Bad

I WORK in travel and look at holiday pricing data every single day – and there are a few patterns that I see constantly.

Small booking habits that feel completely normal, but quietly push prices up. We’re not talking about a few quid either. Get these wrong, and you can end up paying 20–30 per cent more for the same holiday.

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Here are the three biggest mistakes – and exactly how to fix them.

Bad Habit No.1: Booking in the morning rush

This one surprises people the most.

Booking your holiday first thing – on your commute, before work, or when you sit down at your desk – feels productive.

But it’s actually one of the worst times you can choose.

According to the data, the most expensive time to book a holiday is between 9am and 10am.

In fact, booking in that window came in at around 30 per cent more expensive than the cheapest time of day, which is actually 2:47am.

And it makes sense when you think about it – because that’s a peak demand window when everyone is searching at once.

Flight prices react to this demand first, then package holiday prices follow.

So while you think you’re being organised… you’re actually booking at the busiest, and often most expensive, moment of the day.

In one example, I found a 5-night all-inclusive stay at the Catty Cats Garden Hotel in Turkey was priced at £133pp in the early hours – but just a few hours later, that had jumped to £165pp for the exact same holiday.

That’s a 24% increase (£64 more for two people) simply from booking later in the day.

Bad Habit No.2: Waiting after finding a good deal

This is the classic “I’ll just check again later” mistake: you find a good price, but instead of booking it, you leave it.

You come back later. Maybe the next day. Maybe after asking a few people.

It feels like you’re being careful or thrifty, but the data shows the opposite.

Every search feeds demand into the system, demand pushes flight prices up, and flight prices push package prices up.

But the reality is: if you’ve found a good deal, it’s very likely other people have found it too.

So while you’re waiting, those seats and rooms are disappearing, filling up and pushing up the package cost pretty quickly.

In one real example, a luxury all-inclusive stay at the Titanic Deluxe Lara in Antalya,Turkey was priced at £558 per person.

But after waiting just 24 hours, that same holiday increased to £606 per person.

That’s an extra £48pp – or £192 more for a family of four – just for not booking when the price was lower.

Prices change, availability drops, and that deal you liked is gone forever.

Bad Habit No.3: Being too rigid with dates and nights

This is where people leave the biggest savings on the table.

I see it every day: most searches are locked into the same dates, same duration, no flexibility.

But pricing doesn’t work like that – it fluctuates constantly based on demand.

Flight and hotel combinations are constantly shifting, and the price you see is based on very specific availability – not a fixed “cost” for that trip.

That means sticking rigidly to one duration can actually stop you from seeing better-value options.

Sometimes, adding or removing just one night can completely change the price – because it opens up different flight combinations or cheaper room availability.

In one search I did for a Corfu holiday, a 7-night stay was coming in at £874 per person.

But by simply increasing the stay to 8 nights, the price dropped to £720 per person for the same package.

That’s a saving of £154pp – or £308 for two people – just by adding one extra night.

It goes against what most people expect, but it shows how pricing really works.

You’re not just paying for nights – you’re paying for the combination of flights and hotel availability behind them.

Yet most people never check – they search once, see one price, and assume that’s what the holiday costs.

Good Habit No.1: Use price alerts instead of repeatedly searching

One of the easiest ways to save money is to stop manually checking prices over and over again.

Every time you search, you’re adding to demand signals – and you’re far more likely to miss the moment a price drops.

Instead, set up price alerts or track a holiday and let the price come to you.

That way, you’re not feeding the surge – and you’re ready to act when the price is right.

I sometimes see short-term dips of up to £50 per person on the same holiday when demand softens briefly – but these windows can last hours, not days.

The people who catch them aren’t constantly searching – they’re notified. But how do you actually do it?

At On the Beach, if you save a holiday, you’re automatically tracking it, and they’ll email you to let you know when the price changes.

On Google Flights, you can search your route, then just toggle “Track prices” – then you’ll get email alerts whenever fares move up or down.

On Skyscanner, hit the heart or bell icon on a flight, and it’ll notify you when the price changes.

It takes about 10 seconds – and it means you’re not guessing when to book.

Good Habit No.2: The 33-day booking rule

There’s no perfect moment to book – but there is a bit of a sweet spot.

According to the data, booking around 33 days before departure can unlock savings of up to 10%.

That’s because it sits between two high-demand groups: early planners who book far in advance and last-minute bookers chasing limited availability.

In this middle window, demand is lower, and prices often reflect that.

Which means on a £700 holiday, that 10% saving means paying around £630 instead – a £140 saving for a couple without changing anything else.

It’s not about waiting as long as possible. It’s about timing it right.

Good Habit No.3: Switch airports, not just dates

Most people have a “default airport” – the one they always fly from without really thinking about it.

But sticking to the same airport can quietly cost you more than you realise.

Flights to the same destination can vary massively in price depending on where you depart from – even on the exact same day, for the exact same hotel.

And often, the cheaper option is only a short drive or train journey away.

In one search I did this week for a family holiday to Majorca, the same 5-night stay at the Sea Club Mediterranean Resort was priced at £260pp flying from Manchester.

But switching to Liverpool Airport for the exact same trip brought the price down to £235pp.

That’s a saving of £25 per person – or £100 for a family of four – just by changing the departure airport.

It’s a simple check most people skip, but it can make a real difference to the total cost.

A Holiday Expert’s bottom line:

These aren’t big sacrifices, and you’re not downgrading your hotel or cutting your trip short. You’re just booking smarter.

But these small tweaks of timing, confidence and flexibility can easily save you hundreds over time.

