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What happened to the future we were promised? The vision that grew out of the 1990s techno-utopianism, when the internet was still a place of freedom and experimentation. Where are the infinite possibilities the early years of the millennium afforded, when social media meant AOL Instant Messenger and GeoCities, when our cellphones were not yet smart, and when personal tech evoked whimsy and excitement rather than anxiety and dread?

On a recent night in L.A., that digital optimism still existed. Here, at a clothing store on La Brea Avenue in the Fairfax District, something that felt lost was rediscovered. People were huddling around to play 1999’s “Crazy Taxi” on a Sega Dreamcast, or 2005’s “Tekken 5” on a PlayStation 2. They were surfing a perfectly re-created Y2K-era internet, and navigating an early version of Apple’s Photo Booth to snap selfies with a first-generation iSight webcam.

Paizley Lee created Dead Internet Theory to bring guests back to an era when tech evoked excitement rather than dread.

(Jason Armond / Los Angeles Times)

Yes, almost everyone was staring at screens, but almost no one was looking at their phone. Instead, the room felt alive and buzzing with energy. Technology was creating human connection rather than isolation.

Welcome to Dead Internet Theory, an event hosted by game designer Paizley Lee that’s both a celebration of vintage tech and a place to build community. The name is a tongue-in-cheek reference to the theory that the internet today is mostly bots, AI slop and corporate algorithms, while the human element is quickly disappearing from the web.

Lee started the event earlier this year after seeing how her friends reveled in hacking old hardware but had nowhere to show off their reimagined contraptions. She said Dead Internet Theory is a space to highlight “artists who don’t see the light of day,” a cyberpunk show-and-tell of sorts. “There’s a world of knowledge that comes from that person that can share and collaborate with another artist, and that’s really the future that we were promised, right then and there,” Lee said. “It’s the ‘Hey, look at what I made, look at what I’m interested in, and let’s share that.’ ”

Benjamin Palmer shows his project called Pan and Scan.

(Jason Armond / Los Angeles Times)

One of those artists sharing his work was Dan Ruth. Atop a low credenza, he displayed a black, leather suitcase that housed inside of it an old laptop attached to an external zip drive. On the laptop’s screen was a menu of various banned books — the Unabomber’s manifesto and “The Anarchist Cookbook” among them. Ruth had recently bought the trademark rights to the digital storage systems iOmega, Zip and Jaz. “They were what we all used in the ‘90s to transfer larger files,” he explained of the era before online storage and transfer infrastructure like Google Drive.

With his setup at the event, participants could choose whatever banned book they wanted and write it to a physical Zip disk (about the size of a saltine cracker) to keep forever. If Ruth’s installation is a bit provocative, his message is less controversial. At a time when servers are being shut down, physical media is being digitized out of existence, and the subscription model is supplanting personal ownership, Ruth believes this is a way to have data autonomy.

Guests play retro video games.

(Jason Armond / Los Angeles Times)

Lee’s own contribution to the evening is the full rainbow of Apple’s iMac G3 computers — those bubbly, teardrop-shaped desktops that debuted in 1998 to the famous “iCandy” ads displaying their colorful shells, and TV commercials scored to the Rolling Stones’ “She’s Like a Rainbow.” Over several months and multiple trips, Lee drove across the country collecting the G3s in their core five colors. And it wasn’t easy. She recalled sleeping in her car in the parking lot of a Cracker Barrel for a few nights because she had spent all her money on acquiring the computers.

It was the people Lee met in the months of gathering the G3s, however, that made it worth it: a single dad who collected vintage iMacs to bond with his son, an elementary school teacher who held onto the old computers because the school was going to destroy them.

“I met these really witchy, cool, queer programmers from MIT in Medford, Massachusetts, who invited me back for MIT Swap Fest, where I found Indigo,” said Lee, referring to another G3 color not part of the core five. “I met a guy who used to work in broadcast, and his wife just died of cancer. His mom moved in, and she has been trying to support him in getting rid of old things and not holding on to them too much.” Human moments made possible almost by the accident of holding onto a computer longer than most.

