award

Wigan Warriors hooker Brad O’Neill has won the 2026 Steve Prescott MBE Man of Steel, the first time he has been given the honour.

The 24-year-old England hooker beat his Wigan team-mate Adam Keighran and Leeds full-back Lachie Miller to win the award.

O’Neill has been at the heart of an impressive Wigan side which won the Challenge Cup and League Leaders’ Shield in 2026.

He made 31 appearances in all competitions and was also named Rugby League Writers and Broadcasters Association Player of the Year.

O’Neill was sin-binned in last year’s Super League Grand Final for a wayward tackle on Tyrone May, however he inspired Wigan to two trophies, after a season without silverware in 2025.

It was a memorable night for the Warriors with Matt Peet also named Betfred Super League Coach of the Year having guided his side to the League Leaders’ Shield and Challenge Cup.

Wigan earned a clean sweep in the final three shortlist for the Woman of Steel award as Eva Hunter, Jenna Foubister and Megan Willams were all nominated, with Foubister taking the prize.

It was the second year in a row that three Wigan players were shortlisted, however this year the Warriors missed out on adding the Women’s Super League title to their Women’s Challenge Cup and League Leaders’ Crowns after they were beaten by York Valkyrie on Sunday.

Meanwhile, Halifax Panthers’ Rob Hawkins won the Wheels of Steel award.

Sept. 21, 2026 12:58 PM PT

The Queen of Country is being honored with a special day on Californians’ calendars.

Gov. Gavin Newsom signed legislation Sunday that establishes Sept. 25 as Dolly Parton Day. The date’s significance may be obvious to fans of the late country legend: 9-2-5 references Parton’s hit single “9 to 5” from the soundtrack of the 1980 comedy film of the same name that starred Parton, Jane Fonda and Lily Tomlin.

“Dolly Parton was an icon,” Newsom said in a video accompanied by his wife, Jennifer Siebel Newsom, announcing the bill’s passage. “Dolly was larger than life with big hair and a bigger heart. People around the world have been touched by her music, by her philanthropy, and by her humor.”

Parton died Aug. 25 at 80 years old following a battle with cancer. The beloved songwriter, recording artist, actor and businesswoman was an honored musician, earning 10 Grammy Awards and 10 Country Music Assn. Awards, as well as two Academy Award nominations and a Primetime Emmy. She was the recipient of the National Medal of the Arts in 2005 and the Kennedy Center for the Arts Award in 2006. Parton was also inducted into the Country Music Hall of Fame in 1999 and the Rock & Roll Hall of Fame in 2022.

“Her legacy goes well beyond her music,” Sen. John Laird (D-Santa Cruz), who co-authored the bill with Sen. Shannon Grove (R-Bakersfield), said in a statement. “Through the Imagination Library, she put books into the hands of millions of children, and throughout her life she led with kindness, acceptance, and a belief that everyone deserves to be treated with dignity and respect. She was also no stranger to the Central Coast, where she performed for packed crowds and spent time over the years. Now, every 9-2-5, California gets to celebrate Dolly and the remarkable legacy she shared with all of us.”

An annual award has gone to one of the U.S. Air Force’s most secretive drone squadrons, offering a very rare window into its activities. The 30th Reconnaissance Squadron is one of two units known to operate the stealthy RQ-170 Sentinel, and it is unusual to hear anything about its operational exploits. Much about the RQ-170 itself remains highly classified 17 years after its existence was first officially acknowledged.

The General Atomics Remotely Piloted Aircraft (RPA) Squadron of the Year award for 2025 was presented to the 30th Reconnaissance Squadron at the Air & Space Forces Association’s (AFA) 2026 Air, Space & Cyber Conference on Tuesday, at which TWZ was in attendance. The AFA’s Mitchell Institute for Aerospace Studies works together with General Atomics’ Aeronautical Systems, Inc. division (GA-ASI) to recognize an Air Force drone unit in this way each year.

“The RPA Trophy is awarded annually at the USAF level for outstanding performance of active duty, Air Force Reserve, and Air National Guard … squadrons in achieving persistent attack and/or reconnaissance over the preceding calendar year,” the Mitchell Institute told TWZ in a statement. “Squadrons are judged on performance across their specified mission sets, exercise participation, and squadron and individual achievements.”

