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THERE’S no better way to make the most of the sun coming out than heading off on a beach holiday.

2026 is shaping up to be a record year for staycations, with Brits keen to stay close to home and explore the coastal gems across the UK.

Plus with thousands more breaks being added to the Hols from £9.50 website, including dates in the spring and summer, its not too late to bag that last-minute holiday.

Hols from £9.50 are set to be restocked this Tuesday, with thousands of new holidays AND new holiday parks – and you can get priority access with Sun Club.

If you fancy signing up to Sun Club to access the £9.50 Hols deals early, head to thesun.co.uk/club and join for £1.99 a month or £12 for a year.

Once you’re a member, go to the Sun Club Offers hub and find the Hols From £9.50 page.

Read more on £9.50 holidays

BEACHFRONT BLISS

Inside the most popular UK holiday park from £9.50 Hols

HOL YES

40 of us take over a £9.50 Holiday park each year – it’s my kids favourite vacation

Follow the link from the offers page, and you can book your break from midnight on Tuesday, March 31.

If you’re looking for some inspiration on where to book, here’s some of our favourite beach resorts across the UK, plus our pick of £9.50 holiday parks nearby…

Combe Martin, Devon

Combe Martin is a small seaside resort in North Devon, home to Combe Martin Bay.

Combe Martin Bay is split into two main beaches: the sandy beach by the harbour, and the stony Newberry beach. Both are beautiful, with calm shallow waters protected by the cove.

As an Access for All beach, Combe Martin Bay is fully accessible. There’s plenty of parking, loos and even beach wheelchairs to rent with easy access down to the shore if needed.

This village also sits on the edge of Exmoor National Park, where wild horses roam the rolling hills and moorland.

Bring your bikes and cycle one of the many paths, go fishing in the rivers, or rent a canoe at Wimbleball Lake.

In the village itself, take your pick of cosy pubs like The Dolphin and The Pack O’Cards – pub culture is very big here, and you’ll be welcomed in to enjoy a local pint.

Stay at a nearby resort with Hols from £9.50 at Combe Martin Beach or Sandaway Beach.

Looe, Cornwall

If you’re looking for a classic Cornish escape, Looe is the ultimate catch.

This traditional fishing town is split into two by a large arched bridge. The east side full of shops and pubs, and the west has a quieter feel with rockpools and beach walks.

Over in East Looe you can walk the Banjo Pier (named after its shape) and laze out on East Looe Beach, the main and largest beach in the area.

Or for somewhere quieter, head towards Hannafore Point in West Looe.

On the way you will come across a small stretch of sand which is also home to Nelson, the bronze seal statue that overlooks the village.

Popular pubs include The Jolly Sailor Inn and The Fishermans Arms, both of which serve local pints and food with a home-cooked feel.

Stay at a nearby holiday park with Hols from £9.50 at Looe Bay, Tencreek Holiday Park, Trelawne Manor, Polperro or Killigarth Manor.

Shanklin, Isle of Wight

Shanklin in the Isle of Wight is popular for its pretty Old Village with thatched roof houses, as well as picturesque beach with dramatic cliffs.

Shanklin Beach sits on the south east coast of the Isle of Wight, and has a bustling seafront with arcades, fish and chip shops and an ice cream parlour.

Here you can have a go at the colourful Caddyshack 18-hole mini golf, which costs £8.50 per adult, £7.50 per child or £30 for a family of four.

The beach is just as colourful as the village behind it, lined with colourful beach huts and blooming flowers.

You can get up to the Old Village from the beach via a giant lift. Here you can wander its famous old-fashioned streets – plus the famous pink thatched-roof cottage which you’ll see on postcards.

The pink cottage is a tearoom called the Old Thatch Teashop, where inside you can sit down to traditional afternoon tea or cream tea starting at £7.95. Plus there’s even a fairy garden inside.

Stay at a nearby resort with Hols from £9.50 at Parkdean Resorts Lower Hyde or Parkdean Resorts Landguard.

Tenby, South Wales

Tenby is a walled Welsh seaside town, famous for its rows of pastel-coloured houses and three soft sand beaches.

There’s several beaches to pick from at Tenby, from the two-mile long golden stretch of the South Beach to the smaller Castle Beach, which is popular for watersports.

There’s lots of family attractions here too, like the Folly Farm Adventure Park with its vintage fairground, and go-karting or bumper boating at Heatherton World of Activities.

For something more relaxing, you can wander the historic harbour, which runs regular boat trips to Caldey Island from April through to October.

It’s well worth taking a day trip to the island, where you’ll find forests with red squirrels and the magnificent Caldey Abbey.

Food and drink in Tenby is both budget-friendly and tasty. Tuck into a Neopolitan pie at Top Joe’s Pizza, or listen to live music with sea views at Salty’s Beach Bar and Restaurant.

Stay at a nearby resort with Hols from £9.50 at Moreton Farm, Manorbier Bay or Manorbier Country Park.

Dumfries, Scotland

In south west Scotland, Dumfries is a Scottish seaside town with plenty of activities for kids and fascinating history for grown-ups.

Southerness beach is a vast stretch of sand overlooked by a striking white lighthouse, which is one of the oldest in Scotland.

The shallow waters are ideal for paddling or swimming, and at low tide plenty of rockpools are revealed, which make for fun family explorations.

Another option in Sandyhills Bay, a quiet, sheltered cove surrounded by greenery. The giant rock arch here, called the Needle’s Eye, makes for a great photo spot.

For families, Dumfries is a total playground.

Dalscone Farm Fun (admission £10) and (£12) offer soft play and animal feeding, while the nearby Dino Park (adults £6, kids £12) lets kids hunt for fossils among life-sized dinosaurs.

If you want to take in the history of the town, you can wander down the River Nith past the 15th-century Devorgilla Bridge, or explore the Robert Burns House to see where the famous writer penned his last works.

Stay at a nearby resort with Hols from £9.50 at Lighthouse Leisure or Parkdean Resorts Southerness.

Whitley Bay, North Tyneside

Whitley Bay is a traditional North East seaside town, with an unspoilt Blue Flag beach where you can paddle, swim or surf.

The beach is the star of the show here, and runs from the main promenade north to St Mary’s Lighthouse, which sits on a tiny island.

You can visit the lighthouse by walking across a causeway – just make sure to check the tide times so you don’t get stranded!

For a bit of local history, head into Spanish City. Once a fairground, it’s now a beautiful building full of restaurants and tea rooms.

Inside you can grab try award-winning fish and chips at Trenchers, or enjoy an ice cream looking out over the sea.

Families will love the dinosaur-themed Lost World Adventure Golf, which is £5 per adult and £6 for children. There are also plenty of traditional arcades along the seafront to dip into.

If you like a coastal walk, follow the coastal path south to the trendy coastal village of Tynemouth to see the historic Priory and Castle.

Stay at a nearby resort with Hols from £9.50 at Parkdean Resorts Whitley Bay or Parkdean Resorts Sandy Bay.

British holidaymakers in Tenerife admit they have “booked early flights home” recently. A specific issue seems to have impacted their holidays over the past few weeks

UK holidaymakers visiting a beloved travel hotspot say they’ve been “booking early flights home” after their breaks were disrupted by an unexpected issue. While many jet off abroad hoping to bask in the sunshine, unwind and enjoy some well-deserved rest, things don’t always go according to plan – no matter how much we’d like them to.

Brits in Tenerife recently discovered this first-hand, with some suggesting their holidays were “ruined” due to an unlikely problem. A string of videos have gone viral on TikTok, with visitors expressing their frustration after trips to the destination over recent weeks, catching many completely off guard.

This follows yet another Tenerife-related announcement made earlier this month, when it was confirmed the island had been added to a warning list.

A man, known online as Gazza, posted a video of his recent getaway, stating: “Come here every year and this is the first bad downpour experience.” He also described the weather as “brutal” for four days due to the relentless rainfall.

The clip has since racked up thousands of views, sparking hundreds of responses. It appears many fellow travellers have encountered similar situations.

One commented: “Had wind, clouds and cold one year for four days out of the seven. Never went back.” Another added: “I was there last week and got an early flight home.”

Gazza responded to this remark, saying: “Was debating it too.” While a third chimed in: “I just got back. It was mental.”

A further user wrote: “It’s been almost a week!!! Everywhere/everything closed!!!” While another remarked: “That’s pretty unlucky. I would feel gutted.”

Others, however, claimed to have had a wonderful time during their visit, with some reporting an entirely different experience.

One holidaymaker shared: “It’s heaven. Chill.” Another added: “Here at the moment and not that bad. People need to chill out.”

Someone else also weighed in with: “Still rather be there than here. It’s the getting away that matters.”

What’s actually been going on?

While heavy rainfall is uncommon in Tenerife during March, a powerful storm has recently battered the Canary Islands. Storm Therese is reported to have wreaked havoc on the Canary Islands, particularly Tenerife and La Palma, with an unexpected mix of heavy rain, 100 km/h (62 mph) winds and even snowfall at high altitudes.

Authorities confirmed it was amongst the most devastating storms to strike the archipelago in over 10 years, which may well explain why so many visitors encountered such dreadful weather during their stays.

The silver lining, however, is that conditions appear to be on the mend. Current forecasts predict sunny spells over the coming days, with temperatures potentially reaching highs of up to 26 degrees, which could explain why some travellers have recently reported a marked improvement in the weather.

One visitor said: “It’s sunny now.” Another wrote: “I’m just back yesterday. Was there for a week. We had a ball even with the storm and rain.”

Imagine cutting the cost of accommodation on your next holiday to about £5 a day. You can have a whole house, rather than just a bedroom. And you can go almost anywhere in the world and stay as long as you like, within reason. Welcome to house swapping.

You’re sceptical, I know. I was, too. Our terrace house was too small. Too overflowing with stuff. The 1980s kitchen was too old (and battered). We aren’t in a nice enough neighbourhood. Who would want to stay here? Lots of people, it turned out.

Our first swap was with a pair of retired Australian judges who had lived in the UK decades before. They came to our house first and, over a cup of tea and cake in our living room, we talked about where to find a good pint and the best fish and chips locally, as well as mastering the idiosyncrasies of how to run our dishwasher. They told us about their favourite local parks (warned us about snakes) and when to put out the bins, before we headed for our month-long stay at their house in Perth. It’s these conversations and connections that really make house swapping special.

Yes, we have stayed in some truly extraordinary homes. There was a house in Florida where we watched rocket launches while lounging in the pool; a clapboard cottage with a hot tub in the Stockholm suburbs; and a swanky five-bedroom villa in the south of France that we shared with friends. We couldn’t have afforded any of these if it were not for house swapping. In fact, the swaps themselves are free, but I pay $235 (£177) a year to use Home Exchange, a house swap booking platform, which works out at about £5 a night for the 35 or so nights I used it last year.

The greatest pleasure, however, is in the genuine relationships forged. Through the messages exchanged before and during the swap, friendships are created. You become, however briefly, part of each other’s lives. We have swapped pets and cars, and watered plants along the way. For a week, we became passionately involved in helping pick a summer school for our Basque guests’ kids. Warm welcomes are universal. We’ve had olive oil from the garden grove of a house in Greece and marmalade from Seville. In return, guests at our house can expect to find sparkling wine from Kent, Essex jam and a pile of Cadbury chocolate bars to try – French guests are big fans of the Crunchie.

Even in challenging moments we found friendship, such as when our shower sprang a leak and rained all over the dining table. We had to arrange an emergency repair via video call with our Spanish guests, an Albanian plumber and a UK insurer, all while frantically looking for a reliable phone signal in the countryside. The babel of languages resulted in a tube of silicone being applied and both parties leaving five-star reviews.

I won’t go back to hotels. I have saved tens of thousands of pounds over the past five years, but what has really hooked me is the interactions with hosts and guests that make my holidays more fulfilling. It’s like having a friend everywhere you go.

Q&A – Everything you need to know

Will I be comfortable house swapping?
If you’re precious about the things in your home or anxious about someone sleeping in your bed, a swap is not for you. Likewise, if spending the last day of your holiday cleaning is a deal-breaker.

How do I house swap?
For some sites, you pay a flat annual membership fee (£100-£200) to use a booking platform with thousands of homes. I use Home Exchange because it verifies member identities and offers some guarantees such as damage, theft and cancellation protection. Kindred is a smaller and generally more expensive rival, focused on upmarket homes. Instead of locking you into membership, it charges variable service and cleaning fees.

How does it work?
Classic swaps are simultaneous; you exchange houses on the same dates. But non-direct swaps are also allowed via a points system: you are awarded credits for stays at your house, which you can then spend to stay somewhere else.

