Big

Walt Disney Co. and Pixar’s “Hoppers” took the box office crown this weekend in an encouraging sign for the company’s original animated films.

The film generated $46 million in ticket sales in the U.S. and Canada, marking the highest domestic opening for an original animated movie since 2017’s “Coco,” according to studio estimates. The global box office total for “Hoppers” was $88 million.

The zany movie features a young environmental advocate who “hops” her consciousness into a robotic beaver and bands together with other woodland creatures to stop a planned freeway expansion through a glade.

The film is directed by Daniel Chong, who created the Cartoon Network animated series “We Bare Bears.”

The muscular debut for “Hoppers,” as well as the strong performance from Sony Pictures Animation’s “Goat” last month, has been a positive sign for audience interest in original animated films.

Since the pandemic, theatrical returns for animated sequels have far surpassed that of original films. Disney’s “Zootopia 2,” for instance, has now grossed more than $1.8 billion in global box office revenue, with more than $426 million domestically. Disney and Pixar’s 2024 hit “Inside Out 2” also crossed more than $1.6 billion globally.

By contrast, Disney and Pixar’s 2025 original film “Elio” brought in about $154 million in worldwide box office revenue.

Original films are vital to Pixar’s future, as the Emeryville-based studio built its reputation on its string of nearly uninterrupted original blockbuster hits, including 1995’s “Toy Story” and 2004’s “The Incredibles.”

Paramount Pictures and Spyglass Media Group’s “Scream 7” came in second at the box office with $17.3 million in its second weekend in theaters. Warner Bros. Pictures’ “The Bride!,” Sony’s “Goat” and Warner Bros.’ “Wuthering Heights” rounded out the top five at the box office, according to data from Comscore.

With several strong releases, as well as popular holdover films from 2025 that continue to bring in revenue, the first few months at the box office have been a notable improvement over last year’s dismal first quarter.

Domestic box office revenue so far is up more than 12% compared to the same time period in 2025, according to Comscore.

INDIANAPOLIS — As it turns out, the UCLA women’s basketball team was more than ready for the moment.

After competitive games in their first two Big Ten tournament contests, the Bruins dismantled No. 2 seed Iowa from start to finish during a 96-45 victory from Gainbridge Fieldhouse to seal an NCAA tournament berth and win the Big Ten.

The 51-point win was the largest margin of victory in Big Ten championship history, eclipsing the 33-point mark Iowa set in its 2023 win over Ohio State. UCLA’s 34 team assists were also a Big Ten championship record, and a season-high for the Bruins.

In front of a Iowa-heavy crowd, the Bruins put up one of their best shooting games of the season, firing 63% from the field. Gianna Kneepkens tallied 19 points and all five starters reached double digits.

It was UCLA’s 25th consecutive win dating back to November.

Kiki Rice finished with 15 points and eight assists, earning Big Ten tournament most outstanding player honors.

After Iowa (26-6, 15-3) held down Michigan in the semifinal, the Bruins (30-1, 18-0) returned the favor. The Hawkeyes tallied just five first-quarter points, their season-low in any period.

Iowa missed nine consecutive shots and committed four turnovers during a five-minute run during which UCLA mounted an 11-0 run. By the second quarter, the Bruins built a 25-point lead.

UCLA scored netted back-to-back three-pointers in 25 seconds early in the third quarter to take a 32-point advantage — 55-23.

As the Bruins did Saturday against Ohio State, UCLA relied on its defense to extend its lead. The Bruins forced 19 Iowa turnovers that led to 22 points in transition. They also held Iowa to 28% from the field.

The Hawkeyes likely earned themselves a No. 2 seed in the NCAA tournament with their conference performance.

UCLA will learn its seeding and bracket placement during Selection Sunday next week before hosting first and second round contests.

IN northern Portugal is a beautiful city that was once the home of the country’s very first king.

This year it’s set to become even more popular on the map this year thanks to it being awarded the title of European Green Capital for 2026.

Guimarães is well-known for being the home of the country’s first king who was born there around the year 1109.

Dom Afonso I was the first King of Portugal, he reigned from 1139 until his death in 1185 – and secured Portugal’s independence from the Kingdom of León.

Visitors to the city can to this day see Guimarães Castle, the 10th-century fortress is said to be the actual birthplace of the first Portuguese king.

Tourists are allowed to enter the castle, although it is unfurnished, for around £5.

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When it comes to food and drink, one visitor on Tripadvisor wrote that you could pick up wine between €3.75 and €4 (£3.49).

In Northern Portugal, most restaurants and bars will serve ‘fino’, a small draft beer that you can usually pick up for around €2 (£1.74).

Something else to try is Guimarães’ take on Doces conventuais – which are traditional Portuguese desserts.

A Torta de Guimarães is a crescent moon-shaped pastry with a thin, flaky, and crispy puff pastry shell.

It’s filled with a sweet and creamy mixture of egg yolks, sugar, ground almonds, and chila (gila) squash jam.

Any bakery in the city is likely to sell Tortas de Guimarães which you can usually pick up for around €3 (£2.62).

Guimarães is Largo do Toural is at the the heart of the city. The central square was once used as a market and now has vibrant cafes.

For some incredible views, head up to the cable car which connects the city centre to the summit of the nearby Monte da Penha.

It travels up 1700 meters so you can get incredible views across the whole region.

At the very top is the Penha Sanctuary, a modern, art-deco-style church.

The Guimarães Cable Car typically costs €10 (£8.72) for a return.

This year, Guimarães has been named European Green Capital for 2026.

Part of the reason Guimarães was selected for this was its green spaces – between 2012 and 2023, the city added 95.7 hectares of natural spaces.

This includes along the main rivers and in its forests.

If you want to see it for yourself, Guimarães has a Green Map which takes visitors from Penha Mountain into the city.

Along with it, events are being held all year – Guimarães will host its spring festival in late March where there’s a 10km race through the city.

In April it will hold a three-day contemporary dance festival and the city will take part in Green Week in June as well as Mobility Week in September.

For Brits, the best way to get to Guimarães is by flying to Porto – which is around 25 miles away.

From there, you can hop on a direct bus which takes just 35 minutes and costs £5.

Here’s another quaint Portuguese canal city with white-sand beaches and cheap wine…

For striped houses that look like giant beach huts and beautiful stretches of coastline – head to Aveiro.

The city in Portugal sits on the west coast and is much less known than its neighbour – Porto – and is considered to be the country’s ‘Venice‘.

Along with its waterways, Aveiro is known for its beautiful waterfront houses, bars and boat tours.

The city is built around water including the Ria de Aveiro which is a shallow coastal lagoon – and throughout Aveiro are lots of canals.

The largest is Canal Central de Aveiro, right in the city centre and it’s here where tourists can hop onto a boat and take a river cruise.

Dotted along the water are the brightly coloured Moliceiro boats which were historically used to collect seaweed.

Now, these are used for leisure tours which you can book from €13 (£11.22).

A local pint will set you back just €2.75 (£2.38).

Just a short trip from Aveiro is the Bairrada Region Proximity, which produces plenty of sparkling and red wine, so the city is also perfect for wine lovers.

It is an excellent hub for exploring vineyards on reasonably priced tours, and bars and restaurants in the city centre offer glasses from as little as €2.30 (£2).

Aveiro is known for a local delicacy called ‘ovos moles’ – these traditional Portuguese pastries are essentially a sweet, creamy egg yolk and sugar mixture inside a thin wafer shell.

You can pick these up in local cafes or bakeries for around €1.60 (£1.38) each – and if you treat yourself to a coffee, it will cost as little as €2.16 (£1.87).

Plus, here’s the secret side to Portugal crowned one of the best places in Europe to visit this year.

And here’s a definitive guide on where to eat, sleep, drink and sunbathe in Portugal’s Algarve by the locals.

INDIANAPOLIS — The UCLA women’s basketball team’s tear through the Big Ten continued on Friday, as the Bruins defeated Washington 78-60 to advance to the conference tournament semifinals.

Behind 26 points from center Lauren Betts, the No. 1 seed Bruins took down No. 8 seed Huskies with an explosive second half to stay undefeated in conference play.

Washington (21-10, 11-9), which defeated No. 9 seed USC on Thursday to advance to the quarterfinal, struggled to respond to UCLA’s second-half surge and trailed by 19 in the fourth quarter.

UCLA (22-1, 19-0), the second ranked team in the nation in the Associated Press top 25 poll, started slow, missing five consecutive shots in a five-plus minute scoring drought in the first quarter. The Bruins’ six first-quarter points were a season low.

The Huskies extended a 10-point lead into the second quarter. Betts, though, kept the Bruins’ deficit from growing with 10 points in the first half, sparking a 15-2 run during the final 6:10. UCLA, which boasts the best three-point percentage in the Big Ten, didn’t make any treys in the first half and didn’t hit one until Kiki Rice’s with 5:27 left in the third quarter.

It tied for the worst three-point shooting performance from the Bruins this season (one for 10).

UCLA led 27-24 at halftime.

Washington went up briefly in the third quarter, powered by 18 points from guard Avery Howell, but the Bruins scoring finally found their rhythm shortly after. UCLA shot 54% overall from the field.