The institute sent an additional statement regarding this year’s particular award to the 30th Reconnaissance Squadron, which is as follows:

“Through relentless combat support, operational agility, and enterprise leadership, the 30th Reconnaissance Squadron – known as the Blackbirds – has set the standard for the remotely piloted aircraft community and strengthened the Joint Force’s intelligence advantage. In 2025, the 30th Reconnaissance Squadron conducted intrusive intelligence, surveillance, and reconnaissance missions across three areas of responsibility, filling critical intelligence gaps and disrupting enemy networks. In the face of urgent deployment requirements, the squadron demonstrated exceptional agility, rapidly pivoting resources to establish forward operating locations and execute critical missions under severely compressed timelines. The Blackbirds’ accomplishments paved the way for future remotely piloted aircraft capability, distinctly identifying them as the Air Force’s most outstanding RPA squadron.“

Larry Stutzriem, the AFA’s Executive Vice President, while presenting the award to representatives of the 30th Reconnaissance Squadron ahead of a panel at the Air, Space & Cyber Conference.

“In 2025, the 30th Reconnaissance Squadron conducted 87 ISR [intelligence, surveillance, and reconnaissance] missions across three different AORs [areas of responsibility], filled critical intelligence gaps, and disrupted enemy networks,” Stutzriem said. “On the unit mobility side, the Blackbirds executed 7.2 million dollars worth of airlift in six movements across four combatant commands, moving 250 tons of personnel, top secret material, and equipment to provide low-observable RPA support for a critical Secretary of War-directed mission.”

“With their deployments, the Blackbirds demonstrated exceptional agility under extremely compressed timelines,” he added.

Furthermore, during 2025, the squadron “also executed six large force exercises to develop tactics, techniques, and procedures; validated joint force tactical objectives in land and maritime environments; and provided combat-relevant training,” according to Stutzriem. “Instructors and evaluators graduated the largest ever combat mission-ready class, 30 percent ahead of schedule, and accelerated mission-ready status 33 percent, while increasing total unit aircrew by 26 percent.”

Though Stutzriem noted that the 30th Reconnaissance Squadron provided “low-observable RPA support,” no explicit mention was made of the RQ-170. Whether or not the squadron may now operate other kinds of low-observable (stealthy) drones is unknown. As mentioned, to date, the Air Force has only confirmed that Sentinels are assigned to two units, the other being the 44th Reconnaissance Squadron. Both the 30th and 44th are assigned to the 432nd Wing at Creech Air Force Base in Nevada. Between 20 and 30 RQ-170s, in total, are understood to be in the Air Force’s inventory.

What three specific AORs the 30th Reconnaissance Squadron operated in during 2025 is also not known.

However, at least one, and possibly two, RQ-170s took part in the mission to capture Venezuelan dictator Nicolas Maduro in January of this year, as you can read more about here. It’s very likely that the Sentinels were tracking Maduro ahead of the operation. In December 2025, Air Forces Southern (AFSOUTH) had also made a post on X that included a picture of an individual wearing a name patch with the silhouette of Sentinel and the sleeve insignia of the 432nd Wing, prompting questions about whether the drones were operating in the region. The post was subsequently deleted.

Further in the past, RQ-170s are also known to have been deployed to the Middle East, Central Asia, and the Pacific. The Sentinel first emerged publicly in Afghanistan in the late 2000s, prompting the U.S. military to confirm its existence in 2009. Sentinels are notably understood to have surveilled Al Qaeda founder Osama Bin Laden’s compound in Pakistan in the lead-up to the raid that led to his death in May 2011.

Later in 2011, one of the drones infamously went down in Iran while presumed to be on a mission to monitor aspects of that country’s nuclear program. With that in mind, it is possible, if not extremely probable, that RQ-170s likely played a role in relation to the Operation Midnight Hammer strikes on Iranian nuclear sites last year. Sentinels could have provided direct surveillance over the sites in question, as well as collecting post-mission bomb damage assessments and other intelligence. These are exactly the kinds of missions the drones were designed for and that operators have trained for.

A satellite image available through Apple Maps, seen below, also shows an RQ-170 at Naval Air Station Sigonella in Italy, likely in the 2023-2024 timeframe, based on the state of construction visible elsewhere at the base. It is not known how many Sentinels were deployed to Sigonella and for how long. The Apple Maps image does lend some credence to earlier reports that these drones may have flown missions in the Black Sea region, gathering intelligence on Russian forces on the heavily defended, occupied Crimean Peninsula, between 2022 and 2023.

Overall, the RQ-170 does still appear to be a go-to for performing penetrating tactical reconnaissance missions, especially when there is a need to provide persistent surveillance in denied areas, resulting in extremely important intelligence collection.

