Bob

Bob Mortimer has spoken about the appeal of his BBC show as Paul Whitehouse opened up about his late mother during an episode of Mortimer and Whitehouse: Gone Fishing

Bob Mortimer has previously opened up about the unlikely appeal of Mortimer and Whitehouse: Gone Fishing.

The comedian, who stars alongside Paul Whitehouse in the much-loved programme, said he hopes the show encourages people to spend more time with their friends, whatever their age.

Speaking during an appearance on Saturday Kitchen, Mortimer explained that much of what viewers see comes from the pair simply talking while spending long hours together by the water.

“We’re on the riverbank for eight hours, Matt. So, you know, we just talk most of the time when we’re not fishing,” he said. According to Mortimer, the production team then searches through those lengthy conversations for moments that work on screen.

“They try and find 30 seconds here or a minute there that’s worth putting on the telly,” he explained, adding that he could not imagine the programme working in quite the same way if it were scripted.

Mortimer also suggested that part of the show’s success comes from its relatability, with viewers perhaps recognising their own friendships in the relationship between the two presenters.

“I think a lot of people watch it. Certainly a lot of fellas watch it and think, ‘Oh, that’s me and my mate. That’s what we’re like,'” he said.

The relaxed conversations between Mortimer and Whitehouse have become one of the defining features of Gone Fishing, with the pair regularly discussing subjects far beyond fishing. Over the years, they have spoken openly about their health, personal experiences and events that have had a lasting impact on their lives.

One particularly emotional conversation saw Whitehouse discuss the devastating effect Alzheimer’s had on his mother, Anita May Whitehouse.

In a repeat episode of Mortimer and Whitehouse: Gone Fishing airing tonight (Monday, August 10), Whitehouse, 68, reflected on his mother’s illness while speaking candidly with his friend and co-host.

Whitehouse’s mother died in January 2022, and he later described the heartbreaking reality of seeing her suffer with the condition. Introducing the subject, Mortimer asked: “Alzheimer’s is the big for you though, isn’t it?”

Whitehouse replied: “Well, it is, you know. My poor mum, there was no existence. It’s become one of the biggest killers now.”

The pair have never shied away from difficult conversations on Gone Fishing, with their friendship providing a backdrop for discussions about everything from serious health problems to major moments in their personal and professional lives.

Mortimer and Whitehouse: Gone Fishing airs tonight at 10pm on BBC Two

UCLA players are working to live up to the immense hype building around new head coach Bob Chesney.

From the Curt Cignetti similarities, to the competition-centric practice plans to the family-oriented coaching staff, all signs point to a bounce-back year for UCLA after going 3-9 last season.

But how much better will the Bruins be?

Let’s take a closer look at the changes Chesney and has staff have made to UCLA’s offensive personnel.

For the second straight year, UCLA’s attack will run through senior quarterback Nico Iamaleava. The former five-star prospect experienced a tumultuous exit from Tennessee in the spring of 2025 and the challenges followed him to Westwood, where Iamaleava ranked outside the top 10 in the Big Ten in passing yards and passing touchdowns en route to the program‘s worst record since 2018.

But with a full year at UCLA under his belt, and a full offseason working with Chesney and offensive coordinator Dean Kennedy, Iamaleava should be poised for his best year yet — particularly with the weapons Chesney added.

The running backs are the strongest offensive group, with the Bruins boasting three potential starters in senior Jaivian Thomas and fifth-year pair Anthony Woods and Wayne Knight. While Knight was injured for the majority of the spring, Chesney said he is now healthy.

UCLA — which is historically known for its premier tailbacks such as Jackie Robinson, DeShaun Foster, Maurice Jones-Drew and Zach Charbonnet — finished third worst in the nation in rushing yards in 2024 and No. 13 in the Big Ten in 2025.

And while Iamaleava finished as the team’s leading rusher last season, that will not be the case with the three-headed attack the Bruins boast this season. The trio have all cycled through the first team throughout preseason camp, and given Chesney’s emphasis at depth and the likelihood of injury at that position, it looks as though all three will be dividing top running back duties in 2026 — at least to start.

“That room, I’m really looking forward to just seeing how they continue to jell together and grow, and see who starts to emerge a little more,” Chesney said of the running backs. “But at that position, it’s very rare to make it through a whole season as a running back, so we’re going to need them all.”

On the boundaries, Chesney also brought in reinforcements to fortify a wideout room that finished 2025 ranked No. 16 and No. 14 in the conference in receiving yards and receiving touchdowns, respectively.

James Madison transfer Landon Ellis and South Carolina transfer Brian Rowe Jr. have consistently lined up with the Bruins’ starting outside receivers, with the latter praised by Chesney and teammates at Big Ten media days as a player who has “popped off the screen.”

Florida transfer Aidan Mizell also took reps with the starters in the first three days of camp, and could give the Bruins a speedy, downfield, deep-shot receiver who could unlock Iamaleava’s big arm that was largely invisible in 2025.

San José State transfer Leland Smith gives Iamaleava a big-bodied receiver that can make contested catches on the boundaries or hang on to balls over the middle of the field.

Senior wideout Mikey Matthews emerged as the starting slot option over Michigan transfer Semaj Morgan during the first three days of camp, but expect the battle for this spot to continue. Matthews and Morgan are proven contributors from the inside while also offering services in the return game as well.

Just two tight ends — Molokai Matavao and Greg Dulcic — have had more than 300 receiving yards since 2020. And that trend could continue into 2026. The Bruins’ projected starter, JMU transfer Josh Phifer, is more of a blocking body than a receiving threat, and when they went to 12 personnel at preseason camp, Kennedy turned to Kansas State transfer Brayden Loftin and sophomore Noah Fox-Flores — both of whom lack production in the passing game.

UCLA coaches had to address a weak offensive line immediately after taking over the program. Iamaleava took 27 sacks last season, which ranked fourth in the Big Ten and No. 24 in the nation. With Iamaleava’s love of scrambling and reluctance to slide, a fortified front five is integral to offensive success.

After three days of camp, the center and tackles look to be solidified with 2025 second-team All-Sun Belt selection Riley Robell in the middle, South Alabama transfer Jordan Davis at left tackle and Boise State transfer at Hall Schmidt at right tackle.

The main offensive position battle, alongside slot receiver, are the two guard spots, with the Bruins’ lone returning starter from last year’s offensive line, junior Eugene Brooks, returner Julian Armella and 2025 third-team All-Sun Belt selection Carter Sweazie all competing for two spots. All three cycled through with the other starters during the first three days of camp.

While it seems like the majority of the starting offense is settled, question marks surround a team that features such little continuity and so many new faces.

But on paper, the Bruins’ offense seems poised for a breakout year.

If the offensive line holds up, at least better than the year before, then the ground game should be able to win the time-of-possession battle, wear down opponents and open up the passing game.

Preseason MVP pick (non-QB): Wayne Knight. He’s healthy, returning from an Associated Press second-team All-American season, and has three capable runners in Thomas, Woods and Iamaleava to balance the attack.

Breakout pick (non-Brian Rowe): Everybody is picking Brian Rowe Jr. to be the Bruins’ biggest breakout on either side of the ball. But Jaivian Thomas is another tailback to watch. The California transfer ran for 626 yards and seven touchdowns in just 100 touches at California in 2024, but ran for only 294 in 81 carries last season. He looks better than ever during preseason camp and should flourish with a revamped offensive line and additional capable runners in the room.

Biggest question mark: Tight end/offensive line. For the former, the group features a hodgepodge of transfers and returners, all of them with little proven production. For the latter, there’s a lot of talent and depth, but little continuity. Can the transfers make the jump to the Big Ten and what does the chemistry look like for a line where a maximum of two have lined up together before?

Bold prediction: UCLA finishes the season ranking top three in rushing yards and scores in the Big Ten.

In case you missed it

UCLA senior Rodrick Pleasant is driven to lead, pay forward help others gave him

UCLA coach Bob Chesney works to make Bruins uncomfortable as preseason camp kicks off

UCLA Unlocked: Maurice Jones-Drew hopes his son helps put Bruins on top

Bob Chesney, UCLA top players share their belief Bruins will win at Big Ten media days

Plaschke: Bob Chesney is going to do the impossible at UCLA — win

Have something Bruin?

Do you have a comment or something you’d like to see in a future UCLA newsletter? Email newsletters editor Houston Mitchell at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

You compete.

Or you complain.

UCLA head coach Bob Chesney coined it at the beginning of preseason camp last year in Harrisonburg, Va., before leading James Madison to a 12-2 record, a Sun Belt championship and its first College Football Playoff appearance.

“You either compete or complain, you can’t do both,” Chesney said on Aug. 5, 2025. “You are either full of pride and won’t allow yourself to have mental, physical and emotional lack of discipline and toughness, or you fill yourselves with pity and you have a lack of all three of those things.”

Chesney carried that same tune on his first day of fall camp in Westwood, leading his new team.

The Bruin faithful got its first taste of their newly minted head honcho at his introductory news conference on Dec. 9, where he made promises of turning around the football program, elevating it to its height of the past, and reengaging the Bruin community.

UCLA quarterback Nico Iamaleava looks to throw a pass during the first day of preseason camp at Spalding Field on Thursday.

(Ronaldo Bolanos/Los Angeles Times)

And Chesney has not wavered since.

From his halftime speech at a UCLA men’s basketball game versus Indiana — where he proclaimed that the Bruins would be Big Ten champions — to throughout spring practice and all through Big Ten media day last week, Chesney has stayed consistent.

And that consistency includes the way he is training his players leading up to UCLA’s opener against California, where the former Pac-12 rivals will meet for a night game between two first-year head coaches.

Chesney has emphasized, throughout his short tenure in Westwood, that while physical development is imperative in the offseason, the mental side of the game carries the same weight. Central to that, is putting players in adverse situations in the offseason to get them battle-tested come game day.

“Those are the moments that test you. Pay no attention to a virtue that’s not been tested in fire, and that’s ultimately something that we got to be able to do is put them in situations where we’ve tested them in fire,” Chesney said. “We know how they’re going to react and how they’re going to respond. We know when the moment’s on the line. That’s the most important thing that we can do out here. That’s what this whole entire camp is ultimately about.”

In order to test his players’ resiliency, Chesney has implemented “compete periods” throughout his time in Westwood to emulate the speed and intensity of live reps.

