Arts

Christmas is behind us, and the New Year is bearing down on us with alarming speed. It’s hard to believe that it has been almost a full year since the devastating fires erupted in Altadena and the Pacific Palisades, sending many of us, our neighbors and friends fleeing to far corners of the state to escape the flames and smoke.

That tragic week marked the beginning of 2025 and the dawn of the second Trump term, ushering in a year that would challenge us in more ways than could have been imagined at the end of 2024.

As I look back on all the stories that The Times’ arts team covered over the last 12 months, it’s notable that the fires and Trump’s effect on the arts dominated the top of the most-read list. But there were also joyful stories about the people, shows and trends that shaped the cultural narrative of the endlessly surprising mid-2020s.

Without further ado, here are the top 10 most-read arts stories of 2025.

1. “Inside the dash to save the Getty Villa from the Palisades fire” chronicled a timeline of how Getty staff worked to face down the flames as they came perilously close to the beloved museum and its priceless treasures.

2. “The architecturally significant houses destroyed in L.A.’s fires” cataloged the irreplaceable loss of treasured historic structures including Will Rogers’ home in the Palisades and the Zane Grey estate in Altadena.

3. “Eames House, arboretum and other L.A. cultural gems threatened by fire: updates,” a running list of architectural landmarks endangered by the encroaching flames but not destroyed.

4. “What Netflix’s ‘Maria’ gets so wrong about Maria Callas,” Times classical music critic Mark Swed’s column about how the streaming giant’s biopic failed to grasp the fabled genius of the opera star.

5. “Ken Burns’ absorbing new Leonardo da Vinci doc on PBS sidesteps one important question,” former Times art critic Christopher Knight’s column about how the critically lauded doc danced around the question of the Renaissance genius’ homosexuality.

6. “Bruce Springsteen speaks out on Trump again: ‘They’re persecuting people for their right to free speech’,” a news story featuring a video of the Boss tearing into the president during a May concert in Manchester.

7. “New Kennedy Center board makes Trump chairman, prompting Shonda Rhimes and others to resign,” a follow-up story to the shocking news that Trump had fired the board and had his eye on becoming chairman. It soon happened and an exodus of top talent commenced.

8. “In first Kennedy Center visit, Trump slams ‘Hamilton’ and lauds other ‘Broadway hits’” :The headline says it all.

9. “CNN will broadcast a Broadway performance of George Clooney in ‘Good Night, and Good Luck.’ Don’t miss it,” Times theater critic Charles McNulty extolling the Broadway production and urging readers to catch it on television.

10. “Why ‘Jesus Christ Superstar’ at the Hollywood Bowl is ‘the musical theater version of the Avengers’,” a preview of the now legendary show starring Cynthia Erivo as Jesus and Adam Lambert as Judas, which played for three nights in early August.

I’m arts and culture writer Jessica Gelt wishing you a happy, safe and healthy new year. Here’s your arts news for the week.

Our critics

Art critic Christopher Knight’s recent retirement reminded us how fortunate we are to have the finest critics covering the arts in Southern California. Here are a few of our most read pieces of criticism from 2025.

The new David Geffen Galleries, opening in 2026, are composed entirely of Brutalist concrete.

(Christopher Knight / Los Angeles Times)

Art, Christopher Knight
The new LACMA is sleek, splotchy, powerful, jarring, monotonous, appealing and absurd

The most significant American art museum show right now topples white supremacy

How a tiny stone from a warrior’s tomb is shaking up ancient Greek art at Getty Villa

Dudamel launches his final season at Walt Disney Concert Hall on Sept. 25, 2025, in Los Angeles.

(Timothy Norris / Los Angeles Philharmonic)

Music, Mark Swed
Empty seats, no Dudamel: L.A. Phil opens its Hollywood Bowl season on somber notes

For beloved conductor Michael Tilson Thomas, a final bow from the podium

Dr. Gustavo Dudamel leads the New York Philharmonic, with L.A. style

Raul Esparza as Pontius and Cynthia Erivo as Jesus in the Hollywood Bowl’s production of “Jesus Christ Superstar.”

