under the massive drop of the Big One coaster.

Just a one-minute walk from the park, it boasts rooms with sea or park views.

They start from £85 a night and even include free Pleasure Beach tickets.

With overseas travel looking a bit less certain this summer than it has in recent years, more of us are looking for staycation fun at the British seaside.

Trains from London run to Blackpool in just over three hours.

From Manchester, it is barely more than an hour.

There is also the Sandcastle, the UK’s largest indoor waterpark, which celebrated its 40th birthday earlier this year with a £500,000 refresh.

Inside are a dizzying 18 slides and a huge wave pool, kept at an inviting 30C no matter what the weather is doing outside.

Tickets start from £24.95.

Throw in Blackpool’s Tower, the Illuminations, and fish-and-chips for good measure, and you have a budget break for the family that can more than match any excitement abroad.

WHEN it comes to flying to the States, a major airline has unveiled a huge new revamp of their planes – and it’s making it much comfier to fly long-haul.

Having flown to and from America several times over the past five years to visit family, I quickly found a love for United Airlines‘.

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

The airline recently announced they were launching a brand new ‘Elevated’ cabin on their 787-9 Dreamliner between San Francisco and London Heathrow, upgrading every single class from economy to business.

This includes the rollout of the first ever new business class United Polaris Studio suites, which have more spacious seats, larger screens and Bluetooth connectivity.

I, however, was trying out United’s new Premium Plus Economy seat which they say has “elements normally reserved for business class customers” – a welcome sight when leaving gloomy London.

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There’s a total of 35 United Premium Plus seats arranged in a 2-3-2 configuration in the new cabin design, each with privacy dividers and a built-in reading light – both firsts for United Premium Plus seats.

And in all honesty, the seats felt closer to business class than economy and even better than some business class seats I’ve experienced on other airlines.

I opted for the very first row with enough room that when stretching out my legs straight, they still didn’t hit the wall in front of me.

Plonking myself down in my aisle seat – which actually felt more like an armchair – I was immediately impressed by how comfortable it was.

And then when it came to checking out the generous 40.6cm 4K OLED screen, I was excited to snuggle down and watch one of the latest film releases.

Pressing play on Wuthering Heights, I connected my Airpods to the Bluetooth to listen in to the film and placed my phone on the quartzite cocktail table between my seat and the next seat to connect it to the wireless charging.

As for the amenities, a small ‘United 100’ pouch to celebrate the airline’s centenary was on my seat featuring branded socks, an eye mask and some Vitamin C Perricone MD products.

Also on my seat was a Saks Fifth Avenue pillow and blanket, which added to my cinema experience when Wuthering Heights started to play.

When it comes to space, passengers get 96.5cm pitch and 50.8cm width, and then 15cm of recline – which while not much felt spacious enough and with the new privacy screen acting as a good headrest, I was more than comfortable.

Power outlets and bottle holders are located between the seats for added convenience too.

Located on one armrest is also a remote for the TV and a small cubbyhole where you’ll find your overhead earphones.

Of course, you can now also get Starlink Wi-Fi on United flights – even if it is just for messaging – which I have to admit was super speedy.

Another thing I love about United is that you are always fed well,

My first meal consisted of an artichoke salad and bread for starter, with roast chicken for my main and chocolate truffles for dessert.

Mid-flight, I then enjoyed a chicken burrito and before landing, tucked into another salad and a paneer curry.

In between these courses, the cabin crew were great at always ensuring I had enough water or a drink of my choosing – whether that be alcoholic or non-alcoholic.

United aims to have at least 30 planes with the new Elevated interior flying by the end of 2027.

So if you’re trying to decide which airline to go with on your next trip to the US? I’d recommend United – if you want a business class experience on a premium economy budget.

Over the last five years, there has been a significant shift in how fashion and sports intersect, both on and off the court, with athletes’ influence extending beyond the court and into culture at large. Why now? And how has athlete style evolved?

These were some of the questions that three prominent athlete stylists — Brittany Hampton, Courtney Mays and Dex Robinson — unpacked last week at the panel “Game Changers: Where Sport Meets Style.” Moderated by Image contributor Darian Symoné Harvin and co-organized with the Only Agency, the event took place at the private members club Gravitas, a hub for folks at the intersection of sports, business and luxury in Beverly Hills. Gathered in the swanky yet intimate upstairs bar and events room, guests sat in plush chairs and sipped pink vodka cocktails and flipped through Image’s May sports and arts issue ahead of it hitting the newsstands. An also-plush takeaway? Stress balls in the shape of footballs, courtesy of the Only Agency.

The evening could’ve kept going — Hampton, Mays and Robinson had so much to say about an industry that is still widely misunderstood and filled with gatekeeping. The below edited version of the conversation gives you a glimpse into the demanding yet deeply fulfilling world of styling athletes.

Darian Symoné Harvin: Athletes often are not sample size. How do you source clothes and work with brands? Are they supportive? Anything you would tell brands if you could?

Courtney Mays: Size inclusivity is a huge thing. Because, especially when you’re talking about the W[NBA], you’re talking about women who are sometimes a men’s size 13 shoe, who are sometimes a 36-inch inseam. And although we’re using this platform to talk about larger issues, sometimes the larger issue is: I’m here and I’m a plus-size woman. Sometimes you have to use your presence to talk about those things, if you’re not verbally saying that, [and] you have to get the brands to stand behind you.

“We’re making sure that that Old Navy looks like Bottega,” said Courtney Mays, “so that at the end of the day you feel like the superstar that you are. We’re really curating the moment.”

Brittany Hampton: It’s also important for everyone that’s in the room to know that stylists can’t always get the ask that you guys may be asking for. If I have a seven-foot athlete, which I do have on my roster, and he’s, you know, he’s massive — he wears a 16-and-a-half shoe. There may only be a few brands [with his size]. There are going to be certain things that I may even have to pull out of his own closet. And then it still means, “Well, why do we have to give you that budget for that?” And it’s like, well, because I had to have an assistant go get that piece from his closet, have it dry-cleaned, have it picked up, then have it delivered to set. It’s still a process, there’s value in the work that we put in. We’re trying our hardest.

