Blue

BRITAIN’S answer to the Mediterranean with sandy beaches and palm-tree-lined promenades, won’t have a single Blue Flag beach this year.

Devon‘s English Riviera, formed of three towns – Paignton, Brixham and Torquay – will lose all of its Blue Flag beaches this year after the local council agreed to scrap the scheme.

At a recent meeting, Torbay Council agreed to leave the internationally recognised scheme which awards high-quality beaches.

While the English Riviera stretches across the South Devon coast, every single one of its awarded beaches sits under Torbay Council’s control.

There are six beaches in total with the award including Broadsands Beach in Paignton; Oddicombe Beach in Torquay; Preston Beach in Paignton; Torre Abbey Sands in Torquay; Breakwater Beach in Brixham and Meadfoot Beach in Torquay.

One beach – Oddicombe in Torquay – has even held a Blue Flag status since the scheme launched 38 years ago.

Read more on travel inspo

CHEAP BREAKS

UK’s best 100 cheap stays – our pick of the top hotels, holiday parks and pubs

GO ON

All the little-known websites for cheap or FREE tickets to gigs, theatre & festivals

The council has said that the decision has been made as local leaders believe the scheme wasn’t meeting the bay’s needs anymore and that it had become too expensive, reports theBBC.

The scheme has recently updated its criteria to include a requirement for designated zones for swimmers, surfers, boarders and motor boats at each beach.

However, for smaller coves, Torbay Council believes this is unpractical.

Councillor Martin Brook said: “I think the Blue Flag lot have shot themselves in the foot.

“Places all over the country are going to pull out of the scheme.”

The council is now planning to introduce a new scheme that would be run locally called the English Riviera Beach Standards (ERBS) scheme.

ERBS will replace the Blue Flag scheme, managing all of Torbay’s 25 beaches and coves and it would cost £260,000 less to run.

It will also allow the council to test the water standards more frequently.

The beaches will be accessed against three categories.

The first is ‘excellence’, which celebrates the highest-quality beaches in the area – ones that consistently have a great visitor experience.

The second category is ‘quality’, which looks at what unique offerings each beach has.

And the third category is ‘natural’, which highlights unspoilt beaches in the region.

Each beach will be assessed every year under the new scheme.

According to the council, the scheme will also allow water to be monitored more often, there to be a stronger focus on environmental protection and sustainability, visitor experience to be improved, be better value for money and more accurately present Torbay’s coastline.

Councillor Adam Billings, Cabinet Member for Pride in Place and Parking, said: “Torbay’s coastline is central to our identity, and these new beach awards will highlight just how deeply we value and protect it.

“By creating a locally designed system, we can focus on what truly matters to our communities, our visitors and our environment.”

Under the new ratings current Blue Flag beaches Oddicombe, Meadfoot, Torre Abbey, Broadsands and Breakwater would all move into the ‘excellence’ category.

Then in the ‘quality’ category, Maidencombe, Anstey’s Cove, Goodrington North and Goodrington South beaches would feature.

And finally, Watcombe, Petitor, Babbacombe, Peaked Tor, Corbyn Head, Livermead, Fairy Cove, Oyster Cove, Saltern Cove, Armchair Cove, Elberry Cove, Churston, Fishcombe, St Mary’s Bay, Beacon Cove and Hollicombe beaches would be in the ‘natural’ category.

The council added how Paignton and Preston Beaches will currently not be categorised due to a multi-million waterfront upgrade project taking place.

Locals are skeptical about the idea of a new scheme though, with one person commenting on social media: “Is the blue flag recognised across the globe?

“Why replace (your words) something that has been around for over 40 years. Unless you look to make cut backs on facilities.”

Another added: “Why have a local system that means nothing to our visitors…. Stick to the Blue Flag system that is known throughout the UK.”

The new scheme is set to come into force on March 2, with the former £11,000 Blue Flag budget being used to set up the scheme.

In other beach news, world famous UK beach closed to the public after storm damage.

Plus, our 26 must-visit UK beaches for 2026 – including tropical-feel spots and family-friendly finds.

It’s apparently naming season for autonomous air combat drones. Earlier today, we reported that General Atomics had given the name Dark Merlin to its YFQ-42A Collaborative Combat Aircraft (CCA) design. Now Northrop Grumman has stamped a new name on its YFQ-48A: Talon Blue.