And once you see how the pricing actually works, you won’t book the same way again…

Barcelona have announced that Lamine Yamal’s domestic season in Spain is over, but that the international forward should be fit to represent his country at this summer’s World Cup.

The 18-year-old striker helped Spain to the Euro 2024 title, while also lifting La Liga with Barca last season.

His club side are well on the way to defending that title, with a nine-point lead over Real Madrid, although they will have to do so now without their iconic starlet.

Al Jazeera Sport looks at how Yamal’s injury grabbed global headlines after their football game on Wednesday, and what the road to World Cup 2026 may now look like for the Catalan.

What happened to Lamine Yamal?

Barcelona were looking to re-establish their nine-point advantage over Real when they played Celta Vigo on Wednesday, April 22.

With the deadlock yet to be broken, Yamal won a penalty for his side – which he scored.

In the immediate aftermath of striking the ball, however, he crumpled to the ground in pain and was quickly substituted.

The strike would prove enough to score a 1-0 win for Barca, but it has come at some cost.

What is Lamine Yamal’s injury?

Rumours swirled into Thursday morning that Yamal’s participation at this summer’s World Cup for Spain could be in doubt.

The early exit from Barca’s win suggested the injury would be serious enough to keep him out for at least a couple of weeks.

The Catalan club, however, confirmed in a statement on Thursday that the injury was to his hamstring and that he would no longer play any part in the club’s defence of their title with six games to play as a result.

How bad is Lamine Yamal’s injury?

“The tests carried out have confirmed that first-team player Lamine Yamal has a hamstring injury in his left leg (biceps femoris muscle),” read Barcelona’s statement, which was first posted on social media platform X.

Such injuries are grouped into three grades: minor, moderate or severe strain/tear.

The recovery periods range from one week to six months.

“The player will follow a conservative treatment plan. Lamine Yamal will miss ‌the remainder of the season, and he is expected to be available for the World Cup,” Barcelona’s statement concluded.

Given the Spanish season runs for another four weeks, until May 24, it is likely that Yamal has at very least a moderate strain.

Such an injury ranges from a four-to-six-week recovery.

Will Lamine Yamal be fit for Spain’s World Cup opener?

What Barcelona’s statement on Thursday did not reveal was just how long the recovery period is expected to be, as the World Cup is set to begin on June 11, when Mexico face South Africa in the first match.

Spain’s first game is being played four days later, against Cape Verde. They then face Saudi Arabia on June 21, before completing the initial group phase with what could be a crunch game against Uruguay on June 27.

Whether Yamal is risked for the opening match on June 15, only seven-and-a-half weeks after he sustained the injury, remains to be seen.

The final game of the group stages is just over nine weeks from the now infamous penalty kick against Celta. That is more than week clear of the longest expected recovery time for a moderate strain.

Why is Lamine Yamal so important to Spain?

Yamal was an integral part of the Spain side that lifted the Euro 2024 title with their 2-1 win against England.

While he was only 16 years of age at the time, his speed and guile on the ball marked him as one of the hottest properties in global football.

His stock rose dramatically with a memorable curled effort from outside the box – now his trademark effort – against France in the semifinals.

Despite his young age, Yamal has already scored six goals in total for Spain in 25 international appearances.

Has Lamine Yamal given an update following his injury?

“This injury is keeping me off the pitch just when I wanted to be there ⁠the most, and it hurts more than I can put into words,” Yamal wrote on his social media ⁠accounts on Thursday.

“It hurts not to be able to fight ⁠alongside my teammates, not to be able to help when the team needs me … But I’ll be there, even if it’s from the sidelines, supporting, cheering and pushing them on just ‌like one of the lads.

“This isn’t the end, it’s just a break. I’ll come back stronger, more determined than ever, and next season will be ‌better.”

How well did Lamine Yamal do for Barcelona this season?

A year after the Euro 2024 triumph, Yamal lifted the La Liga title for the first time when he helped his native Barcelona pip Real Madrid in a closely fought affair that saw just four points separating the sides in the end.

Yamal scored 18 goals that season, including three in the last four games of the La Liga season.

His penalty against Celta was his 24th goal of this season for Barcelona, which ends for him with his side still having six further games to play.

Footage of an Israeli soldier attacking a Christian statue depicting the crucifixion of Jesus in southern Lebanon with a sledgehammer was difficult for Israel’s political establishment to ignore. The country has long tried to frame itself as a defender of Christians, and is allied with the powerful Christian Zionist movement in the United States.

But as Israel continues to lose support in the US and the West for its genocidal war in Gaza and attacks in Lebanon and Iran, support among Christians has also dipped – even before the video of the desecration of the Christian statue surfaced.

Responding to the footage on Monday, a day after it first went viral, Israeli Prime Minister Benjamin Netanyahu pushed his regularly repeated line that Israel respects all religions, even as critics point out that his government regularly does the opposite.

But, with even some of Israel’s supporters voicing anger at the soldier’s actions, Israel announced on Tuesday that he had been jailed for 30 days, along with another soldier who had been filming him. Six other soldiers have been summoned for questioning.

The decision to pursue action against the two soldiers stands out because it is in marked contrast to Israeli military investigations conducted into violations by soldiers, which overwhelmingly find them not to have been at fault. In fact, no Israeli soldier has been charged with killing a Palestinian this decade, despite the thousands killed even outside of the Gaza war context, including the 2022 killing of Al Jazeera’s correspondent in the occupied West Bank, Shireen Abu Akleh, who was herself a Christian.

Yossi Mekelberg, a senior consulting fellow with Chatham House, noted that it was important for the Israeli government to ensure that its response to the attack on the statue of Jesus was visible, particularly in light of the important role Christian supporters of Israel – including the US ambassador to Israel, Mike Huckabee – play in the administration of US President Donald Trump.

