animal

“Pond rules” dictate that if an animal is hungry, the creature that’s about to become a meal should accept its fate. That’s the first lesson that Mabel (voiced by Piper Curda), an idealistic university student whose mind is transferred into the body of a robotic beaver, learns while interacting with wildlife as one of their own in Pixar’s inventive “Hoppers.” In typical human fashion (we love to meddle with nature), Mabel ends up breaking that directive by saving a “fellow” beaver, the slumberous Loaf (Eduardo Franco), attracting unwanted attention that leads her to a wacky group of characters who will transform her rigid young worldview.

For his second feature, Daniel Chong, best known for creating the popular “We Bare Bears” series for Cartoon Network, has unleashed a hilariously unexpected and outrageous crowd-pleaser with “Hoppers.” Recently, I bemoaned that a movie like Sony’s “Goat” stood as further proof that talking-animal animated films had mostly run their course. Chong and screenwriter Jesse Andrews swiftly push back on that read with this environmentalist tale in defense of people who stand up for something, even when it seems no one is willing to stand beside them.

“Hoppers” is Pixar by way of a creator, Chong, whose career isn’t exclusively tied to the studio. That’s likely why his movie is more daring in its humor and tone, bringing a refreshing infusion of mischief to Pixar while maintaining the genuine emotional gravitas that has endeared the company to audiences for over 30 years.

Why is Mabel’s psyche roaming around inside a fake beaver à la “Avatar”? After discovering that this technology has been developed by one of her professors, Mabel thinks it could be the answer to saving the local forest glade where self-aggrandizing mayor Jerry (Jon Hamm) wants to build a highway. Mabel’s grandmother instilled in her an appreciation for nature as a reminder that she’s part of something greater than herself. Collecting signatures isn’t yielding results to stop construction, so, to the dismay of the scientists in charge, Mabel hops into the human-made mammal to learn from the creatures themselves why they’ve left the glade, giving Jerry carte blanche to destroy their home.

The poignancy-to-comedy ratio is precisely calibrated. Sharp gags, whether visual or in superbly timed lines of dialogue often laced with irony, work on multiple levels. A few moments like an accidental death or the wild introduction of an aquatic character are so wonderfully out of left field they make one’s head spin. That also goes for instances late in Mabel’s adventure in which “Hoppers” steps into amusingly creepy terrain, paying homage to the horror genre. These impish touches involve a wicked caterpillar (Dave Franco) whose mother, the Insect Queen, is voiced by acting royalty Meryl Streep. Each group of animals has its own ruler.

Since most scenes occur in the forest glade, the artists at Pixar have created strikingly rendered settings which, while aiming for photorealism, also have a fantastical glow to them, highlighting the inherent magic of nature. That such a seemingly commonplace location is elevated to feel mesmerizing speaks to how animation can make the mundane anew. That’s on top of how the rotund beavers in “Hoppers” have been conceived for maximum cuteness. One of them, Mabel’s guide through this ecosystem, is the disarmingly adorable King George (Bobby Moynihan), who wears a tiny crown (Where did he get it? No one knows) and rules over all mammals with a gentle hand.

Mabel’s friendship with King George, who doesn’t know she is human, becomes the movie’s heartstring-pulling core. The jovial royal believes he can persuade Jerry to change course. Mabel, conversely, doesn’t think Jerry will listen. Her cynicism and King George’s sincere faith in others clash. Among Mabel’s non-furry pals, Tom Lizard (Tom Law) becomes a scene-stealer. (The crazy-eyed, eloquent reptile first became an online sensation as part of a post-credits scene in “Elio.”)

Chong and his team include a minuscule but brilliant detail that illustrates how character design can have major narrative impact: When the animals are speaking among themselves, their eyes are large and expressive, full of life. But when the film takes the perspective of a human looking at the forest dwellers, their eyes appear small and dark, almost nondescript. It’s a subtly visual symbol for how we often fail to gaze at others with understanding.

There are many heavy hitters still to come, but “Hoppers” feels like the first great animated movie of the year. At a time when our right to protest is under siege, this sci-fi yarn exalts the way an individual’s conviction can plant seeds of change, leading to a stronger sense of community. Neither simplistically optimistic nor preachy, “Hoppers” smuggles timely ideas inside a rodent body. Pond rules would probably call that a beaver victory.