What about scams and safety?
Everyone on Home Exchange is a host and a guest, so there is a high degree of trust. Most swaps don’t involve money, so scams are rare. The only exception is a cleaning fee, payable when the stay is at an end. If you’re asked for money in advance, it’s a scam.

How do I pick my accommodation?
This is time-consuming. The website looks similar to Airbnb, where you filter by availability, destination and the type of property you want, but you need to match with a host, too. Hosts and guests both have ratings from previous stays, but some people still like to phone or video call before agreeing to an exchange. Then once the exchange is agreed, there are messages to organise the swap and answer questions such as how to use the cooker or where the bedding is. Many hosts prepare a house manual. Cancellations are rare but do happen, usually due to illness in our experience. The one time it happened to us, Home Exchange helped us find a new host in the same city, and it will pay for a hotel in a true last-minute emergency.

Do I need to own a luxury house?
No. If you have a pool, hot tub or luxurious mansion, you will certainly get more offers, but flats and smaller houses near popular UK destinations (whether that’s Edinburgh, or the Dorset coast) do just as well. Most houses, like ours, are completely ordinary.

Do I need to put my stuff in storage?
Clear a few drawers, perhaps a wardrobe, for guests, and that’s it. Most of the houses on Home Exchange are family homes.

What about cleaning?
You do need to scrub that oven and clean that grout. Cleanliness expectations are high (and should be agreed upfront). We usually spend much of the last day of our holiday cleaning, and return to find our own house absolutely sparkling. Some hosts give you the option of paying a cleaner.

And DIY?
One of the fringe benefits of house swapping is that it has made us look after our house a little better. Sticky door handles and dripping taps need to be dealt with.

What if I break something?
We have broken small things, as have our guests; usually this is simply forgiven. Put more precious items away. For more expensive items, such as a TV or screen door, house swap platforms usually offer a level of cover, but you should make sure you have home insurance.

Will my home insurance cover my house swap?
Ask. Some insurers offer no cover, others offer it for a certain number of exchanges, or you may need to buy a bolt-on. House swapping is still relatively unusual, so persevere to get a clear answer. Insurers that cover holiday lets, such as Pikl, are also useful.

Are there legal restrictions?
Because no money is exchanged, house swapping is not restricted in the same way as Airbnb and similar services – except in Amsterdam, where only reciprocal swaps are allowed (so no paying with points). You do need to check visa rules if looking after someone’s pet – some countries (such as the US) may view this as providing a service and in breach of a visitor visa.

Other house swap sites
Keybento, Kindred, HomeLink

Rory Boland is the editor of Which? Travel

The framed photo of César Chávez and Dolores Huerta sits in my personal office on a bookshelf crammed with volumes about California and the American West.

The two are at a 1973 United Farm Workers convention, presiding over the union they co-founded. After years of victories in the name of campesinos, the group and its charismatic leaders seem ready for what’s next.

A UFW banner emblazoned with the group’s famous black Aztec eagle logo hangs in the center of the picture, making Chávez and Huerta look like equals.

But they’re not.

He’s speaking from a podium, looking down and appearing cast in darkness due to Chávez blue vest melding into his black hair and brown skin. She’s by his side clasping her hands, wearing a colorful blouse that pales in radiance to Huerta’s hopeful face as she looks at the crowd before them.

It’s the only picture of historical figures that I display at home, and it’s in a place where I’m guaranteed to look at it. It has long served as my secular version of a prayer card, a daily reminder to fight for the good in the world and a reminder that giants before me faced challenges far more daunting than mine. It was also a testament to teamwork — when I acquired the photo a few years ago, it called to me in a way a solo Chávez never would have because I always knew el movimento was more than just one man.

Their portrait can never mean just those things ever again after the New York Times reported last week Chávez sexually assaulted two teenage girls in the 1970s and Huerta in the 1960s.

Places left and right — colleges, cities, classrooms, even states that mark Chávez’s birthday as a holiday — are now deleting his name and image from the public sphere. It’s not going to be a quick, easy task even if the cancellation is starting to take place with startling speed: Chávez’s presence is as ubiquitous in Mexican American life as the Virgin of Guadalupe.

Just this weekend, a friend acknowledged that he and his wife had just started reading a book about him to their 5-year-old daughter, a book they now plan to trash.

I thought of doing the same to my photo of Chávez and Huerta. But I’ve decided not to.

I don’t fault folks for wanting to scrub any hint of Chávez from their daily lives and neither does the Cesar Chavez Foundation, the nonprofit headed by his descendants that recently announced in a statement, “We support and respect whatever decision[s]” may come in the weeks and months to come. Communities are entitled to decide whom they should and shouldn’t publicly honor.

But to eradicate Chávez’s civic presence so fast — to tear down his statues, relabel streets and parks named in his honor, paint over his image on old and new murals, to throw away artwork that has adorned homes and offices for decades — doesn’t remove the fact that millions largely saw him as a champion of the downtrodden until last week. It can’t rescind the positive influence Chávez had on generations of Latinos and non-Latinos who saw in him the hopes of a people and now must reconcile their memories with his horrible deeds.

Historians, educators, activists and politicians for far too long elevated Chávez above Huerta in the name of a simplistic narrative that should’ve never been constructed. The public at large bought into those efforts with little skepticism in the understandable desire to have Latinos star in the American story. It’s a culpability we should all interrogate, not immediately purge.

That’s why not only am I keeping up my photo of Chávez and Huerta, I’m going to put it in a more prominent place from where I can’t look away.

Workers for the city of San Fernando cover the statue at Cesar E. Chavez Memorial Park on Thursday.

(Kayla Bartkowski / Los Angeles Times)

It will serve as a memory of a tragic, tremendous moment in the history of Latinos in the United States, where we should be focusing our attention on a presidential administration that wants most of us gone but instead must deal with the fallout from the downfall of one of our own. It will challenge me anew to look past the big names of the past and highlight those whose stories aren’t nearly as known by the mainstream.

Seeing Huerta next to her abuser will forever remind me about how the now-95-year-old sacrificed her own mental health and safety in the name of something bigger than the two of them — a choice no one should ever have to make but one that she nevertheless did.

The photo will stand as the manifestation of the old newspaper adage that if your mom tells you she loves you, go check it out. No one should ever be above skepticism no matter how sanctified and righteous they may seem — that’s why the New York Times investigation crashed into the Chicano collective sense of self like a meteor. No one could’ve imagined that Chávez could’ve possibly done things so monstrous, but maybe we shouldn’t have built him up so much while he was alive and after his death in the first place.

My framed Chávez-Huerta memento will make me think of how the stories of sexual abuse survivors are still not heard enough or even believed. Even now, some Chávez defenders are casting doubt on the claims of Huerta and the three other women named in the New York Times story, questioning their motivations to come forward after decades of silence and decrying how their decision to do so has permanently tarnished the reputation of one the few nationally known Chicano heroes. In Huerta’s case, critics just don’t buy how someone who carried Chávez’s torch decades after his death could all of a sudden supposedly turn on him.

But as a Catholic who has long covered the Catholic Church sex abuse scandal, I know that every sexual assault survivor has their own journey of recovery. I also know that we must always seek the truth instead of living a lie.

And turning Chávez into a historical footnote is a lie. He long served as a moral exemplar; he should now serve as a cautionary tale known to all.

Erasing historic figures from the public sphere is an exercise in power going back to the pharaohs, a way rulers ensured future generations couldn’t learn about their enemies. The push to nix Chávez comes from the trend in recent years by progressive activists to remove monuments that hail problematic figures under the pretense that someone’s sins trump any good they might have done no matter how influential they were.

Again, all communities have that right to reexamine the past. But we can’t and shouldn’t disappear the full story of Chávez, as painful as it is. It’s the easy way out — and remedying wrongs is never easy.

If the photo in my book shelf was only of Chávez, I’d still keep it up. The good he did was really good — the bad he committed was as terrible as it gets.

Somewhere in between stands the story of us.

They’re so darn cute together, these two. Neal Allen, father of four, newspaper reporter turned corporate executive turned spiritual coach turned author of two spiritual guidebooks, stands a full head of hair taller than his dread-headed wife, who calls him her “current husband.” He calls her his “remarkable and beautiful partner” and himself “Mr. Anne Lamott.”

And no wonder. Author Anne Lamott has published 21 books, with worldwide sales in the millions. “Bird by Bird,” her 1994 writing handbook, which has sold more than 1 million copies and continues to sell approximately 40,000 copies each year, became a meme before there were memes. Thirty-two years later, the titular phrase has made appearances everywhere from “Ted Lasso” (Coach Beard: “I hate losing.” Coach Lasso: “Bird by bird, Coach.”) to a Gloria Steinem interview in Cosmopolitan (“Every writer, truth-seeker, parent, and activist I know is in love with one or more books by Anne Lamott”).

Ask a famous writer how they do what they do, and “Bird by Bird” will likely get honorable mention. Harlan Coben, whose 35 novels have sold roughly 90 million copies, calls “Bird by Bird” his “favorite writing manual.” “I use it like a coach’s halftime speech to get me fired up to write.”

In a 2007 interview, “Eat Pray Love” author Elizabeth Gilbert called herself Lamott’s “literary offspring.” Paula McLain, who wrote the 2011 blockbuster “The Paris Wife,” told me: “I return to ‘Bird by Bird’ again and again because Anne Lamott tells the truth about how hard this work is — and then somehow makes you laugh about it.”

I reached out to best-selling memoirist and novelist Dani Shapiro to ask if she had her own experience with the book. “A writer is always a beginner,” she said. “And there is no better companion than ‘Bird by Bird.’”

Lamott and Allen partnered to write “Good Writing.”

(Christie Hemm Klok / For The Times)

Lamott, 71, and Allen, 69, met in 2016 on the 50-plus dating site OurTime.com. Nine months later, they bought a woodsy Marin County home with room for Lamott’s son and grandson. Sam, when he was 1 year old, was the subject of his mom’s first bestseller, the 1993 memoir “Operating Instructions.” His son Jax was the subject, at age 1, of his grandmother’s 2012 memoir, “Some Assembly Required.”

“We were watching U.S. Open tennis one night and Neal said, ‘Can I ask you something?’” Lamott told me via email. “I barely looked away from the TV, and he asked me to marry him. I said, ‘Yes, if we can get a cat.’”

After a decade of marriage, Lamott and Allen have undertaken a professional collaboration whose outcome, like their union, is greater than the sum of its parts. “Good Writing: 36 Ways to Improve Your Sentences” is as sharply specific as “Bird by Bird” is wanderingly wonderful: as winning a companion piece as two winning companions could create. The table of contents is itself a mini-manual of writerly tips: “Use Strong Verbs.” “Sound Natural.” “Keep it Active.” “Stick with Said.” “Don’t Show Off.”

Lamott and Allen.

(Christie Hemm Klok / For The Times)

I spoke to the late-life lovebirds about their process of marital manuscript-making: the good, the not so good and the blackmailing.

Meredith Maran: How did writing “Bird by Bird” compare to co-authoring “Good Writing”?

Anne Lamott: “Bird by Bird” was literally everything I knew about writing, everything I had been teaching my students for years. It was definitely my book. “Good Writing” was definitely Neal’s book. I just foisted my attention on him and threatened to undermine the marriage if he did not let me contribute.

MM: Neal, what on earth convinced you that you could add something to one of the world’s most popular writing books —written by your wife, no less?

Neal Allen: Oh, I’m not adding anything to “Bird by Bird,” which is a complete classic. It’s everything you need to know about becoming a writer. “Good Writing” is about what comes next: a second draft. And while it’s not fair to call “Bird by Bird” a craft book — it’s much more — it’s fine to define “Good Writing” that way.

“Helping each other with our work is one of the richest aspects of our life as a married couple,” Lamott said.

(Christie Hemm Klok / For The Times)

MM: In producing this joint project, how did you two negotiate the differences between your writing styles and personalities?

AL: We didn’t need to negotiate. Neal somehow manages to be both elegant and welcoming, whereas I think I am more like the class den mother, with a plate of cupcakes, exhorting people not to give up, trying to convince them that they can only share their truth in their own voice, that their voice is plenty good, and that when they get stuck, as we all do, I know some tricks that will help them get back to work.

NA: I once asked AI to describe the difference between my writing and Annie’s. AI answered that I explain things to readers; Annie helps readers reach catharsis. I think that’s absolutely right.

MM: How did you come up with the book’s fab format, whereby each of you writes your own introduction, and then each chapter starts with Neal’s thoughts about one of the 36 rules and ends with Annie’s?

NA: Annie first asked if she could annotate what I had written. That scared the bejesus out of me. When she started writing her own essays in her own voice, I was quite relieved. One of the format’s surprising strengths is that Annie always gets the last word. I explain the rule; then she helps the reader find their way and resolve their issues with the rule. There’s a downside: I don’t get to respond when she tells the reader to ignore me.