Again, it is important to reiterate here that we do not know if the 30th Reconnaissance Squadron operates any other stealthy drones beyond the RQ-170, or has in the past. A very stealthy high-altitude, long-endurance (HALE) surveillance and reconnaissance drone commonly and unofficially referred to as the RQ-180, or an evolution thereof, burst into the public eye in March after it was spotted landing in broad daylight at a base in Greece. Much about the drone, including what units are involved in its operation and where the home base of the fleet is, as well as the reasons for its deployment to the region, has yet to emerge. It does seem unlikely that the 30th would have taken on operation of the RQ-180, which is a larger strategic reconnaissance-focused platform compared to the smaller, tactically-minded, and less exquisite RQ-170. This is also just one example of what could still be lurking in the classified realm.

Whether or not the awarding of the 2025 RPA Squadron of the Year trophy to the 30th Reconnaissance Squadron might now point to a new willingness to talk about that unit’s activities and/or the RQ-170 remains to be seen. Regardless, the award and its description are yet more reminders of just how important the Sentinel remains nearly two decades after it first appeared.

Contact the author: joe@twz.com

The 78th Primetime Emmy Awards saw a number of firsts: A first-time host, a first-time Emmy winner and the first to win two lead acting Emmys in a night. These notable achievements were coupled with moments of remembrance for legendary actors and creators, like Dolly Parton, Rob Reiner and Catherine O’Hara, among many others.

With Mariska Hargitay at the helm, the show ran at a quick pace without feeling rushed, giving room to winners to say their thanks in acceptance speeches while still having moments of fun in between. Here, our writers discuss some of the best moments of the ceremony. — Maira Garcia

Best moment of overdue recognition: Rhea Seehorn

Rhea Seehorn finally won an acting Emmy, an accolade that was long overdue.

(Robert Gauthier/Los Angeles Times)

If you appreciate Rhea Seehorn’s complex, subtle acting, her dynamic range and her deadpan humor, then you’ve probably found the Emmys to be maddening over the years. She famously wasn’t nominated for playing poker-faced attorney Kim Wexler on “Better Call Saul” until the show’s two-part final season. And she never won, not even for the raw, heartbreaking work she did in those last episodes. So seeing her win, finally, for her lead turn on “Pluribus” was thrilling, long overdue recognition that, given her history, made you wonder if it would ever come. Awards voters typically don’t appreciate nuanced acting, too often equating “best” with “most.” But Seehorn’s work on “Pluribus” was undeniable. Playing Carol Sturka, a sad woman forced to save the world from happiness and hive mind, Seehorn had the role of a lifetime and ran with it. This Emmy was a long time coming, and you could feel that when she choked up on stage accepting it. Her palpable joy thanking “Pluribus” creator Vince Gilligan, wiping away tears, is one reason why we keep watching the ceremony. — Glenn Whipp

Best double Emmy haul: Matthew Rhys

Matthew Rhys with his double Emmy haul for “The Beast in Me” and “Widow’s Bay.”

(Ronaldo Bolanos/Los Angeles Times)

It was the sort of epic night that might make life vest-wearing mayor Tom Loftis jolt from his boat seat in shock or compel the villainous real estate heir Nile Jarvis to scarf down a whole rotisserie chicken with a glint in his eye — Matthew Rhys, the actor who brought both characters to life on screen, won two Emmys during Monday’s ceremony.

In doing so, he achieved a feat no actor has accomplished in 78 editions of the Emmy Awards: he won two lead acting Emmys in the same night. He was recognized for lead actor in a limited series for his turn in Netflix’s psychological thriller “The Beast in Me,” where he played Nile equal parts charming and terrifying. Later, he took the stage to accept the lead comedy actor prize for his optimistic but skeptical take on a mayor of a small, haunted island town in Apple TV’s horror comedy “Widow’s Bay.”

Rhys didn’t react like his characters might have — instead, he thanked his homeland: “To the great and good people of Wales… we are a small but mighty nation!”) And he took in the moment being feted by his partner, Keri Russell, who hung on him with pride as he made his way back to the main seating area after his first win.

The double wins add to Rhys’s collection of gold across the acting categories. In 2018, he took home the prize for lead drama actor for “The Americans.” — Yvonne Villarreal

Best reaction to someone else winning: Martin Short

Martin Short, left, with his “Only Murders in the Building” co-star Steve Martin on the red carpet at the Emmys.

(Christina House/Los Angeles Times)

Rhys may have taken home lead actor Emmys for limited series and comedy series, but the award for best reaction belongs to Martin Short.