It was UCLA’s 10th consecutive win against the Huskies. It was the Bruins’ 23rd straight win overall after last losing on Nov. 26.

UCLA will face the winner of No. 4 seed Minnesota and No. 5 seed Ohio State in a Big Ten tournament semifinal on Saturday, with a berth in the Big Ten championship game on the line.

INDIANAPOLIS — If the USC women’s basketball hoped to make a case for a favorable NCAA tournament seed, the Trojans did themselves no favors during the past two weeks culminating with Thursday’s Big Ten tournament loss.

The No. 9 seed Trojans let a second-round tournament contest against No. 8 seed Washington get out of hand in the third quarter, stumbling to a 76-64 loss at Gainbridge Fieldhouse. USC’s conference run ended quickly after the Trojans delivered one of their worst offensive outings of the season.

It was USC’s fourth consecutive loss, putting its NCAA tournament positioning in question.

USC (17-13, 9-10) didn’t make its first three-pointer until the 3:30 mark in the second quarter, just the Trojans’ fifth made basket of the game overall. The Trojans trailed 32-20 at the half while shooting just 25%.

Washington (21-9, 11-8) took a 20-point lead near the end of the third quarter while USC struggled to 1-for-7 shooting during that stretch.

USC made it a 10-point game with 1:51 to play as the Trojans’ aggressive half-court press forced Washington turnovers, but even the team’s 26-point fourth quarter couldn’t rescue it.

The Huskies and Trojans entered Thursday with the third and fourth best defenses in the conference, respectively. That didn’t deter a Washington offense that shot 50%, its fourth-best effort all season.

But USC was stymied and put up its fourth-worst shooting of the year at 31%. Point guard and Big Ten freshman of the year Jazzy Davidson shot 2-for-13 after briefly leaving the game in the first quarter with a right shoulder injury and playing the rest of the contest with it wrapped under her jersey. She didn’t see the floor again after the 7:12 mark in the fourth quarter.

Davidson said after the loss she is getting an MRI on her shoulder to determine the extent of the injury.

Washington outrebounded USC 43-26. Huskies guard Elle Ladine led the game with 25 points. Londynn Jones netted 19 for the Trojans.

USC entered Thursday boasting the No. 22 NET ranking in the country and will likely get an at-large NCAA tournament bid, but Thursday’s loss put a good seed in peril.

The Huskies will face No. 1 seed UCLA (28-1, 18-0) in the quarterfinal on Friday at 9 a.m.

Rams playing ‘Let’s Make a Deal’

From Gary Klein: Les Snead, no stranger to blockbuster trades involving first-round picks, might be on the verge of doing it again.

On Wednesday, the Rams general manager appeared to be getting closer to addressing his team’s most pressing need by nearing a possible agreement with the Kansas City Chiefs to trade for cornerback Trent McDuffie, a person with knowledge of the situation said. The person requested anonymity because an agreement had not been finalized.

According to multiple reports, the Rams would send a first-round pick — the 29th overall — and fifth- and sixth-round picks in this year’s draft and 2027 seventh-round pick to the Chiefs in exchange for McDuffie.

McDuffie, 25, is a former Anaheim Servite and Bellflower St. John Bosco High star who was a first-round pick by the Chiefs in 2022. He was an All-Pro in 2023 and has three career interceptions. He is due to earn $13.6 million this season in the final year of his rookie contract.

The acquisition of McDuffie would strengthen a cornerback group that was often a liability last season. During four seasons with the Chiefs, McDuffie forced eight fumbles, three interceptions and broke up 34 passes.

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Struggling USC loses sixth in a row

Zoom Diallo scored a career-high 26 points, Hannes Steinbach added 22 with a career-best 24 rebounds, and Washington rolled past USC 91-72 on Wednesday night.

Washington took the lead for good with 12:31 remaining. A 13-0 run that started with 4:33 to play pushed the Huskies’ lead to 85-65 with about two minutes left. Diallo scored on a dunk and Nikola Dzepina added a three to end the surge.

The Huskies (15-15, 7-12 Big Ten) swept the season series against USC, and have won three of their last five. The Trojans (18-12, 7-12) have lost six straight and 11 of their last 17 games.

Alijah Arenas scored 19 points and Ezra Ausar had 17 for USC. Jacob Cofie and Jordan Marsh added 14 points apiece.

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USC box score

Big Ten standings

Opportunity is knocking for Alex Freeland

From Jack Vita: For 24-year-old Alex Freeland, the time is now.

After the switch-hitting middle infielder enjoyed a cup of coffee in the big leagues last season, he’s trying to break camp with the Dodgers and get increased playing time at second base with veteran Tommy Edman expected to be on the injured list as he works his way back from right ankle surgery.

Freeland, who played 29 games with the Dodgers last season, and second-year utility man Hyeseong Kim, who played 71 games and was on the postseason roster, are among those vying for playing time at the start of the season, with veteran Miguel Rojas and and nonroster invite Santiago Espinal also in the mix.

Kim, who started Cactus League games at second base and center field, recently departed for the World Baseball Classic as he competes for Team South Korea, opening a door for Freeland to get more reps in the heart of the Cactus League season.

“Opportunity is present, so I’m trying to make the most of it,” Freeland said. “It sucks that Tommy’s not ready and he won’t be ready for the beginning of the season. He’s a big part of this team, so I wish him a super speedy recovery and I hope that he gets out there as quickly as possible. But yeah, with Hyeseong being gone, I am getting more reps at second and short, so I’m just trying to make the most of them.”

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Lakers hope win sparks greatness

From Thuc Nhi Nguyen: A three-pointer clanked off the side of the backboard. Four players were whistled for technical fouls. Passes from the Lakers and the New Orleans Pelicans sailed out of bounds.

The errors added up to an ugly game. The result, however, was beautiful for the Lakers, who notched a 110-101 comeback win over the Pelicans on Tuesday night at Crypto.com Arena. They clawed back from an eight-point deficit in the fourth quarter to win their third consecutive game, showing the kind of resolve coach JJ Redick said he hasn’t seen since November when the Lakers started 15-4.

“Nights like this can change the trajectory for teams and players,” guard Marcus Smart said. “So hopefully this win and tonight, in the way, the fashion that we won it, kicks our confidence up.”

Here are three takeaways from the game:

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Clippers beat the Pacers

Kawhi Leonard scored 29 points, Bennedict Mathurin scored 23 on 8-for-11-shooting, and the Clippers won their third in a row, 130-107 over the Indiana Pacers on Wednesday night.

Brook Lopez had 17 points for the Clippers while Darius Garland had 12 in his first home game since being acquired in a trade from the Cleveland Cavaliers last month.

Pascal Siakam had 29 points in his return after sitting out three games with a left wrist sprain to lead Indiana, but the Pacers lost their seventh in a row and fell to the bottom of the Eastern Conference standings with a 15-47 record.

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Clippers box score

NBA standings

Ducks defeat Islanders

Cutter Gauthier scored twice in a span of just over three minutes in the first period, backup goalie Ville Husso stopped 42 shots and the Ducks beat the New York Islanders 5-1 on Wednesday night.

Beckett Sennecke, Ryan Poehling and Frank Vatrano also had goals to help the Ducks to their 13th win in 16 games.

David Rittich had 20 saves for the Islanders, who had their five-game winning streak snapped despite outshooting the Ducks 43-25. Anders Lee scored the 304th goal of his career, tying Clark Gillies for the fourth-most in franchise history.

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Ducks summary

NHL standings

Lou Holtz dies

Lou Holtz never met an opponent that couldn’t beat him. Somehow, he squeaked out nearly 250 wins and a national title while cementing himself both as one of the most lovable and unlikable characters in college football — a one-of-a-kind iconoclast in a profession brimming with originals.

The pint-sized motivator who restored greatness at Notre Dame and demanded it everywhere else he went died in Orlando, Fla., Notre Dame announced Wednesday. He was 89.

Spokeswoman Katy Lonergan said the family did not provide a cause of death.

“Notre Dame mourns the loss of Lou Holtz, a legendary football coach, a beloved member of the Notre Dame family and devoted husband, father and grandfather,” Notre Dame president Rev. Robert A. Dowd said in a statement.

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This day in sports history

1924 — Frank Carauna of Buffalo becomes the first to bowl two straight perfect 300 games. Carauna throws five strikes to open his third game, giving him 29 straight strikes.

1931 — WGL radio broadcasts the first game of the American Basketball League championship series. The Brooklyn Visitations beat the Fort Wayne Hoosiers 14-10 in the first pro basketball game to be broadcast live on radio.

1960 — Carol Heiss wins the ladies title at the World Figure Skating Championships in Vancouver.

1965 — Ernest Terrell wins the world heavyweight title with a unanimous 15-round decision over Eddie Machen in Chicago.

1973 — New York Yankee pitchers Fritz Peterson and Mike Kekich announce that they’ve swapped wives and children.

1981 — Scott Hamilton wins the men’s title at the World Figure Skating Championships held in Hartford, Conn.

1985 — Mike Bossy of the New York Islanders scores his 50th goal, becoming the first NHL player to score 50 goals in eight consecutive seasons.