Those supporters frequently justify their support for Israel by relying on Christian Zionist interpretations of the Bible, and emphasising a “Judeo-Christian” value system and shared cultural heritage.

But official Israeli action in this case makes inaction in other cases more glaring.

“This [attack on the statue of Jesus], and the attacks upon mosques by settlers and the killing of Palestinians are all war crimes,” Mekelberg said. “The problem is that we don’t know how widespread it is. We only know about this one because they filmed it.”

History of violence

Through much of the conflicts in Gaza and Lebanon, observers and analysts have pointed to the stark difference in Israeli government responses to attacks on Christian symbols and places of worship and what has been the large-scale destruction of Islamic sites.

In March, Netanyahu found himself having to explain the decision to block the passage of Cardinal Pierbattista Pizzaballa, the Latin patriarch of Jerusalem, from entering the Church of the Holy Sepulchre to mark Palm Sunday, one of the holiest days of the Christian calendar. Before the end of the same day, Netanyahu had posted to social media, explaining that there had been “no malicious intent whatsoever, only concern for his safety”.

Last July, Netanyahu again found himself apologising for a strike on a third church in Gaza following pressure from the Trump administration, when three of the hundreds of people sheltering there were killed and several others injured, including the parish priest who regularly spoke to the late Pope Francis.

In a statement issued through his office, the Israeli prime minister claimed he deeply regretted the strike on the church, which he said was an accident.

“Every innocent life lost is a tragedy. We share the grief of the families and the faithful,” he said, without referencing the almost 60,000 men, women and Palestinian children his forces had killed by that point in the war.

Throughout the war, Israel’s defenders have emphasised the concept of Judeo-Christian values in an effort to justify Israel’s attacks and its repeated breaking of international law. But evidence of a shared civilisational bond is thrown into question by attacks on Christian symbolism, such as in Lebanon, and by Israel’s long-standing treatment of Palestinian Christians, who face the same dispossession and occupation as their Muslim neighbours.

“I think a lot of Israel’s defenders in the West like to portray it as being ‘us’, just over there, as if ‘over there’ is some form of dark jungle,” said HA Hellyer, a senior fellow at the Center for American Progress and senior associate fellow at the Royal United Service Institute.

“So, they can make excuses for Israelis killing Arabs in their thousands,” Hellyer said. “They can even make excuses for them killing Christians. But when you see Israeli soldiers destroying Christian symbols, it becomes much harder to defend those actions and to stem the growing trend of US supporters, both Democrat and Republican, moving away from Israel.”

What’s next for Israel’s relationship with Christians?

While the Israeli government has been keen to preserve evidence of the Judeo-Christian bond, complaints of harassment by Christian groups within Israel are growing, particularly with the increase in strength of the Israeli far right, including in government.

In 2025, the interreligious Rossing Center for Education and Dialogue recorded 155 incidents targeting Christians in Israel, a marked increase from the previous year. While physical assaults were the most common, comprising 39 percent of incidents, there were also accounts of spitting, hitting, and pepper-spraying.

Christian holidays, specifically those around the time of Easter, have become particular sources of tension, the report noted, with priests and nuns wearing visible Christian clothing in West Jerusalem and occupied East Jerusalem facing the risk of harassment every time they enter public spaces.

“We’ve entered a period of what [Australian genocide studies scholar] Dirk Moses called ‘permanent security’, where anything different, anything that might be a threat, or could even be a threat in the future, has to be destroyed,“ prominent Israeli sociologist Yehouda Shenhav-Shahrabani told Al Jazeera.

That difference is inherent to the Christian faith.

“It’s not about left or right,” Shenhav-Shahrabani explained. “It even goes to language. In everyday Hebrew, people refer to Jesus as Yeshu, which is a curse word, rather than Yeshua, which is correct.”

“That’s commonplace. That’s how it’s used in everyday media,” he continued. “If that’s where you begin, it doesn’t matter if it’s stupidity or ignorance, it all leads to the same place.”

Defender Callum Doyle has been a key member of the Wrexham team bidding for the Championship play-offs.

The 22-year-old has played in 36 games in all competitions this season, including 26 successive matches.

His performances have been recognised with a spot in the Championship team of the season, one he describes as a “massive honour”.

But Doyle acknowledges that life at the Stok Cae Ras did not get off to the best of starts.

Back in October the 22-year-old former Manchester City youngster was featuring in only his eighth game for his new club following a late summer move.

In the second half at home to Oxford – a game Wrexham won 1-0 – he was shown a straight red card during the second half of the match.

“It’s one of those moments that it’s a bad moment,” Doyle said.

“But, in the grand scheme of things it’s not so bad of how I’ve changed my attitude towards training.

“And it’s been good for me since that point.”

The sending off proved to be a blessing and a turning point for Doyle’s season.

Doyle’s enforced absence was an opportunity that manager Phil Parkinson and his coaching team used to work with the Manchester-born defender.

“He came in and missed a lot of pre-season, so it took us a while to get him up to speed,” said Parkinson.

“When he got sent off, it was a chance for us to pull him away and do work with him and almost give him a mini pre-season and get him to where he needed to be.

“But I think everybody can see what a class player Callum is.

“He’s got a lot of experience for someone so young and the aim is for him now to finish his season strongly.”

Liverpool boss Arne Slot says Hugo Ekitike’s injury “looks really bad” after the France striker was taken off on a stretcher during Tuesday’s Champions League loss to Paris St-Germain.

Ekitike went down off the ball 30 minutes into the quarter-final second leg, which the Reds lost 2-0 on the night and 4-0 on aggregate.

