Hollywood is filled with book-to-screen adaptations that have ignited grumbling and spirited debates. Even before its release, Zoe Kazan’s interpretation of John Steinbeck’s sprawling 1952 masterwork, “East of Eden,” roused passionate opinions from loyalists of the text on social media.
Much of the discourse surrounds Kazan’s creative choice in how to portray the book’s infamous antagonist, Cathy Ames, in Netflix’s seven-episode limited series out Thursday.
Steinbeck’s multigenerational saga ruminates on family, the power of choice and the nature of good and evil — deeply exploring the biblical stories of Cain and Abel and the fall of Adam and Eve — through the intertwined destinies of two families, the Trasks and the Hamiltons. Cathy (later known as Kate) functions as a chilling, destructive force in the saga.
Kazan pared down much of the Hamilton family’s story for the show and centered Cathy (Florence Pugh), whose arrival alters the lives of the Trask brothers, Adam (Christopher Abbott) and Charles (Mike Faist). In doing so, Kazan dared to humanize the character who has been considered one of literature’s most definitive symbols of pure evil, described by Steinbeck to be a “psychic monster” born without a conscience or kindness.
“I’m trying to protect my mental health by not being too much online,” Kazan said in a video call from London on a recent weekday. “I do think it is not surprising to me that this character brings up a lot of strong feelings for people … I’m excited to see what people think once they actually see what we have made and aren’t just anticipating something.”
Mike Faist as Charles Trask, Christopher Abbott as Adam Trask and Florence Pugh as Cathy Ames in Netflix’s “East of Eden.”
(Netflix)
When Kazan, an actor who has expanded her creative footprint behind the camera, first pitched the series in 2019 and was asked about which actor she envisioned as Cathy, she replied: “I have one.” She had seen Pugh in “Midsommar,” “Lady Macbeth” and “Little Women,” marveling at how the actor’s ultra femininity lived alongside her masculine energy.
“The range on that girl … I was like, if anybody can do that, they can play Cathy,” Kazan says. “It allowed me to write Cathy as complicated and mysterious [as I wanted] and with so much shadow and light.”
When it came to Adam and Charles, Kazan knew Abbott and Faist could depict the psychological nuance beyond the binaries of the nature versus nurture debate: “I wanted an Adam where you felt what his true nature was and the nature that his father had pushed him into … and I knew we needed that in Charles as well.”
Adapting a classic is hardly a simple endeavor, particularly one that has been done before. That Kazan would choose “East of Eden,” which unpacks legacy and generational shadows is apt: Her grandfather, Elia Kazan, famously directed the 1955 film version starring James Dean. The actors of the Netflix series are eager for viewers to see her vision come to life.
“When you do an adaptation of a book, especially a seminal American novel, no matter what, you’re always going to be up against it because … whenever somebody reads a book, the budget in their heads is unlimited,” Abbott says. “I think this is such a great adaption in its own right.”
Pugh adds: “I’m excited for people to do the stuff that I’m doing now, which is [to say], ‘Oh my God, let’s read this and see how it fits against what I’ve got in my head.’”
Over a video call together, Pugh, Abbott and Faist reflected on their journey to adapting Steinbeck’s epic story, including their first experiences with it and filling in the shades of these characters who remain timeless allegories of the human condition. This conversation, which contains spoilers, has been edited for clarity and length.
Florence Pugh, left, Christopher Abbott and Mike Faist take on some of literature’s most indelible characters — Cathy Ames, Adam Trask and Charles Trask — made famous in John Steinbeck’s classic “East of Eden.” (Photographs by Sophia Spring / For The Times)
When did you first encounter the book?
Faist: My first encounter with the story was the James Dean, Elia Kazan film. That was a movie that I watched, especially when I first moved to New York and wanted to be an actor. It wasn’t until Zoe and Florence asked if I’d be interested in doing this, that I picked up the book.
Pugh: I want to say maybe my early 20s, I read the book. I only watched the movie recently to prepare myself for these kind of conversations. I’m rereading the book now while we’re heading into press, just so I can like fine-tune what I thought I knew … there’s so much love that’s being breathed into every single sentence of every chapter [in this adaptation], and that is solely down to Zoe’s fantastic brain and her ability to want to dig deeper.
