Bowl

The NFL mountaintop this season sits 10 stories underground.

That’s the subterranean field at SoFi Stadium, playing host on Feb. 14, 2027 to its second Super Bowl. The first came five years earlier when the Rams beat Cincinnati on their home field.

It will mark the ninth Super Bowl in the Los Angeles area across three venues: the Coliseum (two), Rose Bowl (five) and SoFi (two). But in some ways, all those previous games were a drumroll leading up to this one — Super Bowl LXI, in a futuristic $5-billion stadium, absent the lingering restrictions of a pandemic.

“Super Bowl LVI was an amazing experience, but it was still on that tail end of COVID, and it was not everything that this Super Bowl LXI could be,” said Peter O’Reilly, NFL executive vice president of club business, international and league events.

“We didn’t do a Super Bowl Opening Night — it was virtual — and there were a lot of things we were still adjusting. … It was absolutely spectacular during the weekend and on game day, but I do think this Super Bowl gives us all the chance to do it full-on, in the way an L.A. Super Bowl can and should be.”

In the weeks leading up to the first Super Bowl at SoFi, there were misguided rumblings that the game might be moved to Dallas, because the NFL had secured that city as a backup. But those type of contingency plans are in place for every Super Bowl, and the game was not in serious peril of being moved. Still, there was a cloud of public doubt lingering over the event.

“Those rumors created a lot of havoc and uncertainty in our market,” said Kathy Schloessman, chief executive of the Los Angeles Super Bowl Host Committee for both games. “It was hard to get the excitement going because people didn’t know if the city was open or closed. I almost hate to say it because I don’t want to jinx anything, but this is our first normal Super Bowl planning.”

Super Bowls can take over a city. Look at the games played in New Orleans, Indianapolis or Houston. Seemingly every resident was aware the game was happening. But in some of the bigger cities — New York, Los Angeles, Miami — there aren’t reminders everywhere you turn.

Something that might offset that this season is ESPN is broadcasting the game for the first time, and has been hyping it ever since the most recent Super Bowl ended.

“It’s a year of the Super Bowl for them that ends in Los Angeles,” O’Reilly said. “That feels natural and poetic. I can’t say enough good things about the way they’ve embraced it.”

South side view of the field at SoFi Stadium.

(Sam Farmer / Los Angeles Times)

Disney is the parent company of ESPN, and likewise has embraced the game, which feels like a true confluence of the sports and entertainment industries.

“When I think about L.A. and brands coming together — Disney, SoFi Stadium, the Rams — I think it takes advantage of what the NFL had always hoped when bringing a Los Angeles team back,” Rams president Kevin Demoff said. “SoFi Stadium is that marriage of the NFL and entertainment.”

Whether they play in the game or not, the Rams are intimately connected to this Super Bowl, as they are the host team. That means they have a degree of financial responsibility to make good on the commitments made to the NFL when Los Angeles was awarded the game. They also are allotted more tickets to the game than the other franchises not hosting (or playing in) the event.

Although the Chargers were co-hosts for the first Super Bowl at SoFi, they opted not to host this one. According to a Chargers spokesman, they chose to cede the stage to Rams owner Stan Kroenke, whose vision they credit for the stadium and Hollywood Park development, but will make a “significant seven-figure financial commitment” to the host committee in the run-up to the game.

Part of Kroenke’s vision in moving the Rams and building the stadium and surrounding campus was to shift the center of gravity of the sporting world to Los Angeles. It’s worth noting that SoFi was a central location of the World Cup — the first U.S. goal was scored there — and will play host to swimming events in the 2028 Olympic Games.

“[SoFi] is now established as one of the world’s greatest sporting stages, which the Super Bowl helped put on the map the first time,” Demoff said. “But now it’s in the middle of this global run.”

It isn’t just the Super Bowl. SoFi will also play host to the NFL’s first-ever Thanksgiving Eve game — Rams versus Green Bay Packers — on Netflix.

“If you’re looking at the arc — not as a Super Bowl but how the NFL wanted to come back to Los Angeles — you have Disney, a longstanding, old-school entertainment partner,” Demoff said. “And then you have this element of streaming and new media and where the NFL is heading. It’s a really interesting juxtaposition.”

Shades of 2021.

That was the year, after going all-in with blockbuster moves before and late in the season, the Rams won Super Bowl LVI at SoFi Stadium.