(Farah Sosa)

Theater, Charles McNulty
‘Jesus Christ Superstar’ transcends in starry Hollywood Bowl celebration led by divine Cynthia Erivo

Robert O’Hara’s incoherent ‘Hamlet’ is even more of a mystery than the original

In Broadway’s latest ‘Gypsy,’ Audra McDonald takes our critic from doubt to spiritual epiphany

Good riddance, 2025 … er, Happy New Year!

Countdown NYE
The giant intergalactic rave, promising alien contact, four stages and all-night debauchery, moves to the L.A. Convention Center for its 11th edition with headliners including John Summit, Above & Beyond, Pryda, Madeon, Slander, Sub Focus, Crankdat and Wuki.
7 p.m.-5 a.m. Los Angeles Convention Center, 1201 S. Figueroa St., downtown L.A.. countdownnye.com

A preview of last year’s New Year’s Eve LA Midnight Countdown at Gloria Molina Grand Park.

(Jason Armond / Los Angeles Times)

Countdown to 2026
Gloria Molina Grand Park’s free, all-ages New Year’s Eve celebration, reportedly the largest on the West Coast, rings in the holiday with live music and performances on the Get Down Stage (hosted by Shaun Ross, featuring Ashley Younniä, Clax10 and DJ Wayne Williams) and the Countdown Stage, hosted by DJ Gingee featuring Ceci Bastida, Bardo and Ruby Ibarra.
8 a.m.-1 p.m. Wednesday. 200 N. Grand Ave., downtown L.A. grandparkla.org

New Year’s Eve with El DeBarge
The R&B crooner of such hits “All This Love,” “I Like it,” “Stay With Me” and “Rhythm of the Night” helps the new live jazz venue inaugurate a new tradition.
8 and 11 p.m. Wednesday. Blue Note LA, 6372 W. Sunset Blvd. bluenotejazz.com

The Roots ring in the New Year at Walt Disney Concert Hall.

(Los Angeles Philharmonic Assn.)

New Year’s Eve with the Roots
Philly’s finest take a break from “Tonight Show” duties to bring their eclectic blend of hip-hop to L.A. for two shows to close out the year.
7 and 10:30 p.m. Wednesday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Queen Mary New Year’s Eve
Party in timeless elegance aboard the iconic ocean liner (safely moored in Long Beach to ensure there’s a morning after) with its Masquerade Soirée, live music, performances, casino games and fireworks.
8 p.m. Wednesday. 1126 Queens Highway, Long Beach. queenmary.com

Culture news and the SoCal scene

Eugène Grasset, “Vitrioleuse (The acid thrower)” (detail), 1894, from the periodical L’Estampe Originale, album 6, April–June 1894. Printed by Auguste Delâtre. Lithograph, hand stenciled in five colors. 22 7/8 x 18 in.

(UCLA Grunwald Center for the Graphic Arts, Hammer Museum. Bequest of Elisabeth Dean.)

A great gift
The UCLA Grunwald Center for the Graphic Arts marks its 70th anniversary in 2026 and the Hammer Museum is presenting a two-part exhibition drawn from the center’s more than 45,000 prints, drawings, photographs, and artist’s books. Part one of “Five Centuries of Works on Paper: The Grunwald Center at 70” features nearly 100 works ranging from the Renaissance to contemporary art and includes pieces by Albrecht Dürer, Rembrandt van Rijn, Vassily Kandinsky, Käthe Kollwitz, Ansel Adams, Elizabeth Catlett, Corita Kent, Bridget Riley, Ed Ruscha and Vija Celmins. The exhibit opened Dec. 20 and runs through May 17. Part two is scheduled from June 7-Oct. 25.

Fred Grunwald, a shirt factory owner, began collecting art in Germany in the 1920s with a focus on German Expressionism. After the Nazis seized most of the original collection, he and his family immigrated to the U.S. in 1939. Grunwald started a new shirt factory and resumed his collecting in Los Angeles, expanding his interests to include prints from 19th and 20th century Europe, 19th century Japan and contemporary America. In 1956, Grunwald donated his extensive collection to UCLA so it would be accessible to students. His wife and children continued making gifts to the Grunwald Center after his death in 1964.