“I’m not adding anything to ‘Bird by Bird,’” Allen said. “It’s everything you need to know about becoming a writer. ‘Good Writing’ is about what comes next: a second draft.”

(Christie Hemm Klok / For The Times)

MM: In your intro, Anne, you recall Neal telling you he was working on a writing book. “Well. Hmmmph,” you replied. “I had written a book on writing once …” How did professional jealousy, competitiveness, possessiveness, or, on the brighter side, tenderness, collaborative spirit and generosity play out as you wrote a writing book together?

AL: We have no competitiveness or jealousy when it comes to each other’s writing. We just want the other person to write the most beautiful work they can. We are each other’s first reader, and editor, and while of course I feel attacked if Neal suggests even the tiniest change to my deathless prose, I have come to understand that his suggested cuts and additions save me from myself. Helping each other with our work is one of the richest aspects of our life as a married couple.

NA: There’s no way around “Bird by Bird,” and I just have to deal with that. My worry was whether Annie really wanted to be associated with my little book. I’m envious of Annie’s brilliance, of course, but we speak the same writing language and we love it equally.

MM: What are each of you proudest of, “Good Writing”-wise?

AL: We just recorded the audio version, and I was surprised by how much practical help the book offers. Also, I love the tone, which is so conversational and sometimes, I hope, pretty funny.

NA: I had the opposite reaction to recording the audio version. I saw all the opportunities for readers to mock me. In the 18 months between writing a final draft and the book showing up in stores, we’ve both flipped from believing it reflects well on us to thinking it’s a disaster. Luckily, both of us haven’t ever thought it sucks at the same time.

MM: That is fortunate. Also, Neal, I’m not sure you answered my question.

NA: What am I proudest of? That the book exists. I carried around these rules for improving sentences for years. I think a lot of writers do a book because they notice it’s not out there, and why isn’t it? And then they shrug, ‘Well, I guess it’s up to me.’ That’s how I came into all three of my books.

AL: May I just add that I’m proud to introduce my seriously charming and breathtakingly wise husband to a wider audience.

EASYJET has warned holidaymakers to book their summer break as soon as possible amid fears of huge price hikes.

The airline chief has said the cost of holidays during peak months is expected to surge due to the ongoing Iran conflict.

Kenton Jarvis, the chief executive of easyJet, has advised anyone wanting to go on a summer holiday to book one now before they get too expensive.

He told The Telegraph: “I think the message would be to book as soon as possible, because that will start feeding in at some stage.

“My expectation is that prices go up. The industry has no choice. We make about £7 a seat and if fuel goes up by £10 then you do something about that.

“You’re not going to take an extra £10 of costs and just sit there and do nothing.”

ALL IN

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At the moment, most UK airlines won’t be affected because of hedging – essentially a fixed price for oil – which is keeping prices stable.

Depending on the length of time that the Iran conflict continues and if the Strait of Hormuz remains closed, there could be price hikes in the coming months.

This in turn will see airlines having to put up their fares for passengers.

Mr Jarvis said that he expects easyJet to be “good for three weeks.”

Meanwhile, Ryanair boss Michael O’Leary said that he doesn’t expect disruption as long as the ongoing conflict ends “in the next month or two.”

Unlike these airlines, US carriers aren’t hedged which has resulted in the rise in fare prices already.

Willie Walsh, director general of the International Air Transport Association (IAG) who owns British Airways, explained that fares across the North Atlantic are set to jump up.

Talking more on the issue, he said that due to the price increase of US airlines, “competitors at the other end will match the price increase. It’s the nature of the industry.”

Some airlines have already put the price of their fares up, or are preparing to.

AirAsia said it would temporarily raise ticket prices but said it would be revising fares at a later date.

Thai Airways said it expects tickets to go up by 10 – 15 per cent, while Qantas also said it would increase prices depending on the route.

And Scandinavian airline SAS has introduced a “temporary price adjustment”.

Air New Zealand has increased prices of its flights in response to rising fuel costs as well.

Domestic flights were going up by $10 (£4.37) one way, short haul by $20 (£8.74), and long haul $90 (£39.35).

For more on booking a summer holiday, here’s why you should head to Spain and Greece.

And here are six of the best holiday destinations to book for some quick Vitamin D including 28C Spanish islands.

Billy Porter says a poorly treated urinary infection nearly killed him.

On Wednesday, the 56-year-old Broadway icon appeared on “Today” to promote his new children’s book, “Songbird in the Light,” and discussed a recent health scare that’s given the actor a new outlook on life.

“I am on the road to complete recovery,” he said, tearing up. “It is a gift to be alive. It’s still emotional to talk about it.”

Last year, Porter crossed the pond and made his West End debut starring as the Emcee in the musical “Cabaret,” which ran Jan. 28 through May 24 at London’s Playhouse Theatre. The Tony-winning actor said he was having a ball and living his purpose, but then he got a urinary infection.

“The medicine in the U.K. is trash,” he told “Outlaws” podcast host TS Madison earlier this month. “Four rounds of antibiotics and 10 to 12 weeks later, it’s a kidney infection with kidney stones.”

Porter eventually thought the infection had cleared up and returned to New York, where last fall he was gearing up for a Broadway revival of the musical starring as the production’s first Black Emcee, but his history-making run was cut short.

“I go into rehearsals for ‘Cabaret’ on Broadway … and everything seems fine, and a month in, the kidney stone pain comes back,” he told Madison.

On a Tuesday in September, Porter checked himself into the hospital due to debilitating pain, and then the “Pose” star subsequently fell into a coma and woke up days later on a Saturday evening.

“They went in to do a routine check. They saw that the kidney stone was trapped in my urethra, and they went in to put a stent in, redirect the urine, blast me with real antibiotics — not U.K. antibiotics — and blow up the kidney stones. When they got in there, there was so much pus and bile and infection behind the stone, it bubbled up and I went uroseptic in minutes.”

“I was dead for three days,” Porter said.

Porter said he was placed on an ECMO (extracorporeal membrane oxygenation) machine, which, according to Mayo Clinic, pumps blood outside of the body to a heart-lung machine, removes carbon dioxide from the blood and sends oxygen-rich blood back to the body. It’s essentially a life-support system.

While Porter was in a coma, he said, one of his legs went into compartment syndrome, which happens when there’s too much pressure around your muscles, causing reduced blood and oxygen flow and possibly leading to necrosis. “They had to cut me open on either side of my leg while I was in a coma, from my knee to my hip, and leave it open for two days so they could save my leg,” he told Madison, visibly choked up over the ordeal.

Porter told “Today” that the experience was mind-altering yet also inspiring. “My work here on this earth is not done, and that gives me hope.”

His new children’s book, “Songbird in the Light,” which follows a young boy who grapples with bullying while learning to embrace his talent and love himself, hit bookshop shelves this week.

Shai Gilgeous-Alexander enjoyed another 40-point night as the Oklahoma City Thunder beat the Orlando Magic 113-108 to become the first NBA team to secure a play-off berth.

The 27-year-old Canadian went 14 from 27 from the field as he extended his record of most 20-point games in a row to 129.

Chet Holmgren added 20 points and 12 rebounds as the Western Conference leaders claimed a ninth straight win to improve to 54-15 for the season.

“We got off to a good start but then the car kind of came off the road for a little bit,” reigning NBA Most Valuable Player Gilgeous-Alexander said.

“But that’s what great teams do – they figure out a way to get the car back on the road, they figure out a way to go into a building and win a game when the chips are stacked against you, and we did that tonight.”

San Antonio Spurs remain second in the West after a comfortable 132-104 win over the Sacramento Kings, while the Minnesota Timberwolves beat the Phoenix Suns 116-104.

In the Eastern Conference, the Detroit Pistons handed the Washington Wizards a 13th straight loss to strengthen their position at the top.

But the 130-117 triumph was marred by an injury to star point guard Cade Cunningham, who had to leave the game in the first quarter with a back issue.

The New York Knicks stay third in the East after a thumping 136-110 win over the Indiana Pacers, a 14th consecutive loss leaving last year’s NBA Finals runners-up 15-54 this term.

There are few greater muses than one’s own childhood. In recent months, this idea has taken visual form across fashion runways, with brands from Chanel to Acne Studios showcasing childlike sketches, often referred to as ‘naive design’. The aesthetic favors deliberate roughness and mistakes over a sterile, polished sheen.

Book covers are the latest medium to embrace the trend. Scribbles, doodles, crayon marks and stickers — evoking Lisa Frank and anime cartoons — have begun appearing on prominent Gen Z contemporary fiction covers. The more childish and unrefined, the better.

The covers, which often accompany literary fiction written by women, signal a particular emotional register of naive, sticky chaos that youth promises. The visual language recalls a simpler time — a reclamation of an innocence lost. For millennials and Gen Z readers who worship collectibles like Labubus, friendship bracelets and butterfly hair clips, it’s natural that art direction would follow suit — sometimes with an ironic twist. Often, the design’s playfulness obscures the protagonist’s malaise.

The book cover trend, imbued with nostalgia for childhood, promises fiction that grapples with the pangs of adulthood in an age of precarity. In her Substack, cultural critic and novelist Natasha Stagg commented on the trend, noting, “Reverse-image searching these images turn up books on early childhood education, dealing with anxiety or migraines, or teaching a kid to color outside the lines as an artistic parent.” The book trend cover suggests collective angst about adulthood, highlighted by a cultural fixation on “girlhood” that sparked a spate of online think pieces in recent years.

It’s fitting, then, that the aesthetic has been adopted by Gen Z fiction writers like Honor Levy, whose paperback edition of “My First Book” includes girlish heart stickers on a hot pink background. The Y2K aesthetic elicits a young girl’s diary. Meanwhile, the 2025 novel “Unfit” by Ariana Harwicz, about a mother losing her children in a custody battle, uses erratic crayon scribbles on its cover. In the fall, McSweeney’s Quarterly Concern was contained in a binder with a Lisa Frank-style aquatic wonderland on the cover. This month, Cazzie David released a book of essays about early adulthood titled “Delusions: Of Grandeur, of Romance, of Process” with a cover resembling a child’s birthday cake.

(New Directions Publishing, Penguin Books)

Writer and culture critic Drew Zeiba noted the trend in his June 2025 Substack post. “I wonder if it represents a fed-up-ness with prior or concurrent trends in book design,” writes Zeiba over email. “A move away from the layered, the blobby, the clean — to something with more illusion of or allusion to an id.”

“Not for nothing, I assume adult coloring books sell better than literary fiction,” says Zeiba. “I’m struck by that in a way the crayon or marker drawing is provisional — there’s no final form to it.”

This January, novelist and Forever Magazine co-founder Madeline Cash released her highly anticipated debut novel, “Lost Lambs.” The story follows a family unraveling amid open marriages, conspiracy and emotional turmoil. Designed by Na Song, the cover features drooping blue crayon text and a small illustration of a girl.

The cover was heavily influenced by Henry Darger’s Vivian Girls. “I was attached to this Henry Darger painting when I was writing the book. I felt like that was a really accurate visual representation of little girls running away from utter chaos,” says Cash.

“The childish scribbling handwriting is also a red herring for some of the more serious and sinister themes in the book, “ says Cash.

(St. Martin’s Publishing Group, Farrar, Straus & Giroux)

“Having read Cash’s, I’m struck by the fact that the children in the book — and children are central to the book — are really insightful and transformative, and ‘lost lambs’ actually refers in the text to a specific group of adults,” adds Zeiba.

A similar artistic logic underpins Sophie Kemp’s breakout 2025 novel, “Paradise Logic,” which gained attention for its unsettling cover. The book cover is an existing painting by Brooklyn-based artist Naruki Kukita, selected by veteran art director Martha Kennedy with Kemp’s input. Kennedy had come across “Virtual Temptation in Eden” in a weekly art newsletter called “It’s Nice That.” The image invokes a children’s coloring book with darker undertones, blending various cartoon and drawing styles to depict Adam and Eve in paradise. A cartoon snake lurks behind them.

The design mirrors the memorable prose. “This novel showcased one of the most original voices I’ve ever read. I would describe it as a psychosexual fever dream,” says Kennedy. “I recall the editor calling it ‘the first true Gen Z novel.’”

Kemp recalls sending a lengthy email about the book cover inspiration. “I want something super maximalist. I want it to be a preexisting image. And I wanted to do something that is shocking or crazy,” says Kemp. Kennedy presented Kukita’s painting, and it was love at first sight for Kemp.