DSH: From a tunnel walk to a press run to a campaign, how do you break down your budget and your fee?

Dex Robinson: Each stylist approaches fees and pricing a different way, right? Also depends on how you were groomed or how you came into the situation. I was an assistant for years before I ever said I was a stylist, and even then I kind of treaded lightly before I was like, “I am a lead stylist.” I was someone’s assistant, and that’s when I asked all the questions that I needed to ask about what my fees would be. I knew the structures, I knew the things, so I wasn’t asking my peers, “Oh, how do I charge for this?”

BH: I do want to jump in and state for the people in the room that may or may not know we’re speaking in terms of expenses. The current budgets that they are talking about are particular to clothing expenses. That does not allot to our fees. We have labor that is very imperative, labor that goes into us doing market research, that goes into us having assistance across cities most of the time. I live in Los Angeles. None of my clients live in Los Angeles. So let’s say my client is currently in the playoffs and lives in Cleveland, but I’m pulling from both New York and Los Angeles, then we’re meeting in Cleveland to have a fitting with him, and that all takes a tailor of this, of that, etc. Now, having tunnel looks is one thing, but then also having a campaign is something completely different. We also then have to be very strategic about brands that we’re pulling from. And we are using our own cards!

CM: A lot of times, we are giving our own money down to say, “I’m taking this half a million dollars’ worth of wardrobe out of your store, and I’m promising you that I’m going to bring it back in a certain amount of time.”

DR: It’s a more lengthy exercise to get people to let you borrow clothes versus [when] the [clients] just pay for this stuff and I don’t have to worry about it after. I would much rather let them have it in their wardrobe and I figure out what to do with it after. And I’m not like, “Oh, you wore this one time,” and just throw this out. No, we gonna cut the arms off of this. We gonna turn this into some shorts.

When asked for one piece of advice for aspiring stylists, Dax Robinson encouraged people to first do their research. “Being fashionable does not make you a stylist … it takes years of perfecting a craft to become a stylist.”

But then to pull from a [showroom], that’s a whole ‘nother situation. That’s not really a money exchange, that’s more of a publicity exchange. And again, it’s still based off your name or your client.

CM: That’s when it’s important to get the shot. We live in a social media world. When we work with brands and we work with designers, we work with PR firms — what they’re looking for is that image. Not only the tunnel walk, but maybe it’s the walk out of the hotel or that paparazzi shot.

So we’re also partnering with photographers, saying, “Hey, our clients are going to the opening of LACMA. We need to capture the moments before.” Just like all the celebrities, they go to the SAG Awards, whatever, and they have these beautiful editorial shots before they even hit the red carpet. Why? Because they invested in a photographer to come to their home, to their hotel room, and say, “Let’s use 15 minutes before you walk out the door, get this BTS, get this shot, and we’re going to make it look beautiful.” Because we want to build the relationships with the brands of the clothing that we’re wearing.

DSH: What I love about what you’re saying is that it’s not only the tunnel, it’s not only the press run, it’s not only the campaign. It’s like, how are you creating this world around who the athlete is? To me, that’s exciting. It’s when you get into the creativity.

Let’s say that you receive a cold email from someone who wants to work with you. What kinds of questions do they ask that lets you know that they’re informed or they mean business? What lets you know, “Oh, they’ve done their homework a little bit, and they’re not just going to toss me around as a possibility”?

BH: We are brand architects, and because you guys are reaching out to us about a particular client, our job is not to just create a character, right? We don’t just create characters. We work with athletes. We understand that we have to know that athlete before they even walk in the room, and we have to understand their identity, understand their brand, and then build that with you [the brands] before we can even do the job right. There’s nothing more that I love than being on a call with a full production team for a full hour for a commercial. Because we actually want to know: One, what’s going into that player. Two, what they look like. Three, what they’re going to be doing, if there’s a double or if they’re going to be active — our talent is very performative, they’re performance-based first, and so we have to remember that when we’re dressing them.

Brittany Hampton on the role stylists play beyond the tunnel walk: “We’re not just bringing them a rack of clothes. We’re truly there to help build their identity and then who they’re about to become.”

CM: I feel like those conversations need to happen at the onset of working with a new client, with the agent, with the manager, with the assistant so that you can understand what the broader goal is for that client. A lot of times when people hire stylists, whether it’s per project or for a longer stint, a season, I think it’s like, “Oh, they just need clothes.” Like, I just had a job. [Her team] was like, “It’s the opening of the WNBA season. She needs clothes tomorrow.” Like an idiot, I took it: I really want to work with this girl. I’m gonna just send her a box. And I knew that was the dumbest thing I could have ever done, because I’ve never met her in person. I didn’t have the right sizes, and I think it ruined the relationship, because I didn’t have any context. So the fact that I couldn’t execute in 24 hours is sticking with me. I should have said no, because that is not my job — to go shop for you at the mall. My job is to really have a conversation about what your goals are, what your fit is, what brands do you love, what do you want to do when this basketball thing is over? I think that part and those conversations are important.

BH: It’s also important to have emotional intelligence. As we are the people that work with athletes on a consistent basis, we have to understand their bodies, but we also have to understand that they win games, they lose games. And half the time we are picking up their energy. We’re not just bringing them a rack of clothes. We’re truly there to help build their identity and then who they’re about to become. Sometimes you don’t get that lucky and get to have someone for that long, but the relationship building and creating that trust is something that’s so important, which is why those factors matter, like hiring someone maybe a month in advance and setting up those calls between the client and the stylist. Even if we just get on the call and we just want to shoot the shit and we’re like, “What colors do you like? What size do you like? What are brands that you love? Who do you look up to in terms of fashion?” Because some of these kids like it, and some of them absolutely don’t know.