2004 — Ottawa and Philadelphia combine for an NHL-record 419 penalty minutes, with the Flyers setting a single-team mark with 213. There are five consecutive brawls in the final two minutes, including one involving both goalies. The previous record for penalty minutes was 406 by the Minnesota North Stars and Boston Bruins in 1981. The Flyers beat the Senators 5-3.

2016 — Makai Mason scores 22 points to lead Yale to a 71-55 victory over Columbia, clinching the Bulldogs’ first NCAA Men’s Tournament bid since 1962. The Bulldogs shared the Ivy championship last year with Harvard, but lost the playoff game with the Crimson. The win ends the second longest NCAA drought of any team that has made the tournament previously.

2016 — Clemson beats Boston College 66-50, completing the Eagles’ winless regular season in Atlantic Coast Conference play. The Eagles (7-24, 0-18) are the first men’s ACC team to go winless in their conference regular-season games since Maryland went 0-14 in 1986-87. Worse, BC’s football team went 0-8 in league play, making the school the first in ACC history to go winless in both sports in the same academic year.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Specialist Claer Barrett issued the advice to concerned people who have flights in the area booked

A travel specialist is calling on Brits to stay calm and follow crucial guidance if their travel arrangements have been jeopardised due to the US-Israel military action against Iran. Travel chaos continues to plague the Middle East as Iran launches counter-attacks.

It is estimated that more than 100,000 Britons were left stranded in the area as airports including Qatar, Abu Dhabi and Dubai shut down operations because of the hostilities. More than 2,000 passengers landed in the UK on evacuation flights from the United Arab Emirates on Wednesday, according to Government officials.

Questions persist about the duration of the conflict, casting doubt over numerous travellers’ plans given the crucial role of Gulf airports as connection hubs for journeys to Asia and Australasia. Appearing on ITV’s Lorraine, specialist Claer Barrett delivered ‘vital’ guidance for those planning to travel in the near future.

She stated: “My big message to everyone watching is don’t panic and hit the cancel button, because if you cancel a flight, a holiday, whatever, yourself, you won’t have as many rights as if the airline cancels the flight.

“Let’s start off with flights,” she went on. “So if an airline cancels your flight, as long as you’re flying with a UK airline or departing or flying back to a UK or EU airport, you’re legally entitled to choose. So if they cancel you, you can say, ‘Well, I want a refund, I want my money back,’ or, ‘I want a different flight with a different airline, I want to be rerouted’ or offered assistance if you were stuck somewhere. So it’s important not to cancel yourself.

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“But if your upcoming holiday is in the affected area, the advice from Which?, the big consumer website, is monitor the airline’s website to determine whether your plans are going to be affected, because lots of different places are or aren’t.

“Keep an eye on the Foreign and Commonwealth Development Office website, that’s the FCDO, they’re the people who can issue ‘do not travel’ warnings. And for goodness’ sake, make sure that you’ve got your travel insurance in place when you book your holiday.

“This is the advice that me and other consumer experts give, because something could happen before you go and you’d need to make a claim.”

Package holidays

Package breaks – where holidaymakers purchase their flights and lodging in a single booking from the same provider – are frequently more economical and generally regarded as being a more secure choice. The explanation for this is that numerous packages are safeguarded by the Atol scheme or the Package Travel Regulations (PRTs).

Any package holiday booked in the UK automatically comes with the protection of the PTRs, whilst package holidays that include a flight are safeguarded by Atol. All travel firms selling package holidays with flights to UK customers are legally obliged to hold an Atol licence.

This ensures people are brought home during a crisis. When the original Thomas Cook went under in 2019, nearly 150,000 holidaymakers were flown back by the UK government in the largest repatriation in the UK’s peacetime history.

You will also receive a refund if your package holiday is cancelled, and be compensated if various factors result in a subpar trip.

“So we’ve covered flights, but package holidays, you’re much better protected with a package holiday because most of them, anyway, are reaching out proactively, I’m hearing, to customers who do have packages booked to the Middle East,” Claer continued.

“And most of them are offering people for no charge the ability to either move their holiday dates or, in many cases, change destination, you know, so you still have your holiday but you go somewhere else. So speak to your tour operator and see what they can do for you.”

A British man in Spain has shared one big difference between the UK and Spain, claiming it’s something you’ll only notice once you leave the UK – but not everyone agreed with him

Spain has remained a firm favourite amongst Brits seeking a sun-soaked getaway for several years in a row. And It’s not just the brief flight time that appeals for holidaymakers, as the country also enjoys glorious weather throughout the entire year.

Data from the Office of National Statistics reveals that Brits clocked up more than 17.8 million trips to the Mediterranean nation in 2024, with figures projected to have climbed to 19.1 million in 2025. These holidays included trips to the Canary Islands and Costa Blanca, home to Benidorm. Further hotspots include the various Costas, the Balearic Islands, whilst the Northern regions are also seeing a surge in popularity.

Whilst the prospect of swapping Britain’s bleak and overcast winter months for brighter, warmer climes is undeniably attractive, there are certain contrasts many travellers might not have considered.

A British expat has now highlighted one major distinction between Spain and the UK, which may well explain why countless Brits are lured to the southern European nation.

On TikTok, a man called Mark posted footage of himself strolling through British streets back in January, showcasing murky skies with the sun conspicuously absent.

“You don’t realise how depressing it is until you leave the UK,” he captioned the clip, which then switched to show him wandering through Spain’s bright streets, lined with palm trees along the pavements.

“Why does the UK have a grey filter?” he pondered in the post’s caption.

Is the UK weather more grey than Spain?

From March 2026, the UK is forecast to see average temperatures ranging between 9C and lows of 2C, though some regions might also benefit from sunny spells with temperatures reaching up to 17 degrees in Eastern England on 5 March, according to the Met Office’s long range forecast.

Northern parts of England and Scotland are anticipated to face rain and storms, and potentially even some snow on higher ground, with overnight frost still possible between 4-13 March.

In contrast, Spanish March days are typically sunny, offering 6-8 hours of sunshine daily, alongside average temperatures of between 12-18 degrees. However, occasional brief rain showers should be expected, according to Tui.

Southern regions like Andalusia and the Canary Islands are the warmest (up to 21°C), whilst central and northern areas are cooler, creating perfect conditions for exploring the spring-blooming countryside.

Despite Mark’s post, numerous people quickly flocked to the comment section of his video to argue the UK weather isn’t as ‘depressing’ as he suggested.

“will never understand why people think grey skies are depressing,” one viewer commented.

Multiple people also pointed out that the UK can be equally sunny and warm at times, and that it’s unfair to judge the weather based on cold and overcast winter days, as the sunny summer days we experience deserve recognition.

Sunday marked Senior Night for the USC women’s basketball team at Galen Center, but it was the other team’s seniors who stole the show.

Gabriela Jaquez scored 14 points, Kiki Rice had 11 points and four assists and Lauren Betts had 15 rebounds as UCLA wrapped up the regular season with a 73-50 victory over its rival and finished undefeated in conference play for the first time since going 18-0 in the Pac-10 in 1998-99 under Kathy Olivier.

Having already clinched the regular-season title, UCLA became the first team to navigate the Big Ten schedule without a loss since Maryland in 2014-15.

It was the Bruins’ 22nd consecutive win, one shy of the record they set last season. Since their lone loss to then-No. 4 Texas on Nov. 26 in Las Vegas, they have won by 20 or more points 16 times.

Ranked second in the nation in both the Associated Press and coaches’ polls behind defending national champion Connecticut (30-0), the Bruins earned the No. 1 seed for the conference tournament in Indianapolis and got a bye into Friday’s quarterfinals.

Charlisse Leger-Walker finished with a game-high 20 points for the Bruins while Gianna Kneepkens added 14 points and five assists.

UCLA center Lauren Betts, left, controls the ball in front of USC forward Vivian Iwuchukwu during the first half Sunday.

(Eric Thayer / Los Angeles Times)

UCLA (28-1, 18-0) held USC to 27% shooting in the teams’ first meeting — a 34-point Bruins victory at Pauley Pavilion on Jan. 3 behind Betts’ 18 points. It was USC’s most lopsided loss under coach Lindsay Gottlieb. On Sunday, USC (17-12, 9-9) shot 39% and was only three for 19 from three-point range.

UCLA jumped out to a 14-4 lead in the first five minutes and carried a 19-11 advantage into the second quarter. The Bruins widened the gap to 18 points by halftime, holding the Trojans scoreless for the last 3:08.

USC opened the second half on an 11-2 run.

Led by another standout performance from Jordan Chiles, the No. 5 UCLA women’s gymnastics team clinched the Big Ten regular-season championship for the second consecutive year Friday night by winning its Big Four meet at Pauley Pavilion.

Chiles, who had the top all-around score of 39.625, helped UCLA defeat No. 18 Iowa, No. 19 Ohio State and No. 25 Maryland with an overall score of 196.950. Her 9.950 on the vault in the final rotation sealed the win.

“The thing I’m taking away from today is that they really are fighters,” UCLA coach Janelle McDonald said. “They really didn’t give up [at] any moment, and they really were just resilient through it all.”

Ciena Alipio opened with a 9.850 on the uneven bars. Tiana Sumanasekera followed it with a 9.750 before Nola Matthews, Sydney Barros and Chiles each scored a 9.900.

Alipio was impressed by how well Matthews performed on short notice.