Ramadan is in full swing in Los Angeles, where a community of hundreds of thousands of Muslims is observing a month dedicated to fasting, prayer, reflection and service. With the unfolding war in the Middle East, the holiday holds even more significance for locals with ties to the region.

The Islamic holiday began Feb. 17 and ends March 19, during which observers fast from dawn to sunset to foster discipline, self-control and gratitude. Observers break their daily fast with an iftar, a festive meal shared with loved ones after sunset. Many also rise before dawn for a suhoor meal.

Halal, which translates to “permissible” in Arabic, pertains to the type of meat and the way it’s prepared. Pork and its byproducts are not allowed, and a Muslim must slaughter the animal while invoking the name of Allah. The animal must also be healthy and blood should be completely drained after slaughter.

This Ramadan season, several L.A. restaurants are offering late-night hours, special iftar menus and discounts for the holiday.

“The demand for iftar and halal food is skyrocketing,” said Assad Shalhoub, a member of MENA Creator Club, a community group for Middle Eastern and North African content creators that organized an iftar gathering at West Adams’ Maydan Market. “I think a lot of people are becoming more proud of their culture and their heritage, and with that comes a lot of people seeking things like this.”

Here are eight halal restaurants to break fast and share a meal with loved ones during Ramadan.

A woman who was mauled by a dog at a Los Angeles city animal shelter has been awarded $5.4 million by a jury.

Genice Horta, 51, said that neither the shelter nor the rescue group she worked for told her the dog, a Belgian Malinois named Maximus, had bitten a teenager and a shelter employee, sending both to the hospital.

After six surgeries to repair the bones and nerves in her right arm, Horta was left with permanent damage, according to a brief by her attorneys in the lawsuit she filed in 2022.

After a 10-day trial, the L.A. County Superior Court jury decided last week that the city was 62.5% liable, the rescue group was 25% liable and Horta was 12.5% liable for medical expenses and pain and suffering.

It was the third multi-million payout in recent years involving allegations that the city animal shelters failed to notify potential adopters that a dog had bitten and seriously injured someone, as required by state law.

Horta’s case “revealed a series of serious and preventable mistakes made with respect to warning about Maximus’ bite history and adopting out and failing to control a dangerous dog,” one of her attorneys, Ivan Puchalt, said in a statement.

A spokesperson for the L.A. City Attorney’s Office did not respond to requests for comment.

Agnes Sibal-von Debschitz, communications director for LA Animal Services, said in statement that according to department policy, “staff must provide a bite and behavioral disclosure to any person receiving an animal with a prior bite history.”

The policy was formally enacted last November in response to a $3.25-million settlement reached by the city with Kristin Wright, who was severely injured by a pit bull she adopted from the South L.A. shelter. Wright said the shelter didn’t inform her that the dog had bitten his previous owner’s elderly mother in the face.

The rescue group, HIT Living Foundation, did not respond to a request for comment.

HIT Living Foundation hired Horta to drive Maximus from the East Valley Animal Shelter to Arizona. She had no prior experience with shelter dogs, according to the city’s attorneys.

On Sept. 23, 2020, after a shelter employee told Horta that Maximus had “kennel anxiety,” she offered the dog a treat containing trazodone, a common anxiety medication for dogs, according to an amended complaint by Horta’s attorneys.

Maximus took the treat, then lunged and latched onto Horta’s right hand and arm. A fuzzy video of the attack was played in court during the trial.

Horta alleged that the shelter employee who brought Maximus to her car negligently failed to control him and never told her the dog could be dangerous. During the attack, the employee was gripping a metal pole with a cable looped around Maximus’ neck.

The employee, Jose Humildad, testified that he told Horta not to approach Maximus with the treat.

Maximus’ previous owners surrendered him to the shelter after he bit their 15-year-old daughter on the foot, leaving deep puncture wounds and requiring hospital treatment, according to the brief by Horta’s attorneys, and several weeks later, Maximus bit a shelter employee who went to the emergency room for a severe bite to the abdomen.

Horta said she never was told of the attacks, which made Maximus unsuitable for public adoption, and he was placed on the city’s New Hope list, which is accessible to registered nonprofit rescues.