(New Directions Publishing, Simon & Schuster)

“Kukita’s combination of finely crafted painterly portraiture and flat graphic anime (often in very intense sexual combination) seemed like a perfect match for the tone of this novel,” says Martha Kennedy, who served as the art director at Simon & Schuster.

Then, enter Comic Sans typeface — a perfect dash of irony. “Let’s use a typeface that feels kind of wrong,” Kemp recalls prescribing. “I used Comic Sans for the first time in my 35-year career for the rest of the type. I felt that was some sort of weird pinnacle in itself,” Kennedy explains over email.

Kemp sees a thematic alignment between her and Cash’s book designs. “Mine and Madeline’s books are about naive female characters,” Kemp says. “It makes a lot of sense with the protagonist of my novel, who’s an extremely naive young woman, for the book cover to match that tone that I created.”

While working in marketing, Cash recalls another book cover trend she calls “book blob.” The blob was earth-toned and splashed bestselling covers for years. “With any kind of viral aesthetic: one of those books did well, so they engineered every cover to emulate that, because people were drawn to them,” says Cash. “It looks like all the content was the same and ubiquitous. It is a disservice to a lot of those books.”

“I really wanted it to stand out,” says Cash about her own cover.

Connors is a writer living in Los Angeles. She hosts the literary reading event Unreliable Narrators at Nico’s Wines in Atwater Village every month.

Travelling with kids can be expensive, even if you stay within the UK, but changing your travel dates could potentially save you hundreds of pounds – according to Expedia some dates could be the key to nabbing bargains

When you have kids, it feels like the days of cheap holidays are over, especially once they hit school age. Holidays can take a lot more planning and careful budgeting.

However, travel booking site Expedia has given parents a hand, putting together data that shows the cheapest exact dates to travel as a family, as well as the peak travel dates to avoid. Melanie Fish, spokesperson for Expedia Group Brands said: “Using the right dates to dodge peak travel times is a great money‑saving hack, especially when paired with booking everything you need for your trip on Expedia for a hassle‑free holiday.”

It also revealed some up and coming destinations for spring that are seeing a surge in searches, potentially making them popular places for a spring break. These include Conwy, Tenby, and the Cotswolds, all classic family holiday staycation spots.

As you may expect, late-March and early-April are expensive times to travel as parents try to get some time away for the Easter holidays. For domestic travel, the most expensive dates are between May 23 and 31, which is half-term in most schools across the UK. The most expensive dates for international travel were revealed as April 5 and May 23, again both coinciding with school holidays.

The busiest dates for staycations were found to be March 6 and 27, while for international travel, you can expect packed airports and ferry ports on April 2 and 3. If you’re someone who prefers to avoid the crowds and traffic, it’s best to rethink booking a departure on these dates.

When it comes to the cheapest dates, for domestic travel these fall on March 1 and 2, early in the spring, as it’s before the main tourist season kicks off in most staycation spots.

For international travel, the cheapest departure dates include March 2 and April 27. Unfortunately, these do fall outside of school holiday dates, but some parents may be tempted to book a break anyway. However, it’s worth making sure you research school holiday fines before you pull the kids out of school, as a family of four could rack up a £320 bill even for a first offence.

The quietest times to travel also fall outside of school holidays: April 28 and May 31. However, if your school has a later May half-term or inset days tacked onto the holiday, then going slightly later could cut the cost of a break later in the month. Choose flexible dates when searching for flights or holidays to see how much you could save by departing a few days later.

If you’re in a particularly strict area for school holiday fines, don’t worry, shifting your dates within the school holidays can also cut costs. For example, the cheapest dates to book in the six week summer holidays tend to be closer to the end of the holiday, as most people want to go away as soon as school finishes. By opting for a late-August rather than mid-July break you could save hundreds and still be back in time for school.

Have a story you want to share? Email us at webtravel@reachplc.com

“Beast Mode” started as a phrase people used to describe the running style of former NFL running back Marshawn Lynch.

“I think it was just my relentlessness and my no-back-down type of demeanor when it came to running the ball, like, ‘Boy, that boy a beast,’” Lynch said. “And it’s like, yeah, when I get the ball, that’s what type of mode I’m in — I’m in beast mode.”

Lynch played 12 seasons for the Buffalo Bills, Seattle Seahawks and Oakland Raiders, amassing 10,413 in 2,453 carries with 85 touchdowns. Somewhere along the way, he said, the phrase “Beast Mode” evolved into “this persona bigger than myself.”

“The way that I get approached by kids and fans, like the way that they approach me is almost as if I am like a character so to speak, and I don’t think that I was doing it justice because I’m like, ‘Well s—, I’m just only a man,” the Super Bowl XLVIII champion said.

“But I believe in their mind what they had made up as Beast Mode is this larger-than-life, kind of surreal individual.”

An early look at a page from the upcoming “Beast Mode 510” graphic novel, starring Marshawn Lynch as the title character. Text will be added closer to the Oct. 6 publishing date.

(Art by Denys Cowan / Courtesy of AWA)

Lynch is embracing that perception of himself … and Beast Mode is about to become a literal comic book hero.

On Friday, Arists Writers and Artisans announced the graphic novel “Beast Mode 510,” which is scheduled to be released Oct. 6. Written by NAACP Image Award-nominated author Sheldon Allen and illustrated by Eisner Hall of Fame artist Denys Cowan, the book was “inspired and guided by” Lynch and is a “deeply personal love letter” to his hometown Oakland, according to a news release from AWA.

“At its center is Beast Mode: the 510’s legendary fixer and freelance sleuth whose rough exterior hides a code of loyalty and willingness to deal with problems others won’t touch,” the release reads. “If you’ve got a problem the authorities won’t handle, Beast Mode will. No invoices. No contracts. Just results.”

AWA chief creative officer Axel Alonso said when he was approached by Lynch and his team about possibly working on a project together, the idea of turning Beast Mode into an almost superhuman crime fighter quickly came to mind.

“To use a football analogy, when Marshawn and his people came to me and said, ‘Can you do anything with this, Beast Mode?’ it was like they gave me the ball on the one-yard line and I had to just walk it in — and Pete Carroll wasn’t the coach, so I could just go right in,” Alonso said, referring to an infamous play at the end of Seattle’s loss to New England in Super Bowl XLIX.

“It was as easy as that. I was like, come on, ‘Beast Mode’? So automatically I talked with Marshawn and said, ‘What’s important to you?’”

Lynch’s input has been key every step of the way, Alonso said, with the five-time Pro Bowl selection getting final say on every aspect. Lynch said he appreciates having his voice heard and being able to put his stamp on the project.

“From the start, we just sat down and had a conversation about where it was that we wanted to go, what is the kind of feel, the look that we want, the kind of tone that we want to tell the story,” Lynch said.

Seahawks running back Marshawn Lynch #24 of the Seattle Seahawks runs for a 67-yard touchdown against the New Orleans Saints during an NFC wild-card playoff game Jan. 8, 2011, at Qwest Field.

(Jonathan Ferrey / Getty Images)

An early look at pages from the upcoming “Beast Mode 510” graphic novel starring Super Bowl champion Marshawn Lynch as an underground crime fighter.

(Art by Denys Cowan / Courtesy of AWA)

“I can’t draw or nothing like that, but any type of update or anything Axel will get over to me and, you know what I mean, yea or nay. And then when it comes to like how certain characters would look, certain names, individuals — I would say I’m involved, but I’m not stepping on their toes.”

For Lynch, one of the top priorities was to bring attention to all the unique aspects of his beloved city.

“We kinda have Oakland being a character of its own,” he said. “The personality of what Oakland stands for is something that I would really like to highlight ‘cause I feel that my city gets overlooked. And then the amount of individuals that we have coming out of area, it’s also an opportunity to show a nod to a lot of the Bay Area cultures and icons that we have.”

Even though the book is fiction, Lynch insisted on authenticity in the depictions of the city and the people who live there, including the way they look, act and speak.

“I think the biggest thing will probably be just the way that I speak in general,” Lynch said. “Mother— from where I’m from, we talk with a certain type of a tone, a type of swag.”

An early look at a page from the upcoming “Beast Mode 510” graphic novel. Marshawn Lynch says his character was inspired by the larger-than-life persona fans sometimes associate with him.

(Art by Denys Cowan / Courtesy of AWA.)

And, judging from Lynch’s signature way of talking, a lot of profanity.

None of Lynch’s ideas has been toned down.

“This is an R-rated book,” Alonso said.

“I want this s— to be turned up to the max,” Lynch added, “so if a mother— do pick this up to read, it’s gonna be like, ‘Oh, this some real s—.’ As well as entertaining, as well as insightful and impactful.”

Lynch is used to keeping people entertained, including as the co-host of the “Get Got Pod” with former Seahawks teammate Mike Robinson and as an actor with numerous roles in TV and film (including a breakout performancein 2023’s “Bottoms”).

He said he’s proud of how the project is turning out.

“When you see work and be like, ‘Damn that s— was nice’ and you start thinking about the thought process and how they got to those points, how they got to those things that drew you in, those things that give you that warm feeling,” Lynch said, “I’m feeling like I’m living that as this s— is going.

“Which is crazy as f— because I played in Super Bowls, I walked the red carpet of f—in’ premieres, and this one feels like, out of a lot of s—, this one is capturing that feeling for me. I’m a [Black man] — you know we don’t feel too much. But when we do, we be like, ‘Oh yeah, you know this s— is special.’”

Phil Rosenthal likes to sit at the counter of Max & Helen’s, the diner he recently opened with acclaimed chef Nancy Silverton, and chat with people while they eat.

“I sometimes feel like the mayor of Larchmont,” Rosenthal says over the phone as he greets diners who notice him at the counter. “When people come in and realize I’m involved, they’re always surprised to see me. It’s a bit like being at Disneyland and running into Goofy.”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Rosenthal is probably best known for creating the popular TV show “Everybody Loves Raymond” and hosting Netflix’s “Somebody Feed Phil,” which is moving to YouTube in 2027, but he is more than just a famous foodie. He’s now touring the country for his live show, “An Evening With Phil Rosenthal,” and he recently published his second children’s book, “Just Try It! Someplace New!,” which he wrote with his daughter Lily. (They’ll sign books at Barnes & Noble at the Grove on March 14.)

“The book series started when my daughter called and said, ‘Kids love your show. Why don’t you do a kids’ book?’ “ he says, before adding with a laugh: “I told her, ‘Yes, if you’ll do it with me.’ That’s a dad trick to get more time with your daughter.”

Rosenthal believes stories about kids feeling nervous or afraid to try new things connect with both children and adults. “When you write a kids’ book, you realize that it is not just a kids’ book,” he says. “It’s really a book for everyone.”

Although he travels a lot, Rosenthal likes to spend Sundays close to home. He enjoys walking his dog Murray to Larchmont Village and hosting movie night with friends at his place in Hancock Park.

Here’s what his perfect Sunday in L.A. looks like, with lots of good food along the way, of course.

This interview has been lightly edited for length and clarity.

7:45 a.m.: Coffee with Murray and neighborhood friends

Every Sunday morning, I walk my dog Murray to Larchmont Village and stop at Go Get Em Tiger. It’s our daily ritual. Over time, we’ve built a great community there, and I always invite others to join us. We sit outside, talk and have become close friends. I usually post a photo of Murray on Instagram each day. He’s a rescue mutt, and I like to joke he’s part Pyrenees, part psychopath.

9 a.m.: Shop for produce at the Larchmont Village Farmers’ Market

After about an hour, I head across the street to the Larchmont Village Farmers’ Market, which is held on Wednesdays and Sundays. I usually pick up some fruit for the house. It’s a great community spot.

9:30 a.m.: Breakfast at Max and Helen’s

Next I walk down the street to Max and Helen’s, the diner my family opened. I’m about to order the L.E.O., which is Gingrass Smoked salmon lox, three eggs and onions. So if I sound like my mouth is full, you’ll know why.

One of my favorite things on the menu is the sourdough waffle Nancy [Silverton] created, topped with butter mixed with maple syrup. I also love the hot chocolate, and the tuna melt is a special, more romanticized version of the classic. If you eat there every day, it’s smart to pick something healthy, like I’m having today — high protein and no carbs.

11 am: Browse titles at a neighborhood bookstore

I love visiting Chevalier’s Books, the oldest independent bookstore in Los Angeles. I’ve been going there since I moved to Los Angeles from New York in 1989. It’s just two doors down from the diner and feels like our community bookstore.

Noon: Hit the gym

Afterwards, I walk home and fit in a workout. I have to exercise every day because I eat a lot. If I didn’t walk everywhere, I’d probably weigh 300 pounds. My gym is simple — just some weights and a bench — but it works for me. Since I travel often, I stick to a routine I can do anywhere.