Lee’s pursuit of old tech hardware has always been, at its root, a means to meeting new people, hearing their stories and creating a relationship with them. “I care about people a lot,” she said. “I think every single person that touches any of my projects knows that I really care about people feeling good.”

Paizley Lee spent months collecting the full rainbow of iMac G3s.

(Jason Armond / Los Angeles Times)

With a mouse, Jaimie Wan clicks into the past.

(Jason Armond / Los Angeles Times)

When Lee finally acquired all five original colors (blueberry, strawberry, lime, tangerine and grape), plus all the additional colors (ruby, indigo, snow, graphite, sage and three limited edition colors), she began booting up the G3s computers to make sure they still worked. In the process, she discovered the forgotten digital detritus left on their hard drives: old resumes, photo albums, Word documents.

“It’s somebody’s life,” she said. “It feels weird to do anything with it, but it also feels weird to alter it.” In the end, she kept the old files and built a replica of the early ‘00s internet to live beside them on the computers. At Dead Internet Theory events, participants are given free reign to the G3s and slowly find clues Lee has left on their desktops that lead into a mystery game she created.

Back at the event, people flocked to the bank of iMac G3 computers. They clicked around, laughing, their eyes lighted up. “It’s really a trip seeing the old MacBooks,” said Shannon Stack after navigating one of the relics. “I remember having those in my elementary school classroom. Now, these are archival pieces. It’s freaky!”

Lee herself hovered around the computer bank, watching people interact with them and discovering the random documents left behind or playing one of Apple’s preset games. She asked a couple who had been tinkering around for over half-an-hour if they wanted a hint to her mystery. “No!” they respond excitedly.

While Dead Internet Theory has only been held in Los Angeles, Lee’s dream is to take it on the road. “I’ve got kids in Seattle, in Nashville, in Dallas that are emailing me and going, please bring it here,” she explained. The only thing stopping her was money, but that changed recently. A few weeks after the event on La Brea, she was approached by a sponsor. Now she’s making a tour happen, first with a pop-up event in New York City on Wednesday.

The event has become a place to gather and build community.

(Jason Armond / Los Angeles Times)

Recently, as Lee began driving across the country to set up, she stopped at a bed and breakfast near Red Lodge, Mont. When she learned the innkeeper had an old blueberry iMac G3 in her basement, she asked to take a look.

“I spent an hour getting her back on,” Lee said of rebooting the machine to give the innkeeper access. “And the face she made when it came back to life — literally priceless.”

The woman browsed through old photos of her daughters, their old school projects and other files forgotten over time. Afterward, the innkeeper gave Lee the computer, telling her it deserves a second life.

Los Angeles: The brightest stars in television are set to walk the red carpet Monday at the Emmy Awards, with horror-comedy series “Widow’s Bay” and gritty hospital drama “The Pitt” expected to win big.

Apple TV’s “Widow’s Bay,” which stars Matthew Rhys as the leader of an isolated New England island that appears to be haunted, has emerged as one of the most talked-about debut series of the year.

“People just love that show,” Christopher Rosen, deputy editor of Hollywood news outlet The Ankler, told AFP.

It scooped up eight awards in the pre-gala ceremonies, and is in position to become the most awarded comedy series in a single year, surpassing the 13 trophies won last year by Seth Rogen’s Hollywood satire “The Studio.”

Rosen said he believes that Rhys — a winner for best drama actor for “The Americans” in 2018 — could now earn his first comedy Emmy.

A strong night for “Widow’s Bay” does not bode well for “Hacks,” the tale of a stand-up comedian trying to revive her career and the dysfunctional millennial assistant who helps her.

Its one solid bet left in the running – and maybe its only statuette, says Rosen – is a best actress prize for Jean Smart.

