battle

As battle for Ukraine’s Pokrovsk heats up, Putin touts nuclear-powered arms | Russia-Ukraine war News

Russian and Ukrainian forces are interlocked in desperate battles for control of Ukraine’s eastern towns of Pokrovsk and Myrnohrad, which Moscow considers a gateway to the remaining unoccupied areas of the Donetsk region.

On Sunday, Valery Gerasimov, Russian chief of staff,  told President Vladimir Putin his 2nd and 51st Combined Arms Armies were “advancing along converging axes” and “have completed the encirclement of the enemy” in Pokrovsk and Myrnohrad.

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He claimed some 5,500 Ukrainian troops were surrounded, including elite airborne and marine units.

Russian military reporters contradicted these claims, with one named “Military Informant” telling 621,000 Telegram subscribers, “There is simply no encirclement” as the two claws of Gerasimov’s attempted pincer movement were still “several kilometres” apart.

On Thursday, Oleksandr Syrskii, the Ukrainian commander-in-chief, also denied Gerasimov’s claim.

“The statements of Russian propaganda about the alleged ‘blocking’ of the defence forces of Ukraine in Pokrovsk, as well as in Kupiansk, do not correspond to reality,” Syrskii said.INTERACTIVE-WHO CONTROLS WHAT IN UKRAINE-1761757601

The Russian reporter also thought it “extremely unlikely” that thousands of Ukrainian troops were trapped.

“If earlier urban battles were a classic meat grinder ‘head-to-head’ with battles for each house,” he said, now they are “conducted by small groups of infantry with the support of many drones”.

Geolocated footage showed that isolated Russian groups had entered western and central Pokrovsk on October 23, but they did not appear to control areas within the city, rather to stake out positions and await reinforcements.

Ukraine’s General Staff said the situation around Pokrovsk “remains difficult”, and estimated that some 200 Russian troops had infiltrated the town, but said defending units were conducting sabotage operations that prevented Russian units from gaining a permanent foothold.

The front around Pokrovsk also remained dynamic.

INTERACTIVE-WHO CONTROLS WHAT IN EASTERN UKRAINE copy-1761757594
Ukrainian military observer Konstantyn Mashovets reported that Kyiv’s troops were able to ambush Russian rear positions in the village of Sukhetsky, northeast of Pokrovsk, demonstrating the porousness of the front line.

“[Russian] small infantry groups in some places began to collide with Ukrainian corresponding groups quite often and suddenly, even before their deployment or when moving to strengthen and replenish their assault groups directly,” said Mashovets.

“Due to the abundance of drones in the air, which make the movement of any large concentrations of infantry extremely dangerous, the positions of both sides remain mixed,” said Kremlin-aligned Russian military news outlet Rybar. “This leads to the absence of a single front line and prevents the determination of the exact boundaries of the control zones.”

Mashovets estimated that the Russian 2nd Combined Arms Army, which he described as the “main impact force”, had received reinforcements of between 6,000 and 10,500 troops from other areas of the front ahead of the latest assault, which began in mid-October.

“Special attention is focused on Pokrovsk and the neighbouring areas. That is where the occupier has concentrated its largest assault forces,” said Ukrainian President Volodymyr Zelenskyy in a Monday evening address. “It is Pokrovsk that is their main objective.”

Ukraine strikes Russian energy hubs

Zelenskyy has often said his objective is to return the war to Russian soil. Ukraine’s long-range drones and cruise missiles were performing that task during the past week.

Ukraine struck the Ryazan oil refinery for the fifth time this year on October 23, setting ablaze a crude oil distillation unit. Russia’s Defence Ministry said 139 Ukrainian drones had been shot down overnight.

Leningrad’s regional governor said “several” Ukrainian drones had been shot down without causing damage or casualties on Saturday.

Ukraine struck a fuel and lubricants container in Simferopol on Wednesday, Crimean occupation Governor Sergey Aksyonov said.

Putin boasts of weapons ‘nobody else in the world has’

Russian officials who have been supportive of US President Donald Trump’s efforts to negotiate a peace directly with Putin changed their tone after Trump cancelled a summit with Putin and imposed sanctions on Russian oil majors Lukoil and Rosneft last week.

“The US is our adversary, and its verbose ‘peacemaker’ is now firmly on the warpath against Russia,” said Dmitry Medvedev, deputy chair of Russia’s National Security Council, saying Trump was now “completely aligned with mad Europe”.

Over cakes and tea with Russian war veterans on Monday, Putin announced the successful test launch of a new nuclear-powered torpedo with the ability to create radioactive tidal waves targeting coastal regions.INTERACTIVE-WHO CONTROLS WHAT IN SOUTHERN UKRAINE-1761757596

The Poseidon reportedly has a range of 10,000km (6,200 miles) and travels at 185km/h (115mph). As with previous unveilings of Russian weapons, Putin said, “There’s nothing like it in the world, its rivals are unlikely to appear anytime soon, and there are no existing interception methods”.

Duma Defence Committee Chairman Andrey Kartapolov said the Poseidon was“capable of disabling entire states”.

Three days earlier, Putin had announced the successful test of a new nuclear-capable cruise missile, the Burevestnik, which is also nuclear-powered.

“It is a unique ware which nobody else in the world has,” Putin said.

Russia followed a similar political intimidation tactic in November 2024, when it launched the Oreshnik, a hypersonic, intermediate-range ballistic, nuclear-capable missile, to hit a Ukrainian factory in Dnipro. On Tuesday, Putin said he would deploy the Oreshnik in Belarus by December.

Russia also tested the Sarmat, a new intercontinental ballistic missile that Putin said is not yet operational, in the Sea of Japan. None of the tests were independently verified, and it was unclear whether any of the new weapons were battle-ready or whether they could be produced at scale.

On October 22, Moscow conducted a routine strategic forces exercise, sending Tupolev-22M3 long-range bombers over the Baltic Sea, framing it as a reaction to Western aggression.

Trump said on Monday that Putin should instead focus on ending the war.

“I don’t think it’s an appropriate thing for Putin to be saying,” said the US president. “You ought to get the war ended; the war that should have taken one week is now in … its fourth year, that’s what you ought to do instead of testing missiles.”INTERACTIVE Ukraine Refugees-1761757591

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Little Mix star admits to ‘battle’ in teaser for new Louis Theroux doc

The new BBC documentary dives into the ‘truth of being a young woman thrust into the spotlight’

Perrie Edwards is set to reveal what it’s really like being part of a girl band.

After the success of last year’s Boybands Forever, BBC Two is launching its female equivalent, Girlbands Forever. The three-part documentary will explore ‘girl band fever throughout the 90s and beyond,’ featuring personal contributions from the Little Mix star, along with singers from Atomic Kitten, Sugababes and All Saints.

A preview for the upcoming programme provides a taste of what audiences can anticipate, with interview clips from some of the celebrity participants scheduled to appear. It delves into the nostalgic 90s and noughties period when ‘girl band fever’ was rampant, reports OK!

Presenter Sara Cox describes the period as an “era of young women suddenly having a voice,” before noting: “But it was a small window”.

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The brief 25-second trailer also shows Perrie discussing the backstage challenges of Little Mix, who rose to stardom after triumphing on The X Factor. She disclosed: “We battled the social media trolls together.”

The girl group entered the limelight during the early 2010s, so their journey provides a unique viewpoint on the difficulties female bands encountered in the social media era.

According to the BBC, audiences can anticipate hearing from Heidi Range (Sugababes), Kelle Bryan (Eternal), Kerry Katona (Atomic Kitten), Melanie Blatt (All Saints), Perrie and Su-Elise Nash (Mis-Teeq).

The programme will also feature chats with industry names such as Andy McCluskey, Clara Amfo, Darcus Beese OBE, Lucie Cave, MNEK, Nicki Chapman, Pete Tong, Pete Waterman, Scott Mills and Tulisa.

Girlbands Forever is a product of Louis Theroux’s production house, Mindhouse. Ahead of the show’s debut, Louis expressed: “I couldn’t be more thrilled to be part of making this wonderful series.

“I well remember when the Spice Girls, Eternal and All Saints burst on the scene in the 90s. It was a special time in pop music and British culture generally.”

He added: “Then in their wake came a parade of girl bands, made up of girls who were all in different ways beautiful, talented and often very funny.

“Going back and rediscovering all that music and those videos and the interviews they did has been an absolute pleasure.”

Girlbands Forever debuts on BBC Two and iPlayer on November 1.

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Trigger Point star Vicky McClure reveals PTSD and addiction battle ahead of new series

Explosives Officer Lana Washington is set to face some daunting times in Trigger Point’s third series as Vicky McClure teases another high-stakes season for the ITV hit series.

Vicky McClure promises more adrenaline, danger and depth in the explosive third series of Trigger Point – but her alter ego Lana is set for a gruelling addiction and PTSD battle.

“It’s more exciting,” she says, “We made it bigger. We’ve got new cast members. People that weren’t on series two were really excited to be on the show.”

This year, the hit ITV show doesn’t just go bigger – it gets bolder. “We’re moving with the times,” Vicky McClure adds, “We’re making sure that it feels epic.”

Once again, the Line Of Duty star returns as bomb disposal expert Lana Washington – while also taking the reins as an executive producer.

Series three opens with a nerve-wrecking emergency: Lana is called to a wasteland where a man is trapped inside a taxi. A sign nearby orders him to “confess” to a mysterious crime – or die trying to escape.

