While many may flock to the huge French resorts of Val D’isere or Chamonix, for a more intimate romantic ski getaway one hidden Austrian getaway scoops the title
09:00, 02 Oct 2026Updated 09:28, 02 Oct 2026
Is Austria’s Gastein valley one of Europe’s most romantic winter getaways(Image: Atelier Wolkersdorfer)
There are ski resorts built for thrill seekers, and there are ski resorts built for those searching for glamour. Then there is the Gastein Valley in Austria, a place that seems designed for something else entirely – romance.
Hidden deep within the Alps in the province of SalzburgerLand, the valley’s twin spa towns of Bad Gastein and Bad Hofgastein combine sweeping mountain scenery, healing thermal waters and classic wooden ski huts that ooze quintessential Austrian charm.
While German may not be known as a romantic language, the Austrian alpine culture all but makes up for it with its cosy wooden lodges with roaring fires, extremely good local wines (I promise it’s not just Riesling), and let’s not forget about the fondue. Something I indulged in for the first time on a recent trip, surrounded by a roaring fire in said cosy lodge, at Bellevue Alm Gastein. Washed down with a good quantity of schnapps, of course.
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With plenty of lodges to curl up in, it’s clear why the region has quietly gained a reputation as one of the Alps’ most romantic winter destinations. The resort of Bad Gastein itself is unusual. Rather than spreading gently across a valley floor like most Alpine resorts, it clings dramatically to the side of a steep gorge.
After a walk around the town during golden hours on a brisk February evening, looking at the mountain views and the marvels of architecture that surrounded me, it hit me – I’m in a Wes Anderson film. The streets were lined with grand pastel coloured hotels perched perilously onto the mountainside, just like in one of my personal favorite films, The Grand Budapest Hotel. I walked through the flakes, feeling as though I had just stumbled onto a film set with Ralph Fiennes and Bill Murray.
But this wasn’t just a figment of my imagination. The cult-classic director is said to have traveled to Bad Gastein, seeking alpine inspiration for the Oscar-nominated hit. Clearly, he found it. It is especially easy to spot when looking up at the façade of the Grand Hotel de l’Europe. The hotel looks out over a cliff, a gentle waterfall crashing below, with all but a bright pink 19th-century funicular distinguishing it from the film itself.
As I continued my wander, the noise of the waterfall offered its own theatrical backing track – and one that becomes even more magical in winter, when mist from the waterfall freezes into crystals and snow dusts the pastel-coloured buildings. This is a magic that has been enchanting people for centuries, with the town having inspired many Romantic composers.
Franz Schubert and Johann Strauss found musical inspiration from the valley, while it is said Mozart himself was born in Bad Gastein before his pregnant parents moved to the nearby city of Salzburg.
Today, that historic grandeur remains, giving the resort a slightly surreal atmosphere that feels part Hollywood and the perfect place for a day together on the slopes.
Gary “Angry” Anderson, front man for the Australian rock band Rose Tattoo, has died. He was 79.
News of Anderson’s death came via the band’s Instagram account, which said he died Monday in Sydney. The vocalist had suffered cardiac arrest weeks earlier during Rose Tattoo‘s farewell tour in Europe.
“Angry was a devoted father, and much-loved member of his friends, bandmates and the wider music and entertainment community. His loss will be deeply felt by all those who knew and loved him both here in Australia and overseas,” the band said.
Reports of Anderson’s health problems first came to light when the band canceled an appearance at the Alcatraz Metal Festival in Kortrijk, Belgium, on Aug. 9, stating on their Instagram account that the singer was in the hospital due to a “medical issue.”
By Aug. 10, Rose Tattoo had canceled all remaining shows on the band’s European tour as Anderson stayed in the hospital. Three weeks later, it was revealed via the band’s Instagram that the rocker’s medical issue was cardiac arrest and that he was receiving treatment and care.