Five years later?

After a series of head-turning trades, signings and one legendary player’s return from retirement, the Rams and 10th-year coach Sean McVay are well beyond all-in.

On paper, the star-studded offense is seemingly invincible, the reconstructed defense inarguably impenetrable.

“It gets down to: how do we come together as a team,” McVay said. “But it’s hard to say top to bottom that the collection of individuals is not very special.”

The Rams are an overwhelming favorite to win Super Bowl LXI at SoFi Stadium.

It’s Super Bowl or bust. Again.

McVay said at the outset of training camp that the season would not be considered a success or a failure by whether the Rams win the Super Bowl.

Tell that to Rams fans.

Quarterback Matthew Stafford is the reigning NFL most valuable player — and shows no sign of slippage as he enters his 18th NFL season.

Receiver Puka Nacua led the league in receptions last season, and future Hall of Famer Davante Adams led the league in touchdown catches.

After their secondary was exposed in an NFC championship game defeat by the Seattle Seahawks, the Rams traded for All-Pro cornerback Trent McDuffie. They signed cornerback Jaylen Watson, McDuffie’s former Kansas City Chiefs teammate. And then general manager Les Snead pulled off another stunning deal for defensive end Myles Garrett, a two-time NFL defensive player of the year.

And that was before Aaron Donald, a three-time defensive player of the year, ended a two-year retirement to join a team about to embark on a boom-or-bust season.

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Defensive lineman Aaron Donald has come out of retirement to join the Rams’ Super Bowl title push.

“You know all these other teams probably hate us,” Rams safety Quentin Lake said, chuckling. “They think we’re like the new Dodgers or something like that.”

Lake made that comment before Rams owner Stan Kroenke agreed to buy the Angels. But baseball parlance was already in the air.

Defensive line coach Giff Smith described the acquisition of Garrett, who amassed an NFL-season record 23 sacks last season, as “a grand slam.”

So what could possibly go wrong?

Nacua and left tackle Alaric Jackson are under investigation by the NFL regarding separate off-the-field incidents. If the league determines they violated the NFL’s personal conduct policy, they could be suspended.

The offensive line is experienced but short on quality depth at tackle. If Jackson is injured or suspended, Stafford is at more risk of injury.

Garrett sat out most of training camp and preseason practices because of a knee issue. Donald has not played a snap in two years.

Kicker Harrison Mevis came on last season and solidified a suspect field-goal unit, but it remains to be seen whether new coordinator Bubba Ventrone turns special teams from a liability into a strength.

Regardless, the Rams are built to win another title on their home turf.

“It’s special to be part of a team that can truly go all-in and bring in some new firepower to help us be able to reach the goals that we have in store for ourselves,” defensive lineman Kobie Turner said.

The Rams open the season this week against the San Francisco 49ers in Melbourne, Australia. The 49ers traveled there last week. The Rams are scheduled to depart Tuesday evening, arrive Thursday morning and play on Friday.

Unlike after other previous international trips, there will be no off week before the Rams play their home opener against the New York Giants. Then it’s consecutive road games against the Denver Broncos and the Philadelphia Eagles before a home game against the Buffalo Bills.

Rams defensive end Myles Garrett smiles during training camp in July.

(Robert Gauthier / Los Angeles Times)

The Rams then host the Arizona Cardinals before playing three of the next four games on the road at Las Vegas, Washington and Arizona.

It doesn’t get easier after a shortened bye week. The Rams play the Green Bay Packers the night before Thanksgiving. Then it’s a home game against the Chiefs, a trip to Santa Clara to play the 49ers, and a home game against the Dallas Cowboys.

The Rams play the defending Super Bowl champion Seahawks twice in the final three weeks, with a game at Tampa Bay sandwiched in between.

After all the buildup, the Rams are ready to embark on their quest.

They plan to finish it by hoisting the Lombardi Trophy at SoFi Stadium.

“It’s our time,” Turner said, “to go and make those dreams a reality.”

It’s been a remarkable year for Bad Bunny, one of pop music’s biggest stars. After winning multiple trophies earlier this year at the Grammys, including album of the year for “Débi Tirar Más Fotos,” he can add another accolade: Emmy winner.

