award

NELLY Furtado has silenced body shamers in a curve-hugging strapless red gown, as she was honored with a Hall of Fame award.

The iconic singer, 47, has faced cruel comments about her figure since her return to the spotlight, but defied the haters to accept the coveted achievement.

Nelly looked stunning in her dress, as she was inducted into the Canadian Music Hall of Fame at the 2026 Juno Awards.

The stunning star oozed sex appeal in the incredible dress as she collected her gong.

The Grammy Award winning artist wore her brown locks tied back, and she accessorised with huge earrings.

Nelly beamed and threw her arms in the air as she walked on stage to be inducted into her native country’s Hall of Fame.

Addressing the audience, the thrilled star said: “Honestly, I’m just really proud to be Canadian. I live in Canada.

“I make my music in Canada.

“I work with Canadian musicians, songwriters, producers because I totally believe in the Canadian dream.

“Please believe it, too.”

It comes after Nelly revealed how she was retiring from performing, after 25 years in the spotlight.

Taking to Instagram last October, the Grammy winner made an emotional post expressing gratitude for her career but that she felt it was time for a change.

Addressing fans, Nelly said: “I have decided to step away from performance for the foreseeable future and pursue some other creative and personal endeavours that I feel would better suit this next phase of my life.

“I have enjoyed my career immensely, and I still love writing music as I have always seen it as a hobby I was lucky enough to make into a career.

“I’ll identify as a songwriter forever.”

Nelly shot to fame in 2000 with her debut album Whoa, Nelly!.

The record was a huge success and spawned the single I’m Like A Bird which went was played on radio stations around the world.

The star is also well known for her song Promiscuous as well as her collaboration with singer James Morrison on Broken Strings.

Another huge hit for Nelly was her chart topping song Maneater.

Shohei Ohtani’s three straight strikeouts in the fourth inning of his final spring start Tuesday featured a different putaway pitch for each.

He got Angels slugger Jorge Soler to whiff on a sweeper. Jeimer Candelario went down on a curveball. And Jo Adell struck out on a fastball.

“Just shows the confidence he has and different ways he had to attack guys, to get ahead and also put guys away,” manager Dave Roberts said after the Dodgers’ 3-0 loss to the Angels in the Freeway Series finale. “And today the feel was really good, even better than the first outing.”

Pretty much everything was clicking for Ohtani heading into the regular season, even though it was only his second spring training start on the mound. Ohtani recorded 11 strikeouts in four-plus innings. He held the Angels to four hits, three of which were consecutive singles in the fifth, and was charged with three runs, all scored in the fifth.

For the first time in three years, Ohtani is set to begin the season as a fully healthy pitcher. And it will be the Dodgers’ first time managing his two-way schedule all year. Limited the last two seasons by his recovery and build-up from elbow surgery, Ohtani last made 20-plus starts in 2023 with the Angels.

“The desire is high,” Roberts said when asked about Ohtani’s aim to pitch wall to wall. “I think it’s realistic. Then the bigger question is, how are we going to manage that and navigate it?”

Thinking through the plan going into the season, Roberts floated the idea of giving Ohtani a little extra rest between starts. Dodgers starters are already on a six- to seven-day rotation. But a six-man starting pitching group gives the team flexibility as they map out their pitching plan.

“My intent is to be in the rotation under normal rest, normal circumstances,” Ohtani said through interpreter Will Ireton last week in Arizona. “Now if management thinks that I need extra rest, I’ll take it. But I’ll let management handle that. Just looking at our roster, we have a lot of pitchers. It doesn’t hurt to rest more.”

Ohtani’s in-game limits, after a build-up slowed by his participation in the World Baseball Classic as a position player, will be adjusted before each start. But his Freeway Series outing Tuesday set him up well. He stretched out to 86 pitches.

“When you’re talking about the first game of the season, could he get through six innings? Could he touch the seventh? Yes,” Roberts said Tuesday afternoon. “But he won’t touch the eighth inning. So there’s got to be some responsibility as far as how we manage him.”

When it comes to awards, Ohtani is going after a third World Series title. But his trophy case is well stocked with individual accolades too. He’s won four MVPs, five All-Star selections, four Silver Sluggers and a Rookie of the Year award.

The Cy Young, however, has remained elusive. He came close in 2022, when a 2.33 ERA and league-leading 11.9 strikeouts per nine innings earned him a fourth-place finish in the American League. It was the only time in his career that he crossed the 25-start threshold, with 28.