What first appears as a one-off hostage crisis quickly spirals. As panic builds up, Lana realises she’s hunting a serial perpetrator. New actors have joined the line-up. Lost Kingdom star Mark Rowley plays Rich Manning, and Primeval actor Jason Flemyng is villain Steven Wyles.

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“I always play a lot of baddies and I look like a baddie but the truth is he’s another little man that is fighting the system and that has been hard done by,” Jason says.

“He’s had enough of the capitalist system putting profit before people. He takes retribution.” The villain quickly develops a complicated bond with Lana.

“She’s not battling him, it’s just that he’s breaking the law and doing something which puts other people in danger. That’s the essence of that relationship,” Jason says.

Their bond culminates in a brutal face-off – one Jason vividly remembers. “We shot in this town hall in Wembley and we parked underneath it,” he says.

“I went to see Oasis recently and went to the town hall because that’s where Vicky and I had a fight. I parked right outside because I knew the town hall.”

This season also digs deeper into Lana’s personal trauma. After surviving a kidnapping by a terrorist group in season two, she’s still grappling with the aftermath.

“When we first started talking about series three, we wanted to touch on PTSD for sure and how that was for Lana,” Vicky says. “It’s so unique to everybody. We all know Lana’s lost a lot of people close to her throughout the series. There’s no way that’s not going to have an effect on her.”

The emotional toll takes unexpected forms. “We’ll see Lana going through an addiction while she’s working and how she handles that, who picks up on it,” Vicky teases, “She’s incredible but she’s also human. She makes a lot of mistakes. That’s the downfall of being a heroic character.”

Vicky also gets an upgrade – literally. “We’ve had three different bomb suits now,” Vicky says, “This was the lighter version and it was still bloody heavy . It was much easier to walk in.”

Despite the physical and emotional intensity, Vicky thrives on bringing Lana’s vulnerability to the surface. “It’s been nice because Lana’s having to lean more on other people,” she says.

“There’s a much closer knit between the EXPOs (Explosive Officers),” she adds, crediting former British Army bomb disposal expert Joel Snarr for his insight. “There’s a lot of life in it. It feels real. We’re trying to get into the mentality of an expo and speaking to people like Joel, you get that.”

Even the smallest details matter to Vicky. “One thing that drives me nuts is watching people drink tea on telly without tea or (carrying) bags without anything in them,” she says, “I’ve got this bag on my back every day, so I fill it with anything that Lana needs. I feel like I’ve got the weight of Lana on me.”

She even recalls a particularly funny moment on set. “They’d made a foam breezeblock for me. I know I’m 42 and cracking on but I can still pick up a breezeblock,” she says.

“Cut to take five and I was like, ‘what the hell did I choose the real one for?’ But the foam one looked terrible. After Trigger Point, I feel fit as a fiddle, which is rare for me because I’m not a massive fan of the gym. I went there once this year.”

Production for series three rolled straight into filming for series four, after ITV swiftly renewed the drama. The cast and crew spent a total of nine months shooting in London. “We just strap in and get the job done,” says Vicky.”

Trigger Point airs on Sunday 26th October on ITV.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.



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BBC star’s nepo daughter reveals addiction battle on new single

A BBC star’s nepo daughter has revealed her addiction battle on her new single.

The singer has opened up for the first time about struggling with addiction, ADHD and substance abuse.

A BBC star’s nepo daughter has revealed he addiction battle on a new singleCredit: instagram
Line of Duty star Adrian Dunbar’s daughter, Madeleine Dunbar, 37, whose artist’s name is Minx has explored her past in her new music video.Credit: instagram

Line of Duty star Adrian Dunbar‘s daughter, Madeleine Dunbar, 37, whose artist’s name is Minx has explored her past in her new music video.

The artist took to Instagram with an image of herself spread across a lime satin bedspread with beer cans rolled into her hair as curlers

In the image she is surrounded by lines of fake white powder, pill packets and bottles.

The artist said: “My name is Madeline Dunbar, My artist name is Minx.

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“I am a recovering addict. I am a NeuroSpice.

“Messy, Messy ADHD Queen and I am writing songs about it.

The camera then flips to Madeline’s cat and she jokes: “Oh that’s my cat Tony. I think he thinks I’m relapsing.

“Don’t worry baby boy we are not going back there. That is just my ADHD medication crushed up on a golden plate.”

Madeline then bursts into laughter and adds: “Anyways if any of this stuff resonates with you in the right place.

“I’m about to release a track called Dopamine on the 1st November.

“I think you’re gonna f**k with it.”

The singer describes her music as “high-energy pop rap with hip hop, house and Latin influences”, drawing inspiration from Madonna, Lady Gaga, Janelle Monae and Rosalia.

Lyrics from the song include: “And every time I think that I’m in control / You serve another cocktail of chemicals / And it’s nice, but I wonder”

In an earlier post the singer wrote: “Fully clean and sober writing songs about addiction is cathartic but sitting in front of my favourite vices (albeit fake substitutes) was a bit triggering.

“It also made me feel a great sadness for the person I once was and the people still suffering.

“This track is a foray into the desperation felt by anyone suffering with adhd or addiction or like me, both!

“The frenzied need to feel better to feel different to feel normal.

“The futile necessity of instant gratification because that low dopamine is REAL and makes you feel so f***ing empty and unenthused.

“If you or a loved one are struggling speak out and seek help. It can be done, we do recover.”

Madeline’s father Adrian is best known for his starring role in Line of Duty as Superintendent Ted Hastings, the head of an anti-corruption squad.

But the Northern Irish actor has actually enjoyed a varied acting career, which also includes movies.

Line of Duty has run for six seasons so far, with fans begging for a seventh series of the hit BBC One cop drama.

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Adrian is wed to his Australian actress wife Anna Nygh, after they got married in 1986 – as well as Madeline he also has a stepson with Anna.

Madeline has said her music is influenced by Madonna and Lady GagaCredit: instagram
The singer has opened up for the first time about her addictions and ADHDCredit: instagram
Her father is best known for his role as Superintendent Ted Hastings, the head of an anti-corruption squad in Line of DutyCredit: PA

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South Korea resumes excavation of war remains at DMZ battle site

South Korea resumed a project to excavate the remains of soldiers killed at a battle site in the DMZ, its military said Wednesday. The move was intended to help reduce inter-Korean tensions in the heavily militarized DMZ, as seen in 2019. File Photo by Thomas Maresca/UPI | License Photo

SEOUL, Oct. 15 (UPI) — South Korea on Wednesday resumed an excavation project for the remains of soldiers killed in the Korean War at a battle site in the demilitarized zone, its military said, as Seoul looks to improve frosty inter-Korean relations.

“As part of measures to ease military tensions between the South and the North, the Ministry of National Defense has resumed the excavation of remains around White Horse Ridge in Cheorwon, Gangwon Province, which was suspended in 2022,” the ministry said in a message to reporters.

“This is an effort to return the remains of soldiers killed in the Korean War to their families … and is a practical measure to transform the DMZ into a zone of peace,” the ministry said.

South Korean President Lee Jae Myung has made efforts to rehabilitate relations between the two Koreas since he took office in June, with conciliatory gestures such as removing propaganda loudspeakers from border areas.

Lee has also said he would take “proactive and gradual steps” to restore the 2018 inter-Korean military pact that was suspended amid tensions between Seoul and Pyongyang during the administration of President Yoon Suk Yeol in 2024.

The pact established buffer zones along the border and included measures such as the removal of some guard posts in the DMZ and the banning of live-fire exercises in certain areas.

In April 2018, Seoul and Pyongyang agreed to launch a joint project to retrieve remains of soldiers killed during the Korean War from Arrowhead Ridge, the site of one of the fiercest battles of the 1950-53 Korean War.

However, after the failed 2019 summit in Hanoi between U.S. President Donald Trump and North Korean leader Kim Jong Un, the North refused to participate.

South Korea began excavation work alone on the site in 2019 and retrieved remains of some 424 soldiers. Seoul later expanded efforts to White Horse Ridge, where teams found the remains of 67 soldiers, but the project was suspended in 2022 amid deteriorating ties with the North.

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Control, choke points: The battle lines in southern Sudan | Sudan war News

Recent battlefield gains by the Sudanese Armed Forces (SAF) may turn the tide in Kordofan, analysts have told Al Jazeera.

Sudan’s devastating war between the SAF and the paramilitary Rapid Support Forces (RSF) has raged for two and a half years, resulting in massive displacement and the world’s worst humanitarian crisis, according to the United Nations.

Yet SAF’s capture in September of the strategic city of Bara, which the RSF was using for logistics, supplies, and as a muster point for reinforcements, is seen as a sign that SAF may have swung the pendulum in its favour.

Why is Bara important?

Bara lies about 350km (217 miles) southwest of the capital Khartoum along the “Export Road” used to truck goods from Khartoum to el-Obeid, capital of North Kordofan State.

It also exports its own agricultural products and livestock to the rest of Sudan.

The Khartoum-el-Obeid connection is vital because from el-Obeid, roads lead outwards to South Sudan and Sudan’s east and Darfur in the west.

From Khartoum, roads lead northeast to Port Sudan on the Red Sea, where the wartime government was until recently. Roads also lead north to Egypt and east to Eritrea and Ethiopia.

SAF took el-Obeid in February, after a two-year RSF siege, and took Khartoum in March, so taking Bara gave it solid control over the Export Road to use as a supply route, independent Sudanese military and political analyst Akram Ali told Al Jazeera.