The Puerto Rican rapper and singer, also known as Benito Antonio Martínez Ocasio, won his first Emmy for variety special (live) on Saturday for his historic Super Bowl halftime show. It was the first Spanish-language halftime show, a 13-minute spectacle that transformed a football field into a variety of scenes including a sugar cane field, bodega, wedding party and casita, like the one in his 2025 San Juan residency. It also featured performances by Lady Gaga and Ricky Martin. Mikael Wood, The Times’ pop music critic, called it “a busy and colorful performance that drew lines between the traditional folk forms of his native island and the throbbing reggaeton beats that have made him an icon to young people around the globe.”

Bad Bunny served as a producer on the show. It won seven Emmys overall, including for directing for a variety special and music direction.

Also honored at Saturday’s ceremony was Mariska Hargitay for her documentary “My Mom Jayne,” about her mother Jayne Mansfield, a Hollywood actor who died in a car accident when Hargitay was 3 years old. Hargitay also received an Emmy for directing the film and Tony Hardmon won for cinematography. The movie, which premiered at the Cannes Film Festival last year, had a limited theatrical run before being released on HBO in June 2025. Hargitay won an Emmy in 2006 for lead actress in a drama for playing Det. Olivia Benson in “Law & Order: Special Victims Unit.”

In an interview with The Times last year, Hargitay said, “Making this film has been so extraordinary to me and totally reframed the narrative for me,” about Mansfield and the struggles she encountered over her brief but celebrated career. The film also revealed that Hargitay’s biological father was Nelson Sardelli, a former entertainer, and not Mickey Hargitay, the man who raised her and Mansfield’s second husband.

Mariska Hargitay will host the Primetime Emmy Awards on Sept. 14 in Los Angeles.

The first pair of Emmy ceremonies, formerly called the Creative Arts Emmys, are held over two nights, two weekends before the Primetime Emmy Awards, and honor many of the behind-the-scenes workers and craftspeople in television. An abridged version of the ceremonies will be broadcast Sept. 12 on FXX and stream on Hulu the following day.

Here is a list of winners from Saturday’s ceremony:

Variety special (live)
“The Apple Music Super Bowl LX Halftime Show Starring Bad Bunny”

Variety special (pre-recorded)
“The Muppet Show”

Documentary or nonfiction series
“Mr. Scorsese”

Documentary or nonfiction special
“My Mom Jayne: A Film by Mariska Hargitay”

Unstructured reality program
“Love on the Spectrum”

Structured reality program
“Antiques Roadshow”

Host for a reality of reality competition program
Alan Cumming, “The Traitors”

Game show
“Jeopardy!”

Game show host
Jimmy Kimmel, “Who Wants to be a Millionaire?”

The complete list of winners for Saturday’s ceremony can be found at televisionacademy.com.

Aaron Donald watched closely.

After reaching the NFC championship game last season, the Rams traded for a star cornerback. Then they traded for a two-time defensive player of the year.

Donald, a future Hall of Famer two years into retirement, noticed.

His thought: “OK, I wish I was still out there playing right about now.”

On Sunday, there he was.

Hours after ending months of speculation that kept the NFL world at rapt attention, Donald, 35, agreed to terms with the Rams, donned his No. 99 jersey and practiced with the team for the first time since 2023.

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Future Hall of Fame defensive lineman Aaron Donald officially came out of retirement Sunday to rejoin the Rams for their Super Bowl title push.

“Do I feel like I can play at a high level? Yes,” Donald said after the workout. “Do I feel like I can still be myself? 100%.

“If I didn’t feel like that I wouldn’t be here.”

Rams coach Sean McVay is happy to have him. Since the Rams traded for star defensive end Myles Garrett in June, McVay had said he would welcome Donald’s return — and subsequently stressed that any decision would be Donald’s and on the eight-time All-Pro’s timeline.

Donald said that he and McVay communicated “damn near every day” as he worked out and pondered his decision.

Sunday was the deadline for NFL teams to trim their rosters to 53 players.

“He and I both had kind of an unspoken understanding, like, ‘All right, once we get the roster down, where are you at with it?’” McVay said. “We wanted to make sure he felt good about doing that.

“When he does something, he does it all-in. And that’s kind of what led to getting it done.”