“She is one to always kind of just put her head down and work, and I’m really proud of her to see her step up today,” Alipio said.

On the balance beam, Katelyn Rosen started with a 9.750 and Barros posted a 9.850. Flexing UCLA’s depth, Mika Webster-Longin received a 9.825 in her top routine. Chiles had a 9.825. In an almost-perfect routine, Alipio posted a 9.950. The mark helped UCLA extend its lead.

It wasn’t all good news for the Bruins on the first rotation — Rosen sustained a foot injury and was held out for the remainder of the meet.

“I’m hoping it’s not no big deal, but we’ll get her checked out and just want to take the precaution and pull her out of those lineups,” McDonald said.

UCLA’s Jordan Chiles competes on the balance beam Friday during a Big Ten quad meet at Pauley Pavilion.

(Etienne Laurent / For The Times)

Matthews started the floor exercise in Rosen’s place, opening with a 9.675. Alipio followed with a 9.825, and Sumanasekera and Ashlee Sullivan posted scores of 9.875 and 9.900, respectively. Needing a big performance to keep their lead, Chiles did not disappoint, scoring a 9.950.

Matthews demonstrated the level of depth UCLA has leaned on throughout the season.

“I definitely can say that is a huge leadership role as a freshman,” Chiles said. “Being able to step in at a time like that … we trusted the fact that she was gonna go out there and do her job.”

UCLA’s Katelyn Rosen competes on balance beam during the Bruins’ quad meet win at Pauley Pavilion on Friday.

(Etienne Laurent / For The Times)

Going into the last rotation, UCLA led Ohio State by just .150. The Bruins needed a strong performance on vault to claim the conference title.

Sumanasekera set the tone with a 9.850. Madisyn Anyimi followed with a 9.775. After replacing Rosen, Webster-Longin earned a 9.800 in her season debut on vault, and Sullivan posted a 9.850 before Chiles clinched the win.

But the Bruins want more.

“This is a regular season, we still have Big Ten championship, we have regionals and we have NCAA,” Chiles said.

The quad-meet experience was a learning curve, Alipio said. UCLA had to perform at a high level through the final routine to secure victory.

UCLA gymnast Ashlee Sullivan performs her floor routine during the Bruins’ quad meet win Friday at Pauley Pavilion.

(Etienne Laurent / For The Times)

McDonald said adjusting to tough competition levels up UCLA. The Bruins hope the experience will pay dividends for the young team in the postseason.

“We just kept reminding them to just take a breath, stay present and just really trust their training and their preparation that they’ve had leading into today,” McDonald said.

After donning hats and shirts that commemorated their championship, the Bruins celebrated on the floor with cheers and pictures. But come next week, the work begins again.

“We fought, for sure, until the end,” Alipio said. “But we also know we’re going into the gym on Monday, and we’re putting our heads down and working because this wasn’t our best, but we have more to show everybody.”

The City Section boys’ soccer playoffs are in turmoil.

On Wednesday, City Section commissioner Vicky Lagos announced that Marquez and South East have been removed from the Open Division playoffs because of ineligible players that violated CIF bylaw 600, which bans players from participating in outside leagues during the season of their sport. Both players are involved with MLS Next, a soccer development program.

South East reached the Open Division final after beating Marquez in the semifinals. Marquez was scheduled to face El Camino Real in the final but now is also out. As a result, two schools that were beaten in the first round, Birmingham and Venice, will play Thursday at Birmingham for the right to face El Camino Real at 6 p.m. at Pasadena City College on Saturday for the Open Division title.

But there are more problems. At least four Birmingham players, thinking their season had ended, have already started playing for their club teams, so they won’t be eligible to play for the Patriots on Thursday.

Franklin was also removed from the playoffs, and Chatsworth and L.A. Jordan forfeited games this season for similar reasons.

“It’s a big mess,” Lagos said.

Birmingham athletic director Rick Prizant, whose school is part of the West Valley League, is proposing to change bylaw 600.

“This proves we should get rid of the rule,” he said.

Lagos emphasizes before the season to coaches that players can’t play in club competitions or in showcases during their high school soccer season. Lagos said she doesn’t believe any of the head coaches were aware of the violations. She received an email last week informing her of a possible South East violation and another Monday regarding Marquez.

This story contains spoilers for Episode 6 of “A Knight of the Seven Kingdoms.”

Ira Parker intended the very last scene of “A Knight of the Seven Kingdoms,” Episode 6 (titled “The Morrow”), to be just “something that was a little funny.”

Sunday’s season finale of the HBO fantasy series ends with everyone, including the royal Targaryen entourage, departing Ashford after the conclusion of the trial and tournament. Just before the credits roll, Prince Maekar, who notices his young son Aegon is once again missing, frantically shouts, “Where the f— is he?”

“To be honest, the very, very, very end was almost just meant as a joke,” the showrunner says during a recent video call. “But I think people — both in my writing camp and in the HBO camp and probably in the world — took that quite literally. So I’ve maybe had to deal with it a little bit more in Season 2 than I was planning to.”

“A Knight of the Seven Kingdoms” showrunner Ira Parker, right, with director Sarah Adina Smith on the set of the fantasy series.

(Steffan Hill / HBO)

Starring Peter Claffey as Ser Duncan the Tall and Dexter Sol Ansell as Prince Aegon Targaryen, “A Knight of the Seven Kingdoms” is an adaptation of George R.R. Martin novellas set in the same world as his “A Song of Ice and Fire” series. These “Tales of Dunk and Egg” stories take place around 100 years before the events depicted in “Game of Thrones.”

The moment in question could be a big deal for some fans of Martin’s novellas. The scene is not included in “The Hedge Knight,” the book upon which the first season of “A Knight of the Seven Kingdoms” is based. Whether Egg had Maekar’s permission to join Dunk’s travels as his squire is left more open ended in the novella itself.

While the young prince said he had his father’s blessing, “it’s not confirmed canonically” in the book, says Parker. “We haven’t done anything egregious here, I don’t think. [And] I believe it from a character perspective. I believe that Egg would do that again, because he’s already done it. We’ve seen him. He runs away. That’s sort of his thing. And he lies to people.”

Without sharing any details, Parker teases the situation will be addressed again next season.

Dunk (Peter Claffey) in the season finale of “A Knight of the Seven Kingdoms.”

(Steffan Hill / HBO)

The showrunner, who co-created the series with Martin, admits that approaching “The Morrow” was “daunting.” Set in the aftermath of Trial of Seven, Episode 6 involved “a lot of creation” to stretch out the remaining events from the source material.

“Very early on, all of us knew that we weren’t going to add any story,” says Parker, who previously worked on “Thrones” prequel “House of the Dragon.” “The story is the story. We’re going to be 100% faithful to the novellas in that respect. But where we could add, because we needed about another 50% of material in order to fill out even our six 30-minute episodes, was going to be in the characters.”

This has meant the show has spent more time with the very relatable Dunk and his precocious charge Egg. Its supporting ensemble including Lyonel Baratheon (Daniel Ings) and Raymun Fossoway (Shaun Thomas), who give Dunk a helping hand, have also been more fleshed out. This has allowed audiences to just “enjoy hanging out in this world.”

“I wasn’t always convinced that people would allow us to do it,” Parker says. “Hanging out in Westeros. It meant a little bit of a slower start. Luckily, people have come along with us on the ride. … We really just hoped that people would be charmed enough by these characters and the story and want good things for Dunk.”

Like “The Hedge Knight,” the episode concludes by teasing Dunk and Egg’s journey to Dorne, but Parker confirms Season 2 will be an adaptation of the second novella, “The Sworn Sword,” which takes place a year and a half or so after the events of “The Hedge Knight” and sees the pair in a part of the Reach.

“I love ‘The Sworn Sword’ because I think it’s very funny, and I think the sort of ‘will they / won’t they’ between Dunk and Lady Rohanne is just good territory for us,” he says. (Parker said they considered setting Season 2 in Dorne but that it would have taken too much time to flesh out the story even with Martin’s notes.)

In a conversation edited for clarity and length, Parker discussed his collaboration with Martin, every aspect of the show being a reflection of Dunk, and “A Knight of the Nine Kingdoms.”

Lyonel Baratheon (Daniel Ings), left, and Dunk (Peter Claffey) while a maester (Paul Murphy) looks over the injured hedge knight.

(Steffan Hill / HBO)

The show is called “A Knight of the Seven Kingdoms,” but in the finale, Egg points out to Dunk that there are actually nine kingdoms in Westeros. Can you explain that moment and actually showing the alternate title card?

The situation is so overwrought in this episode. With Baelor’s death and with everything that Egg has gone through, which we see him struggling with. Where Dunk’s head is at, going off alone again. The fact that they both get together is wonderful and uplifting, but we sort of had to reassure the audience — that even though Egg is now officially a prince and Dunk knows that, and this tragedy has come to pass between the two of them, the core of that relationship, what we learned to love about their relationship before all of this happened, actually still remains. So that was the importance of having a type of conversation like that. It didn’t necessarily have to be the conversation about the kingdoms, but just Egg, in his way, making sure that Dunk never feels like he knows anything. And it is a wink to the audience and to the fans [who have raised questions about the number], but we’re not changing the name of the show.