During Rhys’ acceptance speech for lead actor in a comedy, the camera briefly panned to Short, who was nominated for “Only Murders in the Building,” just in time to catch him ripping paper into pieces — presumably his speech — and throwing it on the floor in anger and disbelief.

It lasted only a few seconds, but Short took advantage of the moment.

The timing. The commitment. The expressive performance. Short’s full comedic arsenal was on display before the camera moved on. It was the kind of quick visual gag that was easy to miss, and plenty of people probably did. But for those who caught it, I hope it was worth the spit-take. I am certainly glad I had a napkin at hand.

Short may have lost the Emmy, but his comedic timing remains undefeated. Stay funny, Short. — Anthony Solorzano

Best emotional moment that emptied our tissue box: Michael J. Fox

Michael J. Fox received the Bob Hope Humanitarian Award for his work and advocacy on Parkinson’s disease.

(Robert Gauthier/Los Angeles Times)

In an Emmys telecast full of genuine emotion — Reba McEntire’s musical celebration of Dolly Parton, a heartbreaking In Memoriam segment that ended with Jamie Lee Curtis’ personal tribute to Rob Reiner — the most moving moments were claimed by Michael J. Fox, receiving the Bob Hope Humanitarian award.

Fox’s decades-long battle with Parkinson‘s disease, and for those who suffer from it, is well known, as is his refusal to let it define him or his career — he received his 19th Emmy nomination this year, for guest actor in “Shrinking.” But when he first came out on stage, in a wheelchair and classic black, he spoke first about his admiration for Bob Hope, a man whose tireless support of soldiers “and military families like mine” illuminated, for Fox, the necessity of showing up for others. “When it starts to get tough, you show up, you help, and if you add a little joy while you’re doing it, that’s so you know it’s even better.”

The utter silence of that room as he spoke, the admiration on all those famous faces said it all. Fox remains as he has long been — funny, sincere, wildly talented and one of the most courageous people many of us will ever know. — Mary McNamara

Best self-depricating host: Mariska Hargitay

Mariska Hargitay didn’t take herself too seriously as host, cracking a number of silly jokes throughout the night.

(Robert Gauthier/Los Angeles Times)

Host Mariska Hargitay was refreshingly lewd and charmingly self-deprecating as the first female host of the Emmys in 15 years.

By not taking herself too seriously, she set a laid-back tone for a high pressure show that for many nominees feels like a life or death moment.

Winning is not everything, Hargitay regularly reminded the crowd, with bits that grounded actors’ experience, like a clip from a 1984 B-horror film she starred in called, “Ghoulies,” which, as she explained to everyone, is a film, “where a monster pops out of a toilet.”

“Jamie Lee Curtis isn’t the only scream queen around here,” Hargitay quipped.

That joke came after an ongoing series of goofy, blue wisecracks, including one about “Law & Order” producer Dick Wolf, saying his real name was “Richard Penis;” that her “SVU” character, Olivia Benson, was “America’s sweetheart sex cop;” that aging fans who once loved and watched “Hannah Montana” would soon need “Hannah Mammogramas;” and an aside about her packed work schedule, noting that “Margo may have money troubles, but Mariska’s doing just fine.”

She ended the night with a mic drop by introducing Woody Harrelson and Matthew McConaughey as “my two favorite flavors of vape.” — Jessica Gelt

Best changes to a host’s hair: Hargitay and her hairstylist

A sampling of Mariska Hargitay’s hairstyles at the Emmy Awards.

(Robert Gauthier/Los Angeles Times)

Beach waves, bombshell, Targaryen-inspired twists, luscious locks and a tousled bob. Mariska Hargitay changed her hairstyle so many times throughout the Emmy Awards it was hard to keep track. One can only imagine the quick work happening backstage to get her hair coiffed amid costume changes. And one can only hope there was a wig wall somewhere inspired by Catherine O’Hara’s Moira Rose. The bombshell blowout was reportedly a tribute to her late mother, ‘50s starlet Jayne Mansfield — Hargitay took home two Emmys earlier this month for a documentary she directed about her. Her quick-turn tresses were yet another example of the first-time host’s infectious enthusiasm. — Brittany Levine Beckman

Best presenter who should host the next awards show: John Mulaney

John Mulaney introduced the award for lead actor in a drama series, but not before sending up men.

(Robert Gauthier/Los Angeles Times)

I’ll say it: I’m not sure how I feel about John Mulaney. I’ve waffled over the years. I used to love his work, then I found it tired, then I fell off the bandwagon altogether. So believe me when I tell you: I wasn’t sure how I’d feel about him presenting lead actor in a drama series. I wasn’t primed to like his speech. And yet.

