Bay

Skydance-owned Paramount Pictures has taken over the lease for the Bay Theater in Pacific Palisades and intends to reopen the cinema, which has been closed since the January 2025 Palisades fire last year.

Paramount plans to upgrade the theater with state-of-the-art projection systems and in-seat food and drink service, Rick Caruso, whose company owns the Palisades Village shopping center where the Bay Theater is located, said in an interview. Caruso is founder and executive chairman of the real estate firm Caruso.

Paramount plans to show first-run theatrical movies from all studios. The theater will be operated by The Lot, a La Jolla-based luxury dine-in theater chain with four locations in California. The theater is expected to reopen later this year, Caruso said.

“The comeback of this movie theater is a great signal for all of L.A.,” he said. “Los Angeles is resilient, and we’re going to show the country that Los Angeles can bounce back from a terrible, terrible disaster, and the comeback is going to be much greater than the setback.”

Palisades Village reopened in August after more than $100 million in renovations, including major infrastructure work. The upscale outdoor mall survived the Palisades fire, but needed refurbishment to eliminate any potential contaminants from the blaze.

Caruso declined to share terms of Paramount’s lease agreement, saying only that it was long-term. Paramount declined to comment on the size of its investment in the theater.

Caruso said he brought up the Bay Theater over lunch last year with David Ellison, chief executive of Skydance, who was then working to acquire Paramount. The two were discussing that deal and Ellison’s belief in the importance of the movie theater business to the industry.

“Together with Caruso, we are proud to help bring the Bay back to life as a place for the Pacific Palisades community to gather around the shared experience of cinema,” Ellison said in a statement. “This theater has always meant more than movies alone — it’s woven into the fabric of this neighborhood, and helping restore it is a privilege.”

The Bay Theater was previously leased by Netflix, which took it over in 2021. The company used the theater to host special events, screen classic films and showcase its own original theatrical movies.

Caruso described Netflix and company Chief Executive Ted Sarandos as “incredible stewards” of the theater, adding that Sarandos was “very much a gentleman” in having the discussion about Paramount stepping in at the theater.

The Bay Theater announcement comes just about a week after Paramount completed its acquisition of Warner Bros. Discovery. The newly combined company, which took the name Skydance after the deal closed, must release at least 30 films a year as part of a settlement agreement with 12 state attorneys general over antitrust claims.

Ellison has long extolled his love of movies and appeared at the CinemaCon movie theater owners convention earlier this year to reiterate his commitment to theatrical releases.

Studios were barred from owning theaters for decades under the Paramount consent decrees, which a federal judge terminated in 2020. Netflix has since operated the Egyptian Theatre in Hollywood and the Paris Theater in New York.

“Through our curated offering and dedicated hospitality, we look forward to welcoming the Pacific Palisades community back to the movies, the way they were intended to be shared,” Adolfo Fastlicht, founder and chief executive of The Lot, said in a statement.

A DREAMY cottage in the highlands is a perfect destination to escape for a retreat.

It can also be a base for an action-packed family adventure break – with dolphin spotting among the highlights. Janice Hopper reveals all…

With our feet strapped into boots atop skis with wheels, coach Logan advises us to glide just like him.

Our wobbly attempts at roller-skiing aren’t great, so we soon move on to cross-country skiing on the dry-slope matting instead, where my husband Eamon and our sons Samuel, 12, and Joseph, 11, and I do actually glide.

We’ve booked a family session at Huntly Nordic And Outdoor Centre, which ends with us all flinging ourselves, whooping and screaming, down a slope on rubber rings.

It’s a fun way to experience the Scottish hills. Three-hour activity sessions cost £18.15 per adult, £12.15 per child (Livelifeaberdeenshire.org.uk).

PUMPED UP

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PLANT IT

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ESTATE OF MIND

After all the exhilaration, it’s time to check into our two-bedroom cottage on the elegant Mayen Estate.

