Blue

THERE’s a beach in the UK that people often compare to the Maldives – and it has just been named one of the UK’s cleanest too.

Porthmeor Beach in Cornwall was recently awarded a Blue Flag status and is often thought to be one of the best beaches in England.

Near to St Ives, the beach is a crescent shape and features pale, soft sand.

The spot is ideal for families as well as budding surfers.

Thanks to being west facing it also is a great spot for watching the sunset.

On some days, visitors even spot dolphins.

Read more on travel inspo

STAYCAY

Our travel experts’ best-kept-secret UK holiday spots for summer – from £37 a night

CHEAP BREAKS

UK’s best 100 cheap stays – our pick of the top hotels, holiday parks and pubs

For the little ones, head to the west end of the beach and you’ll find rock pools with creatures in.

Along the beach you can also join the South West Coast Path, where you can head on to the top of cliffs and see amazing views of the beach below.

One recent visitor said: “The best sand I’ve stepped on to date.

“It’ll give the Maldives a run for their money. The water is so clear and pure.

“The pictures won’t do it justice – would definitely recommend a visit if you’re ever in the area.”

Another person added: “This beach is absolutely stunning, on a hot day you could imagine you were in the Maldives or somewhere far more exotic!

The beach backs onto St Ives town, where you can head to the Tate St Ives gallery from £14 per person.

And at the end of the beach you can explore The Island, which is a small park with a chapel.

There are a number of other beaches nearby as well, including Porthgwidden Beach and Bamaluz Beach.

Head to the harbour and you will see the town’s historic lighthouse, too.

Across the streets that sit back from the beaches there are a number of places to grab a bite to eat, from cafes to pubs.

Make sure to head to Pedn Olva, which recently reopend.

The pub overlooks Porthminster Beach with a rooftop bar that has views of the sea.

Inside, visitors can cosy up in ‘snug’ areas or check in to one of the 27 bedrooms that all have sea views (rooms cost from £185 a night).

WHEN it comes to a holiday in Egypt, most Brits head to Hurghada or Sharm el Sheikh.

But there is a lesser-known spot in Egypt that people say feels like going back in time.

Siwa Oasisis home to salt pools that are more concentrated than the Dead Sea, clay houses and miles of desert.

You can float in the bright blue waters – just make sure to wash off when you come out with tap water as the salt can irritate your skin.

The pools are surrounded by desert, where you can do a number of other activities including sandboarding and ‘dune bashing’ where you race around in 4x4s.

For another swimming experience, visitors can head to Cleopatra’s Bath – a natural spring with crystal waters.

Read more on travel inspo

TRAVEL TIP

The £2.99 SIM hack that can save Brits HUNDREDS abroad

STAYCAY

Our travel experts’ best-kept-secret UK holiday spots for summer – from £37 a night

Local legend has it that Queen Cleopatra used to swim in the circular pool and visitors can do the same today, as long as your shoulders and ankles are covered.

Around the pool there are even a number of cafes serving Siwan mint tea as well as freshly made juices.

Near the bath is also the Temple of the Oracle, dating back to the 26th Dynasty.

The temple sits on the top of a hill and is known for being the spot where Alexander the Great was named the son of Amun in 331 BCE.

Even though much of the temple today is ruined, visitors can climb to the highest point where they will get panoramic views with palm groves, salt lakes and desert.

The town of Siwa Oasis itself is home to hundreds of clay buildings, with the Shali Fortress standing in the middle.

The fortress dates back to the 13th century and is made of kershef, which is a blend of salt, mud and clay – all from the local lakes.

Despite heavy rain causing damage to the fortress in 1926, it still stands today with a number of alleyways and sets of stairs to explore.

One person said on TikTok: “The town itself feels like you’re stepping back in time.”

There is a catch, however – to get there, you will have to drive 10 hours from Cairo and pass through several military checks on the way.

You can fly to Cairo from the UK in July from £165 one-way.

With GetYourGuide, you could then head off on a three-day tour from Cairo to Siwa Oasis, staying in a lodge in Siwa Oasis for one night and a Bedouin Camp for the second night.

The tour includes exploring Siwa Oasis as well as the El Alamein Military Museum, Mountain of the Dead with the tombs of Si-Amun, dipping in Cleopatra’s pool and visiting the city of Shali.

Also included in the tour is a dune buggy ride and sandboarding.

window.itgHolidayConnectHolidayDealsFrames =
window.itgHolidayConnectHolidayDealsFrames || [];
window.itgHolidayConnectHolidayDealsFrames.push({
cid: “99a9d895”,
pid: “8925dc20-49c7-4663-9c7c-547ad29879e4”,
config: {
“poweredBy”:”icelolly”,”intro”:”Best value deals “,”title”:”The Sun Travel Eygpt all-inclusive deals under £600pp”,”destination”:”9546″,”boardBasis”:”AI”,”maxPrice”:”60000″,”maxDepartureDate”:”plus60″,”utm_campaign”:”The Sun Travel Eygpt all-inclusive deals under £600pp”,”layout”:”carousel”,”container”:”false”
},
});

https://holidayconnect-app.icetravelgroup.com/supersonic-assets/scripts/holiday-deals/init.js

The package costs £307 per person.

Alternatively, you could head on a three-day tour with Viator heading to Marsa Matrouh, which Viator claims to be “one of the most beautiful cities on the Mediterranean” before reaching Siwa Oasis.

Similar to GetYourGuide, Viator’s tour will also take you to the Mountain of the Dead.

The tour also includes a dune buggy ride, camping in Siwa Oasis, stargazing and meditation, a tour of the Temple of the Oracle and a visit to Darker mountain.

Tickets for this tour cost from £197 per person.

MADONNA oozed youthful glam in a see-through mini dress as she made a striking appearance at Paris Fashion Week.

The Vogue songstress, 67, looked half her age in the cobalt blue frock, opting to go braless in the sheer attire as she headed to an evening bash in the French capital.

She finished off her stylish look with thigh-high silver boots, nude fishnet tights and matching jewellery.

Madge pulled on a pair of sunglasses and threw a metallic jacket over her arm as she exited the French venue, with her blonde hair styled in heat curls flowing over her shoulders.

The American chart star – who recently showcased her huge video which launched her comeback – kept a serious expression as she walked out of The Ritz flanked by bodyguards.

Yet she did flash a pout as she took a brief glance over her shoulder.

HUG UP ON YOU

Madonna & Charli XCX END feud with hug weeks after ‘dancefloor is dead’ swipe

SMOKING HOT

Madonna & Charli XCX smoke cigs at fashion show as they make-up after feud

Earlier this week, Madonna was seen smoking cigarettes at the same event with Charli XCX as they healed their feud.

They then confirmed they were back on track with a hug.

The pop stars were filmed posing for photos, and puffing on long, dark cigarettes at the Saint Laurent menswear show in Paris.

Madonna looked sensational in a red lace long-sleeved mini dress which she paired with pink and black toed heels and stylish shades. 

Charli rocked a red dress with lace detailing across her chest, black tights and long-toed heels.

Rumours sparked of a feud between the pair after Charli’s new single Rock Music featured the bold lyrics: “I think the dancefloor is dead, so now we’re making rock music.”

Madge’s dance-heavy new album, Confessions On A Dancefloor: Part II comes out on July 3, and she certainly didn’t agree.

Taking to Instagram she posted a snap with a very telling caption.

She wrote: “If your dance floor feels dead, maybe you’re playing the wrong music.”

At the time, the Like A Prayer hitmaker posed in a skin-tight pink dress, fishnet tights and knee-high leather boots.

June 19 (UPI) — After cleaning algae from the Lincoln Memorial’s Reflecting Pool weeks after its $15 million renovation, the Interior Department now has to deal with blue paint applied to its bottom peeling off.

President Donald Trump‘s renovation of the national monument was meant to clear the water and prevent algae, and included painting the bottom of the pool “American Flag Blue” in the effort to improve it’s look.

The Reflecting Pool has for decades been known for some algae and unclear water, though it was designed to reflect the Washington Monument and sky rather than appear similar to other fountains and water features at monuments that have filtration systems that prevent water from being still enough to reflect their surroundings.

The pool’s new paint job was meant as an upgrade ahead of celebrations for the 250th birthday of the United States of America but after it was refilled following the paint job, green sludge started appearing on the water’s surface — and on Friday, chunks of paint could be seen floating to its top, as well.

The Interior Department on Friday told The Washington Post that it is treating the pool with hydrogen peroxide and a “high-tech nanobubble ozone technology” to prevent algae growth.

Swimming pool experts told The Post that it is possible the resurfacing was improperly installed, or that there could be water seeping under the repainted surface that is causing it to peel.

In posts on X on Wednesday, as the department started treating the water to reduce algae blooms, officials reported that some parts of the pool had seen clearer water as a result.

“The nanobubbler technology and vacuuming have been incredibly effective,” the Interior Department said in one post, “making the water crystal clear with the American Flag Blue coating shining brightly on the bottom of the pool.”

The cost to repaint the pool, along with other enhancements the administration has made, cost more than $14.65 million for the main contract on the work, with another $1.74 million paid to a separate company for the nano bubble technology that is expected to kill algae in the pool, ABC News reported.

According to a lawsuit filed by The Cultural Landscape Foundation, a thorough review of the renovation plans before the administration started work may have identified “potential problems — like algae and exfoliating paint — and, perhaps, suggest solutions.”

“Instead, the Park Service granted themselves a ‘streamlined review,’ which they admitted was done under pressure from ‘White House leadership,'” the TCLF’s CEO Charles Birnbaum told The Post.

The photo is from Workers’ Day in Venezuela, when Delcy Rodríguez, wearing a blue Ronald Acuña baseball jersey, announced a long-awaited minimum income increase after several days touring the country, campaigning for a land of peace and prosperity, free of sanctions.

Us Venezuelans know that chavismo loves a propaganda makeover. They can be good at it too, in all honesty. The aftermath of the capture of one of the world’s most loathed autocrats, and the takeover by his supposedly pragmatic, corporate-like vice president was never going to be an exception when it comes to PR reinvention.

Media outlets have noticed the changes in the Caracas landscape: the image of Nicolás Maduro (and to some extent, that of former First Combatant Cilia Flores) is starting to disappear from view. Large billboards featuring the couple, including the phrase “we want them back” (los queremos de vuelta), are getting withdrawn.

This occurs as there’s serious discomfort inside chavismo about how close the Delcy-Trump relationship has become: from the drastic U-turn in the Alex Saab case to increased “supervision” from the US embassy in Caracas and the joint military operation targeting the Tren de Aragua leader, it looks like Washington’s tutelage keeps expanding and deepening at great speed.

Delcy herself is not the main focus. The idea is to convince Venezuelans that things are improving, to encourage them to imagine how the country could thrive if sanctions are lifted.

The official strategy now seems to put Maduro on the back burner, letting him fade away from short-term memory. Getting rid of his image entirely won’t be easy, of course. After all, his face and personal brand—his Super Mustache, and the tricolor M letter from his 2018 presidential campaign which became an official emblem of sorts—can still be seen on public signs, painted in walls and even in official vehicles.

This mirrors what happened earlier with the visual trademarks of the late Hugo Chávez, like his famous eyes and rabo e’ cochino signature. Maduro had reduced their public use and replaced them with his own iconography, for better or for worse. 

Blue-hued efficiency

This sudden shift in dropping Maduro’s image brings an important question to mind: what will replace it? 

One option would be to have Delcy’s face in huge billboards across avenues and highways. But that has not been the case so far. 

Two elements are noticeable. First, Delcy herself is not the main focus. Instead, the idea is to convince the Venezuelan people that things are improving, and to encourage them to imagine how the country could thrive if (more) US sanctions are lifted.

She has embraced a more traditional “head of state” role, prioritizing highly-publicized formal meetings where she signs letters of understanding (often disguised as actual contracts) with foreign investors as signs that the country is back on track and open for business. That completely aligns with how the Trump administration and POTUS himself sell their role here.

Political advertising from the Delcy Rodríguez government tries to project a nation of diverse, forward-looking citizens, which is a huge departure from the Chávez-era exaltation of the all-red masses. Note the Star of David on the left-hand side of the image above, a nod to both the US and a Jewish community famously insulted by Chávez. 