Northrop Grumman first unveiled the drone this past December, at which time it was referred to simply as Project Talon, as you can read more about in our initial report here. Later that month, the U.S. Air Force gave it the formal designation YFQ-48A, and described it as “strong contender” to be part of its future CCA fleets. Currently, General Atomics’ YFQ-42A and Anduril’s YFQ-44A are the designs formally in development as part of the first phase, or Increment 1, of the Air Force’s CCA program. Northrop Grumman may now be under contract for the program’s Increment 2, but this remains unconfirmed.

The “YFQ-48A Talon Blue’s designation within the Air Force’s Collaborative Combat Aircraft program underscores the strategic alignment between Northrop Grumman’s manufacturing agility and the Air Force’s acquisition goals for low-cost, cutting-edge technology,” according to a press release the company put out today. “The aircraft’s design provides mission versatility through advanced modular manufacturing techniques that reduce part count and overall weight – shortening production timelines without sacrificing capability.”

The release does not offer a clear explanation of the significance of the new Talon Blue name. Northrop Grumman previously told TWZ and other outlets that the Project Talon moniker was a callback to the T-38 Talon jet trainer, as both had been designed with high performance, high maneuverability, and affordability in mind.

“And it’s got a cool sound to it, too,” Tom Jones, President of Northrop Grumman’s Aeronautics Systems sector, at the time of the drone’s official unveiling.

As for the new Blue addition to its name, this could be another callback, this time to Northrop’s hugely successful Tacit Blue demonstrator, aka the ‘Whale,’ which revolutionized America’s understanding of stealth technology at the dawn of the stealth age. Lockheed’s stealth demonstrator that led to the F-117 Nighthawk stealth combat jet was also called Have Blue. As TWZ has noted previously, the YFQ-48A is clearly optimized with low-observable (stealthy) characteristics. It also shares many similar features and a general layout with Tacit Blue. You can read more about what else is known about the Talon Blue design so far here.

Regardless, the Talon Blue name is welcome. As we noted with the announcement of the Dark Merlin name for General Atomics’ YFQ-42A, the nomenclatures and terms associated with the U.S. Air Force’s CCA program can often be obtuse to the general public. Being able to use specific names for the different drones helps. Anduril’s YFQ-44A has carried the nickname Fury from the very start, which traces back to its origins as a ‘red air’ training drone.

Beyond the YFQ-48A, Northrop Grumman is now also describing Project Talon as an entire “portfolio of modular, cost-effective and rapidly deployable aircraft that meet the customers’ autonomy needs.” That portfolio includes Talon IQ, formerly called Beacon, a “next-generation autonomous testbed ecosystem” that has been leveraging the Prism autonomy suite and Scaled Composite’s Model 437 Vanguard jet. Scaled Composites is a wholly-owned subsidiary of Northrop Grumman that was also involved in the development of Talon Blue.

Digital Ecosystem Takes Flight

Northrop Grumman has also now released a picture of the YFQ-48A flanked by the Model 437 and one of Scaled Composites’ earlier Model 401 jets, also known as the ‘Son of Ares,’ but it is not immediately clear if the latter is also part of the Project Talon portfolio. The Model 437 evolved from the Model 401. Concepts for uncrewed versions of the Model 401 and Model 437 have been shown in the past.

In December, Northrop Grumman said it was targeting a first flight for YFQ-48A about nine months down the road, or sometime in August of this year.

In terms of the Air Force’s CCA program, the service still has yet to make a decision about which Increment 1 CCA design, or both, it wants to buy in larger numbers. Nine companies are also now under contract to refine concepts under Increment 2. To date, the Air Force has not disclosed the names of any of the Increment 2 awardees, which, as noted, could include Northrop Grumman.

When it comes to the YFQ-48A, the company could also pitch it to prospective foreign customers. The marketspace for CCA-type drones, like what is now dubbed the Talon Blue, is steadily growing globally.

Contact the author: howard@thewarzone.com

When I asked Nordine Nid Hsain, the owner of my favourite Parisian bistro, why he sold up and left the capital to join the arty diaspora living in the Mediterranean port of Sète, he said: “What really drew me here was not Sète itself, but the natural paradise of the adjoining Thau lagoon. I love cycling and, after 10 years here, I am still excited to go out every day to explore the bike paths that run around the lagoon.”