“I would never want to sacrifice our chance of winning and performing in the postseason,” Ohtani said. “So I think that’s really the No. 1 goal in my mind. Just because I want to try to win the Cy Young and throw more innings, that’s not necessarily the priority over winning a championship. So with that being said, if there’s a situation where there’s some injuries and I do have to pitch on shorter rest, I’m happy to do so.”

Would showing that he can make regular starts all year automatically put him in the Cy Young conversation?

“Oh yeah,” Roberts said. “Because of just talent, ability, will. If he does that, he’ll be in the conversation, absolutely. I have no doubt about that.”

Of course, besides reigning NL Cy Young winner Paul Skenes, Ohtani would also be competing for the award with his own teammate, Yoshinobu Yamamoto, who enters the season with the edge.

If Ohtani continues to pitch like he did on Tuesday, while building up the rest of the way, he and the Dodgers will be in good shape.

“It was another good one for him,” Roberts said, “and he’ll be ready to go.”

Morocco were awarded the 2025 AFCON title following an appeal to CAF regarding Senegal’s walk-off protest in final.

Senegal ‌have condemned the decision to strip them of the Africa Cup of Nations (AFCON) title, labelling ⁠it “unfair, unprecedented, and unacceptable”, ⁠and saying it casts a shadow over African football.

“The Senegalese Football Federation denounces this unfair, unprecedented, and unacceptable decision, which casts a shadow over African football,” it said ⁠in a statement on Wednesday.

“To defend its rights and the interests of ⁠Senegalese football, the federation will initiate an appeal as soon as possible before the Court of Arbitration for Sport in Lausanne,” it said.

Morocco were declared African champions on Tuesday after the Confederation of African Football’s (CAF’s) Appeals Board upheld their protest and ⁠found Senegal’s walk-off protest during the final on January 18 were grounds for them to be disqualified and the match result declared 3-0 in favour of the hosts.

Senegal won the final 1-0 in Rabat ⁠with an extra-time goal, but not before staging a 14-minute walk-off after a penalty was awarded against them in stoppage time at the end of the regulation 90 minutes.

The protest was instigated by coach Papa Bouna Thiaw, subsequently handed a lengthy ban, and saw Senegal’s veteran striker Sadio Mane emerge as a hero ‌as he attempted to get his teammates back onto the field.

Once Senegal returned to the pitch, the referee allowed play to continue with Morocco squandering the last-gasp penalty, and the encounter then went to extra time, with midfielder Pape Gueye netting the 94th-minute winner.

However, the Appeals Board said that by walking off, Senegal contravened tournament regulations and forfeited the game.

The Swiss-based Court of Arbitration for Sport (CAS) had to intervene in 2019 when Moroccan club Wydad Casablanca walked off in the second leg of ⁠the African Champions League final, also protesting against VAR.

In that case, they refused to play on, and the referee declared opponents Esperance winners, ⁠but CAF’s executive committee then surprisingly ordered a replay. Esperance took ⁠the matter to CAS and were declared champions, with CAF embarrassingly rebuked for attempting to override the referee’s decision.

The decision by Congolese referee Jean-Jacques Ndala to continue with the AFCON final in January, rather than stop it and declare Morocco ‌winners after Senegal’s walk-off, will likely feature strongly in any arguments for a reinstatement of Senegal as champions.

The Laws of the Game state the referee’s decision is final.

“No one could have imagined such ‌a ‌statement two months after the final,” said veteran coach Claude Le Roy, who managed Senegal between 1988 and 1992.

“For years, all the refereeing decisions have been flouted by the CAF,” he said on French television.

OSCARS viewers were left stunned when two winners were announced for one category – a rare occurrence in the awards show’s history.

Fans at home shared their confusion when two nominees nabbed the win for Live Action Short Film at the 98th annual ceremony.

Comedian and actor Kumail Nanjiani presented the award on Sunday at the Dolby Theatre in Los Angeles, where he announced the unexpected outcome.

Before revealing the winner in the prestigious category, the actor warned that two names would be called, and that it indeed wasn’t a mistake.

He explained that both recipients would come onstage separately to accept their awards and give their speeches.

The Singers was the first announced, followed by Two People Exchanging Saliva, which experienced an awkward blunder when the spotlight went dark, cutting off the winners’ mid-speech.

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After a few moments of silence and a perplexed reaction from host Conan O’Brien, the spotlight turned back on, and they resumed their speech.

Social media erupted with confusion among fans over whether it was normal to have two winners in one category.

“Today I learned that a tie at the Oscars is actually possible. I didn’t know that was a thing. Who knew?!” one viewer wrote on X.