Even Miraflores Palace got its own new styling for such occasions: the Cabinet Room was stripped of not only anything related to both Chávez and Maduro but also the pictures of the late Argentine President Néstor Kirchner. The room was named in his honor in 2011. In its place there’s now a large, White House-styled logo for Miraflores, which has been in use since 2018.

Then there’ the blatant decision of dropping chavismo’s traditional rojo-rojito red for a dark blue. 

Curiously enough, the Rodrigato has taken advantage of the full visual rebrand of the government launched last year by Maduro, which dropped the term Gobierno Bolivariano and related symbols used since the mid 2000s. 

The national flag and formal country name are front and center. The use of a broader institutional look is another stark contrast with the more personalized presentation from the Maduro years.

Delcy has used social media and trips both inside and outside the country in order to compensate for her brand-new stateswoman persona. But she doesn’t go as far as doing an Aló Presidente-style TV show or starting her own podcast like Maduro did with Con Maduro + (where Delcy was once a guest).

Delcy probably knows she is not exactly the most marketable presidential candidate. This rebrand is also an attempt to push her image in that direction while her aides and consultants still have time to sketch something viable.

So far, Delcy´s deeper involvement in mass events this year happened in late April, during the so-called “Great National Pilgrimage for a Venezuela Free of Sanctions,” better known for its shorter slogan Venezuela vuela libre (Venezuela flies free). At its core, it looks like an early balloon trial for what her campaign could look like in a snap election. On the surface, it seemed like an appropriation of the religious frenzy around the canonization of two Venezuelan saints—several months after that event, when Maduro was not in Brooklyn—and of the symbols and rituals of the Machado campaign: rosaries, people embracing a politician’s caravan across a village, blue and white clothes.

This particular change didn’t go unnoticed by former state television host Mario Silva, a longtime supporter of the revolución who has become Delcy’s most outspoken critic within chavismo. Silva recently told the Wall Street Journal: “Red used to mean combat… The pale blue is to put the masses to sleep.” The campaign itself became part of a heated debate between Silva and other figures related to the chavismo’s media ecosystem, such as Indira Urbaneja and the Argentine influencer known as Michelo last month.

Its launch was linked with the grand minimum wage announcement on May 1^st after a four-year wait. It wasn’t really the real wage increase that teachers, healthcare workers and public officials were hoping for. Since January 3rd, Jorge Rodríguez regularly takes over for her sister in public events. By the looks of the recent lack of activity in the official YouTube channel, it’s currently not at the same level of the spring period. The amount of related outdoor ads and street banners seemingly will do heavy lifting this summer.

Presidential disguise

Uncertainty hangs over Venezuela’s political future for the second half of 2026, but Delcy Rodríguez is clearly capitalizing on her position, using every resource at her disposal without facing any pushback from Washington. Yet, when it comes to the raw talent of a traditional politician, her shortcomings are no secret. Her speeches tend to be quite brief and dry. She has sounded nervous when caught off guard. She lacks the charismatic oratory of Chávez and the brazen rhetoric of her brother or her predecessor. She probably knows she is not exactly the most marketable presidential candidate. This rebrand is an attempt to push her image in that direction while her aides and consultants still have time to sketch something viable.

Coming back to Maduro, the little sympathy he had outside the most hardcore chavista supporters won’t improve. People are not missing him, never mind care that Delcy is shedding his old propaganda. Ordinary Venezuelans are generally too busy, dealing with their everyday problems, to pay attention to the politics of chavista PR.

In the end, this stealth attempt to erase Maduro’s image isn’t as simple as turning the page and moving on. Delcy needs to build a whole new persona that fits both the mainstream chavismo she wants to rally (and that still represents her voter base), and the one Donald Trump can be happy with.

She may not be able to deliver the rousing speeches of Chávez in his prime, or pull off the theatrical antics that Maduro leaned on for years, but playing the dignified role of “the President” may just work for her. At least for the foreseeable future.

The U.S. Air Force has confirmed that the VC-25B “Bridge” aircraft is now wearing its new (and controversial) red, white, and blue livery as it undergoes final preparations for its official delivery.

Aviation photographer Travis Ghormley shared the first picture of the modified Boeing 747-8i with its new paint scheme yesterday. It was taken the day before in Waco, Texas. The aircraft had been undergoing modification and flight testing at L3Harris’ facility in Greenville, also in Texas, as part of the conversion into its new role, since at least April, before subsequently moving to Waco to be painted. The jet, gifted to the Trump administration by the government of Qatar last year, is set to serve as an interim Air Force One aircraft ahead of the much-delayed arrival of two fully outfitted VC-25Bs from Boeing.

“The VC-25B Bridge aircraft has been painted and is going through final modifications,” an Air Force spokesperson told TWZ today when asked for more information about the aircraft’s current status. “I don’t have any additional details I can provide on delivery dates at this time.”

A press release the Air Force put out on May 1 said that the “VC-25B Bridge aircraft has officially completed modification and flight testing” and was “being painted.” We have confirmed that the completed modifications referred to here were on the contractor side, but the U.S. government still has additional modifications to make to the jet.

Ghormley’s picture does clearly show the jet wearing the same red, white, and blue scheme that has already been appearing on various Air Force and other U.S. government VVIP jets. The livery also includes a large American flag, depicted blowing in the wind, painted on both sides of the tail and “UNITED STATES OF AMERICA” written on both sides of the fuselage. The paint job is virtually identical to what President Donald Trump had previously chosen for the future VC-25B Air Force Ones during his first term. President Joe Biden had previously reversed that decision, bringing back plans to paint the VC-25Bs in the iconic scheme that dates back to President John F. Kennedy’s administration.

The Bridge aircraft’s current location is also unclear. Video posted on social media yesterday, seen below, purported to be of the jet departing for its new home at Andrews Air Force Base just outside of Washington, D.C. This is where the two current VC-25A Air Force One jets, as well as a host of other Air Force VVIP aircraft, are based.

Online flight tracking data does show that another U.S. military Boeing 747-8i flew from Waco, Texas, to Andrews on June 7, using the callsign Crane 01. However, this callsign has been associated with an ex-Lufthansa 747 the Air Force has also acquired for use as a trainer in support of future Air Force One operations. This aircraft, which may now carry the serial number 25-3200, has been tracked multiple times flying between facilities in Texas and Andrews in recent months. There does not appear to be tracking data for the VC-25B Bridge jet, which may also now have the serial number 25-3300, but it could have made the trip without broadcasting on ADS-B.

Past reports have indicated that the Bridge aircraft could make its public debut on July 4, which this year is also wrapped up in additional celebrations of the 250th anniversary of the founding of the United States. President Trump’s birthday (June 14) is also this weekend.

Otherwise, TWZ has previously laid out significant questions about the general feasibility of actually using the VC-25B Bridge aircraft in the Air Force One role, given the kinds of modifications that should be required for this demanding mission. Potential operational security concerns have been raised about using the gifted jet as a presidential aircraft, as well.

“L3Harris, known for its executive communications systems and services, was selected to undertake a complex modification of the bridge aircraft. L3Harris not only delivers secure, reliable and resilient communications for VC-25A and the executive airlift fleet but has extensive experience with self-protection and customization of VIP aircraft,” the Air Force wrote in the May 1 press release. “The accelerated timeline was further made possible by a mission-focused partnership with Boeing, who provided the necessary engineering data to support the required structural modifications.”

“Additionally, elite specialists from multiple government agencies developed advanced protocols to detect and-if necessary-neutralize potential technical hazards on previously owned aircraft,” it added. “Their rigorous approach on the Bridge aircraft has literally ‘written the book’ and set the benchmark for integrating used airframes into the secure military inventory.”

“Safety and security were at the forefront of this program. We deliberately minimized interior aesthetic modifications to focus on modifications for safety, security and mission execution. We assessed which requirements were necessary for an interim capability. We had greater flexibility in developing our mission requirements,” the Air Force also told TWZ directly at that time. “After safety and security, we focused on the mission communications systems.”

“We have made deliberate decisions such as the reduction of the number of airstairs, less chiller space, and exclusion of the Golden Eagle mission [to fly the remains of former presidents] to minimize structural modifications, while prioritizing modifications focused on safety, security and secure communications,” the service added.

Getting a new Air Force One aircraft of some kind into service on an accelerated timetable has long appeared to be a major goal for President Trump. The fully-equipped VC-25Bs from Boeing are years behind schedule. Last year, the Air Force announced that there had been some improvement on that front, but that it still did not expect to have the first of the two jets in hand until mid-2028, which would be just months before Trump is set to leave office.

What we do know for sure is that the VC-25B Bridge aircraft is now wearing Trump’s preferred red, white, and blue paint scheme ahead of its official rollout later this summer.

Contact the author: joe@twz.com

As primary voters head to the polls Tuesday to determine which candidates will face off in November to become California’s governor and Los Angeles’ mayor, both races are wide open, with a new crop of candidates challenging the Democratic status quo.

For Democrats, little clear consensus has emerged so far on who should lead the city and state into the future.

In California’s crowded gubernatorial race, Democrats have struggled in recent months to settle on a candidate to succeed term-limited Gov. Gavin Newsom.

After former Rep. Eric Swalwell suspended his campaign in April amid allegations of sexual misconduct, Xavier Becerra, a former Biden cabinet member, inched ahead by positioning himself as the safe, experienced Democratic candidate. Another Democrat, billionaire climate activist Tom Steyer, and Republican Steve Hilton, a former Fox News commentator, trail close behind.

In L.A., experience seems to be as much a liability as an advantage.

Mayor Karen Bass finds herself in the extraordinary position, as an incumbent, of fighting to make the runoff as she is assailed from the left and the right. The latest UC Berkeley-L.A. Times poll shows Bass leading with just 26% of the vote, one point ahead of City Councilmember Nithya Raman, a wonkish Democratic socialist, and four points ahead of Republican Spencer Pratt, a former reality TV star.

“There’s a clear sense of frustration with the Democratic Party,” said Sara Sadhwani, a professor of politics at Pomona College. The reason a wave of conservative outsiders like Pratt and Hilton are doing so well in such a solidly liberal city and state, Sadhwani said, is that they’re more willing to spell out the challenges that L.A. and California face.

“Democrats tend to be very concerned about not upsetting one coalition or another, so it’s politics as usual with many of the Democratic candidates,” Sadhwani said. “Spencer Pratt has blown a hole in that by just naming the problems that everyday residents and voters are seeing and feeling on the ground.”

On homelessness, many Angelenos are frustrated Bass hasn’t significantly moved the needle.

“We can point to facts and figures that might suggest that things have changed,” Sadhwani said. “But when you walk down the streets of Los Angeles, it doesn’t feel like it, so she hasn’t passed the field test. That’s the problem.”

A growing segment of Angelenos also chafe at the city’s high cost of living. And many are angry about the Bass administration’s lack of preparation and response to the 2025 Palisades fire.

“The Democrats have to account for those challenges,” Sadhwani said. “They have been in power for all of this time.”

California, of course, remains a Democratic stronghold, and polls show state voters are overwhelmingly opposed to President Trump. His second-term agenda — including a sweeping immigration crackdown, tariffs and the war in Iran — only seems to have cemented California’s status as a resistance state.

But after so many years of Democratic dominance, in Sacramento and at Los Angeles City Hall, leaders have to answer for voter frustrations.

The top two vote-getters in California’s nonpartisan primaries will advance to theNovember runoff, unless one candidate manages to pick up more than 50% of the vote.

Republicans have turned out at higher rates than Democrats in early voting. Paul Mitchell, vice president of the Sacramento-based bipartisan firm Political Data Inc., said that older Democrats who reliably turn in their ballots were slower to vote this year, likely because two Republicans were on the gubernatorial ballot and the Democratic field was fractured.

“That has caused them to dive into a lot more strategic voting,” Mitchell said, noting many seemed to be waiting to cast their ballots for the Democrat who looks to have the best chance of moving on to November.

For the GOP, getting a candidate on the November ballot for governor means more than just demonstrating Republicans are players in California. A GOP candidate would bring out more Republicans to vote in the general election, raising the party’s prospects of winning down-ballot races and passing a GOP-led ballot initiative on voter ID.

For Democrats, the midterm races offer the party its first major chance to chart a new path for the future.