When he retired, Donald had $30 million left on his contract. Under the new agreement, he can earn $20 million during the regular season on a one-year deal that could be worth as much as $30 million, a person with knowledge of the situation said. The person requested anonymity because the contract had not yet posted.

On Sunday, Donald went through individual drills with defensive linemen, and then headed to the training room. McVay indicated the Rams would handle Donald’s ramp-up conservatively as they prepare for their Sept. 10 opener against the San Francisco 49ers in Melbourne, Australia.

“Whether or not he’s available and whether or not we think it’s best to be able to play him in Australia, I think the best way to do it is to take it one day at a time,” McVay said.

That is how Donald approached it during what he said was a 13-week decision process. He worked out in the gym, did speed and agility workouts on the field and also did sessions of football drills.

Donald recorded every workout. Every movement and every cut, to see how he stacked up against his earlier self, the one who won three NFL defensive player of the year awards.

“In my opinion, I don’t see no difference,” he said. “If not, it looked a little cleaner to me.”

Still, Donald said “it really wasn’t an easy decision.” That it was “on and off for a while.” But after many conversations with his wife, Erica, and others, he said he knew for the last two weeks that he wanted to return.

Aaron Donald reacts after tackling Cleveland running back Jerome Ford during a game at SoFi Stadium in December 2023.

(Wally Skalij / Los Angeles Times)

It initially felt “weird” to arrive at the Rams’ Woodland Hills facility as a player rather than a visitor, he said, but he quickly acclimated after sitting through an 80-minute team meeting, getting to know new teammates and walking onto the field for practice.

Before the Rams went through stretching exercises, Donald sat on a red exercise ball, taking in the scene and focusing his thoughts for the workout ahead.

Though teammates insisted that he go first, he put himself at the back of the lines.

“Whatever my role is, I’m going to earn it,” he said.

Donald, who helped the Rams win Super Bowl LVI at SoFi Stadium at the end of the 2021 season, aims to help the Rams win another championship at SoFi Stadium this season.

The Rams piqued his interest when they traded for All-Pro cornerback Trent McDuffie, and then dealt edge rusher Jared Verse to the Cleveland Browns for Garrett.

Now he is part of a defensive front that also includes linemen Kobie Turner and Braden Fiske and edge rusher Byron Young.

“I already thought it was a stacked D-line with Verse,” Donald said. “Obviously, things transpired and happened, and then you bring in a guy like Myles Garrett, a generational talent, and it’s like, ‘That could be fun.’”

Donald said that before seeing him on Sunday, he had texted several times with Garrett.

“Hopefully,” Donald said, “we can do some special things together.”

Imagine a Saturday night “spectacular,” under the stars at the Hollywood Bowl, with the Los Angeles Philharmonic performing as fireworks explode in the night sky — for $10?

Not a pipe dream.

The L.A. Phil has taken a major step in expanding its accessibility. The organization announced this week that it will offer Los Angeles County residents with active Medi-Cal or EBT cards $10 tickets to L.A. Phil performances at the Hollywood Bowl starting with the 2027 season.

It will offer at least 100 of these tickets at each of the orchestra’s Hollywood Bowl concerts. Tickets will be offered on a first-come, first-served basis. The L.A. Phil didn’t say exactly how eligible residents could secure such tickets. It plans to announce that process in Spring 2027 before the season starts.

L.A. Phil Vice President of Community and Government Engagement, Cynthia Fuentes, said in an interview that the organization has been “prioritizing accessibility for a very long time.”

“When you create accessibility programs, they have to be very intentional,” Fuentes said. “Folks are really struggling to make ends meet right now, and for us, it’s so important not only that we create great music on our stages, but that people can afford to see it. Your income levels shouldn’t dictate whether you have access to the arts or not.”

The $10 ticket announcement is the latest move towards making L.A. Phil events more accessible at a time when tickets to see the orchestra at the Hollywood Bowl are, on average, about $48, Fuentes said.

The L.A. Phil has been offering discounted tickets since the 1970s. It now offers more than 50,000 $1 Hollywood Bowl tickets annually — some seats open to the general public and others given out by the L.A. Phil in partnership with the L.A. County Board of Supervisors and L.A. County Parks, to low-income students, senior centers and others in need.

Last year the L.A. Phil boosted the numbers of its $1 tickets from 36,000 to 55,000. It also distributes tens of thousands of free tickets to non-profit organizations through a program called Community Concert Connections.