1 p.m.: Enjoy a surprising meal at a Michelin-noted restaurant

If I weren’t hosting movie night, I’d love to stop by République. It’s an amazing place, maybe the best restaurant in L.A. Every menu is great. I usually eat just about anything there, and sometimes I ask them to surprise me. It’s an all-day restaurant and I’ve gone for breakfast, lunch and dinner. Their egg dishes are excellent, the burger is top-notch and the roasted chicken, which is cooked over an open fire in the kitchen, is superb. I often let the chef decide what to bring me, especially when I’m with a group. It’s fun to be surprised and try shareable dishes.

I also really enjoy Connie and Ted’s in West Hollywood, Michael Cimarusti’s casual spot. The seafood is just as good as it is at Providence, his fine dining place. Their fresh Maine lobster roll is excellent, and they have the best oysters in L.A. It’s pretty awesome. Check before you head over there, though, as I’ve heard it’s for lease.

3 p.m.: Go for a hike

I used to hike more before I started traveling so much, but I still enjoy it. After all, this is L.A. While other places deal with bad weather, we get to be outside. I love hiking in Runyon Canyon and Griffith Park. It’s great to make the most of the outdoors here.

6 p.m.: Movie night and Pizzeria Mozza at home

On Sundays, we host movie nights at home. We have a dedicated screening room, a wood-burning pizza oven in the kitchen and a chef from Pizzeria Mozza, who comes over to make pizza. The best part is that someone connected to the film often joins us. Sometimes we watch new movies, other times old favorites. Aaron Sorkin came for “The Social Network,” and when we screened “Tootsie,” Elaine May, Dustin Hoffman and Bill Murray joined us. We usually have about 25 to 30 people.

I really love my neighborhood and the people in it. One of the best things about traveling so much is that it makes you appreciate home even more.

A travel expert claims he has saved money by looking for flights at a specific time, and early risers could bag a bargain, but there are also other ways to cut the cost of your flight

A travel expert has claimed that the time you book a flight can be just as important as the day you choose to travel, and that setting your alarm at a very specific time could help you land the best deals.

Jamie Fraser, owner of Wild Packs, claims that the cheapest time to book flights is exactly 2:48am in what could be good news for night owls and insomniacs. He also claims that evening searches between 8pm and 2pm can also be around 5% cheaper than searching during peak morning hours.

Airlines will often raise prices when they see heavy demand for a destination, so if lots of other people are up at the same time looking for the same route and dates, this could potentially put prices up. Jamie says: “Most people search for flights first thing in the morning while they’re having coffee, but that’s exactly when everyone else is doing the same thing.

“When airline systems see that spike in demand, prices can rise quickly. It’s one of the easiest ways travellers overpay. The cheapest time to book is usually in the early hours of the morning, around 2:48 am, when far fewer people are searching, and airline pricing systems have reset overnight.”

He added: “If you’re not willing to set a 2 am alarm, the next best option is late evening. Booking between 8 pm and 10 pm can still save around 5% compared to that busy morning window.”

So does this hack work? In the early years of internet travel booking, airlines and other sites would update their fares manually overnight. This meant that savvy travellers could sometimes pick up middle of the night bargains. However, nowadays, it’s more complex because systems have evolved, so you may still need a bit of luck on your side.

You could also potentially save money by using Jamie’s other suggested hack, which is to set up price alerts rather than checking fares repeatedly. Jamie also reiterated the often given advice that travellers should be flexible with travel plans, looking out for different airlines, dates, or nearby airports.

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If you use sites such as Skyscanner, you can often tick a ‘nearby airports’ box, as an airport a short drive away could end up being cheaper. If you’re flexible on destination, for example you simply want to go somewhere sunny with a beach, then choosing ‘everywhere’ as a destination will show you the cheapest options for your dates.

It’s also worth signing up for emails from specific airlines and looking out for deals such as flash sales or kids fly for free offers, which often have limited availability and need to be snapped up quickly.

Have a story you want to share? Email us at webtravel@reachplc.com

WASHINGTON — Jill Biden is breaking her silence about Joe Biden’s decision to abruptly end his 2024 presidential reelection bid under pressure from Democrats concerned about his age, health and viability against Republican Donald Trump in a rematch of their 2020 campaign.

A political spouse for nearly 50 years, Jill Biden said she has never publicly discussed her feelings about the three-week stretch when her husband ended his political career, instead saving her thoughts for the pages of her soon-to-be-released memoir.

Gallery Books, an imprint of Simon & Schuster, on Wednesday announced that her book, “View from the East Wing: A Memoir,” is scheduled to be published June 2.

Jill Biden told the Associated Press in a brief telephone interview that the book is a “reflection of my four years as first lady” and that writing it was somewhat healing.

“It was kind of cathartic for me to write it, and I wrote about all the, you know, sometimes painful — but other times, most of it really beautiful moments that Joe and I shared during his presidency,” she said.

Jill Biden declined on Tuesday to discuss any of those moments, good or bad — including watching her husband work his way to the decision to end his five-decade-long political career by dropping out of the 2024 presidential race.

In an announcement video shared on Instagram, she said she wants to “set the record straight.”

The last chapter of her husband’s political career

In April 2023, then-President Joe Biden was 80 and the oldest president in U.S. history when he announced he was running for a second term. His age and fitness to serve another four years — which would take him to age 86 — became a source of concern for the public. Some fellow Democrats began to pressure him to step aside after he turned in a disastrous debate performance against Trump in June 2024 in which he struggled, in a raspy voice, to land his debating points and often appeared to lose his train of thought. Aides blamed the poor performance on a cold.

Joe Biden at first insisted that he would stay in the race, but after a few weeks he withdrew from the campaign and endorsed Democrat Kamala Harris, his vice president. Harris became the party’s presidential nominee but lost to Trump in the November 2024 election.

Jill Biden said that, with the book, “I have put things in perspective,” presenting what she describes as a “more balanced view” of her husband’s time as president.

The memoir is also a tribute of the sorts to women who, like herself, juggle multiple roles.

“It’s also a story about my being able to balance life, you know, as a working woman and as a mother, a grandmother, a first lady,” she said.

During her four years in the role, Jill Biden, 74, made history as the first first lady to continue the career she had before entering the White House. She had taught English and writing for decades at the community college level, and she continued teaching twice a week at a Northern Virginia school while serving as first lady.

Joe Biden ‘doing well’ after his cancer diagnosis

The former president’s office announced in May 2025 that he was diagnosed with an aggressive form of prostate cancer and that it had spread to his bones. He’s receiving treatment.

Jill Biden said it was “quite a shock getting the diagnosis” for her husband, who’s now 83.

“The fact that it is in his bones means that he will have cancer, you know, all his lifetime,” Jill Biden said. She said the doctors say he will “live out his natural life.”

“Like most retired couples, he’ll probably drive me crazy till the end of it,” she joked.

She said he visits Washington at least once a week for meetings or to give speeches.

A unique period in American history

The former first lady also writes in the book about serving during a unique period in U.S. history, including the COVID-19 pandemic and the aftermath of the insurrection at the Capitol on Jan. 6, 2021, according to the publisher.

Her husband was sworn into office on the steps of the Capitol on Jan. 20, 2021, just two weeks after a mob of Trump supporters, spurred by his false claims that the Republican lost because of election fraud, stormed the building in a violent attempt to keep lawmakers from certifying Joe Biden’s victory.

Joe Biden’s first year in office was dominated by the federal response to the pandemic and, while he mostly stayed at the White House, Jill Biden wore face mask and traveled around the country to encourage people to get their vaccinations. She also continued her advocacy on behalf of military families, education and community colleges, cancer prevention and women’s health initiatives.

Before she became first lady, Jill Biden was second lady of the United States from 2009 to 2017, when her husband was Barack Obama’s vice president. She currently chairs the Milken Institute’s Women’s Health Network.

Jill Biden is also the author of “Where the Light Enters,” published in 2019, in which she writes about meeting Joe Biden, then a U.S. senator from Delaware, and marrying and building a life with him. She also has written three children’s books.

Superville writes for the Associated Press.

BRITISH holidaymakers have been caught up in the Iran crisis, with thousands stranded abroad and even more fearing for their upcoming trips.

But if you haven’t booked your holiday yet, should you be doing it now to avoid any price hikes?

Due to the ongoing US-Iran conflict, the cost of jet fuel has spiked, with airline fares already spiking in response.

Before the attack, prices were around $90 (£67) per barrel.

However, this has now jumped to as much as $200 (£149) per barrel – the highest prices since Russia invaded Ukraine in 2022.

Jet fuel makes up about a quarter of the cost of airline operations, according to the IATA.

BILLS BLOW

Cost of food shops, fuel & holidays will soar due to Iran war, experts warn

HOL-D ON

Brits are cancelling holidays to Cyprus despite it being on the safe travel list

In response, airlines such as Qantas, Scandinavia’s SAS and Air New Zealand have all raised flight prices already.

Some airlines such as Ryanair, easyJet, British Airways and Virgin Atlantic, are less affected as they have secured some of their fuel at fixed prices for a set amount of time – called hedging.

Ryanair boss Michael O’Leary said the rise in jet fuel “won’t affect our costs and it won’t affect ​our low fares,” something easyJet also echoed.

But flights elsewhere are likely to go up in the next year or so, as the conflict continues.

Most airlines in America do not protect themselves against jet fuel price increases, meaning Brits are likely to see more expensive transatlantic fares.

According to research from Skift this could cost US airlines as much as $24billion in extra fuel costs – working out to 11 per cent increases on flights.

Not only that, but the closure of the Strait of Hormuz – one of the world’s most important shipping routes – is also having a knock-on affect and could lead to shortages.

James Noel-Beswick, head of commodities at market intelligence firm Sparta Commodities, told the BBC that it was very likely” that prices will increase this summer.

He added: “I think we’re weeks away from maybe flight cancellations or delays due to lack of jet fuel, rather than months.”

So, what can Brit holidaymakers do?

If you were planning on booking a package holiday, many tour operators allow you to lock in a cheap price, and simply pay a deposit, with the full balance coming later.

Jet2 allows you to book a holiday with a £60pp deposit while TUI has a number of £0 deposit schemes.

Loveholidays has deposits from £19pp, as well as a “Best Price Promise” that refunds the difference if your holiday is cheaper within seven days of booking, plus an extra £5 per person.

Destinations like Spain – already one of the most popular holiday destinations for Brits – are likely to see even more demand this year along with Greece due to being seen as ‘safer’ holiday destinations.

This means you might see a jump in price more than usual as well.

Other popular destinations like Cyprus is already seeing some booking cancellations after a drone attack on an RAF base on the island.

Hoteliers have said cancellations are affecting holidays in March and April – this is despite Cyprus remaining on the safe travel list.

Dubai is still on the “only essential travel” list so holidays to the UAE city are currently suspended, along with Jordan also on the travel ban list.

Even destinations like Egypt and Turkey are being affected, with a number of Sun readers concerned about holidays to both.

The Sun’s Head of Travel on which holiday destinations to go to instead this year

The Sun’s Head of Travel Lisa Minot, explains: “There’s no doubt the current crisis in the Middle East is going to have a seismic impact on our holiday habits.

“Reports of travellers stranded in the UAE and across the globe will certainly prompt those looking to travel long haul to look at alternative ways to fly – with direct flights to places like Thailand, the Maldives and Japan sure to be very popular.

“Closer to home, the situation will sadly likely impact destinations like Turkey, Egypt, Cyprus and possibly even Greece.

“And with soaring fuel costs, tour operators will be looking to price alternative destinations competitively. 

“But there are other options – our traditional resorts in places like Spain and Portugal are good, safe bets.

“Comparison giant TravelSupermarket has crunched the numbers for this summer and declared Spain’s Costa Calida one of the best-value destinations for this summer. 

“Dubbed the ‘warm coast’, this region stretching along the south eastern region of Murcia is one of Spain’s most underrated coastlines with 150miles of beaches, crystal clear waters and the unique Mar Menor lagoon, Europe’s largest saltwater lake.

“Also worth exploring arethe likes of Montenegro, Albania and even North Macedonia for cheaper hotel and restaurant costs as well as traditional favourite Bulgaria.

Both countries have not been affected by the Iran crisis and the tourist resorts remain safe to travel to.

Long haul holiday destinations are likely to see a spike in prices too, as Brits try to avoid booking connecting flights that go via Dubai, Doha and Abu Dhabi.

Some popular countries include Thailand, Vietnam, the Maldives and Bali, all of which usually fly via the Middle East.

There are alternative stopover destinations, usually via Turkey, Singapore or Hong Kong – but the soaring demand is likely to see these cost more this year too.

And with longer flight times? More jet fuel, so even more costs being passed on.