Shelter employees had documented Maximus “viciously biting and snapping at people walking past his enclosure,” according to the brief by Horta’s attorneys. One employee wrote “USE EXTREME CAUTION!!!”

Horta’s attorneys argued that Maximus was so dangerous that he should have been euthanized.

The city pushed back on that interpretation.

L.A. animal shelters are not “death row in Mississippi at midnight,” Deputy City Atty. Joshua Quinones said in his closing argument Thursday afternoon. “This is a rescue operation.”

Quinones also argued that Maximus already had been sold to HIT Living Foundation when he bit Horta.

Trying to find Maximus a home, animal rescuers posted repeatedly on Instagram days before the 1-year-old dog bit Horta, describing him as a “handsome misunderstood pup” and a “young troublemaker” in danger of being euthanized.

The post said Maximus had a bite history but provided no details.

My husband and I live in Mission Viejo. Our older son, his wife and two children (ages 5 and nearly 4) live in Newhall. We love spending time together, but it’s quite a trek on the 5 Freeway. Last year, we went to the aquarium in Long Beach, which was great fun. Another day, we enjoyed a day of hiking and a picnic at Placerita Canyon Nature Center near my son’s home. We would love some suggestions about other places to visit which would maybe be a little more centrally located and fun for the whole family. Thanks
— Cathy McCoy

Looking for things to do in L.A.? Ask us your questions and our expert guides will share highly specific recommendations.

Here’s what we suggest:

Cathy, I understand your pain. Driving 80 miles can feel like an odyssey, especially in SoCal. Thankfully, there are loads of fun places where your family can meet in the middle (or close to it). I’ve rounded up some solid options. By the way, the driving times mentioned here are a rough estimate for a weekend day without traffic, but as you probably know, your actual time may vary.

Since you all enjoyed the Aquarium of the Pacific in Long Beach, how about switching it up and spending the day with a different set of animals at the Montebello Barnyard Zoo for your next outing? That would be about a 40- to 50-minute drive for both of you. Open since 1968, the zoo is home to horses, goats, sheep and donkeys that you can pet (and feed them for an extra $3). If you’re feeling adventurous, you can ride a pony or take a leisurely trip on a John Deere tractor train. “It’s a great place for young ones to learn that animals outside the home need and deserve the same kind of care that we show our pets,” Etan Rosenbloom writes in a Times guide to things to do with kids around L.A. General admission is $11, and you can sometimes find deals on Groupon as well. Afterward, head to Blvd Mrkt, a food hall in Downtown Montebello that sells a variety of food so everyone can get what they want.

Another great option is the South Coast Botanic Garden on the Palos Verdes Peninsula, which might be about an hour drive for both of you. I learned about this spot from my dear late colleague, Jeanette Marantos, who was a gardening expert in her own right. The garden, which has more than 2,500 species of plants and five miles of trails, also features a kids area, which features “a nursery rhyme theme with a large dollhouse, a charming bridge and plants matched to the stories,” Marantos writes. My editor Michelle Woo also loves this garden. “You can take a leisurely walk along the accessible loop trail or get really into the nooks and crannies of the place, discovering trees with giant roots that kids love to climb on and koi fish swimming in a shaded pond,” she says, adding that she’s excited for Thomas Dambo’s trolls exhibit that opens in March. If you get hungry, you can stop by Dottie’s at the Koi Pond, which sells food, beer, wine and specialty cocktails on Saturdays and Sundays. Carry-in food is permitted if pre-prepared.

If you’re interested in space travel, then you should definitely visit the Columbia Memorial Space Center, which is the ultimate cosmic playground. Located in Downey (known as “home of the Apollo”) — about a 40-minute drive for you and a 50-minute drive for your son’s family — the recently renovated museum features a play area, robotics lab and interactive exhibits on space exploration including a shuttle landing simulator. Admission is $5 for adults and kids, $3 for seniors ages 65 and up and free for children ages 3 and under.