Alongside competition has been grading everything a player does, so there is no ambiguity as to where a player stands on the depth chart or in the program.

Outside of the actual drills and exercises Chesney implements, the coach has also purposefully scheduled some of his practices in the afternoon to expose his players to the intense Los Angeles heat — his version of throwing his players into the fire to help get them acclimated and test their mental toughness.

Chesney’s mental training ultimately serves as a litmus test in discovering who is cut from a different cloth.

“Procedural discipline was a big part of what we want to make sure that we’re constantly talking about,” Chesney said. “And then, how quickly can I get to the next play? How much do I love being coached, and how hard am I going to be coached and accept that coaching and make myself get better?”

With passion and excitement emanating from players on the first day of fall camp, and less than a month away from the first game of the season, Chesney highlighted that it is about striking a balance: testing his players’ resolve but also not being reactionary.

The new head coach underscored that it can be easy for impulse and emotion to take over, but uplifting one another and letting mistakes refine you rather than define you is integral to success.

UCLA defensive linemen Jacob Busic (97) and Anthony Jones (15) run drills during the first day of preseason camp at Spalding Field on Thursday.

(Ronaldo Bolanos/Los Angeles Times)

Central to that is teammates, particularly within the same position group, celebrating the success of one another rather than letting the depth chart dictate morale.

“If someone’s above you and perceived to be above you, what are you doing? Are you trying to elevate your game and compete with them, or are you trying to knock them down and pull them back towards you?” Chesney asked.

“The best teams in the world love that that guy above him is a little better, and they are chasing him every single day. We have a good amount of that on our team, and it’s got to continue because we are going to need everybody, whether they know it or not,” he said.

UCLA will not play its first game until Sept. 5.

However, battles will be won and lost within the team along the way.

But to Chesney, it is how you respond to those successes and failures that prevail.

For the second time in as many weeks, a leading California-based thoroughbred has been retired.

Nysos, who would have been favored in the $1-million Pacific Classic later this month at Del Mar and was a top early contender for the $5-million Breeders’ Cup Classic this fall, won’t race again, Coolmore America announced Monday.

The 5-year-old son of Nyquist is headed to stallion duty next year at Coolmore’s Ashford Stud in Versailles, Ky., the same farm where Journalism, another horse who was being pointed for those two races, was sent last month after his retirement because of injury.

In a statement, Coolmore said Nysos is sound and uninjured but “the decision was made following a routine diagnostic evaluation that revealed subtle imaging changes on a scan.” Trainer Bob Baffert and Nysos’ owners, Baoma Corp. and Coolmore, “unanimously agreed to take a strict precautionary approach, prioritizing the horse’s long-term health and safety above all else.”

Said Baffert: “Nysos is not hurt or injured, but taking a precautionary approach is strictly about doing what is right for the horse. With the minor changes shown on the evaluation, we simply don’t have the time needed to prepare him for the Breeders’ Cup the way we would want to. He has given us everything and retiring him completely sound and at the top of his game is the proper decision.”

Nysos retires after eight wins and two seconds in 10 lifetime races, with earnings of nearly $5.3 million. He was considered a top prospect for the 2024 Kentucky Derby but was injured that winter and didn’t race again for 15 months.

He returned in May 2025 and won four of five starts last year, including the Breeders’ Cup Dirt Mile at Del Mar. This year Nysos finished second to Forever Young in the Saudi Cup before defeating Journalism in the Met Mile in June at Saratoga, which turned out to be his last race.

CHICAGO — In the nearly nine months since he was hired as head coach at UCLA, Bob Chesney has won over a lot of hearts and minds with his unwavering sense of belief.

First, he won over his star quarterback, Nico Iamaleava, who opted to stick with the Bruins after a 3-9 season a year ago. He won over 45 new transfers, who came to UCLA as part of the portal’s 11th-ranked class and seems to be winning over recruits, too, with UCLA currently ranked in the top 10 among 2027 classes. He even won over once-dormant Bruin donors, who, according to the school’s athletic department, have now poured over $41 million in private support into UCLA athletics over the past fiscal year, an increase of 80% from the previous year.

“It’s his energy, man,” Iamaleava said. “He brings a different type of energy.”

At this point, the only thing it seems Chesney hasn’t won yet at UCLA is an actual football game.

He couldn’t do anything about that Wednesday from the podium at Big Ten media days. Though, as far as first impressions go in this conference, Chesney certainly had a leg up on his predecessor, who stumbled through his own opening address two years ago.

But as the season draws nearer and a new era of Bruin football begins, all the enthusiasm does beg the question: What does a successful debut actually look like for Chesney at UCLA?

Chesney said Wednesday he had no interest in setting those expectations or “in putting artificial limits on ourselves.”

“Outcomes have to be earned,” he said. “And I think in the end, potential is a gift, right? The work is becoming. That’s the work.”

Considering UCLA’s recent history, you can understand why Chesney wouldn’t want to wade too far into setting expectations. Hope, after all, may be his most valuable resource at the moment.

The Bruins are coming off a season in which they won just three games, their fewest in more than 54 years. They’ve reached the nine-win mark once in the past decade. And just two UCLA coaches in a half-century — Jim Mora and Terry Donahue — have clocked a winning campaign in their debut seasons with the Bruins.

“There’s no better place I’d rather be at this moment in time,” Chesney said. “I strongly believe in the power of what UCLA is.”

The collective Big Ten media seems less convinced, having voted the Bruins to finish 13th in their preseason conference poll. That’s exactly where they finished last season.

But there are some things working in Chesney’s favor. For one, a schedule that includes just four opponents picked to finish in the top half of the Big Ten.

It doesn’t hurt, either, that his quarterback got a full spring and summer under his belt as a Bruin. Iamaleava didn’t join the program until late in the process last season after his transfer portal drama dragged out through the spring and summer. Then once he started to find his bearings, UCLA’s coach was fired.

There was no such uncertainty this offseason, as Chesney moved to quickly retain Iamaleava.

“It was a matter of making sure he understood we had a plan,” Chesney said. “That was the most important thing we could do to make sure he stuck around and he did.”

Not only was Iamaleava impressed with his plans to prepare him for the NFL, but he found himself right away swept up in the coach’s personality.

“When you first talk to him,” Iamaleava said, “it kind of sounds like you’re talking to a poet or something, the way the words roll off.”

Chesney is counting on Iamaleava to make things move smoothly for UCLA’s offense this season. But the most marked difference for the Bruins on that side of the ball should be the ground game.

The Bruins boasted one of the least dynamic rushing attacks in the Big Ten a season ago, as Iamaleava led the team with just 505 rushing yards. Their lead running back, Jalen Berger, rushed for a meager 364 yards over the course of the season.

Meanwhile, at James Madison, Chesney had three running backs with as many yards last season. The Dukes rushed for the fifth-most yards (3,381) of any Football Bowl Subdivision team.

Their lead rusher, Wayne Knight, followed Chesney to UCLA and should step in as one of the best backs the Bruins have had in years. Of the 30 backs in college football with over 200 carries, Knight averaged the most yards per carry last season (6.63).

“There’ll be a commitment to playing that style of football,” Chesney said.

The rest is mostly just a projection, a fact that Chesney openly acknowledges.

“Everything here is ultimately conceptual,” he says.

But one change has already taken hold, if you ask Iamaleava. One that might appear unrecognizable from recent history at UCLA.

“He’s definitely changed the mindset in there, just how you feel. I don’t know how to explain it,” Iamaleava said.

“When Ches walks into a room, he just brings that winning mentality.”

Welcome to UCLA football season.

Yes, it’s July, but the Bruins are kicking off a preseason gauntlet leading up to coach Bob Chesney’s debut campaign.

First up, Times columnist Bill Plaschke offered his thoughts on Chesney’s ability to lead a UCLA renaissance.

We’ve heard Chesney’s emphasis on service and winning at life before applying the same relentless effort to football-related activities consistently since he was hired.

But Plaschke reported his philosophy has quickly forged deep roots in Westwood, where Chesney’s optimism fits in seamlessly at the school built on John Wooden’s Pyramid of Success. There’s also some very strong Ted Lasso energy brewing, which makes sense since the character is partially inspired by Wooden values.

Chesney has visited and cheered on every UCLA team, but he seems to have formed an especially strong bond with national champion women’s basketball coach Cori Close. Plaschke reported Dodgers manager Dave Roberts has also honored his promise to support the program, meeting with Chesney and bringing along Dodgers legend Sandy Koufax along for the visit.

The column is fascinating and worth your time.

We’ve heard from some UCLA fans were irritated about a potential Plaschke curse after he announced Chesney will make the Bruins winners, but its seems the Bruin faithful are just going to have get used to a growing bandwagon.

The UCLA hype should go national Wednesday, when quarterback Nico Iamaleava, defensive back Cole Martin and linebacker Samuel Omosigho join Chesney during Big Ten football media days.

It’s Chesney’s first chance to meet the national and regional media covering the Big Ten. He is naturally an exceptional public speaker and inevitably will be compared to his predecessor, who went viral for his difficulty the first time he stepped into the Big Ten spotlight.

It’s not a fair comparison, but Chesney is sure to score high marks despite a healthy amount of cynicism among Big Ten blue bloods and whispers throughout the league that UCLA’s high 2027 recruiting ranking is a bit inflated. Perhaps that’s the biggest compliment for UCLA, going from being ignored or laughed at to taking a few jabs over your glowing reviews.

Shortly after UCLA returns from media days, the team will kick off preseason camp. We’ll start to get a closer look at the Bruins’ offseason weight room progress and the team will work to prepare for a deceptively difficult opener at California, another long overlooked team with considerable hype entering the 2026 season.

Betts shines in Canada

Sienna Betts showed she’s ready to step into her older sister Lauren’s formidable shoes during a women’s basketball exhibition game against Canada.

The Bruins lost 69-55 to the Canadian national team Wednesday, but Sienna Betts looked like a formidable focal point of the UCLA attack.

She finished with 20 points, 12 rebounds and two blocks.

Betts got valuable but limited minutes last season as Lauren Betts, Gabriela Jaquez and Angela Dugalic dominated the paint for the national champions.

Canada and UCLA did not have their full rosters available for the tune-up, with Bruins Timea Gardiner, K.K. Bransford, Somto Okafor and Lina Jerkovic missing the game.