He was seen holding his ankle and was visibly in discomfort before being taken off the pitch.

“Hugo looks really bad but it is difficult to say how bad,” Slot said after the game.

“Let’s see. It doesn’t look good, that is clear. I didn’t see him at half-time and after the game he was already home. I have not spoken to him yet.”

Ekitike is playing his first season at Liverpool after signing last summer from Eintracht Frankfurt and has scored 17 goals in 45 games in all competitions.

A lengthy period of time out for the Frenchman will be a real blow to his hopes of being part of the France squad at this summer’s World Cup in North America.

Ekitike’s club and international team-mate Ibrahima Konate said this moment will be “very hard” for him.

“I think it is bad,” he told Amazon Prime.

“I don’t know, I have heard many things, I have no word to talk about that because with the World Cup coming it is very, very hard for him and I send him my prayers.”

A few years ago, some were predicting the demise of Spanish-language television.

Most of the Latino population growth over two decades has come from U.S. births, outpacing the arrival of immigrants. The thinking was that because most U.S.-born Latinos speak English and can consume a wide array of media, Spanish-language TV would recede in relevance.

But Telemundo has defied such forecasts to become one of the nation’s hottest news outlets.

The NBCUniversal-owned, Spanish-language network, a longtime underdog, has been notching viewership gains in advance of its highly anticipated coverage of this summer’s FIFA World Cup championships.

Last year, Telemundo increased its audience for its evening news, anchored by Julio Vaqueiro, by 11% over the previous year, according to Nielsen data. Its Los Angeles station, KVEA Channel 52, has surpassed entrenched giants Walt Disney Co.’s KABC and Univision’s KMEX, attracting more viewers for its local evening and late-night newscasts.

The Miami-based division has a strong social media presence. Its Telemundo Noticias (News) account boasts 16 million followers on TikTok, topping ABC News, CNN and Fox News.

Cultural and demographic shifts have helped fuel Telemundo’s rise. After more than a decade of immigration declines, border crossings surged during President Biden’s tenure — a tide that turned with President Trump’s return to the White House. Instead, Trump brought a torrent of significant news events, including immigration raids that reverberated through Latino communities.

“We are growing because we are telling the stories that are important to our audience,” Gemma Garcia, Telemundo’s executive vice president for news, said. “We are very audience-driven.”

When U.S. military forces seized Venezuela’s then-president Nicolás Maduro in January, Telemundo quickly flew its main news anchor, Vaqueiro, to report from Colombia, which borders Venezuela. The network interrupted its usual Sunday night fare for a news special that scored solid ratings.

Vaqueiro, 38, has become the fresh face of Spanish-language news after Jorge Ramos, who achieved prominence as a forceful advocate for Latino immigrants during his 40 years on the air, signed off from rival Univision in late 2024.

The younger journalist brings a softer tone to his reports. He was promoted to Telemundo’s main news anchor in 2021 after several assignments, including working at KVEA in L.A. He loves stepping out from behind the anchor desk in Miami to cover big stories.

Telemundo news anchor Julio Vaquiero

(Telemundo)

Vaqueiro traveled to frigid Minneapolis earlier this year after the deadly Immigration and Customs Enforcement shootings. He broadcast from anti-ICE protests and stopped by a church to interview a pastor and volunteers organizing a food drive for immigrants too afraid to go outside.

“We’re very focused on being out there and reporting on the ground,” Vaqueiro said in an interview. “Being close to our audience, that’s a big part of what we are doing at Noticias Telemundo.”

Another key to Telemundo’s momentum has been its commitment to the Spanish language.

Media companies a decade ago raced to engage young, bilingual Latinos by launching start-ups, including a joint venture between ABC News and Univision called Fusion that flopped.

Now Telemundo is the one with cool cred.

Call it the Bad Bunny effect: While the Puerto Rican artist’s Super Bowl halftime show in Spanish befuddled scores of viewers, millions of other fans, deeply proud of their Latino roots, were thrilled by his performance celebrating everyday workers.

“With Bad Bunny’s rise and the Super Bowl, it felt like a shift in values towards the Spanish language,” said Mark Hugo Lopez, Pew Research Center’s director of race and ethnicity research. “It has become a source of cultural pride … and it seems to be impacting the ways in which English-speaking Latinos also think about their identity.”

Bad Bunny performed the Super Bowl halftime show in Spanish in February.

(Eric Thayer / Los Angeles Times)

That increased affinity suggests that Spanish isn’t going away anytime soon.

“Our data has shown that Latinos say it’s important that Latinos in the future speak Spanish here in the United States,” Lopez said.

A slow build to a news leader

Telemundo’s rise was a slow build, coming nearly a quarter-century after NBC bought the network for nearly $2 billion.

Years of effort took root after NBCUniversal agreed in 2011 to spend big for the U.S. Spanish-language media rights to the FIFA World Cup, dethroning Univision, which had long televised the prestigious soccer event. This year, Telemundo is poised “to deliver the largest coverage in Spanish-language media history,” the network said in a statement.

It will provide live coverage for all 104 matches, including on the Telemundo and Peacock streaming apps.

Being part of NBCUniversal has brought other benefits, too, particularly as Telemundo’s main competitor, Univision, has struggled under a succession of ownership groups.

NBCUniversal integrated its English and Spanish-language news units at its television stations. In Los Angeles, KVEA’s newsroom is in the same building on the Universal lot as KNBC-TV Channel 4. The same managers run both divisions.

“All of these things have evolved,” said Millie Carrasquillo, a Hispanic media consultant and former Telemundo research senior vice president. “It’s an alignment of the audiences, an alignment of how technology is evolving — and also the way that news is being delivered.”