Anderson was the most veteran member of Rose Tattoo, a hard rock and blues band that formed in Sydney in 1976. The group is known for tracks including “Rock ‘n’ Roll Outlaw” and “Bad Boy for Love,” and some of their discography was covered by Guns N’ Roses early in their career, including “Nice Boys” for the 1986 EP “Live ?!*@ Like a Suicide.” Rose Tattoo would later open for the L.A. hard rock band while on tour in Australia in 1993 for their Use Your Illusion Tour.
In the band’s bio, bandmates are described as as “four tall, gaunt men with unnaturally spikey red hair” — which at the time included Pete Wells on slide guitar, Ian Rilen on bass, Dillas “Digger” Royall on drums and Mick Cocks on guitar. Anderson was described as the “fifth out front stocky and furiously shaven” member, standing at 5 feet, 1 inch tall.
“[They] aren’t an average sight,” the biography states. “Even in the realm of Rock ’n’ Roll excesses.”
Apart from his role in the band, Anderson gained fame internationally as a solo artist when his debut 1987 single, “Suddenly,” earned critical acclaim and appeared on the charts in Australia, Belgium, New Zealand, the Netherlands and the United Kingdom.
The track was used as the wedding theme in an episode of the Australian soap opera “Neighbours,” in which characters Scott Robinson and Charlene Mitchell got married.
Anderson was also a youth advocate, reportedly serving as an ambassador for national child protection campaigns. According to the Australian Broadcasting Corp., he has been connected to numerous children’s hospitals, the Starlight Children’s Foundation, as well as the Make-a-Wish Foundation and Canteen, a support organization for youths with cancer.
In 1993, he was made a member of the Order of Australia for his role as a youth advocate.
After longtime members of Rose Tattoo died from various forms of cancer, Anderson became an advocate for men’s health and conducted campaigns to raise awareness about prostate cancer in 2007. Wells, the guitarist, died of prostate cancer in 2006 at age 59.
Anderson stirred controversy with forays into politics. In 2007 he espoused controversial views about immigration and Muslim communities in Australia. In 2016, he was endorsed as Senate candidate by the Australian Liberty Alliance, a right-wing group that opposes Muslim immigration.
Anderson’s son Liam was killed in 2018. The singer is survived by children Galen, Roxanee and Blaine Anderson.
The Justice Minister, Naomi Long, is due to meet the family later this week.
Anderson failed to return to prison on 14 September and was last seen in the Eastway area of Derry.
Det Insp Gareth Lavery of the Police Service of Northern Ireland (PSNI) thanked “everyone who assisted with our enquiries since our public appeal last Monday”.
He added that officers “conducted extensive enquiries during this investigation to locate Gary Anderson”.
Lavery also thanked An Garda Síochána officers “who arrested Gary Anderson today and for all of their help with this investigation over the last week”.
“PSNI is now working with relevant authorities in order to return Gary Anderson to custody, and we will provide an update in due course.”
An Garda Síochána asid they arrested a man, aged in his 20s, in Donegal as “part of a planned operation”.
“He is being detained under the provisions of Section 4 of the Criminal Justice Act, 1984, at a station in the Garda North Western Region.”
Buncrana is about a 30-minute drive from the Irish border.
The town is popular with visitors from the north-west of Northern Ireland.
Born into an African American family with a grim history of enslavement, Marian Anderson was determined from an early age to master the art of singing for the concert hall. A contralto of great range and warmth, Anderson’s abundant gifts as a performer of spirituals, arias and German Leider brought her global fame even as she endured the indignities of racial discrimination at home. Her Easter Sunday performance at the Lincoln Memorial in 1939 in front of 75,000 spectators remains a touchstone of defiance in an age of racial violence.
Anthony Tommasini’s excellent biography of Anderson, “Voice of A Century,” reclaims the singer as a great artist who only embraced her power as a symbol of racial equality much later in life. I spoke with Tommasini about Anderson, Franz Schubert and Albert Einstein.
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✍️ Author Chat
Anthony Tommasini’s biography reclaims Anderson as a great artist who embraced her power as a symbol of racial equality later in life.