Abbott: A lot of my favorite books I’ve picked up and put down numerous times before actually plowing through it — that was the case here until Zoe approached me about doing it. I was like, “Well, this is a perfect excuse to finally [finish].”
This adaptation lit up social media early on for centering Cathy. She is such a polarizing figure. Some see her solely as an evil monster. Some argue there is more nuance to what’s driving her actions. Florence, how do you see her?
Pugh: It’s tricky because I know I’m gonna get asked this again and again, and I guess I’m still trying to figure out how to word it without totally pissing people off. I love finding characters that people automatically think are villains and trying to find a way for you to love them — it’s my favorite thing to do.
I read these episodes, and I was listening to Zoe and how she was wanting this to come from Cathy’s perspective, how Cathy was her hero and how she’s just been championing Cathy ever since she first read the book — that was so f— exciting to know that we’re not gonna just point the finger and say that she’s evil. It is my job to do my skills as good as possible so that I can argue in defense of them. I believe that I can argue for her, which is terrifying but also really cool. I care for her deeply. I understand where she went and why. Does she do some terrible things? Absolutely. Is she a product of the situation that she grew up in? Totally. You can’t get raped as a child and and you be totally fine for the rest of your life.
Florence Pugh as Cathy Ames. She hopes the adaptation prompts curiosity: “I’m excited for people to do the stuff that I’m doing now, which is [to say], ‘Oh my God, let’s read this and see how it fits against what I’ve got in my head.’”
(Netflix)
That detail was not explicitly stated in the book. What were your conversations with Zoe about it?
Pugh: That’s why we ended up choosing the way that we explained it and the way that we showed it — that little girl is so tiny you can’t even imagine anything bad happening to her, and the fact that she’s holding “Alice in Wonderland,” [in her mind], there’s so many through lines through Cathy and Kate’s life that all come back to that moment. You don’t need to do much. Everybody has the sinking feeling of what might happen to a vulnerable child in that situation. In the book, I think it’s constantly playing with the themes of can we trust her? Is she already a monster as a child?
What Zoe has done is made her a real human, and has given her cause and has given her time to understand. That moment that is alluded [to in the book ] — if Cathy asked the boys to tie her down, and whatever it is that they were doing to her — it’s no longer alluded [in the series]. That [assault] happened, but maybe people didn’t believe her.
Mike, what were you interested in excavating with Charles, this Cain archetype who’s tormented by rejection and jealousy?
Faist: What is amazing about this story is — and it’s the entire through line of the entire novel — is this idea of timshel. What happens in a person’s life, and the burdens that they carry, then the choices they make, and every single moment as they continue to live it. Charles jumped out at me. There was just something about him that I was very drawn to — and along with that pull, there’s this feeling of dread, where you say, “Oh God, I can’t believe that I’m about to jump in and do this thing.” You end up surrendering yourself to it. It is scary and deeply exciting.
Abbott: I don’t have a brother. You forget too that they’re half brothers and what that dynamic is like, what kind of Freudian s— pops up. I think the through line for Mike and I, because there’s a lot of conflict there, that it always comes from a place from love. The letters, as they [Charles and Adam] get older, that are written or the letters that he starts to write and doesn’t send, when there is hate between them, it’s because they love each other so much. Otherwise, it would just be indifference. A lot of that happens in the things that are unsaid.
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1.Mike Faist as Charles Trask. (Netflix)2.Christopher Abbott as Adam Trask. He found the sibling relationship intriguing: “I don’t have a brother. You forget too that they’re half brothers and what that dynamic is like, what kind of Freudian s— pops up.”(Kirsty Griffin / Netflix)
When Zoe approached you, Chris, to play Adam, you questioned whether she actually meant for you to be Charles?