With a classy colour palette, the cosiest stove and a beautiful ”box bed” in the master, plus a fire pit and hot tub in the garden, Butlers Cottage is a gorgeous hideaway.

We task the boys with rolling out dough and sprinkling on the cheese and salami from our pre-ordered pizza kit, from £21, before popping it in the outdoor pizza oven as the sun starts to wane.

The next morning, we wake to the sound of Highland cows nearby, before taking a peaceful riverside stroll along the Deveron and exploring Mayen’s stunning two-acre Walled Gardens, open exclusively to holiday guests for £20 per cottage.

It’s August, so everything is in full bloom as we wander through walkways of lavender, white lilies and glorious glasshouses.

Huntly is also home to a cinema, castle, shortbread factory and swimming pool, but we head to scenic Greenmyres Lochan for Canadian canoeing and standup paddleboarding, £28 per person for an hour and a half.

Jumping in and swimming is a valid option, too, as my youngest discovers (Huntlydt.org/what-we-do/greenmyres).

After peeling off our wetsuits, we reward ourselves with a Sunday roast at The Bank Cafe & Restaurant.

Here, choose your carvery meat and three sides, such as sticky red cabbage and macaroni cheese, for just £15, or seven sides for £21 (Thebankrestauranthuntly.com).

Buttery orange biscuits from Dean’s Shortbread, £2.49 (Deans.co.uk) and Irn Bru ice cream, £3 a scoop, from long-standing Rizza’s wrap up our day nicely (Rizzas.co.uk).

While Butlers Cottage is set amid rolling hills, the golden sands of Banff Bay are only half an hour away.

After wandering along the shoreline, we warm up with hot chocolate, £4.50, and a dainty Victoria sponge tower, £3.40, at Annie’s Cakery (Facebook.com/anniescakery7).

Housed in the town’s former railway station, AKA The Platform, there’s a lovely homeware and fashion shop, too (Theplatform-macduff.co.uk).

Also close by is Portsoy, famous for its salmon. After learning more about the local catch at the free Salmon Bothy museum (Salmonbothy.org), we buy flavoursome smoked fillets, £4 each, from Messrs J Smith at the historic harbour to cook later, before hitting Spey Bay’s free Scottish Dolphin Centre, half an hour away (Dolphincentre.whales.org).

There are binoculars for trying to spot the bay’s resident 200 bottlenose dolphins and the chance to listen to recordings of their calls.

The local dolphins are considered the world’s “chubbiest”, thanks to their extra layers for keeping warm in the chilly waters.

We’re alright though, we have a hot tub to return to. . .

Despite being a lifelong Sunderland fan, Chandler admits basing his team on Kevin Keegan’s Newcastle – with entertainment even placed above winning.

“There was a standing joke in the team, two or three at the back? One time we chased a game with two at the back,” he says.

“The Premier League can be so boring; fans want to be entertained, that’s what we promised.”

Chandler was already a Whitley Bay hero when he was appointed manager by chairman Paul McIlduff, having scored the winner in the 2002 FA Vase final against Tiptree United at Villa Park.

After a slow start as the then-35-year-old with no prior managerial experience found his bearings, Chandler built a talented team which became the envy of non-league football nationwide.

“We played good football. We had pace on the wing, fantastic midfielders, and strikers who were deadly,” says McIlduff, who has been Whitley Bay chairman since 2001.

“When we brought them in, it was about fitting the psychology of the dressing room. No-one thought they were better than anyone else, they played for each other.”

A growing influence in the side was the ‘Whitley Bay Maradona’.

Paul Robinson came through Newcastle United’s academy before a career spent across various non-league clubs in the north-east – including Whitley Bay from 2007 to 2013.

Like several other players and staff, he worked with Chandler both in his day job at software company Sage and at Hillheads Park.

“He was my manager at work and football, I was sick of him,” he tells BBC Sport. “But it helped get time off for matches.”

And it meant he also had an understanding boss if his mind drifted at work.

“Zoning out happened regularly, picturing scoring and winning, what the opposition would be like – hoping they were rubbish so we could have an easy stroll,” he says.