As polls show Trump cratering in popularity, Democrats in California and beyond are struggling a year and a half after Kamala Harris’ bruising 2024 defeat to agree on what went wrong.

The Democratic National Committee’s long-awaited autopsy of that election — which said Harris “wrote off rural America,” wrongly assumed identity politics would win over voters of color and failed to develop “defined or consistent” strategy against Trump — has only generated more hand-wringing.

“There is not a clear vision, there is not a clear policy agenda, and the Donald Trump presidency upended the policy world as we knew it,” Sadhwani said. “It’s unclear how any Democrat, including any of the individuals in these two races, is going to navigate the waters into the future. One thing is for certain: We aren’t going back. So, which of these candidates is going to lead us into an uncertain future?”

Referendum on Bass

In L.A., the election is a referendum on Bass, who pledged in 2022 to solve homelessness, cut crime and make the city more affordable.

“How has L.A. changed in four years?” said Christian Grose, a professor of political science and public policy at USC. “The Bass campaign is saying it has changed for the better and she still needs more time. All the other candidates, from very different perspectives, are saying that it’s much worse than it was four years ago, and it’s time for new leadership.”

Bass told The Times she plans to win in November by demonstrating her administration’s progress in clearing homeless encampments and accelerating the building of affordable housing. She has also noted that data shows homicides in the city are at their lowest since 1966.

Challenging Bass from the left is Raman, who was elected in 2020 as the first DSA-backed L.A. City Council member. Pitching herself as the viable progressive in the race, Raman has accused Bass of not doing enough to make the city affordable and critiqued Bass’ spending on Inside Safe, her program to move unhoused people into stable housing. Although Raman presents herself as an outsider, she is a former Bass ally who has chaired the council’s Housing and Homelessness Committee for more than three years.

“She’s absolutely a part of the establishment,” Sadhwani said. “She’s been in City Hall longer than Karen Bass.”

As Raman tacked to the center during the campaign to appeal to more moderates and distanced herself from past calls to defund the police, she alienated some DSA members who complained they didn’t know what she stood for. Her three fellow DSA City Council members endorsed Bass.

Pratt is challenging Bass and the entire Democratic status quo.

A former star of “The Hills” who lost his home in the Palisades fire, he has surprised many political observers with his success assailing the city’s handling of the 2025 firestorms. He has called unhoused people drug-addled “zombies” and argued that L.A.’s housing crisis requires heavy-handed policing.

Pratt has raised vastly more campaign contributions than Bass and Raman. He has also generated national online buzz by waging an aggressive social media campaign and inspiring supporters to post a stream of viral AI election campaign ads.

Still, most political experts agree that Bass has the most viable path to victory, starting with a solid base of Black voters and a large share of Latino voters, plus support from powerful unions.

“Under normal circumstances, or at least under historic circumstances, that would be plenty to get her over the finish line,“ said Jim Newton, executive director of UCLA Blueprint magazine and a former political journalist for The Times. “What’s problematic for her is that there are people who are angry with her.”

A reset in California

Newsom has emerged in recent years as the national face of Democratic resistance to Trump, bolstering California’s status through a barrage of lawsuits and all-caps trolling against Trump.

Whatever candidate replaces Newsom, things are going to be different.

The emerging front-runner, Becerra, is a safe-bet career politician who has served as California attorney general and U.S. secretary of Health and Human Services. Asked recently why he had climbed in the polls, Bercerra said he thought voters wanted experience, not “glitz and sizzle.”

He has pledged to issue executive orders declaring California’s housing shortage a state of emergency and directing state agencies to maintain coverage for every Californian affected by federal or Medi-Cal cuts. He also touts his record, as the state’s attorney general, of suing Trump 122 times.

Steyer, a hedge-fund billionaire, calls himself “the most progressive candidate on the ballot.” He has pledged to build one million affordable homes, make the wealthy pay more taxes, and defend the environment — stances that are certain to unsettle Sacramento lobbyists and test the limits of California’s progressivism. But his past investments in coal plants and ICE prisons raise questions for some voters.

“His wealth is in one way his Achilles heel in the election,” Grose said. “Voters think of him as a billionaire more than progressive.”

Republicans seem to have rallied around Hilton — a British immigrant and former top strategist forconservative prime minister David Cameron — who has secured Trump’s backing and is campaigning on the message that California is a failed state in need of radical reform.

Hilton has pledged to cut government spending, make housing more affordable and bring gas prices down. But to achieve some of his goals he would scale back public services and environmental regulations and ramp up domestic production of oil and natural gas — strategies that many Californians might hesitate to get behind.

Whichever candidates make it to the runoff, the California Democratic Party will face questions about its strategy and vision. Less than two months ago, the party chair had urged Becerra to drop out of the race to make way for Swalwell.

“Clearly, the party itself has lost its way in California,” Sadhwani said. “I would not be surprised if the California Democratic Party looks for new leadership after this election.”

Can a Republican win?

Because the top two spots in each contest are up for grabs, elections experts warn that the vote results may not be known for days.

If Republicans make it to the runoff, they face steep odds of being elected in November in a state where Democratic registered voters outnumber Republicans by more than 20 percentage points.

Rob Stutzman, a GOP strategist, said neither Hilton nor Pratt was likely to win. But if they made the runoff they could have a huge impact on the political environment by advancing “grievance issues that really put up a spotlight on what I call the blue state incompetence.”

Of all the candidates, Mitchell said, Pratt as an outsider adept at Instagram and TikTok has the greatest opportunity to create a new surge electorate. But he’s also going after the hardest voters to get to turn out: disaffected voters who are upset at the system.

Pratt had more retweets and viral videos than any other candidate, Mitchell said. “But that doesn’t buy him the vote of the disaffected DoorDash driver who believes that the system is broken, and who hasn’t voted in the last five elections.”

If Republicans don’t make it past the primary, Mitchell said, Democrats would likely hit the reset button.

“Pratt running has kind of obfuscated the differences between Raman and Bass,” Mitchell said. “It’s like a WWE match versus a chess match. I think Raman versus Bass would be more of a strategic and nuanced election than Spencer Pratt trying to hit Karen Bass over the head with a chair.”

A British couple have shared a video showcasing lesser-known paradise islands dubbed the ‘Hawaii of Europe’ – and it’s just a four-hour direct flight from the UK

With summer firmly on the horizon, it’s natural to start hunting for attractive holiday bargains to capitalise on the scorching temperatures and glorious sunshine the season brings. But while Britons typically gravitate towards France, Spain or Turkey for their holidays, there are numerous other destinations many may not even know are merely a just a short flight from the UK.

While Hawaii frequently tops the list of dream getaways, there are several comparable alternatives within Europe — and it’s not Lanzarote or Madeira that are typically likened to the American state. Instead, there’s an archipelago situated in the middle of the Atlantic Ocean that features similar natural beauty and stunning coastlines.

Taking to Instagram, British duo Ellen and Tom have revealed their insider recommendation for travellers seeking an exotic escape without opting for the usual Spanish or Turkish resorts.

“Nobody told us Europe had it’s own Hawaii,” the text overlay announced at the beginning of the clip, which proceeded to showcase footage of the breathtaking island destination in question.

“And no, it’s not Madeira. This is São Miguel in the Azores and we genuinely think it’s Europe’s most underrated island,” they explained in the post’s caption. “Volcanic, lush, and warm year-round. We were there in July and barely saw another tourist.”

The Azores is a Portuguese archipelago comprising nine volcanic islands in the North Atlantic Ocean, situated roughly 1,500km west of Lisbon, or around four hours by air from the UK. While each island boasts its own distinct personality, the largest and most frequented is São Miguel, commonly known as “The Green Island”.

Both British Airways and Ryanair run direct services from the UK to Ponta Delgada, São Miguel’s capital. With a journey time of just four hours, it’s a remarkably accessible option for a quick weekend getaway or an extended break.

The islands also offer an abundance of activities, catering to all tastes regardless of what you’re seeking from your getaway.

Ellen and Tom documented a range of experiences from their July trip, which featured visits to the volcanic landscapes at the vivid green crater lakes, discovering the black sand shores, and relaxing in hot springs. Visitors can also embark on treks through the verdant mountains, or venture out to spot whales and dolphins at sea.

Regarding the climate, there’s genuinely no poor season to travel, as the summer months deliver mild, agreeable, and predominantly settled conditions, with daytime temperatures typically ranging between 21C and 25C. It’s the driest and most tranquil period of the year, making it ideal for rambling, bathing, and whale observation.

That said, a summer visit isn’t essential to enjoy warm, tropical-like conditions. The region is known for a weather phenomenon called St Martin’s Summer, which typically falls between 11 and 20 November, bringing prolonged sunshine and daytime highs of between 20C and 22C, according to Living Azores. Temperatures seldom become uncomfortably warm, thanks to the moderating influence of the Atlantic Ocean on the local climate.

The video quickly drew a flood of comments from viewers left astounded by the Portuguese island region, with one person writing: “Omg, I think we need to go here!!

“I was there in 2024 and it was unbelievable beautiful!” another enthused, while a third added: “This is absolutely stunning.”

What’s 2,030-feet long-by-167-feet wide and blue all over? If you guessed the Lincoln Memorial Reflecting Pool, you’re right!

Bonus points for triggering someone in your immediate orbit, because ever since President Trump announced his intention to apply blue paint to the basin of architect Henry Bacon’s 1923 pool, the mere mention of the project can make certain people’s heads explode. To wit, a lawsuit filed this month in district court by the Cultural Landscape Foundation and a former Park Service landscape architect, Charles Birnbaum, claims Trump’s actions have caused Birnbaum to suffer “aesthetic injury.”

The phrase might sound humorous at first read, but anyone who cares about art, architecture and the experience of shared public space knows there’s nothing funny about it. We’ve all felt the empty sorrow of staring into the abyss of a boxy Walmart superstore, and experienced a deep malaise of the soul when driving past an endless crush of fast food chains on the outskirts of a major metropolitan area.

It’s doubtful this sadness is shared by Trump, for whom an “aesthetic injury” might best be represented by a McDonald’s without its golden arches. Plus, our president clearly thinks a great deal of good will come from painting the reflecting pool at the center of the National Mall American Flag Blue.

Only a few days ago Trump posted what I can only assume was an AI-generated image of the final product on Truth Social. The blue in question is shockingly bright — like the sky over the Aegean Sea at noon on a cloudless day. That kind of blue can be breathtakingly beautiful, but in this case it swallows up everything around it, including the Lincoln Memorial and the Washington Monument, which it was built to reflect.

The blue pool, in other words, is the main event — and that is not what was intended by its creators. Indeed, Birnbaum’s lawsuit notes the value of various design choices including, “the grey, achromatic basin of the Reflecting Pool as the source of the pool’s profound reflective depth.”

The lawsuit continues, “The ongoing resurfacing of the basin in vivid blue has materially degraded Mr. Birnbaum’s aesthetic experience. Mr. Birnbaum’s aesthetic enjoyment of the Reflecting Pool — as a historic designed landscape whose character he has documented, championed, and personally appreciated over many years — is being concretely harmed by Defendants’ ongoing alteration of its character defining features.”

Many other critics and vocal members of the public have claimed similar harm resulting from the numerous renovations Trump is making in the nation’s Capitol — mostly without court approval or congressional oversight — including his demolition of the White House’s East Wing, his construction of a massive ballroom to replace it, the building of a towering triumphal arch, and the creation of a Hero’s Garden in a public park space along the Potomac river.

Painting the Reflecting Pool American Flag Blue may not be the most intrusive of these impulsive, self-aggrandizing acts, but it was the pigment that broke the camel’s back.

I’m Arts editor Jessica Gelt, in blue. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Gustavo Dudamel conducting the 2025-26 season opener at Walt Disney Concert Hall on September 25.