Abbott: I’m just used to being typecast, so I thought she made a mistake. Zoe’s mentioned this idea of masculine and feminine energy — what one presents and what one actually holds, and the old switcheroos of that. The very first email, I was like, “Oh, are you sure?” But I was excited to play with all the nuance of and the layers of what this is. I had seen the movie before, and it [covers] only the last 100 or so pages. It’s really gratifying to play a part where you get to see someone’s whole life and how this guy goes from being this wanderer, drifter to this to stoic, depressed, rigid older man.
What moment between these characters were you most eager or nervous to depict?
Faist: The scene that I reflect back on the most, that actively had the biggest impact on me, is the scene between Cathy and Charles, where she comes into his room and the two of them share this intimacy together. We had talked about what we were wanting to do, then on the day, none of it was really working. I remember Florence had this really specific thing she wanted to bring to the scene. And it was really powerful — there’s these very rare moments when you genuinely feel someone’s objective actively working against your own. [Pugh makes a quizzical face.] No, it’s good! It creates this friction and this tension that does exist and does live.
Abbott: That was your favorite, huh?
Faist: I’m sorry, Chris! That one was just such a visceral feeling of, I know what my character wants in this thing, and her character is very much wanting the exact opposite and the literal clash of that that moment and the feeling of that — I’ll never forget that.
Pugh: It’s such an important scene to get right because it literally is the ending moment of those two; it added so much pressure on the day of shooting. It’s actually really hard when you’re trying to do a sex scene that’s consensual, but it’s definitely not at the right time. The coolest thing about it is it wasn’t working and we had to push everyone out. Everyone was whispering and everyone was trying to figure out what they were comfortable with us doing and, eventually, Mike and I were just like: Right. Done.
Florence Pugh, with Christopher Abbott, left, and Mike Faist, says “East of Eden” endures because “every single one of these characters is struggling to survive realistically.”
(Sophia Spring / For The Times)
Chris, you have the daunting task of, in the closing moments of the series, delivering the word that’s the thrust of the whole story —timshel.
Abbott: I think that was the last scene I shot. I can’t say I was being lazy, but the character had a stroke so he was laying there. You just gotta listen [in a moment like that]. Hoon [Lee, who plays Lee] is reading from the Bible. You take in the room. I nailed it in one. [Pugh and Faist laugh.]
People have deep feelings about “East of Eden.” And it seems to have had a real resurgence recently, even outside of curiosity about this adaptation. Why do you think that is?
Abbott: That’s a big, existential [thing to think about]. There’s a ton of themes in the book that are relevant: displacement, family, love. The themes in the book aren’t specific to the time period. All great works are that.
Pugh: It’s also about generational trauma and change in healing. One of the things I recognized immediately when I started rereading the book months ago, the first few pages about the Salinas Valley describe very quickly that this place is about growth, change and moving on. What I’ve taken from our adaption of Cathy and her generational trauma and what she’s doing to her kids is that not everybody is going to get it right. The reason I think why people keep picking it back up is every single one of these characters is struggling to survive realistically, and they are all making decisions that affect and domino-effect other people around them. Us learning about how we could have done better will always be relevant. And especially with America, and what we’re watching in terms of its constant battle against racism and immigration. It’s relevant to life and to our lives.
EXCLUSIVE Coronation Street actress Sair Khan, who plays Alya Nazir on the ITV soap, has teased drama with the Barlows, and told viewers to watch out for Idris Nazir
There could be trouble in paradise for Coronation Street couple Alya Nazir and Adam Barlow very soon(Image: ITV)
There could be trouble in paradise for Coronation Street couple Alya Nazir and Adam Barlow very soon.
Sair Khan teased drama with the Barlows, an “uneasy journey” for Adam and Alya, and Sair also teased we should watch out for Alya’s villainous relative Idris Nazir. Sair spoke exclusively to the Mirror while promoting This Girl Can’s recent campaign, Move for 10.
The campaign aims to empower women – particularly those from underrepresented groups or communities – to reconnect with their bodies and find joy through movement. Sair spilled all about what was ahead on the cobbles, and whether she thinks her character Alya’s romance with Adam will last.
She said: “I think for Alya and Adam, there’s definitely not going to be an easy journey. As much as I want to see them committed, it’s not going to be the easiest journey for that to happen. So keep watching just for that. There might be a few obstacles in the way.”