You mention Egg’s struggles and we do see just how much anger he has toward his brother Aerion in this episode. What were your thoughts on depicting that onscreen and what it says about Egg?

I talked to George a little bit about Egg and his motivations early on, and George said kids feel disappointment more acutely and that that is a huge part of it. It’s not to be discounted. I don’t want to go out there and say it’s because of Targaryen trauma and everything he’s been through. He’s a boy. Things were happening that were very nice for him that he was very happy about. Then it was all taken away and he blames people. He feels like he’s caused all these problems [for others], and when that doesn’t have a place to land, that’s what turns into anger. It just sort of brews up inside of you.

He sees Aerion as the true cause of all this. At that young age, he doesn’t know how to undirect that. He has some sort of a father there in Maekar. But the fact that he ends up with Dunk, that’s the whole story of Episode 6. Is Dunk, after all this, going to decide to save this kid who is just going to be thrown to the wolves otherwise? Who’s not going to get what he needs to direct his frustration and his disappointments to good energy targets? Kids who have that end up, generally, in better situations than kids who don’t.

It’s very important for me to show the importance of having a mentor in your life. We’re obviously very thematically about fathers and sons, knights and squires, and, to a certain extent brothers. But it is, at the core of it, what it is to have a teacher. Dunk had that in Ser Arlan. Dunk certainly has no obligation to do anything for this family at this point and he does it … because it was done for him. So he’s paying it forward, being a benefit to the person next to him.

Dunk (Peter Claffey) is ready for his next journey.

(Steffan Hill / HBO)

That’s one thing that sets Dunk apart. He’s one of the few people we see in this world who believes in doing good and that that’s what he’s supposed to be doing.

There’s an addition to that, which is that he wants so badly to do good and do right by his mentor who taught him what a knight was supposed to be. But there is this feeling that the world isn’t going to let you do that. We see somebody like Ned Stark, who’s very honorable, [but] probably suffered ultimately from his naivety — his belief in others. Dunk, I think, has one extra level. Or maybe I’m just projecting that onto him because sometimes I think about how to protect myself in this world where not everybody always has the best intentions. You so badly want to do good, but then there’s also the reality of that, and a big part of Dunk’s early journey in this world is learning those lessons.

Maybe that’s just because my head is also stuck in Book Two, where I think that is brought even more to the forefront. But he’s never going to change. He’s always going to be hopeful.

You did a Reddit AMA recently and you responded to someone who had asked about the show’s production budget that everything in this show was a reflection of the lead character. Can you explain what you meant by that?

It’s very chilling at the beginning to realize that you have one [point of view] character, but then when you realize how many facets go into making up that one person — from costumes, cinematography, music, everything — you realize you actually are telling a lot of different stories, just about one person and how they relate to the world. You have to make sure that that is one hell of an immersive experience, because it’s not like you could just have an audience member tune out if they don’t like the Dunk story this week. We had to make you feel in every single episode that you are in that situation, that you can somehow relate to Dunk and what he’s going through. This is because it’s about to get even tougher for him. Hopefully the people who come to us for the light, fun, enjoyable take on Westeros will stick with us through some of the harder, trickier, grimmer moments. Because this is George R.R. Martin’s world, and it gets dangerous.

But it was actually a very nice, natural way for us to differentiate ourselves [from the other shows]. We’re not a prequel. These are novellas that have existed for 30 years. It’s more organic. Rather than being so grand and epic in scale, it’s still small and simple and hopeful. [Dunk’s] still basically just a kid. It’s two kids setting out to have a little bit of fun. There’s got to be some some whimsy about it. That very easily allowed us to find our own voice.

Egg (Dexter Sol Ansell) has a lot of anger for his older brother.

(Steffan Hill / HBO)

How is it like to work with George R.R. Martin?

He has been wonderfully collaborative. It’s been the most fulfilling creative partnership of my whole life. A lot of people can start out in this industry reading your stuff and telling you what they think is wrong without asking you why you did something the way that you did it. Giving you the benefit of the doubt and the conversation jumping off from there, George is very good at that. Whenever he would call me about a new script, we’d talk out what’s in my head in the version of events that led me down this path. And then he talks about why he either did it another way or has issues with it. It becomes a very natural conversation. It’s an extension of a writer’s room with a living legend, one of the greatest living writers in the world today. He just likes talking about this stuff with you, and I like talking about it with him.

What were your earliest conversations with him about “Dunk and Egg” like? Did you already have an idea of how you wanted to do the show before you talked to him?

I swung pretty wildly at the beginning from the point where HBO sent it to me — where I thought “Game of Thrones” shows are 10 episodes, an hourlong each, how could we possibly do that with these three novellas — to finding out what HBO’s intentions were for it, finding out what George’s intentions were for it. Having conversations with George about what he likes, why Dunk is his sole POV character. Why, for example, he never wrote any Egg chapters. He has so many specific thoughts on all of this that that really helped inform what my approach was going to be.

I think it was very important for me to go into that first meeting, when I flew to Santa Fe to meet him, with a mile-high preparation. I knew everything possibly in and around this world and these characters, and I had a lot of pitches, if it came to that. But I didn’t go in there and lead with that. I just went and I sat down and we had conversations. I asked a lot of questions and I listened a lot. And then I went back and I re-formed and I went off and wrote a pilot. Then we were off to the races.

Raymun Fossoway (Shaun Thomas), left, was a true friend to Dunk (Peter Claffey).

(Steffan Hill / HBO)

You worked on “House of the Dragon,” which is such a different show, even though it’s in the same world. How did your time there affect how you wanted to approach this show?

That room was one of my favorite rooms that I’ve ever been in. Ryan Condal is a true writer’s writer. He has so much love for this world. It’s funny because everybody thinks comedy rooms are just so funny all the time, everybody’s cracking jokes, and drama rooms are so serious because of the material. It’s actually often the exact opposite. In drama, because comedy is not currency, everybody’s just cracking jokes all the time. And Ryan has such a sharp wit; we share a very similar sense of humor. I think it was him who put me forward for this to HBO when they were looking for a writer for “Dunk and Egg,” and I’m very grateful.

Our room for “Knight of the Seven Kingdoms” was very different. We hired all drama writers, just people that have different sensibilities. I felt like I was living my very best days. We had 11 days in that writer’s room because the writers’ strike shut us down so quickly, but we knew that that was coming up. So we got going as fast as we possibly could and we broke as much as we could. Then I assigned scripts the very last day. But those 11 days in that room, I think we broke, ultimately, 20 seasons of a show by accident.

We were having so much fun, we were creating it all for the first season. We did it all for six episodes. As soon as we got back from the strike, a few of my writers were just like, “How do you expect us to write 35-minute episodes with these beats to be broken?” We pulled it a lot, lot back from what that was, but writers rooms are the happiest place on Earth, or least lonely place on Earth. It’s not always happy — it’s hard sometimes.

The new series of Big Cats 24/7 is back in the Okavango Delta following the lives of lions and leopards

Having only been away from the Okavango Delta in Botswana for six months since filming the first series, the BBC ’s wildlife filmmakers might have worried there would not be enough new things happening amongst the big cats there. But if anything, the dramatic lives of Africa’s lions, cheetahs and leopards had more shocks and surprises than the first time around.

Following them across six vital months from June to November we see the cats – and humans – battle punishing seasonal change, from flood to extreme drought. The Xudum lion pride, now the largest in the world, grapples with the challenges of this newfound status. When we rejoin them, dominant males Big Toe and Madumo are missing so the pride females, deserted by their leaders, are forced to battle intruders alone and also find enough food to feed 40 lions. There is an influx of aggressive male leopards and a new female, Lediba. And cheetah Pobe surprises the team with two young cubs of her own – but her challenge now is to keep them safe.

Cinematographer and wildlife presenter Gordon Buchanan says: “I think my slight concern was that we’re going back to the same place. We’re going back to the same cats. Are we going to go back to the same stories? And no, absolutely not. I mean I was startled at how things that were quite common in the first year, we see all the time, you didn’t see you didn’t see again,

“This series is a drama. And I suppose our job is just to capture that. This second series is a bit like The White Lotus[TV Drama}. There’s some similar characters, and there’s similar themes, but the stories are completely different.”

For Gordon, returning to cover the Lion pride was the highlight and he adds: “Filming 24/7 means surrendering to their world, working on their terms. The hours are long, the terrain unforgiving – deep sand, floodwaters, freezing cold nights or searing midday heat. You chase fleeting glimpses across vast landscapes and are often driven by nothing more than instinct. It’s physically and mentally gruelling. But when you finally catch ‘the’ moment, it makes everything worth it.

“Many lions don’t even make it to their second birthday so to see a lion you met as a vulnerable cub stride successfully and confidently towards adulthood is the most wonderful thing of all. There’s is nothing more beautiful than a lion cub giving life its best shot.”

This extraordinary, exclusive access to the cats’ lives is supported by the use of cutting-edge filming equipment: state-of-the-art thermal cameras, and the latest in drone technology, meaning the team can film the cats from the ground, the air and, uniquely, through the night. By following the cats around the clock, the team reveals yet more brand-new insights into their lives.