DR: Well, that [direct relationship] might not be the reality depending on how big your client is sometimes, too. I’ve worked with people where they had to have that middleman for a little bit until they felt comfortable. So it wasn’t a situation where you could do that direct situation until they were ready. It’s also a different situation for me as a male, because guys don’t like being around other guys, so that’s why [women] dominated [the styling landscape] for years. Think about it. Like, as a guy, your mom is your first stylist. And then when you get a shorty you may say, “Yo, babe, I look nice. I’m good.” Guys really feel confident with a woman saying, “You look nice.” Not, “Yo, bro.” And then, even for me, a lot of the bigger guys I worked with, it was really their wives that was like, “You know what? My man can’t dress. I need you to come in.”

CM: That’s still the case. It’s somebody’s girlfriend or wife or agent. Like, “Please help.”

DSH: I want to talk about the people who you all work with when you are on set. I’m thinking particularly about glam. I’m curious about the makeup, hairstyle and grooming conversation that you are having, and why it matters.

“What you’re saying is that there’s a level of love that you have to put into it, and it’s not just about the clothes, but about the person,” reflected moderator Darian Symoné Harvin. “What do you like off the court? Where do you want to be? Where do you want to show up, right?”

CM: I feel like the stylist always becomes the creative director. We’re the hype man. We’re the one that’s talking to the hairstylist to say, “OK, she’s wearing this dress, we got to do XYZ, LMNOP.” We’re talking to the hairstylist. We’re talking to the photographer. We’re saying, “OK, we need a green backdrop instead of a yellow.” And I feel like that’s why we’re asking for certain rates; it’s not just me going to Old Navy to get y’all some jeans. And even if I am, because sometimes [Old Navy is] cute, we’re tailoring it. We’re making sure that that Old Navy looks like Bottega, so that at the end of the day you feel like the superstar that you are. We’re really curating the moment.

DSH: What advice would you give if you were sitting across a coffee table with a stylist who says, “I want to get into styling athletes”? What’s the one honest piece of advice you would give them?

BH: We can’t do everything. There are hundreds and hundreds of athletes across the board, and although we all came from a world of gatekeeping, it’s just not that anymore. Like we all have to share relationships. We have to continue to boost one another up. There’s been jobs where I’m like, “I can’t take that. Can you take that? Would you want that? This could be a good girl for you.”

DR: I think that a lot of people think because they’re fashionable, that means they should be a stylist. And I think being fashionable is just that. Being fashionable does not make you a stylist. I think it takes a sharpened eye. I think it takes understanding skill and proportion. I think it takes years of perfecting a craft to become a stylist. I think that people should just do research. I think that people should assist people. I think that when you come into a space and you don’t assist people, [maybe] you can easily attain a client, but retaining them is going to be hard, and I think that’s a difference, right? I wish a lot of the younger people that came into the space were more open to being a student first and not trying to become a professor.

CM: I also think that what we do is such an intimate thing. We’re getting people dressed. We’re in their homes, we’re in their hotel rooms. We’re with their families. Come as your authentic self and know that you have to do your best professionally — but also there’s a level of love that you have to put into it, and it’s not just about the clothes, but about the person, and about their goals and their aspirations. Make sure that you become a part of those conversations in a real, authentic way.

BH: It’s not just transactional. This is truly our passion. And we want to continue to work and just push for every person that comes after us.

I’m haunted by the perfection of Roxy board shorts from the early aughts. As a teen surfer girl in El Porto, they were my holy grail. In those years, all the cool surf brands made cute surf clothing, but the emphasis was decidedly more on the aesthetic than the function, which was a bummer when it came to, you know, surfing. Roxy board shorts changed that, especially the particular style I’m thinking of: slightly longer to actually prevent thigh chafe from the board, they sat perfectly on my hips and stayed on with their Velcro and lace-up fly. Unlike when I tried to borrow from the boys section, the board shorts weren’t comically long or baggy or cut straight across the waist. These were made for girls who actually surfed. I bought them in every (very cute) color I could find and surfed them until I couldn’t any longer.

Sonia Kasparian, the original designer of Roxy’s board shorts back in the mid-’90s, smiles in our recent conversation when I recount my astonishment at their discovery. She’s grinning because of course they fit — that was the ethos behind her design. “I wanted [the board shorts] to be totally functional, exactly to the same standards that the men’s were, but designed for women. There was a completely different fit for women than men.” And true to Roxy’s style bona fides, the board shorts looked good enough to pair with a T-shirt. “Everything was designed with the idea of being something that women would not only want to wear in the water, but just wear out walking around in everyday life,” Kasparian explains. “But if you were to go out in the water, those shorts would stay put. They would be comfortable — and they would be completely authentically built.” The brand was testing prototypes in the surf, eventually with pros like longtime Roxy team rider Lisa Andersen, but initially with Kasparian and her fellow Roxy and Quiksilver colleagues Lissa Zwahlen, Melissa Martinez and Amy Grace Patrick, among others. They’d paddle out in the board shorts in the morning to try out their designs before heading into the office, their noses dripping saltwater later in the day as they bent over fabric bins and sales reports.

Some of the first pairs of Roxy board shorts from designer Sonia Kasparian’s personal archive.

(Sonia Kasparian)

The functional ethos was always part of Quiksilver too. For the uninitiated, Roxy is the women’s brand of Quiksilver, the legendary Australian company that began in 1969 and made board shorts that performed as well as they looked. Their innovative, stylish design quickly became a nonnegotiable for the best and coolest surfers, and when Angeleno Bob McKnight discovered the board shorts on a surf trip in the early ’70s, he knew they’d become ubiquitous among surfers in California too. But when McKnight brought the brand to the U.S., he was met with skepticism. As McKnight tells it during our conversation at Quiksilver HQ, when he first approached Walter Hoffman, the renowned California maker of Hawaiian print fabric and eventual supplier and mentor, Hoffman exclaimed that board shorts were “the worst idea I’ve ever heard in my life.” The apparel business, according to him, was an impossible one to succeed in. McKnight protested to Hoffman, though: “We’re not in the apparel business. We’re making equipment for surfers.” The distinction paid off with pros and wannabes alike, and by the time Quiksilver launched Roxy with Kasparian in 1990, they were a cultural juggernaut. PacSun, anyone?