(Ahna Tessler Photography)
I feel like people know Marian Anderson in the abstract, but they regard her as a symbol rather than an artist. And among the virtues of your book is that you reestablish Anderson’s legacy as a great singer and performer.
She was a contralto, which is the lowest female vocal register. But that register had such resonance, and she had complete control over it. She also had enormous range; the uncanny, beautiful thing about Anderson’s voice is that when she started ascending even into the soprano sphere, she held those notes so beautifully. They were emanating from below, grounded in that low voice. It made for a mesmerizing sound. I’ve made a playlist to accompany the book.
She embodied this kind of fierce dignity and grace in the face of racial discrimination. But as you point out, she was reluctant to make herself a symbol of the civil rights movement, preferring to let audiences focus on her artistry.
In 1939, she was banned from performing in Washington’s Constitution Hall because of her race, and her manager, with help from Eleanor Roosevelt, arranged a performance in front of the Lincoln Memorial on Easter Sunday. Yet, the night before the performance, she was trying to get out of it. She felt the whole affair had turned into a civil rights demonstration. When it came time to write her memoirs in 1956, she wanted to excise the event from the book. She felt that what she could do is be an example of excellence and possibility for aspiring black artists.
She did play to segregated audiences, even long after she had become a national star.
[This type of segregated performance featured what] was called vertical seating. But she refused to forsake her career, which she had worked so hard to attain, and so she played these segregated shows. Eventually, there was a performance in Virginia which was boycotted, and that sort of broke the trend. She then performed in front of an integrated audience in Florida.
There is an encounter with Albert Einstein, of all people, who counsels her to take a stand against these racist booking policies.
In 1937, she showed up for a concert in Princeton, New Jersey, only to discover she was being refused a room at the Nassau Inn. As it turns out, she had a friend in Princeton who had seen her at Carnegie Hall and had meekly gone backstage to meet her. This was Albert Einstein, who was teaching at Princeton University at the time, and who offered to put Anderson up for the night at his house. He really pressed her on being more outspoken on racial equality.
Anderson played Europe multiple times in the 1930s, right before the rise of Hitler and the Third Reich. As you write, German audiences were blown away by Anderson’s mastery of their music, specifically Franz Schubert’s Lieder, or art songs, which were among Anderson’s most beloved repertoire.
So extraordinary, right? She also made two tours of the Soviet Union during that time. They went crazy for her in the Scandinavian countries, as well. But for the German audiences who are so nationalistic about their Leider, it was confusing. They couldn’t imagine how a Black American woman could sing their music so beautifully.
Anderson was the first Black soloist to perform at the Metropolitan Opera in New York, in Verdi’s opera Un ballo in maschera.
That was really a huge risk and a huge leap for her. She wasn’t a trained opera singer, and she had to dig deep into that material. She was already 58 by that time. There is a radio recording of the performance. There’s this dignity, like she’s calling upon this power. It’s exhausting and it’s draining, but it’s also exhilarating.
This Q&A was edited for length and clarity.
📰 The Week(s) in Books
Book jacket for “Body Language” by Meg Howrey
(Los Angeles Times illustration; jacket from Doubleday)
Marlon James has published his highly anticipated new novel “The Disappearers,” a sprawling story about gay culture in ’80s Jamaica, and Mark Athitakis is quite taken with it. “James is … determined to unwind the cliches of gay fiction: the tragic victim, the heartwarming gestures of solidarity, the blunt porniness,” he writes. “Mere survival will have to be enough for most of these characters; the sense of fear is pervasive, but so is a determination to work through it.”
What’s it like to be the primary dissenting liberal voice on Fox News? Stephen Battaglio found out when he talked to Jesssica Tarlov about her hybrid memoir and self-help book “I Disagree.” “I have a good amount of shyness to me,” she tells Battaglio. “I have a lot of imposter syndrome. I’m constantly in wonder that I ended up getting to do this and that hopefully, am the right person to do it.”
