Actors

Yemen’s more than a decade-long civil war has flared up once again after the Houthi rebel group launched an offensive in several locations against Saudi Arabian-backed government forces. The conflict has already spilled over beyond the country’s borders with the Houthis launching an attack on southern Saudi Arabia, targeting oil facilities and wounding dozens of people this week.

The renewed hostilities are the most serious since a United Nations-brokered truce halted large-scale fighting in 2022, after eight years of a full-blown conflict that killed tens of thousands of people in one of the world’s poorest countries.

So who is involved in this conflict? Here’s a look at the main actors:

The Houthis

The Houthis, also known as Ansar Allah (supporters of God), are an armed group controlling most parts of Yemen, including the capital, Sanaa, and some of the western and northern areas close to Saudi Arabia.

The Houthis emerged in the 1990s but rose to international prominence in 2014, when the group rebelled against Yemen’s government, forcing it to step down and causing a crippling humanitarian crisis.

The group then spent years, with Iran’s backing, fighting a military coalition led by Saudi Arabia. The two warring sides have also repeatedly tried to hold peace talks.

Seen as part of a regional alliance known as the “axis of resistance” backed by Iran, the Shia Zaidi group nevertheless has its own base, its own interests – and its own ambitions.

The Houthis have demonstrated their missile and drone capabilities during the Yemen war in attacks on Saudi Arabia and the United Arab Emirates, targeting oil installations and vital infrastructure. They have also proven resilient, defying more than 10 years of bombing by the Saudi-led coalition, as well as US and British strikes in recent years.

The group has gained international prominence for its attacks on Israel and shipping in the Red Sea since the start of Israel’s genocide in Gaza in October 2023.

Saudi Arabia

Riyadh entered the Yemen war when it led a military coalition against the Houthis in March 2015, seeking to restore the government of then-President Abd-Rabbu Mansour Hadi. Back then, Saudi Arabia and Iran were at the peak of a regional competition, both deeply distrusting each other. An Iran-supported group expanding control at the kingdom’s southern border was unacceptable, hence the military action.

This was before a China-brokered rapprochement between Saudi Arabia and Iran in 2023 marked the beginning of a more practical and less confrontational relationship.

Presidential Leadership Council

The PLC was established in 2022 when the former president, Abd-Rabbu Mansour Hadi, formally transferred his powers to the new eight-member body.

It represents the internationally recognised government of Yemen, with a mandate to manage the country’s political, security and military affairs, and to steer negotiations towards a permanent ceasefire. It is chaired by Rashad al-Alimi, an adviser to Hadi and former interior minister with the government of the late president, Ali Abdullah Saleh.

Its membership is drawn from a mix of northern and southern politicians and military-linked leaders in a bid to unite major anti-Houthi forces under one roof.

The PLC is backed by Saudi Arabia and the alliance that Riyadh leads.

Islah party

The Yemeni Congregation for Reform, better known as Islah, is a Sunni Islamist movement with historic ties to the Muslim Brotherhood. It is a faction within the recognised PLC-led government but has long had an independent identity. Its major stronghold has long been Marib, the country’s sole gas-producing region with one of its largest oilfields.

National Resistance Forces

The National Resistance Forces is a government-aligned military faction led by Tareq Saleh, nephew of the late former President Ali Abdullah Saleh.

The force has maintained ties to Saudi Arabia and, like the Islah party, is part of the PLC. It aims for a unified Yemen, positioning itself as a counterweight to both the Houthis and southern secessionists.

WASHINGTON — It should have been the safest of political appearances — a group of kids gushing about their love of science and space exploration with Vice President Kamala Harris.

But for Harris, it became a controversy.

The children, it turned out, were paid actors. And the video, filmed on location at the White House and the vice president’s official residence at the Naval Observatory, was promoted on NASA’s YouTube Channel and Harris’ Twitter account last week without making that clear.

The fallout over the video, produced for YouTube’s original programming platform, is the second in recent weeks where a seemingly innocuous appearance by Harris has become modestly troublesome.