Interactive_Sudan-control_map_Oct14-2025_2
(Al Jazeera)

Bara and el-Obeid lie near the westernmost reaches of SAF control, well to the east of el-Fasher, the capital of North Darfur and the last city SAF holds in the vast western region. Between the two is a stretch of RSF control – and siege on el-Fasher – that SAF has to breach.

For the RSF, keeping Bara and a foothold in Kordofan was important because it allowed it to put pressure on SAF, which holds territory to the north, and to link the areas it controls in Kordofan and Darfur to South Sudan, links it uses to move weapons and fighters.

How did SAF take Bara?

The army launched an offensive on Bara from the south on September 11, while RSF defences were concentrated on the eastern side, analyst Abdul Majeed Abdul Hamid said.

SAF sent continuous drone strikes against RSF targets, then launched the Darfur Track Armed Struggle Movement, an assault force known for mobility and speed, from el-Obeid.

The force successfully engaged and defeated the RSF unit defending Bara, then entered the city with heavy firepower, according to a military officer who spoke on condition of anonymity.

The officer said the operation relied on speed and keeping the RSF occupied on several fronts to prevent it from sending reinforcements.

Most of Bara’s civilians supported SAF, according to Abdul Hamid, and the RSF quickly retreated.

The operation cut off RSF supply and military support lines, he added, isolating their remaining positions in areas such as al-Khuwei to the west and al-Nahud to the east.

For the RSF, keeping Bara and a foothold in Kordofan was important because it allowed it to put pressure on SAF, which holds territory to the north, and to link the areas it controls in Kordofan and Darfur to South Sudan, links it uses to move weapons and fighters.

Losing Bara also meant that the RSF could no longer keep the city of el-Obeid under siege.

Will the RSF lose the Kordofans?

The RSF announced in February this year that it had entered an alliance with the Southern People’s Liberation Movement-North (SPLM-N). South Kordofan includes the Abyei region, disputed between Sudan and South Sudan. The SPLM-N controls the vast, isolated Nuba Mountains region in South Kordofan, right up against the border with South Sudan.

However, despite that new stronghold, analysts told Al Jazeera that losing control over the Export Road spells a serious deterioration in the RSF’s power in the Kordofans.

“The army’s entry into el-Obeid marked the beginning of their actual collapse,” said Ali.

Widespread disease outbreak overwhelms hospitals in war-torn Sudan [Screengrab/Al Jazeera]
Widespread disease outbreaks have overwhelmed hospitals in war-torn Sudan [Screengrab/Al Jazeera]

 

An army unit called “Al-Sayyad” – named after a commander killed in the early days of the war – had moved from Rabak, capital of White Nile State, in a campaign that eventually reached el-Obeid.

Political analyst Ahmed Shamukh said liberating Bara opens the door to reactivating the SAF air base in el-Obeid, the largest in Kordofan, after two years of inactivity, “significantly [enhancing] the logistical and combat capabilities of the Sudanese army” and helping SAF’s campaign to expel RSF from the Kordofans.

Taking back all of Kordofan would allow SAF to work towards liberating Darfur, Abdul Hamid said.

“The army has combat experience and personnel capable of liberating Kordofan with the same capabilities it used to retake the cities of central Sudan and the capital,” Abdul Hamid continued.

The war has killed tens of thousands of people and displaced more than 10 million in what has become the world’s largest humanitarian crisis.

According to the UN, a total of 24.6 million people face acute food insecurity, while 19 million people lack access to safe water and sanitation.

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USC finds itself in funding battle between Trump and Newsom

In the last few weeks, USC has found itself caught in a political tug-of-war that could potentially change campus life permanently.

Gov. Gavin Newsom threatened on Oct. 2 to cut “billions” in state funding, including the popular Cal Grants that many students rely upon, if California schools bowed to pressure from the Trump administration.

Newsom’s messaging came in response to a White House directive that asked USC and eight other major national universities to commit to President Trump’s views on gender identity, admissions, diversity and free speech in exchange for priority access to federal dollars.

The topic was covered in depth by my colleagues Jaweed Kaleem and Melody Gutierrez.

Let’s jump into their article and see what options lie ahead for USC.

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What the White House told USC

USC and other universities were asked to sign a “Compact for Academic Excellence in Higher Education,” which commits them to adopt the White House’s conservative vision for America’s campuses.

The Oct. 1 letter also suggests colleges should align with Trump’s views on student discipline, college affordability and the importance of hard sciences over liberal arts.

The compact asks universities to accept the government’s definition of gender — excluding transgender people — and apply it to campus bathrooms, locker rooms and women’s sports teams.

But the White House letter to USC and other campuses is more stick than carrot.

The government says it will dole out new federal money and give preference to the universities that accept the deal over those that do not agree to the terms.

Signing on would give universities priority access to some federal grants, but White House officials say the government money would not be limited solely to those schools.

How Trump wants to cut back on international students

The federal compact would also severely restrict international student enrollment to 15% of a college’s entire undergraduate student body. Plus, no more than 5% could come from a single country.

That provision would hit USC hard, where 26% of the fall 2025 freshman class is international. Half of those students hail from either China or India.

Cutting into that rate would be a financial blow to USC, where full-fee tuition from international students is a major source of revenue. The university has already endured hundreds of layoffs this year amid budget troubles.

How Newsom is responding

Newsom wrote that “if any California university signs this radical agreement, they’ll lose billions in state funding — including Cal Grants — instantly.”

He added, “California will not bankroll schools that sell out their students, professors, researchers, and surrender academic freedom.”

Students become eligible for Cal Grants through the Free Application for Federal Student Aid or California Dream Act Application. In 2024-25, $2.5 billion in Cal Grants were doled out to California students.

What is USC doing?

The school’s faculty members strongly denounced Trump’s offer at a meeting Monday, calling it “antithetical to principles of academic freedom.”

But interim President Beong-Soo Kim told the roughly 500 attendees that the university “has not made any kind of final decision.”

One of the nine schools presented with Trump’s deal, MIT, forcefully rejected the White House’s proposal last week. (It is unclear how the White House selected the nine schools that were offered the deal.)

Notes from a reporter’s notepad

Kaleem, one of the Times reporters on this story, noted that universities throughout Southern California, including USC, UCLA and others in the UC or Cal State systems, find themselves under siege from the White House, whether they were offered Trump’s proposal or not.

“Grants for funding and research are being held up because of investigations into antisemitism or diversity or other issues,” he said. “There are very few universities untouched by the push from Trump on higher education.”

Kaleem spoke with several politically active students and professors at USC who see Newsom’s gesture as a blessing in disguise.

“They felt the governor’s threat to take away money actually gives the USC campus cover to resist Trump more forcefully,” Kaleem said.

Now USC administrators could defy the White House under the guise of trying to avoid losing funding from the state, according to those who spoke with Kaleem.

“They could say they can’t be blamed because they’re being forced to resist Trump,” he said. “It’s an interesting potential strategy.”

For more, check out the full article here.

Today’s top stories

A photo of a sign outside a building says Emergency Walk-in Main Hospital

Part of the debate over the ongoing federal government shutdown focuses on funding for the treatment of undocumented immigrants at hospital emergency rooms.

(Ashley Landis / Associated Press)

Trump claims Democrats want to use federal funds to give undocumented residents healthcare. That’s misleading

  • Undocumented immigrants cannot access federal programs, but California law provides state-funded Medi-Cal coverage costing the state $11.2 billion annually.
  • President Trump claimed recently that Democrats “want to have illegal aliens come into our country and get massive healthcare at the cost to everybody else.”
  • Democrats called Trump’s assertion an absolute lie, accusing Republicans of wanting to slash federal healthcare benefits to Americans in need to pay for tax breaks for the wealthy.

Beutner launches bid for L.A. mayor, vowing to fight ‘injustices’ under Trump

  • Former L.A. schools Supt. Austin Beutner kicked off his campaign for mayor on Monday with a video message that hits not just Mayor Karen Bass but also President Trump and his immigration crackdown.
  • Beutner vowed to counter Trump’s “assault on our values,” while also criticizing City Hall over homelessness, housing costs and rising city fees.

Three more L.A. County deaths tied to synthetic kratom

  • The deaths have been linked to kratom, a compound that is being synthetically reproduced and sold over the counter as a cure-all for a host of ailments, the county Department of Public Health announced Friday.
  • The compound was found to be a contributing cause of death in three residents who were between the ages of 18 and 40, according to the county health department.
  • That brings the total number of recent overdose deaths related to kratom in L.A. County to six.

What else is going on

Commentary and opinions

This morning’s must read

Other must reads

For your downtime

A green-colored drink with a wedge of lemon next to a skull prop

The Griselda’s Revenge cocktail from the Black Lagoon pop-up bar.

(Black Lagoon)

Going out

Staying in

A question for you: What frustrates you the most about parking in L.A.?

Karen writes: “My frustration is that the city started making people pay to park along the road up to the Griffith Observatory. That was the one free and delightful place to get both some sight-seeing and some good walking in after the hunt for a spot. It felt very unfair and opportunistic of the city to limit access to city parks by charging that fee.”

Email us at [email protected], and your response might appear in the newsletter this week.

And finally … your photo of the day

Theatergoers take their seats near a person in a red vest holding Playbills

Theatergoers take their seats to see “Les Miserables” on Oct. 8 in Los Angeles.

(Jason Armond / Los Angeles Times)

Today’s great photo is from Times photographer Jason Armond at opening night of “Les Misérables” at the Hollywood Pantages Theatre.