Telemundo’s national newscast, anchored by Vaqueiro, averages 1.2 million viewers, its largest audience in years.

But audiences, particularly younger ones, are less likely to watch TV news, so network executives have tapped the potential of TikTok, Instagram and YouTube to boost their reach.

On TikTok, Telemundo reporters broadcast live from outside the U.S. Supreme Court last week as justices heard oral arguments on Trump’s push to end birthright citizenship for babies born to parents who are in the country unlawfully. Telemundo featured live coverage of the traditional Easter egg roll at “La Casa Blanca” (the White House) and frequent reports about NASA’s Artemis II mission, which scored millions of views.

“Radio and television hasn’t gone away,” said Mari Castañeda, University of Massachusetts Amherst’s Commonwealth Honors College dean. “But Telemundo has recognized that [cellphones] are where most of their audience is located and they leaned into that.”

Social media posts are easy to share, serving as a viral expansion of the network’s audience.

“Telemundo has emerged as a leader because it has modernized,” added Castañeda, a native of La Puente in Los Angeles County.

The U.S. Latino population nearly doubled between 2000 and 2024, rising from 35 million to 68 million, according to the Pew Research Center. Since the Great Recession, the growth has largely come from U.S. births, and the median age of U.S.-born Latinos is about 21.

The trend line bent during the Biden years as U.S. births roughly equaled the arrival of immigrants, Lopez said.

“Immigrants are still a very large part of the Latino story,” he said.

Noticias Telemundo anchor Julio Vaqueiro talks to a child living in a makeshift migrant camp along the Rio Grande near the Ciudad Juarez-El Paso border on Feb. 28, 2024.

(Telemundo)

‘This is a country we really love’

Telemundo’s brightest star — Vaqueiro — was born in San Juan del Río, north of Mexico City and came to the U.S. when he was 26 with his wife, who was also born in Mexico.

“We have three American kids,” Vaqueiro said. “All we know as a family is the U.S. This is a country that we really love and we’re grateful to it.”

In many ways, Vaqueiro’s journey is the story of U.S. Latinos.

“He’s Mexican but he’s also a U.S. Latino and he understands the context and issues that communities are feeling,” said Castañeda. “There’s a sense of authenticity and care that comes through.”

Vaqueiro wrote a book, “Río Bravo. México, Estados Unidos y el regreso de Trump, (Rio Grande: Mexico, the United States, and the Return of Trump),” to explore the political mood during a period of tumult and often tense relations between the countries.

Telemundo strives to stay out of the political fray, Garcia said.

“We don’t think about politics,” Garcia said. “We cover what is happening within our community, and now more than ever, we are on top of our community’s stories.”

Vaqueiro added: “We have to be very careful reporting the facts and verifying every information that comes to us.”

Political divisions course through Latino communities, including in South Florida where Telemundo is headquartered.

“We’ve always known that Latinos are not a monolith,” Vaqueiro said. “This is a complex community that is constantly growing. It’s diverse: geographically, culturally and generationally.”

Interest in news has swelled since Trump began his second term. Ratings are also up for ABC’s “World News Tonight with David Muir,” which is drawing 8.4 million viewers per telecast this season, outpacing NBC, Fox News and CBS.

In national news, Univision still tops Telemundo. In local news, Telemundo’s KVEA has continued to build on its lead this year, although KMEX remains competitive and Disney’s KABC remains dominant among English-language stations.

“I just hope that we meet the moment,” Vaquerio said. “This is a critical moment for Latinos who are navigating very difficult times under a lot of pressure.”

He has another goal, too.

“I want to lift Latino voices who are moving forward — opening new businesses and graduating from college,” Vaqueiro said. “I want to talk about the positive side of this community that brings huge contributions to the United States.”

In March, Bad Bunny performed his first-ever concert in Asia when he played in from of 2,300 fans in Tokyo as part of Spotify’s Billions Club Live series.

Starting April 8, a filmed version of that performance will be available on Spotify for the “Nuevayol” artist’s millions and millions of fans not in attendance.

The show, officially titled “Billions Club Live With Bad Bunny: A Concert Film,” was billed as a special stop in the Grammy-winning performer’s “Debí Tirar Más Fotos World Tour” — which kicked off with a November concert in the Dominican Republic and has since sold out stadiums across Latin America and Australia. He notably didn’t include dates in the United States as part of the tour.

Footage of the Japan concert swept social media, as it showed Bad Bunny doing a never-before-seen salsa rendition of his 2018 collaboration with Drake. He also notably sang his 2021 single “Yonaguni,” which features lyrics in Japanese.

The concert film will premiere two months after the “Callaíta” singer nabbed a historic album of the year win at the Grammy Awards and became the first fully Spanish-language act to headline the Super Bowl halftime show — which was lauded for its potent star power and political messaging.

Bad Bunny’s generational run looks to have no immediate end in sight, as he will kick off the European leg of his world tour with a May performance in Portugal before making stops in Spain, England, Sweden, France, Poland and Italy.

But the “Dakiti” artist’s newsworthy year hasn’t been limited to the music world.

In February, it was announced that Bad Bunny will star — alongside Academy Award-winning actor Javier Bardem and multiple-time nominees Edward Norton and Viggo Mortensen — in Puerto Rican rapper Residente’s directorial debut, “Porto Rico.” The film, which has yet to announce a release date, will explore the complicated colonial history of Puerto Rico through Western/historical drama storytelling devices.

The actor will this time take the character to Miami for the chaos of the World Cup, involving 48 teams and 16 venues

Hugh Bonneville is back as Ian Fletcher, and this time around the BBC’s former Head of Values is in America, dealing with the World Cup.