He added: “There’s always something new to discover – beaches; wetland landscapes; enjoying a plate of freshly harvested oysters at the water’s edge; riding through the vineyards then tasting the wine in the vigneron’s cellar.”

Six months and 16 Oscar nominations ago, Delroy Lindo hopped on a Zoom call with the awards consultants running the campaign for Ryan Coogler’s genre-defying American horror story, “Sinners.” Actors don’t often participate in these meetings. But Lindo had received so much love for his turn as bluesman Delta Slim since “Sinners” premiered in April, he figured, “Why not sit in?” Mostly, he just wanted to ask one simple question: How can we make the most of this moment?

“I don’t know what their answer was, but it seems to have worked,” I tell him over lunch recently.

Lindo starts rapping on the wood table separating us and doesn’t stop until I ask if he’s a man given to superstition.

“Can I tell you where I think it comes from?” he asks. “I’m acutely aware absolutely nothing is promised. There’s no such thing as a sure thing. Anything can happen. So in knocking wood, one is trying to increase one’s chances that the outcome will be what one wants.”

So you’ve been knocking on wood for the last six months?

“Hell, yes!” Lindo answers, laughing. “Hell, yes!”

Now I’m the one who’s laughing, which Lindo appreciates. But he has more to say on the subject.

“You have to understand something,” he continues. “When an actor does a piece of work and it really touches people and has an impact like it did with Delta Slim and ‘Sinners,’ you can’t help but think how it might be broadened. I try to maintain an emotional distance because I have no control over much of it. Awards season.” He shakes his head. “So …” Lindo pounds on the table again. “Knock … on … wood.”

You want an illustration of the unpredictable nature of the acting profession? Lindo and I wouldn’t be at this table talking and rapping and toasting the first Oscar nomination of his long career if one particular cut of “Sinners,” the version Coogler showed him at the Imax headquarters in Playa Vista more than a year ago, had gone out into the world.

Lindo, left, on the set of “Sinners” with co-star Michael B. Jordan and writer-director Ryan Coogler.

(Eli Ade / Warner Bros. Pictures)

If you’ve seen the film, you’ll no doubt remember Delta Slim delivering a monologue in the car riding to the juke joint with Stack (Michael B. Jordan) and Preacher Boy (Miles Caton) where he recalls the lynching of a fellow musician. The scene ends with Lindo breaking into a guttural humming and drumming, expressing pain that transcends words.

When Lindo saw the movie that first time, the monologue had been truncated, and the scene preceding it, where their car passes a chain gang and Delta Slim stands and exhorts the prisoners to “hold your heads,” was gone too.

After the credits finished rolling and the lights came up, Coogler asked Lindo what he thought of the film. Lindo looked at him. “Can we talk, man?” They went outside, and Lindo laid out in his steady, resonant baritone why he thought Coogler needed to reinstate the chain-gang scene, which reveals Delta Slim’s origin story — and surely, since the chain-gang scene is intertwined with the monologue in the car, that should go back into the movie too.

“What Ryan did so brilliantly is he took the time to introduce all of the main characters in their native environments so the audience gets invested in them and what they mean to the community,” Lindo says. “For Delta Slim, those scenes were the fundamental building blocks.”

It should be noted that there were many different cuts of “Sinners”: one as short as 90 minutes, one that opened with the vampire Remmick being chased by the Choctaw, one without the celebrated surreal musical sequence that became the centerpiece of the film.

“The Delta Slim monologue had a lot of ‘Is it in, is it out?’ debate,” “Sinners” film editor Michael P. Shawver says. “But I knew in my heart and soul I was never going let the movie out without that being in it.”

Coogler, it turns out, saw it that way too.

Delroy Lindo.

(Bexx Francois / For The Times)

“I couldn’t imagine making a movie about the blues without giving some deeper context on what that music really signifies,” Coogler writes in an email. “It’s easy to get lost in the rhythm and the artistry of it all, but the blues was born from a lot of pain and adversity in a particular time and place. When I wrote the script, I felt like I needed a living, breathing embodiment of that, and Delroy nailed it.”