Have a great week, from the Essential California team

Jim Rainey, staff writer
Kevinisha Walker, multiplatform editor
Andrew J. Campa, reporter
Hugo Martín, assistant editor
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

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Afghanistan-Pakistan cross border battle kills dozens of fighters

At least a dozen soldiers died in overnight cross border fighting between Talban and Pakistani forces Saturday into Sunday. It’s the latest spasm of violence to erupt between the two sides as tensions have escalated in recent months. Photo by Basit Gilani EPA-EFE

Oct. 12 (UPI) — Dozens of soldiers are dead following clashes along the Pakistani-Afghan border Saturday night into Sunday morning.

An attack by the Afghan Taliban on Pakistani military installations prompted the heavy exchange of military fire after Afghan troops opened fire along the northwest border and took control of several of the military posts, officials said.

The attacks followed alleged Pakistani airstrikes on Afghan territory, which included targets in Kabul, the capital earlier in the week.

Pakistan responded Sunday with gunfire and ground raids on Taliban posts at the border.

The Pakistani military said 23 soldiers were killed and at least 29 more wounded in the fighting. Officials said 200 Taliban-backed Afghan terrorists were killed in retaliatory strikes, and that Pakistani forces had dismantled Afghan terrorist training camps.

A spokesperson for Afghanistan‘s Taliban government said Sunday that a “significant amount” of Pakistani weapons had been recovered by Taliban forces in the clash.

The latest spasm of deadly violence marks the sharpest uptick in tensions between the Taliban and Pakistan in months, and surface amid Islamabad’s allegations that Afghanistan is harboring armed militants in Pakistan.

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Hollywood-AI battle heats up, as OpenAI and studios clash over copyrights and consent

A year after tech firm OpenAI roiled Hollywood with the release of its Sora AI video tool, Chief Executive Sam Altman was back — with a potentially groundbreaking update.

Unlike the generic images Sora could initially create, the new program allows users to upload videos of real people and put them into AI-generated environments, complete with sound effects and dialogue.

In one video, a synthetic Michael Jackson takes a selfie video with an image of “Breaking Bad” star Bryan Cranston. In another, a likeness of SpongeBob SquarePants speaks out from behind the White House’s Oval Office desk.

“Excited to launch Sora 2!” Altman wrote on social media platform X on Sept. 30. “Video models have come a long way; this is a tremendous research achievement.”

But the enthusiasm wasn’t shared in Hollywood, where the new AI tools have created a swift backlash. At the core of the dispute is who controls the copyrighted images and likenesses of actors and licensed characters — and how much they should be compensated for their use in AI models.

The Motion Picture Assn. trade group didn’t mince words.

“OpenAI needs to take immediate and decisive action to address this issue,” Chairman Charles Rivkin said in a statement Monday. “Well-established copyright law safeguards the rights of creators and applies here.”

By the end of the week, multiple agencies and unions, including SAG-AFTRA, chimed in with similar statements, marking a rare moment of consensus in Hollywood and putting OpenAI on the defensive.

“We’re engaging directly with studios and rightsholders, listening to feedback, and learning from how people are using Sora 2,” Varun Shetty, OpenAI’s vice president of media partnerships, said in a statement. “Many are creating original videos and excited about interacting with their favorite characters, which we see as an opportunity for rightsholders to connect with fans and share in that creativity.”

For now, the skirmish between well-capitalized OpenAI and the major Hollywood studios and agencies appears to be only just the beginning of a bruising legal fight that could shape the future of AI use in the entertainment business.

“The question is less about if the studios will try to assert themselves, but when and how,” said Anthony Glukhov, senior associate at law firm Ramo, of the clash between Silicon Valley and Hollywood over AI. “They can posture all they want; but at the end of the day, there’s going to be two titans battling it out.”

Before it became the focus of ire in the creative community, OpenAI quietly tried to make inroads into the film and TV business.

The company’s executives went on a charm offensive last year. They reached out to key players in the entertainment industry — including Walt Disney Co. — about potential areas for collaboration and trying to assuage concerns about its technology.

This year, the San Francisco-based AI startup took a more assertive approach.

Before unveiling Sora 2 to the general public, OpenAI executives had conversations with some studios and talent agencies, putting them on notice that they need to explicitly declare which pieces of intellectual property — including licensed characters — were being opted-out of having their likeness depicted on the AI platform, according to two sources familiar with the matter who were not authorized to comment. Actors would be included in Sora 2 unless they opted out, the people said.

OpenAI disputes the claim and says that it was always the company’s intent to give actors and other public figures control over how their likeness is used.

The response was immediate.

Beverly Hills talent agency WME, which represents stars such as Michael B. Jordan and Oprah Winfrey, told OpenAI its actions were unacceptable, and that all of its clients would be opting out.

Creative Artists Agency and United Talent Agency also argued that their clients had the right to control and be compensated for their likenesses.

Studios, including Warner Bros., echoed the point.

“Decades of enforceable copyright law establishes that content owners do not need to ‘opt out’ to prevent infringing uses of their protected IP,” Warner Bros. Discovery said in a statement. “As technology progresses and platforms advance, the traditional principles of copyright protection do not change.”

Unions, including SAG-AFTRA — whose members were already alarmed over the recent appearance of a fake, AI-generated composite named Tilly Norwood — also expressed alarm.

“OpenAI’s decision to honor copyright only through an ‘opt-out’ model threatens the economic foundation of our entire industry and underscores the stakes in the litigation currently working through the courts,” newly elected President Sean Astin and National Executive Director Duncan Crabtree-Ireland said in a statement.

The dispute underscores a clash of two very different cultures. On one side is the brash, Silicon Valley “move fast and break things” ethos, where asking for forgiveness is seen as preferable to asking for permission. On the other is Hollywood’s eternal wariness over the effect of new technology, and its desire to retain control over increasingly valuable intellectual property rights.

“The difficulty, as we’ve seen, is balancing the capabilities with the prior rights owned by other people,” said Rob Rosenberg, a partner with law firm Moses and Singer LLP and a former Showtime Networks general counsel. “That’s what was driving the entire entertainment industry bonkers.”

Amid the outcry, Sam Altman posted on his blog days after the Sora 2 launch that the company would be giving more granular controls to rights holders and is working on a way to compensate them for video generation.

OpenAI said it has guardrails to block the generation of well-known characters and a team of reviewers who are taking down material that doesn’t follow its updated policy. Rights holders can also request removal of content.

The strong pushback from the creative community could be a strategy to force OpenAI into entering licensing agreements for the content they need, legal experts said.

Existing law is clear — a copyright holder has full control over their copyrighted material, said Ray Seilie, entertainment litigator at law firm Kinsella Holley Iser Kump Steinsapir.

“It’s not your job to go around and tell other people to stop using it,” he said. “If they use it, they use it at their own risk.”

Disney, Universal and Warner Bros. Discovery have previously sued AI firms MiniMax and Midjourney, accusing them of copyright infringement.

One challenge is figuring out a way that fairly compensates talent and rights holders. Several people who work within the entertainment industry ecosystem said they don’t believe a flat fee works.

“Bring monetization that is not a one size fits all,” said Dan Neely, chief executive of Chicago-based Vermillio, which works with Hollywood talent and studios and protects how their likenesses and characters are used in AI. “That’s what will move the needle for talent and studios.”

Visiting journalist Nilesh Christopher contributed to this report.

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F1 Q&A: Piastri & Norris title battle and Bearman’s first season

McLaren have won the constructors’ championship but Oscar Piastri has sounded fed up since qualifying at Monza, and with the ‘papaya rules’. Is it time the drivers’ title actually becomes a more gloves-off, not-so-friendly fight? – Nick

The conversations at McLaren following the Singapore Grand Prix are certainly going to be long and involved, and may well be tense.

Oscar Piastri made it clear during the race that he was not happy with the fact Lando Norris had collided with him in his overtaking move at Turn Three, and clearly questioned whether it complied with the team’s internal code of conduct governing on-track battles.

As Piastri put it: “That wasn’t very team-like, but sure. Are we cool with Lando just barging me out of the way?”

When he was told the team would take no action in the race, but would review it afterwards, Piastri said that was “not fair”.

This follows the Italian Grand Prix, when Piastri was ordered to give second place back to Norris, after the Briton lost it because of a slow pit stop.

And Hungary, where Norris was allowed to switch to a one-stop strategy and ended up beating his team-mate despite being three places behind him after a difficult first lap.

And Canada, where Norris drove into the back of Piastri but immediately accepted blame.

In this situation, it’s easy to see why Piastri could feel hard done by, although he insisted after the race he was not concerned Norris was getting preferential treatment.

It remains to be seen, of course, what Piastri says about Singapore when he gets to the next race in Austin, Texas.

So far, both McLaren drivers have bought into the team’s philosophy.

Fundamentally, that is that the team should be fair and equitable and the drivers are allowed to race, on the proviso they don’t compromise the team’s interests. Essentially, that means don’t crash into each other.

After Singapore, both Norris and team principal Andrea Stella said nothing would change on that front now the constructors’ championship is sewn up.

The team still want to win the drivers’ championship, and Max Verstappen is still a threat, albeit a distant one, so Piastri and Norris can’t throw caution to the wind.

They also want to beat each other, and the outcome of any contact is always uncertain in F1.

So, while it seems likely that the tension will increase between Piastri and Norris as the championship fight comes to a head, any decision to start throwing punches on track, so to speak, would come with risk.

Crashes also cost money, of course.