The L.A. Phil debuted its new accessibility program at the Ford during the venue’s 2026 season. The program is still active at the Ford.

“That was our pilot program for the L.A. Phil, with the intention of implementing it at the Hollywood Bowl,” Fuentes said. “When we started looking into EBT cardholder tickets, [we realized] it happens in a lot of museums but not a lot at performance arts organizations. Partly because it’s a ticketed structure with assigned seats and it’s a more controlled environment. We wanted to build the infrastructure of how you execute it on the back end. The Ford was an incredible way to start the process — do it on a smaller scale, look at what works and then be able to scale up to the bowl.”

The L.A. Phil is in a period of transition. Daniel Harding will step in as the L.A. Phil’s new Music Director, replacing Music & Artistic Director Gustavo Dudamel, starting with the 2027–2028 season. He’ll oversee orchestral programming at Walt Disney Concert Hall and the Hollywood Bowl. Newly appointed Creative Director Esa-Pekka Salonen begins his tenure at the start of the 2026/27 concert season in early October. He’ll conduct and curate subscription concerts and multidisciplinary projects. Anna Handler will serve as conductor in residence for the next three years starting with the 2026/27 season.

“But Gustavo will be back every summer to do a suite of concerts at the Hollywood Bowl and also in December of this year at Walt Disney Concert Hall,” Fuentes said. “He’ll continue to have a presence with the L.A. Phil.”

Operating the Hollywood Bowl is a partnership between the L.A. Phil and the Los Angeles County Department of Parks and Recreation.

Los Angeles County Supervisor Kathryn Barger, whose district includes the Hollywood Bowl, said in a statement that the L.A. Phil has been “a trailblazer in the arts” for more than a century. Their new accessibility initiative, she said, is “that same spirit of innovation and partnership.”

“The Hollywood Bowl is one of Los Angeles County’s most cherished public assets,” Barger said, “and every resident should have the opportunity to experience the joy, inspiration, and sense of community that it offers.”

Several other L.A. area cultural institutions offer EBT card holders free or deeply discounted admission, including: the Huntington, in San Marino, the Natural History Museum of Los Angeles County, the Autry Museum of the American West and LACMA.

“But there’s no other L.A. County facility, for performing arts, that we found in our research that had an EBT Program,” Fuentes added. “Part of our goal is to take our findings to the field to share so that other performing arts non-profits follow, especially L.A. County-based [ones], so we can ensure we’re creating accessibility for everyone in the county.”

Fuentes pointed to her own upbringing to illustrate the importance of accessibility programs in the arts.

“I grew up in South Central with working-class parents that had three kids,” she said. “When you don’t have disposable income, you don’t have opportunities [to see arts performances]. Everyone should have the opportunity to go to a show and share a communal experience around music without the fear of not having enough to make your rent or mortgage.”

The Pro Bowl is no more, the NFL announced Wednesday, ending an exhibition of the league’s top players that was held in some form almost every year since 1951.

The game wasn’t played in 2021 because of the COVID-19 pandemic, but that was the only pause in the postseason event.

The league said 88 players will still be named as Pro Bowl players and honored in Los Angeles after this season. Several flag football events also will take place at that time.

“The Pro Bowl has always been about recognizing the players who distinguish themselves as the very best in the NFL,” league executive vice president Peter O’Reilly said in a statement. “A Pro Bowl selection will return to its original purpose, honoring the best of the best. We want that distinction to carry even greater meaning for the players, their families, their clubs and our fans.”

The Pro Bowl has waned in popularity in recent years. Once a staple in Honolulu, the NFL has moved the event to various cities and even switched from tackle to flag football in 2023.

NFL owners have approved the $9.612bn record sale of the reigning Super Bowl champions Seattle Seahawks to a group led by billionaire Vinod Khosla.

The deal, which required the support of at least 24 of 32 owners, is currently the second highest amount paid for a franchise in North American sports history.

The estate of Paul G. Allen, which inherited the NFL team after the death of the Microsoft co-founder in 2018, agreed to terms with the Khosla family on 11 July after a search for a new owner.

And now approved, the sale surpasses the $6.05bn the Washington Commanders fetched when they were sold in 2023, although the NBA’s Los Angeles Lakers were subsequently sold for $10bn in 2025 and are currently in the process of changing ownership again for a reported $12.5bn.