(Timothy Norris/Los Angeles Philharmonic)

Gustavo Dudamel and the Los Angeles Philharmonic
The departing maestro and his colleagues are in the homestretch and it’s a busy one. This weekend, there are performances of world premieres of Roberto Sierra’s “Estudios Sinfónicos” (Friday and Sunday) and Angélica Negrón’s “Mundillo (Little World)” (Saturday, featuring YoYo Ma). Both new works are paired with Richard Strauss’ “Ein Heldenleben, Op. 40.” On Thursday, Dudamel celebrates the musicians of the L.A. Phil with an eclectic program including compositions by Rossini, Paganini, Mozart, Mendelssohn, Tchaikovsky and Philip Glass, plus the world premieres of “Bravo Gustavo!” by John Williams and Gabriela Ortiz’s “Mujer Arena.”
Strauss, 11 a.m. Friday; 2 p.m. Sunday; Yo-Yo Ma, 8 p.m. Saturday; Celebrating the Musicians of the L.A. Phil, 8 p.m. Thursday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Grangeville
A 2025 drama by the bard of Idaho, Samuel D. Hunter, the play considers the complex relationship of two half-brothers connecting virtually to discuss the care of their ailing mother. Tim Cummings and Jeff LeBeau star. Directed by John Perrin Flynn.
Through July 12. Ruskin Group Theatre, 2800 Airport Ave., Santa Monica. ruskingrouptheatre.com

How to Have Sex Again
The Rebel & the Warrior, a new theater producing collective, present their first L.A. production, the world premiere of a romantic comedy by Louis Reyes McWilliams.
8 p.m. Friday, Saturday, Sunday ; 7:30 p.m. Thursday; 8 p.m. June 5; 3 and 8 p.m. June 6; and 7:30 p.m. June 7. June Odyssey Theatre, 2055 S. Sepulveda Blvd. sanguinenyc.com

Jodie Landau
The composer-performer presents the West Coast premiere of “Performance of Self,” combining memoir, concert, cabaret with original chamber rock compositions, backed by a six-piece ensemble. Directed by Diana Wyenn. Part of OperaFest LA.
8 p.m. Friday and Saturday. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org

Let’s Get It On: The Wearable Art of Betye Saar
The exhibition highlights the role of costume design in the artist’s life and work, including more than 200 objects, including photographs, drawings, garments, jewelry, artworks and historical materials from the 1950s-1970s.
Opening reception, 5-7 p.m. Friday; exhibition continues through Aug. 22. Roberts Projects, 442 S. La Brea Ave. robertsprojectsla.com

Shelley Conducts America @ 250
Pacific Symphony concludes its season with incoming new music director Alexander Shelley conducting the premiere of Peter Boyer’s “American Mosaic,” with accompanying video imagery by award-winning photographer Joe Sohm.
8 p.m. Friday and Saturday. Renée and Henry Segerstrom Concert Hall, 615 Town Center Drive, Costa Mesa. pacificsymphony.org

Leslie Uggams in 1972’s ‘Black Girl.’

(UCLA Film & Television Archive)

UCLA Festival of Preservation
“Don’t miss your chance to see these rarely screened films on the big screen where they belong,” writes former Times movie critic Kenneth Turan in his preview of the event. The 22nd festival, which opens with Ossie Davis’ 1972 drama “Black Girl,” presents 11 feature films, four television programs and 30 short works, cartoons and newsreels, all newly preserved and restored by the UCLA Film & Television Archive and its partners and funders.
Through Sunday. Billy Wilder Theater, UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. cinema.ucla.edu

SATURDAY

Actor Alec Baldwin will narrate “Lincoln’s Portrait,” part of Pasadena Symphony’s America @ 250 concert.

(Pasadena Symphony)

America @ 250
The Pasadena Symphony’s season ending concert, celebrating the nation’s sesquicentennial, includes John Williams’ “Liberty Fanfare,” George Gershwin’s “Concerto in F for Piano and Orchestra,” and Aaron Copland‘s “Appalachian Spring” Suite and “Lincoln Portrait,” the latter narrated by actor Alec Baldwin.
2 and 8 p.m. Ambassador Auditorium, 131 S. St. John Ave., Pasadena. pasadenasymphony-pops.org

Baroque in Bloom
Soprano Amanda Forsythe joins the Los Angeles Chamber Orchestra for arias from Handel’s “Giulio Cesare” and Bach’s “Wedding Cantata.” The program also includes LACO’s principal bassoon Andrew Brady performing “Vivaldi’s Concerto for Bassoon in A minor, RV 497,” Telemann’s “Don Quixote Suite” and Biber’s “Battalia.”
7:30 p.m. Saturday. Rothenberg Hall, the Huntington, 1151 Oxford Road, San Marino; 4 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. laco.org

From Hell to Hollywood: Films Music’s First Golden Age and the Émigré Community
The Scott Dunn Orchestra performs the music of Arnold Schoenberg, Max Steiner, Erich Wolfgang Korngold, Franz Waxman, Dimitri Tiomkin, Bronisław Kaper, Kurt Weill, Ernest Gold and Miklós Rózsa.
7:30 p.m. Saturday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

Life, Liberty, and Los Angeles
Through historical and contemporary objects, media, art and community collaborations, the exhibition brings together stories of diverse Angelenos and demonstrates the ways their hopes and dreams built the city while reflecting the values of a burgeoning nation.
Opening May 30-Jan. 31. Autry Museum of the American West, 4700 Western Heritage Way, Griffith Park. theautry.org

Sydney Mancasola as Pamina in LA Opera’s 2026 presentation of “The Magic Flute.”

(Cory Weaver)

The Magic Flute
LA Opera music director James Conlon’s final production will be Wolfgang Amadeus Mozart’s fan favorite about a prince, a princess and an enchanted instrument. Starring Miles Mykkanen in his LA Opera debut as Prince Tamino, Sydney Mancasola as Princess Pamina, Kyle Miller as the sidekick Papageno, Aigul Khismatullina as Queen of the Night and Kwangchul Youn and Sarastro.
Through June 21 Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org

The Satie Project
The artists of Piano Spheres perform the complete four-hand works of French composer and pianist Erik Satie, plus seven newly-commissioned response pieces, alongside the experimental puppetry David Gordezky in what promises to be a truly zany show.
8 p.m. Saturday; 2 p.m. Sunday. Boston Court Pasadena. 70 N. Mentor Ave., Pasadena. bostoncourtpasadena.org

SUNDAY

Bleak Week: The Cinema of Despair
Isabelle Huppert, Ari Aster, Denis Villeneuve, Werner Herzog and many others are the scheduled guests for the fifth edition of the global festival. The L.A. festivities, featuring 48 films from 18 countries, start with Béla Tarr’s 1994 film “Sátántangó” (2 p.m. Sunday at the Aero).
Through June 7. Aero Theatre, 1328 Montana Ave., Santa Monica; Egyptian Theatre, 6712 Hollywood Blvd.; Los Feliz Theatre, 1822 N Vermont Ave. americancinematheque.com

Exhibition photography for “Marilyn Monroe: Hollywood Icon” at the the Academy Museum of Motion Pictures in Los Angeles.

(Emily Shur / Academy Museum Foundation)

Marilyn Monroe: Hollywood Icon
A reevaluation of the actor’s artistry and image-making, the exhibition presents hundreds of original objects, including posters, portraits, photographs, production documents, letters, and rarely seen personal materials. A companion screening series also kicks off this week. Times culture critic Mary McNamara attended the opening and wrote about the enduring mystery that still surrounds the life and legacy of the film star 100 years after her birth.
“Gentleman Prefer Blondes,” 6:30 p.m. Sunday; “The Asphalt Jungle,” 7:30 p.m. Monday, with guests author and filmmaker Mark A. Fortin, actor Jack Huston, author, filmmaker and actor Joshua John Miller, and journalist Nancy Jo Sales; “Niagara,” 8 p.m. Wednesday; and “All About Eve,” 7:30 p.m. Thursday, with guest Vanity Fair contributing editor Lorraine Nicholson. Screening series runs through July 3; exhibition continues through Feb. 28. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

Museums of the Arroyo Day
The theme is “Life in the Past Lane” as five local institutions celebrate Arroyo Culture with a day of free admission.
Noon-4 p.m. The Gamble House, 4 Westmoreland Place, Pasadena; Heritage Square, 3510 Pasadena Ave., L.A.; Los Angeles Police Museum, 6045 York Blvd., L.A.; Lummis Home, 200 E. Avenue 43, L.A.; Pasadena Museum of History, 470 W. Walnut St., Pasadena. museumsofthearroyo.com

Now Be Here’s first photograph in Los Angeles, 2016, Hauser & Wirth DTLA.

(Isabel Avila & Carrie Yury, courtesy of Kim Schoenstadt, Now Be Here)

Now Be Here: 2026 Los Angeles Anniversary
A decade ago, the organization launched as a means to “give visibility to women and non-binary artists, bringing equity to the art world,” and was commemorated by the above group photo. To mark the moment, Now Be Here and OXY ARTS present a free day of events (including a new community photo) open to all on the Occidental College campus.
9 a.m.-3 p.m. Occidental College, 1600 Campus Road. oxyarts.oxy.edu/events

Tierra
Craft Contemporary’s 4th Clay Biennial focuses on the work of Latinx, Indigenous and Black artists, emphasizing their deep connections to the geographies that yield the materials they work with. Also opening this week is “Earthen Comforts: Airing Earth,” a courtyard installation led by architect Liz Gálvez, the latest partnership in the ongoing experimental architectural project curated by M&A (Materials & Applications).
Sunday-Oct. 25. Craft Contemporary, 5814 Wilshire Blvd. craftcontemporary.org

TUESDAY

The Sun Rises in Harlem: Black Brilliance and the Harlem Renaissance
The performing arts collaborative MUSE/IQUE, led by artistic and music director Rachael Worby, pays tribute to this transformative era in American arts featuring the music of jazz greats such as Duke Ellington, Cab Calloway and Bessie Smith. With Kecia Lewis, Sy Smith, Leo Manzari, DC6 Singers Collective and the MUSE/IQUE Orchestra.
7:30 p.m. Tuesday-Wednesday. The Huntington, 1151 Oxford Road, San Marino; 3 and 7:30 p.m. June 7. Skirball Cultural Center, 2701 N. Sepulveda Blvd., Los Angeles. muse-ique.com

WEDNESDAY

Colburn Celebrity Recital: Joshua Bell/Jeremy Denk
Frequent collaborators, the acclaimed violinist and pianist perform works by Schubert, Grieg, Ives, Ysaÿe and Ravel in their first joint appearance at Disney Hall since 2010.
8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

THURSDAY

Bodytraffic
The contemporary dance troupe closes out a 20-year run with its final three hometown shows, including works by choreographers Fernando Magadan, Cayetano Soto, Joan Rodriguez, Richard Siegal and Trey McIntyre.
7:30 p.m. Thursday and June 4; 2 p.m. June 6; the Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

Arturo Sandoval
The legendary trumpeter and bandleader, a protégé of jazz great Dizzy Gillespie, performs an eight-show residency at the Blue Note.
7 and 9:30 p.m., Thursday-June 7. Blue Note LA, 6372 W. Sunset Blvd. bluenotejazz.com

Spectacular Balanchine!
American Contemporary Ballet continues its deep dive into the master choreographer’s work with dances from “Who Cares?,” “Stars and Stripes,” “Western Symphony” and “Union Jack” to music by George Gershwin, John Philip Sousa and Hershey Kay.
8 p.m. Thursday-Saturday, through June 20. Bank of America Plaza, 333 S. Hope St., downtown L.A. acbdances.com

Arts anywhere

New and recent releases of arts-related media.

The book jacket for “Miles: The Autobiography.”

(Simon & Schuster)

Miles: The Autobiography
May 26 would have been jazz legend Miles Davis’ 100th birthday and Simon & Schuster has released a centennial edition of his award-winning 1989 memoir, in which he reflects on his career, relationships and battles with racism and addiction. Also check out filmmaker Stanley Nelson’s 2020 documentary, “Miles Davis: The Birth of Cool,” featuring studio outtakes from Davis’ recording sessions, rare photos and interviews with Quincy Jones, Carlos Santana, Clive Davis, Wayne Shorter, Ron Carter, Davis’s family and other notables.
Simon & Schuster: 448 pages, $23; “Miles Davis: Birth of the Cool,” streaming on PBS platform.

— Kevin Crust

Culture news and the SoCal scene

Daniel Harding, Los Angeles Philharmonic’s new music director, visited In-N-Out among other iconic L.A. locations upon his arrival Tuesday.