Late last month, Harris generated more serious consternation and criticism from pro-Israel Democrats and media for not pushing back when a student at a classroom encounter at George Mason University in Virginia accused Israel of “ethnic genocide.” Harris spent the next several days clarifying her longstanding support for Israel and reaching out to pro-Israel organizations, including the Anti-Defamation League.

Such stumbles have been featured extensively in conservative media, where Harris is a regular target. But they also reinforce concerns among Democrats that Harris has not yet found her political footing since taking office amid high expectations. The presumed front-runner to succeed President Biden on the Democratic ticket in 2024 or 2028, Harris recently enlisted two veteran Democrats to help stabilize her communications efforts.

Harris’ office and NASA would not discuss the decision-making process that led to her participation in the YouTube Original or the administration’s marketing of the special, which was produced by a Canada-based company called Sinking Ship Entertainment.

Harris’s office did not select the children who participated in the YouTube Originals special, a White House official said. A YouTube spokesperson said that “the casting process for this show was no different from typical unscripted kids’ shows across other networks and streaming platforms.”

The special debuted during World Space Week. It features NASA astronaut Shane Kimbrough giving five children the clues for a scavenger hunt that takes them to the U.S. Naval Observatory, where they not-so casually run into Harris, who welcomes them onto the porch of the vice presidential residence.

While sitting in a white chair alongside the children, Harris reminisces about going to the lab with her scientist mother during her childhood and says she is excited to chair the National Space Council. She offers advice to the children about showing their true selves.

“Never let anybody tell you who you are,” she tells them. “You tell them who you are.”

Like many online productions, the special has the feel of something between a kids’-oriented news segment and a scripted show. The children, who introduce themselves with their hometowns, act surprised and excited as they meet the real-life astronaut and the vice president.

Earlier this week, one of the children who appeared in the video described in detail his audition process to KSBW TV in Salinas, which sparked mockery online and news coverage. Harris’ appearance drew especially sharp critiques in conservative news outlets. Fox News, in its coverage, has tried to draw a comparison to the criticism unleashed on former President Trump after his 2015 campaign launch in which he paid people to act like supporters.

Appearing as a guest on Fox News host Tucker Carlson’s show, commentator Candace Owens falsely told viewers that Harris paid children to appear in the special.

White House officials have a long history of appearing as themselves in scripted shows, often with children. First Lady Nancy Reagan promoted her anti-drug message on the popular 1980s sitcom “Diff’rent Strokes,” and then-President Obama participated in a televised sketch alongside comedy duo Keegan-Michael Key and Jordan Peele during the White House Correspondents’ Dinner.

The difference this time was that the show’s format was ambiguous, and its presentation and promotion by Harris and NASA led commentators to believe it had been produced by the government.

Communications consultants said the vice president’s staff should have more thoroughly vetted the program and ensured it was clearly labeled as a reality show with paid actors when the U.S. government promoted it.

Ultimately, Harris’ staff let her down, they said.

“The vice president and the president can’t do their own vetting on things like this,” said Kevin Madden, who served in senior communications roles for Mitt Romney’s 2008 and 2012 campaigns.

Madden added that Harris should not have participated in the program with paid actors, especially “in an era where there is a very high quotient of fake news and misinformation, you have to expect this kind of scrutiny.”

“The criticism [here] becomes warranted,” he said.

Jane Hazlegrove, who is best known for playing Bernie Winter on Coronation Street, has launched a rant at a fellow actor and her co-stars have all clamoured to know who she was talking about

Jane Hazlegrove has issued a warning to fellow TV stars about their behaviour on set. The actress, 58, who currently plays Bernie Winter on ITV soap Coronation Street and previously starred as Kathleen ‘Dixie’ Dixon on Casualty, took to Instagram over the weekend to make a statement about professionalism within the industry.

She shared an image of a quote which read: “Booking the role isn’t the end of the interview. How you behave after you’re hired matters too.”

In the caption of her post: “This post makes total sense! WHO DO YOU THINK YOU ARE? As my Dad used to say, you are only as good as your last performance! Be nice! And if you can’t be nice… step away… cos people see!”

The actress, who joined the soap in the role of Bernie in 2019 but also appeared in the mid-1980s Sue Clayton and was involved in a storyline with Jack and Vera Duckworth, was inundated with comments from co-stars.