The excursion gave a heavily overhauled UCLA roster a chance to face different and formidable competition before setting off on sight-seeing adventures, a team bonding opportunity that likely will mean more to the coaching staff than the final score.

UCLA alums win AUSL title

Bruins alum Jadelyn Allchin won Athletes Unlimited Softball League championship MVP honors after helping lead her team to its second consecutive AUSL title.

UCLA softball great Lisa Fernandez is the Talons’ general manager. Her roster and the entire league is packed with former Bruins who are helping AUSL grow at a rapid rate.

Connor Dullinger offered a great look at the role the Bruins have played in the growth of pro softball and explains why Fernandez is thinking bigger, pushing for global gains so that softball can be a permanent fixture at the Olympics.

In case you missed it

UCLA softball has deep impact on Athletes Unlimited Softball League

Plaschke: Bob Chesney is going to do the impossible at UCLA — win

UCLA women embrace new players, tougher standards in bid to repeat as champs

UCLA Unlocked: Gabriela Jaquez makes smoothest transition to WNBA

Have something Bruin?

Do you have a comment or something you’d like to see in a future UCLA newsletter? Email newsletters editor Houston Mitchell at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Walking down a hallway at UCLA’s Wasserman Football Center earlier this week, I became a believer.

Bouncing hurriedly in my direction was a bright-eyed kid with a huge smile. I didn’t know him. He didn’t know me.

Yet as he passed, he suddenly stuck out his hand for a fist bump, which I was too stunned to ignore, and so I pounded back while wondering.

What just happened?

Then it hit me.

Bob Chesney just happened.

New UCLA football coach Bob Chesney has won over cynics with his unflinching optimism and attention to detail.

(Allen J. Schaben/Los Angeles Times)

The new football coach has infused the completely rebuilt program into a place so energetic, his players run around sharing their inspiration to complete strangers.

“Yeah, we’re gonna win here,” Chesney says.

This shared spirit starts every morning in this building, in the team meeting room, where Chesney orders his players to stand and sing the school fight song as if they are standing on the field after a victory.

The words to the song are displayed on a giant screen, which increasingly isn’t used because most of his players have now learned the song by heart. Those who fail to sing get tagged with a red laser pointer, so pretty much everyone croons.

“I’m not gonna let people put limits on us,” Chesney says. “I’m not gonna let them tell us what we can and can’t do.”

This shared spirit continues deep into the night, as some of his players recently had a pool party at the home of Cori Close, the Bruins national championship women’s basketball coach. She was not teaching them how to swim. She was teaching them how to win.

“People say why here?” Chesney says. “I say, why not here?”

He shows up for my early afternoon visit last week dressed uniquely for a $33.75 million coach of a Big Ten school on the outskirts of Hollywood.

He is dressed like a player. Black shirt, black shorts, thin sheen of sweat adorning his expressive forehead.

“Been lifting weights,” he says.

Are weight machines set aside for the coaches?

“Lifting with the players,” he says. “These guys are telling me what to do.”

UCLA coach Bob Chesney stands on the field in between players and shouts instructions during a spring practice.

(Robert Gauthier/Los Angeles Times)

Full disclosure: I arranged my visit full of skepticism about this guy that has UCLA fans swooning.

C’mon. Seriously? He’s ready for this? How can he be ready for this?

The son of a small-town high school football coach in Pennsylvania coal country, Chesney had risen from obscurity to … more obscurity. He had previously coached at four different small schools you couldn’t find on a map. Salve Regina? Assumption? What?

This will be Chesney’s first shot under the bright lights. And he is taking that shot with a program whose best shots couldn’t hit the broad side of a barn.

The Bruins have not been to the Rose Bowl game in 28 years, and he is going to fix that? They have not won a Rose Bowl game in 41 years, and he was going to change that culture?

The celebrated Chip Kelly couldn’t do it. The emotional Jim Mora Jr. couldn’t do it. The cheerleading Rick Neuheisel couldn’t do it. The cerebral Karl Dorrell couldn’t do it. The affable Bob Toledo thought he had done it until his team inexplicably quit on him just 60 minutes from a berth in the national championship game.

I had covered all of these coaches, hearing their annual promises, seeing their annual collapses, realizing USC had a stranglehold on the college football money and attention in this town, and I had come up with an inescapable conclusion.

What Chesney is trying to do with UCLA football can’t be done.

Then I met him.

The best word to describe initial impressions of the 48-year-old former college safety would be, wow.

He talks fast. He oozes belief. He sells UCLA. He sells himself. He doesn’t shrink from his giant task. He doesn’t rationalize or equivocate his team’s sordid history.

He’s like one of those charming smart kids who never takes no for an answer.

“I feel it,” he says.”I feel it.”

No wonder his recruiting has been phenomenal, ranked seventh nationwide for the class of 2027, a trend that began this summer with 42 transfers, many of whom will start. No wonder he has been recognized by fans while hanging out in West Hollywood or Griffith Observatory or Dodger Stadium, where he’s already sat wide-eyed in a meeting with Dodger manager and UCLA grad Dave Roberts and Sandy Koufax.

He feels it, and the Bruin Nation feels it with him.

“Everybody’s included,” he says. “You wanna be included? C’mon, you’re included.”

As the self-proclaimed driver of the Bruin bandwagon in recent years — only to be derailed by midseason every time — I’ll pass on the inclusion. I’ve got to see it before buying it. But right now, Chesney has worked me up into such a lather that, yeah, I’m believing.

First, Chesney points to his resume, a litany of small schools who accumulated big victories, a dossier that includes only one losing season and none in the last seven years.

His head coaching career started at Division III Salve Regina (Rhode Island), where he turned eight consecutive losing seasons into three straight winning seasons.

“‘You can’t win there, nobody can win there’ is what they said,” Chesney says. “We won there.”

James Madison coach Bob Chesney and running back Wayne Knight celebrate after winning the Sun Belt championship on Dec. 5 in Harrisonburg, Va.

(Robert Simmons / Associated Press)

Then there was Division II Assumption in Massachusetts, where he took a team that had two winning records in 17 years and led them to five consecutive winning records and three straight playoff appearances.

“They said, ‘You can’t do it, nobody can do it,’’’ Chesney says. “We did it.”

Then there was Holy Cross, also in Massachusetts, where he took the team to a record five straight Patriot League championships while advancing as deep as the FCS quarterfinals.

“They told us, ‘The academics are too tough, the tuition is too high, you can’t win there,’’’ Chesney recounts. “We won there.”

Finally there was James Madison in Virginia, where he took a team whose stars had all followed Curt Cignetti to Indiana and still triumphed, leading them to a Cinderella appearance in the College Football Playoff.

“A lot of people doubted it, a lot of people didn’t believe it could work,” Chesney says. “We’ve proved a lot of people wrong throughout the years.”

After his resume, Chesney points to his surroundings. He is more awed by UCLA’s gravitas than any other football coach I can remember. It’s clear he can sell the school because he has such respect for the school.

“Here you’re a handshake away from changing your life … the school has an 8% acceptance rate, you’re walking around this campus with valedictorians and future CEOs and doctors and lawyers,” he says. “You’re surrounded by greatness, you have a chance to breathe this rare air that very few people get a chance to breathe.”

But for Chesney to fill this air with a football championship requires a price. It is a price that, so far, many potential donors have been reluctant to pay. But in today’s college football world, it is the cost of doing business.

Face it, Cignetti couldn’t have changed Indiana’s fortunes so rapidly if it wasn’t for Mark Cuban money. Chesney believes he can do the same thing here … with a little push.

Longtime UCLA donor Angelo Mazzone chipped in $10 million recently, and more such gifts are needed for UCLA to be able to pay the players that bring them a championship.

”There’s a major financial commitment that comes with getting those four- and five-star kids, but we can really turn the tables with that kind of help,” Chesney says. “Every single thing that is needed is here, we just have to make sure we get the support from the people on the outside that we need to actualize our dream.”

UCLA coach Bob Chesney shares his vision for the program during his introductory news conference on Dec. 9.

(Allen J. Schaben/Los Angeles Times)

He’s doing all the right things while chasing that dream.

Even as his bosses are pushing to move the team out of the Rose Bowl to SoFi Stadium, he loves the Rose Bowl, and took his team there for its spring game on a weekend that began with him standing outside the brightly lit marquee with his father and his son in the dark.

“It was one of those moments, I was like, man, the history of this place … to me to play in the Rose Bowl, what an honor and a privilege,” he says.

The game actually drew a decent spring crowd of 10,000-12,000, partially because Chesney had worked so hard at banging the drum. He and his players even brought pizzas to various campus groups in hopes of enlisting support.

“You want to be around this program, you can be around this program,” he says.

Then there’s his opinion of USC. He doesn’t have one. He never mentions them. For a UCLA coach, this is a good thing.

“I guess we’re perceived to be in their shadow, and for whatever reasons we weren’t an option the last couple of years, but look at our recruiting, I know we’re becoming an option for L.A. again,” Chesney says. “I think you can change a lot of people’s opinions on who they want to be rooting for.”

As in all levels of football, it all comes down to the quarterback, and Chesney had his first win by convincing budding star Nico Iamaleava. The kid was roundly criticized in this space for holding out and then walking out on his Tennessee team last year, but he has since grown up, and could be the sort of game-changer that Chesney requires.

“Watching Nico with his athletic ability, his arm, creating plays after the play with his legs, I have very high hopes,” says Chesney.

There are potentially outstanding transfers at half of the positions, and, with some solid returning players — this is a team that beat seventh-ranked Penn State, remember — the Bruins have a decent foundation.

UCLA coach Bob Chesney pats running back Anthony Woods on the helmet during the team’s spring game at the Rose Bowl on May 2.

(Allen J. Schaben/Los Angeles Times)

Throw in a favorable 2026 schedule that doesn’t include Ohio State or Penn State or Washington or Iowa, and one thinks they might even have a chance at making some miracles.

“You’re going to see a different brand of football, one that is united, that is passionate, that is physical, that is tough, that has a lot of fun playing together,” he said.

You’re also going to hear a sound that died in the brief DeShaun Foster era, a sound that has never lasted more than a couple of weeks in the last 30 years.

That rumble is the Bruin football bandwagon. It’s revving up again. The inimitable force that is Bob Chesney wants to include you on the start of its journey.

Let him.