Hoping to revisit the past, she added: “Don’t forget Tracy Barlow was actually responsible for Alya’s father’s death. I guess somewhere that’s not forgotten, even though time has passed.
“So, there is a lot of history there, and a lot of untapped potential either way, whether that’s them repairing and being unlikely friends, or there being a fallout.” Teasing Barlow drama on the way, Sair said she hoped Alya and Adam will make it through.
She said: “I really like the idea of them as a power couple, they’re both serious about their work, they’re kind of a modern day version of what we’ve seen before. I love working with Sam [Robertson] as well, and I really hope it does continue.
“Who knows, their relationship might get more serious in terms of the drama, which you can’t avoid if you’re in a soap opera! I know that Alya is going to be getting in between some of the Barlow drama, but, they’ve been so great with me and really welcomed me into that family, so I’m here for it. I’m here for the drama.”
As for Idris, Sair said she hopes Alya catches him out and holds him to account over his recent manipulation tactics. She said: “I think everyone would be wise to proceed with caution when it comes to Idris!
“As much as he’s family, he’s also a businessman, and he wants to look out for himself, and he’s not come from money and he’s come into it. I think he’s got the taste for success and he won’t necessarily let anyone or anything stand in his way.
“I would like to see him go further, and I would like to see Alya realise the way that she was gently manipulated into giving over her shares of Speed Daal, because at the moment, I think maybe it’s been a bit glossed over, or he’s made her think it’s her idea, whereas is that what she really wants? But there’s always time. Maybe she’ll get it back one day.”
Sair also spoke to us about her reason for taking on the Move for 10 challenge, revealing the positive impacted it has had on her. She told us: “I’ve always admired the This Girl Can campaigns that they’ve run since 2015.
“I just think it’s such a positive and encouraging message that they always send. I think this particular campaign really hit me in a different way. I’m in such a different stage of life than I was when I first started on Corrie.
“I think the campaign really resonated with me because it’s just so easy to do. I think that’s what I need at the moment, to just be able to slot something in into my life without too much fuss.”
She went on: “It’s just difficult because it’s all about balancing, with work and family life, but I almost think that that’s a bit of a myth these days, because sometimes you can do it all, and other weeks work is really busy, or someone at home is sick, and there is no balance to be seen. And I think in those times, you just have to be realistic with your expectations of what you can achieve and just do what you can.
“That’s why the Move for 10 really appealed to me, because it was something realistic, which meant I could still prioritise my own well-being, and still manage to do what I needed to do for my family and what I needed to do for work. I think that’s so important.”
Sair features in This Girl Can’s recent campaign – Move for 10 – which encourages women to move for 10 minutes, 10 times a month. Empowering women to reconnect with their bodies and find joy through movement, unlocking the powerful benefits that small but regular sessions can offer. To find out more search,This Girl Can Move for 10.
It is now 11 years since the Cherries were first promoted to the Premier League, meaning there is now a generation of supporters who will view top-flight football as the norm.
From that perspective then, qualifying and playing in Europe might simply appear the next logical step for a well-run and ambitious club.
“It’s a brilliant win in our first European game. It’s brilliant for the club and the 2,000 fans from Bournemouth,” manager Marco Rose told TNT Sports.
Yet for the vast majority of fans celebrating a famous victory on Thursday, the whole thing still seems surreal.
Just 18 years ago, the club was on the brink. A 10-point deduction for entering administration resulted in their relegation to League Two.
To even stay in the Football League for the 2008-09 season, they had to accept a 17-point deduction and agree not to appeal against the decision after it was ruled that, as they had been unable to agree a Company Voluntary Arrangement, they had not met their terms for exiting administration.
Thoughts of a £100m-rated midfielder picking out a Brazil winger to head Bournemouth to victory in Europe was the stuff of fantasy as the Dorset club battled for survival.
But that now is Bournemouth’s reality with Alex Scott swaggering around San Sebastian, showing why there is such a clammer for his signature among top Premier League clubs, and Rayan providing another example of why the Cherries will demand every penny of a reported £130m release clause to let him go.