Finally, Emily Wilson, the classicist who has been a lightning rod of controversy over her disparaging remarks in regard to the film version of “The Odyssey,” is going to translate Homer’s epic for a second time, reports Emily St. Martin.
📖 Bookstore Faves
The Hammer Museum’s gift shop is one of the best art book shops in L.A.
(Eric Petschek)
Sure, the Hammer Museum’s gift shop stocks the requisite art-themed mugs, tea towels and tchotchkes, but it’s also one of the best art book shops in L.A. Inside the sleekly designed Hammer Store is a vast inventory of monographs, children’s books and critical texts about modern and contemporary art. In an email exchange, store managers Sara Beattie and Brooke Berlin tell us what museumgoers are buying right now.
Hammer’s store is really the best museum bookshop in L.A. How do you decide what to put on the shelves?
We’re an eclectic bunch of book nerds and love the written word. We start by looking at upcoming programming, exhibitions and the season, and we buy accordingly. And we have a great team that gives us suggestions. We’ve learned to trust our instincts. The Hammer is an experimental institution, and we approach our buying in that spirit.
Do you have patrons that are not necessarily there to check out museum exhibits?
Of course! We’re not only a museum, but a cultural center, which means there’s always something happening — like mindful meditation on Thursdays, or family programming on weekends, or people coming in just to enjoy a meal at Lulu.
What kinds of books tend to do well for you?
Art monographs, especially on contemporary or Los Angeles artists; books about living more conscientiously; and everyone loves a children’s book (even if it’s just to heal your inner child). We love finding unique books that can’t be found elsewhere. Whenever we can, we work with small presses and book distributors. They often make books that can only fully be enjoyed or understood by seeing them in person.
Is there any particular title that is presently selling well?
Why do we still enjoy art books, when we can look at millions of paintings and sculptures on the internet?
Why go outside if you can look through a window? There is a lot of talk of people returning to the analog or physical media, and that includes renewed interest in physical books. BookTok is huge. People love talking about books and showing off their special deluxe book editions on TikTok. Art books by their very nature are deluxe, image filled and thoughtfully designed. A well-produced book is an art object in itself. Nothing beats the experience of paging through a beautiful book. That experience can’t be replicated on a screen.
The Hammer Museum store is located at 10899 Wilshire Blvd., Los Angeles.
LAURA Anderson has admitted she felt like the ‘biggest faliure’ after her split from Gary Lucy as she shared an emotional post about being a single mum.
Laura Anderson has admitted she felt like the ‘biggest faliure’ after her split from Gary LucyCredit: Instagram/@lauraanderson1xLaura shared an emotional post about being a single mumCredit: Instagram/lauraanderson
She wrote: “One day you’ll go through a break-up with your child’s father and you’ll think that being a single mum is the biggest failure.
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“And then one day, not suddenly, but slowly and surely, you’ll look back and feel so proud of the mother you are and what you have been able to overcome.
“You’ll be proud of how much your child is thriving and how much you’ve achieved by yourself.
Laura revealsed that one day you can look back and be proud your child is thrivingCredit: InstagramLaura has taken savage swipes in the past at her ex GaryCredit: lauraanderson1x/InstagramLaura and Gary split not long after they revealed they were having a child togetherCredit: Not known, clear with picture deskThe couple split for good shortly before their daughter Bonnie was born in 2023Credit: INSTAGRAM/LAURA ANDERSON
“Because the one thing that determines the happiness of a child is the happiness of their mother.
“Her peace within the home and within her mind.
“And the only thing you’ll regret is not realising that sooner.”
Fans flocked to comment and one wrote: “Your an amazing mama to your baby Bonnie.”
Another added: “Absolutely agree.”
While a third stated: “Beautiful.”
Laura and Gary met while looking for love on Celebs Go Dating back in 2022.
Despite it being against the E4 show rules to date fellow celebs, the experts gave the green light after seeing their romantic spark.
During their whirlwind relationship after the cameras stopped rolling, Laura fell pregnant.