When I ask Kasparian about being a part of my personal archives, about being part of the historical surfwear archives, she’s “just so happy.” Despite Roxy’s eventual runaway success — it’s responsible for about 30% of Quiksilver’s sales — it was hard work to convince others in the industry that there was absolutely a need and a desire for fashionable, functional surfwear for girls. “I mean, you would go into the surf shops and you’d see all this men’s product, and you’d see a poster of the Reef girl with her butt in your face, wearing a thong,” Kasparian recounts. It’s not an exaggeration to say that Kasparian and her team made history, not just for teenage me but for countless other girls who wanted to look and feel confident in and out of the surf. “[Roxy board shorts] changed the dynamic of where women fit in the surf industry. They weren’t just the girls that sat on the sideline with the thong and watched their boys out in the water. They were the ones out in the water. And that was huge.”

I haven’t had any luck in finding the grown-up surfer girl version of Roxy board shorts. I still comb thrift racks and bulk bins for something close enough, even trying on the odd pair of early aughts Quiksilver men’s board shorts, as if, just by wanting it enough, I can somehow manifest the completely different fit that Kasparian was so intentional about designing. But board shorts for women these days just don’t hit the same way, especially the longer ones. They read midlife modesty, not stoke; they’re lacking in the joyous, playful audacity that Kasparian and her team infused into their groundbreaking designs. Maybe the board shorts I’m seeing aren’t the vibe because, well, they’re made for women, not girls, and despite my best efforts to never grow up (see: still surfing), I am in fact an adult woman and no longer a girl. And maybe, most of all, when I say I long for those Roxy board shorts from long ago, what I really mean is that I’m nostalgic for a younger version of myself: a surfer girl who was just discovering clothes that made her feel more like herself, with all the evolutions of that person still ahead of her.

All three Butlin’s resorts across the UK can expect to see these new additions to their sites, perfect for your family holidays and adult-only weekend breaks

The Brits’ favourite holiday resort has launched something new just in time for the school holidays, and it’s set to provide an experience you can’t get at other family parks.

It’s known as the ‘home of entertainment‘ for a reason, with its iconic Butlin’s live performances, rides, arcades, and waterparks all leading the way for family fun for decades. Now, a whole new experience has been added to the resorts that will amplify the fun for very little added cost.

Butlin’s has launched a whole new private sing-along experience, taking you away from the stage and audiences of the park and into your very own space with Karaoke Pods – bookable, just for you. Now, you can give the performance of a lifetime in the comfort of your own friendship group or amongst your family at whichever Butlin’s resort you choose.

As of now, the pods are open at all three Butlin’s resorts, including Bognor Regis, Minehead and Skegness, and can be booked for groups of up to 12 people.

Inside the Karaoke Pods, you can choose from an impressive catalogue of songs made up of over 5,000 chart-topping hits and throwback tunes carefully picked for guests to have the utmost fun.

Each session is set to last for a whole 55-minute session and should be booked in advance or, on the day when you decide to give it a spontaneous go, for £36.

If you want the drinks to keep on following, there’s no need to leave the pod, as they’ve thought way ahead of the curve. Any drinks can be ordered and delivered directly to your very own karaoke room.

During your sing-along session the pods, which Butlin’s describes as ‘high-tech’, capture each moment with videos, photos and even gifts. Meaning, you can sing your heart out in the soundproofed room without a care in the world and remain present as the pod does all the memory capturing for you.

Heidi Watson, head of innovation at Butlin’s, said: “We’re thrilled to have partnered with the Coca-Cola brand to bring this exciting, new karaoke experience to all three of our resorts. It’s the perfect activity for families or groups of friends to create unforgettable memories together while singing their hearts out to their favourite tunes.

“We’re confident the new Karaoke Pods will be popular with our guests, and an amazing addition to the activities already on offer across all of our different breaks.”

There’s no better time to book the karaoke pods than now, in time for your May half-term getaway as schools close for the week beginning May 25. Alternatively, you can get ahead of the curb and book in time for your summer holidays.

HARPER Beckham has been refused naming rights for her beauty brand in the US.

David and Victoria’s 14-year-old girl has got UK approval for Hiku By Harper.

But the US Patent and Trademark Office issued an “initial refusal” against the name because of the “likelihood of confusion” with existing companies.

It said “Harper” was already trademarked for the sale of brooms and scrubbing brushes, while “Haiku” is registered for fragrance and toiletry products.

Harper has been working on the project for more than a year and hopes to sell products for spot-prone teens.

The US application covers make-up and acne medications, as well as footwear and clothing, keyrings, stickers, hair decorations and brushes.

posh point

Victoria hits back at Brooklyn’s ‘brand Beckham’ claim & tried to ‘protect’ kids

JUMP THE GUN

David Beckham slams Arsenal referee as Atletico controversially denied penalty

She and her parents have six months to respond, after applying for the trademark in November.

Fashion designer Victoria, 52, this week spoke about her daughter’s plans, describing her as “very ambitious” and “a little entrepreneur”.

She said Harper came to her “two or three years ago and she was really struggling with her skin”.

She added: “I suffered with child acne, teenage acne, adult acne, every acne under the sun, I’ve been there. So I could really relate to her.

“And she said, ‘I want to create a brand because I don’t want other people to have to go through what I’ve been through’.”

SHE went from a little known model to posing for Fendi almost overnight when she started dating Brooklyn Beckham.

Stunning Hana Cross, now 28, dated the nepo baby for just eight months but almost seven years on the Beckham family name still haunts her – and as insiders tell us she’s gained a reputation for being difficult to work with, the famous connection is doing more and more of the heavy lifting.