(Kayla Bartkowski / Los Angeles Times)

The big news of the week was the long-awaited, much-speculated-upon announcement of who will become the next music director of the Los Angeles Philharmonic when Gustavo Dudamel departs later this summer to take his new role at the New York Philharmonic. Surprise (or rather not too much of a surprise depending on who you are and how closely you were watching), the L.A. Phil’s 12th music director will be Daniel Harding, a 50-year-old, Oxford-born conductor and part-time Air France pilot who made his U.S. debut as a young prodigy conducting the L.A. Phil at the 1997 Ojai Festival, writes Times classical music critic Mark Swed.

Gustavo Dudamel, the current Los Angeles Philharmonic music director, left, hugs newly announced L.A. Phil music director Daniel Harding, right, at Dodger Stadium.

(Kayla Bartkowski / Los Angeles Times)

The Times scored an exclusive ride-along with Harding the day after the L.A. Phil’s big announcement. His day included stops at In-N-Out Burger, the Beckmen YOLA Center and the Hollywood Bowl. The evening was spent at a Dodgers game with Dudamel where the two sported matching jerseys emblazoned with their names.

Artist Diana Thater’s new video projection at LACMA’s David Geffen Galleries will debut in the fall.

(Carlin Stiehl / For The Times)

We also got a first look at a new video installation scheduled to light up the underside of LACMA’s new David Geffen Galleries where it forms a bridge over Wilshire Boulevard. Designed by artist Diana Thater, the installation was filmed in Claude Monet’s garden in Giverny, France, and will officially debut in the fall, after which it will run from dusk to dawn, 365 days per year.

Times contributor Jane Horowitz sat down with photographer Catherine Opie to chronicle a moment in time that finds Opie experiencing “one of the most visible stretches of her career, with work appearing simultaneously across Europe and Los Angeles. This includes a career-spanning survey at London’s National Portrait Gallery that will travel to Edinburgh’s Royal Scottish Academy, as well as exhibitions in Kassel, Germany, and Trondheim, Norway. Closer to home, a new exhibit, ‘Holding Blue,’ opens May 28 at Regen Projects.”

Alicia Keys’ musical “Hell’s Kitchen” staged its L.A. premiere at the Hollywood Pantages Theatre.

(Quinn Murphy)

Alicia Keys’ musical “Hell’s Kitchen” made its L.A. debut at the Hollywood Pantages Theatre this week, and Times intern Katie Simons chatted with Keys to get at why this particular moment means so much to her. “We spent 13 years developing this piece,” Keys said. “I believe in this deeply. I stand behind it. I stand for it.”

Swed also wrote a review of the L.A. Phil’s performance of Wagner’s “Die Walküre,” which represented Dudamel’s last grand project with the orchestra, and featured sets designed by Frank Gehry before he died, including paper-sculpture clouds and galloping Valkyrie horses, as well as a fanciful organ-pipe tree.

— Jessica Gelt

And last but not least

You know you want to read this interview with Barry Manilow by Times music critic Mikael Wood. Trust me, everyone else is.

The incident is the latest setback for Jeff Bezos’s space venture as it seeks to narrow the gap with Elon Musk’s SpaceX.

Blue Origin’s New Glenn rocket has exploded on the launchpad during a test in the US state of Florida.

The incident on Thursday evening is the latest setback for Jeff Bezos’s space venture as it seeks to narrow the gap with Elon Musk’s SpaceX.

Footage of the incident shows smoke emerging from underneath the rocket before it erupts into a massive fireball that billows skyward, sending a towering plume of flames and smoke into the air.

Emergency crews remained at the scene more than an hour later, but officials said there was no threat from fumes or other potential hazards.

No injuries have been reported.

“We experienced an anomaly during today’s hotfire test,” Blue Origin said in a brief statement posted on X, adding that “all personnel have been accounted for”.

A hot-fire test is where a rocket engine is fired up while anchored to the ground.

In a separate X post, Bezos said it was “too early to know the root cause” of the incident.

“Very rough day, but we’ll rebuild whatever needs rebuilding and get back to flying. It’s worth it,” Bezos added.

US House Representative Mike Haridopolos, whose Florida district includes the launch site at Cape Canaveral, said in a statement on X that he has been in contact with NASA Administrator Jared Isaacman regarding the explosion.

“I am grateful there were no reported injuries and thankful for the first responders, engineers, and launch crews who acted quickly,” Haridopolos said.

Blue Origin is preparing the New Glenn rocket to launch 48 Amazon Leo satellites into low-Earth orbit, part of efforts to build a broadband constellation to rival Musk’s Starlink network.

Musk responded on X to a video of the New Glenn explosion, saying: “Most unfortunate. Rockets are hard.”

Last month, the New Glenn rocket failed a mission to deliver a communications satellite into the correct orbit, prompting an investigation.

ONE MAGICAL spot in Dorset is being compared to a Greek island due to its bright blue water.

The Blue Pool in Wareham, Dorset, is an expansive lake on a 300 acre estate.

Commenting on TripAdvisor, one visitor said: “Utterly peaceful and serene, with that surreal feeling that you’re on holiday somewhere in Greece, we fell in love with the amazing views of the blue pool.”

Dating back to the 17th century, The Blue Pool is over nine metres deep and was originally a hand-quarried clay pit.

Clay extracted from the pool was then used to make ceramics.

However, in the 19th century, the pool was abandoned and subsequent rain filled it.

Read more on travel inspo

TRAVEL TIP

The £2.99 SIM hack that can save Brits HUNDREDS abroad

CHEAP BREAKS

UK’s best 100 cheap stays – our pick of the top hotels, holiday parks and pubs

Though, this is when the magic of the pool appeared, as the water appeared a bright turquoise colour.

The reason for this was due to light bouncing off of the clay particles in the water.

The pool then reopened to the public in 1925 and since has been a top spot for tourists.

Despite looking like a tropical paradise, there are no fish in the lake and you cannot swim in the pool.

But there is a good trail for families to explore, where you can spot hand-crafted enchanted doors and a play area with bridges and balance beams.

At the edge of The Blue Pool there is also the UK’s longest rope bridge, which stretches 50 metres and is around 10 metres off the ground.

For kids who love animals, the site is home to Iron Age pigs which visitors can feed each day at 1:30pm for just £3 per person.

You might even spot peacocks roaming as well.

During holidays, the park also runs different events such as an illumination trail at Christmas and pumpkin carving at Halloween.

After a day of exploring, visitors can head to the 1930s Art Deco tearooms for afternoon tea from £7.50 per person, a drink or even locally made Purbeck ice cream.

Make sure to pop to the toilet before you leave as well, as they won the Loo of the Year award several years in a row.

The Blue Pool costs £9.75 per person to visit and is dog-friendly too.

And if you want to extend your time in the local area, you can head to Dorset Adventure Park down the road, with an inflatable water park and mud trail obstacle course.

The beach isn’t too far away either, with Worbarrow Bay just a 15-minute drive away.

The long, pebble beach is a quieter spot on the Jurassic Coast, especially compared to its popular neighbours – Lulworth Cove and Durdle Door.

For somewhere to stay, you could head to East Creech Farm Campsite, which has pitches as well as camping pods, a cottage and a farmhouse.

At the campsite, there’s also an onsite tearoom for some freshly baked cakes.

And thanks to the campsite being on a working farm, you can expect to see sheep, goats, donkeys, rhea, chickens, horses, ponies and ducks around.

A tent pitch costs from £22.50 per night and the camping pods cost from £75 per night.

A family of travel enthusiasts were left in awe when they visited what has been hailed the ‘Hawaii of the UK’ that’s the home to white-sand beaches, wild dolphins and seals

Travellers have been left stunned after discovering the ‘Hawaii of UK’, which features breathtaking beaches and countryside, and is even home to wild dolphins and seals. While the UK isn’t know for it’s nice and sunny weather, with most tourists imagining grey skies and constant rain, there are some areas that get better weather than others that can be enjoyed with it’s stunning nature.

While Cornwall alone is packed with stunning beaches and natural beauty that can make visitors feel like they’ve travelled abroad. But if you fancy venturing beyond Cornwall, there are plenty of alternatives for a memorable staycation within the UK, with many taking to social media to reveal their favourite staycation recommendations.

The Wirths, a family of travel lovers who regularly use TikTok to document their adventures, frequently share their preferred family-friendly locations with their 69,900 followers.

In a recent clip, the family travelled to what’s been dubbed the ‘Hawaii of the UK’, boasting spectacular scenery, pristine sandy shores and glorious weather that creates the illusion of a tropical escape.

“We thought getting to this tiny island was cool… we weren’t prepared for it to look like this,” the caption declared at the beginning of the footage.

The clip continued to document their voyage to the destination in question, which involved boarding a compact Skybus aircraft before departure, soaring above dazzling turquoise seas and islands fringed with white sandy beaches prior to touching down at the airport.

“BRB, mentally relocating to Tresco Island,” they wrote in the caption. “Can you believe this is the UK? Welcome to the Isles of Scilly – a tranquil, subtropical archipelago located just 28 miles off the Cornish coast!”

Nestled 28 miles off the Cornish coastline, the Isles of Scilly are an unspoilt, subtropical archipelago that remains one of Britain’s best-kept secrets. Celebrated for their immaculate white-sand beaches, crystal-clear waters and remarkably temperate climate, the islands are frequently dubbed the ‘Hawaii of UK’. Just five of the landmasses are inhabited — St. Mary’s, Tresco, St. Martin’s, Bryher, and St. Agnes.

Tresco itself is a private, car-free island, renowned for its subtropical climate, stunning beaches and the world-famous Abbey Garden. It provides a serene, upmarket retreat complete with fine dining, a spa and an abundance of coastal wildlife.

Although the islands are entirely car-free, getting there is straightforward — hop aboard a Skybus plane and you’ll arrive in just 20 minutes, or take the much-loved Scillonian ferry for a scenic voyage where dolphin sightings are not uncommon.

The family went on to share their personal highlights, including cycling through the island’s traffic-free sandy lanes, spending leisurely days on the beach hunting for shells and spotting seals, exploring ancient castles, and unwinding at the Tresco Spa and its swimming pool.

The family also ventured to Tresco Abbey Gardens, which houses plants from every Mediterranean climate zone. Established in the 19th century, it has become a haven for more than 2,000 exotic species from the southern hemisphere and subtropics — spanning from Brazil to New Zealand, Myanmar to South Africa. The family revealed there’s also an entertaining scavenger hunt available for children.

Regarding the balmy conditions, the Isles of Scilly enjoy an almost tropical feel courtesy of the Gulf Stream, enabling tourists to experience the sensation of an overseas getaway without ever leaving British shores.

Viewers quickly flooded the comments section with their reactions, with many expressing astonishment that such a place existed in the UK.

“I WANNA BE A LOCAL SO BAD,” one individual declared, while another commented: “literally found these islands scrolling on Google maps bored at work once… obsessed ever since.

“I need to visit a Tesco in Tresco just because I’m sad like that,” a third person remarked.

THE heat is on and there’s a spot in Kent with an enormous lake and beach that people say feels more like being abroad.

Found at the site of a former quarry, St Andrews Lake in Kent is where you can do everything from open-water swimming to paddleboarding and kayaking.

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

On a summer‘s day, the water is so blue that it’s even been called a ‘taste of the Mediterranean’, by author Lisa Drewe.

During the summer season, visitors can book a session for its aqua park, which is the largest in the county (from £26 per session).

The aqua park has inflatable slides, a climbing wall, swings and other obstacles to jump around on.

LOOK OUT

Your fave North East seaside eats – from beach bars in boats to pirate chippies

SUSSED OUT

Sun readers’ fave family spots in Sussex – top-rated beaches to pirate festivals

There’s another inflatable park for smaller children which is specifically for those two to six years old – from £16 per child.

Around the lake there are even beach spots – so you will be able to feel even more like you’re on holiday.

In fact, there are two beaches at St Andrews Lakes; ‘Carp’ and ‘Coots’ – both have soft sand, sun loungers on the shore, free parking, and lifeguards are on duty.

For adults, entry starts from £27.50 per adult which is for all-day access and includes a deluxe sun lounger.

Entry for children starts from £7.50 per person which doesn’t include a sun lounger (children under two go free).

On the water, visitors can rent and have a go on the kayaks, pedalos, stand-up paddleboards, Mega SUP and Bell Boats.