Here are five lesser visited coastal resorts to visit this year.

And here is another lesser known European city that is a bargain weekend trip.

There’s a hidden door in Downtown Disney. Only this one isn’t meant to be walked through.

Flanking a stage near the monorail station, you’ll find a glistening white tower, the work of artist and activist Nikkolas Smith, who has adopted the term “artivist.” At first glance, the tower — one of Downtown Disney’s most striking works — appears to be a nod to Disneyland’s Midcentury art, for its curved lines and space-age optimism wouldn’t be out of place in Tomorrowland.

That’s there, says Smith, but there are also a number of more subtle inspirations.

The tower is a nod to five Black architects, trailblazers whose creations sometimes went unnoticed or overlooked. And that’s why at the base of the structure is a looping opening meant to signify a half-open doorway.

Downtown Disney’s Legacy Tower touches on the styles of different Black architects as it rises into the sky.

(Gary Coronado / For The Times)

Smith shares a distressing anecdote. “They had to learn how to read drawings upside down, because they weren’t allowed to sit next to the white clients,” Smith says, adding they also had to endure unequal pay. “So I was incorporating things like the half doorway to symbolize their struggle.”

Officially designated as the Legacy Tower, Smith himself fixates on that word — “legacy.” The term, he says, represents a thematic constant across his work. A regular collaborator on a number of Walt Disney Co. projects and a former architect with Walt Disney Imagineering, the division of the company focused on theme park experiences, Smith is something of a connector. His canvas art, full of fast-moving brush work, is often rooted in the past while urgently seeking to draw links to the present.

Artist Nikkolas Smith went viral for his portrait of Martin Luther King Jr. in a hoodie, a tribute to slain teenager Trayvon Martin.

(Nikkolas Smith)

His 2025 children’s book, “The History of We,” tells the story of how humanity can trace its roots to Africa. And one of his best-known pieces is of Martin Luther King Jr. in a hoodie, meant to evoke the image of Trayvon Martin, the slain 17-year-old whose death inspired a social justice movement. The work went viral in 2013 while Smith was still working for Imagineering. It altered his career trajectory.

“It was like, ‘I cannot just make art about churros and rides right now,’” Smith says. “There’s a time for that, and there’s also a time to talk about this.” He references his portraits related to the killings of Black men, many at the hands of police officers, such as Philando Castile and Michael Brown.

“At the end of the day, Disney understood that,” Smith adds. “They understood that I needed to make art that was extremely important at the moment, about justice or the lack of justice.”

Smith left Disney in 2019 after 11 years but has maintained a close relationship with the company, so much so that Imagineering called upon Smith to design the tower, which opened in 2023.

Artist Nikkolas Smith, left, chats with guests Ricky Yost and Martina Yost of Aubrey, Texas, who recognized Smith from a recent Disney cruise excursion.

(Gary Coronado / For The Times)

As the Legacy Tower spirals toward the sky, its patterns and and lattice work nod to the likes of James H. Garrott, Robert A. Kennard, Roy A. Sealey, Ralph A. Vaughn and Paul Revere Williams. All were active in Los Angeles — Williams, for instance, was a pivotal designer on the LAX Theme Building — and Smith interlaces decorative flourishes in varying styles that twist around one another to work up the Legacy Tower’s pointed spheres.

The door of the Legacy Tower symbolizes perseverance, Smith says. “They made it through, despite all of the obstacles they had to go through.”

Smith had studied the architects while a student at Hampton University, and has documented on his Instagram their various stylings, which range from restrained to whimsical to ornate. A section referencing Vaughn is modern minimalism, whereas an area dedicated to Sealey is full of jagged, pointed linework. All of it is held together via a coiling design that feels full of movement.

The patterns of the Legacy Tower are nods to the likes of James H. Garrott, Robert A. Kennard, Roy A. Sealey, Ralph A. Vaughn and Paul Revere Williams.

(Gary Coronado / For The Times)

“How can I show humanity’s interconnected future? That’s the idea,” Smith says. “There’s this African theme of Sankofa. If we look toward our future, we have to look at the past and value and appreciate the past. I thought it would be great if I could really commemorate some Black designers and architects as the foundation and backstory of the tower. And I was also thinking about these breezeway block patterns that you see in Leimert Park.”

And yet it also feels like something that belongs in the park. Smith says he looked at some Tomorrowland designs.

“A Midcentury Modern vibe was Walt,” Smith says, referring to park patriarch Walt Disney. “That was Walt’s thing. It all connects. I love that people can hopefully now connect both things. You can connect Tomorrowland and Walt with Paul Revere Williams.”

It’s clearly Smith’s favorite design of his for Disney, although it’s not the only space at the resort that features his artistry. During his decade-plus with Imagineering he regularly worked on teams that focused on projects at Disney California Adventure, which this year is celebrating its 25th anniversary. He was heavily involved, he says, in the evolution of Avengers Campus, contributed to a small promenade stage in Pixar Pier and helped envision the facade of Guardians of the Galaxy — Mission: Breakout!, which transformed the former Tower of Terror into a sci-fi structure.

Nikkolas Smith says elements of Downtown Disney’s Legacy Tower symbolize perseverance.

(Gary Coronado / For The Times)

Smith looks back fondly at his years at Imagineering, specifically calling out his time on the Guardians project. The former fake hotel is now full of glistening bronze pipes, a retro futurist look that former Imagineer Joe Rohde, who led the design, has said takes influence from the high-tech aesthetic of architect Renzo Piano, who worked on France’s Pompidou Centre.

“How much can we add to it? How much can we get away with gluing onto this thing?” Smith says of the Guardians facade. “What is the right amount of ‘Guardians of the Galaxy,’ without being too much? Without scaring people on the freeway?”

Today, Smith continues to focus on social justice work, and has also collaborated with filmmaker Ryan Coogler, such as completing concept designs for his Oscar-nominated film “Sinners.” Smith’s 2023 children’s book “The Artivist” documents the importance of creating art that’s in conversation with the world, believing it’s not only a source for education but for empathy. Smith’s weekly paintings speak out often against the current administration, and Smith has been particularly vocal on the ICE raids.

A selection from “The Artivist,” an illustrated book from Nikkolas Smith.

(Nikkolas Smith)

“Some people say that all art is activism, but I feel that some of the best art that is created is art that has a message,” Smith says. “And hopefully that message has to do with the humanity of all people, and for me, I like to focus on marginalized communities, and how we can value the humanity of everybody. That’s why I make picture books about the origins of humanity and the origins of this country.”

The Leimert Park resident says his wife and young son regularly visit the Disneyland Resort. And when he does, Smith says, he always takes a moment to stop by the Pixar Pier stage that he contributed to, which is often used for character meet and greets.

“They were team projects, and I do go up to them with so much pride,” he says. “I go up to the Pixar Pier promenade stage, and I just go up to it and touch it. … The beautiful thing about Disney is these creations are usually around for a lifetime.”

It turns out you can take the artivist out of Disney, but you can’t fully take the Disney out of the artivist.

One of the biggest takeaways from the biography “Judy Blume: A Life” may not be in the story itself but in its author. Because of her frank talk about puberty and sexual awakenings, Blume’s work is usually associated with young female readers. Her biographer, Mark Oppenheimer, is a middle-aged father of five.

He says he received minimal pushback on the idea that a man should be allowed to write Blume’s definitive life story. If the whole point of her books is that there should be no shame in body awareness, what service does it do to say only a woman has the authority to write her story? Plus, although her books aren’t selling as well as they used to — who’s are? — Oppenheimer’s biography points out that there are still plenty of parents who will throw a copy of her seminal “Are You There God? It’s Me, Margaret.” at their kids rather than have the menstruation talk or risk any misinformation that may be online.

“No good writer should be ghettoized,” Oppenheimer says during a recent Zoom call with The Times. “If you’re a good writer, you shouldn’t be marketed just to girls or just to boys or just to white people or just to straight people. Good art should be for everyone.”

It is intrinsic and impossible not to parlay Blume’s stories of sibling rivalries, first loves, friends and frenemies, and (most famously) puberty with what was going on in your life when you read them. Books like “Deenie” and “Superfudge” and “Margaret” are also remarkably malleable enough so that, even if a kid picks them up decades after their release or cannot relate with a parallel experience, they can become placeholders and explainers for what must be going on in the minds of their classmates. Last year, TV creator Mara Brock Akil adapted “Forever,” Blume’s 1975 story of the kind of mutually shared devotion that feels like it will last eternally, into a miniseries set in 2018 Los Angeles.

“I think for many of us, Judy’s books are our first crush or our first love and they do hold a special place that no book we read in our world-weary, cynical 40s can hold,” says Oppenheimer.

Some of this can be attributed to time and brain space. Oppenheimer discovered Blume’s work when he was a child. He’s now a parent, with a career and all the other time-sucks that come with adulthood.

“The books I read as a child imprinted on me in a way that books today don’t,” he says. “I probably remember more plot points of the first Judy Blume books that I read than I do of any book I’ve read in the past five years.”

But what of Blume herself? Can America’s mom also be a three-dimensional person who makes her own mistakes? Discovering her four adult novels — especially “Wifey,” a book about a gilded-caged suburban housewife that even Oppenheimer describes as “a very salacious, one might say, smutty, adult novel” that even some of Blume’s collaborators wanted her to publish under a pseudonym — or watching documentaries about her like 2023’s “Judy Blume Forever,” in which she is seen joking about masturbation with employees at her Key West, Fla., bookstore, can seem as evasive and dangerous as reading your mom’s diary.

Author Mark Oppenheimer

(Lu Arie)

There have been other books about Blume and her work, most notably Rachelle Bergstein’s 2024 deep-dive “The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us.” But Oppenheimer’s biography is a more straightforward tracing of Blume’s life and career. He starts with her childhood when she was encouraged to read Philip Roth at home and went to sleepovers at friends’ houses that were more about body awakenings. He discusses her stifling first marriage, which gave her the last name she carries with her to this day and her two children but is also where she hung her college diploma and another award over her washing machine as reminders of her intellect. There’s talk of her second marriage, which Blume has always been reluctant to discuss, as well as the two abortions that resulted from it. And there are details on her life with her third husband, the polymath George Cooper.

Oppenheimer relied on past news stories about Blume, as well as a collection of her work and professional correspondences that are archived at Yale’s Beinecke Rare Book & Manuscript Library and, probably most informatively, his own interviews with Blume and her friends and family. (Although Blume did agree to speak with Oppenheimer for his book, she declined our request to interview her for this story about that book).

“I think that the difficult subjects are sometimes the ones that make her more relatable,” Oppenheimer says of his subject. “I think most of her fans will find it interesting and admirable that she speaks so candidly about her abortions, about especially her divorce from her first husband, which came as she was getting involved in the [second-wave] women’s movement, about her early same-sex experiences, about masturbation as a girl; these are things we would expect Judy Blume to be candid about.”

Oppenheimer matches how these life events correspond with the ones of Blume’s characters because, for better or for worse, she almost always was an author who wrote what she knew even if her fandom transcended it. What her books lack in character diversity, they make up for in specificity. And that, in turn, also makes them relatable.

“Judy found incredibly compelling human drama in books about the New Jersey suburbs, and that’s a testament to her strength as an artist,” Oppenheimer says.

Writer Judy Blume at her nonprofit bookstore Books and Books on March 26, 2023, in Key West, Fla.

(Mary Martin / Associated Press)

Examining and reexamining Blume’s work as an adult also gave Oppenheimer a better perspective of her writing style. Blume didn’t begin to try to write professionally until she was a married mother of two and some have criticized her work for not being as flowery and polished as others’.

“All of her books tend to take a fairly tight focus on the characters,” Oppenheimer says. “They don’t tend to pull back and look at large societal forces or changes going on in the country or the world. And that’s fine. You know, the same could be said of Jane Austen.”

Perhaps the best example of this is Blume’s own religious foundation. Her most autobiographical novel, “Starring Sally J. Freedman as Herself,” has a protagonist who is paranoid that she sees Adolf Hitler on park benches and whose life is imprinted with stories of a relative who followed her mother into the concentration camps and the neighbors sitting shiva (a time of mourning) for their daughter who got pregnant with her non-Jewish boyfriend. And yet, Oppenheimer notes, Blume is not always immediately thought of as a Jewish writer. Nor have most of her readers been Jewish.

“I think that her Judaism is there, if you know where to look,” says Oppenheimer, who spends the early part of his biography looking at how the synagogue and religious community were a normal part of a young Blume’s life. He adds that “she is somebody who speaks really, really well across religious, cultural and racial differences, and that’s partly why she has sold tens of millions of books.”