Back to Cambodia
The Art Newspaper reported Wednesday that the Smithsonian’s National Museum of Asian Art in Washington, D.C. has voluntarily returned three statues to the Cambodian government. An internal investigation by the NMAA determined that the objects were removed during the country’s civil war more than 50 years ago.

“There is very strong evidence that all three pieces came out of Cambodia, out of a context of war and violence and the dissolution of order,” said Chase F. Robinson, the NMAA’s director. “All three can be connected with problematic dealers, and no evidence emerged that gave us any confidence that the pieces came out in anything other than those circumstances. So after a lot of internal research and several visits to Cambodia, we worked closely with both the Ministry of Culture and Fine Arts as well its legal representative Edenbridge, shared the information we had, and came to the conclusion that all three pieces should be returned.”

The three returned artifacts are a 10th century sandstone head whose ornate carved designs match others at the temple of Pre Rup; a four-foot-tall sandstone sculpture of the goddess Uma, also from the 10th century, whose detailing ties it to the temple of Phnom Bakheng; and a bronze statue of Prajnaparamita, the goddess of transcendental wisdom, from around 1200.

— Kevin Crust

And last but not least

Once you’ve slept off the New Year’s Eve festivities and had your fill of football, settle in Thursday at 8 p.m. for PBS SoCal’s broadcast of the Vienna Philharmonic’s annual concert from the city’s historic Musikverein. The ensemble will be conducted for the first time by Yannick Nézet-Séguin and feature performances by the Vienna State Ballet and location segments hosted by “Downton Abbey’s” Hugh Bonneville.

The Las Vegas Museum of Art has revealed new key details of Pritzker Prize-winning architect Diébédo Francis Kéré’s design for the city’s first freestanding museum, which is expected to break ground in 2027.

The earthy red structure will feature a facade of locally sourced stone, and was inspired by the canyons and red rock landscape that stretches beyond the brash, man-made playground of Sin City, Kéré said in an interview alongside the museum’s executive director, Heather Harmon.

“How can I use what is surrounding Las Vegas to create something open and welcoming?” he said. “We started to think about the subtle beauty of the nature, and to bring it into the core of the museum.”

Renderings of the structure, which is situated in Symphony Park, show a cubed modernist building with a large awning that stretches over a bustling entry plaza to provide shade. A curved grand entrance staircase spirals through the center of the museum and is visible from the building’s floor-to-ceiling windows. Cloistered second-floor galleries are meant to provide a peaceful sanctuary for taking in the art.

A concept sketch for the Las Vegas Museum of Art by architect Diébédo Francis Kéré.

(Diébédo Francis Kéré / Las Vegas Museum of Art)

Architect Paul R. Williams’ Guardian Angel Cathedral, which opened in the city in 1963, is cited as a design influence, as are the singular stocky trunk baobab trees of the African savanna. Kéré was born in the village of Gando in the West African country of Burkina Faso, and noted that although the natural environment of his home country is quite different from that of Las Vegas, he was able to find many design parallels for inspiration.

Kéré, who is also a professor at Yale in New Haven, Conn., has made many trips to Las Vegas over the last few years, and received personalized tours of the city and its natural surroundings from Harmon and Elaine Wynn, a museum board member and philanthropist who died in April.

They went to the Valley of Fire State Park, which features fantastical sandstone formations the same color as the museum’s renderings. They also saw various quarries as well as the Hoover Dam. In the city, they visited the west side, which is rooted in the city’s rich African American history, as well as Ward 3 on the east side, which is home to a large Latino population.

“We looked at community spaces, we looked at people in community spaces,” said Harmon. “And we really wanted to have that feeling of understanding as we approached the project — just knowing firsthand who we were building the museum for.”

The 60,000-square-foot building is expected to welcome more than 2.4 million year-round Las Vegas residents, as well as millions of global tourists. The museum is expected to cost about $200 million, including its endowment. The target opening date is in 2029.

Last year, the Los Angeles County Museum of Art announced it would share its collection with the Vegas museum, which does not have plans to become a collecting institution. LACMA director and LVMA founding trustee Michael Govan told The Times that the sharing arrangement is part of a paradigm shift for LACMA, allowing it to expand access to its collection without increasing the physical footprint of its home base. (Critics, including former Times art critic Christopher Knight, disagreed with the move.)