“We could have filmed that monologue a thousand different times and it would have taken on new life with each take,” Coogler continues. “The gut-punch way he ends it, going from telling the story of a lynching to drumming along and humming … it’s macabre, sorrowful and beautiful all at the same time. It shows you exactly why Delroy’s such a masterful actor. If you ever needed to give someone the world’s fastest lesson in what the blues is about, he gives it to you right there.”

“God bless him,” Lindo says.

“Working for the camera, we’re at the mercy of the editing process,” Lindo notes. He speaks slowly, deliberately, always choosing his words carefully because language is important to him. It’s his currency.

How does he feel about that loss of control?

“It’s scary,” Lindo says. “One had better make one’s peace with that very quickly. If you don’t, you will get your feelings hurt. It’ll be a problem.”

Asked to pinpoint when he came to terms with that, Lindo remembers “Clockers,” the 1995 Spike Lee crime drama in which he played the intimidating drug kingpin Rodney Little. It was his third collaboration with Lee, following “Malcolm X” and “Crooklyn,” and the two enjoyed a mutual respect and rapport. But Lee still cut three of Lindo’s scenes, which Lindo understood — “kind of, sort of.” Lee was looking at the larger story. Those scenes weren’t essential.

“Making one’s peace with it is not the same as accepting it and being happy with it,” Lindo says, raising an index finger, a gesture he often makes when telling you something he considers important. “It’s just the way it is. It’s a fact of life.”

When talking about his career, Lindo, 73, tells me more than once that “it’s not where you start, it’s where you finish.”

The first time he tells me this we are talking about one of his early lead acting turns, starring in the 1983 Yale Repertory Theatre production of “A Raisin in the Sun,” the story of a struggling Black family dealing with discrimination in 1950s South Chicago. Lindo played the frustrated patriarch, Walter Lee, and won some strong reviews. But he felt like he was the “weak link” in the production. In a GQ profile, it was written that Lindo, born in London, couldn’t convince himself that the African American experience was his to interpret.

“Nope,” Lindo says. “I did not say that.” Again, the index finger. “You’re giving me the opportunity to set the record straight.” He pauses and closes his eyes. “Doing that play, I had an inner monologue playing in my head that cast doubt on my ability to play the part successfully. And it continued and it grew. It became a tape and then an album and then a series of albums. It eroded my confidence.”

“You know what it was?” he continues. “It was a self-esteem issue. It was an issue of me saying to myself, ‘You’re not good enough. You want to do one of the great parts in the theater? No. You don’t have it.’ Now, what’s the root of all that?” Lindo laughs, clasps his hands together and raises them. “The roots of that are food for myself and a therapist.”

But there is a happy ending to the story. Lindo was cast once more as Walter Lee, for a production of “A Raisin in the Sun” mounted at the Kennedy Center in 1986. Lloyd Richards again was directing, indicating to Lindo that maybe he wasn’t as bad as he thought he had been. Richards did tell Lindo that he needed to jettison some of the neurotic choices he was making as an actor.

“Those are the words he used, ‘neurotic choices,’” Lindo says, shaking his head. He pauses. “Man, I’m giving you a lot here. But it’s OK. You know why it’s OK?”

Because you’re enjoying our conversation? I venture.

Delroy Lindo.

(Bexx Francois / For The Times)

“No,” Lindo says. “I’m not particularly enjoying telling you about my failures. But this was an absolute period of growth for me as an actor all because I learned the most important thing: preparation, preparation, preparation.”

For his reprise of “A Raisin in the Sun,” Lindo called musical multihyphenate Oscar Brown Jr. and asked if he could fly to Chicago and pick his brain about life on the city’s South Side in the 1950s. Lindo walked the streets where “Raisin” playwright Lorraine Hansberry lived, steeping himself in what it meant to exist in that place and time. After that, the tape was no longer playing in his head, even when co-star Esther Rolle’s face fell after she realized that Lindo had been cast as Walter Lee. She thought she’d be headlining with Glynn Turman, but Turman had dropped out.

“Eight days, maybe nine into rehearsals, Esther turned to me — and this is when I knew it was going to be all right — and she said, ‘You’re a nice actor,’” Lindo remembers, smiling.