“So far this #Oscars, we’ve got endless roasts about opera and ballet, an unusual amount of AI comments, and even an award that resulted in a tie… which I didn’t know was a thing (it’s only happened seven times in 98 years),” another said.

“A tie in 2026 is crazy,” a third reacted.

“We just had a tie in the #Oscars for best short film. I never knew that was a thing!” a fourth added.

There have only been six other times when a tie has occurred at the Academy Awards.

The first tie occurred at the 5th annual ceremony in 1932 when Fredric March (Dr. Jekyll and Mr. Hyde) and Wallace Beery (The Champ) both won the Best Actor award.

Technically, Fredric won by one vote over Wallace, but at the time, the rules stated that anyone within three votes of the winner would receive the award.

Today, ties only happen when two nominees receive the exact same number of votes.

A tie happened again in 1950 in the Best Documentary Short category, in which So Much for So Little and A Chance to Live both were awarded the trophy.

Who won on Hollywood’s biggest night?

One Battle After Another ran away with the night with six Oscars, while Sinners, which was nominated for a record-breaking 16 awards, came away with four. See the full winners list below:

Best Picture: One Battle After Another

Best Actress: Jessie Buckley, Hamnet

Best Actor: Michael B. Jordan, Sinners

Supporting Actress: Amy Madigan, Weapons

Supporting Actor: Sean Penn, One Battle After Another

Directing: One Battle After Another, Paul Thomas Anderson

Adapted Screenplay: One Battle After Another, Paul Thomas Anderson

Original Screenplay: Sinners, Ryan Coogler

Documentary Feature: Mr. Nobody Against Putin

Documentary Short: All the Empty Rooms

Animated Feature: KPop Demon Hunters

Animated Short: The Girl Who Cried Pearls

Cinematography: Sinners, Autumn Durald Arkapaw

Costume Design: Frankenstein, Kate Hawley

Film Editing: One Battle After Another, Andy Jurgensen

International Feature: Sentimental Value – Norway

Life Action Short: 

The Singers (TIED)

Two People Exchanging Saliva (TIED)

Makeup and Hairstyling: Frankenstein, Mike Hill, Jordan Samuel and Cliona Furey

Original Score: Sinners, Ludwig Goransson

Original Song: Golden, KPop Demon Hunters

Production Design: Frankenstein, Tamara Deverell and Shane Vieau

Sound: F1, Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo and Juan Peralta

Visual Effects: Avatar: Fire and Ash, Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

Casting: One Battle After Another, Cassandra Kulukundis

This was the case in 1969 when Katharine Hepburn (The Lion in Winter) and Barbra Streisand (Funny Girl) both received the Best Actress honor.

The fourth tie occurred in 1987 when the award for Best Documentary (Feature) went to Artie Shaw: Time Is All You’ve Got and Down and Out in America.

It wasn’t until 1995 that another tie was called in the Best Live-Action Short Film category, with the statue going to Trevor and Franz Kafka’s It’s a Wonderful Life.

The last instance was in 2013 when the Sound Editing category had two Oscar winners: Zero Dark Thirty (Paul N. J. Ottosson) and Skyfall (Per Hallberg and Karen Baker Landers).

THE OSCARS is back for another year, and will see the crème de la crème of Hollywood clamouring to snatch one of those famous golden statues.

But despite the prestigious nature of the Academy Awards, they don’t always guarantee an A-list life forever in Tinseltown – as these past winners have found out…

Mo’Nique

Let’s kick off our look at forgotten Oscar winners with Mo’Nique, who claimed she was “blacklisted” after her win at the Academy Awards.

When she won the Oscar for Best Supporting Actress in 2010 for her performance in Precious it was her acceptance speech that got people talking, which began: “First, I would like to thank the Academy for showing that it can be about the performance and not the politics.”

Mo’Nique was referring to a fallout which started long before the Oscars.

It came when she refused to travel the world to promote the film – against the advisement of director Lee Daniels and producers Tyler Perry and Oprah Winfrey – despite the movie having “Oscar buzz”.

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Following this fallout, Mo’Nique declined to thank filmmaker Lee during her acceptance speech, leading to a HUGE Hollywood feud – during which the actress alleged that he had “blackballed” her from the industry.

And shortly after winning the coveted statue she practically vanished from Tinseltown.

The star has since reflected on being a victim of so-called “Oscarscurse” – where stars suffer bad luck in their career after winning an Academy Award.