He won me — I’m not necessarily a certified Mulaney hater, but certainly not a full-blooded Mulaney lover — over with a truly funny arpeggio of riffs about the mediocrity we accept from men and male actors. I was trepidatious, as was the live audience. (“This award is for the guys. Just men being men,” is a scary start.)

But then Mulaney rounded the curve with a tongue-in-cheek reference to the “Bluey” dad controversy and I sat up straighter. If the line, “some of the men in this category do method acting, and some do regular, less annoying acting” didn’t get me, then “they can play anything, these nominees, not just doctors — they can play a cop or an FBI agent or a secret agent, and then that’s it, no other examples,” certainly did. Don’t get me started on the DJ Khaled quote (I loved it).

Let this man host an awards show, as he is clearly trying to do. I recognize the game, and I respect it.

Also: a very honorable mention to Meg Stalter dressed as a literal Emmy statue. Meg, you are the only method actor I respect. — Laura Zornosa

Best Targaryen family reunion: Emma D’Arcy and Emilia Clarke

Emma D’Arcy and Emilia Clarke nodded to “Game of Thrones” before presenting the award for lead actress in a limited series or television movie .

(Robert Gauthier/Los Angeles Times)

One of the last things I ever expected to see on an awards show in 2026 is the Mother of Dragons speaking in High Valyrian on stage. So “Game of Thrones” star Emilia Clarke hitting the stage with “House of the Dragon’s” Emma D’Arcy to present the award for lead actress in a limited series or television movie was a pleasant surprise.

“In the ‘Game of Thrones’ universe, Emilia is my great-great-great-great-really-great granddaughter,” D’Arcy said. “And in honor of our shared Targaryen lineage, Emilia is going to address you in High Valyrian — our mother tongue — and I will translate.”

Clarke earned four Emmy nominations during “Game of Thrones’” run for portraying Daenerys Targaryen, one of the last surviving members of the family that long reigned over Westeros. D’Arcy, meanwhile, plays Rhaenyra Targaryen in “House of the Dragons,” which is set at a time when there are so many Targaryens that a war of succession became inevitable.

The Targaryen team-up was my favorite but it wasn’t the only name-based collaboration of the night. An earlier segment saw Olivia Benson, the fan-favorite “Law & Order: SVU” character played by Hargitay, share the screen with another Olivia Benson — Taylor Swift’s cat that is named after her. The cat made a surprise cameo along with the mega pop star in a pre-recorded segment about the likelihood of Swift appearing at the Emmys. — Tracy Brown

Best invitation to dinner at their house: Marcello Hernández

Marcello Hernández presented an award, but not before presenting some dinner invitations to a few people in the crowd.

(Robert Gauthier/Los Angeles Times)

When I saw “SNL’s” Marcello Hernández would be presenting at the Emmys, I knew it would be a special moment, and he didn’t let me down. The actor, who presented the award for directing for a comedy series, promptly made himself at home, shouting out, “Donde ‘tan los Latinos?” He then took the opportunity to say hello to a few fellow actors in the room.

“Very quickly, I would like to say hello to Harrison Ford,” he said, looking at the actor sitting in the audience, who gave an exasperated look and waved. “You are a legend and a real inspiration to me and I would like to invite you to have dinner at my house.”

The room erupted in laughter, but he wasn’t finished. He then extended an invitation to Zendaya and her partner, Tom Holland: “I want to say hi to Zendaya, you’re a beast and you’re amazing. And I saw you and I wanted to play it cool, and I decided I can’t do that. So I would like to invite you and Spider-Man to have dinner at my house.”

Then he proceeded to invite Oscar Isaac, the Guatemalan actor who utilizes his given name professionally, suggesting they might be related. “You are so good in ‘Beef’ and you are also Hernández, like I am. So we could be cousins, you never know. And I will see you at Christmas, I will cook you whatever you want.”

Lastly, he said a hello to Matthew McConaughey, and quoted his Cuban tía, who told him if he works very hard, he can hang out with “Matthew McCon-i-purse.” It was a light-hearted speech that spoke to anyone who suddenly finds themselves in a room wondering how they got there. — M.G.

As the fall equinox approached from a week away, the Primetime Emmy Awards made its 78th visit, leaving trophies in some hands, the honor of just being nominated for others and bupkes for the rest of the thousands who make what we call television. Once again I have been called to witness (from afar) and report, so let’s get down to it.