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‘I felt like my brain was falling out’ says Love Islander as he reveals 18-month health battle & devastating diagnosis

A LOVE Island star opened up about his secret 18-month health battle, saying ‘I felt like my brain was falling out’.

Chris Williamson, 37, featured on the ITV2 dating show’s first series in 2015.

Chris Williamson reclines in a brown leather chair, wearing a black t-shirt, with medical equipment attached to his arm.

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Chris Williamson opened up about his secret 18-month health battleCredit: Youtube/Chris Williamson
Chris Williamson receiving an IV drip, sitting in a chair.

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He posted a YouTube v video updating his subscribersCredit: Youtube/Chris Williamson
Chris Williamson talking to another man in a Love Island villa.

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Chris appeared on Love Island back in 2015Credit: ITV2

He entered the villa on Day 1, however, he was ultimately “dumped” on Day 19.

Speaking in a video posted on his YouTube channel, Chris discussed his health with subscribers.

In particular, his experience facing toxic mould exposure, Lyme disease and EBV.

In a clip recorded in September 2024, Chris said: “Struggling, yeah, in the last week.

“Five episodes in three days in New York. Two episodes in two days in Florida, plus travelling. Plus a bunch of meetings.

“It’s felt like my brain is trying to fall out of my ears the entire time.

“Memory is really rough, thoughts are very muddy. Getting confused in the middle of sentences.

“So it’s probably the worst that my mind’s been – just disheartening as I’ve been working on trying to get out of all this.

“Mould, EBV, Lyme, whatever it is, stuff for six months, more.

“It’s disheartening. I’ve no idea how far along I am, it feels like I’m going backward.”

I was on the first series of Love Island but quit reality TV and am now worth millions thanks to new job

Chris also appeared on dating show Take Me Out and has completely reinvented himself following his reality star days and is now a millionaire.

He earned the bulk of his fortune through his podcast, Modern Wisdom.

Chris does not look back fondly on his time on Love Island, stating in a chat with Sadia Khan he was “pretty bored” and having an ‘”existential crisis” while in the villa. 

He told the BBC: “I was living this persona of the professional party boy – the big name on campus, the guy with the hair out front [of the club], that wanted people to need him, that thought he had found the culture and industry he belonged in.

“Then I got on to Love Island and had nowhere to hide from people who were the person I was pretending to be.

“I was there with people who were genuinely extroverted, outgoing, party people. And I was just playing a role…

“I’d convinced myself [Love Island] was something that made me finally belong. And I didn’t belong.”

Love Island airs on ITV2 and ITVX.

Chris Williamson on a couch, talking.

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Chris has reinvented himself since Love IslandCredit: Youtube/Chris Williamson

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Robbie Williams reveals life-changing secret health battle for first time saying ‘you’re always looking for the cure’

ROBBIE Williams has revealed his life-changing health battle for the first time, admitting ‘you’re always looking for the cure.’ 

The music star said he’s been secretly living with Tourette’s syndrome. 

Robbie Williams smiling at the 'Better Man' premiere.

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Robbie Williams has revealed his life-changing health battle for the first time, admitting ‘you’re always looking for the cure’Credit: Getty
Robbie Williams performs on stage in a white and gold tracksuit with a microphone.

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Robbie has battled several addictions since rising to fameCredit: Getty

Robbie, 51, has claimed that his Tourette’s are ‘intrusive’ while speaking on a podcast about it for the first time. 

The music legend starred on the first episode of the new season of Paul Whitehouse and Dr Mine Conkbayir’s podcast I’m ADHD! No You’re Not. 

He said: “I’ve just realised that I have Tourettes, but they don’t come out. 

“They are intrusive thoughts that happen, I was just walking down the road the other day, and I realised that these intrusive thoughts are inside Tourettes. It just doesn’t come out.

Read More on Robbie Williams

“Not only that, you would think that a stadium full of people professing their love to you would work as (a distraction), but whatever it is inside me cannot hear it. I cannot take it in.”

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We rank all 10 of Paul Thomas Anderson’s feature films from worst to best

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More so than with other directors, it’s always tempting to overly psychologize Paul Thomas Anderson’s films, looking for traces of his personal development and hints of autobiography: the father figures of “Magnolia” or “The Master,” the partnership of “Phantom Thread,” parenthood in the new “One Battle After Another.” Yet two things truly set his work apart. There’s the incredibly high level of craft in each of them, giving each a unique feel, sensibility and visual identity, and also the deeply felt humanism: a pure love of people, for all their faults and foibles.

Anderson is an 11-time Academy Award nominee without ever having won, a situation that could rectify itself soon enough, and it speaks to the extremely high bar set by his filmography that one could easily reverse the following list and still end up with a credible, if perhaps more idiosyncratic ranking. Reorder the films however you like — they are all, still, at the very least, extremely good. Simply put, there’s no one doing it like him.

Perhaps nothing marks Anderson as a filmmaker from the ’90s as much as his impeccable use of music, from the drowned-in-sound deluge of “Boogie Nights” to his ongoing collaboration with Radiohead’s Jonny Greenwood as a composer. So just to add to the arguability of the following list, we’ve also noted a favorite song or two from each movie, the song titles often becoming surprise summations of the plots themselves.

This list is made in good faith, without any purposeful stuntery (honest). Feel free to let us know how your opinions vary.

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‘One Battle After Another’ earns $22 million in box office debut

Leonardo DiCaprio can still draw audiences to movie theaters.

His latest film, “One Battle After Another,” landed in the top spot at the box office this weekend, hauling in $22.4 million in the U.S. and Canada. Globally, the film made $48.5 million in its opening weekend. Industry analyst estimates had pegged the film’s debut at $20 million to $25 million, though some had predicted $30 million or more. Studio sources expected the film to bring in $20 million in its domestic opening.

Written and directed by auteur filmmaker Paul Thomas Anderson, “One Battle After Another” tells the story of a one-time revolutionary, played by DiCaprio, who must band together with old friends and community members to rescue his daughter from a former enemy. The film, which is loosely based on a Thomas Pynchon novel, also stars Sean Penn, Teyana Taylor, Benicio Del Toro and Regina Hall. Its budget was $130 million.

“One Battle After Another” had strong interest from Hollywood cinephiles, but there were questions about whether it would connect with more casual moviegoers, particularly since early marketing was more ambiguous about its genre. In addition, adult dramas have not performed at the box office as they did before the pandemic, as older audiences have been slower to return to theaters. Fans of DiCaprio, who may have followed his career since his turn in 1997’s “Titanic,” fall into that group.

But the film notched a solid 98% approval rating on aggregator Rotten Tomatoes and has benefited from buzz about its awards potential.

“One Battle After Another” marks the latest win for Warner Bros. The studio has had a string of success at the theaters starting with April’s “A Minecraft Movie,” which has grossed a total of $957 million. That streak continued with Ryan Coogler’s “Sinners,” James Gunn’s “Superman,” Zach Cregger’s “Weapons,” and the latest installments of franchises like “The Conjuring” and “Final Destination.” It’s been a remarkable turnaround for the studio and its film chiefs Mike De Luca and Pam Abdy, who earlier this year were reportedly on the hot seat for under-performing films.

At that time, “One Battle After Another” was seen as an especially risky bet for De Luca and Abdy, but the success of the rest of the year’s lineup has reduced the pressure on this film, said Shawn Robbins, director of movie analytics at Fandango and founder of site Box Office Theory.

“They’re in an envious position right now because they don’t need this movie to over-perform,” he said. “‘One Battle After Another’ is a little bit of a cherry on top.”

“Gabby’s Dollhouse” came in second place at the box office this weekend, grossing $13.5 million. “Demon Slayer,” “The Conjuring: Last Rites” and “The Strangers: Chapter 2” rounded out the top five.

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Trump’s trade battle with China puts U.S. soybean farmers in peril

The leafy soybean plants reach Caleb Ragland’s thighs and are ripe for harvest, but the Kentucky farmer is deeply worried. He doesn’t know where he and others like him will sell their crop because China has stopped buying.

Beijing, which traditionally has snapped up at least a quarter of all soybeans grown in the U.S., is in effect boycotting them in retaliation for the high tariffs President Trump has imposed on Chinese goods and to strengthen its hand in negotiations over a new overall trade deal.

It has left American soybean farmers fretting over not only this year’s crop but the long-term viability of their businesses, built in part on China’s once-insatiable appetite for U.S. beans.

“This is a five-alarm fire for our industry,” said Ragland, who leads the American Soybean Assn. trade group.

The situation might even be enough to test farmers’ loyalty to Trump, although the president still enjoys strong support throughout rural America. If no deal is reached soon, farmers hope the government will come through with aid as it did during Trump’s first term, but they see that as only a temporary solution. Trump said Thursday he was considering an aid package.

U.S. and Chinese officials have held four rounds of trade talks between May and September, with another likely in the coming weeks. No progress on soybeans has been reported.

Getting closer to harvest, “I’m honestly getting worried that the time is running out,” said Jim Sutter, chief executive of the U.S. Soybean Export Council.

Political pressure is growing

After Trump imposed tariffs on Chinese goods, China responded with tariffs of its own, which now total up to 34% on U.S. soybeans. That makes soybeans from other countries cheaper.

China’s retaliatory tariffs also hit U.S. growers of sorghum, corn and cotton; and even geoduck divers have been affected. But soybeans stand out because of the crop’s outsize importance to U.S. agricultural exports. Soybeans are the top U.S. food export, accounting for about 14% of all farm goods sent overseas.