Not all activities involve getting in the water, there are plenty of things to do on dry land too.

There’s a 24-foot climbing wall with 15 different routes, archery, axe throwing, yoga and the zip wire.

The zip wire is a great way to get spectacular views over the lake, which whizzes above the waters below.

When it comes to relaxing, there’s a place for wellness too with either a 1.5 or three-hour sessions.

Here, take a dip in a lakeside hot tub, detox in a wood-fired sauna, and refresh with a plunge in the natural lagoon.

On-site is also a pizzeria, cafe, ice cream hut and during the colder months, a crumble bar.

If one day here isn’t enough, there are options to stay, one of which is by bringing your own motorhome or campervan on one of the eight hard-standing pitches.

Or book one of the ‘luxury floating lodges‘ – each comes with private decking, a hot tub, and views across the lake.

One recent visitor said: “I never imagined that I could be blown away on a holiday in Kent. St Andrews Lakes lodges or boat houses are just amazing.

“If you want the Maldives but don’t want to pay or travel too far, then this is as good if not better – I’m talking from experience.”

One of the smaller lodges is Point Lodge which sleeps up to two people.

Inside is a double bed, kitchen, small table and chairs, TV, bathroom, and decking over the water with two fold-out deckchairs for sunbathing.

Seven-nights at Point Lodge starts from £569 – or £40.60pppn

The Lakeside is the largest of the overwater lodges, it sleeps up to five people and has two bedrooms.

Inside is a separate living area with a dining table and huge windows so even if the sun isn’t shining the views can still be admired.

The decking wraps around the lodge with the hot tub back on dry land to the side.

Prices for The Lakeside starts from £609per week.

Thirty-five years after his death, jazz giant Miles Davis, who would have turned 100 years old Tuesday, remains a truly larger-than-life figure in music and well beyond.

Still possessor of the biggest-selling jazz record in history, “Kind of Blue,” Davis casts a huge influence over the whole music world for his uncompromising artistic vision, constant evolution, style and more. Though he came from jazz, he may be the biggest rock star there ever was. Talk to any musician, regardless of genre, and they will tell you Davis defined swagger and cool. He had a vibe unlike that of anyone else.

In honor of Davis’ centennial, The Times spoke to an array of notable artists from all walks of music, some who knew and played with him, some fans of the man, but all agreed, Miles Davis was and is a singular force in music, an artist like no other in his vision, passion and feeling for the music. In short, there was only one Miles Davis.

‘A complete innovator’

Chuck D, rapper: I like Miles Davis and all the exterior aesthetics. I like the Blue Note album covers, Prestige album covers, his style, his way of life.

Cindy Blackman Santana and her husband Carlos Santana in 2019.

(Ethan Miller / Getty Images)

Cindy Blackman Santana, drummer: Stylistically, Miles was a complete innovator. I remember hearing him say that he didn’t play right if he wasn’t dressed right. That is completely something that inspires me as well, because it becomes not only what you’re putting out on your horn or your drums or your guitar or your piano, but it’s your whole being that is expressing this innovative approach to music and to life.

Bilal, singer: If you play the music you’ve got to look the part, and it was almost like he got into a movie role or something like that. But he was always into the clothes … It was almost like every era had a different outfit. But, yeah, I definitely take his style. The clothes make you feel a certain way to play that way. So that’s the vibe. You’ve got to have that character, that attitude.

Emmet Cohen, left, performs with Terence Blanchard at Lincoln Center in 2025.

(Slaven Vlasic / Getty Images for Find Your Light)

Emmet Cohen, pianist and composer: I think when you listen to Miles’ records you can really appreciate them all the way through and there’s something in there for all sides of humanity. Whether it was the Prestige records that he pumped out in a couple of days, or there was “Birth of the Cool,” he just knew how to assemble musicians and let them tell their stories. And the storytelling is really where I think the deepest connections are made. He was a rock star, but he had a story to tell. And that always comes first.

‘Always evolving’

Guitarist Lenny Kaye performs onstage at Carnegie Hall in 2023.

(Noam Galai / Getty Images for Tibet House US)

Lenny Kaye, guitarist: He started in the bebop era, with the immortals of that moment in time. But I always got the sense that he was looking for something else. He didn’t want to participate in the faster-than-light speed changes and virtuosity. So, I really respect the fact that when he moved into “Birth of the Cool,” he pulled it back so he could inject more of his human self into it. And over the years, he kept on doing that, “Sketches of Spain,” “Kind of Blue,” one of the most jazz friendly records of all time.

Flea, bassist: Every time Miles changed it up, he destroyed everything that came before. He is the ultimate artist, always evolving, always coming organically from the depths. His music is the warmest and the wildest.

Flea of the Red Hot Chili Peppers released a solo jazz album in March.

(Allen J. Schaben / Los Angeles Times)

Bilal: I really like his electric era, but I would say I keep discovering and rediscovering stuff from Miles that I’m just like, “Damn, man. It’s like it’s another artist because he went through so many different changes.” … The other day I found his “Sketches of Spain” record. I put it on. I was like, “This is crazy. I forgot he was into this too.”

Wyclef Jean, rapper: When you go through Miles’ whole catalog, you see you can have quiet days. You can have loud days. You can have explosive days. But the key is that consistency. And that discipline.

Kaye: I respect Miles. For me, he’s an artist that transcends the jazz genre. He’s so alert to the shifting moods of the culture, the directions of the music. And what I find fascinating about him is his ability to morph into new styles and to keep challenging himself. One thing about Miles is that he doesn’t repeat who he is.

Musician Ron Carter in 2011.

(Theo Wargo / Getty Images)

Ron Carter, bassist: We always thought that we were honored to have Miles hire us out of other guys who were available to him. The first few gigs, we had a couple of weeks up and down the West Coast, and everybody but Miles was trying to find out what the tunes were, what the changes were. I was just trying to do what I thought was necessary to make this guy think he hired the right guy and make the band sound good. … Whatever his method was, it was successful.

Ibrahim Maalouf, trumpeter: Quincy [Jones] always spoke about Miles not just as a genius, but as someone who knew when to move on. And that’s a lesson I still carry with me every day.

Kaye: In “Bitches Brew” he created the template for what would be jazz fusion and made rock ‘n’ roll an important part of his evolution. Just an artist who never stands still and that is what I personally respect and honor within his work. When he saw what an artist like Jimi Hendrix was doing, he thought, ‘Yeah, I know how to access that and not be Jimi Hendrix. I can be myself.’ He understood the tides of cultural transformation as much or better than most musicians of the 20th century.

Don Was performs onstage at Ryman Auditorium in Nashville in 2022.

(Jason Davis / Getty Images for Americana Music)

Don Was, musician and producer: In life, as exemplified by music, if you don’t change, you stagnate. And the thing about Miles that really stands out, I think, is that he was always willing to risk losing his audience in order to keep moving forward. He was courageous in every era, including eras when maybe courage wasn’t held at a premium.

‘More than that’

Maalouf: For me, as a trumpet player, of course, the musical influence; space, phrasing, silence, we can talk about this for hours. But I think that more than that, there’s an attitude.

Ibrahim Maalouf performs at the Paris 2024 Cultural Olympiad at L’Olympia on July 24, 2024, in Paris France.

(Julien M. Hekimian / Getty Images)

Trombone Shorty, musician: Miles has inspired me because of that attitude, ‘I’m going to do what I want.’ He was playing what he felt in whatever time period or whatever decade he was inspired by. He really embraced that tremendously. And that’s always the thing that I admire about him as a person and as a musician. Whatever the spirit is, he’s going to go with that. That’s what I always got from Miles.

Nas, rapper: With Miles it wasn’t just about the music he made, it was about how he carried himself as an artist and a pioneer. His impact on me personally is as much on a human level as it is on the artist level.

Trombone Shorty performs at the Anaheim Convention Center in 2015.

(Jesse Grant / Getty Images for NAMM)

Trombone Shorty: The swagger, he may have created the swag.

Vince Wilburn Jr., nephew and drummer, who now co-manages Davis’ estate: He liked to catch things, that’s why the tape kept continuously rolling, because he said it was songs inside of songs.

Carlos Santana, guitarist: “I recommend that people who never heard of Miles Davis, I’ll say start with “Kind of Blue,” then move on to “Bitches Brew.” Because the thing about Miles Davis is that he teaches people who have never meditated how to stop and be coherent about absoluteness. In one note, Miles can play absoluteness. One note for Miles, like Billie Holiday, like Cindy says, that’s enough to understand all the whys and all the reasons why it’s sacred to be alive.

Was: He probably changed the face of music more than anybody did, at least four or five times. Maybe more than that. It’s a combination of mastery and an unstoppable spirit of adventure that I think make him unique. Because he was absolutely a master of harmony, rhythm, of creating a vibe. Yet he loved upsetting the cart and I think went out of his way to create friction musically, within the band, to keep things stirred up constantly and make every day an adventure. It requires tremendous courage. But also, supreme excellence to do it on the level that he did with the level of musicians that he surrounded himself with. That’s another thing, too. He wasn’t just the most innovative man on the horn. His genius was also as a curator of human chemistry.”

‘Larger than life’

Musician Wyclef Jean performs in 2023.

(Christian Petersen / Getty Images)

Jean: The main thing that I learned from Miles at a very young age is just the braveness, you can’t be scared to just go. Going doesn’t just mean learning one part of it. It means learning the entire metrics. … When it comes to Miles, he’s just a complete teacher; even on how he sees art, how he sees shapes, and also there’s a whole part of Miles that’s tough love when it comes to it. So, all of that instills character.

Bilal: As an older musician, you could see all of the building blocks are in those records. If you take some of those records out, I don’t know where jazz would be. You can see the essential building blocks.

Izzy Escobar, singer: Miles Davis made jazz feel cinematic to me. When I listen to songs like “It Never Entered My Mind” or “Flamenco Sketches,” there’s mystery, romance, restraint and tension in every note. Nothing feels overdone, yet somehow it says everything. As a songwriter, that’s deeply inspiring because the best music doesn’t just sound good … it creates an entire world you can step into. I think that’s why his influence has lasted a century. His music still feels fearless, elegant and emotionally alive — all of which never go out of style.

Jorma Kaukonen, guitarist: I had always thought of jazz as somewhat of a haughty art form. Probably because at the time many of the time signatures and chordal progressions that Miles used were over the head of a young guitar player still functioning in the blues and folk idioms. … The growing rock and art movement in the Bay Area in that era taught us to eschew boundaries and labels, and it became possible to see similarities and possibilities with jazz music that would have gone previously unnoticed. Our harmonic tendencies were nowhere near as complex, but they were rapidly becoming more sophisticated thanks to our exposure to such great improvisers as Miles! Miles knew no boundaries.

Jean: One thing that I learned from Miles is someone can have the best technique. They could be moving around. But if you can dig and play from your soul, this instrument just becomes a vessel of sound and orbit, bro, it’s over. There’s a connection with the soul. And I wouldn’t be able to do that, bro, if I didn’t have people like Miles to really teach me how to hear.

Theo Croker plays trumpet the Kennedy Center in 2018.

(Paul Morigi / Getty Images for Thelonious Monk)

Theo Croker, trumpeter: He was definitely a larger-than-life figure. And it encourages me to be a larger-than-life figure. Growing up as a kid, we sit in a room all day and play trumpet for hours. You see somebody like Miles Davis and you’re like, “Wow, I can be a rock star.” Because I couldn’t sing, otherwise, you end up being a pop star, Prince, Michael Jackson and Stevie and all that. But Miles was that for the trumpet, of course. So, it’s so much bigger than music.

Musician Mia Doi Todd performing in 2012.

(Paul Redmond)

Mia Doi Todd, musician and singer: Miles Davis was such an outstanding band leader, bringing together a group of musicians and seeking to break the boundaries. That is what I look to him most for as a celestial mentor, being a band leader and creating those sonic landscapes. The records that I love most of his are from that electronic jazz fusion era, which weren’t his most popular at the time. I love “On the Corner.” I’m a person of mixed race, so the records that he was bringing together, all these different musical elements, those are the ones that I really admire … “I wish I could play in that band.”