Preparation, preparation, preparation. For Delta Slim, Lindo read books on the blues, listened to Son House, Muddy Waters and Howlin’ Wolf and immersed himself in the culture of the Mississippi Delta. When it came time to shoot that monologue in the car, he was ready. On the next-to-last take, Lindo improvised, letting music take the place of words. Jordan went with it, turning to Caton in character, saying, “You got that guitar in your hand, don’t you, boy?” Caton begins playing.

“Man, we were all in the work,” Lindo says.

Where did that improvisation come from? I ask.

“It’s the musical manifestation of the pain I’m feeling,” Lindo says. “It’s the only thing I know how to do in that moment.”

It’s the blues.

“It’s the blues, man,” Lindo says. “I’ve heard it said numerous times: That’s where the blues comes from. And as an actor who participated in that moment, communicating that is extraordinary and profoundly gratifying.”

(Bexx Francois / For The Times)

Feb. 5 (Asia Today) — Merchants in Seoul’s Hyoja-dong neighborhood say the long-anticipated economic boost from President Lee Jae-myung’s return to the Blue House has failed to materialize, while commercial areas around the former presidential office in Yongsan continue to struggle.

Restaurants near the Blue House, once hopeful that an influx of staff and visitors would revive lunchtime demand, report thinning crowds and declining sales.

“Business is slow these days,” said Kim Kwang-jae, 64, who runs a Korean restaurant in Hyoja-dong, Jongno District. Despite offering discounted meals to Blue House staff and police officers, Kim said daily customer numbers hover around 70, far below expectations.

When the Blue House was open to the public, his restaurant served about 150 customers a day, providing a brief lifeline to nearby eateries and market stalls. That traffic evaporated after public access was suspended last August, merchants said.

Hope briefly returned after President Lee announced plans to resume work at the Blue House. On Jan. 29, he instructed staff to eat outside the compound every Wednesday in an effort to support local businesses. Wednesday marked the first day after the directive took effect.

The scene on the ground, however, told a different story.

Jeon Sun-myeong, owner of a dumpling shop in nearby Tongin Market, said customer numbers have fallen since the return to the Blue House. “I can’t even prepare dumplings in advance anymore,” she said, noting that the impact is especially severe for low-margin, high-volume businesses.

An official from the Tongin Market Merchants’ Association said frequent protests near the Blue House have further reduced foot traffic. Demonstrators occupying roads near market entrances have discouraged visitors, the official said, adding that declining orders are also hurting suppliers who provide ingredients to nearby restaurants.

A similar downturn is unfolding in Yongsan, which had benefited from increased activity after the presidential office moved there in 2022.

Around lunchtime in the Hangang-ro area, restaurant-lined alleys stood largely empty, with rows of mourning wreaths protesting the government’s Jan. 29 housing supply measures adding to the somber atmosphere.

“Our customers were mostly office workers,” said Jin Seon-il, 64, who has operated a knife-cut noodle restaurant in the area for 23 years. “Since the office moved back to the Blue House, the drop in lunchtime customers has been immediate.”

While nearby Yongridan-gil remains popular with younger crowds, Jin said most visitors favor cafes and bars over traditional eateries. “Rents rose during the presidential office era, but customers are gone,” he said.

Shin Deok-soon, 67, who runs a gamjatang restaurant, said she relocated to Yongsan three years ago to capture lunchtime demand tied to the presidential office. After Lee’s return announcement, she said sales steadily declined, forcing her to lay off all employees at the start of this year and raise menu prices.

A local real estate agent said commercial rents in Yongsan surged two to three times following the presidential office relocation and have yet to come down. “With rents staying high and sales falling, more shops are closing,” he said.

Office worker Kim Min-gyu, 27, said several once-popular eateries have already shut down. “A year ago, you had to line up at lunch,” he said. “Now you can walk right in.”

The Yongsan Small Business Association has urged lawmakers to adopt measures to revive the area. An association official said rising rents and falling foot traffic are placing severe strain on merchants and called for practical steps to ease rent burdens and draw customers back.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260205010002050

A poignant tribute has been paid to a forgotten Blue Peter star, who died at the age of 28 after a brave health battle. The presenter wowed both on screen and on stage

Tributes have been paid to a talented Blue Peter presenter who was sacked before his tragic death.

At just 12-years-old, Michael Sundin had already become a trampolining champion, a talent that would prove instrumental in securing his position as a Blue Peter presenter in 1984.