Bournemouth have nothing to compare it to but this was a proper European away performance.
Up against a Real Sociedad side led by a World Cup-winning forward in Mikel Oyarzabal and who beat Atletico Madrid to win the Copa del Rey last season, they were dominant for 45 minutes.
They suffocated Sociedad with their relentlessness off the ball, winning the ball back high up the pitch time and again and showing the quality on the ball to create chances – even when the defence was set.
But there is an edge to the Basque side and, poor as they had been, that they came out fighting after the break was no surprise.
The adrenaline-fueled exuberance of Rose’s side in the first half appeared to catch up with them in the second, but their desire to compete never wavered.
Bournemouth are not known for their defensive resilience and, as Sociedad ramped up the pressure as the game wore on, thoughts might have turned to leads surrendered in each of their first four Premier League games.
But the Cherries, aided by the sharp reflexes of Djordje Petrovic in goal, held on to secure a famous win.
“It was very intense and tough,” Rose told TNT Sports.
“Brilliant first half in everything. The way we won balls and the possession high up. In the second half, we needed to suffer because we were not so sharp.”
Speaking on BBC Radio Solent, former Cherries full-back Charlie Daniels added: “It is a big occasion. A big moment for the club, and they should be applauded for it.”
Nearly 30 years after Judy Sheindlin launched a career that made her TV’s most widely recognized judge — first on the syndicated small claims series “Judge Judy,” which premiered in 1996 and ran for 25 seasons; then on Amazon Prime’s streaming show “Judy Justice” starting in 2021 — she’s passing her gavel to a fitting successor: her son, Judge Adam Levy.
The 83-year-old Sheindlin told People magazine that when “Judy Justice” wraps in October, she’s moving away from on-camera work to focus on other endeavors, including afternoon naps and developing the animated series “Judyverse” based on the “Baby Judge Judy” videos circulating social media.
Created with AI, the videos feature a toddler version of Judge Judy overseeing cases with her signature New York accent and no-nonsense barbs.
“I don’t want to do hair and makeup anymore, but I still want my message to get out there,” she told the outlet.
Sheindlin will also produce her son’s syndicated court TV show, “Adam’s Law,” which debuts Monday.
“There aren’t a lot of people who can carry a half-hour on their own, unscripted,” Sheindlin continued, adding that Levy has what it takes.
The 58-year-old earned his law degree from Hofstra Law School in 1992. This isn’t his first foray into TV, as he joined a panel of judges on Prime’s “Tribunal Justice” in 2023. After three seasons, Sheindlin said he’s ready for his close-up.
On Sept. 22, CBS will air a 30th anniversary special looking back on Sheindlin’s career, “Judge Judy: Unfiltered, Unforgettable.”
“I don’t think that I’ve ever been this content before,” she told People of entering the next era of her life. “I don’t have to prove anything else. I did it.”
WASHINGTON — President Trump on Thursday named Adam Telle, a civilian leader in the U.S. Army Corps of Engineers, as the acting Army secretary following the departure of Dan Driscoll amid widespread reports of tensions with Defense Secretary Pete Hegseth.
Telle is currently the assistant secretary of the Army for civil works. But he spent more than 20 years working for Republican senators as well as in the White House during Trump’s first term, serving as the president’s chief liaison to the Senate, according to an Army bio.
“He is a Great Patriot, who is respected by all,” Trump wrote in a Truth Social post.
Hegseth echoed that in his own post on X.
“Huge congrats to Adam. Strong and whip smart,” Hegseth wrote. “He is indeed a great Patriot — and will be an immediate asset to the @USArmy.”
Driscoll gave no explanation for his decision to quit this week as the Army’s top civilian official. His clashes with Hegseth have been widely reported, and some of Driscoll’s allies in the Army were ousted this year by Trump’s Pentagon chief.
Telle has been at the Army Office of Civil Works since August 2025, according to Legistorm, a website that tracks lawmakers and Capitol Hill staffers. Before that, Telle worked as chief of staff for Republican Sen. Bill Hagerty of Tennessee from 2021-25.