An industry source explained: “Hana can be hard work behind the scenes, especially when things don’t go her way, and that’s started to follow her.

“Brands are becoming more hesitant, not because of one specific issue, but because of a general unpredictability around how things might be received with her.

“Brands have mentioned how difficult she is to work with. She’s a stunning girl with so much potential but there’s a sense some partnerships have cooled as companies weigh up whether the attention she brings is the right kind.

“There’s a growing feeling in the industry that a lot of the attention around her still ties back to her past with Brooklyn, whether she likes it or not.”

We’re told she recently hired a new press team to help restore her reputation and shed the family name once and for all.

It became apparent just how far off that dream was earlier this year as she found herself dragged into the Beckham family drama surrounding Brooklyn falling out with his parents.

Our source continued: “The recent Beckham drama has definitely rattled her more than she’s letting on, she’s trying to stay composed but it’s clearly unsettled things behind the scenes

“She’s more cautious than ever now, particularly when it comes to anything linked to that circle

“She’s brought in a new PR team in an attempt to reset the narrative and give herself a fresh angle. There’s a sense that without her Brooklyn ties, there’s not much cutting through in terms of her own identity.”

The Leeds-born model started dating the eldest of the Beckham brood, 27, back in 2018, but it was a tumultuous time, overshadowed by a series of very public rows.

Hana was thrown into the spotlight – compared to Brooklyn she’s had a very modest upbringing, living in Huddersfield and then Chipping Campden, where she attended the local state school. 

From Leeds to LA

Born Hana Mahmood, her mum Sarah was working in a shop when she married Khalid Mahmood in November 1994. 

When she was 18 she was scouted while out shopping with her mum in Cotswolds. She had been planning to go to university to study business with equine studies, but her career took off pretty quickly.

Hana has worked for everyone from high street brands Topshop and New Look to designers Valentino and Missoni.

She was 21 when she first met Brooklyn, who was 19 at the time. It’s thought that Brooklyn’s cousin Libby Adams introduced them and they soon became inseparable.

The couple appeared to have their struggles at the time and they were pictured seemingly having a heated discussion outside a Los Angeles restaurant.

And not long after, another confrontation at the Agent Provocateur party, at Annabel’s members club in London in September 2019, left Hanna running to the bathroom in tears.

A fellow partygoer at the time told The Sun Online: “They were chatting together and it was very tense. By the end of it I could hear Brooklyn say, ‘it is what it is.’

“He walked off and she went back to her friends looking dejected, but she held it together while her pals comforted her”.

Brooklyn’s parents Victoria and David were said to be “seriously frustrated” by the negative attention the rows were creating and warned him to spend more time with the family.

Looking back at that time in a rare interview Hana admitted that dating the budding chef and being part of the famous family sparked her “anxiety” .

She told Hello! Magazine: “My time with the family caused me a lot of anxiety, in all honesty.

“There were a lot of warning signs and things that happened during the relationship that, in hindsight, should have made me think and maybe end the relationship or walk away a lot sooner than it did”.

In recent months Brooklyn’s current relationship – his marriage to Nicola Peltz – has come under scrutiny due to his very public family feud.

The famous family’s spat exploded when he launched a nuclear attack on his famous parents – blasting his Spice Girls star mother, 51, in a damning message posted on social media.

Hana admitted: “It’s hard not to be mentally drawn back into that part of my life, especially with all this feud stuff coming out. 

“It’s hard because I don’t look back on that as a fond time, on reflection.”

The couple finally called it quits in the summer of 2019, which was said to be a huge relief to Brooklyn’s parents. Little did they know Nicola Peltz was just around the corner. 

Hana had a brief foray into music and released a track that seemed to hint at Brooklyn. 

She sang: “I wish that someone told me you had a habit for dishonesty – though you break my heart, I want to stay.”

She went on to date Jude Law‘s son Rafferty, Jack Whitehall and Scott Disick. She’s now living in LA and was last linked to aristocrat Peregrine Pearson, following his split from Sophie Turner. 

Our insider added: “It’s a bit of a catch 22 situation because she knows that without Brooklyn she wouldn’t be where she is now and it’s still the thing people are most interested about with her.

“But she’s determined to push forward and prove she can stand on her own.”

OLIVIA DEAN is preparing to pull out the big guns for the follow-up to her year of triumph — by enlisting the help of hitmaker extraordinaire Nile Rodgers.

She’s become one of the UK’s favourite musicians thanks to the runaway success of her album The Art Of Loving.

Now I’m told Chic great Nile is keen to work with Olivia and personally reached out to her.

Their teams are looking for space in the schedules to go into the studio together.

A source said: “Nile has his finger on the pulse when it comes to music and thinks Olivia is just amazing.

“He was actually aware of her before her album dropped and is really keen to get in the studio with her.

OLIVIA’S GIG SHOCK

Olivia Dean baffles fans on UK arena tour by NOT performing one huge hit

THE GIG IS UP

Olivia Dean takes swipe at ticket touts as she wants fans to ‘afford shows’

“She really does have the world at her feet and is pretty honoured that such a star wants to work with her.”

Nile has written, produced and performed on albums totalling more than 750million sales.

He has worked on tracks including David Bowie’s Let’s Dance, Duran Duran’s The Reflex and Like A Virgin by Madonna.

More recently, he has contributed to Beyonce’s albums Renaissance and Cowboy Carter, and Coldplay’s tenth album Moon Music.

But Olivia doesn’t have loads of time in her diary right now, having kicked off a debut arena tour in Glasgow last Wednesday.

She has shows in London this week and will stay on the road across Europe and North America until the end of August, before jetting Down Under in October.

Released last September, The Art Of Loving has turned her into a global star, spawning the singles Man I Need, So Easy (To Fall In Love), A Couple Minutes and Let Alone The One You Love.