“We are honoured to be entrusted as the next stewards of the Seattle Seahawks. How often do you get to buy a franchise that just won the Super Bowl?” said Khosla.

“We are incredibly lucky and humbled by this gift, I would say, from the Allen trust.”

“We look forward to building on the winning legacy Paul Allen created and to earning the trust of the Seahawks organisation and fans everywhere.”

Speaking at a press conference on Wednesday, Khosla, who will have to relinquish a minority stake in the San Francisco 49ers as part of his agreement to buy the Seahawks, added: “The task ahead is actually pretty simple – keep the winning streak alive, get another Super Bowl.

“Our approach is generally going to be long-term focused, that’s our inclination always. So, keep winning, take a long-term approach, and learn a lot. We don’t know enough, and the other owners have been incredibly welcoming and willing to teach us, so we’ll learn a lot.

“We’ll learn from management and see what they are recommending.”

Khosla, 71, was the co-founder of US technology company Sun Microsystems and the founder of the venture capital firm Khosla Ventures and has a net worth of $13.2bn, according to Forbes. , external

Former owner Allen saved the Seahawks from relocating to Southern California when he bought the team from Ken Behring in 1997.

His sister, Jody Allen, took control of the Seahawks and the NBA’s Portland Trail Blazers as chair of both teams upon her brother’s death with a directive to eventually sell both and donate the proceeds to charity.

In the 29 seasons in which Paul or Jody Allen were in charge, the Seahawks made the play-offs 17 times and won two of the four Super Bowls they contested.

A wonderful Oval Office perk is what Thomas Jefferson dubbed “The President’s Own.” At the president’s beck and call is the United States Marine Band, created by an act of Congress in 1798.

But for an acquisitive current occupant of the White House, the oldest continuously active musical organization hasn’t seemed enough. In his appropriating the John F. Kennedy Center for the Performing Arts, also created and officially named by Congress, the president obtained the National Symphony Orchestra. Unlike its “President’s Own” sibling, which is supported by the Defense Department annual allotment of some $400 million for military bands, the NSO is administered, funded (between a third and half of its $35-million budget) and lately threatened by what are now the whims of the Kennedy Center.

The NSO appeared at the Hollywood Bowl on Tuesday night, however, with a collective sigh of relief. A week earlier the Kennedy Center Board, without congressional input or legal approval, approved an imminent, two-year closure of the venue for repairs and remodeling, with little word about the homeless or economic future of its artist affiliate. By early August, no new NSO season, which would begin in September, had been announced.

But Tuesday morning, the NSO, in fact, did lay out a full and musically substantial season, the 10th for its music director, Gianandrea Noseda. Not taking a chance on the courts preventing a Kennedy Center closure, the NSO will become next season a peripatetic ensemble performing in various venues in and around D.C., as well undertake a national tour in the spring. Uncertainty remains, but for now all is as well as can be expected.

The NSO, however, offered little of what to expect. I can only find one program next season as unimaginative as Tuesday’s at the Bowl. The orchestra looks forward to several premieres of new works by lively composers and a variety of significant guest conductors, including the venturesome Teddy Abrams (who will lead the Los Angeles Philharmonic’s season-opening gala) and eclectic former NSO music director Leonard Slatkin (who is also the former L.A. Phil principal guest conductor for the Hollywood Bowl). Noseda’s only other bland program will be the one he brings on tour to The Soraya in April.

Hearing the NSO at the Bowl, moreover, is an act of guess work. With the new immersive sound system, orchestra impact becomes a matter of technology, giving individual instruments paranormal prominence and turning full orchestra glory into a sensual sound bath. Still, with its smooth strings, creamy brass, pungent winds and friendly percussion, Noseda’s NSO came across as a gracious orchestra meant to please, and, consequently, a seemingly marvelous anomaly in an otherwise divisive present-day D.C.

But that offered few favors for Leonard Bernstein’s Symphonic Dances from “West Side Story” or Gershwin’s “An American in Paris,” where the Bowl has regularly hosted far more idiomatic, swinging performances. Dvorak’s “New World Symphony” in the second half was, on the other hand, satisfyingly full-bodied. While Noseda sometimes practices likability to a fault, his sense of drama is ever sure, and it is hard to get enough of the lyrical sweetness he conveys. As an encore, Noseda led the overture to Bernstein’s “Candide” with real flair.