Telle spent 18 months working in the White House during Trump’s first term and 10 years working for the late Republican Sen. Thad Cochran of Mississippi, according to Legistorm.
Telle also worked as the chief staff member on the Senate Appropriations Committee’s Homeland Security Subcommittee, according to Hagerty’s remarks when Telle was nominated for the civil works job in May 2025.
In his most recent job, Telle focused on matters involving commercial navigation, flood damage reduction and permitting under the Clean Water Act. Telle issued a statement in August about the approval of a company’s plans to reroute an aging oil pipeline around a Wisconsin tribal reservation. In May, he was quoted in a story in the Forum, a newspaper in Fargo, N.D., about a $3.2-billion flood control project that will protect more than 200,000 people.
Telle will now be overseeing the nation’s largest fighting force at a time when the U.S. is still engaged in conflict with Iran and significant Army forces are stationed in the Middle East.
The war has significantly contributed to the U.S. military’s shortfall in critical weapons like the Patriot and THAAD defense missile interceptors systems, which are operated by the Army.
Driscoll, an Army veteran who served in Iraq, is a friend of Vice President JD Vance and had good relationships with both Republicans and Democrats in Congress.
His allies in the Army who were ousted by Hegseth included its top uniformed leader, Gen. Randy George. Gen. Christopher LaNeve took over as the Army’s acting chief of staff and recently pulled the plug on a drone modernization program that Driscoll had championed.
Driscoll spoke with Trump on the current state of the Army before he submitted his resignation, the Associated Press has reported.
Driscoll did not allude to any problems in the only public statement on his departure, saying Tuesday that it has been “the honor of a lifetime” to serve as Army secretary under Trump and Hegseth.
Democrats and Republicans lamented Driscoll’s departure, with some blaming Hegseth directly.
Sen. Thom Tillis, a North Carolina Republican who is retiring and sometimes has clashed with Trump, said on social media that Hegseth “is creating a leadership void at the top of our military ranks.”
Sept. 4 (UPI) — President Donald Trump has named Adam Telle, current assistant secretary for the Army for Civil Works, acting secretary of the Army amid an ongoing shakeup of the U.S. military.
In a brief statement posted on his Truth Social media platform, Trump announced that Telle would be assuming the position immediately, while describing him only as “a Great Patriot, who is respected by all.”
Trump named Telle days after his predecessor, Dan Driscoll, reportedly submitted his resignation following months of reported tension with Defense Secretary Pete Hegseth, an exit that has raised concern among some as there has been a steady stream of resignations, early retirements and firings among Pentagon leadership during the second Trump administration.
On Tuesday evening, Driscoll made his resignation public, saying in an online statement Wednesday would be his last day.
“As a third-generation Army veteran, it has been the honor of a lifetime to serve as the secretary of the Army under President Trump and Secretary Hegseth,” he said.
“Our soldiers, civilians and their families are our nation’s very best, and they have inspired me every day. I am sincerely thankful for their service and sacrifice.”
On Wednesday, Sen. Thom Tillis, a Republican from North Carolina, called on Trump to fire Hegseth, a former Army National Guard major who took office with less senior government and military leadership experience than any other secretary of Defense, saying he has “never witnessed more inept management of the brave men and women who serve our country.”
Hegseth has overseen a sweeping overhaul of the department, including a purge of two dozen generals, admirals and senior civilian defense officials who have either resigned, announced early retirement or been fired. Several left following reported clashes with the secretary, who has plunged into culture-war issues, eliminating policies he has characterized as “woke.”
“He is indeed a great Patriot — and will be an immediate asset to the @USArmy.”
Sen. Bill Hagerty, R-Tenn., was among Republicans quick to congratulate Telle for being chosen to lead the Army and Trump for picking him.
“This is a critical position for our nation’s defense, and I can’t imagine a better leader for the world’s greatest warriors,” Hagerty said in a social media statement.
“He knows how to inspire, lead and equip the Army for success. Given the challenges we face today, Adam is the ‘man for the moment.'”