Maalouf: There’s this idea that music is not about providing something. It’s about searching. It’s about staying alive artistically. I think that strength goes far beyond music, it’s really a message for all the musicians that we are. Never stay where people expect you to stay. Every time the audience thought they understood him, he changed direction. And I think that’s definitely one of the most inspiring parts of his musical life.

Was: I never met him. But he was a heroic figure to me as a teenager, very much in the same way that simultaneously, like Bob Dylan and the Rolling Stones were, or John Lennon was, or Allen Ginsberg was.

Bilal performs in New York City in 2023.

(Roy Rochlin / Getty Images)

Bilal: That [artistic vision] is a major influence that I take from Miles. … I always approach the music in that way where you got to do your own thing. You’ve got to have something to say, and you’ve got to want to evolve and always look for ways to grow and change and with the music. Miles was quintessential at that.

Trombone Shorty: To me, Miles Davis was a real rock star. It just wasn’t the sound. When he walked on stage … he looked the way that the music sounded to him. … And as he grew, he just really embraced everything that was coming to him, and he didn’t run away from it. He wanted to have his influence and also be tremendously influenced by things that were happening. He was just the coolest; when they say cool, Miles Davis has to be next to that word.

‘Playing within the language that he created’

Nas performs in New York City in 2018.

(Bennett Raglin / Getty Images for Jenn-Air)

Nas: I think Miles’ impact on every inch of music after him is the most impressive part. Musicians from every genre speak on his influence. It has no language or cultural barriers.

Jean: I would literally tell everybody to do a deep dive and start with early Miles, start from the bebop and the blues, don’t just go in. I started my daughter with “Birth of the Cool.” Now she’s vibing and slowly working her way up.

Musician Vince Wilburn Jr. in 2011.

(Theo Wargo / Getty Images)

Wilburn Jr.: Style, creativity, forever evolving, ever looking back, unapologetic. Lenny White used to say everybody wanted to live and be like Miles, all the musicians. You have Miles, and then you have everyone else.

Santana: Miles is what I call a sacred rascal, a divine rascal, a genius. When I’ve been in the room with Herbie [Hancock], Wayne [Shorter] and Tony [Williams], and the name Miles comes up, they all stop. It has such an impact on all of them to this day it shows that Miles is Da Vinci, Stravinsky, Picasso. Collect all the geniuses of this planet, and that’s what Miles is in one note. In one note, he reveals more because in one note, he teaches an individual how to hug infinity with emotions.

Kaye: I think of him as a lodestar for someone who wants to continually move music forward into the future because that’s what music is about. When you play music, you’re moving from one note to the next and creating the future of that piece. I just find Miles a fascinating creature of transformation. Miles, for all his artistic innovation, was a pop star.

Maalouf: Miles Davis’ legacy is not only a sound, it’s a mindset. He gave all of us the permission to be many people in one lifetime. It feels to me it’s the secret and he was generous enough to do it himself and show the world and especially the jazz world that is not always easy to please that someone can be many people in one lifetime. It’s not only true for music. It’s true for everything in life.

Cohen: He’s always on the cutting edge of the next thing and the next group of musicians that he finds. The story in that is that there’s constant change, constant evolution, and to find the thread throughout is kind of the meaning of life. And to play his music is the same thing. He created a language. So, when we play his music, we’re playing within the language that he created.

Was: “That’s why he’s that cat. He’s the most rebellious musician of all time, I think. He was the complete package man, no one more innovative or influential.

IT’S THAT time of year again when, as the weather warms up, the UK’s Blue Flag beaches have been announced.

In total 61 sites, including beaches, a marina and an inland water bathing area have been awarded the Blue Flag for 2026 across the UK.

The Blue Flag award recognises beaches that are clean, safe, and well managed, including whether they haves services like lifeguards, first aid, educational activities and so on.

Several Devon beaches have not been included on the list, after Torbay – where previously five Blue Flag beaches were located – decided to create their own awards system.

North East

Five beaches in the North East were awarded a Blue Flag status, including:

• Whitley Bay South
• Tynemouth Longsands South
• King Edwards Bay
• Blyth South Beach
• Roker Beach

Read more on travel inspo

DEEP DIVE

All the lidos in the UK mapped – with FREE entry, water slides and cocktail bars

ON THE UP

I’m a travel editor – the flight, train & ferry upgrades really worth the money

North West

In the North West one spot was given a Blue Flag status – Liverpool’s Albert and Salthouse docks, which is even the only Blue Flag marina in the UK.

Yorkshire and Humber

In Yorkshire and Humber, three Blue Flag beaches have been named, including one visited by Assistant Travel Editor Sophie Swietochowski:

She said: “If you’re after that typical northern charm, but in a seaside setting, look no further than Whitby.

“From the shoreline, you can admire the lighthouse in the distance, or grab a pew on one of the benches by the marina to watch the boats sailing in and out to sea.

“Don’t leave without swinging by Magpie Cafe for its famous fish and chips (with curry sauce, of course) – it’s widely known for being the best chippy in the area so get there bang on opening time to avoid the queues.”

The other two Blue Flag beaches in Yorkshire and Humber are:

East Midlands

Three beaches in the East Midlands were awarded the Blue Flag status and include:

• Central Beach, Mablethorpe
• Central Beach, Skegness
• Central Beach, Sutton on Sea

East of England

In the East Of England, a total of 15 beaches were awarded a Blue Flag status.

Having explored the area several times, Travel Reporter Alice Penwill said: “After visiting Cromer back in 2024 – my family and I have been back multiple times to enjoy its cute cafes and beautiful beach.

“When the sun is out, Cromer beach is a great place for laying about in the sun, or going for a dip in the sea.

“And for anyone bringing along a furry friend, dogs aren’t allowed on certain sections of the beach, specifically by the pier, but can frolic on the sand further up, just look for the signs.

“Make sure to step off the sand for a few minutes and head to Windows Ice Cream where you can get an enormous soft serve treat from £2.”

Another Blue Flag beach she has visited in the area is Frinton on Sea.

She said: “Not only is Frinton a very pretty spot on the coast, it’s one of the sunniest.

“Along the Essex coastline, Frinton-on-Sea is known for having no noisy arcades, like its more popular neighbour of Clacton.

“I love it for the fact that it has no frills, on the front is just a sweeping sandy beach, the sea and some pretty beach huts too.

“But if you want a bit more excitement, head back to Connaught Avenue for independent shops and boutiques.”

She also recommend visiting Southwold in East Suffolk, commenting on how it takes her back to her childhood family holidays where she’d spend hours running about on the sand and in and out of the sea.

She added: “Its pier is 623 feet long and is dotted with shops, cafes and everyone has to head into the arcade.

“As much as I love the beach, you can’t miss a stroll into town either for its great shops and the Adnams brewery.

“At the other end of town by the harbour is my favourite chippy, the Sole Bay Fish Company.”

Other Blue Flag beaches in the East of England include:

• Albion Walton On The Naze
• Brightlingsea
• Dovercourt Bay
• East Runton
• Felixstowe
• Mundesley
• Sea Palling
• Sheringham
• Shoebury Common
• Thorpe Bay Beach
• Three Shells Beach
• West Runton

South East

A total of 11 beaches were awarded the Blue Flag in the South East this year.

Deputy Travel Editor Kara Godfrey said: “Kent is hardly short of beautiful beaches – and Botany Bay is one of my favourites.

“It can get busy, but being between Margate and Ramsgate means you can easily get to it by a short walk.

“Yet Ramsgate is a great beach to visit as a family due to its size, so you will never be fighting for space.

“It’s also helped by being right in from of the UK’s biggest Wetherspoons (complete with a rooftop beer garden…).”

Other Blue Flag beaches in the South East include:

• Hove Lawns
• Joss Bay
• Marina Beach Hastings
• Minnis Bay
• Rottingdean
• Saltdean
• Sheerness
• Tankerton
• West Wittering Beach

South West

Across the South West, a staggering 24 beaches have been awarded the Blue Flag.

Born in the South West, Travel Reporter Cyann Fielding said: “The South West is bursting with beautiful beaches so it is no surprise that many have been awarded a Blue Flag.

“In Dartmouth in Devon, Blackpool Sands has been awarded a Blue Flag for the third year in a row.

“The privately-owned shingle beach stretches across two-thirds of a mile and is often quite wide, making it a great day out even when busy.

“From the beach you can head kayaking or paddleboarding too.”

Also in Devon, one of Cyann’s more local beaches was awarded a Blue Flag for its 27th year.

She said: “Dawlish Warren is the ultimate beach for families.

“Found on Devon’s south coast, the beach is backed by rolling dunes and fascinating wildlife habitats.

“The 1.5-mile stretch is a safer, more sheltered spot for families, compared to a lot of other beaches in the are, a and you’ll even find -go karts, golf and arcades to have fun in too.”

Sophie added: “Stretching for around three kilometres, you’ll never struggle to find a sunbathing patch at Westward Ho!.

“The main beach starts at the busy end of town, where you’ll have no trouble finding a bucket and spade, before blending into the much quieter Northam Burrows Beach, backed by a national park and an excellent links golf course.

“Keep wandering towards the northern tip to find Pebbleridge Kitchen, a tiny cafe that sells fresh crab sandwiches.”

Sophie has also been to Porthminster in St Ives, Cornwall.

She said: “On a sunny day, the white sands and gloriously blue seas of Porthminster could be mistaken for the shores of a Caribbean island.

“It’s not the largest of beaches, but it’s at the quieter end of town, away from the main hustle and bustle of St Ives.

“Pedn Olva, an excellent pub with rooms, is just a short walk away.

“Try the local ales and “crabby fries”, smothered in white and brown meat and drenched in a thermidor sauce.”

She added: “I visited Widemouth Bay with my family and the dogs several years back, on a sunny April afternoon, and we had the entire sands to ourselves.

“The sunset was absolutely spectacular – take advantage of the tall grassy dunes behind the beach for the best viewpoint.

“There are some lovely walks along here, too.”

And another Blue Flag spot is one of her all-time favourite beaches in Cornwall.

She said: “Polzeath is a glorious stretch of golden sands backed by fuss-free restaurants serving hearty toasties and proper Mr Whippy ice cream.

“Make sure to swing by Surfside Polzeath, a rum bar that spills out onto the beach and serves some punchy cocktails – it stays open until 11pm, with people dancing on the sands once the sun sets.”

Other Blue Flag Beaches in the South West include:

• Canford Cliffs
• Croyde Bay
• Exmouth Beach
• Sidmouth Town
• Carbis Bay
• Challaborough Bay
• Crooklets
• Durley Chine
• Fisherman’s Walk
• Gyllyngvase
• Highcliffe
• Porthmeor
• Porthtowan
• Sandbanks
• Shore Road
• Summerleaze
• Swanage Central Beach
• Trevone Bay

As the Dodgers navigate the ripple effects of a series of recent pitching injuries, they added bullpen depth on Sunday by acquiring left-hander Eric Lauer from the Blue Jays for cash considerations.

The Blue Jays designated Lauer for assignment last week, after a bumpy start to the season. Lauer had yielded a league-leading 11 home runs in eight appearances.

It was a contrast to the far steadier presence he’d provided on the mound last year en route to an American League pennant, when he posted a 3.18 ERA in the regular season and 3.12 in the postseason. Lauer didn’t give up a run against the Dodgers in two World Series appearances, including 4 2/3 innings in Game 3.

To make room on the 40-man roster, the Dodgers transferred right-hander Brusdar Graterol (right shoulder surgery recovery) to the 60-day injured list.

The Dodgers, who had to pivot to a bullpen game Friday when southpaw Blake Snell (left elbow surgery to remove loose bodies) landed on the IL, made a series of bullpen-related roster moves Sunday morning.

They put left-hander Jack Dreyer on the 15-day IL with left shoulder discomfort. Imaging showed “nothing relevant,” other than inflammation, manager Dave Roberts said. The Dodgers hope he’ll be ready to be reinstated after a minimum stint.

“He was warming up yesterday and then felt something in his shoulder, some soreness,” Roberts said. “We just wanted to be proactive.

The team also optioned left-hander Charlie Barnes to triple-A Oklahoma City. And they recalled two fresh relievers, right-handers Paul Gervase and Chayce McDermott.