She proved to have the Midas touch, because after teaming up with Sam Fender on a version of his song Rein Me In, it spent eight weeks at No1 — and is on course to return there this Friday.

Olivia has also achieved career milestones including performing on Glastonbury’s Pyramid Stage in 2024.

On how to build her career, Olivia previously said: “Make an album, play Jools Holland and play the Pyramid Stage.

“I’ve done them now, I need to figure out some new goals.”

With Nile by her side, I’m sure Olivia will continue to dominate.

MIS-TEEQ confirmed my story that they’re reuniting to celebrate the 25th anniversary of their debut album, Lickin’ On Both Sides.

I revealed in January that Alesha Dixon, Sabrina Washington and Su-Elise Nash were discussing getting back together for a one-off performance.

And now Mis-Teeq’s Instagram page has kicked back into action, with a video showing their performances from 2001 – when the record came out.

The biography on their account reads: “25 Years. One Legacy.”

Watch this space.

COOPER: MY SLIM PICKIN’

COUNTRY singer Cooper Alan wants to do the unthinkable and drag Eminem into the world of cowboy music.

In an exclusive chat with Bizarre, the TikTok sensation – who has racked up 11.5million followers – revealed that the Slim Shady rapper tops his dream collaboration list.

Cooper said: “Eminem has always been my favourite. It would probably never happen, but that’d be really cool.

“Eminem on a country song, I think that would be crazy.”

He’s also got another surprise duet in mind, this time with with Scottish brothers The Proclaimers.

He added: “We’ve been covering their 500 Miles as our encore, so we’ll throw their hat in the ring too. Dream collab, The Proclaimers.”

I caught Cooper live in London last week on his To The Pub Tour, and the show was absolute carnage – in the best way possible.

The singer is wrapping up his first UK shows in Glasgow tomorrow, following the release of latest album Winston-Salem.

The New Normal singer had fans battling it out in a beer-chugging contest before pouring pints straight into the front row from the stage.

Laughing about the stunt, he said: “You’d think I’d be better at pouring the beer.

“But it comes out too fast, it goes all over their face.”

After testing their drinking skills, he was full of praise for our crowds.

Cooper said: “I was impressed with the British drinking ability, especially on a Tuesday night.”

That’s those Americans told.

If you want proper drinkers, come to Britain.

MEGAN DITCHES ‘CHEATER’

MEGAN THEE STALLION has broken up with boyfriend Klay Thompson after accusing him of cheating on her.

In a statement confirming her split from the NBA basketball player, she said: “I’ve made the decision to end my relationship with Klay.

“Trust, fidelity and respect are non-negotiable for me in a relationship.

“When those values are compromised, there’s no real path forward.

“I’m taking time to prioritise myself.”

The WAP rapper was with Klay – who’s yet to address the claims – for just under a year.

On Instagram she wrote: “Cheating, had me around your family playing house.

“Got ‘cold feet’. Holding you down through all your HORRIBLE mood swings and treatment of me during basketball season  . . .  now you don’t know if you can be ‘monogamous’???”

FOO FIGHTERS celebrated the release of their album Your Favorite Toy with a launch party in London, then performed two new tracks on Saturday Night Live.

But it looks like the band, above, will be prevented from scoring their seventh No1 album, as Noah Kahan’s new record The Great Divide has sold three times more in the UK since they were both released on Friday.

MADGE BASQUES IN GLORY

SHE might be 67, but it’s clear Madonna can still party hard as she leaves a nightclub in bridal lingerie at 2am yesterday.

Madge, in shades and knee-high boots, hosted a bash at The Abbey in West Hollywood, where she played new track I Feel So Free and also premiered an upcoming song, believed to be called Freedom.

That could well be her third track with that title.

She recorded one for her 1994 Bedtime Stories album, though it didn’t make the cut at the time, and made another during sessions in 2014 and 2015, which wasn’t officially released but did leak online.

There was some chaos at the Los Angeles nightspot as fans grappled to get close to the superstar, who was standing behind the DJ decks.

Punters were pushing and shoving, with one woman pouring her drink over a man’s head.

Celeb fans Addison Rae and Julia Fox were also there.

Let’s hope they didn’t have soggy bonces.

BOY GEORGE FACES UP TO EUROVISION

BOY GEORGE is all set to make his Eurovision debut next month – but it sounds like he’s put less thought into his vocals than how he will react when the scores are revealed.

The singer is featuring on San Marino’s entry Superstar, by Senhit.

He said in an exclusive chat at the London Eurovision Party: “I’ve been to so many awards shows where I’ve been nominated, so I will be able to deal with nerves when it comes to the points.

“You have to learn that face where you’re like, ‘I’m so happy for everyone else’.

“But I’ll be so in it. I think Senhit will be more nervous than me.

“I won’t be nervous on the night, not really. There will be nervous energy and excitement.”

The Culture Club frontman joked he better not get stage fright, adding: “Probably on the night, I’ll be like, ‘Argh, this is huge.

“What if I forget to say the right words?’. I won’t have a lot to do, but sometimes not having much to do can be worse. But I think I’ll be fine.”

He has high hopes that San Marino can beat the UK entry Eins, Zwei, Drei by Look Mum No Computer.

George added: “I’d love us to win. San Marino is a small country. Ireland is not doing Eurovision this year so, they can vote for me as I’m Irish.”

THE ROLLING STONES are having fun with the promo for their new album Foreign Tongues.

They have turned their website into a CCTV geek’s heaven with ten cameras showing them at work.

Producer Andrew Watt, who worked on their last No1 album Hackney Diamonds, features in the videos, and helped shape the ten album tracks.

Insiders said there is a top-secret – and random – collab on the new record, out later this year. I’m told no one would ever guess.

SYDNEY CENTRE STAGE

HONKY tonkin’ Sydney Sweeny squeezed into this tiny corset dress to enjoy the world’s largest country music festival.

She was spotted in the crowd during the Stagecoach event in California.