But why commonplace “Candide” and “West Side Story,” when Bernstein wrote “Slava! A Political Overture,” for the NSO as tribute in 1977 to its Russian music director, Mstislav Rostropovich? Might not the NSO make a point with “Three Mediations” from “MASS,” Bernstein’s multimedia masterpiece that controversially opened Kennedy Center in 1974. Bernstein also wrote a major late work for the NSO, “Songfest.” Bernstein, himself, conducted the Los Angeles Philharmonic in the West Coast premiere at the Bowl in 1983, which had special significance because his collaborator on “Songfest,” Tom Cothran, who happened to have grown up in Pasadena.

For his part, Noseda has done an exceptional job in championing major Black composers at home and on record. Carlos Simon has been the NSO’s composer in residence for the last five years, and Noseda has revived and recorded an essential album of works by George Walker. In October, Noseda and the NSO will release a recording of two symphonies by William Grant Still, who lived in L.A. Deeply evocative of a post-Dvorak new world, they are beautifully played on the new recording and would have been ideal for the Bowl.

The NSO has given up on the Kennedy Center, but must we? There are many questions that have not been considered. The current plan for infrastructure improvements and slapdash redecorating at the cost of $250 million. In fact, the facility’s playhouse, opera theater and concert hall are due for major renovations. But that requires significant planning, the hiring of a major architecture firm with concert hall experience, a first-rate acoustician and, ideally, four times the allotted budget.

This is clearly a long-term job for Congress and consultants who would do well to study the approach of the Salzburg Festival. It has been planning for several years to rehabilitate its large concert hall (which is of similar vintage to the Kennedy Center), which will require five years and a cost of around $600 million. It is also carefully examining alternate performance sites to be used during construction.

The Kennedy Center is a memorial, and before another new idea is allowed out, let the Kennedy Center board visit Lincoln Memorial Reflecting Pool for a moment of reflection on how and why to bring the NSO, America’s Own, back home. In the background, the U.S. Marine Band could offer its kin moral support by playing in the background Ives’ mysteriously transcendental “Unanswered Question.”

The show will go on for ZZ Top.

Last week, the blues rock band canceled its Hollywood Bowl concert because longtime drummer Frank Beard had health issues, Rolling Stone first reported.

That Aug. 5 Los Angeles concert was supposed to be the kickoff for the band’s the Big One tour. But a spokesperson for the band says that frontman Billy Gibbons and bassist Elwood Francis will continue the tour.

Michael Monahan will substitute for Beard for the remainder of the Big One, which will conclude its U.S. run on Oct. 9 in Port Wentworth, Ga.

The band has not said that it will reschedule the L.A. show, and all tickets, including transportation and parking passes, were being automatically refunded, according to the Hollywood Bowl.

Gibbons previously posted on Instagram that there were unexplained “insurmountable obstacles” leading to the band’s sudden cancellation at the Hollywood Bowl.

The band has released no details on Beard’s condition, although this is not the first time the drummer, 77, has faced health-related issues in his long tenure with the band. Beard joined ZZ Top in 1969, soon after the band formed, replacing founding drummer Dan Mitchell.

In March 2025, the Texan trio announced via its Instagram that Beard would temporarily step away from the band’s Elevation tour to tend to a health issue, which was later revealed to be foot and ankle problems. John Douglas — a longtime tech member, percussionist and drummer — replaced Beard in the interim, having done so previously when the veteran drummer underwent an emergency appendectomy in 2002.

In ZZ Top’s early days — following the release of the 1976 album “Tejas” — Beard dealt with issues related to substance abuse that led to the band’s three-year hiatus, which he and his bandmates opened up about in the 2019 documentary “ZZ Top: That Little Ol’ Band From Texas.”

“Frank goes all out on what he does and that includes the bad things,” bandmate Dusty Hill, who died in 2021, said in the documentary. “He was sick. If you’re a very good friend, you love a guy, you don’t want to see him die. You just want to see your brother get well.”

The Grammy-nominated band, which formed in Houston, is known for its edgy blues twang in popular singles including “La Grange” and “Tush” and across 15 studio albums. In November, ZZ Top will close out the Big One tour with eight performances across Mexico and South America.