Oppenheimer acknowledges that Blume’s characters may not be diverse enough by today’s standards; that they don’t usually discuss “gender identities or sexualities; children of multiracial backgrounds; children who have disabilities.” They can also feel like time capsules to other dimensions; his 12-year-old daughter was scandalized by how normative bullying was after she read “Blubber,” Blume’s 1974 novel about tween mean girls and body shaming.

He adds that some of today’s bestselling young adult novels, like Rick Riordan’s Percy Jackson series about a teen demigod or Suzanne Collins’ dystopia-set “Hunger Games” books, are “contemporary realism [that] focus on extraordinary or unusual circumstances.” And while he’s happy for these books’ popularities, he says that some subjects may be better told by kids who also aren’t tasked with saving the world. (I am pretty sure I learned more about male puberty from Blume’s 1971 story “Then Again, Maybe I Won’t,” which is as much about wealth divides and questionable friend choices as it is about a 13-year-old boy’s inner monologues about her awkward adolescence).

“If what you’re looking for is realism that isn’t focused on obvious external differences, but rather on interiority,” Oppenheimer says, “then Judy Blume still remains one of the premier novelists that you would want to read.”

Friedlander is a pop culture and entertainment journalist based in Los Angeles who hates coffee but loves Coke Zero.

In “Rooster,” a genial comedy premiering Sunday on HBO, Steve Carell, comfortable as an uncomfortable person, plays Greg Russo, the author of a best-selling series of books whose hero is named Rooster. He has come to leafy, fictional Ludlow College to give a reading, but also because it’s where his daughter, Katie (Charly Clive) teaches art history, and because it’s all over school that her husband, Archie (Phil Dunster), a history professor, has left her for Sunny (Lauren Tsai), a graduate student in neuroscience. He’s a concerned father.

“They are light; they are fun. The characters that you like have sex, the ones you don’t get shot in the face,” Greg tells poetry professor Dylan (Danielle Deadwyler) of the “beach read” books he writes, as she ushers him to an auditorium. Unlike his fictional alter ego, Greg is by his own account a self-conscious introvert, heightened by the fact that his ex-wife, Elizabeth (Connie Britton) — “a philanthropist, a pioneer in corporate gender equality and an accomplished CEO” whose name adorns the school’s new student center — left him five years earlier and he never moved on. Additionally, Greg likes nuts and cocoa, can toss a penny into a jar from across a room, and played minor league hockey, which will put him back on skates here.

College president Walter Mann (John C. McGinley) decides it would be “a feather in his cap” to hire a reluctant Greg, “a best-selling author that the parents have actually heard of,” as an artist-in-residence — a deal he makes impossible to refuse by agreeing to keep Katie on staff after she accidentally burns down Archie’s house. (She was only trying to burn his first edition of “War & Peace.”) It’s a role quite like the one McGinley played/plays on “Scrubs,” but more politic and better dressed, when dressed — he takes meetings in his backyard sauna.

And they’re off.

Poetry professor Dylan (Danielle Deadwyler) and author Greg (Steve Carell) become colleagues when Greg is named artist-in-residence.

(Katrina Marcinowski / HBO)

The series was created by Bill Lawrence (“Ted Lasso,” “Shrinking,” “Scrubs,” “Bad Monkey”) and frequent collaborator Matt Tarses, and as men of at least a certain age, the view is slanted from experience back toward innocence; students play a secondary, though not insignificant role in the story. There are some pro forma jokes about the sensitivities of the young, with Greg getting into not-very-hot water over misunderstood references to “white whale” and the Bangles’ “Walk Like an Egyptian.” (“Liberal arts college used to be havens for free thought, Greg,” says Walt. “When did you and I become the bad guys?”) Not that the olds are reliably smart about life — the ways in which they’re not power the series — but they have a better notion of where they’re stupid.

“No one must be humiliated,” Greg says to Archie, quoting Chekhov, as Archie goes off to talk to Katie. (The quote is in the animated opening titles as well, so you can take it as important.) But no one here is out to humiliate anyone, which is nasty and unkind and not at all the sort of humor Lawrence trades in. Of course, characters will be put into embarrassing positions, or embarrass themselves, embarrassment being the root of all comedy, or near enough. (There’s a good bit of slapstick knitted in.) And though we’re told that “there are real villains lurking around this place,” niceness reigns — at least through the six episodes, of 10, available to review — with the possible exception of Alan Ruck as the dean of English. (“There’s no way she wrote all these poems,” he says of Emily Dickinson.)

Though there are couples, and ex-couples and new couples, one doesn’t necessarily feel invested in their getting together, or staying together, or getting back together. Indeed, as in other Lawrence projects — which typically feature divorced or separated characters — romance is a sort of side dish, less the issue than whether people are managing to treat one another well. We knew Ted Lasso wasn’t going to get his wife back, but it wasn’t the point (nor was winning games, really); kindness was what mattered. Greg’s possibly pre-romantic friendship with Dylan is no more significant than his cross-generational friendship with a group of goofball students (led by Maximo Solas as Tommy); they treat each other as peers, while knowing they aren’t. He teaches them that peanut butter can make celery better, and they teach him that he’s cooler than he thinks.

Katie, who says she still loves Archie — who says he still loves her — will also call him “a run-of-the-mill narcissistic a— who sometimes smells like wildflowers.” (As for Sunny, practical and deadpan — that no one gets her jokes is a running joke — not even Archie can see what she sees in him, a problem you might have as well, but, as is true of most everyone here, we’re not meant to merely write him off. Funny secondary characters, who get some of the best business, notably include Rory Scovel as a cop who can’t keep track of his gun, Robby Hoffman as Sunny’s intense, anti-Archie roommate and Annie Mumolo (co-writer of “Bridesmaids”) as Walt’s arch assistant.

Old-but-not-that-old-fashioned, “Rooster” has a tinge of Gen X nostalgia, underscored by the ’80s college radio classics that line the soundtrack. (R.E.M.’s Michael Stipe co-wrote and sings the series’ theme, and Greg, drunk and in a mood, will kill a party getting the DJ to play “Everybody Hurts.” Directed by Jonathan Krisel (“Portlandia,” “Baskets”), it’s low stakes, soft-edged, humane, basically gentle, a little fantastic, a little farcical, well cast and well played in every instance — qualities I happen to like, and maybe you do, too.

For decades, Iranian novelist and memoirist Shahrnush Parsipur wrote under the threat of her country’s oppressive laws. Parsipur was imprisoned for her work four separate times: once under the shah, who ruled Iran before the Islamic Revolution of 1979, and three times under the regime that took power that year.

Despite this Damoclean sword hanging over her, she managed in 1989 to publish “Touba and the Meaning of Night,” a sweeping historical novel that lays bare Iran’s crushing patriarchal culture. In 1990, she wrote “Women Without Men,” a book of connected stories that trace the lives of five women, including a sex worker and schoolteacher, in search of liberation and self-actualization.

Shortly after the book’s publication, the Iranian government threw Parsipur in prison for a fourth time, where she remained for over four years.

Flash forward 36 years, and an English translation of “Women Without Men” has published in the U.K. for the first time. (The first U.S. English translation was published by Feminist Press in 2011.)

Now, the U.K. book has been nominated for this year’s International Booker Prize. In an email exchange, Parsipur, who presently lives in exile in Northern California, expounded on her career, Iran and the recent developments there.

✍️ Author Chat

(The L.A. Times may earn a commission from bookshop.org links.)

Women Without Men was longlisted for the 2026 International Booker Prize

(The Feminist Press)

What is your feeling about the U.S. air attack against Iran?

I am very sorry for my country. People suffer and the country becomes ruined. I will never forgive Israel and the U.S. I am an American also and as an American I want to stop the war. I do not think that Americans and Israelis can bring liberty to Iran. The people of Iran must try for themselves.

The government threw you in prison shortly after you published “Women Without Men.”

I was never a political activist and they did not torture me. But one time they put me in a grave for two months in Ghezel Hesar Prison. There, we always had to sit without speaking and our eyes were closed by a cover and we listened to Islamic slogans.

So it was solitary confinement?

We were sitting in a space the size of a grave and there was a wooden wall between every grave, so you could not see anything except your grave.

Did you write in prison?

Yes, I began to write my novel “Touba and the Meaning of Night.” I wrote half of it and suddenly they took it and after one year the men of Ayatollah Montazeri came to prison and they gave me the novel. They had destroyed two pages that were about the killing of a girl. I thought the virginity of my book was ruined. So I burned it. I wrote my memoirs when I came to the U.S.

So you burned the book and then rewrote it?

When my prison term finished I wrote “Touba” again.

Do you still have family in Iran?

Yes, I have some family in Iran and I cannot contact them. The internet does not work and mobiles are silent.

Do you think change in Iran will come soon? Will the U.S. help to liberalize the country?

The Islamic laws must change and a country like Israel cannot do that. So, the Iranian must change the situation. All my books are banned in Iran, except ones that they change themselves. But “Women Without Men” is published in more than 30 countries. The Booker International Prize is an English prize and if they give it to me there is no relation with banning the book in Iran. I am not surprised about the situation.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

“‘Second Skin’ is more sociological than sexy; more anthropological than animalistic,” writes Meredith Maran.

(Los Angeles Times illustration; book jacket from Catapult)

Julia M. Klein is fascinated by Loubna Mrie’s memoir “Defiance,” which, she writes, “offers a prism on Syria’s authoritarian society before the 2011 uprising and subsequent civil war, and vivid snapshots of the devastation that the war unleashed.”

Mark Athitakis considers two books that tackle the old “New Hollywood” of the late ’60s and early ’70s: Paul Fischer’s “The Last Kings of Hollywood,” which spotlights the Coppola, Lucas and Spielberg pantheon, and Kirk Ellis’ “They Kill People,” about the making of “Bonnie and Clyde.” Athitakis calls Ellis’ history “a meaty yet accessible book that captures the lightning-in-a-bottle nature of the generation’s ur-text,” while Fischer’s book “has a gift for highlighting the ways that moments that we now accept as inevitable were often the product of dumb luck.”

Diane Garrett has a chat with Elizabeth Arnott about her novel “The Secret Lives of Murderers’ Wives,” which she calls “an empathetic and at times bracing mystery tale about unlikely crime solvers circa 1966.”

Finally, Costa Beavin Pappas considers Brian Raftery’s curiously titled “Hannibal Lecter: A Life,” which is really a biography of Lecter’s creator, author Thomas Harris. “For fans of true crime, Raftery has written a fascinating biography and origin story about one of pop culture’s most emblematic serial killers, and his lasting bite on society,” writes Pappas.

📖 Bookstore Faves

Taschen Beverly Hills sells eye-catching artistic works

(TASCHEN)

Taschen Beverly Hills may well be the most gorgeous bookstore in Los Angeles, all gleaming, polished wood and ambient light illuminating the store’s lavishly illustrated art and design books. The shop opened over two decades ago as a showcase for the German publisher’s catalog, and it remains a popular destination for tourists and Taschen cultists who collect the company’s highly collectible titles. I spoke with Taschen Executive Director Creed Poulson about what’s selling right now.

What is the store’s clientele?

At the risk of sounding like a marketing manager, we have something for everyone, because our price points range from $10 up to thousands of dollars. Which allows us to have a mixed clientele in the store.

I know there is a kind of Taschen cult, folks who will buy your books because of your reputation.

That comes from our owner Benedikt Taschen, who is a collector and understands the mindset of a collector. Our books become collectible, regardless of the cost.

What is selling right now?

“Ferrari” by Pino Allievi, who is one of Formula One’s best known correspondents. “The James Bond Archives,” which is edited by Paul Duncan, and “Ultimate Collector Watches” by Charlotte and Peter Fiell.

Lately, there has been a turn among Gen Z into all things analog. Have you seen younger customers come into the store?

Yes, absolutely. I’m seeing a lot of the younger generation coming, especially during our annual sales — fans that are migrating away from just looking at images online, into book collecting. They want a tactile object they can hold and feel, and they want something they can enjoy as an object.

The saga of “A Court of Thorns and Roses” will continue.

Author Sarah J. Maas announced on Alex Cooper’s “Call Her Daddy” podcast Wednesday that two new books will be released in the hugely popular romantasy series, ending a five-year drought since the fifth installment, “A Court of Silver Flames.” The sixth book will be published on Oct. 27, 2026, and the seventh on Jan. 12, 2027.

“It took me a while to find the right story and to be in the right headspace. And then, like what poured out of me was this and it poured out very quickly,” the author told Cooper. “The story that was finally ready to come out of me was big. Really, really big.”

Maas first teased the sixth book on Instagram in July, with the caption “First drafts DONE” on a video that drew nearly a million likes.