“That’s a great way to honor the final season,” Rosen told AFP. “She’s never lost from playing this part. I don’t see why she would lose for the final season.”

Smart, who turned 75 on Sunday, has won four Emmys for the show so far.

A win on Monday would give her eight acting Emmys, tying her with Julia Louis-Dreyfus and Cloris Leachman for the most ever by a performer. Allison Janney is also vying for her eighth Emmy, for “The Diplomat.”

’The Pitt’ expected to repeat as best drama

“The Pitt,” last year’s winner for best drama, follows the stressed-out workers in a Pittsburgh emergency room, with each episode unfolding in real time.

Tackling everything from abortion rights to immigration crackdowns to mass shootings, the show is the odds-on favorite to sweep several drama prizes including best series.

“If ‘The Pitt’ doesn’t win, it would be a tremendous shock,” Rosen said.

It led all shows with 25 nominations, and already won four awards in the early ceremonies, including best casting for a drama series.

Star Noah Wyle, who has racked up awards over the past year including an Emmy, is expected to triumph again. Seven of his co-stars are hopefuls in the supporting acting categories.

For best drama actress, Rosen says it will be a race between “Pluribus” star Rhea Seehorn and Keri Russell for political soap opera “The Diplomat.”

In the limited series categories, HBO Max’s “DTF St Louis” – the tale of a middle-aged love triangle gone wrong – is a top contender.

The show has scooped up six prizes so far, including two for actors David Harbour and Linda Cardellini.

Dolly tribute

The 78th Emmy Awards gala will be hosted by “Law and Order: SVU” star Mariska Hargitay, who won two Emmys for her documentary “My Mom Jayne.”

It will feature a tribute to late country music icon Dolly Parton, who was also an Emmy winner, and a performance from Noah Kahan, who will sing “Bridge Over Troubled Water” during the broadcast’s In Memoriam segment.

The gala also will deliver some TV nostalgia, with “Buffy the Vampire Slayer” stars Sarah Michelle Gellar and David Boreanaz among the presenters, along with “Charlie’s Angels” stars Kate Jackson, Cheryl Ladd, and Jaclyn Smith.

Zendaya, a past winner and current nominee for best drama actress for “Euphoria,” is on the list of presenters, guaranteeing at least one bona fide red carpet moment.

The Emmys ceremony begins at 5:00 pm Monday (0000 GMT Tuesday).

NHS GP Dr Amir Khan says a common method for dealing with nosebleeds is not correct

Dr Amir Khan has offered guidance on how to properly treat a nosebleed, revealing that many people have been receiving incorrect advice. The well-known TV doctor and NHS GP, recognised for his regular slots on ITV’s This Morning and Lorraine, discussed the matter with his followers on the latest instalment of his podcast, No Appointment Necessary.

His explanation may come as a surprise to some who have been instructed to do something entirely different when dealing with a nosebleed. Co-host Cherry Healey appeared to be among them, as she questioned him about the advice people have given her for managing a nosebleed.

She said: “You know when someone gets a nosebleed, they always get told to put their head back. It’s so awful when you get a nosebleed and someone tells you that because it’s what you don’t want to do. Is that true?”

The doctor responded: “No. It used to be that, but it’s not head back. It’s head forward. Yeah, because if you go back, you could swallow the blood and then cause all sorts of issues.”

He then outlined what you should do instead, saying: “First of all, you want to pinch the soft bit of your nose just underneath the bone. I’m talking like this now because I’m doing it. So pinch that bit as tight, as tight as you can and then lean forward.

“So head between your knees or lean as far forward as you can for, you’ve guessed it, 15 minutes. 15 to 20 minutes is when anything is bleeding.

“That’s how long you need to put pressure on it.” Cherry then replied: “Because that’s how long it takes to clot.”

His advice is important because many people have been given incorrect advice. McGill University in Canada says the tilt-the-head-back method is a ‘common misconception’.

