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Tehran, Iran – An ongoing war of words between Beirut and Tehran has highlighted the central role Lebanon has played in a ceasefire between Iran and the United States.

Iran on Sunday responded to an Israeli strike on an alleged Hezbollah site in southern Beirut – an unofficial red line for Tehran – by launching a barrage of missiles at Israel. Israel then hit Tehran and other cities on Monday, threatening to end a two-month ceasefire between Iran and the US.

Tensions had already heightened after Israeli forces crossed the Litani River last month – a point Israel had unilaterally set as a buffer zone to be cleared of Hezbollah elements – leading the Lebanese government to appeal for an end to foreign interference in the country.

Last week, it was reported that US President Donald Trump had convinced Israeli Prime Minister Benjamin Netanyahu not to target Beirut, understanding that such an escalation could end a regional ceasefire in place since April.

The Israeli invasion has deepened tensions between Iran, which backs Hezbollah, and the Lebanese government, which is seeking exclusive control over weapons in the country. Iran’s Islamic Revolutionary Guard Corps (IRGC) on Thursday warned “there will be no calm in the region” if Israel continued its occupation of southern Lebanon.

Lebanese President Joseph Aoun stressed that there is no way to end the war in the country “except through negotiation and diplomacy” and slammed Tehran for “using Lebanon as a bargaining chip in their negotiations” with the US.

He said “Hezbollah must understand that [there is] no other way but to sit and talk”, something Beirut is trying to achieve via direct talks between Israeli and Lebanese officials in Washington, DC.

Iranian Foreign Minister Abbas Araghchi responded by saying Aoun appeared to believe Iran, not Israel, was occupying Lebanese territory.

“Had Lebanon been a bargaining chip for Iran, we’d have a deal long ago. Save Lebanon from your real foe, Mr. President,” he posted on X on Saturday, likely referring to Israel and Aoun.

Hezbollah opposes direct talks with Israel and wants Iran to play a greater role in mediated talks to end the crisis, and the situation has led to an increasingly voracious back-and-forth between Beirut and Tehran.

A conditional “ceasefire” currently in effect between the Lebanese government and Israel, negotiated by Washington and excluding Hezbollah representation, set conditions that included the removal of armed groups south of the Litani River.

It also sought the establishment of “pilot zones” in southern Lebanon, where the Lebanese army would have sole authority, allowing the region to come under direct state control.

Negar Mortazavi, a senior fellow at the Washington, DC-based Center for International Policy, noted that while Israel had demonstrated patience regarding its continued offensive in the south, the targeting of Beirut’s southern suburbs, known as Dahiyeh, would be a serious escalation.

“Where exactly is the red line? So far, it seems that Tehran has tolerated attacks in southern Lebanon to some extent as part of a messy ceasefire, and instead allowed Hezbollah to engage with Israel,” she told Al Jazeera before Israel bombed Beirut suburbs on Sunday.

“I think the stalemate cannot continue for too long, so it will be going back to an escalated conflict, or heading for an actual peace deal.”

Iran has stressed that any long-term peace agreement with the US hinges on Israel’s war on Lebanon also ending.

“Hezbollah entered the war with them and helped them, so they want to help them by making them an extension of the peace deal,” Mortazavi said.

Israel’s largely unchallenged advances in southern Lebanon had angered and frustrated hardliners in Iran, who had called for the government to take action.

“Now that I’m speaking with you, it’s correct that [Israel] has stopped attacking Dahiyeh, but except for that, it is hitting wherever it wills,” Abbas Abdi, a state television analyst, told a gathering of state supporters near Enghelab (Revolution) Square in downtown Tehran on Friday night.

Hezbollah flags are regularly waved by supporters of the government during such rallies. On Friday, the iconic Azadi (Freedom) Tower was draped with a Hezbollah flag in a show of support for the Lebanese movement, amid Israel’s offensive in southern Lebanon.