Maas did not share details about the book titles, cover art or whose point of view the stories will follow, but did mention that the character’s perspective was “one of the surprising things” for her while writing.

On Instagram, Maas thanked her fans for their patience, passion and “never letting the world fade.”

“I know how long you’ve waited. I know how much these characters mean to you. And I also know these stories deserve more than speed and deadlines. They deserve my best self. They deserve the right moment,” Maas wrote. “I’m so honored by the way you guys have always embraced Prythian as your own. I truly hope it feels like coming home for you like it did for me.”

The first installment of the “A Court of Thorns and Roses” series was released in 2015, but the franchise gained popularity on BookTok — a TikTok subcommunity dedicated to literature — during the COVID-19 pandemic. The books follow Feyre Archeron in the faerie lands of Prythian and her love story with the High Lord of the Night Court, Rhysand.

Maas has sold more than 70 million English copies between her interconnected “Throne of Glass,” “A Court of Thorns and Roses” and “Crescent City” series, according to her website. Maas is a major player in the romantasy — a portmanteau of romance and fantasy — genre, which has soared in popularity on TikTok.

“This is going to sound silly, and you probably won’t believe me, but just talking about things like legacy is beyond for me,” Maas told Cooper. “I’m still very much that girl in middle school or high school sneaking off to watch anime or drool over Legolas and getting to go play in these worlds in my head and do the thing that makes me come alive every day, that’s incredible.”

Israel, Iran, ICE, dyslexia, single moms and a pet otter named Potter were among the subjects discussed Tuesday evening at California Gov. Gavin Newsom’s tour stop in Los Angeles to promote his new book, “Young Man in a Hurry: A Memoir of Discovery.”

Speaking to a sold-out crowd of around 1,300 at L.A.’s historic Wilshire Ebell Theatre, the hourlong Q&A hosted by Writers Bloc and moderated by “Pod Save America” hosts John Favreau and Tommy Vietor was equal parts a get-to-know-the-man-behind-the-mask chat and a timely discussion about challenges facing the country.

The engaging discussion was clearly geared toward dispelling the image of Newsom as “that slick guy” (his own words), by covering his journey from an insecure, cocky young man trying to impress those around him to an adult who, through his successes and follies, has become comfortable in his own skin.

Gov. Gavin Newsom and moderators Jon Favreau and Tommy Vietor promoting Newsom’s new book, “Young Man in a Hurry.”

(Ronaldo Bolanos / Los Angeles Times)

He described his young, pre-politician self as posing in a suit: “I was thinking I was Pierce Brosnan in ‘Remington Steele.’ I just discovered hair gel,” Newsom joked. He said in those early years he was often overcompensating for his own feelings of inadequacy as the son of a single mom who struggled to pay the rent. As a kid with learning differences, whose undiagnosed dyslexia put him behind in school. Whose “broke and broken” father neglected his family while hobnobbing with wealthy San Francisco families, including the heirs of the Getty oil fortune.

A chatty, relaxed and sometimes free-associating Newsom rarely needed prompting from the moderators when speaking about his childhood, his family’s strange choice of pet (the aforementioned otter) or far more serious matters. He said that Democrats need to “fight fire with fire” and be more “ruthless” in their fight to win back the country.

Newsom’s politician-speak was evident in some of his more rehearsed efforts to convince the crowd that he’s a regular guy (he may not have changed many diapers with his first daughter, but he got better at his dad duties with his next three kids). But those instances were matched by unvarnished comments that appeared genuine, and risked alienating some of his base.

One such instance came early in the conversation, when Newsom was asked about where he stood on President Trump’s new Iran war, and the administration’s changing rationales on why it launched the military operation without consulting Congress.

“[The Trump administration’s] first rationale was we’ve got to make sure that they’re not armed with nuclear [weapons]. But I thought that was resolved, that we had completely ‘obliterated’ it,” Newsom said, using Trump’s claims against him. “Then maybe that wasn’t the case, so now it’s about their missiles, and they can perhaps hit the United States, and then it’s wait, that’s a decade plus away. So that’s BS. Then it’s about their militias, it’s about their proxy. Then it’s no, it’s about their navy. And then no, it’s a response to the likelihood that Israel was going to [go in] so we had to go in ourselves. God help us … this is Keystone Cops.”

Newsom was then asked if the United States should perhaps consider rethinking its military support for Israel, and he said that would be reasonable.

“The issue of Bibi [Israeli Prime Minister Benjamin Netanyahu] is interesting because he’s got his own domestic issues,” Newsom said. “He’s trying to stay out of jail. He’s got an election coming up. I mean, to say this is in America’s interest, at a time when affordability is at crisis levels, where you had an administration who literally got elected saying this is exactly the opposite of what they would ever consider doing. The fact that we are in this now, regional war.…”

He also said Netanyahu was “potentially on the ropes. He’s got folks, the hard line, that want to annex the West Bank.” Newsom suggested that some critics have “appropriately” described Israel as sort of an “apartheid state.” His comments caused a stir Wednesday from pro-Israel advocates who felt Newsom was turning on their interests.

But most of the conversation was about the book, and domestic issues. Newsom has been a fierce critic of Trump and his policies, positioning himself as part of the resistance, one of the few high-profile leaders to hit back with policy (Proposition 50) and a strong media presence with his podcast, “This is Gavin Newsom,” and his Trump-trolling social media accounts.

“Nothing goes to the heart of who [Donald Trump] is than his press conference yesterday, where he was lamenting [that] four Americans had died,” Newsom said. “He mentioned them in passing. And then went on, in great detail, about the drapes and the Imperial Palace in the East Wing [of the White House] that he’s building. He talked about [it] with real passion and conviction. It says everything about Donald Trump, the uncertainty in the world, to the fact that we have allies under threat, UAE, we’ve got proxy war with, once again, with Hezbollah and Lebanon. We’ve got all the anxiety as relates to 20% of the world’s oil flow, issues related to oil prices and stocks.”

Though Newsom was speaking to an auditorium of blue state supporters, his tour kicked off last week in the South, with stops in Georgia, Tennessee and South Carolina. His efforts to relate to his audience were seized upon when, during a conversation with Atlanta Mayor Andre Dickens, he addressed the audience, saying, “I’m like you,” before bringing up his low SAT scores. He was called out for his comment, which was labeled as racist by critics, particularly those from right leaning media outlets.

In Los Angeles on Tuesday, he was asked how he felt about the California Democratic Party chair’s recent suggestion that some party candidates drop out of the governor’s race, to avoid a Republican potentially winning. “I confess. I agree. With all the promise and peril that marks this moment in California, the most un-Trump state in America,” we can’t risk a Republican winning, he said.

The California Highway Patrol and a private security firm deployed officers and agents around the venue for a tight security presence (no bags or purses allowed). On at least three occasions, one or more protesters interrupted the discussion with shouts from the balcony and floor seats, demanding Newsom do something about privatized prisons and the ICE sweeps of immigrants.

After they were removed by security, Newsom said he understood the “escalation of stress” over the last ten years or so, and defended his record, mentioning he signed the first bill banning private prisons and was a “fierce opponent” of what’s happening on American streets.

Attendees of the event applauded Newsom’s record, and just about everything else he said. They were, after all, folks who had paid up to $80 a seat to hear the conversation and receive a copy of his book. He walked into the crowd afterward and spent nearly a half hour chatting with audience members, posing for selfies and signing copies of his memoir. Newsom was not in a hurry.

The cheapest European city breaks have been revealed for a serene and sun-soaked escape over the Easter holidays, and many have pristine beaches to lap up the balmy rays

Heading on holiday during the peak travel season can be notoriously expensive, but some beautiful European destinations offer an affordable escape over Easter.

As we inch closer to Spring, thoughts turn to the Easter holidays and how we intend to spend the welcoming long weekend, or weeks, while the kids are off school. With the British weather somewhat unpredictable, a trip to a sun-soaked city destination might be top of the list, or a city packed with charm for a day of exploring.

In a bid to help travellers book their Easter escape, Which? compared more than 3,000 package holidays across Europe during the busy travel period, to reveal where you can get the best bang for your buck. The travel experts outlined the price, per person, for a seven-night stay, with flights and accommodation included, and some beautiful cities came out on top.

READ MORE: Five sunny destinations where you can get a drink from £1.30READ MORE: Spain holiday island warning as threat of plague grows worse

1. Marmaris, Turkey

Ranked as the cheapest for an escape was the resort town of Marmaris, situated along the Turkish Riviera, often known as the ‘Turquoise Coast’ or the ‘King of the coast’. It’s a haven for those looking to soak up the balmy rays, with highs of 25C in April and stretches of golden-sand beaches. Which? found that a trip to the sun-soaked city would cost an average of £594 per person for a seven-night package – half the cost of a trip to Paris!

2. Krakow, Poland

Following close behind is the city of Krakow, Poland, with its fascinating medieval architecture, market square, and iconic landmarks, including Wawel Castle and the Cathedral. Its scenic backdrop will feel as though you’ve stepped into a fairy tale, and while the weather offers a cooler 14C in April, you’ll barely notice as you lose yourself among the enchanting streets. A seven-night package getaway to Krawkow will cost around £628 per person, as outlined by the experts at Which?

3. Albufeira, Portugal

Offering a blend of city and beach escapes is the Albufeira, nestled along the picturesque coast of the southern Algarve of Portugal. Along with its sprawling beaches and turquoise waters, there’s the Old Town with cobbled streets lined with shops and restaurants, and its museums to explore. With highs of around 19C predicted over the Easter period, it might just be the best time to visit, that alongside its reasonable cost of around £638 per person.

4. Las Palmas de Gran Canaria, Spain

The Canary Islands are a popular hotspot among Brits seeking some sunny rays, and the city of Las Palmas de Gran Canaria, also known as Las Palmas, is a great, affordable option. As the largest city of the Canary Islands, Las Palmas has a historic charm, with its Vegueta district brimming with landmarks, and its golden sands at the lengthy Playa de Las Canteras, which also boasts a vibrant promenade. A trip to the city will bring a warming 21C, and cost around £671 per person for that escape this April.

5. Benidorm, Spain

It’s no surprise that Benidorm on Spain’s Costa Blanca in Alicante secured a spot on the Which? list, with its promise of cheap drinks, affordable hotels, bustling nightlife and balmy rays along its stretching beaches. It’s famed for boasting more than 320 days of sunshine a year, and in April is expected to welcome temperatures of around 19C – ideal for a cocktail in one of the bars that line the beachfront. According to Which?, a seven-night stay will set you back on average, £682 per person – that’s a reasonable £97 a day with flights and accommodation included.

6. Prague, Czech Republic

It’s long been hailed as a stag-do destination or beer capital, but Prague has much more to offer away from its cheap pints, although that is a bonus. The city is surrounded by Gothic, Baroque, and Renaissance-style architecture, alongside its stunning Prague Castle and striking Charles Bridge. Making it even more appealing is the prospect of paying £753 per person for a seven-night package stay, as well as its warming rays of 14C to wander around the city in.

7. Budapest, Hungary

Securing a place on the list is the capital of Hungary, characterised by its Danube River, majestic Hungarian Parliament Building, ruin bars and thermal baths. Its most famous is the Széchenyi Thermal Bath, the largest medicinal bath in Europe, along with the Art Nouveau Gellért. A trip to the vibrant city with sunny scenes of 17C in April will cost around £770 per person on a package holiday.

8. Porto, Portugal

While it’s a little further down on the list, the coastal city of Porto deserves its time in the spotlight. Located on the Douro River, the walkable city is brimming with character, with its steep, colourful streets, restaurants, shops, landmarks, and plenty of bars and cellars to taste its famous port wine. A seven-night package holiday is around £780 per person, and during that time you can expect to bask in a warming 18C in April.

9. Milan, Italy

Renowned as one of Europe’s biggest fashion capitals, Milan is an elegant city with its Gothic cathedral, Duomo di Milano, taking centre stage and its historic shopping centre, Galleria Vittorio Emanuele II, a standout spot, whether you’re a fashionista or not. There are meandering streets to explore, you’ll never be short of things to do, and with a package holiday setting you back around £795 per person, and rays of 17C, perhaps Easter is the best time to explore the Italian city.

10. Dubrovnik, Croatia

Known as the ‘Pearl of the Adriatic’, Dubrovnik is characterised by its 16th-century city walls, its main street, Stradun, lined with boutiques and cafés, and its Old Town with Baroque churches and the Rector’s Palace. There are some breathtaking coastal views to marvel at, and Game of Thrones locations to explore. A cooler temperature of 14C is expected during Easter, making it a prime time to wander around the charming city, and a package holiday could cost around £796 per person.

Do you have a travel story to share? Email webtravel@reachplc.com

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