Prior to joining the beloved children’s show, Michael had performed in Andrew Lloyd Webber’s acclaimed musical Cats before going on to portray Tik-Tok in Disney’s Return To Oz.

He caught the attention of Blue Peter producers while being interviewed by the programme’s then-presenter Janet Ellis, resulting in his appointment alongside her and Simon Groom.

Taking over from the show’s celebrated presenter Peter Duncan, Michael swiftly gained recognition for his adventurous exploits on Blue Peter, covering film sets and even paying a visit to Elton John’s residence.

READ MORE: B*Witched now – admin job, dark place, and shots of vodka amid marriage woes

However, despite his natural screen presence, Michael’s stint on Blue Peter proved brief; he departed the programme after less than a year, allegedly when his contract wasn’t renewed. He then heartbreakingly passed away from an Aids-related illness aged just 28, in 1989.

Michael, fondly recalled by those close to him as a “blond, outgoing, gregarious ball of fun”, was cruelly outed by the media as gay during his short tenure on Blue Peter.

While then-Editor Biddy Baxter attributed his departure to lack of viewer appeal, his exit became mired in scandal as numerous sources suggested it stemmed from his sexuality, OK! reports.

During a 2007 television interview, Baxter dismissed these allegations, stating: “It was his leaving the programme because children didn’t like him – nothing to do with his sexual proclivities”.

After leaving Blue Peter, Michael went on to pursue acting, featuring in the 1987 film Lionheart. He performed in touring stage shows including Seven Brides For Seven Brothers and Starlight Express, and made an appearance in Rick Astley’s 1988 music video for She Wants To Dance With Me. Tragically, that same year Michael became unwell. He passed away at Newcastle General Hospital aged just 28, with initial reports suggesting his death was caused by liver cancer.

This week, The Elstree Project paid a poignant tribute to Michael’s talents as they looked back on his role as Tik-Tok. They wrote: “Michael Sundin was the performer inside Tik-Tok in Return to Oz (1985). His contribution was not animatronic control or puppetry, but full-body suit performance: movement, balance, timing and physical character, carried out under extreme physical and technical constraints.

“Tik-Tok was a hybrid creation. His head, eyes and facial details were operated externally by puppeteer Tim Rose using mechanical and radio-controlled systems, while the voice was added later in post-production. But the character’s weight, rhythm and locomotion came entirely from Sundin. He was responsible for making a rigid, four-foot copper robot feel grounded, deliberate and alive.

“The physical challenge was extraordinary. Sundin was folded double inside a small Kevlar suit, arms crossed, head tucked between his legs, walking backwards throughout filming. To navigate the set, he relied on a small internal monitor relaying an external camera feed — upside-down and reversed. This demanded constant recalibration, spatial intelligence and muscular control.”

Meanwhile, the programme’s oral history director, Walter Murch, said: “When Michael Sundin died in 1989 from an AIDS-related illness, aged just 28, there was only a small on-air acknowledgement of his passing on Blue Peter with no retrospective of his work in the way other presenters have been respected. In an era marked by stigma and silence, much of his contribution was quietly erased, and he was notably absent from anniversary clips and montages until the 60th anniversary.

“Sundin’s work on Return to Oz deserves to be understood clearly. He was not an animatronics operator or a puppeteer, but a suit performer whose body performed in a complex system of mechanical, electronic and human collaboration. Without his performance, Tik-Tok would not move as he does on screen. As we celebrate the technical innovations that took shape at Elstree, it’s worth remembering how many depended on performers willing to endure extraordinary conditions to make new forms of cinema possible.”

Following Michael’s passing, Blue Peter presenter Yvette Fielding paid tribute, joined by colleagues John Leslie and Caron Keating. She said: “We had one piece of very sad news during the summer. As many people may have heard, Michael Sundin – who presented Blue Peter five years ago – tragically died at the very young age of 28. Michael had been ill for a little while but the news of his death came as a great shock to all of us.”

FOR dolphin spotting, Blue Flag coastlines, and cafés right on the beach, head to Tynemouth.

This pretty town has also just been named one of the best places to live in the North East.

Tynemouth, as its name suggests, is situated right by the mouth of the river Tyne, along the North East coastline.

Now, it’s been named as one of the top places to live in the region by Garrington Property Finders.