Winning streaks bring a life of their own to a clubhouse, each day presenting another opportunity to extend the joy and methodically build a feeling of invincibility.

Inevitably the streak ends and everyone sighs, reflects and returns to work. The Boston Red Sox lost the second game of a doubleheader Wednesday to end a win streak that tied an 80-year-old club record when it reached 15 in the opener.

Boston interim manager Chad Tracy stepped into the clubhouse to say a few words afterward but saw veteran players Willson Contreras and Sonny Gray speaking to the team and allowed them the moment.

“We just won 15 games in a row, and I think all of us knew it was going to end at some point,” Tracy said.

Call it the “Tracy Turnaround” redux.

Tracy had never managed, coached or played at the major league level before replacing Alex Cora on April 25, but he was well-versed in experiencing the glorious ride of a winning streak and its abrupt end. His father, Jim Tracy, managed the Dodgers, Pittsburgh Pirates and Colorado Rockies from 2001-2012.

Like his son, Jim Tracy was given an interim manager title when he replaced Clint Hurdle in May 2009 after Colorado’s poor start. It took only a few weeks before the Rockies won 11 games in a row, 17 of 18 and finished 74-42 to make the playoffs.

This year’s Red Sox can only hope their U-turn under Chad Tracy mirrors his dad’s. Boston was 32-46 before winning 20 of 23, including the 15-game win streak.

No surprise that father and son discussed the similarities. Chad was a double-A first baseman with the Texas Rangers in 2009 and closely followed his dad’s fortunes.

“I remember the [Rockies’] run,” Chad said. “You know, we talk very basically about just, he’s excited [about the Red Sox]. He’s a baseball fan. He’s watching constantly, and he’s fired up for it. So, like, we haven’t done a whole lot of comparing to that, but he’s just — he’s a Boston Red Sox fan.”

Jim was rewarded by becoming the second interim manager in MLB history to win the Manager of the Year award. Chad could be in the running to be the third, especially if the Red Sox make the playoffs.

They already are only the sixth father-son combo to manage in the major leagues, following Bob and Aaron Boone, George and Dick Sisler, Bob and Joel Skinner, Buddy and David Bell, and Felipe Alou and Luis Rojas.

The achievement isn’t lost on Jim Tracy, who became so emotional upon learning his son was named interim Red Sox manager he pulled his car to the side of the road. He attended Chad’s first game, a victory over the Baltimore Orioles, on the top step of the dugout.

“One thing that jumped out at me,” Jim Tracy said, “was that when he was presented to the media, his body language in the dugout…. he was not overwhelmed or fazed with anything that was going on. He was ready to do whatever was asked of him.”

That Chad replaced Cora, who led the Red Sox to the 2018 World Series title in his first season, elicited mixed feelings. Cora played with the Dodgers from 1998-2004, including four seasons under Jim.

“It’s a wonderful day, but in some respects, it’s bittersweet,” Jim said the day of Chad’s managerial debut. “I’m proud of [Chad], but the Tracy family loves and respects Alex Cora.

“You have to go back with some special years I had in Los Angeles and Alex was very much a part of that. Bittersweet is the right word because Alex was so good to my son and took such good care of him. But it was reciprocated.”

Kris Jenner’s mom, Mary Jo “MJ” Shannon, has died.

Jenner announced the news of Shannon’s death Thursday in an Instagram tribute. She was 91.

“Today, we said goodbye to my beautiful Mommy MJ. … There are no words that could ever capture what she has meant to me or the heartbreak of having to say goodbye. My mom was the heart of our family.”

Jenner wrote that her mother, the matriarch of the Jenner-Kardashian clan, taught her everything that “truly matters.”

“To love your family fiercely, to be kind, to show up for the people you love, and to never take a single moment together for granted,” she wrote alongside a glamour shot of Shannon. “She taught us that family is everything. She showed us how to love unconditionally and how to find joy in the little moments. She showed me how to face life’s challenges with resilience and faith.”

Jenner concluded the post with an open letter to MJ:

“Mom, thank you for every sacrifice you made, every piece of wisdom you shared, and every moment you loved us so completely. I will miss our daily talks, your smile, your laughter… Our hearts are broken, but we find comfort knowing that love like yours never truly leaves us. Your love will live on in our family, in our traditions, in every moment we are together, and in every life you touched. When I look at my kids and my grandkids, I will forever see pieces of you in all of us. There is not a part of me that isn’t shaped by you. And if I have done anything right in this world, it’s because I spent my life trying to live in a way that would make you proud. Every memory, every moment, every blessing, it was all because of you, and I will forever thank God every single day for making you my mommy. My heart is broken into a million pieces… thank you for giving me the greatest childhood and oh what a beautiful blessed life… I love you forever Mommy. Thank you for giving us everything.”

Born Mary Jo Campbell on July 26, 1934, MJ married her high school sweetheart, whom she divorced two months later. Then in 1954, she wed Jenner’s dad, Robert “Bob” True Houghton. She gave birth to Jenner the following year and Jenner’s late sister, Karen Houghton, in 1958. After seven years of marriage, MJ and Bob called it quits and she married Harry Shannon, a businessman who helped raise Jenner and her sister in San Diego, where MJ ran a children’s clothing store.

Harry Shannon died in 2003.

MJ was featured on the famous clan’s E! reality series “Keeping Up With the Kardashians” and the follow-up Hulu series “The Kardashians” numerous times over the years. In a clip from the show, granddaughter Kim Kardashian detailed that her grandmother had survived colon cancer and breast cancer and, in her sunset years, struggled with sickness resulting from the cancer treatments.

In one clip from the show, MJ said she didn’t have an appetite without taking her “medication” first. Then she persuaded her daughter, Jenner, to have marijuana gummies with her. Together they lit some incense and munched on muffins and chips and guacamole.

In another clip, Jenner interviews MJ about her life, and during the sit-down, Jenner asks MJ, “What’s your biggest fear?”

MJ replies, “I try not to fear,” and then follows up asking Jenner what her biggest fear is.

Jenner starts to cry and says, “I don’t want to say it. I can’t believe I’m crying. … Just, losing someone.”

On Thursday, Kim Kardashian caught flak online when a post featuring the Skims mogul and her sister Khloe Kardashian swigging tequila from a boat on a lake published shortly after Jenner announced the news of MJ’s death.

“This post was scheduled a few days ago before we lost MJ, so its timing came right alongside her passing,” Kim wrote in the comment section of the post. “I’ve been by my mom and grandma’s side this past week, and my heart is completely with my family right now. We love and miss her so deeply, and in the days ahead, we’ll be focusing on celebrating her beautiful life.”

Kim followed up with a post celebrating her grandmother, writing, “My sweet Grandma MJ, my best friend, my gossip buddy, my forever twin … You taught all of us the importance of family, and those values are something we’ll carry with us forever!!!!! You were the woman who showed me what it meant to be a hardworking businesswoman. You gave me my very first job at your store in San Diego and taught me lessons about work ethic, strength, and confidence that I’ve carried with me ever since.

“You always believed in me, championed me, and were my safe place. You truly were the matriarch of our family, and your love is woven into all of us. I know you’re at peace now. Give Papa Harry, Aunt Karen, and my dad a hug for me. You will always be a part of me, I love you soooooo much and I will miss you forever and ever. … YOU ARE THE BEST OF US!!!”

Two weeks ago, Jenner’s bodyguard, Mason Haynes, who also worked as a close protection guard for other members of the Kardashian-Jenner family, died in a traffic accident. He was 52.

Former Walt Disney Co. Chief Executive Bob Iger and Thrive Capital founder Joshua Kushner have hired investment bankers and discussed making a bid for the National Basketball Assn. expansion team in Las Vegas, according to people familiar with their plans.

The bid would be for a majority investment in the team, according to the people, who asked to not be identified because the discussions are private. The NBA’s board of governors approved the exploration of a potential franchise expansion in Las Vegas and Seattle in March.

Iger and Kushner are discussing making the bid through Thrive Eternal, a company set up by Kushner’s firm to invest in iconic brands and cultural assets. The company operates as a holding company, structured to raise new capital and make investments into businesses without a set exit timeline. Iger is involved with Thrive as an advisor.

It’s unclear what the size of the bid and the valuation of the franchise would be. Representatives for Thrive Capital and Iger declined to comment.

Iger, who took over as CEO of Disney from 2005 to 2020 and then again from 2022 to March of this year, had a tenure marked by acquiring marquee entertainment franchises and expanding them, including Pixar, Marvel Entertainment, Lucasfilm and 21st Century Fox. The executive previously bought a controlling stake in Angel City Football Club, a women’s soccer team, with his wife, Willow Bay. A big basketball fan, he’s had a lot of experience with the NBA through Disney’s ESPN sports networks.

Kushner, meanwhile, has been building an investment portfolio of tech startups for decades, from investing early into OpenAI and Instagram, and working on dozens of incubations through his venture firm, Thrive Capital. The venture firm has total assets under management of more than $50 billion, according to a regulatory filing. Earlier this year, the firm raised more than $10 billion for its largest fund ever. The NBA discussions show the latest iteration in how Thrive is expanding beyond its roots of investing in technology startups, into also influencing culture through entertainment and sports.

Announced in April, Thrive Eternal, which operates a permanent capital vehicle, raised its initial capital from existing Thrive investors. “These are assets with qualities that cannot be replicated by technology,” Kushner said in a social media post. “In a world shaped by abundant intelligence where creation scales and distribution fragments, we believe they will matter even more.”

Thrive Eternal’s first investment, though not a controlling stake, was backing a Major League Baseball team, the San Francisco Giants. The capital of that deal is set to go toward the Giants’ Oracle Park and its surrounding real estate, according to a person familiar with the matter, Bloomberg previously reported.

Mascarenhas writes for Bloomberg.

The carpet rolls out.

Stars pose with their parents.

Cameras flash, capturing VIP guests emerging from luxury cars.

It has all of the makings of a Hollywood premiere.

Only the carpet that lines the entrance is royal blue instead of scarlet red. The “stars” are teenage football players on recruiting visits. The luxury car is parked on the turf of Spaulding Field. And the Hollywood show is in Westwood.

Despite the parallels, the feeling remains the same — something is brewing within the UCLA football program and it may yield awards.

The Bruins still are riding the high of their hire of coach Bob Chesney on Dec. 9.