The actress, who seemed to take inspiration from Madonna’s latest corset look, was seen on top of boyfriend Scooter Braun’s shoulders as they watched Ella Langley perform on Friday evening.

She was then back on Saturday for day two and got on the mic herself, inset.

Her lingerie brand Syrn hosted a pop-up where she belted out Sweet Caroline on karaoke and was joined by showbiz pals Diplo and Lance Bass.

Perhaps a music career beckons next . 

REALITY TV star Kylie Jenner buckles up – in a double belted mini skirt from her KHY fashion brand.

The 28-year-old posed in a stone coloured denim number from her Born in LA range.

She said: “It’s inspired, designed, and almost all made here in Los Angeles

“From LA to wherever you are.”

We revealed yesterday how the socialite has become a cat mum since her beloved 11-year-old Italian Greyhound, Norman, passed away last year.

And is seems that the stunning beauty mogul is enjoying the company of her new four-legged friend.

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Taking to Instagram, Kylie posed up a storm in a seriously skimpy outfit, writing a caption which read: “me + my lip liner + and my kitty.”

She shared four photos to the platform, with each of the snaps being selfies of the star as she rocked a gray bathing suit.

The swimsuit was strapless and had cutout details, displaying her toned physique.

The first image saw Kylie pulling her cut-out bikini down a little while applying lip gloss in a huge mirror.

Her cleavage was on full display as she pouted up a storm and applied the lip product with her long raven locks framing her face.

The second snap saw her standing up straight while holding her adorable fluffy friend.

RUSSELL Brand has confessed he thinks about going to prison “every day” ahead of his rape trial and denies being a “grifter”.

The comedian and actor, 50, who now hosts a podcast is facing trial on three counts of rape, three of sexual assault and one of indecent assault against six women from 1999 to 2009.

He denies all the charges against him.

The star, who wore a crucifix around his neck, talked at length with Piers Morgan on his YouTube show Uncensored.

Asked if he thought about the reality of going to jail if he was found guilty, Brand said: “Yes… all the time, every day.”

He added: “I will be with God wherever I am. And of course, I would prefer to be with God with my wife and my kids… I’m not saying that that’s not a difficult image, you know, and a difficult thing to contemplate, of course it is.”

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Brand, who brought a Bible with him, continued: “We are going to find out the truth, and we’re going to deal with the truth.

“Because actually, I am not afraid of the truth and if the truth is I am going to prison, then I am. My job will be, do not be afraid of that truth, that is what you are going to do.”

The one-time Hollywood star claimed he would face being behind bars “with God” if he was found guilty of the charges against him.

He also strenuously defended his innocence.

Morgan put it to him that there were people who considered him “basically just a massive grifter”.

Brand immediately shot back: “No, that’s what they say about you.”

Morgan added: “You’re very eloquent, you can be very persuasive with the power of your words, but that actually when it comes to any of these issues, you don’t really have a personal principle.”

Brand said: “I do, I do.”

In an earlier interview for The Megyn Kelly Show podcast admitted he had sex with a 16-year-old when he was 30.

He said his relationships at the time were “exploitative” – but stressed his sex with the girl was legal.

Brand said: “In Europe and in the United Kingdom where I’m from, the age of consent is 16. And I did sleep with a 16-year-old when I was 30.

“But when I was 30, I was a very different person. I was a lot younger and I was an immature 30-year-old.”

Brand told host Megyn Kelly his relationships in the past were “selfish”.

He continued: “I did not apply enough consideration barely any I suppose really to how that sex was affecting other people.”

At the height of his fame, the actor starred in a number of Hollywood films, including Forgetting Sarah Marshall and Get Him to the Greek.

His trial at Southwark Crown Court is due to start on October 12.

Russell Brand, the British comedian and actor who has been accused by multiple women of rape and sexual assault, said his sexual flings amid the height of his fame in the early aughts included sleeping with a 16-year-old girl.

Brand confirmed the relationship to Megyn Kelly on the the latest episode of her eponymous podcast and YouTube show published Wednesday. “I did sleep with a 16-year-old when I was 30,” he said, “but when I was 30 I was a different person. I was a lot younger and I was an immature 30-year-old.”

The “Get Him to the Greek” actor, 50, emphasized that the age of consent in the United Kingdom is 16 and reflected on his behavior at the time, adding that he thinks having consensual sex as a famous person “involved exploitation.” He said he felt fame and addiction paved the way for “opportunity for endless consent which led me to be a hedonist and a fool and exploiter of women.”

“That is wrong and that is something that needs to be redeemed and addressed and atoned for,” he added.

Brand’s relationship with a 16-year-old girl became public in 2023 when the Times of London and Britain’s Channel 4 published a joint investigation detailing allegations of rape, sexual assault and other abusive behavior against the once-in-demand actor. One of the women who raised allegations against Brand said she became involved with the former actor when she was 16 and he was 31, and that he referred to her as “the child” in their relationship. According to the woman, Brand reportedly forced his penis down her throat, making it difficult to breathe, and she fought him off by punching him in the stomach. Brand denied the claims at the time.

The investigation centered on alleged incidents that occurred between 2006 and 2013 — the peak of Brand’s Hollywood fame — and laid the groundwork for additional complaints against the raunchy comedian to come to light.

In April 2025, the Metropolitan Police Service charged Brand with single counts of rape, indecent assault, oral rape and two counts of sexual assault connected to alleged attacks on multiple women between 1999 and 2005. U.K. authorities pressed additional rape and sexual assault charges against the “Forgetting Sarah Marshall” actor in December. He will stand trail in October.

Brand, ex-husband to pop star Katy Perry (who is facing her own sexual assault scandal),fell mostly out of public favor within the past decade and pivoted his focus to religious and “free-thinking” content. Last year he appeared at Turning Point USA’s AmericaFest 2025.