Speaking to CNN in 2020, Mo’Nique said: “I believe winning that Oscar award, just as Hattie McDaniel, she said, ‘I felt like I was cursed instead of winning something that should be congratulated’.

“That award was something that I did not ask for, but because I didn’t respond the way people thought that I should have responded, as Lee Daniels said, I was blackballed.”

Mercedes Ruehl

At the 1992 Oscars, Mercedes Ruehl was having the time of her life after scooping the Best Supporting Actress gong.

Despite her movie The Fisher King being led by Hollywood heavyweights Robin Williams and Jeff Bridges, Mercedes was the one who took home that coveted gold statue.

But even though she won such a huge award, the movie roles failed to pour in after her night of glory and the actress “vanished” from Hollywood.

Reflecting on the “curse” of winning such a top prize, she told the HuffPost: “It’s hard to get a job after that.

“People think you want more money.”

Instead, Mercedes returned to the stage and went on to win a Tony award the same year as her Oscar – she has remained a fixture of Broadway ever since.

Harold Russell

Harold Russell’s Oscars tale is very different to the others.

The late star lost both his hands in World War II and had them replaced by hooks.

Harold had never acted before when he played the role of Homer Parrish in The Best Years of Our Lives in 1946.

He was cast after the director of the film saw him in Diary of a Sergeant, an Army film about rehabilitating war veterans.

Despite his lack of acting experience, Harold proved to be a huge hit in The Best of Our Lives, and he won not one, but TWO Oscars for his role.

At the 1947 Academy Awards he was awarded the Best Supporting Actor and a special Honorary Academy Award for bringing hope and courage to fellow veterans.

Harold was also the first non-professional actor to ever win an Oscar.

But despite all this glory, he took a step back from acting and didn’t appear in another film until 1980.

Instead, he decided to get a business degree and devoted his life to charity.

Speaking about why he didn’t continue his Hollywood career, he told the Los Angeles Times in 1996: “Wyler (the director) told me I should go back to college because there wasn’t much call for a guy with no hands in the motion picture industry.

“I figured he was right. [In the handful of roles I’ve taken since then,] I always play a disabled veteran.

“And this is what Wyler said, ‘After a while they’re going to run out of ideas’—and he was absolutely right. How many times can you play the same role?”

Harold died in 2002 at the age of 88.

Roberto Benigni

Next up we have Italian actor Roberto Benigni, whose double Oscar win in 1999 caused quite a reaction.

The star won two gongs for the foreign film La Vita è Bella (Life is Beautiful), taking home the statues for Best Actor and Best International Feature Film – as he directed the movie too.

The film was the first non-English speaking picture to win the Best Actor award.

But Roberto, who was up against Tom Hanks, Ian McKellen, Nick Nolte and Ed Norton for the award, faced a huge backlash for his “over the top” reaction to winning the coveted gong.

He was seen climbing over audience seats to accept the award, which was slammed as being “chaotic”.

Roberto was also criticised for his “disingenuous” acceptance speech, where he appeared to make light of winning such a huge award.

“This is a terrible mistake. I used up all my English!” he joked, upon being handed the award.

Despite his big win, the actor retreated back to his native-Italy to make films instead of in Hollywood.

Speaking about life as a two-time Oscar winner, Roberto once told The Guardian: “The most important thing is to continue to be yourself.

“The day after the Oscars, you have to get on with your life. To be honest and true to yourself. I could have made a small film and kept all the money from Life is Beautiful. Instead, I spent more money than I had on Pinocchio, a very risky film.”

The actor is referring to his 2002 movie Pinocchio, which was only released in Italy and received mixed reviews from critics, with one calling it “the worst movie ever made”.

Marcia Gay Harden

Marcia Gay Harden beat the odds to scoop the Best Supporting Actress award for Pollack in 2000.

The actress was up against massive stars including Judi Dench, Kate Hudson, Frances McDormand and Julie Walters, so her win was the HUGE surprise of the night that everyone was talking about.

Critics were also shocked that Marcia won the Oscar as she hadn’t been nominated for any other major award in the run-up to the ceremony.

Despite the actress’s huge win, her movie career stalled and she headed back to the small screen.

Reflecting on being a victim of the “Oscar curse”, Marcia once told the LA Times: “It’s disastrous on a professional level.

“Suddenly the parts you’re offered and the money become smaller. There’s no logic to it.”

Mira Sorvino

Mira Sorvino

Fans of the quirky movie Romy and Michele’s High School Reunion may be surprised to know that the film’s co-leading actress, Mira Sorvino, actually won an Oscar before starring in the cult classic movie.