And no group has felt the smoke of the Chesney Train more than the 2027 recruiting class.

The Bruins boast the No. 12 recruiting class in the nation and fourth best in the Big Ten, improvements of 50 and 11 spots, respectively, from the previous year, according to 247Sports’ composite rankings. UCLA had not produced a top-15 class since 2016.

Chesney’s inaugural group features 22 commits, including six four-star recruits, and is headlined by five-star defensive back Juju Johnson, who ranks as the third-best recruit from California and the second-best cornerback in the nation, per 247Sports.

However, to UCLA football general manager Darrick Yray — who spent the last four seasons at Florida State, signing a top-20 class each year — stars and rankings mean nothing without fit.

“It starts and stops with being developed in all areas, socially, academically, spiritually and athletically,” Yray said. “Those four pillars of a young man, we’re trying to attract here, but also are they going to fit in all four of those areas of what we are and what we hold our standard to. They need to be a great steward of what it means to be a student-athlete at UCLA.”

Chesney underscored a similar message during spring practices, illustrating that being a Bruin does not stop once you leave the gridiron.

Talent sets the foundation for what the coaching staff looks for, but character sets the ceiling for what they can become, Yray said.

And this motto is central to the staff’s recruitment efforts.

“You want guys who are intrinsically motivated rather than extrinsically,” Yray said. “It’s easy to get up when everyone’s watching and there’s 80,000 people in front of you. It’s what you’re doing when no one’s looking, it’s how you’re working, it’s how you’re studying. We want to be consistent across the board in everything that we do.”

Throughout spring camp, Chesney provided accessibility to recruits, stressing the importance of developing relationships with the schools, coaches and players in Southern California.

These efforts partly were to cultivate connections in an area saturated with talent, but also to establish relationships in an area Chesney has little experience in.

Providing accessibility also means instilling transparency.

Some players may not fit for UCLA, and UCLA may not fit for some players. And the only litmus test of finding the personnel who will thrive in the Chesney system is forming relationships off the field — allowing authenticity to rise to the top.

“It comes back to relatability. It’s not just football, it’s not just transactional, and it can’t be that way, in order for this to work,” Yray said. “I want to be genuine, and that’s what we want to be here too. This is what you’re going to get. It’s not going to change six months later. That’s how we’re going to be 24/7.”

It was this relatability and energy that drew in four-star wide receiver Kingston Celifie.

The Calabasas product — who boasted offers from California, Arizona and Kansas — first noticed Chesney’s energy on the field, seeing him run around to every position group and even get involved in drills.

But after more conversations, the staff’s collective determination to not only revitalize the program but also develop the whole individual gave Celifie confidence in UCLA, prompting the wide receiver to shut down his recruitment.

“Coach Chesney, he has great energy, which I was attracted to, and ultimately that’s why I committed. I just felt like it was home,” Celifie said. “I feel comfortable here. The official visit, everyone was celebrating all the accomplishments, and I really got to see the coaches outside of the football life, which was great.”

The acquisition of Celifie not only signified a major addition to the 2027 class, but also marked the start of the Bruins keeping homegrown talent in Los Angeles.

In making recruits feel at home when they’re on campus, it is imperative to make sure every part of their visit is tailored to them, Yray said.

While showing off the perks of the program and Los Angeles — through visits to Santa Monica and VIP tours from Dodgers manager Dave Roberts, a UCLA alum — is an integral part of the process, each recruit requires something different to ensure that the experience is what Yray called an “all-inclusive vacation.”

“What are the areas that are going to change their opinion of someplace, and are you checking off those boxes to make sure that they’re having the best experience every single time that they come here,” Yray said. “It can’t be a cookie-cutter mentality; it has to be individualized. If you were going somewhere, you want to have the best experience possible for 24 hours straight.”

Visits are not just a uniform formality, they are a one-of-a-kind experience.

JSerra’s Godschoice Eboigbodin is a 6-foot-5, 260-pound defensive end from Nigeria.

(Eric Sondheimer / Los Angeles Times)

And no visit may have been more special than that of three-star edge Godschoice Eboigbodin.

During at-home visits with defensive ends coach Sam Daniels, the JSerra product was able to connect on a personal level with Daniels, describing him as “family” and “just another one of my friends.”

And at Eboigbodin’s official visit at UCLA, his birth family from Nigeria and host family in Southern California were able to come together for the first time, celebrating his accomplishments and giving the future Bruin confidence that UCLA was home.

“That was the first time both my families met — my real parents and my parents here. I was so excited,” Eboigbodin said. “That is why I had a really good time at my official visit at UCLA because it was really cool having them meet each other, connecting the families together. I was ecstatic.”

Chesney has yet to coach a game at UCLA, let alone one at the Power Four level. Yet, the momentum he has generated is real.

Not only is the 2027 recruiting class exceptional, but also the transfer class that will make up the majority of next season’s starters is excited to build the foundation of the program.

“Guys are bright-eyed and bushy-tailed, coming to work every single day,” Yray said. “We’re excited at the opportunity as a staff of what this presents, and we get to do this, at the greatest place in the world to do it. There’s no better location, there’s no better rich history. There’s really no excuse … to not have success here.”

Record-setting baseball team takes home hardware

From left, UCLA’s Dean West, Roch Cholowsky, Mulivai Levu and Roman Martin share pregame vibes before a 3-2 loss to Saint Mary’s during an NCAA regional at Jackie Robinson Stadium on May 29.

(Scott Strazzante/For The Times)

Since our last UCLA Unlocked newsletter, the Bruins baseball team earned more hardware.

UCLA first baseman Mulivai Levu was named an ABCA/Rawlings Gold Glove winner for the second consecutive season, becoming the first Bruin to win multiple Gold Gloves.

Levu had a .996 fielding percentage while committing two errors all season. He converted 446 putouts, had 21 assists and assisted on 42 double plays.

UCLA coach John Savage was named the Skip Bertman Coach of the Year by the College Baseball Foundation.

The Bruins were 52-8, matching the program record for wins, and their 48-6 regular-season mark was the best in school history. UCLA became the first wire-to-wire No. 1 team, opening and closing the season atop the top 25 in every major poll.

Named after the first coach inducted into the College Baseball Hall of Fame, the coach of the year award celebrates leaders on and off the field.

“I am truly honored to receive this award. Having Skip Bertman’s name on the trophy says everything,” Savage said in a news release. “He’s the legend of legends in this game. As a young coach out West, I always admired and looked up to Skip.”

Savage is the third-longest-tenured coach in UCLA baseball history and has a 776-489-2 record.

Junior shortstop Roch Cholowsky earned first-team All-America honors from Perfect Game, the National Collegiate Baseball Writers Assn., American Baseball Coaches Assn./Rawlings and Baseball America. Cholowsky hit .320 with 21 home runs, 60 RBIs and 73 runs scored while anchoring UCLA’s infield defense with a .965 fielding percentage. He ranked among the national leaders in OPS (1.088), slugging (.636) and on-base percentage (.452), starting all 60 games at shortstop.

Outfielder Will Gasparino was named a first team All-American by the NCBWA. Gasparino hit .314 with 20 home runs, 64 RBIs and 99 hits, finishing among the conference leaders in extra-base hits and total bases. He also posted a perfect 1.000 fielding percentage with 114 putouts.

Closer Easton Hawk earned first-team NCBWA and first-team ABCA/Rawlings All-America honors after posting a 1.93 ERA with 14 saves and 52 strikeouts across 34 appearances, holding opponents to a .187 average. He gave up nine earned runs all season.

Levu and pitchers Wylan Moss and Logan Reddemann earned second-team All-America honors from the NCBWA, while pitcher Angel Cervantes was named to the Perfect Game Freshman All American team.

In case you missed it

Swanson: She broke baseball’s glass ceiling. Now Kim Ng is taking softball to the next level

UCLA eliminated from WCWS by Kaitlyn Terry and Texas Tech in nine-inning thriller

UCLA baseball’s national title hopes shattered in season-ending loss to Saint Mary’s

UCLA baseball defeats Virginia Tech in a wild ninth-inning comeback to save its season

Megan Grant becomes UCLA’s all-time home run leader in win over Arkansas at WCWS

UCLA softball coaches Kelly Inouye-Perez and Lisa Fernandez inspire nation’s top offense

National title hopeful UCLA stunned in loss to Saint Mary’s in regional opener

UCLA pitcher shares his secret weapon: A two-inch toy dinosaur named ‘Jerry’

Megan Grant’s record-tying homer can’t save UCLA from loss to Alabama in WCWS opener

UCLA copes with pressure of being No. 1 target without ace Logan Reddemann

Q&A: How UCLA softball leadoff hitter Rylee Slimp manages pressure as Bruins reach WCWS

Have something Bruin?

Do you have a comment or something you’d like to see in a future UCLA newsletter? Email newsletters editor Houston Mitchell at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

REALITY TV star Kim Kardashian showcases a dazzling new look — striking platinum hair.

She has covered her flowing black tresses with an edgier bob wig.

Kim, 45, was wearing huge sunglasses and a floor-length coat on a night out in Beverly Hills, California, as she debuted the blonde revamp.

It was a marked change from the US star’s last public outing — cheering on Brit boyfriend Sir Lewis Hamilton, 41, at the Monaco Grand Prix two weeks ago.

Kim has been hilariously mocked by F1 ace Kimi Antonelli after stealing his towel at the Monaco Grand Prix.

Whilst supporting her boyfriend Lewis Hamilton, who lost out to winner Kimi, at the race, the reality star picked up and used a towel reserved for the Mercedes driver following the race.

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This sparked fury online, with Kim seemingly unaware that the towel was for the driver as she used it to wipe her sunglasses while walking through the paddock.

But now, 19-year-old Kimi has made light of the misunderstanding in a hilarious TikTok video, which was shared to the official Mercedes page.

In the clip, Kimi is seen asking around for his towel, before washing his hands and having nowhere to dry them.

“Hey, have you seen my towel?” the sportsman asks the camera.

Fans in the comment section of the video couldn’t hold back their laughter, with one writing: “hmm I wonder if kim k knows anything?”

“She thought it said KIM not KIMI,” said another.

A third joked: “Keeping up with Kimi’s towel”.

Towel or not, Kimi bagged his fifth-consecutive race win at the coveted Grand Prix last week, beating out Kim’s Ferrari driver boyfriend, who was close behind in second.