Out of 1447 places around the country, Tynemouth in Northumberland ranked at number 85.

However, when totted up with other locations in the North East – it came out sixth.

GO SEA IT

£9.50 holiday spot with shipwrecks, seals offshore & horseshoe-shaped waterfalls

SIGHT SEA

£9.50 holidaymakers’ favourite Skegness activities… away from the beach

Tynemouth sits between Whitley Bay and North Shields and is home to one of the best beaches in the area called Longsands.

The beach has a mile of golden sand, has been awarded Blue Flag status, and is known for having excellent surfing conditions.

One recent visitor wrote on Tripadvisor: “Lovely sand, clean. Plenty of people seen swimming, playing, boarding and walking so it’s popular but not packed.”

Another added: “Beautiful beach that’s dog friendly – loads of nice bars and coffee shops within walking distance. Stunning year around.”

Dogs are generally welcome on the northern end of Longsands beach year-round.

In the summer season between May and the end of September at the southern end of the beach and at King Edward’s Bay restrictions are in place.

Beachgoers regularly spot dolphins offshore from the beach, particularly during summer months.

Aside from spending a day at the seaside, there’s plenty for families to do including heading to the Lost World Adventure crazy golf and the Tynemouth Aquarium.

One of the most popular cafés in Tynemouth is Crusoe’s where visitors can eat right on the sand and take in the seaside view.

You can pick up breakfasts, sandwiches and the classic beach supper, fish and chips from £13.95.

Another fish and chips shop called Marshall’s which is found in the town centre is so busy it usually has customers queueing out the door.

Marshall’s is named after Jimi Hendrix who, according to a blue plaque in the restaurant’s window, ate fish and chips there while playing a show in Newcastle in March 1967.

This summer, the town will hold its annual Mouth of the Tyne Festival between July 9-12.

It’s held within the ruins of the Priory which is on top of the headland and looks over the beach.

Some of the other top places to live in the North East were the village of Wickham in Tyne and Wear and Alnwick in Northumberland.

For more on seaside towns, these are our favourites picked by Sun Travel  – with seal cruises, seafront pubs and secret beaches.

Plus, this pretty village regularly named ‘UK’s most beautiful’ is the perfect spot for a weekend break.

Feb. 3 (Asia Today) — Senior aides at South Korea’s presidential office have begun selling real estate holdings as President Lee Jae-myung intensifies his campaign to eradicate housing speculation.

Blue House spokesperson Kang Yu-jeong has listed her apartment in Giheung, Yongin, Gyeonggi Province, while Kim Sang-ho, head of the presidential press office, is selling six multi-unit houses in Seoul’s Daechi-dong neighborhood of Gangnam, a Blue House official said Tuesday.

Kang owns an apartment in Banpo-dong, Seocho District, under her spouse’s name, as well as the Yongin property under her own name. Kim jointly owns an apartment in Gui-dong, Gwangjin District, with his wife in addition to the Daechi-dong properties.

A Blue House official said Kang listed the Yongin apartment, where her parents live, and added that Kim had placed his Gangnam properties on the market some time ago.

As the two senior aides move to dispose of homes they do not reside in, attention is turning to whether similar action will follow among other high-ranking officials. Asset disclosures released earlier showed that 12 of 56 Blue House aides at the secretary level or higher own two or more properties.

President Lee has repeatedly emphasized his determination to stamp out real estate speculation since the start of the year. He has issued warnings on social media for four consecutive days, criticizing opposition parties and parts of the media while vowing to crack down on what he called “ruinous” speculative behavior.

Despite the recent sales, officials said Lee has not directly instructed aides to sell their properties.

During a Cabinet meeting Tuesday, Lee addressed criticism surrounding calls for public officials with multiple homes to sell first.

“I also think this is problematic,” Lee said. “If I tell them to sell and they do, it means the policy itself is ineffective.”

He added that the government’s goal is to create conditions that make holding multiple homes economically irrational. “We must make them conclude on their own that resolving multiple home ownership is in their interest,” he said.

Opposition pressure has also mounted. Reform New Party leader Lee Jun-seok said Monday he would directly ask ruling party lawmakers and government officials whether they plan to sell their properties by May 9.

“If they do not sell by then, the market will conclude that even policymakers themselves do not believe the policy will work,” he said.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260203010001235