And China has been by far the largest foreign buyer. Last year, the U.S. exported nearly $24.5 billion worth of soybeans, and China accounted for more than $12.5 billion. That compared with $2.45 billion by the European Union, the second-largest buyer. This year, China hasn’t bought beans since May.

With U.S. farmers hurting, the Trump administration is under growing pressure to reach a deal with China. As talks drag on, Trump appears ready to help.

“We’re going to take some of the tariff money — relatively small amount, but a lot for the farmers — and we’re going to help the farmers out a little bit,” Trump said, during what he called a transition period.

The only way most farmers survived Trump’s trade war in his first term was with tens of billions of dollars in government payments. But that’s not what most farmers want.

What farmers expect from Trump

“The American farmer, especially myself included, we don’t want aid payments,” said Brian Warpup, 52, a fourth-generation farmer from Warren, Ind. “We want to work. We work the land, we harvest the land, the crop off the land. And the worst thing that we could ever want is a handout.”

Farmers are looking to Trump for a long-term solution.

“Overwhelmingly, farmers have been in President Trump’s corner,” said Ragland, the president of the soybean association. “And I think the message that our soybean farmers as a whole want to deliver is: ‘President Trump, we’ve had your back. We need you to have ours now.’”

He said farmers appreciate the willingness to provide some short-term relief, but what they ultimately need are strong, reliable markets. “Our priority remains seeing the United States secure lasting trade agreements — particularly with China — that allow farmers to sell their crops and build a sustainable future with long-term customers,” he said.

Ragland, 39, hopes his three sons will become the 10th generation to till his 4,500 acres in Magnolia, Ky. Unless something changes soon, he worries that thousands of farmers may not survive.

Coming into this year, many farmers were just hoping to break even because crop prices were weak while their costs had only increased. Trump’s tariffs, which helped make their crops uncompetitive around the world, drove prices down further. And tariffs on steel and fertilizer sent costs up even more.

Darin Johnson, president of the Minnesota Soybean Growers Assn., said he still has faith in the Trump administration to reach a good trade deal with China.

“I think where the patience is probably wearing thin is the time,” said Johnson, a fourth-generation farmer. “I don’t think anybody thought that we were going to take this much time, because we were told 90 deals — 90 deals in 90 days.”

China’s negotiating strategy

The U.S. soybean industry grew in response to Chinese demand starting back in the 1990s, when China began its rapid economic rise and turned to foreign producers to help feed its people. Protein-rich soybeans are an essential part of the diet.

While China relies on domestic crops for steamed beans and tofu, it needs far more soybeans for oil extraction and animal feed. In 2024, China produced 20 million metric tons of soybeans, while importing more than 105 million metric tons.

American farmers have come to count on China as their biggest customer, and this has “given the Chinese a point of leverage,” Sutter said. By holding off on buying U.S. soybeans, China is seen as trying to leverage that purchasing power in the trade talks.

“I think that’s the strategy,” said Sutter of the U.S. Soybean Export Council. “I think that’s why China is targeting soybeans and other agricultural products, because they know that farmers have a strong lobby and farmers are important to the U.S. government.”

Liu Pengyu, spokesperson for the Chinese Embassy in Washington, didn’t answer specific questions on soybean purchases but urged the U.S. to work with Beijing.

“The essence of China-U.S. economic and trade cooperation is mutual benefit and win-win,” Liu said.

China turned to Brazil when Trump launched his first trade war in 2018. Last year, Brazilian beans accounted for more than 70% of China’s imports, while the U.S. share was down to 21%, World Bank data show. Argentina and other South American countries also are selling more to China, which has diversified to boost food security.

What American farmers are doing in response

U.S. farmers also are broadening their customer base, said Sutter, who recently traveled to Japan and Indonesia in search of new markets. Taiwan pledged to purchase $10 billion worth of soybeans, corn, wheat and beef in the next four years.

“There’s strong diversification efforts underway,” Sutter said. But “China is so big, it’s hard to replace them overnight.”

Farmers are working to boost consumption at home, too. Growth in biodiesel production has taken in some of the soybeans that were once exported. Other beans are crushed to produce soybean oil and soybean meal. The United Soybean Board is investing in research into the benefits of using soybeans to feed dairy cows and hogs.

But Iowa farmer Robb Ewoldt, a director with the Soybean Board, knows that such domestic uses are growing only gradually.

“We cannot replace a China in one shot,” Ewoldt said. “It’s not going to happen. We need to be realistic in that.”

Tang and Funk write for the Associated Press. Tang reported from Washington and Funk from Omaha. AP journalists Dylan Lovan in Magnolia, Obed Lamy in Warren and Steve Karnowski in Minneapolis contributed to this report.

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One Battle After Another film review: This piece of cinematic dynamite will have you on the edge of your seat

ONE BATTLE AFTER ANOTHER

(15) 162mins

★★★★★

WHAT time is it? It is a question Leonardo DiCaprio’s stressed-out fugitive Bob Ferguson is asked over and over again in this black comedy.

Wearing a dressing gown and bad shades, Bob doesn’t have the answer because he’s too stoned to remember the code he was given by a left-wing terror group called the French 75.

But I can tell you that the time is absolutely right for One Battle After Another.

This is a political satire that skewers both the extreme right and the extreme left at a moment when both sides are to the fore in the real world in the United States.

The time is also well overdue for this piece of cinematic dynamite that will have you on the edge of your seat — from laughter or the high-octane action.

Directed by Paul Thomas Anderson, it is a work of genius that fuses the best elements of his films There Will Be Blood and Boogie Nights.

It begins 16 years ago with Bob helping to free refugees at a US border crossing.

During the raid his girlfriend, the wonderfully named Perfidia Beverly Hills (Teyana Taylor), orders Sean Penn’s military officer ­Steven J Lockjaw to “get up” his private parts.

The French 75’s increasingly reckless terrorism ends in a thrilling chase and Bob needing to go into hiding with the baby daughter he shares with Perfidia.

Most of the story is set in the current time, with Lockjaw coming after Bob and his daughter Willa.

As things get wilder, the audience is introduced to a bunch of incredible characters, including members of the white supremecist Christmas Adventurers Club, gun-toting nuns and Benecio Del Toro’s always-cool martial arts instructor Sergio.

Leonardo DiCaprio leads stars at London premiere of One Battle After Another

The serene Del Toro is a perfect comic foil for the frantic DiCaprio who spends a lot of time running around shouting “f, f, f***.”

In one of the standout screwball moments, Sergio keeps repeating “four” as Bob is reluctant to jump out of his moving car like “Tom Cruise”. It is just one of many quotable lines.

But the most memorable scene brings the movie’s various plots to a perfect, heart-racing conclusion.

All of the cast are outstanding, with DiCaprio and newcomer Chase Infiniti as Willa most likely to be nominated for awards.

If there is any justice this film will get one Oscar after another.

GRANT ROLLINGS

3AN9R66 USA. Leonardo DiCaprio in a scene from (C)Warner Bros. new movie: One Battle After Another (2025)..Plot: When their evil enemy resurfaces after 16 years, a group of ex-revolutionaries reunites to rescue one of their own's daughter...Ref: LMK110-J11025-100425.Supplied by LMKMEDIA. Editorial Only..Landmark Media is not the copyright owner of these Film or TV stills but provides a service only for recognised Media outlets. pictures@lmkmedia.com

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Leonardo DiCaprio stars as Bob Ferguson

THE STRANGERS: CHAPTER 2

(15) 96mins

★★☆☆☆

Undated film still from The Strangers: Chapter 2. Pictured: Madelaine Petsch as Maya. See PA Feature SHOWBIZ Film Reviews. WARNING: This picture must only be used to accompany PA Feature SHOWBIZ Film Reviews. PA Photo. Picture credit should read: Lionsgate. All Rights Reserved. NOTE TO EDITORS: This picture must only be used to accompany PA Feature SHOWBIZ Film Reviews

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The second instalment in the Strangers trilogy is a bafflingly incoherent mess

DIRRECTED by Renny Harlin, this second instalment in the Strangers trilogy is a bafflingly incoherent mess.

It picks up right after the events of Chapter 1, but instead of expanding on Bryan Bertino’s original 2008 home-invasion nightmare, it devolves into a clumsy blend of ­borrowed horror tropes held together by a barely coherent backstory.

Chapter 2 follows the survivor, Maya (Madelaine Petsch), as she is relentlessly pursued by masked killers in a sleepy American town.

Despite her injuries, Maya must find the strength to stay alive and tell the tale.

Petsch is committed to the physical demands of the role, fighting a CGI boar in a bafflingly out-of-place sequence.

However, the film’s drawn-out and repetitive cat-and-mouse chases become truly unbearable.

Narratively, the film is all over the place lurching from home-invasion suspense to slasher to survival horror.

The only thing that prevents it becoming a total farce is Harlin’s occasional use of a few inspired jump scares.

As a middle chapter, this feels like a placeholder for the next film.

LINDA MARRIC

DEAD OF WINTER

(15) 98mins

★★★☆☆

Undated film still handout from The Dead of Winter. Pictured: Dame Emma Thompson as Barb. See PA Feature SHOWBIZ Film Dead Winter. WARNING: This picture must only be used to accompany PA Feature SHOWBIZ Film Dead Winter PA Photo. Picture credit should read: Vertigo Releasing NOTE TO EDITORS: This picture must only be used to accompany PA Feature SHOWBIZ Film Dead Winter

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Emma Thompson’s Barb displays ingenious ways to survive

IF you were casting for a Ramboesque heroine, Emma Thompson would not be the first name to spring to mind.

