art

Zurich, Switzerland

Zurich may be known as a financial centre, but it has a creative side, too. The Kunsthaus Zürich became the biggest art gallery in the country when its David Chipperfield-designed extension opened in 2021. Its collection spans 800 years of art, and includes old masters, Swiss artists such as Giacometti, works by Monet, Cézanne, Picasso, Van Gogh and Warhol, and contemporary artists.

The area around the Kunsthaus is now the Zurich Gallery Mile, best explored on the Zurich Art Weekend (12-14 June), held a week before the more famous Art Basel. Galleries have special exhibitions, guided tours and talks, and there are performances, art walks, screenings and parties.

In Zurich-West, a brewery built in the 1890s became an arts centre in the 1990s. The Löwenbräukunst-Areal now houses several modern and contemporary galleries, including a branch of Hauser & Wirth.

Near Lake Zurich, the Museum Rietberg showcases non-European art in three historic villas (one where Wagner wrote Tristan and Isolde), a modern extension and surrounding parkland. Current exhibitions focus on Indian paintings, Japanese woodblock prints and Chinese lacquerware.

Day trip In Baden, 15 minutes away by fast train, the Museum Langmatt reopened this month after two years of renovation. The art nouveau villa displays about 50 French impressionist masterpieces by Cézanne, Degas, Gauguin, Monet, Pissarro, Renoir and more.

Lille, France

Paris is the undisputed art capital of France, but Lille has some excellent galleries with lower prices and a fraction of the crowds, and can be reached even more quickly by Eurostar from London (just 1hr 20mins). The Palais des Beaux-Arts, in a beautiful 19th-century building, houses perhaps France’s richest art collection after the Louvre, by artists such as Rodin, Van Dyck, Rubens, Delacroix, Goya and Courbet (and entry is just €7 versus the Louvre’s €22).

LaM, a modern and contemporary art gallery that’s a 30-minute bike, Métro or bus ride from the city centre, reopened in February after an extensive renovation. The inaugural exhibition is a Wassily Kandinsky retrospective (until 14 June), while the permanent collection includes work by Modigliani, Fernand Léger, Paul Klee and Louise Bourgeois. Its sculpture garden contains 10 monumental pieces by Alexander Calder and more.

Day trip In Roubaix, 10 minutes away by fast train, an art deco former swimming pool is now La Piscine museum. The old showers and changing rooms now display ceramics (some by Picasso), paintings, textiles, jewellery and sculpture, all lit through stained-glass windows. In nearby Lens, the Louvre-Lens museum – a satellite gallery of the Louvre – has 250 artworks arranged chronologically from the third century BC to the mid-19th century.

Warsaw, Poland

Warsaw’s art scene had a huge boost in 2024 with the opening of the Museum of Modern Art (MSN Warsaw). The bright white building stands in contrast to Stalin’s menacing Palace of Arts and Science next door, and showcases Polish and international artists of the 20th and 21st centuries, including Sarah Lucas and Wolfgang Tillmans.

Other modern galleries include the Zachęta National Gallery of Art, which has 20th-century and contemporary art from painting to installation, video and performance. It has staged exhibitions by artists including Marlene Dumas and Luc Tuymens, and is currently showing the American abstract artist Barbara Kasten (until 7 June). The Ujazdów Castle now houses the Centre for Contemporary Art, with a diverse programme of exhibitions, talks, films and outdoor events in the surrounding park.

Warsaw isn’t just about modern art. The National Museum, founded in 1862, is one of the oldest museums in the country. Its six permanent art galleries range from antiquity through medieval art to the 19th century. One highlight is Jan Matejko’s enormous Battle of Grunwald (1878), one of the best-known paintings in Poland. A temporary exhibition of 30 paintings by the Krakow-born artist Olga Boznańska (1865-1940), who also has work in the Musée d’Orsay in Paris, runs until 5 July.

And at the Royal Castle, the two most prized paintings in the Lanckoroński Gallery are by an old master: The Girl in a Picture Frame and The Scholar at the Lectern by Rembrandt.

Day trip Łódź, a couple of hours away by train, has a trio of galleries covering 19th-, 20th- and 21st-century art respectively: the Herbst Palace Museum, MS1 and MS2.

Verona, Italy

Fair Verona, the home of Shakespeare’s star-crossed lovers, is overshadowed as an artistic centre by its neighbour, Venice. But this romantic city has more to offer than Juliet’s balcony. The Palazzo Maffei, a 17th-century baroque building on Piazza della Erbe, opened as a gallery in 2020. It is laid out like a cabinet of curiosities, displaying an incredible private collection of art from antiquity to today. There is a strong focus on modern masters, including Picasso, Miró, Kandinsky and Magritte.