Speaking of aviation, another spot that is worth checking out is the Proud Bird in El Segundo, about a 45- to 50-minute drive for both of you. Here, you can enjoy delicious bites as you watch planes take off from Los Angeles International Airport, which is just a couple of miles away. Woo calls it “the perfect spot for a multi-generation gathering.” “Our extended family once celebrated Christmas there when everyone was too tired to cook,” she adds. “You can order solid barbecue from Bludso’s, have a drink by a bonfire pit and let the kids play on the playground as planes fly by.” She also suggests the Point in El Segundo. It’s an open-air shopping and dining center that has a large lawn where the kids can play and the grownups can grab a drink from Lil’ Simmzy’s.

I hope these recommendations are useful as you plan your next family outing (and that they also save you some gas money). Whatever you end up doing together, I’m sure that your family, especially the little ones, will just be grateful to spend quality time with you. Have fun!

We’ve seen animated animals belt out tunes in the “Sing” movies. We’ve learned about “The Secret Life of Pets” (twice). And we’ve visited them in “Zootopia” (also on two occasions). Now we get to see them play basketball. “Goat,” produced by Golden State Warriors prodigy Stephen Curry, is yet another underdog story about following your dreams wrapped in a by-the-numbers sports movie. It feels utterly unoriginal on multiple fronts.

Taking the popular acronym GOAT (Greatest of All Time) to its most literal form, the first feature by TV animation veteran Tyree Dillihay — from a screenplay by Aaron Buchsbaum and Teddy Riley — follows an anthropomorphic young goat who aspires to become the GOAT.

A lifelong fan of roarball (this film’s version of basketball), Will, who is voiced by Caleb McLaughlin, dreams of playing for his hometown team, Vineland. His admiration for the sport is embodied by Jett Fillmore (Gabrielle Union), Vineland’s most accomplished player, who carries the entire team on her back — she wants all the glory of victory for herself.

The world of “Goat” is divided between “smalls” and “bigs” (unlike “Zootopia” where the separation is between predators and prey). Will considers himself a “medium” but in the eyes of professional roarball players, he’s tiny. Still, after going viral for bravely challenging Mane Attraction (Aaron Pierre), one of the sport’s major stars who is double his size, Will lands a chance to play in the big leagues.

To the credit of the writers, roarball is a rather inclusive sport. There are no gendered teams, nor any discrimination based on species. Will might be the first “small” to make it big, but that stems from the public’s prejudice, not from rules that ban animals like him from playing.

Desperate for instant relevancy (like plenty of animated features these days), “Goat” is steeped in vapid internet references, from crypto to online memes. Sports fans, however, will find specific allusions, like contentious press conferences and even the kiss cam. Rowdy and kinetic from start to finish, “Goat” does in fact reflect the fast-paced dynamism of basketball, but it soon reveals itself a sugar rush without much substance.

Once Will joins the team, a “never meet your heroes” lesson ensues, since Jett feels like he’s usurping her position. Animosity on her part creates tension until Will opens up about his personal reason for playing. The emotions are not complex here, but they are heartfelt, thanks to how McLaughlin and Union conjure up larger-than-life personalities via their voice performances.

Meanwhile, Will’s other teammates — a rhinoceros, a giraffe (played by Curry himself), an ostrich and a Komodo dragon — don’t feel distinct enough from the ensemble casts of other animated projects like “Sing.” Each member of the assortment has their quirks, some of which occasionally yield a chuckle: Archie (David Harbour), the rhino, has two comically violent kid daughters.

There’s no denying “Goat” has a vibrant aesthetic, but that alone can’t overwrite its defects. Back in 2018, Sony Pictures Animation dazzled the industry when “Spider-Man: Into the Spider-Verse” introduced an approach that mixed 3D CGI with traditional hand-drawn animation. This combination of techniques doesn’t make “Goat” particularly unique anymore.

What’s most impressive, visually, about “Goat” is the way the natural world blends with the urban settings. Vineland, Will’s neighborhood, is indeed covered in vines and yet the vegetation appears organically integrated into the infrastructure. Each game takes place in a different ecosystem. The finale, for example, unfolds amid cracked volcanic rocks and lava. There’s visible handcraft and care in creating these backdrops for the action.

A mixed bag of eye-catching imagery and formulaic writing, “Goat” disappoints because it follows every expected path toward a triumphant conclusion. Its premise could have offered up a kid-friendly reading on failure that doesn’t simplify a way out of adversity. If talking animals will continue to be used as surrogates for human experiences — especially for young viewers — some nuance would be appreciated.