The Downton star, who first introduced Fletcher in the Olympics-spoofing series Twenty Twelve and then brought him back for W1A, said that playing Ian again was so painful it was akin to a nasty visit to the dentist. “It’s a bit like root canal in that you know there’s a massive well of poison in your mouth and it’s got to be dealt with. And after it’s finished, it’s rather nice,” he laughed. “But the process itself is agony.”

Hugh, 62, says that Ian Fletcher has “evolved” since the last time we saw him. “Although, ‘evolution’ is, of course, an interesting word, conjuring images of change. “If Ian was a lapel pin it would be enamelled with the words, Stay Calm. The seas may be tossed and blown but Ian will be neither tossed and certainly not blown.”

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But he questions how much Ian has actually learned from the chaos of his past experiences. “The tragicomedy of life is that we may think we develop and change but actually most of us reset at the end of each day to catastrophically normal and – if we can afford one – a take-away.”

One new element in this series is a potential romance between Ian the terribly keen VP Sustainability Sarah Campbell (Chelsey Crisp).Writer John Morton says he “can’t remember” if the actually happens, while Hugh says cryptically: “During this series Ian’s eyes are opened a teeny bit to emotional opportunity. Then again, he’s also recovering from a detached retina.”

The actor admits his own football experience as the Under 11 B Team goalie at his junior school was an unhappy one. “I was fat and I was rubbish at running up and down. So I was put in goal. It was the days where you wore a padded top as a goalie, which was quite a warm garment, actually. So that was nice. I was quite cosy, toddling up and down in my little goal, pretending to stretch, in my green, figure-hugging little duvet. I don’t think I ever saved a ball.”

Morton said that none of the shows are actually about what they appear to be, and that they all work as standalone programmes. “Although W1A was about the BBC, this appears to be about football and 2012 was about the Olympics, none of them are really about those things,” he explained. “That’s what they’re tussling with on the surface, but underneath is where the real stuff is happening. Anybody that’s trying to organise anything with a group of people will, I hope, recognise this. Those dynamics I think are pretty much universal.”

He said that the BBC was the show’s natural home. “There’s a sort of BBCness about Ian Fletcher, a guy who’s kind of hamstrung by trying to do the right thing all the time. And I have, just personally, a huge amount of respect and affection for the BBC. I think they’re one of the best things we do. I think they’re very, very precious. And W1A was never intended to be a takedown, just as this isn’t, of anybody or anything.”

– Twenty Twenty Six, BBC Two, 10pm, Wednesday 8 April

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You might expect a screenwriter working in the horror genre to be relatively difficult to scare, but Haley Z. Boston, the creator and executive producer of Netflix’s harrowing new limited series “Something Very Bad Is Going to Happen,” insists that is not the case.

“I’m afraid of everything,” Boston, 31, said during a recent Zoom conversation. “I’m afraid of horror movies, but that’s why I love them so much, because they scare me. A lot of horror people are desensitized and looking for something to shake them. I am the opposite. I am easily afraid.”

The easily frightened — and the recently engaged — might be advised to approach Boston’s new series, which premiered Thursday, with caution. A haunting fusion of David Lynch surrealism and “Rosemary’s Baby” paranoia, “Something Very Bad Is Going to Happen” traces the peculiar and ominous events that unfold in the week leading up to the nuptials between wary Rachel (Camila Morrone) and trusting fiancé Nicky (Adam DiMarco), as overseen by Nicky’s mother Victoria (Jennifer Jason Leigh).

Faced with inexplicable truths about Nicky’s family and her own past, Rachel becomes convinced that saying “I do” has the potential to prove deadly, and she comes to fear what might take place when she walks down the aisle.

Camila Morrone as Rachel Harkin in Netflix’s “Something Very Bad Is Going to Happen.”

(Netflix)

“I’d seen people in their wedding, in their vows, say, ‘I never once had a doubt,’” Boston said. “I’m like, ‘How could you not constantly question everything?’ It felt very natural to me to explore that idea in a horror show where the doubt is the horror.”

Horror has long been a preoccupation for Boston. The Oregon native has a tattoo of the phrase “Carrie White burns in hell” to commemorate her favorite film, Brian DePalma’s landmark Stephen King adaptation, “Carrie.” She distinguished herself writing episodes of weird, atmospheric series including Netflix’s “Brand New Cherry Flavor,” a nightmarish exploration of witchcraft and filmmaking in 1990s L.A., and “Guillermo del Toro’s Cabinet of Curiosities,” also for Netflix.

Her installment in the Oscar-winning director’s anthology series, “The Outside,” was inspired by a comic titled “Some Other Animal’s Meat” and followed the unnerving transformation one woman undergoes after purchasing a beauty cream advertised on a late-night infomercial. “It’s all about being an outsider and feeling different, and I related to that,” Boston said.

Boston began writing at the age of 11, and after seeing Quentin Tarantino’s “Kill Bill” in her early teens, she became interested in filmmaking. “I was so taken by the way that the story is told, and I love a revenge story,” she said. “That’s when I started to think, ‘Is this something? Who wrote that? How does any of this work?’”

She had considered following her parents’ path and choosing a career in medicine, but during her first formal writing class at Northwestern University, she felt that she’d found her calling. “I was like, ‘No, this is it. This is what I want to do,’” Boston said.

“I’m like, ‘How could you not constantly question everything?’” Haley Z. Boston says about marriage. “It felt very natural to me to explore that idea in a horror show where the doubt is the horror.”