A few years before, the actress won a huge amount of praise when she played a prostitute in Woody Allen’s Mighty Aphrodite.

She wowed so much, she scooped the Academy Award for Best Supporting Actress in 1996 for the role.

Despite going on to star in Romy and Michele’s High School Reunion the following year, the movie roles after that failed to pour in and she has switched her focus to TV.

Marisa Tomei

Last but not least, we have Marisa Tomei.

It may come as a surprise to film fans to find out that the actress won an Oscar in 1993 – but that is nothing compared to what happened on the actual night.

Shockwaves went through the prestigious ceremony when the relatively-unknown actress at the time scooped the gong for Best Supporting Actress, beating veteran stars like Joan Plowright and Vanessa Redgrave.

But it didn’t stop there, as poor Marisa, who won the award for her role in My Cousin Vinny, faced rumours that she had been given the Oscar “by mistake”.

Vicious gossip began to circulate that suggested that presenter Jack Palance had misread the envelope and mistakenly given the Oscar to Marisa instead of “its rightful owner”, Vanessa.

However, the Academy addressed the conspiracy theory and denied that she had been given it by “mistake.”

Speaking about the cruel rumour, Marisa once said: “That was really hurtful at first.”

Despite the fall out from her Oscar three decades ago, she has been nominated for two more since.

These days Marisa is best known for playing Spider-Man‘s mum in the famous franchise.

It is based on a true story but some find it difficult to watch

An award winning and 100% rated drama that ended up causing controversy at the BAFTA ceremony has just been added to Netflix.

I Swear has just been included on the streamer’s extensive library as of today (March 10). Originally released in cinemas for a limited run just last year, the title tells the true life story of John Davidson, who grew up with Tourette syndrome in 1980s Scotland.

According to the synopsis, he was diagnosed at just 15 and was targeted as ‘insane’ by his peers. The film shows how he struggled with a condition few had witnessed.

He eventually becomes a campaigner to increase public awareness and fighting for acceptance of the condition of Tourette’s as an adult. He finds his life’s purpose and accepted his MBE from the Queen in 2019.

While the film is a dramatised version of John’s life, he has appeared in documentaries before. He starred in a BBC film back in 1988 and a documentary released in 2009 called I Swear I Can’t Help It.

The biopic was welcomed with overwhelmingly positive reviews by critics upon its release. So much so that it boasts a perfect 100% rating on website Rotten Tomatoes.

However, more recently the film’s subject was attached with some controversy. While leading man Robert Aramayo picked up the BAFTA for Best Actor thanks to his performance, it was not the most talked about event of the night.

The subject of the film John Davidson was also in attendance on the night. His presence became apparent by those watching along from home at first as they heard some shouting during the show.

Actor and host of The Traitors US Alan Cumming was presenting and he asked for patience from the audience at the time. He told them during the show: “You may have noticed some strong language in the background. This can be part of how Tourette’s syndrome shows up for some people as the film explores that experience. Thanks for your understanding and helping create a respectful space for everyone.”

However, in one instance, while actors Michael B Jordan and Delroy Lindo were on the stage, a racial slur was shouted out by John and included on the BBC’s broadcast. It eventually lead to the stream of the awards ceremony being removed from the iPlayer.

In an interview after the Baftas, Davidson has said the BBC should have “worked harder to prevent anything that I said” being broadcast. He added that he shouted about 10 different offensive words during Sunday’s ceremony as a result of his tics.

Some have argued that the incident only highlights the importance of the film itself. As one person posted online: “I Swear is an audacious biopic that has no issues tackling the roots of a serious topic, and its dedication to that task does lead to some scenes that will certainly be upsetting to some viewers.”

Another added: “Robert Aramayo delivers a fearless, deeply human performance in this compassionate biopic. I Swear balances humour and heartbreak while shedding light on Tourette syndrome, reminding us how much empathy society still owes.”

While a third commented: “Honestly I left the cinema seriously thinking if I’d ever seen a better movie! It’s so perfect from the casting to the time jumps. It’s a beautiful written story that really captures the essence of what it is to be different and how hard it must be to live with Tourette’s. Several goosebumps moments with a lot of humour!”

Someone else said: “This is a fabulous film which made me laugh and cry in equal measure. It captured the difficulties and complexities of living with Tourette’s syndrome with a startling level of authenticity. The acting was superb and I came out realising that I’d seen something very special. I’ll be thinking about it for weeks.”

I Swear is streaming on Netflix.

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