It’s Friday afternoon in North Hollywood and Ziggy Marley is perched on a stool inside his newly built Rebel Lion Studio, tucked in one of the neighborhood’s creative enclaves.

The nine-time Grammy winner is surrounded by a collection of lion figurines, guitars, traditional hand drums and a piano. Along the walls hang two replicas of backdrops his legendary father, Bob Marley, used on tour in the 1970s. The murals, depicting Rastafari icons and Haile Selassie I and Marcus Garvey, were featured in the 2024 biopic “Bob Marley: One Love.”

“These are what we used as the backdrop for the concert scenes. Them spiritual to me,” Marley says in patois as the smell of palo santo dances around the rehearsal space.

Music has been both an inheritance and lifelong pursuit for Marley. From sitting in studio sessions with his father as a child to building a five-decade career of his own, he has remained a curious student of the craft, one willing to challenge convention in search of a deeper meaning. That spirit is evident on “Brightside,” his ninth solo album, which was released on vinyl on April 18 (Record Store Day) and May 1 on streaming.

Rather than recording the eight-track project in 440 Hz, the standard tuning frequency for most modern music, he opted for 432 Hz, a tuning some musicians and theorists believe creates a warmer, more meditative listening experience. He also slowed down his songwriting process, giving each lyric room to carry its message of hope through turbulent times. The album, which may be his most personal yet, also features “Many Mourn for Bob,” the first song he has written directly about his late father.

“I think it shows the next stage that I probably am in,” says Marley, adding that he felt connected to his father on a spiritual level. “We took another step in the relationship, to another place that it’s never been before.”

Ziggy Marley is bringing his “Brightside” tour to the Hollywood Bowl on June 21 alongside reggae star Burning Spear.

(Dania Maxwell / For The Times)

He adds, “When I was doing the song, it kind of came to me like this song could’ve been my father’s song. It could’ve been a song that he wrote.”

The reflective nature of “Brightside” arrives at another pivotal time in Marley’s career. This year marks the 20th anniversary of “Love Is My Religion,” the Grammy-winning album that launched his solo career and crystallized a personal philosophy he still carries today. He is also set to release his sixth children’s book, “True to Myself,” in September.

As we wrap up our conversation, Marley has only a few minutes before Rebel Lion Studio shifts back into work mode. Within minutes, bandmates, background singers and production crew members begin funneling into the space, hauling in stacks of equipment as promotion and preparations continue the “Brightside” tour, which stops at the Hollywood Bowl on June 21.

This interview has been lightly edited for length and clarity.

You recorded your latest album, “Brightside,” here at Rebel Lion Studio, which you designed and built from the ground up. Can you take me back to the beginning of that process and why you wanted to do it?

I grew up around my father and my mother as growing musicians trying to succeed and there was one thing I kept hearing over and over throughout my life: independence. Their whole mission was to be independent. I saw them work and I saw my father build a studio. I saw him have a space where he can do more music and control his own time. That was a dream of mine for a long time, ever since I started doing music because usually we use other people’s studios. I couldn’t have this in my house. It’s too much. It’s a dream come true.

We’re surrounded by two beautiful murals. Is there a particular item that is personal to you?

The murals are replicas of my father’s backdrops that they used. The original artwork is by Neville Garrick, but he helped us re-create them for the Bob Marley movie. These are the murals we used as the backdrop for the concert scenes. They are spiritual to me cause that’s Haile Selassie and Marcus Garvey, two very important beings for us. Inspirational.

On “Brightside,” Ziggy Marley dedicated a song to his father, Bob Marley, for the first time in his career.

(Dania Maxwell / For The Times)

“Brightside” is your ninth solo album. What mindset were you in emotionally and spiritually when you started working on it?

I never thought about making an album, I was just writing songs. You just tap into things in your subconscious that are waiting to become music, I feel like. Then when the time comes for writing songs, the time comes. It’s like a season. Like you have blueberry or orange season. So there’s a season for me when I write songs. Then you say, “All right, let’s make an album then.” But you don’t think about an album before. It’s just an expression or a feeling just to make music, not for any reason but to make it. It happened over a period of years. Ideas and experiences that eventually come out. But closer to the time I [made] the album, I remember writing some of the later songs like “Why Let the World.” It was a song that I wrote because I was feeling down and everything that was happening in the world and the country. Just so much negativity and I just felt like I needed to take a break from it. To recharge yourself. We cannot fight every day. We need to take a break and then get back to it. I needed to teach myself to take some time. It was more of a mental thing than an emotional thing. Stuff I deal with my father, personal life and stuff with my spirituality and my faith. So there’s a lot of me in this record.

“Many Mourn for Bob” is the first song you’ve explicitly written about your father. Your brother, Stephen, is also on the vocals. What surprised you emotionally once that song was finished?

I’m not sure I thought about it like that. The experience of expressing that emotion, it’s a spiritual experience. I think it shows the next stage that I probably am in and even my relationship with my father on that spiritual level. It’s a different place. We took another step in the relationship, to another place that it’s never been before. When I was doing the song, it kind of came to me like this song could’ve been my father’s song. It could’ve been a song that he wrote. That’s how I felt about it. This is partly his song. It’s me and him making this song. This song is his song too.

How has your relationship with grief changed over the years?

It’s more of a comrade, understanding, empathy and having the maturity and the experience to understand what he went through as a man, as a human being. I think that’s what it is, really. A better understanding of what he went through, not the glory. The pain, the mental and emotional state. You’re more than just an idol. You’re more than just a legend. You’re more than just a father. To go deeper than that, so that’s the next level.

Yeah, the skit you used of him saying “I’m just a man from the ghetto” on the song really summarizes that.

That’s the real him. That’s him right there. Even in the tone of his voice, you can hear the real Robert coming out.

Another standout song from the album is “Racism Is a Killa.” One thing that you do well is having a heavy topic, but finding a way to still make it feel hopeful and joyful. Why was it important for you to approach the track this way rather than from a place of anger, heaviness or sounding preachy?

I think it started out preachy and angry, but over time, it kind of evolved and I kind of evolved too ‘cause my own evolution is represented in the music. And you know something, doing that song helped me evolve because I had to think about it differently without the anger. The song made me do that. Like how else can I approach this? It’s inspiration that causes these things. It’s not an intellectual thing. I didn’t do that intellectually. Like over time, something just started coming out of me. I never really thought about it before, but I can see it now.

In the video, which features your daughter, Zuri, you referred to the condition as “Racismosis” in the video and sang about how it can be cured.

It’s kind of like a sickness, a disease. It’s a virus. We can minimize the virus and stop the disease. It’s true. Racism is a killa. This virus can kill ya. Literally kill ya. Spirtually kill ya. Emotionally kill ya. Mentally kill ya. It kill ya in different ways. It kills the victim and it kills the person perpetrating it. It’s killing everyone, but we can cure it though. It starts with the children. I have a friend of mine who said, “Yo, my little son loves this song. He doesn’t want to stop. He says ‘Put on “Racism is a Killa.”’ So that’s where the antidote is starting. The minds of the children. The music with a conscious message gives them the right consciousness that they grow up with. That is how we take our time and lower the spread of the virus.

You recently released an alternate version for “Racism Is a Killa” with Big Boi. How did that collaboration come together and what excited you about working with him?

I’ve loved Big Boi and Outkast from a long time ago. He’s a legend and a strong voice. There’s different layers to it and I feel like Big Boi took it to that other layer. So yeah, we just love Big Boi and I’m going to jump on something he does. [Laughs]

I’d be remiss if I didn’t ask your approach for your album and how you swapped the typical 440 Hz for 432 Hz. Do you remember the first time you heard the music played back that way?

It’s a long journey because for most of my life in music, I’ve tried to be a student. I’ve tried to keep an open mind and learn more and more. With this album, there’s an inspirational side of music and that’s where I lean into most of the time, but as I grew up, I started to understand there’s also a science too. It’s also mathematics. The universe, it’s all mathematics and science, and I shouldn’t shun the science of music just because I think the inspiration is all it should be. I think a part of that was learning that for myself and opening up and saying, “Yo, let me put some science into this.” Frequency. What does frequency do to people? Frequency affects people. Frequency is a weapon. It’s a tool. I’m sure the army has some kind of frequency thing. So frequency is powerful. I wanted to try something different anyway. I want to be different. I want my frequency to be different from the majority of frequencies that’s being played out there, because it’s fun for me to be different.

When I was working on the demos, I was like “Let me try this 432 Hz thing” and I like how it feels for me personally, how I sing on the frequencies. It resonates differently and makes me feel different. We did it and it felt good, and we did it live, and from my point of view, I felt a different energy with the audience too. So all of those experiments led me to the final conclusion to say, “Yeah, let me do the record in 432.” It’s really nice vibes, which the world needs a different frequency. We can use it.

This year marks the 20th anniversary of “Love Is My Religion,” your first solo Grammy-winning album. When you think back to that era of your life, who was Ziggy back then?

A lot was changing because I moved to L.A. during that time.

You got married around that time too, right?

Yeah. I don’t really fight change. I just try to navigate them and figure them out cause sometimes change is hard. There was a lot of change living here, moving around, trying to find a place, music, but then it’s like we are continuously updating ourselves. I’m continually updating. You know how you update your OS. I’m updating my OS. My operating system is being updated throughout my experience in life. There’s always something else out there for me to evolve to. So during that period of my life, “Love Is My Religion” came to me when someone asked me, “What religion are you?” And I just said “Love is my religion.” I never thought about it before, never contemplated it, never even thought of those words together before in my life, and they just came out to me that day. So the album represents a time in my life when I realized there’s a spiritual awakening that I had. “Love Is My Religion” is a spiritual awakening. That’s my thing. That’s who I am. That’s why it’s a milestone.

“If you think you’re going to change this world with music and you’re trying to send a message out there, you have to speak to children,” Ziggy Marley says.

(Dania Maxwell / For The Times)

You’re kicking off the “Brightside” tour this month, which includes a stop at the Hollywood Bowl. What are you most excited about when it comes to bringing this album to people for the first time live?