(Christina House / Los Angeles Times)

After graduation, she moved to L.A., taking a job in the William Morris Endeavor mailroom and writing scripts on her own time. A high school slasher movie she’d penned in college landed her an agent. Soon after, her pilot for a “sapphic murder story” inspired by “Killing Eve” netted her 22 pitch meetings — the first was with director Sam Raimi, whose early-career “Evil Dead” movies are beloved cult classics. “I was 24, and I did the scariest thing at the time possible,” Boston said. “Sometimes I think if you don’t think too much about how terrifying it is, and you’re just thrown into it, that’s better.”

With “Something Very Bad Is Going to Happen,” Boston found herself thrown into the position of showrunner without ever having spent any real time on a set. Yet Morrone says Boston was the picture of confident professionalism throughout the shoot. “There’s just a grace to her,” Morrone said. “Even if she was overwhelmed, you would just never see it. These are her words and her world, and she inherently knows the character and the story so well that she could really navigate any questions thrown at her because it lives in her.”

The series is something profoundly personal for Boston. Growing up with parents whose marriage seemed idyllic had left her struggling once she began dating, and she channeled many of her own anxieties into the show. “They’ve been together for 37 years or something,” Boston said of her parents. “I felt all this pressure knowing that that exists. It always felt like a curse. You have this great example of what a marriage is, and I always found myself weighing every little romantic tryst against this 30-year marriage — which was unhelpful.”

She hit upon the premise for the series right around her 27th birthday, a time when more and more of her friends began to get married, and developed the idea while working on other projects. By the time Boston sat down to write the pilot episode, she knew the narrative and the characters so well that it took her just two weeks to finish.

Pitching the series, she met with “Stranger Things” creators Matt and Ross Duffer, who were so impressed by her vision that they signed on to executive produce “Something Very Bad Is Going to Happen” through their Upside Down Pictures banner.

“From reading one page of her script, it became very clear that this is someone who has a very unique voice,” Ross said. “It was unlike anything we’d ever read before. Immediately, we were like, ‘We have to be involved with this. We have to help bring her vision to life.’”

Rachel (Camila Morrone) and Nicky (Adam DiMarco) experience peculiar and ominous events leading up to their wedding.

(Netflix)

Matt added, “Haley has such a specific sense of humor. It’s very dark, very dry, but it also feels incredibly real. Her characters talk very much in the same way that real people talk. I find that sadly rare in the scripts that you read.”

The series was filmed in Toronto in January 2025 with directors Weronika Tofilska (“Baby Reindeer”), Lisa Brühlmann (“Killing Eve”) and Axelle Carolyn (“American Horror Story”) behind the camera. Boston said she and her collaborators would often reference specific films — everything from “The Celebration” to “Uncut Gems” — as a shorthand for the tone they were hoping to strike in a given episode. “I really love a story that takes something normal and grounded and gives one twist on it that throws you into a different world and makes you see things in a different way,” Boston said.

With “Something Very Bad Is Going to Happen” poised to elevate Boston’s Hollywood profile, establishing her as one of the most exciting voices in horror, she’s already planning for her future, writing a film that she intends to direct. “I love the horror community, but it is still such a boy’s club, and I really want to infiltrate it,” Boston said.

“The genre has been so much about women, and in studying feminist theory in horror, especially back in the ’70s, the genre forced men to relate to women — you’re watching a woman survive, which is ultimately very powerful,” she added. “I find it interesting how many men are making horror movies about women. I talked about ‘Carrie.’ I love that movie, but it’s missing something. Same with ‘Rosemary’s Baby.’

“This show is such a great opportunity to begin my career in this genre — now, I want to continue my reign of terror.”

On a night of bizarre incidents, two of them centred around the goals.

White bundled home England’s opener from a corner, but there was a check by the video assistant referee (VAR) with Adam Wharton appearing to block Gimenez in the build-up.

Former Arsenal striker Ian Wright said on ITV: “Come the World Cup, they’d probably look at that and give it as a foul.”

USA Women head coach Emma Hayes added: “VAR was on and off tonight. I think nine times out of 10 blocking someone off like that is a foul and I was surprised it wasn’t given.”

Then came Uruguay’s equaliser.

White and Federico Vinas came together inside the box – and the referee originally allowed play to continue. But he was asked to go to the monitor by VAR after which he awarded a penalty that Valverde scored.

“I think the referee was in a very good position when he gave the initial decision,” former Tottenham goalkeeper Paul Robinson said on BBC Radio 5 live.

“That’s nothing more than clumsy from White. There is connection but he got the ball first. One of those decisions where if it’s not given on field you don’t interfere.”

Last May, a strange thing happened on the U.S. album charts. Two metal bands (or at least metal-adjacent hard rock acts) scored No. 1 albums in the same month. The genre hadn’t seen multiple bestsellers in the same year since 2019 — and those were from veteran acts. So it was notable when the young U.K. group Sleep Token crushed on streaming and Ghost topped charts with a Taylor Swift-sized vinyl rollout. Meanwhile, avant-garde heavy rockers Deftones became unexpected TikTok darlings and arena stars.

Metal had not-so-quietly reemerged as a commercial force, and not just in the live sphere, where it’s always thrived and continues to grow. Pop culture seemed ready to welcome back a breed of hitmaker thought lost to time — the sleeve-tatted, throat-shredding hard rock star.

So the wider pop world should acquaint itself with the Virginia-born group Bad Omens, whose slam-packed Thursday night show at the Forum in Inglewood reaffirmed that they’re one of the most ambitious and skilled young bands in heavy rock, and have the star wattage and ravenous fan culture to get even bigger.