GAM, the modern art gallery, is in the Palazzo delle Ragione, one of the oldest public buildings in Italy (built in the mid-1100s). The collection spans from the early 19th century to the present day, with a focus on the Italian avant garde. As well as the artworks, visitors can see the palace’s beautiful Cappella dei Notai and ascend the Torre dei Lamberti, the tallest building in Verona.

The Castelvecchio museum, housed in the 14th-century castle, displays Veronese and Venetian paintings from the medieval period to the 1700s, with work by Bellini, Tintoretto, Veronese and Rubens.

The Palazzo della Gran Guardia hosts temporary exhibitions – most recently the photography exhibition Human. The VisitVerona website has an events calendar with all upcoming exhibitions.

Day trip Book ahead to see the Giotta frescoes in the Scrovegni Chapel in Padua, 45 minutes away by fast train. The crowds here mean the city’s other attractions, such as the art gallery inside the Eremitani Museum next door, are often empty.

Oslo, Norway

Modern art lovers will find much to admire in the Norwegian capital. Edvard Munch has his own 13-storey museum, Munch, displaying three versions of The Scream and other renowned works including The Sun, Madonna, The Dance of Life and Love and Pain. The museum also showcases painting by Munch’s contemporaries, and holds temporary exhibitions – currently Paula Rego (until 2 August). Outside is Tracey Emin’s 9-metre high sculpture The Mother.

The National Museum, which opened in 2022, is the biggest gallery in the Nordic countries. It has a room devoted to Munch, and its own versions of The Scream and Madonna. The pioneering female artist Harriet Backer also has her own room, with many more Norwegian artists displayed alongside Berthe Morisot, Matisse, Picasso and others.

The Astrup Fearnley Museum, designed by Renzo Piano (the architect behind the Pompidou Centre in Paris and the Whitney in New York), has a leading collection of contemporary art, plus temporary exhibitions.

Day trip Munch owned a villa at Ramme, 40 minutes from Oslo, from 1910 until his death in 1944. The property has been restored and visitors can now book a guided tour, visit an underground art gallery displaying his work and that of other Norwegian artists from the 19th and 20th centuries, and follow an outdoor culture trail along the fjord.

When Meow Wolf’s Los Angeles location opens later this year, one of its biggest residents will be a 20-foot-tall, 1,000-pound amoeba-like creature named WoWoW.

Created by the L.A.-based multimedia collective Everything Is Terrible, WoWoW is alternately described as a “cosmic entity” and a “cartoony, root vegetable floating alien god.” The multi-eyed organism will serve as the centerpiece of “the N.E.S.T.,” an EIT-designed section of Meow Wolf’s new 26,000-square-foot immersive exhibition space.

In-progress detail of Everything Is Terrible’s WoWoW sculpture for the forthcoming Meow Wolf Los Angeles, shown with multi-color eye lighting.

(Photo by Allyson Lupovich / Meow Wolf)

That acronym has yet to be explained, and is cloaked in Meow Wolf’s intentionally mysterious messaging about its latest incarnation, which is set in an old Cinemark movie theater in West L.A. and will tackle the ephemeral joys and hardships of Hollywood’s dream factory. The L.A. location will be the Santa Fe, N.M.-based immersive art and entertainment company’s fifth outpost after Denver, Las Vegas, Houston and the Dallas suburbs.

The L.A. space boasts 45 local collaborating artists including Gabriela Ruiz, David Altmejd and more. Each is building their own unique installation featuring a variety of sculptures, dioramas and new media.

Everything Is Terrible is one of Meow Wolf’s most prolific partners, creating a variety of psychedelic characters for various installations over the years. The collective dreamed up the N.E.S.T. about two years ago as a way of paying tribute to maximalist roadside attractions like Wisconsin’s House on the Rock or New Mexico’s Tinkertown Museum. It also tells the story of the Noothies, a made-up community of former below-the-line film workers who stumbled upon a god — and a hidden truth about the nature of reality.

The installation presents a paradox by being a Hollywood idea that is completely un-Hollywood. It may wink at the industry’s unseen heroes, but who can afford to make art for art’s sake in the entertainment industry anymore? That seeming contradiction makes it a very Everything Is Terrible idea.