It was the turn of NBC (and Peacock) in the round robin of major networks who broadcast the show, and to keep things literally in-house it was hosted by Mariska Hargitay, “America’s sweetheart sex cop Olivia Benson” from the network’s “Law & Order: Special Victims Unit” and broadcast from the Peacock Theater, formerly the Microsoft Theater, formerly the Nokia in #DTLA, formerly downtown Los Angeles.

When reviewing the Emmys, or any awards show, as television in its own right, the only real questions are what distinguishes it from its many previous appearances on the karmic wheel of life — how it tricks up the basic, immutable form, like different decorations on the same sugar cookie recipe you have been using forever. Anything unexpectedly or especially moving, rousing, funny or strange, things that go against the grain of a production that wants to keep things controlled in order to bring the ship in on time.

This year the critic has been given the gift of Hargitay, primarily a serious actor (and director and producer), following in a long line of comedians and comic actors. There have been other serious actors as host, for example, Raymond Burr in 1959, Tom Selleck in 1984 and Angela Lansbury in 1993. And certainly, if you’re looking for someone to represent the medium rather than merely to comment on, celebrate or joke about it, you could do no better than Hargitay, the longest-serving actor on the longest-running prime-time live-action series on American TV. She’s beautiful, glamorous, self-possessed. She was recently on Broadway in “Every Brilliant Thing,” which involved a degree of what comedians call “crowd work,” so standing up in front of a live audience of people no more famous than she wasn’t going to throw her. Professional comedian Nate Bargatze, who hosted last year, was much more of a dark horse.

Emmys host Mariska Hargitay with singer Taylor Swift and her cat Olivia Benson on screen during a skit the 78th Primetime Emmy Awards.

(Patrick T. Fallon / AFP via Getty Images)

Although I would have bet on a pre-filmed “Special Victims Unit” routine to open the show, which is why I’m not a gambler, it wasn’t until an hour in that it appeared. (It involved murder-style boards, concerning the Case of Whether Taylor Swift would be making an appearance; she did, in the bit.) The pre-filmed production number that did open the show began with Hargitay and her actual good friend New York Knick Jalen Brunson steaming their clothes when Hargitay suddenly realizes she is due across the country to host the show. This led to Joan Jett’s “I Love Rock ’N Roll” reconceptualized as “I Love TV Screens,” which included the “Widow’s Bay” sea hag revealed to be Jennifer Coolidge, bringing boba tea (rhymes with “TV”); other rhymes matched “eating beef” and “watching ‘Beef’” and “Ed Gein” and “mean.” It moved to the live stage, with Hargitay flanked by dancers with television heads. Both segments felt more effortful than funny, but not unfunny.

On her own, however, Hargitay was above all a woman having a good time, never less than likable and game and enthusiastic, managing the scripted patter as well as anyone might have. Her monologue included several jokes about age, one about “L&O” producer Dick Wolf’s real name (Richard Penis), and another about her inability to pronounce “finale” because she’d never been in one. As is practically an Emmys tradition, some of these were confusing (even to the people performing it), or went on too long (Nick Offerman, cornered at his table, describing his work as an erotic house painter), or just had the effect of having been put on their feet without much, if any, rehearsal. Presenting the final award, for outstanding comedy, Woody Harrelson and Matthew McConaughey, told to stretch — the show was actually running short — described the plot of their upcoming Apple series, “Brothers,” until they were allowed to move on.

As to what the Television Academy calls “creative elements,” everything that isn’t a presentation or a speech, they advertised tributes to the 30th anniversary of “Buffy the Vampire Slayer,” certainly a typo, and the 50th of “Charlie’s Angels,” a logical impossibility, but these were really just themed groupings of presenters — Sarah Michelle Gellar and David Boreanaz in the former, Kate Jackson, Cheryl Ladd and Jaclyn Smith in the latter. (The Angels managed a few words for Farrah Fawcett, but none for Shelley Hack, Tanya Roberts or David Doyle.) But there were full tributes to Dolly Parton (Sally Field enthused, Reba McEntire sang); to James Burrows, with Jamie Lee Curtis pivoting emotionally to talk about old friend Rob Reiner, who won a posthumous guest appearance Emmy this year for “The Bear”; and to Catherine O’Hara, with her “Home Alone” child Macaulay Culkin and “Schitt’s Creek” children Annie Murphy and Dan Levy, who spoke to “helping her build a TV character over the age of 60 that wears leather miniskirts and eight-inch heels and speaks in a strange, sometimes unintelligible transatlantic accent, and know that she will not scare an audience away.”