“I think that’s a very 20th century idea — to keep adding wings until you’re a million square feet on Fifth Avenue,” Govan said in an interview at the time.

Dec. 19 (UPI) — President Donald Trump‘s name was affixed Friday to The Kennedy Center for the Performing Arts in Washington, D.C., with one Kennedy family member threatening to chisel the change out.

Signage now reads: Donald J. Trump and The John F. Kennedy Center for the Performing Arts.” Workers added Trump’s name before one honoring the former president.

The change has drawn opposition, including members of the Kennedy family.

“Three years and one month from today, I’m going to grab a pickax and pull those letters off that building, but I’m going to need help holding the ladder,” Kerry Kennedy, the daughter of former Attorney General Robert F. Kennedy, posted on X. “Are you in? Applying for my carpenter’s card today, so it’ll be a union job!!!”

On Thursday, Trump’s handpicked board of trustees voted to rename the building to also honor Trump. Eleven months ago, after he became president for the second time, he dismissed the entire board with new members and named himself chairman.

The name change requires a vote by U.S. Congress as mentioned in the U.S. Code that says no new “memorials or plaques in the nature of memorials shall be designated or installed in the public areas of the John F. Kennedy Center for the Performing Arts.”

Trump also changed something else that requires congressional approval: the Defense Department to the War Department.

White House press secretary Karline Leavitt posted on X, the it was changed “because of the unbelievable work President Trump has done over the last year in saving the building.

“Not only from the standpoint of its reconstruction, but also financially, and its reputation.”

Trump said he was “surprised and honored” by the news, though he hinted about the change while he emceed the Kennedy Center Honors earlier this month.

In August, he posted on Truth Social about new honorees: “GREAT Nominees for the TRUMP/KENNEDY CENTER, whoops, I mean, KENNEDY CENTER.”

Kerry Kennedy said Trump doesn’t represent the values of her uncle.

“President Kennedy proudly stood for justice, peace, equality, dignity, diversity, and compassion for those who suffer. President Trump stands in opposition to these values, and his name should not be placed alongside President Kennedy’s.”

Maria Shriver, the former President Kennedy’s niece and former first lady of California, wrote on X.: “It is beyond wild that he would think adding his name in front of President Kennedy’s name is acceptable. It is not. Next thing perhaps he will want to rename JFK Airport, rename the Lincoln Memorial, the Trump Lincoln Memorial. The Trump Jefferson Memorial. The Trump Smithsonian. The list goes on.”

Robert F. Kennedy’s grandson, former Rep. Joe Kennedy III of Massachusetts, posted on X that the center is “a living memorial to a fallen president and named for President Kennedy by federal law. It can no sooner be renamed than can someone rename the Lincoln Memorial, no matter what anyone says.”

Six Democratic lawmakers, who serve as ex-officio members of the Kennedy Center board, said in a statement to CNBC: “Beyond using the Kennedy Center to reward his friends and political allies, President Trump is now attempting to affix his name to yet another public institution without legal authority. Federal law established the Center as a memorial to President Kennedy and prohibits changing its name without Congressional action.”

Congress’ two Democratic leaders, Sen. Chuck Schumer and Rep. Hakeem Jeffries, signed the statement.

Another ex-officio member of the board, a Republican, didn’t vote for the change. Sen. Shelly Moore Capito, R-W.V., told reporters at the Capitol on Thursday: “The Kennedy Center, in my view, is the Kennedy Center.”

Long Beach City College’s performing arts center is officially being named after Long Beach legend and LBCC alumna Jenni Rivera.

Last week LBCC’s Board of Trustees unanimously voted to name the new facility the Jenni Rivera Performing Arts Center.

“This naming recognizes not just an extraordinary performer, but a daughter of Long Beach whose voice and spirit transcended borders,” said Uduak-Joe Ntuk, president of LBCC’s board of trustees in a press statement. “Jenni Rivera inspired millions through her music, resilience, and advocacy. We are proud that future generations of artists will learn and create in a space that bears her name.”

Jenni Rivera Enterprises will donate $2 million over the next 10 years to the LBCC Foundation, with the bulk of the funds going toward scholarships and education programs, the Long Beach Post reported.