But fellow filmmaker Anna Dimitriadis didn’t wait long to be reunited with her beloved cheetah pal Pobe. “It’s every wildlife cinematographer’s dream to be able to go back to the same place and see characters that you filmed with before. But seeing her on the first day, it was like she was coming back to welcome us. It really felt like Pobe knew we’d arrived, and it felt like she was showing off because she had her two lovely little cubs as well. It basically felt like just seeing an old friend that I got to know really well. I mean, I got to know her very well. She’s actually tattooed on my arm now so she’s with me forever.”

Anna and Gordon worked alongside a team that also included Brad Bestelink who grew up in the Delta and Botswana born Tristen Woodward in the heart of big cat territory. And by the end of series two, Anna feels even closer to the cat and her routines which we will witness.

“I just know so much about her, and I could really predict her behaviour by the end, like I knew the exact kind of hunting style she was going to do. And I could predict exactly what we were going to see. It was really cool, when you start having that connection with an animal.

“This time, we saw another side. She was playful, tender and at times extremely vulnerable. Our time with her this year was a powerful reminder of how hard life is for a solitary cat. At every stage – whether still learning or in her prime – survival is a constant battle and every success is hard won.”

Meet some of the stars of the Delta…

POBE A smart, experienced and streetwise female cheetah; charismatic Pobe, now seven-years-old has a new family! She has two young cubs to take care of and though she is an experienced mother and superb huntress – already seen one cub, Neelo, to independence – the odds are stacked against her. Navigating Xudum island – now home to the largest lion pride in the world, and leopards round every tree – is no easy task. She knows when to run and hide and avoid danger, but with two innocent cubs in tow, she’s more exposed than ever.

XUDUM A remarkably relaxed and an impressive leopard; Xudum can confidently catch a meal leaping through the air (jumping from trees) or stalking on the ground. She is the resident female leopard followed by the team in Series 1, is now six years old and should have started a family. Unfortunately, after her tragedy witnessed by the team in 2023, Xudum is still to rear a cub successfully. Surrounded by dangerous male leopards (who will kill any cubs that do not belong to them), in series two Xudum must find a new, safer territory in which to make her home and become a mother.

BIG TOE & MADUMO So named due to a prominent digit on his paw, Big Toe is now eleven years old, ruling the Xudum pride alongside his sibling, Madumo, for the last six years. He’s a formidable lion, slightly leaner and wirier than Madumo, but no less formidable. Though he’s undeniably the more handsome of the two, he’s no pretty-boy; usually the first to get into a scuffle with intruders, or younger males in the pride.

Madumo – meaning “to roar” – is the other dominant male lions of the Xudum pride. Though he is bigger and heavier set, Madumo is the brains of the operation, while his coalition partner Big Toe is the ‘grafter’. But when required, Madumo has the muscle to be a powerful and commanding leader. He and Big Toe remain extremely close; most likely brothers from the same cohort of cubs, they make a strong and formidable partnership and over the past 6-years he and Big Toe have successfully protected the Xudum pride.

But as we start season two, both are now absent, where they are is unclear; and without their combined strength and new male lions circling, the Xudum pride’s females are under more pressure to protect their family than ever before.

MATHATA Trouble by name, trouble by nature! Mathata is the oldest cub in the Xudum pride – 18 months in age – and the rest of the youngsters seem to look to Mathata for leadership. But as Mathata (Magogo’s son) grows, will he cause trouble for his siblings, or will he rally them to make trouble for their enemies, and prey?

He is now ready to join his mother and aunts as they hunt and feed their family, but he has a lot to learn before he will start being a useful addition – his inexperience could be a hindrance.

LEDIBA The queen of stealth! Lediba is a small and subtle female leopard. She shows more patience in her stalking and variety to her diet, than any other leopard the team has seen on Xudum island. Lediba (10 years old) is also an experienced mother; previously raising cubs to adulthood and has two young cubs to provide for in series two. She will have to work hard to keep them safe from scavenging lions and unpredictable male leopards. For the team, getting to know Lediba’s character will take as much patience as she shows during each hunt!

MAGOGO At more than eleven years old, Magogo is likely the oldest female in the Xudum pride. She is an experienced, wise and powerful lioness and has successfully reared multiple generations of cubs, showing her skill as a mother. His son, Mathata, is the eldest cub in the Xudum pride, and a future pride male. Despite being eighteen months old, Mathata still relies on Magogo for food and protection against any intruding male lions – so Magogo still has her work cut-out to support him.

* Series Two of Big Cats 24/7 starts on BBC2 and BBC iPlayer on Friday February 27 at 9pm.

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The Lakers had just completed practice Thursday with a full and healthy squad when Luka Doncic strolled over to speak with the media.

Doncic had played only five minutes Sunday for Team World in the All-Star Game because of a lingering left hamstring strain. He had missed the previous four Lakers games.

With the Lakers scheduled to start the post-All-Star break against the Clippers on Friday night at Crypto.com Arena, Doncic was asked if he was playing in that game.

“Probably,” he said. “We’ll see. I got to talk to people.”

Since Doncic did practice, he was asked how he was doing and how his hamstring felt.

“I’m good,” he said. “Feeling good.”

But, Doncic was told, he did play in the All-Star Game, even if it was limited time.

“Five minutes. I was on minutes restriction,” Doncic joked.

Lakers coach JJ Redick was the first to speak to the media after practice, his time away from the game leaving him fresh and ready to go.

He was asked if Austin Reaves, who had been on a restriction of about 25 minutes after returning from a 19-game because of a left calf strain, would still be on a minutes restriction and if Doncic would be available for the game against the Clippers.

“Austin won’t have a minutes restriction,” Redick said, “and as of 35 to 45 seconds ago, we’ll have everybody available tomorrow.”

Injuries have been a common thread for the Lakers this season.

Lakers guard Austin Reaves sits on the scorer’s table before entering a game against the Mavericks earlier this month. His minutes restriction since returning from a calf injury has been lifted.

(Gina Ferazzi / Los Angeles Times)

It started at the beginning of the season, when LeBron James missed 14 games because of sciatica. He has recently dealt with left foot arthritis that kept him out of a game.

Center Deandre Ayton missed the last two games with right knee soreness.

“Well, there’s only so much you can control. I mean, you know, as a coach, you have zero control in that. As a player, you know what you do to prepare, and what you do to recover can give you some level of control, but ultimately, the basketball Gods in the game are going to dictate health,” Redick said. “It’s funny, we were talking before the season about building continuity with those three guys, and we’ve had them available together for 10 games. So it’s just the situation we’re in.

“Not the only team that has had a bunch of health issues throughout the season and had to manage that. But I think … my messaging this morning to the players was this is going to be a sprint, these last 28 games. It’s another segment of the season where, starting tomorrow, we won’t have more than a day between games until the end of March. So, we’ve got an opportunity to, I think, play our best basketball after the All-Star break. We’ve got a number of indicators on both sides of the ball that we’re doing some things that are trending in the right direction. And I think it’s coming at a good time, as we’re getting fully healthy.”

Doncic, James and Reaves have played just 10 games together because of health issues.

As a trio, they have combined to average 80.2 points per game, led by Doncic’s NBA-best 32.8 points per game. Reaves is averaging 25.4 points and James 22.0.

Reaves said it is “very important” that the three of them get reps together.

“You have those games from last year, but obviously you still have a learning curve of how to play alongside one another and that’s with everybody else on the team as well,” Reaves said. “Continuing to build that continuity and confidence in every single position. We’re locked in with the five guys on the court. So, very excited.

“I think you can tell throughout the season, even with the unfortunate injuries and stuff, we’ve done a good job of maintaining it. We’re fifth in the West, on pace for a good record and just getting healthy is going to continue to help that. So it’ll be fun to see what that looks like and get to work.”

The Lakers

play four games next week, all against opponents with winning records that are jockeying for position in the playoff race.

So, Thursday’s practice was a good start for the Lakers to get back in gear.

“We only got one practice in so we’re not going to get a lot out of one practice,” Doncic said. “But we definitely like to get up and down a little bit after one week off. So, it was good.”

The new UCLA football coaching staff has been in touch with one of their top recruits arriving in 2027.

Weston Port, the former San Juan Hills High standout linebacker, is finishing up his second year as a Mormon missionary on assignment in Spain.

New linebacker coach Vic So’oto has been in contact with Port and once tried to recruit him to Cal.

Port exercises when he has time while visiting various cities. His mission ends in December and he’ll be ready to join UCLA for spring practice in 2027 while focusing on getting back into playing shape.

His father said in a message, “Weston remains committed to UCLA and is eager and excited to get back to football once his service is completed.”

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Trent Alexander-Arnold said the alleged racist abuse of team-mate Vinicius Junior during Real Madrid’s Champions League match at Benfica was a “disgrace to football”, while opposition manager Jose Mourinho was criticised for his comments on the incident.

The match was halted for 10 minutes after Vinicius reported alleged racist abuse by Benfica’s Gianluca Prestianni to referee Francois Letexier, and he and his team-mates temporarily left the field.

The Brazil forward, who has been the victim of numerous incidents of racist abuse during his playing career, said “racists are, above all, cowards” in a post on Instagram.

Benfica manager Mourinho claimed Vinicius did not “celebrate in a respectful way” after his stunning goal in the 1-0 win shortly before the incident at the Estadio da Luz.