And there was Julianna Margulies presenting the Bob Hope Humanitarian Award to Michael J. Fox, who, in his usual way, was eloquent and funny, and let the people know about the goodness of Bob Hope, setting up a punchline in the bargain. Like a lot of you, I love Michael J. Fox, and I’m just going to leave that here, with a pile of soaked-through tissues.

John Mulaney stole the show as a presenter at the 78th Emmy Awards ceremony at the Peacock Theater in Los Angeles.

(Robert Gauthier / Los Angeles Times)

But what America will mostly remember from this night was John Mulaney, introducing the award for lead actor in a drama, and burning the house down with a routine that went wherever it wanted. “They can play anything, these nominees. Not just doctors. They can play a cop or an FBI agent or a secret agent. And then that’s it. No other examples.”

“Since the creation of television, men have been historically underrepresented,” Mulaney said, explaining that the medium was all “beauty contests and children talking to hand puppets until the early ’60s. Until a man walked out and said, ‘Enough. My name is Fonzie and the president’s been shot.’” Mulaney is a man who has convulsed crowds in arenas and stadiums, but, as a local, nothing made me laugh harder than the words, “You know, I was shooting down Barham last night at 90 miles an hour.”

Nothing against Hargitay, but it’s clear that Mulaney should host this show, and every awards show, from now on.

VENICE, Italy: “Woman Unknown,” a drama about Denmark in the aftermath of the Nazi occupation directed by May el-Toukhy, won the prestigious Golden Lion at the 83rd Venice Film Festival on Saturday.

The Maggie Gyllenhaal -led jury announced the winners, which included a best actor prize for John Malkovich for his performance in the dark CIA comedy “Wild Horse Nine.”

Malkovich was not in attendance at the ceremony, but he sent a video message, explaining that he is shooting in Montreal.

“I am humbled to be chosen for this award which has been given to so many wonderful actors,” Malkovich said.

Only 8 women have won a Golden Lion

El-Toukhy, who was the only woman to have solely directed a film in the main competition this year, is the eighth woman to have won the festival’s top prize.

“To me personally, ‘Woman Unknown’ is about the female body as a battleground,” el-Toukhy said. “At the same time the film tells the tale of women who are unseen, invisible and voiceless.”

She thanked Gyllenhaal for using her voice to shine a light on unequal opportunities for women in moviemaking.

The film, which does not yet have distribution in North America, is centered on a young nanny and housemaid who is about to marry her wealthy employer in the immediate aftermath of the war. But she harbors a secret past intimate relationship with a German soldier that threatens to upend her reputation. The lead, Mathilde Arcel, won the festival’s best actress prize.

Arcel was visibly emotional as she accepted the award, which she placed on the floor as she spoke as she said it was very heavy.

“This is my first lead role in a movie and my first time at a film festival,” she said. “I’m extremely honored.”

South Korean auteur Lee Chang-dong’s poetic portrait of class and labor, “Possible Love,” won the Silver Lion grand jury prize. “Possible Love” is Lee’s first film in eight years, following his acclaimed “Burning.”

“We are living in an era where the meaning of labor is fading and human connections are increasingly becoming severed,” Lee said through a translator. “I made this film to ask what cinema can and should do in times like these. I take this award as a sign that you want me to keep asking these questions.”

Gaza documentary takes special jury prize

“NAZA,” a harrowing documentary about military strategies employed in the war in Gaza from Israeli filmmakers Yuval Abraham and Rachel Szor, was awarded a special jury prize.

“It’s honestly not very easy to stand here, thinking of all the people, the Israeli politicians, the journalists back home who are attacking this film, denying it without even seeing it,” Abraham said. “It is really, really especially important to us that Israelis watch this film.”

The was added to the main competition late — at the request of the filmmakers — and debuted late in the schedule as well, but its impact was felt as it received a record-breaking standing ovation, lasting some 25 minutes, after its premiere.

Shot on the rooftops of Tel Aviv at night in extreme secrecy over three years, “NAZA” features testimony from 24 Israeli military insiders including intelligence officers and soldiers give who insight into the war in Gaza and what they say is the systemic killing of Palestinian civilians.

The jury gave the Silver Lion for directing to Ilya Krzhanovsky for his film “Dau,” a project about the Soviet physicists who built the atomic bomb that has taken over 20 years to make. Krzhanovsky, who renounced his Russian citizenship in protest of the war in Ukraine, dedicated the prize to Ukrainians, including his mother who was born there.

French director Stéphane Brizé’s won the screenplay prize for his corporate drama “A Good Little Soldier.” Malou Khebizi was given the Marcello Mastroianni award for emerging actor for her role in Cédric Kahn’s “A Place to Heal,” which is set in an adolescent psychiatric ward in a public hospital.