I’m excited about playing the music. I think it’s about the music. These new songs, they vibrate very highly for me and I’m excited about experiencing and expressing that. And also kind of not doing it for the audience. I don’t want to do it for the audience. I want the audience to experience what I’m experiencing, what I’m expressing. I want them to feel me. I don’t want them to be like “Hey look at me.” [Laughs] There’s still connectivity going on, but I want them to feel the songs the real way. That’s what I’m excited about for people to feel it the way that I feel it.

You even posted the lyrics and told fans to get to practicing, so they can really understand the message.

Yeah. Just reading them for me, I really like the writing I did on this. I also took some time with this too. I was saying to someone that I developed a deeper relationship with the lyrics and the words than I did before. My relationship with the words here are very mature. I feel good about it. That’s why I want people to know the words because words are very important. Words are very important. If you know the words you get a deeper understanding of what I’m talking about and what I’m feeling.

After nearly 50 years of making music, Ziggy Marley built his own studio in North Hollywood called Rebel Lion Studio. He plans to turn it into a multipurpose creative space.

(Dania Maxwell / For The Times)

Look on the bright side is a phrase that people say often, but what do those words mean to you right now?

Sometimes we can get in a place [where] we can’t see the other side of things because we’re so caught up in that one place. Like the cliché, there’s two sides to a story, ya know? The universe is always yin and yang, but there’s always another side of things. But I feel like the way we are being programmed in a way through media and everything, it’s like there’s only one side. Everything is like this, there’s nothing else going on over there that we need to see, we only need to see this. This is all that’s going on in the world. There’s nothing good, there’s nothing nice, there’s no good people, there’s no love. So it’s a realization too. A realization that there’s the other side. Never get to that place where we think it’s just that side alone because we get so much of it. It’s a reminder, I think, for us like “Come on guys.” The thing about it too, sometimes you can feel like — even for me — some people say, “Hey look on the bright side,” some people find that like “Why are you happy? Why you so chirpy?” [Laughs]

That’s true.

I’m proud that I’m on the bright side. I’m living on the bright side, I don’t care. You don’t like me because I’m living on the bright side? You want me to be like you, you want me just live on the dark side with you, right? So it’s like a proudness of being positive and having that outlook in life, and not feeling like you have to [fall to] peer pressure. More positivity in life, not just the negativity. I’m confident in that too. So it’s kind of like that too, you know, like being proud, lifting up that side of me. Yeah, I’m happy to be living on the bright side.

PORTLAND, Ore. — Former Sen. Bob Packwood, a moderate Oregon Republican whose reputation as a champion of women’s rights was tainted late in his career by a sexual harassment scandal, has died. He was 93.

Packwood’s death Saturday was announced in an obituary sent to media outlets by his family. The release didn’t include additional details.

As the scandal unfolded, Packwood initially refused to quit the chamber in which he had served for 27 years, saying he didn’t want to be remembered only for that.

Before the #MeToo era, Packwood stood out as an example of private behavior undermining a man’s public image. He previously had been praised by Planned Parenthood and others.

The great-grandson of a member of the 1857 Oregon Constitutional Convention, Packwood established himself as a social moderate and fiscal conservative who often voted across party lines. He considered running for president in 1980.

Elected to the Senate in 1968, Packwood was best known as the leading Republican advocate of abortion rights — at a time when the position had bipartisan support — and was widely admired by women’s groups throughout the country until the Senate Ethics Committee launched an investigation into the allegations of sexual and official misconduct in 1993.

More than two dozen women, former employees and acquaintances, accused him of making unwanted or uninvited sexual advances.

The allegations remained the target of an ethics inquiry that widened to include other alleged acts of official misconduct. He resigned in September 1995, and went on to start a lucrative lobbying business in Washington.

Democratic Sen. Ron Wyden, who replaced Packwood in 1996, said that although he should be praised for his record on abortion rights and tax reform, how Packwood treated women overshadows it all.

“His horrible history as documented in his own diaries will forever overshadow that public record. Simply put, historians’ first line about Bob Packwood must include those women who he abused and assaulted for years and years,” Wyden said in a statement.

As chair and then ranking Republican on the Senate Finance Committee, Packwood was a master of cutting deals and forging compromises needed to pass tax legislation through Congress. He was most proud of the lead role he played in a sweeping tax reform of 1986 that lowered the top income tax bracket and eliminated many itemized deductions.

Over his career, he was described as a blunt, independent, outspoken politician who was a boat-rocker, loose cannon, skilled partisan, and — for most of his career — political survivor.

“I think they probably all ring true,” Packwood told the Associated Press in December 1992.

“I would like to think that I am nobody’s lackey. I try to reach conclusions independently and then I’m willing to fight for those conclusions; if necessary, having to fight against my party or my party’s president,” he said.

Packwood won his first Senate election at age 36, narrowly defeating Democratic Sen. Wayne L. Morse, an Oregon legend who had held the seat for 23 years. He quickly grabbed attention as a rising star in the GOP. By 1980, he was elected chairman of the National Republican Senatorial Committee.

But he lost the seat when the White House backed a competitor after Packwood publicly accused President Reagan of alienating women, African Americans and Jews.

Just two weeks after Packwood’s reelection in 1992, the Washington Post printed allegations from former female employees and acquaintances that the senator had subjected them to uninvited sexual advances.

The Senate Ethics Committee also investigated allegations that Packwood solicited jobs from lobbyists for his ex-wife, used his staff to try to threaten the female accusers into keeping quiet and obstructed the investigation by altering his personal diaries.

The Senate held two days of extraordinary debate in 1993 over whether Packwood should have to comply with an Ethics Committee subpoena for his diaries, in which he reportedly made entries relevant to the investigation. The Senate voted 94 to 6 to enforce the subpoena.

Packwood took the case to federal court and lost, ending when Supreme Court Chief Justice William Rehnquist refused the senator’s request for the high court to intercede.

Packwood launched his lobbying business, Sunrise Research Corp., in 1997. By 1999, the firm was grossing $1.5 million a year. His business slowed in later years, but he told a City Club of Portland audience in 2010 that he was still spending about half his time in Washington lobbying for a number of clients.

It was interesting work, Packwood told the audience, according to the Oregonian, but “it is not as much fun as being in the Senate.”

As Congress became increasingly partisan after his departure, Packwood continued to advocate a centrist tack and in his 2010 City Club speech called for Oregon to create nonpartisan elections.

Ron, a West L.A. resident, thinks he knows why former reality TV star and political newcomer Spencer Pratt won so much support in his run for mayor.

People are frustrated, frightened and angry about homelessness “and the crime associated with it,” Ron said in an email. He added that he voted for Mayor Karen Bass, but “almost everything Pratt said about the homeless resonated with me. … The homeless run wild here, without consequence.”

“Many of us support him not because we think he’s perfect,” said Kathy, “but because we are deeply dissatisfied with the direction of Los Angeles and feel that traditional politicians have not delivered the results we were promised.”

Bob, “a left-leaning Palisades resident,” said the issue is not Pratt’s lack of credentials, but the failures of incumbents. “There was a columnist … who documented in depth the situation at MacArthur Park,” Bob wrote in reference to me. “What was his name and what happened to him? Did he change his tune?”

These are all fair points, and if Pratt holds onto one of the top two spots and makes it to the Nov. 3 general election, or he’s overtaken by late-charging Councilmember Nithya Raman, we’re going to hear a lot more about homelessness in coming months.

So whether we’re looking at a Bass-Raman contest or a Bass-Pratt showdown, here are some random musings, and I’ll begin by responding to Bob’s question about whether I have changed my tune.

Not in the least.

The situation in MacArthur Park — targeted Thursday in a crackdown that involved multiple arrests — has long been a disgrace, and the same is true of many other places I’ve written about for the past quarter of a century. Last month, I visited a Hollywood neighborhood where one frustrated resident hired her housekeeper to document chronic problems related to homelessness, illegal dumping and criminal activity.

Residents have good reason to ask why they haven’t gotten better results after responding to politicians’ pleas for more money over the years.

It’s no surprise that Bass had high unfavorability ratings and why, despite leading in the primary vote count, she’ll fall far short of the 50% needed to avoid a second election phase. I still can’t believe that when I first asked her about the sad state of MacArthur Park, she told me she was fully aware, because she often drove through the area on her way to work.

Then why hadn’t she led the charge to address the problems and return the park to the community?

It shouldn’t take months, let alone years, to take back control of public spaces, and Pratt’s criticism is warranted, no doubt. And my main issue is not the hypocrisy of him saying God wants him to be mayor while calling his opponents demonic entities and villainizing homeless people he intends to shoo away to Seattle. It’s that his “fixes” demonstrate a lack of understanding.

Let me make a confession. From one angle or another, I’ve been writing about the intersection of homelessness, mental illness and addiction for a couple of decades, and I still have a lot to learn.

And on a personal note, I lost my son to a drug overdose. He had a job and wasn’t homeless, but like a lot of people who struggle with depression and other demons, he was resistant to help, and even to the idea that he needed help.

There are a lot more substance users like him, living out of public view, than there are on the street. We notice only those who don’t have the means to pay the rent or the mortgage as housing prices rise. So when Pratt says we don’t have a homelessness problem, but a drug problem, he’s missing a critical component in understanding why L.A. has tens of thousands of unsheltered people.

Pratt said on his website that his “treatment first” approach would direct resources into mental health and drug treatment care, which sounds good except that those responsibilities are primarily under county jurisdiction, not city control.

He and others have attacked harm reduction practices, such as distribution of needles and other paraphernalia. And I have to admit that it seems counterintuitive to enable further drug use. But the idea is to prevent death, engage clients and start a relationship that might lead to transformative care.

The county reports that in 2024, fentanyl-related deaths decreased by 37% and meth-related deaths by 20%. Harm reduction can be “absolutely invaluable,” addiction specialist Rick Rawson told me when I was working in MacArthur Park, but we need much more than that.

“When you have someone who becomes so incapacitated that they can’t stand up,” Rawson said, “to say that you’re just going to provide them with harm reduction and hope they don’t die, I think that falls short of the responsibility we have to each other and to the sickest people.”

I’ll add here that I firmly believe we should intervene more aggressively with people who are gravely ill, or are a threat to themselves or others. I recently profiled two San Diegans who are advocating for use of an existing law to allow for deeper evaluations and longer-term treatment plans for people with chronic drug and mental health issues.

It’s worth noting that drug and alcohol rehab is seldom a quick or surefire remedy. As for mental illness, it took me one year, along with the help of trained professionals, to convince my friend Nathaniel to seek help after he’d spent decades on the street following a diagnosis of schizophrenia.