Abdi said such facile shows of solidarity with Hezbollah were not a deterrence and that Iran might have to “show the enemy that negotiations are not important for us”.

“We are still releasing statements and saying we will do such if they do such, but we are not doing anything. Our dear people have gone to the [missile] launchers numerous times to respond, but they have been stopped,” he said.

There have been direct tensions between the two sides in recent weeks, with the US military attacking Iranian islands and the IRGC launching missiles and drones at its Central Command (CENTCOM) bases in Kuwait and Bahrain.

Mostafa Najafi, a state television political analyst, earlier this week characterised the Israeli attacks on Lebanon as intended to go hand-in-hand with the US blockade of Iran’s southern waters to force the government to capitulate.

“The aim of the ring of pressure created in Lebanon is not just Hezbollah, it is against our levers and to weaken our regional activities,” he said, pointing out that this elevates the issue to strategic significance.

“You cannot separate the file of Hezbollah and Lebanon from the file of Iran, because they have a meaningful ideological and geopolitical link together, they are in a geopolitical cluster together,” Najafi said.

Amirhossein Sabeti, a lawmaker representing Tehran in the hardline-dominated parliament, told state television that Trump was only “playing” with Iranian authorities to keep the peace until the World Cup in the US, Canada and Mexico is over.

“The US will start a more intense war with the US once the World Cup is over. They will turn the country into a second Gaza, where everything is destroyed,” he said.

“We must be prepared to deal stronger blows than before, and we can do this. We must not wait for them to hit before hitting back; we must strike even when they talk of striking, that’s deterrence.”

Nearly five years on from its premiere, every morsel of information about Mike White’s addictive HBO series is still met with feverish excitement. And its upcoming fourth season is no exception: After previous visits to Hawaii, Italy and Thailand, the Emmy-winning series is checking into digs on the French Riviera, with its backdrop none other than the Cannes Film Festival.

Just as closely watched has been the string of starry casting announcements — and one very high-profile departure, Helena Bonham Carter, who departed the show shortly after production began. According to an HBO spokesperson, “With filming just underway on Season 4 of ‘The White Lotus,’ it had become apparent that the character which Mike White created for Helena Bonham Carter did not align once on set. The role has subsequently been rethought, is being rewritten and will be recast in the coming weeks. HBO, the producers and Mike White are saddened that they won’t get to work with her, but remain ardent fans and very much hope to work with the legendary actress on another project soon.”

The road to a new “White Lotus” season is always a twisty one, as executive producer David Bernad recently told The Envelope. He also shared details on the season’s themes, other key cast members and how the production plans to maneuver around tourists. Here‘s what we gleaned from our chat.

A bad French hotel restaurant experience changed everything: Bernad and White spent a week scouting in France but weren’t sold until one fateful night. “Mike and I went to meet a friend for dinner at a hotel in the South, which will remain nameless. The maître d’ was so rude and they called security on us,” says Bernad. However, once inside, the staffer continued to be dismissive of them and the show. “The whole season crystallized in that moment, and as we were leaving, Mike’s like, ‘I know exactly what we’re going to do and we’re doing it in the South of France.’ It was the most productive dinner I’ve had,” he says.

Helena Bonham Carter, the first actor cast in Season 4, became the first to exit, HBO confirmed Friday. Her character will be reimagined and recast.

(Dave Benett / WireImage)

Other countries were in contention: Choosing each season’s swanky location is always a “conundrum,” says Bernad, who shared that he and White initially planned a multicountry European tour. “We were starting in France, then we were going to Spain, then Ireland. But once we had that moment in the South of France at that restaurant, Mike said, ‘I don’t want to see anymore.’ So the rest of the trip was canceled,” says Bernad.

Cannes and its history form the season’s backdrop: One of the show’s familiar sights during the first three seasons has been swelling waves dramatically crashing against rocks, but you’ll see something different in Season 4. “A lot of those shots will be replaced by Cannes, the city itself and the glamour of the festival,” says Bernad. Also, the focus won’t be confined to the present but also pay tribute to the past. “It’s also the storied history and glamour of the festival, and we’re going to be tipping our hat to French cinema throughout,” he adds.