Founded nearly 20 years ago by a group of friends who met at Ohio University, Everything Is Terrible was launched as a found-footage website that created wild and singular art pieces using thrifted VHS tapes. It found viral success with videos about cat massage, and a dancing dinosaur who warns kids about the dangers of pedophilia, as well as its lauded quest to amass as many VHS copies of “Jerry Maguire” as humanly possible. (The group has about 45,000 at the moment, all stuffed in boxes and waiting to be unleashed on the world — perhaps as a pyramid in the desert or maybe featured in some sort of coffee table book.)

“I think our outlook on life has become, ‘look at the worlds that these people created,’” says EIT co-founder Dimitri Simakis. “No one asked them to do this. Someone just wanted to do a kids puppet show in some garage in North Carolina and now they’ve created a simulacra.”

That’s also what the collective is doing with its Meow Wolf exhibit, adds Nic Maier, another EIT member. “It’s what we’ve done for the last 20 years, really. We’re just a bunch of kooks who got together to obsessively make things in celebration of life and in appreciation of each other’s time.”

The marriage of Everything Is Terrible and Meow Wolf is a match made in heaven. The groups first met in 2009, bonded by a shared commitment to interactive art experiences that twist reality using an ornate handmade aesthetic.

A few years later, Maier was hired to work on what would become Meow Wolf’s first large-scale installation, Santa Fe’s “House of Eternal Return.” As he spent hours sculpting large, foam trees for the group, he says he fell in love.

A mystical, neon-colored forest in Meow Wolf’s Santa Fe, N.M., exhibition, “The House of Eternal Return.”

(Meow Wolf)

“We always joke that ever since then, EIT has been a barnacle on the side of the Meow Wolf ship, just hanging on but also occasionally hopping in to contribute,” Maier says.

When Meow Wolf announced it was opening two new spaces, in Las Vegas and Denver, it called on EIT for ideas. Simakis and Maier threw out a few pitches for Denver and one landed: a McDonald’s-like retro freak-out known as Pizza Pals Play Zone, which went on to become one of the attraction’s most talked about, photographed and beloved spaces.

“Pizza Pals Play Zone is super character dense,” says Han Sayles, Meow Wolf’s director of artist collaboration. “It’s just one of those spaces that feels like Meow Wolf. There’s hundreds of different pieces of media framed all around, featuring all of these different characters they created. They even made a bible … that had the narrative backstory of every single character and every deliverable they wanted for that room.”

Pizza Pals Playzone, created by Everything Is Terrible, at Meow Wolf’s Convergence Station in Denver.

(Jess Gallo / Meow Wolf)

When Meow Wolf’s Los Angeles project became a possibility, Sayles says Everything Is Terrible was one of the first groups she pitched as a potential contributor. EIT ended up being offered a custom project, in which the group used Meow Wolf’s extensive production facilities and resources to create their vision for the space, weighing in on everything from the shape of their room to the merch it might inspire in the Meow Wolf gift shop.

“We had a super trusting relationship with them,” Sayles says. “We recruited them as partners and negotiated a deal without knowing what they were going to put in the room. Both Nic and Dimitri have such a beautiful, strong sense of the exact genre of whimsy that we go for and they always deliver super deeply, so we knew it would be amazing.”

Sayles says she also thought the group’s experience of Los Angeles would lend itself well to the overall theme of the venue. Shakti Howeth, a creative director at Meow Wolf, agrees, saying that while Meow Wolf attractions are typically pretty otherworldly, they’re always built around an overarching story.

At Meow Wolf’s “Omega Mart,” in Las Vegas, guests first enter a satiric take on a grocery store, where portals lead to otherworldly art exhibitions.

(Christopher DeVargas / Meow Wolf)

The N.E.S.T., Howeth teases, will relate to some of the L.A. attraction’s character groups and themes, as well as its overall story. How audiences first encounter WoWoW and the N.E.S.T. will depend on which door they use to enter the room. From there, the points of visual interest will compound upon each other.

“We’re just incorporating all the things we love,” says Maier, noting that includes roadside attractions, folk art and anything “outsider.”

“It involves everything from the importance of dirt and worms to video games to experimental film to worker uprisings to entering literal other dimensions where you can meet what might be God, all within a [553]-square-foot space,” Simakis adds. “There have been times when we’ve been in the N.E.S.T. and thought we crammed in too much … but then you realize it has to be like that, because we’re trying to tell the whole story of the universe in just that room.”