But in this rescue of a kidnap victim from a remote cabin thriller, it is the Love Actually actress displaying ingenious ways to survive.

Set in northern Minnesota in the US, Thompson’s Barb heads out in a snow storm to a lake that had a sentimental value to her recently deceased husband.

There she comes across a man who has tied up a young woman in his cellar.

Unable to go to get help, Barb vows to save the girl herself.

But the man is not her main concern, because it is a gun-toting woman played by Judy Greer who is the one with the least to lose by fighting to the bitter end.

Thompson is remarkably good when Barb is stitching up a bullet wound in her arm with fishing wire, and the attention to detail in the sets also impresses.

But choosing her isn’t enough to make this last- person-standing drama feel particularly original.

Like the tracks that Barb leaves in the snow, you know where most of the plot turns lead.

GRANT ROLLINGS

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Ryanair passenger ‘absolutely fuming’ amid huge battle for £380 refund

Mary McHale was due to fly from Dublin to Brussels but her brother-in-law tragically died the day before and she now claims that she has been denied a £380 refund

A woman says she is “fuming” with Ryanair for a lack of “empathy” claiming the airline refused a £380 refund after she cancelled a booking due to a family bereavement.

Mary McHale was due to fly from Dublin to Brussels for a girls weekend away in December last year but sadly, one day before she was due to fly, her brother-in-law Alan McHale, passed away suddenly, aged 61. The 54-year-old claims she reached out to Ryanair immediately to request a cancellation and was told via online chat that she needed to provide a death certificate before the flight took off.

She claims she couldn’t get her hands on a death certificate that soon and was also busy supporting her husband, Colin, 55, in his grief, which led to Ryanair refusing her £380 refund.

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“I’m absolutely fuming,” Mary, from Dublin, told Need to Know. “There’s no empathy. It didn’t matter how sad my case was, they weren’t interested. I’ll never fly with Ryanair again. Alan passed away suddenly three days before I was due to fly.

“The funeral service would be on the morning of the holiday. There was no way I was leaving my husband. A death certificate is a very official document and we couldn’t get it in time. Even if we could, there was no way I was going to ask the family for it while they were grieving so I could get a refund.

“I tried to appeal to Ryanair and said it wasn’t physically possible to get the certificate. We didn’t get it until January.” Mary says battling Ryanair while grieving only added to her heartbreak and made an already difficult time even more stressful.

She said: “Alan had Motor Neurone Disease and ended up getting an infection and pneumonia so it was quite sudden in the end. We were trying to organise the service. I couldn’t ask my sister-in-law for it while she was grieving her husband.

“I was grieving too. This was the last thing we needed. It was so stressful and I’m so frustrated by it. I didn’t even mention it to the family because I didn’t want to make them feel any worse. I kept chasing Ryanair up but they stopped talking to me and closed the case. There needs to be a management review. There need to be some discretion.”

In a online chat message, a Ryanair worker allegedly told her: “I wish to inform you that Ryanair tickets are non- refundable. This is clearly stated in our Terms and Conditions, agreed to at the time of purchase.

“Changes to flight dates, routes, times and customer names can be made online or by contacting our Customer Services Department prior to the initial date of travel. Change fees and possible fare difference will apply.

“I sympathise with your circumstances but I am not in a position to process your refund request and recommend that you contact your travel insurer with regard to this matter.”

In a follow-up message she claims was told: “Whilst I have noted your continued dissatisfaction, I regret that the position remains unaltered. As per our previous correspondence, as the Terms and Conditions state clearly.

“You must make your claim before the date of the flight and provide a copy of the death certificate”, therefore I cannot accede to your refund request.”

A Ryanair spokesperson said: “All Ryanair air fares are non-refundable.

“This passenger was correctly advised that she is not entitled to a refund for her Dublin to Brussels return flights (18 December 2024) as per Ryanair’s T&C’s, which this passenger agreed to at the time of booking.”

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2026 Oscar predictions: best director

With “One Battle After Another” sporting a large lead in the best picture race, it’s no surprise its beloved auteur, 11-time nominee Paul Thomas Anderson, would enjoy a similar cushion in the directing category in Round 1.

Amy Nicholson says “One Battle” “isn’t his best film — deciding that would start a real fistfight — but it’s worthy enough to claim a prize that’s long overdue.” Glenn Whipp writes, “The list of great directors who never won an Oscar is ridiculous. Kubrick, Hitchcock, Altman, Fellini. Could this be the year that [Anderson] breaks out of that club, distinguished though it may be?”

Noting Anderson could bump that nominations total to 14 this year (as writer, director and producer), Dave Karger says, “This category could well contain two female filmmakers for the first time in five years,” naming Bigelow and Zhao among his picks.

Katie Walsh points out that, surprisingly, “Ryan Coogler has never been nominated for best director, and Jafar Panahi threads an incredible tonal needle.”

Best picture | Best animated feature | Best international feature

1. Paul Thomas Anderson, “One Battle After Another”
T2. Kathryn Bigelow, “A House of Dynamite”
T2. Ryan Coogler, “Sinners”
4. Chloé Zhao, “Hamnet”
5. Jafar Panahi, “It Was Just an Accident”
6. Joachim Trier, “Sentimental Value”
7. Park Chan-wook, “No Other Choice”
8. Bill Condon, “Kiss of the Spider Woman”

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RogerEbert.com

Robert Daniels

1. Kathryn Bigelow, “A House of Dynamite”
2. Paul Thomas Anderson, “One Battle After Another”
3. Jafar Panahi, “It Was Just an Accident”
4. Chloé Zhao, “Hamnet”
5. Joachim Trier, “Sentimental Value”

“With 11 prior nominations and zero wins, the Oscar has long eluded Paul Thomas Anderson. But with ‘One Battle After Another’ earning raves and an academy that has honored overdue directors three of the last four ceremonies (Jane Campion, Christopher Nolan, Sean Baker), maybe this is his year.”

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Turner Classic Movies

Dave Karger

1. Paul Thomas Anderson, “One Battle After Another”
2. Kathryn Bigelow, “A House of Dynamite”
3. Chloé Zhao, “Hamnet”
4. Joachim Trier, “Sentimental Value”
5. Jafar Panahi, “It Was Just an Accident”

“On nomination day, 11-time Oscar nominee Paul Thomas Anderson will likely become a 14-time Oscar nominee. Surprisingly, he’s never won in any category. But this could certainly be his year. Meanwhile, this category could well contain two female filmmakers for the first time in five years.”

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Los Angeles Times

Amy Nicholson

1. Paul Thomas Anderson, “One Battle After Another”
2. Ryan Coogler, “Sinners”
3. Kathryn Bigelow, “A House of Dynamite”
4. Park Chan-wook, “No Other Choice”
5. Bill Condon, “Kiss of the Spider Woman”

“Paul Thomas Anderson has 11 Academy Award nominations (no surprise there) and zero wins. What!? ‘One Battle After Another’ isn’t his best film — deciding that would start a real fist fight — but it’s worthy enough to claim a prize that’s long overdue.”

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IndieWire

Anne Thompson

1. Paul Thomas Anderson, “One Battle After Another”
2. Ryan Coogler, “Sinners”
3. Chloé Zhao, “Hamnet”
4. Kathryn Bigelow, “A House of Dynamite”
5. Joachim Trier, “Sentimental Value”

“If ‘Sinners’ wins best picture, director could go to ‘One Battle After Another’s’ Paul Thomas Anderson after 11 nominations (and no wins) for arguably his most bravura movie to date. Both ‘Hamnet’ director Chloé Zhao and ‘House of Dynamite’s’ Kathryn Bigelow have won before.”

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Tribune News Service

Katie Walsh

1. Paul Thomas Anderson, “One Battle After Another”
2. Ryan Coogler, “Sinners”
3. Jafar Panahi, “It Was Just an Accident”
4. Chloé Zhao, “Hamnet”
5. Kathryn Bigelow, “A House of Dynamite”

“It has to be Anderson, but I can see the academy recognizing former winners like Kathryn Bigelow and Chloé Zhao. Ryan Coogler has never been nominated for best director, and Jafar Panahi threads an incredible tonal needle with ‘It Was Just an Accident’ (the Palme d’Or helps too).”

line drawing of a man on a white circle

Los Angeles Times

Glenn Whipp

1. Paul Thomas Anderson, “One Battle After Another”
2. Ryan Coogler, “Sinners”
3. Chloé Zhao, “Hamnet”
4. Joachim Trier, “Sentimental Value”
5. Kathryn Bigelow, “A House of Dynamite”

“The list of great directors who never won an Oscar is ridiculous. Kubrick, Hitchcock, Altman, Fellini. Could this be the year that Paul Thomas Anderson breaks out of that club, distinguished though it may be? With ‘One Battle After Another,’ he has the movie to do it.”

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How Ukraine’s ruthless oil battle has DEVASTATED the Russian war machine: ‘Putin’s golden goose is now his sitting duck’

VLADIMIR Putin’s prized golden goose – Russia’s oil empire – has become a sitting duck, and it’s Ukraine’s drones that are pulling the trigger.

In the latest episode of Battle Plans Exposed, military intelligence expert Philip Ingram MBE lays bare how Kyiv has opened a devastating new front in the war in the oilfields, refineries and pipelines that bankroll Putin’s invasion.