What I’ve found over the years is that many of those living in tents and cars and alleys and parks are damaged in numerous ways.

I’m less inclined to judge people from a distance after having met a man on Skid Row who said he fell apart after his young daughter drowned. I’ve met women who are victims of domestic abuse or sexual assault. People in the grip of killer drugs like meth or fentanyl don’t think as clearly as we’d like them to, and they repeatedly sabotage their own self-interest.

To see people take over public spaces, openly sell or use drugs, lash out and scare those around them is disturbing and sometimes scary. But to say they choose to live on the street, as Pratt has, is to miss the point, to excuse our own complicity, to overlook historic policy failures, and to choose contempt over compassion.

Homelessness can cause mental illness, and mental illness can cause addiction, and vice versa. One condition alone can be difficult to address, but intertwined maladies further complicate matters.

I recently checked in with a guy I wrote about who had been addicted and homeless in Koreatown, and he said his recovery took more than half a year. He was in residential treatment for a few months, then in intensive outpatient treatment. There are no shortcuts, he said.

I’m not here to defend Bass, or Raman and the rest of the City Council, which shares responsibility for the current state of the city. Limited progress has been made in the last 3½ years, with a marginally lower number of homeless people.

But there’s a long way to go in moving people indoors and restoring a sense of order and public safety. The many needs include smarter enforcement of existing laws, faster development of low-cost interim and permanent housing, better coordination of outreach and follow-up services and more people willing to do all of this work.

Let’s hope that in the coming months we’ll get an honest conversation about what’s working, what isn’t, and how to do better.

steve.lopez@latimes.com

The Bob Baker Marionette Theater was about to debut its first new production in 45 years, and it was uncertain whether one of the show’s signature new puppets would even work. A pelican, with an oversized bucket-like beak, was in need of last-minute maintenance.

This gangly bird, designed to hop, skip, soar and sing to Clarence Henry’s mid-’50s rhythm and blues hit “Ain’t Got No Home,” was supposed to surprise the audience, as its elongated bill is actually hiding a frog. Getting the pelican-frog duo to perform in unison was a feat of mechanical artistry for the team, not to mention the choreography needed by the puppeteer.

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And in the minutes before showtime, director Alex Evans was trying to stay calm. In such moments, he would say later, he only need remind himself of an old adage in the puppet arts.

“Puppets,” he says, “break all the time.”

With that, he was ready to embrace the unknown.

“I always say I love the chaos of live theater,” Evans says. “We got to believe in this thing.”

“Choo Choo Revue,” the latest in a long line of song-and-dance productions, is arriving at a momentous time for the Bob Baker Marionette Theater. Just last month the troupe announced its intent to purchase its venue on Highland Park’s York Boulevard for $5 million, doing so as it was gearing up for performances at the Coachella Valley Music and Arts Festival. The latter went viral, a fact Evans attributes to many of the first week shows of “Choo Choo Revue” selling out.

An organist plays while people file into the premiere of “Choo Choo Revue” at the Bob Baker Marionette Theater.

In many ways, “Choo Choo Revue” is a statement piece. Evans, who also serves as co-executive director with Mary Fagot, wants to place the spotlight on the theater’s current crop of artists, fabricators and collaborators. While the show pays tribute in many ways to the theater’s legendary namesake founder, perhaps most notably in its use of his vintage record collection, it’s time, Evans says, for the Bob Baker Marionette Theater’s next generation to shine.

Evans was instrumental in the decision to shift the team away from the previously announced production of “Arabian Nights,” a project once spearheaded by Baker, who died in 2014. Just ahead of the arrival of the 2020 COVID-19 pandemic, the theater had gone so far as to print an “Arabian Nights” program, and had finished sets and puppets ready to go.

“Choo Choo Revue” is the first new Bob Baker Marionette show since 1981’s “Hooray LA!”

During the forced closure, however, the team began to rethink its future. “It was a deep-breath time to do some internal thinking about who we are and what we want to prioritize,” says Evans, who joined the company in 2007 as a volunteer and became a staffer in 2009.

“The first new show in 40 years — us finishing one of Bob’s shows would have been deeply personal and meaningful, but it would have kept the narrative, internally and externally, that this was one person’s vision,” Evans says. “‘Choo Choo’ is the culmination of so many different ideas and people. It was purposefully about opening the floodgates, that Bob Baker could be more than just the person of Bob Baker.”

It wasn’t a sure thing the Bob Baker Marionette Theater would even reach this milestone. For much of the past decade — since about the death of the theater’s patriarch — the narrative surrounding the theater was one of survival.

In 2019, the Bob Baker Marionette Theater needed a lifeline. Forced out of its edge-of-downtown home of more than 55 years, the beloved troupe with its thousands of handcrafted puppets — a saucy black cat in heels, a fish out of water that can’t help but wiggle — ultimately found a new location in a Highland Park theater, where it signed a 10-year lease.

Then came the pandemic, when the theater relied heavily on community fundraising to cover its rent. California, and Hollywood in particular, has a rich puppetry tradition. Bob Baker Marionette Theater likes to refer to itself as the largest ongoing puppet theater in the U.S. The oldest puppet space in the country resides up north in Oakland at amusement park Children’s Fairyland. And in 2020, Bob Baker found it had many fans, asking at one point to raise $365,000 over the course of a year. It did so in four weeks.

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1. L Castro twirls a marionette. 2. The audience gives a round of applause after the premiere of “Choo Choo Revue.” 3. People stand in line for the premiere of “Choo Choo Revue” at the Bob Baker Marionette Theatre. (Carlin Stiehl/For The Times)

Old favorites, including the theater’s famed black cat marionette, make appearances in “Choo Choo Revue.”

But it was the long process of buying its home, namely the belief that it would be in Highland Park to stay, that gave the company the confidence that it could go forward with a new show. The obvious question, of course, is why it took 40 years for a completely fresh Bob Baker experience. Evans gives a long answer, pointing to numerous hurdles, be it the shift in locations, the cost of preserving its historic puppets and collection, as well as just managing priorities.

“It’s not necessarily a financial hurdle,” Evans says, noting “Choo Choo Revue” cost $300,000, with about half of that sum dedicated to the creation of new puppets and scenery.

“I think it was more about priorities,” Evans says. “Like, do we get the staff healthcare first, or do we do a new show first? So we got the staff healthcare. Or do we give the stage better lighting.”

As for how and why the team settled on “Choo Choo Revue” as its first production since 1981’s “Hooray LA!,” Evans says not to overthink it.

“It made me giggle,” he says. “It was a jumping off point to imagination. ‘Choo Choo Revue,’ by name itself, I thought to giggle.”

The show is a fantastical representation of a cross-country train trip, filled with adorable puppet trains.

A meticulously detailed log with windows, for instance, or a car that seems to balance natural, mountainous wonders on its back. They’re colorful playthings, at least until the background scenery starts depicting various locomotive styles. Puppeteers will whisk train cars out into the open, each often housing a fantastical creature — a moose, for instance, who takes a break from knitting to prance around to a rendition of the on-theme traditional blues ditty “Midnight Special.”

Behind it all are tens of thousands of hours of handcrafted proficiency. Each new puppet is a work of art. Take, for instance, a swarm of bats that seemed to glow in the dark (the creatures, created for “Choo Choo Revue,” made their debut during last year’s Halloween season).

The Bob Baker Marionette Theater created more than 100 new puppets for “Choo Choo Revue,” including a pelican hiding a frog in its beak.

Or an intricately detailed cicada band. They’re each playing tiny instruments — one a half-open sardine can, another a stringed matchbook. Their wings deserve a close inspection, as the translucent curved fixtures are inspired by stained glass windows. There are trees that ski, and train whistles with big lips and high heels, modeled after harmony group the Andrews Sisters. Wait till the latter toot off their tops, as each of the 100 new puppets is full of surprises.

“We get a bunch of different artists together, and we all brainstorm,” Evans says of the creation process. “Like, ‘Let’s all think for a second about anthropomorphizing trains.’ We did a series of sketches and showed them to each other. I honestly probably have a thousand different fascinating ideas for train movement.”

On opening night, the crowd claps along to the numbers, cheering with delight at each new piece of whimsy that rolls or soars onto the floor-level stage. And as for the showstopping pelican, the frog erupts out of its beak right on cue, a moment that indeed inspires a round of laughter and childlike awe.

As the imaginary train whisks the puppets around the country, the show manages to build anticipation just by making the crowd wonder what comes next. Say, for instance, a fluffy Sasquatch, or a crooner of a moon in pajamas singing an old-timey lullaby to all the little ones seated cross-legged on the floor.

Puppeteer Ginger Duncan twirls a marionette named Comedy.

Much of “Choo Choo Revue,” like the yawning, serenading moon, is rooted in the music of the past. That was a decision made to ensure the show feels in line with earlier Bob Baker works. Yet Evans says the team is emboldend after Coachella to start tackling more contemporary songs at its Highland Park headquarters. The crowd at the Indio festival, for instance, went wild for the puppets swooning to Ben Platt’s cover of Addison Rae’s hit tune “Diet Pepsi.”

“Honestly, if we had done Coachella last year, it would have pushed ‘Choo Choo’ further,” he says, noting he initially feared pop music could distract. “I didn’t think it could work in a way that wouldn’t throw you out of the show.”

And yet Evans doesn’t want to get ahead of himself. He nearly teared up at the end of the “Choo Choo Revue” premiere, saying the following afternoon that seeing this show come together after multiple years was second only to his 2025 wedding in terms of creating an “overwhelming feeling of pride, love and care.”

“Choo Choo Revue” culminates in a look toward the future. That’s when a sleek, silver, oversized high-speed bullet train arrives on the scene.

It can be read as a metaphor.

While the nonprofit is still seeking donor help — at the premiere, Fagot said the company now has secured $4.7 million toward its $5 million goal of buying the theater and it also hopes to raise an additional $2 million for building upgrades — its future is more secure than it has been at any time over the past decade.

At long last, the Bob Baker Marionette Theater can relax and look toward new horizons.

Evans, for instance, can’t help himself excitedly tease a potential next Bob Baker show. He says twice in the interview that the Olympics are on the troupe’s mind.

“We’ve got two years,” he says. And now the permanent home to house it.