For example, Maier spent much of the last two years building 45 beautifully weird costumes for the attraction, only two of which will be physically in the N.E.S.T. The other 43, he explains, are there for “world-building” and to make the story feel lived in. Everything in the space will have been created by Everything Is Terrible and Meow Wolf, including what seems like real found footage.

Simakis calls the group’s vision for the space “unrelenting joy mixed with benevolent chaos,” as well as “a beautiful folk art museum that’s also a space rave.” He likens what the group is doing to “building a puzzle out of thousands of other puzzles, gluing it together to make a new thing.”

“It’s like we’re making a movie that’s not a movie,” Simakis adds. “It’s a video game. It’s a living space. It’s all of these things, but you get to walk around in it.”

If that’s confusing, it’s because it’s meant to be — at least a little. How each visitor absorbs or receives the space will be entirely up to them. And while that could be a bit terrifying for some artists, to pour everything into a piece only to have the public possibly misinterpret or even ignore it, Maier and Simakis say they’re open to whatever comes.

“Millions of people are going to potentially walk through our space, so it has to be really special,” Simakis says. “We’ve also thought about all the different ways people could enjoy it, whether they’re a baby or a stoner or someone who’s just really into immersive entertainment or escape rooms. Even if you just go to take selfies, great. We’re pro-that. But also, if you want to keep going back or you want to spend hours there, I promise we’ve made it worth your while.”

Meow Wolf L.A. opens later this year. You can catch both Meow Wolf and Everything Is Terrible in the Los Angeles County Museum of Art’s Art Parade on June 20, marching in some of Maier’s 45 costumes from the N.E.S.T.

A lot has changed since Jacori Perry attended Morningside High School.

Perry is now a renowned artist who goes by the names Mr. Ace and AiseBorn.

The school is now known as Inglewood High School United.

And the lecture hall on that campus now features a large, ornate mural of a soccer ball being grasped by the hands of two people — freshly painted by the 2004 Morningside graduate as the city of Inglewood prepares to host eight World Cup games at SoFi Stadium starting next month.

Local artist Mr. Ace works on his mural at Inglewood High School United on May 11. The artist, whose real name is Jacori Perry, attended the school when it was known as Morningside High more than two decades ago.

(Eric Thayer / Los Angeles Times)

“If you told me that I would be back here painting one of the walls on this campus when I was in high school, I don’t think that I necessarily would have foreseen it,” Mr. Ace said as he put the finishing touches on his mural last week. “So I’m a little in amazement about just the way life works in that sense.”

He was one of several Los Angeles-based artists to participate in a Road to World Cup Community Day last month at Inglewood High United. Many of the artists — including Juan Pablo Reyes (“JP murals”), Michelle Ruby Guerrero (“Mr. B Baby”) and Angel Acordagoitia — sketched designs on portable panels (12-feet by 8-feet) and picnic tables for community members to paint.

The picnic tables will remain at the high school in front of Mr. Ace’s mural. The mobile murals will be placed throughout LAX to welcome visitors arriving for the World Cup.

Kathryn Schloessman, chief executive of the Los Angeles World Cup 2026 Host Committee, said in a news release that the event was “just one example of how the energy of the World Cup can be felt in neighborhoods across our region.”

“Students, artists, and volunteers came together to create a work of art that will live on well beyond the end of the tournament,” Schloessman said. “It’s a reflection of the creativity, diversity, and community pride that makes our region so special as we prepare to host the world for FIFA World Cup 2026.”

Community members were encouraged to take part in the painting process, no matter their skill level.

“We made it easy enough for people that have zero experience to a proficient level of experience, for them to all be involved,” said Reyes, who designed and helped paint two mural panels and three tables. “We did the sketch, and then I tried to dab a little bit of color — whatever color is supposed to be there, I dabbed a little bit of color right there, so they would have a guide. …

Students and community members help paint a mural panel during a Road to World Cup Community Day event May 2 at Inglewood High School.

(Dawn M. Burkes / Los Angeles Times)

“I was right there, kind of supervising, making sure that everything went as planned. And if anybody has questions, they’re more than welcome to let me know about them. But, yeah, it’s pretty easy for them to kind of be involved and feel that sense of ownership and have a sense of pride that, ‘Yeah, I was part of that mural-creation process.’ It’s a rich experience for them.”

Acordagoitia sketched several tabletop designs for the public to paint at the event.

“They did great,” he said of the community members. “They helped a lot. They were asking questions. They got all the other colors correct. So, yeah, they were excited. A lot of kids were excited to see the live painting, because now kids are used to being on their phones. So that was a great experience for them.”