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In the latest edition of Battle Plans Exposed, Philip Ingram unpacks Ukrainian drone strikes on Russian oil refineries
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Ukrainian drones struck the ELOU AVT-11 installation at the Novokuybyshevsk oil refineryCredit: East2West
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Plumes of smoke coming out of another Russian oil refinery after a Ukrainian strike
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Ukrainian soldiers launch a reconnaissance drone in the direction of Toretsk, Donetsk OblastCredit: Getty

“This is the oil war,” Ingram says.

“It’s a highly strategic, calculated campaign to cripple the engine of Putin’s war.”


Watch the latest episode on The Sun’s YouTube channel here…


For decades, Russia’s vast energy reserves paid for everything from tanks and cruise missiles to soldiers’ salaries and propaganda handouts.

Before the invasion, energy exports made up around 40 per cent of the Kremlin’s budget.

Even under sanctions, oil and gas still bring in 30 per cent of Russia’s income.

The episode shows how Ukraine has zeroed in on this “river of oil money” with pinpoint strikes hundreds of miles inside Russian territory.

Long-range drones have torched colossal refineries, exploded pumping stations and set storage tanks ablaze – systematically dismantling Moscow’s refining capacity.

Footage of Rosneft’s Ryazan refinery erupting into flames after a single drone strike captures the scale of the destruction.

“This isn’t a military base on the border,” Ingram warns.

How Putin’s war hinges on Ukraine’s bloodiest battle for ‘prized jewel’ city that could rage on for FOUR years & kill millions

“This is a core piece of Russia’s national infrastructure – hundreds of miles from Ukraine.”

What makes these attacks so devastating is their precision.

Ingram explains that the real targets aren’t the giant tanks but the refinery’s processing units – “the heart of the refinery,” where crude is split into diesel for tanks, jet fuel for fighters and gasoline for the home front.

Knock one of these units out, and the entire facility is useless for months, even years.

The episode shows how Ukraine has already knocked out at least 12 per cent of Russia’s refining capacity – stripping away over 600,000 barrels a day.

That’s billions in lost revenue that can’t be pumped into Putin’s war chest.

The impact is twofold. First, it chokes the Russian military itself: “No diesel, and tanks don’t move.

“No jet fuel, and fighters are grounded,” Ingram says.

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Ukraine have been heavily defending the key town for over a yearCredit: Getty
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Ukrainian soldier loads a shell while defending Pokrovsk, Donetsk Oblast

Second, it hits ordinary Russians – with fuel shortages, soaring prices and the chilling sight of their industrial heartland burning.

The Kremlin’s response? Denial, spin and panic.

Moscow has been forced to ban fuel exports for six months, sacrificing vital revenue just to stop unrest at home.

“Putin’s greatest fear,” Ingram says, “is the Russian people rising up.”

This is asymmetric warfare at its most ruthless – cheap Ukrainian drones inflicting billion-dollar wounds on the Kremlin.

The episode shows how the campaign has shattered Russia’s aura of invulnerability, exposed its sprawling oil empire as a fatal weakness, and brought the war crashing into the lives of ordinary Russians.

And as Ingram puts it: “It proves that in modern warfare, the most effective battle plans aren’t always about brute force on the tactical frontline, but about finding your enemy’s single point of failure – and striking it again and again with unrelenting precision.”

It comes as Ukraine claims to have turned the tide on the eastern front in a brutal counter-offensive.

Kyiv’s top general Oleksandr Syrskyi said his troops had clawed back around 60 square miles since August, with Putin’s men retreating from a further 70 square miles north of bomb-blitzed Pokrovsk.

He boasted Russian forces had paid a horrifying price — 1,500 killed, another thousand wounded and 12 main battle tanks blown to pieces.

“Control has been restored in seven settlements and nine more have been cleared of enemy sabotage and reconnaissance groups,” Syrskyi declared, claiming nearly 165 square kilometres were liberated and almost 180 cleared of Russian saboteurs.

The breakthrough follows a shaky summer where Russian “saboteurs” punched six miles through Ukrainian lines overnight, threatening to cut supply roads.

But Ukraine has regrouped and is now pushing them back, Syrskyi insisting: “In the past 24 hours alone the enemy have lost 65 servicemen, 43 of them killed in action, along with 11 pieces of equipment.”

The destroyed kit ranges from tanks to artillery, drones and even a quad bike used by desperate Russian troops.

Russia has tried to claw back the narrative, claiming it captured a hamlet south of Pokrovsk — a claim Ukraine flatly denies.

Instead, Kyiv points to wrecked Russian armour littering the battlefield and insists the Kremlin’s army is being bled dry.

The fighting comes as Volodymyr Zelensky prepares to meet Donald Trump on the sidelines of the UN General Assembly in New York.

Ukraine’s war leader is set to press the US president for tougher sanctions if Putin refuses to come to the table.

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Ukraine are defending the Donetsk Oblast, which Russia partly occupiesCredit: AP
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Ukraine’s military have outsmarted Russian war doctrineCredit: Getty

Trump — who once called Putin a “genius” — admitted the dictator had “let him down”.

“I thought this war would be one of the easiest to solve because of my relationship with Putin. But he has really let me down,” he said during his visit to Britain.

But Britain’s spy chief Sir Richard Moore has poured cold water on any idea of a quick peace.

In a message aimed squarely at Trump, he said: “I have seen absolutely no evidence that President Putin has any interest in a negotiated  peace short of Ukrainian capitulation.”

He warned the world not to be duped by the Kremlin tyrant: “We should not believe him or credit him with strength he does not have.”

Moore added Russia was grinding forward “at a snail’s pace and horrendous cost” — and that Putin had “bitten off more than he can chew.”

He lauded Ukraine’s resistance and heaped praise on Zelensky, saying: “My admiration for him is unbounded,” while savaging Putin for plunging Russia into “long term decline” where he invests only in “missiles, munitions and morgues.”

The warning came days after Russia’s indiscriminate blitz killed three civilians in Zaporizhzhia — two women aged 40 and 79 and a man of 77 — even as Ukrainian forces notched up new gains and unleashed fresh revenge strikes on Russian soil.

Last month, Kyiv marked Independence Day with a wave of drone attacks crippling Russian energy sites and claimed to have wiped out three of the “Butchers of Bucha” in precision bombings in occupied Luhansk.

The Russian soldiers had been accused of taking part in the notorious 2022 massacre where hundreds of civilians were executed, tortured and raped as Putin’s troops stormed towards Kyiv.

Two Ukrainian soldiers firing a mortar with a bright flash of light and smoke.

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Ukrainian soldiers fire toward Russian position on the frontline in Zaporizhzhia regionCredit: AP
An M777 air cannon being fired on the Zaporizhzhia frontline.

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An air cannon is fired as Ukrainian artillery division supports soldiers in a counteroffensive on the Zaporizhzhya frontlineCredit: Getty

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Iraq set to open huge solar plant in Karbala to battle electricity crisis | Energy News

Iraq is advancing several solar power projects as part of a plan to meet its electricity needs.

Iraq is set to open its first industrial-scale solar plant in a vast desert area in Karbala as the government attempts to tackle an electricity crisis that has led to widespread blackouts.

Authorities said the plant, the largest of its kind in Iraq, will be inaugurated on Sunday to eventually produce up to 300 megawatts of electricity at its peak, according to Iraqi media reports.

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Tens of thousands of black panels are set out in rows in a huge desert area, spanning some 4,000 dunams (1,000 acres or 400 hectares) in the al-Hur area of Karbala, located southwest of capital Baghdad.

Nasser Karim al-Sudani, head of the national team for solar energy projects in the Iraqi prime minister’s office, said another project under construction in Babil province will have a capacity of 225 megawatts, and work will also begin soon on a 1,000-megawatt project in the southern province of Basra.

Translation: The first in Iraq. The desert of the holy Karbala Governorate is covered with solar panels as the project to establish a solar power plant continues, which will generate 300 megawatts of electrical energy.

The projects are part of a larger vision to account for a portion of Iraq’s electricity needs using large-scale solar power plants that could help ease the electricity crisis while also reducing the negative environmental impact of gas emissions.

Deputy Minister of Electricity Adel Karim said Iraq has solar projects with a combined capacity of 12,500 megawatts either being implemented, in the approval process, or under negotiation. Barring the semi-autonomous northern Kurdistan region of Iraq, the projects could potentially supply up to 20 percent of Iraq’s total electricity demand, according to the official.

But despite its massive oil and gas resources, Iraq continues to face – as it has for decades – electricity shortages rooted in war, corruption and mismanagement.

Nationwide electricity consumption peaked at about 55,000 megawatts this summer as scorching temperatures exceeded 50 degrees Celsius (122 degrees Fahrenheit) in some areas.

This is while deputy minister Karim said the country is now producing up to 28,000 megawatts of electricity, including about 8,000 megawatts fuelled by natural gas imported from neighbouring Iran and fed to power plants in Iraq.

The critical supplies from Iran have faced many challenges over the years as well, particularly from unilateral sanctions imposed by the United States in an effort to pressure Tehran and squeeze its revenue streams amid a standoff over Iran’s nuclear programme and military capabilities.

In March, Washington announced it was ending a sanctions waiver that allowed Iraq to directly purchase electricity from Iran, which needed to be renewed every 120 days. The US has, for now, left another waiver in place that lets Iraq buy Iranian natural gas to feed its power plants.

Iran is also facing multiple crises, including massive energy shortages, an issue that has affected its exports to Iraq.



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