At the beginning of the podcast episode, Kelly said that after learning about allegations against Brand she “felt anger for a couple years” toward the actor. However, Kelly said she grew open to speaking with him after some time and an “enormous amount of open-mindedness to [Brand] being railroaded and attacked by people.”

Notably, Kelly in November offered a flimsy definition of pedophilia when it came to late convicted sex offender Jeffrey Epstein. Citing “somebody very close” to Epstein’s case, Kelly said Epstein “ was into the barely legal type, like, he liked 15-year-old girls,” Kelly continued.

“I’m not trying to make an excuse for this, I’m just giving you facts — that he wasn’t into, like, 8-year-olds,” she added at the time. “But he liked the very young teen types that could pass for even younger than they were, but would look legal to a passer-by.”

Times staff writer Meredith Blake contributed to this report.

VICTORIA Beckham has lost a row with US luxury handbag brand Vera Bradley over using the initials VB.

The fashion designer’s Victoria Beckham Ltd team hired intellectual property lawyers in a bid to stop the company registering the letters.

They argued that Posh Spice Victoria was now known globally for her initials — the basis of her beauty firm logo.

But they have now backed down and the application, first published in the Trademark Journal in the US last year, has been registered.

Vera Bradley rakes in more than £200million a year, with customers including Taylor Swift and Sarah Jessica Parker.

Victoria Beckham Ltd — represented by top LA attorney Eleanor Lackman from law firm Mitchell Silberberg & Knupp — asked for more time to put together their case before finally dropping it.

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The US Patent and Trademark Office said: “The Board notes the request, filed by Potential Opposer, Victoria Beckham Limited, to relinquish its extension of time to file a notice of opposition.

“In view thereof, the relinquishment releases the record of application for further processing.”

Last October, Victoria, 52, lost a similar battle with the Norwegian firm Vendela Beauty, with the company successfully arguing she was not famous enough in their country.

And in 2020, the former Spice Girl settled with Australian-based VB Skinland after they successfully registered the trademarks VB Salon and VB Skinlab.

Nic kick a Vic shtick

ACTRESS Nicola Peltz gets her kicks by poking fun at her mother-in-law’s trademark pose.

Brooklyn Beckham’s wife, 31, plays a ballerina in upcoming film Prima — and posted a picture online showing her leg pointed high in the air.

But one comment said: “This is Victoria Beckham’s signature move — stop trolling your mother-in-law.”

Nicola and Brooklyn, 27, are embroiled in a feud with his parents Victoria and David.

By Olivia Monk

A STANDOFF between unions and operators means a town’s brand new train station is still closed – two years after being built.

A transformative railway line aiming to link Oxford and Cambridge is continuing to see setbacks, leading to delayed openings of stations.

The £7 billion project by East-West Rail (EWR) aims to improve transport links for millions of residents in the region and boost economic growth.

Finished in 2024, the line between Bicester Village and Bletchley, a 36-mile journey, was due to open last year.

Currently, passengers trains are running on the tracks – except they have no passengers on board.

A series of disputes between trade unions and the operator, Chiltern Railways, have meant that the stations remain closed and only empty trains are travelling along the tracks.

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The ghost-trains currently running through the station are a combination of freight trains and those used for driver training.

Currently, the only EWR trains on the new line in use are those between Oxford and Bicester Village.

Winslow is one of the towns located on the Bicester Village to Bletchley line that has been affected by the closures.

The £5 million station was completed back in 2024, but has remained closed amid the rows.

It’s opening has also been delayed by concerns raised over the platform length at the station which are going to have to be extended to accommodate the number of travelers.

Both setbacks have frustrated local residents.

A local told the The Telegraph, that the exasperating delays have caused “difficult and annoying delays” for her daughter who has to travel to Oxford to work.

They said that the delays indicate that Britain “doesn’t work like it used to”, and believe a situation like this would “never” have occurred when they were a youngster.

The cause of the row boils down to who operates the doors.

Chiltern Railways, the operator, beleive that the train line should run as a driver-only operation (DOO) meaning that only the train driver is in charge of opening and closing the doors and no guards are required.

They are in a standoff with the Rail, Maritime and Transport (RMT) union, who represent train guards.

The back-and-forth between the two parties means that plans to continue with the lines opening have be brought to a standstill.

An action group has been set up on Facebook by upset locals to discuss ongoing updates.

It has also become a place for residents to vent their frustration with the continued delays, with one local calling the lack of passenger trains running “an absolute farce”.

April 15 (UPI) — U.S. advertising companies Dentsu, Publicis and WPP settled Wednesday with the Federal Trade Commission, which claimed they colluded over anti-misinformation policies that affected ad money for conservative publishers. The companies did not admit wrongdoing as part of the settlement.

In a press release, the FTC said the agencies “distorted America’s modern public square” and worked together to establish “brand safety” policies that limited the ads that could run on sites with content designated as misinformation. This affected ad revenues for conservative political websites and made it more difficult for them to make money from “disfavored political viewpoints,” the FTC release said. The commission filed a complaint Wednesday in the U.S.District Court for the Northern District of Texas.

A court must approve the settlement. The companies agreed not to collude to restrict ad-buying services over “news and political and social commentary content,” the FTC said.

The New York Times reported that a representative for Dentsu said the company was “fully committed to operating transparently, with integrity and in strict compliance with all applicable laws.” A representative for WPP told that Times the agreement “reflects our existing and ongoing commitment to provide our clients with unbiased advice as they decide where to place their media.” The companies own multiple ad agencies and buy digital ads on behalf of advertisers.

FTC Chairman Andrew N. Ferguson said in the release that the agencies’ brand safety policies “turned competition in the market for ad-buying services on its head.” The collusion, he said, “distorted the marketplace of ideas by discriminating against speech and ideas that fell below the unlawfully agreed-on floor.”

This follows a longstanding claim by the Trump administration that the media and websites treat conservatives unfairly. Ferguson and the FTC in 2025 also opened other inquiries into alleged anti-conservative censorship through online content moderation.