TORONTO — Jo Adell hit a pair of solo homers, José Soriano struck out seven over 7⅔ innings to stop a three-start winless steak and the Angels avoided a three-game sweep by beating the Toronto Blue Jays 6-1 on Sunday.

Oswald Peraza added a two-run homer as the Angels ended an eight-game road losing streak dating to April 16, while also ending a nine-game slump in Toronto.

Soriano (6-2) gave up two hits and a walk in the first inning, including Kazuma Okamoto’s RBI double, but didn’t allow another runner until Myles Straw reached in the eighth with an infield hit, ending a streak of 20 consecutive outs.

Sam Bachman replaced Soriano after back-to-back singles loaded the bases and got Vladimir Guerrero Jr. to ground into a forceout.

Peraza hit a two-run drive in a the fifth and Adell homered in the sixth and the ninth. All three homers came off Eric Lauer (1-5), who allowed six runs and five hits in five innings. He hasn’t won since March 29 against the Athletics.

Vaughn Grissom added a two-run double.

Blue Jays right fielder Addison Barger was scratched from the lineup because of a sore right shoulder. Barger returned Saturday after missing 29 games because of a sore left ankle and made a 101.2-mph throw to retire Jorge Soler at home plate.

Up next for the Angels: Cleveland LHP Joey Cantillo (2-1, 3.43 ERA) starts a series opener against the visiting Angels.

TORONTO — Brandon Valenzuela hit a three-run home run, Ernie Clement had a solo homer among his career-high tying five hits and the Toronto Blue Jays used a seven-run fifth inning to rout the Angels 14-1 on Saturday.

Mason Fluharty (2-0) worked one inning for the win as Toronto set season-highs in runs and hits (20).

Clement had infield singles in the second and fourth, then drove in a run with a hard single off the glove of third baseman Yoán Moncada in the fifth. He homered off Mitch Farris to begin the seventh, his second of the season, then singled in the ninth.

Valenzuela went four for five, with four RBIs in his first career four-hit game, coming within a triple of the cycle. He homered on the first pitch he saw from Farris in the fifth.

Mike Trout went 0 for 3 with three strikeouts before being replaced defensively by Bryce Teodosio, ending a 23-game run of reaching base in Toronto that began in May 2015.

Adam Frazier drove in the Angels’ only run with a pinch-hit single in the top of the eighth, then stayed in to pitch the bottom half. Frazier gave up four runs and five hits including a solo homer by Jesús Sánchez.

Jack Kochanowicz (2-2) allowed nine hits and seven runs, six earned, in four-plus innings. He faced six batters in the fifth but didn’t record an out. The Angels have lost 15 of their last 19 games.

Toronto’s Addison Barger walked twice in his return after missing 29 games because of a sprained left ankle. The Blue Jays optioned Yohendrick Piñango to triple-A Buffalo.

In the second, Barger caught Vaughn Grissom’s fly ball and threw home at 101.2 miles per hour to retire Jorge Soler for an inning-ending double play. It was the fastest throw on an outfield assist by any Blue Jays player since 2015, and the fastest in the majors this season.

Up next: Angels RHP José Soriano (5-2, 1.74 ERA) is scheduled to face Blue Jays LHP Eric Lauer (1-4, 6.03) on Sunday.

To describe a movie as including a ski mask, a camcorder and $50,000 in cash would certainly lead one to imagine a specific type of story. Add two men and sex work and the brain might roll around more pointed scenarios.

But none of that can prepare you for what micro-indie “Blue Film” has in store. The nexus of perversion, pain and sexual purpose driving writer-director Elliot Tuttle’s dark, discursive chamber drama is of a stripe rarely attempted in even the most self-consciously daring movies. Should you need a self-imposed break afterward from intimate two-handers, even Tuttle might understand, then wink in the general direction of his Pasolini posters. (I’m guessing at this provocateur’s wall art.)

Is it clear yet that “Blue Film,” set primarily in a house in Los Angeles over the course of a revelatory night, isn’t for everybody? Some of that “everybody,” incidentally, includes the festivals and distributors who rejected the queer filmmaker’s debut feature, despite having critical buzz, Tony-winning actor Reed Birney as one of its stars and indie guru Mark Duplass as a mentoring producer.

But certain subjects (spoilers ahead) are bound to trigger a different kind of scrutiny. Initially, our attention is on macho-posturing tattooed camboy Aaron (“Boots” star Kieron Moore), graphically boasting to his followers online of the big payday he’ll receive that evening from a submissive client. What he later encounters, however, at the door of a Craftsman on a quiet street is a masked, polite, older host (Birney) with a camera and, once it’s turned on, a lot of personal questions, the kind that begin to crack the facade of a young man used to being in control of his transactional life.

Then his client’s face is revealed and Aaron recognizes it’s his middle school teacher Hank, a convicted pedophile who once coveted him. Hank, who completed prison time for the attempted assault of a different boy, has made a cross-country trip to seek out the adult version of someone who could have been his first victim. He is still processing what he is, wondering if desire, even love, is available to him anymore.

The question is, will you care? Even viewed through Aaron’s cautious, clear-eyed empathy, it’s a steep ask. But you should. Tuttle’s fearless inquisition won’t insult your intelligence, ask your mercy or hogtie your feelings. Honestly, it’s refreshing to be repulsed and intrigued by a movie willing to plumb these psychological depths when Hollywood won’t. In its commitment to unvarnished talk — even if that leads to a clunky staginess — “Blue Film” has thoughts about identity, choice, sin and salvation. There’s a sincere engagement with humanity’s more difficult realities.

Needless to say, this type of graphically articulated exchange wouldn’t work if the performances didn’t land. Thankfully, Moore’s affecting portrayal of jumbled masculinity mixed with situational curiosity is well-calibrated, while Birney, a pro with a challenge, eases us into Hank’s weary self-possession (if not always the nauseating facts of it) before coloring outside the lines with a believably interesting philosophy about reckoning.

But “Blue Film” is tough, make no mistake. Awkward and searching, it exists in a filmic space that you could argue was opened up by last year’s courageous documentary “Predators.” And sometimes that gaze is just discomfiting, full stop. Tuttle wants that. He has room to improve but he’s someone to watch, plumbing the hard-to-fathom.

TORONTO — Dylan Cease struck out 10, reaching double digits for the third time in eight starts this season, and the Toronto Blue Jays stopped a four-game losing streak with a 2-0 win Friday night that sent the Angels to their 14th loss in 18 games.

Angels pitcher Alek Manoah returned from Tommy John surgery that had sidelined him since May 29, 2024, and faced his former team for the first time. The 28-year-old right-hander struck out one in a perfect eighth inning, reaching 93.8 mph with his fastball while throwing seven of 11 pitches for strike.

Cease (3-1) gave up five hits and walked none over seven innings in his 28th double-digit strikeout game.

Toronto (17-21) scored twice in the third on Kazuma Okamoto’s RBI single and Ernie Clement’s sacrifice fly off Reid Detmers (1-2), who gave up two hits and a career-high six walks in 3⅔ innings. The Angels dropped to 15-24.

Louis Varland earned his fifth save with a perfect ninth.

Up next: Angels RHP Jack Kochanowicz (2-1, 3.05) and Blue Jays RHP Trey Yesavage (1-1, 0.96) start Saturday.

WHEN Brits choose to have a staycation, most will head down to Cornwall or Devon for their beautiful beaches, but there’s a ‘secret’ isle that has just as much to offer – or possibly more.

The Isle of Wight is the largest island off the south coast of England and Darragh Gray has holidayed there almost 100 times – speaking to Sun Travel, he reveals his favourite beaches and where you can find the UK’s only blue sparkling wine.

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

Originally from Northern Ireland, Darragh’s family made the journey to the island every summer during the school holidays from when he was three-years-old.

Darragh explained: “I’ve been going as long as I can remember, every summer as a child we’d drive to Hampshire and take a ferry over.

“As a kid it always felt magical, like going to a secret island – and I fell in love with the landscape, the coastline and if anything, it’s only deepened as I’ve gotten older.”

GO ALL IN

Turkey has crazy cheap all-inclusive holidays this summer – 7 nights from £329pp

GO GREEK

Five cheapest Greek hols islands as country lets Brits SKIP huge EU airport queues

When the school holidays ended, Darragh continues to visit and has been to the island almost 100 times – he already has four trips planned for this year.

He added: “Even though it’s a really short ferry journey, it feels like going to a different world. It looks and feels like England, with a hint of the exotic.

“Parts of it almost feel Mediterranean. A lot of people say it’s like stepping back in time and I think there’s a lot in that.

“It’s full of history with its old buildings and villages, but it also has a vintage feel and a slower pace of life – but in saying that, it doesn’t feel stuck in the past.

“There are great restaurants, attractions and lots of lovely places to stay.”

The Isle of Wight is the largest island off the south coast and can be reached in as little as a 22-minute ride on the Wightlink ferry from Hampshire.

It doesn’t take long to explore the Isle of Wight as you can drive from one end to the other in one hour – but Darragh says there are so many places to explore in the middle, and around the coast.

When it comes to beaches, Darragh suggests heading to West Wight, the rural, western coastal region with dramatic cliffs and sandy beaches.

Darragh said: “Compton Bay is a lovely spot that feels remote, and you can go fossil hunting on the beach.

“Freshwater Bay is interesting because on a stormy day it looks wild with huge waves on the edge of the Atlantic – but on a calm summer’s day, you can feel like you’re on a Greek island.”

The Isle of Wight also has busier beaches with shores for building sandcastles and propping up windbreaks for a picnic.

“If you’re looking for a beach with all the fun of the traditional seaside – you can’t beat Sandown. It has miles of sand that run from a pier at one end to the cliffs at the other.

“Another great spot is a beach resort called Ventnor, which has the striking red and gold sand and shingle; that’s a lovely one to visit.”

When it comes to grabbing a bite to eat, there are plenty of pubs on the island – but some of Darragh’s favourites are two you might not naturally stumble upon.

“What I love about the pubs on the island is there’s so many beautiful historic ones and lots with awesome sea views.

“In Shanklin, tucked under the cliffs, is the Fisherman’s Cottage; it’s a lovely pub away from the main beach – sitting on the patio is one of my favourite places to be.

“On the south side of the island, in Ventnor, is the Buddle Inn, which dates back to the 16th century and used to be a spot for smugglers back in its day. It’s lovely to sit by the fire in the winter, or in the garden in the summer.”

When it comes to food, the Isle of Wight makes a lot of its own produce from tasty tomatoes to fresh seafood, and uniquely, blue wine.

“There’s one commercial vineyard on the island called Adgestone, and what you can buy from there is sparkling wine: white, red, and blue.

“I once took the wine to a barbecue and everyone was fascinated by it.

“The colour blue comes from the skin of the grapes, and I don’t know how they do it – but it’s an incredible turquoise-blue colour – it’s very tasty.”

Of course a trip to the Isle of Wight wouldn’t be complete without at least one chippy tea.

Darragh told us: “There are two I really like, the Happy Haddock in Shanklin, and Stotesburys in Newport – both are great value for money.

“For ice cream, there’s a fantastic Victorian ice cream parlour in Ventnor called Crave – they make a whole range of ice cream on site every day.

“There’s also a family business called Minghella, which has been going for years, and they make delicious ice cream. Their ginger ice cream is incredible.”

Places to stay on the island range from boutique hotels to Airbnbs, but another option is its holiday parks.

There are around 20 holiday parks on the island, some small, and others like Parkdean and Away Resorts, which offer affordable stays – Darragh has even booked week-long off-peak stays from £41.

And if you’re thinking about booking your own trip over to the isle and are wondering which season is best, Darragh has some advice.

“I go at all times of the year, and I love to see the island during different seasons.

During the winter, not everything is open, and it can be a bit more of a challenge getting about, especially on the buses.

“But it’s so lovely, quiet, and peaceful, and I would say if you have some time off and you’re worrying about if you’ll be bored during the winter, I’d say no – you can also get some great deals on accommodation.

“My favourite time, though, is around now, early spring and early summer. Everything’s green, there are lots of wildflowers, and it doesn’t have the summer holiday traffic.

“September into October is a lovely time to go, you still haven’t gotten into the depths of winter. It’s brilliant all year round.

“Even in peak summer, I’m always amazed, you don’t have to go too far for peace and quiet, there are so many hidden corners on the island to be discovered.”