Bad Omens — with singer Noah Sebastian, bassist Nicholas Ruffilo, guitarist Joakim Karlsson and drummer Nick Folio — are not brand new. They’ve slugged it out on the metalcore and heavy rock circuit for a decade, signed to the small-ish but influential imprint Sumerian Records. But they hit their stride with 2022’s “The Death of Peace of Mind,” which melded a Weeknd-worthy R&B falsetto with rotted, churning guitars and tasteful electronics.

The band became festival headliners and racked up billions of streams, surely aided by Sebastian’s dreamboat-goth-BF good looks and striking range as a vocalist, where he veers from an ear-tickling whisper to an operatic howl and a shriek worthy of Norway in the ‘90s (sometimes on the same song, as he did on “Like a Villain”).

The band has tipped a new album for some time, though for this career-peak arena tour, it had only a handful of new singles in tow. No matter. At the Forum, the band cohered its catalog with an eye-popping stage production, one that made its case as an ultra-modern heavy rock act with the reach to be huge stars, even if they take genuine fame with some ambivalence.

That force-of-gravity was evident in the days leading up to the Forum show, where fans debated how many hours early they needed to be at the Forum to be on the barricades (the consensus — get there by breakfast). Mid-set, Sebastian pointed out one fan whom he recognized from years on the road. “You’ve been coming to see us since we sucked,” he said, laughing.

That commitment wouldn’t be possible if the music didn’t have a preternatural force to speak to current anxieties. From the first notes of its new single “Specter” — a brooding vocal workout for Sebastian that ended on pulverizing riffs — Bad Omens used cutting-edge tools and underground influence to elicit arena-rock catharsis.

One early peak of the set came when Jake Duzsik of the L.A. industrial-rock trio Health came out to duet on “The Drain,” a lurching, menacing collaborative single and a standout for both bands. Heavy-rock veterans see something compelling in Bad Omens, which helps situate the band’s pop-savvy tracks like “Left for Good” and “Just Pretend” (a platinum-selling single that wrapped up the main set) with earned feeling rather than calculation.

After the Forum show, I understood why it’s taking them so long to finish a new LP. Sebastian has been open about his mental health struggles. The band is pitched right at a difficult juncture at which their artistic ambitions abut real, life-altering attention.

They can make songs like “What It Cost” (a hooky, lecherous electro track that I’d totally believe was co-written with Max Martin if you told me) and the serrated metal that them earned them their fanbase and would cause a revolt without. It’s not easy to pair the two in a natural way. (Just ask Code Orange, once pitched as metal’s breakout stars who got bogged down in electronic experiments.) Having a K-pop-caliber devoted fanbase is great on the way up, but it’s a tense relationship.

But first and foremost, Bad Omens are gifted musicians, and whatever eldritch magic Sebastian wields onstage will always be bolstered by a serious band contorting metal, dark pop and electronic music. I saw nothing that would stop that one fan from coming back for 10 more years of Bad Omens shows, and plenty to suggest others are going to follow him.

The mysterious character is introduced early on in the Netflix series

*Warning: Contains major spoilers for Something Very Bad Is Going To Happen*

Netflix today released (March 26) all episodes of its highly-anticipated horror series Something Very Bad Is Going To Happen which explores the dark side of wedded bliss.

The eight-part show is created by Haley Z. Boston (Brand New Cherry Flavor) and executive produced by the Duffer Brothers (Stranger Things), and centres around a young couple, Rachel Harkin and Nicky Cunningham, in the week leading up to their wedding.

While the duo initially seem a match made in heaven, things start to unravel as Rachel (Camila Morrone) meets her soon-to-be-spouse’s family for the first time while they prepare for their big day at the sprawling, remote cabin owned by Nicky’s (Adam DiMarco) parents.

During her first encounter with Nicky’s siblings at the cabin, Rachel is told the story of the Sorry Man, a mysterious presence who allegedly roams the woods outside looking for women to murder.

Nicky’s sister Portia (Gus Birney) takes great pleasure in revealing that the Sorry Man believes his long-lost love is hiding inside another woman. She says that if he gets the scent of blood, he wastes no time in tracking down and ripping open the woman who is bleeding.

The tale originates from Nicky’s older brother Jules, who claimed to have seen the Sorry Man for himself when he was a child. The whole family are aware of the story, including Jules’ own son who lives in fear of the creature.

The Sorry Man and whether or not he will appear is one of the show’s enduring mysteries – especially after Rachel gets a nose bleed – until a major reveal explains what is really going on.

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As viewers know, Rachel is battling a curse that kills anyone in her family line who marries someone who is not their soulmate. That curse affected her own mother (portrayed by Victoria Pedretti) who shortly after wedding Rachel’s dad, collapsed while bleeding from her eyes.

As his new bride was pregnant, Rachel’s dad was forced to tear open his dead wife’s belly to save his unborn child all the while repeating “I’m sorry” as the tragic moment unfolds.

Viewers learn that Jules was actually present that day as the newlyweds had been staying at a cabin nearby to his family home. He had been hiding under the bed in their holiday cabin after leaving home and so witnessed Rachel’s mother die, and her father then tear her open, leaving him with the idea of the Sorry Man.

The moment of Rachel’s mother’s death was caught on a home video tape which is later shown to Rachel after the Sorry Man – a.k.a her actual dad – invades the Cunningham home and kidnaps Rachel in the dead of night to stop her from suffering the same fate as her mother after hearing about her impending wedding to Nicky.

Jules’ son sees Rachel being kidnapped and informs his dad, who tracks down where Rachel is being held. When he finds her, he recognises who he believes to be the Sorry Man, before Rachel informs him that is actually her dad.

Jules then realises what he witnessed that day as a child was the Harkin family curse unfolding, not a murder, and that he was actually present at Rachel’s birth.

Something Very Bad Is Going To Happen is now streaming on Netflix.