Cast member Vincent Cassel at Cannes with “The Shrouds” in 2024.

(JB Lacroix / FilmMagic)

The season’s theme is “really intentional”: Bernad says he’s known the Season 4 theme since they realized the hit show would be ongoing. “We’ve always had an idea that this season would explore the arts and fame, celebrity and the spiritual journey of being an artist, so we focused on countries that had a long relationship with the arts,” he says. Fashion’s influence is also key as “Dior permeates through the entire season,” he says, adding that French designers and artists are doing pieces for the show that lean into “the painful, existential journey of what it means to be an artist.”

No Hollywood star cameos: With Cannes as the backdrop, you might think A-listers like George Clooney or Anne Hathaway will be wandering through a “White Lotus” scene. Nope. “The show lives in the universe of ‘White Lotus’ so we’re not doing cameos, we’re not doing celebrity,” says Bernad. “In that universe, there are references to real people, but everything is its own world.”

Kumail Nanjiani is among the Americans in the international cast.

(Michael Buckner / Variety via Getty Images)

The Season 4 cast is eclectic… and still evolving: Ironically, the exiting Bonham Carter was the first person cast for Year 4. “Mike always had her in mind as we started this process, and we built the cast around her,” says Bernad. While we wait for her revised character to be recast, an array of international artists are set to appear, including Brits (Steve Coogan and Dylan Ennis), Americans (Sandra Bernhard, Chris Messina, Kumail Nanjiani, Chloe Bennet, Ari Graynor, Heather Graham and Rosie Perez), French (Vincent Cassel, Corentin Fila, Nadia Tereszkiewicz and Laura Smet), Canadians (Alexander Ludwig), Norwegians (Tobias Santelmann), Swedes (Frida Gustavsson) and Australians (Caleb Jonte Edwards). It’s no surprise that multiple language interpreters will be on set, says Bernad.

One White Lotus hotel isn’t enough: “What’s cool and unique this season is there’s going to be two hotels so not everyone is staying at the same hotel,” says Bernad. In fact, while the White Lotus Cannes is a beautiful property — the Hotel Martinez in Cannes will be used for filming — the more coveted place to stay is the White Lotus du Cap, filmed at the Airelles Chateau de la Messardière in Saint-Tropez. “That starts to play into the theme and story about ego and narcissism and how we view ourselves as it relates to how the world views us,” explains Bernad, adding filming at Paris’ Mandarin Oriental Lutetia will also double for some of the Cannes action.

The Airelles Chateau de la Messardière in Saint-Tropez will stand in for the “White Lotus du Cap.”

(Jarry/Tripelon / Gamma-Rapho via Getty Images)

Filming in a high tourist area is a “Jenga tower”: Previous seasons were shot in more remote, secluded locations, but that’s not the case for the fourth season. “We’re shooting in the South of France during a very peak tourist time, and it has been the most challenging season so far,” says Bernad. “It’s like making a Jenga tower work with all the crazy dates in the South of France and things that are booked out.”

Production is the longest ever: Shooting at multiple hotels isn’t new for the show, but in previous seasons, “we would stay in a hotel and we would shoot it out and then we’d move on to the next hotel,” explains Bernad. This time, it’s more of a puzzle that will make Season 4 the longest production schedule ever for the show. “We’re going to be shooting, leaving and then returning [to properties]. We’ll shoot in the spring, and then we’re going to come back in the fall when high season’s over,” he says.

Besides a great hotel, another major factor exists in securing a location: Besides finding the perfect property that will look great on camera and lining up a variety of schedules, a “White Lotus” location “has to be a place we want to live for a year,” says Bernad. “Because it is a year and it is relentless work … I think Tanya [Jennifer Coolidge] says at one point, ‘At this age, you just want to feel comfortable,’ and that’s us.”