Its website states: “First aid standards have changed throughout the years, making it difficult to keep up with the right practice. Tilting your head backwards is common misconception. Currently, Red Cross standards and most clinicians inform us to sit neutral, tilt head slightly forward, pinch the bridge of the nose, and wait for 10-15 minutes.”

NHS advice on what to do if you have a nosebleed

The NHS website advises that if you experience a nosebleed, you should sit down and lean forward, with your head tilted forward and your mouth open; pinch your nose just above your nostrils for 10 to 15 minutes; and breathe through your mouth. It adds: “Holding an icepack (or a bag of frozen peas wrapped in a tea towel) on the top of the nose may help reduce the blood flow. But the evidence to show it works is not very strong.”

It also provides guidance on what to do for the 24 hours following a nosebleed. To reduce the likelihood of another nosebleed, for 24 hours afterwards, it recommends you should try not to pick your nose, blow it, or pick any scabs.

It also suggests avoiding lying down flat, doing any heavy lifting or strenuous exercise, or consuming hot drinks or alcohol.

Dr Amir Khan tells patients what not to say in his practice

The doctor’s guidance comes a day after he shared with Instagram followers a list of things he does not want to hear from his patients. The reassuring post, which we reported about on Friday, stated people should not apologise for their weight, their toenails, or their hairy legs.

He said: “Please, you’re having a medical examination, I am not bothered about anything else. “He also said people should not apologise if they feel the need to cry, or if they cannot remember the name of their tablets. And he said: “Please don’t say things like I’m sorry to waste your time.

“If something is worrying you enough that you’ve come to make an appointment to come and see me, that’s what I’m here for.” He concluded by noting: “The only thing that I care about is that you feel able to tell me what’s really going on.

“Because the thing you might be embarrassed about might actually be really important, and I can’t help something you feel ashamed to tell me. So, come as you are, cry if you need to, don’t shave anything on my account, and please stop apologising for just being a patient. You’re not an inconvenience, you’re literally the reason why I’m here.”

Find episodes of the podcast on YouTube, Apple or other platforms.

Apple TV, the streaming service known for series such as “Ted Lasso” and “Severance,” is raising its prices, effective immediately.

A monthly subscription will cost $14.99, up $2. The annual plan climbs by $20 to $119.99. This marks the tech giant’s fourth price bump in the last four years.

Other Apple bundle plans are seeing price increases as well. Apple One’s individual plan, which includes access to Apple Music, Apple Arcade, cloud storage and other features, is going up $2 to $21.95 per month.

The Cupertino-based tech giant does not offer an ad-tier, unlike some of its competitors that use ad-supported subscriptions as a lower-cost option for consumers.

Apple TV is the latest streamer to increase prices. The industry has sought to bolster bottom lines against the rising cost of programming.

Earlier this month, Peacock bumped its pricing, ahead of the new NBA and NFL season. The NBCUniversal-owned streaming service’s ad-tier will now cost $12.99 monthly, up from $10.99, while its most expansive plan will be $19.99 per month, up $3.

ESPN is also raising its streaming prices in September. The Disney-owned sports giant’s unlimited plan will rise from $29.99 to $31.99 a month. The annual cost is also rising — from $299.99 to $319.99.

Amazon Prime Video, Netflix and YouTube Premium also hiked prices earlier this year.

Apple TV+ launched in 2019 at $4.99 a month and was a low-cost perk for Apple users. The tech company still offers a free three-month trial to customers who purchase a new Apple device.

Over the last several years, Apple TV has sought to distinguish itself from competitors by offering premium, original series. It’s home to over 300 original movies and TV shows, including “Ted Lasso,” which returned for its fourth season earlier this month. Many of its shows have also attracted award show attention. Last year, Seth Rogen’s “The Studio” took home 13 Emmys. This year, the streamer’s shows “Widow’s Bay” and “Pluribus” are up for 19 and 18 awards, respectively.

Apple TV also recently secured the rights to Formula One races in the U.S, and offers Major League Baseball and Major League Soccer games.