The jury this year included “The Voice of Hind Rajab” director Kaouther Ben Hania, English composer Daniel Blumberg, French filmmaker Xavier Giannoli, Afghan filmmaker Shahrbanoo Sadat and Hong Kong filmmaker Johnnie To.

Malkovich’s Oscar chances just went up

Aside from Malkovich’s win, the starrier, Hollywood films playing in competition were shut out of the awards, including “Primetime,” “Bunker” and “Ink.”

Some look to the Venice Film Festival awards for early indications of who might be in with a shot at Oscar nominations and wins. In recent years, Venice has launched winning best actor campaigns for people like Brendan Fraser and Adrien Brody.

Malkovich has yet to win an Oscar.

U2 will be honored as the 2027 MusiCares Persons of the Year, the Recording Academy announced Thursday, half a century after the four members of the Irish rock band met as high school students in Dublin in 1976.

The award, which recognizes an act’s philanthropy and cultural impact and comes with an all-star tribute concert typically held two nights before the annual Grammy Awards, will be presented to the group’s Bono, the Edge, Adam Clayton and Larry Mullen Jr. at the Peacock Theater in downtown Los Angeles on Feb. 5.

In a statement, MusiCares Executive Director Theresa Wolters hailed the band’s work on issues “spanning global health, disaster response, addiction recovery, mental health and access to music education” and said that what “resonates so strongly” with the Recording Academy’s charitable arm is the members’ “belief that success in music comes with an opportunity to care for the people around you.”

Added Harvey Mason Jr., the academy’s CEO: “Not only has their music defined generations, but they’ve been equally exemplary in their dedication to humanitarian work and using their platform for good.”

The statement quoted the members of U2 as saying they’re “huge fans of MusiCares and the lifelines they provide across the incredible pool of talent that is the music industry. We’ve been recording and touring for 50 years because of that pool, from producers and engineers to carpenters and riggers.” The band said they are “very excited to be in the front row of our first ever U2 gig,” adding, “We know we’re gonna be outplayed.”

In late January, Mariah Carey received the MusiCares award at a gala that featured performances by Foo Fighters, Jennifer Hudson, Teddy Swims, Busta Rhymes, Laufey, Jon Batiste and Charlie Puth. Previous honorees include Joni Mitchell, Dolly Parton, Lionel Richie, Bob Dylan and Barbra Streisand; Bono was previously named Person of the Year on his own in 2003.

U2’s recognition comes in the wake of a much-discussed residency at Sphere in Las Vegas, where the band looked back at its 1991 album “Achtung Baby” in a high-tech multimedia presentation. In July, the group released “Street of Dreams,” the lead single from a studio album due out later this year.

The National Television Awards are back for 2026 and every year, the biggest TV talent takes on one another to win the top prizes in the coveted categories

The National Television Awards are back – and the winners are being revealed.

The big award ceremony is back, with Joel Dommett hosting for a sixth year in a row. Every year, he rubs shoulders with national treasures, such as Ian McKellen, and ahead of the ceremony, he told The Mirror that “just to be part of that is really cool”.

“There was a moment where I was still on stage with Ian McKellen for seven minutes, watching the VTs,” he told us, “I was just panting, because I was running around before, but then I was watching the VTs with Ian, who was presenting an award next. We had a nice little chat and I loved that moment because he’s someone you would never meet in real life.”

The ceremony made a number of changes this year, including a new category called Best Reality Docuseries. It will see At Home With The Furys take on Clarkson’s Farm and Stacey & Joe as well as Fletchers’ Family Farm, in which Emmerdale actor Kelvin Fletcher turns to rural life, and fishing programme led by comedians Bob Mortimer and Paul Whitehouse – Mortimer & Whitehouse: Gone Fishing.

The NTAs are also celebrating their first all-female drama performance shortlist – with Gavin And Stacey star Ruth Jones to compete with Ella Bruccoleri, Judy Parfitt, Sheridan Smith and Vicky McClure for the prize.

Winners so far are as follows:

The Bruce Forsyth Entertainment Award

WINNER: Michael McIntyre’s Big Show

New Drama

WINNER: I Fought The Law

Factual Entertainment

WINNER: Gogglebox

Reality Docuseries

WINNER: Clarkson’s Farm

Serial Drama Performance

WINNER: Jeff Hordley as Cain Dingle – Emmerdale

Watch The National Television Awards 2026 live on Tuesday 8 September from 8pm on ITV1 and ITVX

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