“Our family is deeply honored that Long Beach City College has chosen to memorialize Jenni in this extraordinary way,” said Jacqie Rivera, Rivera’s daughter and CEO of Jenni Rivera Enterprises, in a press release. “Long Beach shaped who Jenni was — as an artist, a mother, and a woman — committed to her community. Knowing that young performers will grow, train, and find their creative voice in a center that carries her name is profoundly meaningful to us.”

The performing arts center, which is scheduled to open in spring 2026, is the second honor the “Inolvidable” singer has received from LBCC. Earlier this year, Rivera was inducted into the LBCC Hall of Fame alongside actor/activist Jennifer Kumiyama and attorney Norm Rasmussen.

Rivera was born and raised in Long Beach, attending Long Beach Poly High School in the 1980s, where she got pregnant as a sophomore. She later graduated from Reid Continuation High School as class valedictorian. She went on to attend LBCC before transferring to Cal State Long Beach to get a bachelor’s degree in business administration.

She immediately put that degree to use as a real estate agent, while simultaneously working at her father’s recording studio and record label.

Her father, Pedro Rivera, was a noted singer of corridos. In the 1980s he launched the record label Cintas Acuario. It began as a swap-meet booth and grew into an influential and taste-making independent outfit, fueling the careers of artists such as Chálino Sanchez. Jenni Rivera’s four brothers were associated with the music industry; her brother Lupillo, in particular, is a huge star in his own right.

She released her first album, “Somos Rivera,” in 1992, launching a prolific career that was tragically cut short when Rivera and six others were killed in a plane crash in Mexico on Dec. 9, 2012.

The self-proclaimed “Diva de la Banda” was a self-made star with a veritable rags-to-riches story. She was a true trailblazer, a U.S.-born woman who took up plenty of space in the male-dominated world of música mexicana.

In 2015, Long Beach city officials honored the singer’s legacy by bestowing her name on a park in Long Beach. On display along a brick wall at the Jenni Rivera Memorial Park is a 125-foot-long mural honoring Rivera’s life and heritage.

The Hollywood Walk of Fame also honored Rivera with a star in 2024, which her five children accepted on her behalf.

“One of my mom’s favorite exes used to work in this vicinity. We would come and check in on him and she always dreamt — I remember sitting in the car, in her Mercedes, and she always dreamt, ‘I’m gonna have my star here one day,’” Rivera’s daughter Jenicka Lopez said at the star unveiling ceremony.

“I thought it was impossible after she passed away, but God has a beautiful way of proving people wrong.”

UFC title holder IIia Topuria took a break from the sport in November to fight what he is calling “attempted extortion”.

Undefeated UFC lightweight champion Ilia Topuria explained his withdrawal from the UFC 324 title bout on Monday, alleging he is addressing an extortion attempt and will return to the cage at the appropriate time.

Topuria is not on the UFC 324 card. An interim lightweight championship bout between Justin Gaethje and Paddy Pimblett headlines the January 24 event in Paradise, Nevada.

The 28-year-old Georgian had already denied that an injury forced him out of a title defence. Topuria (17-0) said Monday he wanted to address rumours and speculation about his absence from the sport since November.

“Over the past several weeks, I have made the difficult decision to temporarily step away from defending my title. This was not a decision I took lightly. However, when circumstances arise that threaten your personal integrity, your family, and your reputation, there comes a point when you must address them directly,” Topuria said in a statement posted to Instagram on Monday.

“In recent months, I have been subjected to severe and unacceptable pressure, including threats to disseminate false allegations of domestic abuse unless financial demands were met. These allegations are entirely unfounded. The truth is not a matter of opinion – it is a matter of evidence. All relevant evidence has been carefully preserved and documented, including audio recordings, written communications, witness statements, and video material. This evidence has been submitted to the appropriate judicial authorities in order to pursue legal action for attempted extortion, falsification of evidence, misappropriation of funds and personal property, and multiple threats.”

Topuria has two knockout wins to defend the belt since he won it from Alexander Volkanovski in February 2024 with a knockout victory.

Topuria’s most recent fight was a June 28 knockout victory against Charles OIiveira at UFC 317 and made him the first undefeated two-division champion in UFC history.