Acordagoitia also opted to paint a mural panel on his own because “it was a little more technical,” involving portraits of his 8-year-old son, a nephew and a friend.

“I wanted to focus more on the youth because that’s really our future,” he said. “So that’s, that’s the main thing about the mural, just about the kids, soccer, culture, community. It’s exciting for me, because I grew up playing soccer and to include soccer with art, it’s just a dream come true.”

Guerrero said “the community was a big help in filling in all the background colors that I need in order to build the detail and layers” on the two mural panels she designed.

“My whole style is based on culture. And I think that there’s a connection there with the World Cup and how I feel like it brings together all the culture and just, like, celebration,” Guerrero said. “It kind of goes hand in hand with the type of work I do, because my stuff is really festive, celebrating culture. And just as an L.A.-based artist, I think the collaboration made sense.”

The four artists also took part in another Road to World Cup Community Day in downtown L.A. at Gloria Molina Grand Park on March 14. At that event, the artists sketched designs on large sculptures shaped like soccer balls and on an oversized picnic table, also for community members to paint.

While Mr. Ace opted to paint his permanent mural at Inglewood High School United on his own, he was sure to include the community theme into his work.

“The idea was really centered around just creating something that was community-based — something that represented the World Cup but also represented some sense of community,” he said. “And so what I did was try to create something that was symbolic, very direct in terms of its relationship to soccer and figuring out through that how to create something simple that [brings] into that a sense of community. And that’s how I landed on the two hands holding the soccer ball.”

Local artist Mr. Ace works on his World Cup-themed mural at Inglewood High School United on May 11.

(Eric Thayer / Los Angeles Times)

Back when he was a student on that campus, Mr. Ace said he was always involved in art and knew he wanted a career as an artist. He struggled to come up with the right words to describe how it felt being back there creating a work of art to be shared with the students, all of the community and everyone who happens to see it on the way to a World Cup match.

“I guess there’s no words to really describe it,” he said. “I think if any artist gets the opportunity to paint at their own high school — especially if they’ve been doing large-scale works around the city, the country or the world — I think that is a little touching. When it’s attached to something like the World Cup … you know, a large part of my childhood was spent in Inglewood, so coming from my circumstances and life, I think it’s even more intriguing.”

THE UK has some incredible beach lidos, but this one in the south of England is now award-winning.

Just inland beyond Saltdean Beach in Brighton is its beautiful art deco pool that previously underwent a revamp – and has just won a prestigious prize.

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Saltdean Lido has been open since 1938 to keen swimmers and has undergone significant upgrades throughout the years.

But in 2010, Saltdean Lido began a major revamp, preserving original features, restoring the building and upgrading the café, library, ballroom and an exercise space.

It cost an estimated £11million which was paid for by donations and National Lottery funding.

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After 14 years, it was finally completed in 2024 and now, it is one of six winners in the South East division of the 2026 Royal Institute of British Architects (RIBA) Awards.

The prestigious architecture award celebrates design innovation and social impact of buildings around the country.

Along with the other winners, Saltdean Lido was praised as being “exceptional.”

Saltdean Lido is a 40 metre outdoor heated pool and remains open all year, even during the winter.

It has a kids’ splash pool and grassy area making it a popular spot in the summer months.

In the lido building is a café which recently rebranded as the Reading Room, which serves up snacks, toasties and drinks.

On-site is also a gym, as well as saunas and plunge pools designed to increase circulation and boost immune systems.

Classes are held at the lido too, from yoga to Pilates, tai chi and dance – it’s also home to a public library.

There’s a huge ballroom too where events are held and it can even be hired out for weddings.

Events take place throughout the year; coming up in a few months is ‘Dogtember’, which is dubbed the ‘biggest dog swimming event in the UK’.

It runs for four weekends where dogs and humans alike will take to the pool in 90-minute sessions.

Built in the 1930s, the lido was considered such an innovative design of its time.

However, it was forced to close just two years later due to the war and remained closed for the next 19 years.

It was even nearly bought by Butlins in 1958 when it was derelict but this plan was scrapped.

The lido reopened in 1964 after being bought by the Brighton Town Council.

At this year’s Venice Biennale, the story isn’t just about what’s on display—but what’s missing. Withdrawn countries, postponed ceremonies, and a fractured jury have turned the world’s oldest art exhibition into a stage for geopolitical tension.
Al Jazeera’s Karly Abou Samra explains.