Perhaps Robinson’s greatest Whitley Bay moment came in the 2010 FA Vase semi-final second leg, when his last-minute diving header in the driving rain secured a 6-5 aggregate victory over Barwell, sparking a pitch invasion.

“Everyone goes to the finals, you were there, you could enjoy it,” says Robinson, who is now academy head at South Shields.

“But the rounds before were the bigger games. At home, we would get 2,000 or 3,000 at every game. You felt like a real player. You associate those memories with 90s FA Cup you never think it will happen in non-league.”

Chandler played in a 2-0 win over Preston in round two as they reached the FA Cup third round for the first and only time in the 1989-90 season, and they also progressed to round two the following campaign.

Those seasons of success – made The Bay a feared side for non-league clubs across England, and meant they were ready for the big games in a way most amateur sides are not.

“One quarter-final against Biggleswade [in 2009], they turned up in suits and ties,” says Robinson. “We thought, this is their day out, their cup final. We won 5-2.

“By the end, teams were turning up afraid of us. We had it won beforehand.”

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To explore the park or book your stay, visit www.ladrambay.co.uk . Planning an autumn break? Use promo code Late20 for special savings on all stays arriving on or before 22 October 2026.

Forget about its comparison to Martha’s Vineyard. “Widow’s Bay” can now call itself the next Emmy-winning comedy series.

At Monday’s Emmys ceremony, the first-year series beat out former winners “The Bear” and “Hacks”; returning nominees “Abbott Elementary,” “Nobody Wants This,” “Only Murders in the Building” and “Shrinking”; and fellow newcomer “Margo’s Got Money Troubles.”

The show took home a record-breaking 14 Emmys, the most ever for a comedy series. The wins include lead and supporting actor, supporting actress, directing and writing. The total overcame the milestone set by “The Studio” with its 13 wins last year.

Apple TV’s horror-comedy series about a fictional cursed island off the coast of New England and its mayor, played by Matthew Rhys, who is trying to save it from economic depression, became a word-of-mouth hit that’s inspired memes and fan cosplay. Creator and showrunner Katie Dippold began writing the series more than 10 years ago, inspired by her trips as a youth to the Jersey Shore and quaint New England seaside towns.

“This was such a great collaboration of the best wonderful weirdos and artists,” Dippold said while accepting the award. “We’d also like to thank the evil entity on the island that trusted us with its story.”

“That is exciting and terrifying,” she added backstage. “One thing I meant to thank in the speech, there’s so many people that spread the word early on, all the people online talking about it with reviews, people tweeting about it … we’re so grateful for that.”

“They were predominately our parents,” Rhys joked.

“And some burner accounts,” Dippold added.

The series was a late entry into the Emmy race, premiering at the end of April. Hiro Murai, who directed five of the series’ 10 episodes and is an executive producer, told The Times he thought of it as a “spooky summer show.” Murai won for directing for a comedy.

“The show takes place during the summer, and so much of what makes it scary is that it doesn’t look like it should be scary. It’s all sunlight,” he said. “The atmosphere is very summery.”

The series stars Rhys as overcompensating mayor Tom Loftis, with a supporting cast that includes veteran actors Stephen Root, Dale Dickey and Kate O’Flynn.

“Widow’s Bay” earned 19 nominations, including lead actor for Rhys and acting nominations for Root and O’Flynn. All three won in their categories.

Rhys, who also won for lead actor in a limited or anthology series for “The Beast in Me,” told The Times he hopes the hit series demonstrates to studios that it’s worth taking a risk and challenging its audience.

“Everyone’s more than ready for it and thirsty for it in a real way,” he said. “I really hope this does something in the Hollywood psyche, where they go, ‘Let’s put away the remakes and let’s just get after new challenging, original material.’ ”

The win gives Apple TV its second consecutive comedy series victory after “The Studio” won last year, and its fourth (“Ted Lasso” in 2021 and 2022) in the category in the last six years.