The former Real Madrid and Chelsea boss said: “There is something wrong because it happens in every stadium.

“A stadium where Vinicius plays something happens, always.”

Reacting to Mourinho’s comments, former Real Madrid midfielder Clarence Seedorf said on Amazon Prime: “I think he is still emotional. I think he made a big mistake today to justify racial abuse.

“He’s saying it’s OK, when Vinicius provokes you, to be racist – and I think that is very wrong.

“We should never, ever justify racial abuse. Vinicius has had enough of that unjustified behaviour from people. I know Mourinho by heart would agree with me but he expressed himself a bit unfortunately, I believe.”

England international Alexander-Arnold condemned the abuse in his post-match interview.

“I think what has happened tonight is a disgrace to football and overshadowed the performance, as well as an amazing goal,” said Alexander-Arnold.

“Vini has been subject to this a few times throughout his career. To ruin a night like this for our team is a disgrace.

“There is no place for it in football or society. It is disgusting.”

MILAN — She’s the only U.S. skater still in medal contention. Alysa Liu is the last person to care.

The unbothered 20-year-old is the only American who finished in the top six of the women’s short program Tuesday and is holding the weight of an Olympic medal drought that’s as old as she is. But after placing third in the short program, she said she hadn’t even looked at the standings. She is angling more for an invitation to the post-competition gala than a medal.

“A medal?” Liu asked with a sarcastic scoff and giggle. “I don’t need a medal. I just need to be here, and I just need to be present. And I need people to see what I do next.”

Next will be the women’s free skate Thursday, where Liu will try to be the first U.S. woman to stand on an Olympic podium for singles figure skating since Sasha Cohen in 2006.

The United States entered the Milan-Cortina Games with three strong contenders to end the drought, but will need comeback performances from the other two “Blade Angels.”

Alysa Liu is the top hope for the U.S. in women’s singles figure skating after finishing third in the short program.

(Robert Gauthier / Los Angeles Times)

Isabeau Levito skated cleanly in her Olympic debut but finished the short program in eighth with 70.84 points, almost eight points back from leader Ami Nakai’s 78.71.

Amber Glenn appeared poised to join Liu in medal contention after she started her “Like a Prayer” program with a steady triple axel. Looking inspired from a good luck message from Madonna this week, Glenn executed a strong triple-triple combination with her second jumping pass. The crowd at Milano Ice Skating arena roared.

Then Glenn popped her last planned triple jump. She earned zero points on the element. Her face fell immediately.

Glenn went through the motions of her step sequence but she looked lifeless, and after her program, she clutched the necklaces on her burgundy lace dress and knelt at center ice. She broke down in tears when she hugged her coach.

“I had it,” Glenn said through sobs.

With 67.39 points in 13th place, the three-time national champion is well outside the medal race led by Nakai and three-time world champion Kaori Sakamoto, who is in second with 77.23 points. Levito, skating in her mother’s hometown and paying homage to iconic Italian actress Sophia Loren with her short program, is less than six points out of podium position behind Liu’s 76.59 points.

Snoop Dogg and Martha Stewart, wearing bedazzled headphones in a booth at the top of the arena, were shown on the video screen after Glenn’s skate clapping for her performance. U.S. teammate Ilia Malinin cheered behind them.

Malinin could empathize as Glenn held back tears on the ice. The United States won the team figure skating competition with a dramatic one-point victory but hasn’t secured any of the individual gold medals that appeared likely. Malinin, whose free skate collapse was one of the most stunning moments of the Milan-Cortina Games, cited the intense Olympic pressure.

Isabeau Levito competes during the women’s short program Tuesday.

(Robert Gauthier / Los Angeles Times)

After a shaky performance in the team competition, Glenn tried to escape the spotlight by training with U.S. teammates at a facility in Bergamo, 50 minutes outside of Milan. She tried to commit to rest and recovery and shy away from social media. She said after training Monday that she felt physically strong and had refocused enough to make the competition feel like any other world championship.

Knowing how hard it was for Glenn to get one jump away from putting herself into medal contention made the sight of her mistake all the more painful for Liu.

“She works so freaking hard,” Liu said after seeing Glenn’s skate on TV screens in the interview area. “Genuinely, such a hard worker, and she’s overcome a lot, and I just want her to be happy.”

Liu received some of the loudest applause of the night. Before beginning her program, she skated by the boards and high-fived both of her coaches, who hugged and hopped for joy when Liu executed her tricky triple lutz-triple loop combination jump. After hitting her ending pose, Liu covered her face to hide the tears that often well up in her eyes after her program set to “Promise.”

The reigning world champion returned to her second Olympics seemingly oblivious to any sort of pressure after a two-year retirement changed her perspective on skating. In Beijing, she was a 16-year-old who skated as she was told. She executed the jumps, performed to the music and wore the costumes that she was given.

But she laid the road to Milan all by herself and on her own terms.

One strong free skate away from her first individual Olympic medal — and second overall after helping the United States to team gold last week — Liu can’t be bothered to fret about how she’ll prepare for her last Olympic competition. Instead, she said she wants fans to see her new gala program.

A new dress just arrived and the choreography is almost done. All she needs is an invitation.

HE’s got almost 2 million followers on TikTok alone, has an army of A-list celebrity fans and now US comic Corey O’Brien is preparing to invade the UK.

After blowing up on social media post lockdown with his hilarious videos impersonating everyone from Dua Lipa and Justin Timberlake to the Spice Girls– who all shared his clips online – the 34 year-old former dancer’s comedy career has gone from strength to strength.

And next week he’s performing in London for his first ever UK show, much to the delight of both Corey and his legions of British fans.

“I’m a real anglophile,” smiles Corey, as he chats to The Sun from his home in Los Angeles.

“I’m really excited because I feel like my comedy goes across really well with a UK audience.

“I’m unhinged and have no filter, and I feel like you guys really get that. I have no boundaries, I say whatever the f*** I want to say and I think that’s quite a British sense of humour.”

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He may live 6000 miles away from Blighty, but Corey admits he avidly follows UK pop culture – whether it’s binging classic early seasons of Love Island with his former NFL star boyfriend Ryan K Russell (“we stopped having sex at one point because we were so obsessed with watching Hannah Elizabeth) to keeping abreast of every development of the Beckham family feud.

“I am so invested in that drama,” he confesses. “I’m team Posh, of course. If Victoria wants to come to crash my wedding, do a full dance number and make the night all about her, I wouldn’t hate it.

“She could slap me in the face in the middle of my vows and I would probably say thank you. She’s Victoria Beckham. She was my gay awakening.”

Indeed, when Corey impersonated all five Spice Girls for his own take on the iconic Say You’ll Be There video three years ago, he never expected it to get more than three million views and be shared by the legendary pop group’s official social media channels.

“I think I cried when that happened,” he confessed. “It was one of the most amazing things to ever happen. My boyfriend was upstairs at the time and I screeched as if someone was killing me. He was quite concerned.”

It’s not just iconic British girlbands that Corey is obsessed with though – during our chat he happily recounts his favourite moments from various UK Celebrity Big Brother series.

“Oh my god, I’ve watched all of Chris Hughes and JoJo Siwa‘s romance, I can’t get enough of Farrah Abraham‘s fight with Aisleyne Horgan-Wallace and of course Tiffany Pollard’s ‘David’s dead’ moment is my all time favourite,” he laughs.

“I’d love to do Celebrity Big Brother. If any casting people are reading it, get me on there! I’ll get nude if they want me too!”

Anyone who follows Corey on social media will know he’s more than happy to flash his naked buff body – either in the name of comedy or simply for a bit of a thirst trap.

“I’ve not said this publicly before, but I microdose Ozempic,” he confesses when asked about his increasingly toned physique, before admitting to making a big mistake when he started on the fat jabs.

“I ordered some off some random website for like $400 and, believe it or not, I’m not a doctor so I didn’t really understand the dosages,” he deadpans.

“The first time I took it, I shot up a whole month’s worth of it in one go and I didn’t realise. I lost like 12 pounds in a week and it was all muscle that I lost. So yeah, now I just do little microdoses here and there.”

And he’s more than willing to show off some skin when he hits Britain next week.

“I’ll show my nudes on stage, hell, I’ll show them in person for like 20 bucks,” he laughs.

“I need to make some money – the exchange rate is crazy right now!”

Corey O’Brien: Live In London is at the Top Secret Comedy Club in London on Monday February 23. Doors open from 5.30pm.

For tickets, book here

The final had been delayed by more than an hour after a heavy blizzard set in at Livigno Snow Park, while Mathilde Gremaud, a heavy favourite for a medal, was one of two Swiss skiers to withdraw last-minute through injury.

That looked to have opened up the field for Muir, who had qualified in fourth for the final.

But in an astonishing first round, four skiers posted scores of 90.00 points or more, with Muir languishing in seventh and knowing she needed to go big.

She did just that, posting 93.00 with a 1620 trick, featuring four and a half rotations, the highest score of the second run and one that catapulted her up the standings into silver medal position.

At that point Gu, already a silver medallist in the slopestyle at these Games, was way off the pace having struggled with her second attempt, but she made amends on her final jump to bump Muir down into third.

The Chinese skier celebrated like her medal was confirmed at that point, despite plenty of skiers waiting in the wings to nudge her off the podium.

As it proved, they couldn’t do that, though Tabanelli’s final jump of 94.25 points – the biggest score of the night – came just 0.75 points shy of silver medal position.

That piled the pressure on Muir’s third and final jump.

She took her time at the top of the big air structure, talking through her options with her coach and decided to go for another 1620 trick with a different grab, but ultimately could not land her effort, leaving her lost in her thoughts of what might have been as she sat on the snow.

“When the scores came in for the other girls, I knew I had to give it something really, really good to try and get on that podium, so I’m stoked that I did try that,” she said.

Several Big Tech companies have reported earnings in recent weeks and provided estimates for their spending in 2026, along with leading analysts’ projections.

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The data point that seems to have caught Wall Street’s attention the most is the estimated capital expenditure (CapEx) for this year, which collectively represents an investment of over $700bn (€590bn) in AI infrastructure.

That is more than the entire nominal GDP of Sweden for 2025, one of Europe’s largest economies, as per IMF estimates.

Global chip sales are also projected to reach $1tn (€842bn) for the first time this year, according to the US Semiconductor Industry Association.

In addition, major banks and consulting firms, such as JPMorgan Chase and McKinsey, project that total AI CapEx will surpass $5tn (€4.2tn) by 2030, driven by “astronomical demand” for compute.

CapEx refers to funds a company spends to build, improve or maintain long-term assets like property, equipment and technology. These investments are meant to boost the firm’s capacity and efficiency over several years.

The expenditure is also not fully deducted in the same year. CapEx costs are capitalised on the balance sheet and gradually expensed through depreciation, representing a key indicator of how a company is investing in its future growth and operational strength.

The leap this year confirms a definitive pivot that began in 2025, when Big Tech is estimated to have spent around $400bn (€337bn) on AI CapEx.

As Nvidia founder and CEO Jensen Huang has repeatedly stated, including at the World Economic Forum in Davos last month, we are witnessing “the largest infrastructure build-out in human history”.

Hyperscalers bet the house

At the top of the spending hierarchy for 2026 sits Amazon, which alone is guiding to invest a mammoth $200bn (€170bn).

To put the number into perspective, the company’s individual AI CapEx guidance for this year surpasses the combined nominal GDP of the three Baltic countries in 2025, according to IMF projections.

Alphabet, Google’s parent company, follows with $185bn (€155bn), while Microsoft and Meta are set to deploy $145bn (€122bn) and $135bn (€113bn) respectively.

Oracle also raised its 2026 CapEx to $50bn (€42.1bn), nearly $15bn (€12.6bn) above earlier estimates.

Additionally, Tesla projects double the spending with almost $20bn (€16.8bn), primarily to scale its robotaxi fleet and advance the development of the Optimus humanoid robot.

Another of Elon Musk’s companies, xAI, will also spend at least $30bn (€25.2bn) in 2026.

A new $20bn (€16.8bn) data centre named MACROHARDRR will be built in Mississippi, which Governor Tate Reeves stated is “the largest private sector investment in the state’s history”.

xAI will also expand the so-called Colossus, a cluster of data centres in Tennessee that has been described by Musk as the world’s largest AI supercomputer.

Furthermore, the company was acquired by SpaceX in an all-stock transaction at the start of this month.

The merger valued SpaceX at $1tn (€842bn) and xAI at $250bn (€210bn), creating an entity worth $1.25tn (€1.05tn), reputedly the largest private company by valuation in history.

There are also reports that SpaceX intends to IPO sometime this year, with Morgan Stanley allegedly in talks to manage the offering that now includes exposure to xAI.

Elon Musk stated that the goal is to build an “integrated innovation engine” combining AI, rockets and satellite internet, with long-term plans that include space-based data centres powered by solar energy.

Conversely, Apple continues to lag in spending with “only” a projected $13bn (€10.9bn).

However, the company announced a multi-year partnership with Google last month to integrate Gemini AI models into the next generation of Apple Intelligence.

Specifically, the collaboration will focus on overhauling Siri and enhancing on-device AI features. Therefore, one could say that Apple is outsourcing a lot of the investment it needs to be competitive on AI development.

As for Nvidia, it will report earnings and release projections on 25 February.

The company is primarily in the business of selling AI chips, and is expected to get the lion’s share of the Big Tech’s spending. Particularly, for the build-out of data centres.

In last August’s earnings call, CEO Jensen Huang estimated a cost per gigawatt of data centre capacity between $50bn (€42.1bn) and $60bn (€50.5bn), with about $35bn (€29.5bn) of each investment going towards Nvidia hardware.

The great capital rotation

Wall Street has had mixed feelings about the enormous spending Big Tech companies have planned for 2026.

On the one hand, investors understand the necessity and urgency of developing a competitive edge in the artificial intelligence age.

On the other, the sheer scale of the spending has also spooked some shareholders. The market’s tolerance hinges on demonstrable ROI from this year onwards, as the investments are also increasingly financed with massive debt raises.

Morgan Stanley estimates that hyperscalers will borrow around $400bn (€337bn) in 2026, more than double the $165bn (€139bn) that was loaned out in 2025.

This surge could push the total issuance of high-grade US corporate bonds to a record $2.25tn (€1.9tn) this year.

Currently, projected AI revenue for 2026 is nowhere near matching the spending, and there are valid concerns. For instance, the possibility of hardware rapidly depreciating due to innovation, and other high operational costs such as energy usage.

It can be confidently stated that the numbers have a heavy reliance on future success.

As Google CEO Sundar Pichai acknowledged this month, there are “elements of irrationality in the current spending pace”.

Back in November, Alex Haissl, an analyst at Rothschild & Co, became a dissenting voice as he downgraded ratings for Amazon and Microsoft.

In a note to clients, the analyst wrote “investors are valuing Amazon and Microsoft’s CapEx plans as if cloud-1.0 economics still applied”, referring to the low-cost structure of cloud-based services that allowed Big Tech firms to scale in the last two decades.

However, the analyst added “there are a few problems that suggest the AI boom likely won’t play out in the same way, and it is probably far more costly than investors realise”.

This view is also shared by Michael Burry, who is best known for being among the first investors to predict and profit from the subprime mortgage crisis in 2008. Burry has argued that the current AI boom is a potential bubble pointing to unsustainable CapEx.

Big Tech’s AI race is funded by a tremendous amount of leverage. Whether this strategy will pay off, and which companies will be the winners and the losers, only time will tell.

At the moment, Nvidia certainly seems to be a great beneficiary. Moreover, Apple has a distinct approach by increasing third party reliance, through a partnership with Google, instead of massively scaling their spending. It is a different trade-off.

Europe’s industrial deficit

Amid all this spending, urgent questions have also been raised about Europe’s ability to compete in a race that has become a battle of balance sheets.

For the European Union, the transatlantic contrast is sobering. While American firms are mobilising nearly €600bn in a single year, the EU’s coordinated efforts do not even match the financial firepower of the lowest spender among the US tech titans.

Brussels has attempted to rally with the AI Factories initiative, and the AI Continent Action Plan launched last April, which aim to mobilise public-private investments.

However, the numbers tell a stark story. Total European spending on sovereign cloud data infrastructure is forecast to reach just €10.6bn in 2026.

While this is a respectable 83% increase year-on-year, it remains a rounding error compared to the US AI build-out.

Last year, at the time when the initiatives mentioned were being discussed, the CEO of the French unicorn Mistral AI, Arthur Mensch, stated that “US companies are building the equivalent of a new Apollo program every year”.

Mensch also added that “Europe is building excellent regulation with the AI Act, but you cannot regulate your way to computing supremacy”.

Mistral represents one of the only flickers of European resistance in the AI race. The French company is employing the same strategy as most of Big Tech and aggressively expanding its physical footprint.

In September 2025, Mistral AI raised a €1.7bn Series C at a valuation of almost €12bn, with the Dutch semiconductor giant ASML leading the round by singly investing €1.3bn.

During the World Economic Forum in Davos last month, Mistral’s CEO confirmed a €1bn CapEx plan for 2026.

Just last week, the company also announced a major €1.2bn investment to build a data centre in Borlänge, Sweden.

In a partnership with the Swedish operator, EcoDataCenter, the facility will be designed to offer “sovereign compute” compliant with the EU’s strict data standards, and leveraging Sweden’s abundant green energy.

Set to open in 2027, this data centre will provide the high-performance computing required to train and deploy Mistral’s next-generation AI models.

This is an important move for the company, as it is the first infrastructure project outside France, and it is also a core venture for European data sovereignty.

Meanwhile, US tech titans are attempting to placate European regulators by offering “sovereign-light” solutions. Several Big Tech projects have been rolled out for “localised cloud zones”, for example in Germany and Portugal, promising data residency.

However, critics argue these remain technically dependent on US parent companies, leaving the European industry vulnerable to the whims of the American economy and foreign policy.

As 2026 unfolds, the stakes are clear. The US is betting the house, and its credit rating, on AI dominance.

Europe, cautious and capital-constrained, is hoping that targeted investments and regulation will be enough to carve out a sovereign niche in a world increasingly run on American technology.