Jack P Shepherd, who plays David Platt in the soap and has appeared on the show since 2000, said: “This isn’t me is it?”

Sally Carman, who plays Abi Webster, quickly joined in as she replied with a string of laughing emojis, but Jane said: “Soz pal you don’t win this one!!! No it’s bloody not!!!” Sue Devaney, who plays Debbie Webster on Coronation Street, left a string of heart emojis.

Loose Women star Sunetra Sarker, who appeared alongside Jane on Casualty when she played Dr Hannah, said: “Never a truer word said ma’am.”

Emmerdale legend Lisa Riley, who first appeared as Mandy Dingle more than 30 years ago and went on to appear in Waterloo Road and compete on Strictly Come Dancing before making a comeback in 2019, left a string of clapping hands emojis in the comments section of the post. Michelle Hardwick, who plays Vanessa Woodfield on Emmerdale, said: “Oh I LOVE this”

But Jane, who has also appeared in other programmes like Heartbeat, Silent Witness and Holby City over the years, quickly pinned a comment to the top of her Instagram post, so she could clear up any confusion.

She said: “Just for clarification this post is NOT about anyone I am currently working with at Coronation Street. It’s a gentle reminder to be kind and professional at all times!”

When Bernie arrived on Coronation Street, she was introduced as the estranged mother of Gemma Winter (Dolly-Rose Campbell) and Paul Foreman (Peter Ash), who was later diagnosed with motor neurone disease and died in late 2024.

Bernie went on to enter into a relationship with local shopkeeper Dev Alahan (Jimmi Harkishin) and it was later established that she was the long-lost mother of DC Kit Green (Jacob Roberts), who later turned out to be the long-lost father of Brody Michaelis (Ryan Mulvey).

Bernie, who currently works in Roy’s Rolls, went on to marry Dev towards the end of last year but was dealt with further tragedy when events that unfolded in the programme’s crossover with Emmerdale saw a crash claimed the life of her son-in-law, Billy Mayhew.

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When the doors to the emergency room in “The Pitt” swing open and a new patient arrives, we, like the doctors, are on high alert, wondering what the acclaimed medical drama is about to throw at us.

We know two things: The actors will be superb. And it’s best not to become too attached to the characters they’re playing.

Five of those actors earned Emmy nominations for Season 2 guest turns on “The Pitt” last month, a long-overdue return to the time when the guest categories regularly rewarded working actors doing exemplary work.

Even better: Two of the five “Pitt” nominees self-submitted their performances after HBO Max, looking to streamline its submissions in the guest categories, did not put them forward.

If you watched the second season of the show, you could probably name the actors who made the Emmys’ guest list: Tina Ivlev, heartbreaking as the sexual assault survivor; Brittany Allen, poignant as the dying mom; Tal Anderson, combative and funny as Dr. King’s neurodivergent sister, who craves independence from her protective sibling; Ernest Harden Jr., devastating as the doomed Louie; and Jeff Kober, who, playing Dr. Robby’s motorcycle mechanic, has some of the most affecting scenes in the season.

HBO Max entered Ivlev, Harden and Anderson, leaving Allen and Kober to pony up the $225 to submit themselves, joining the ranks of 84 entrants for guest actor and 51 for guest actress. (To be eligible to compete in guest, actors must appear in less than 50% of a show’s eligible episodes.) Eight other actors appearing on “The Pitt” also self-submitted.

“The three actors that HBO put forward delivered beautiful, human work that resonated deeply with audiences, and they were in a tough position having so many actors who had all delivered great performances,” Allen told me over a call from her Pasadena home.

“Though at first there was a moment of disappointment, I quickly moved on from that,” Allen continues. “I didn’t take it personally because as an actor, you get good at not taking things personally.”

Kober, calling from the Valley, signs off on that sentiment. He won a daytime Emmy in 2022 for “General Hospital” after he submitted himself.

“I guess that’s how the Emmys work for me,” he says, laughing. “I don’t know any other way.”

There is precedent for self-submission success at the Emmys. Three “Game of Thrones” cast members — Gwendoline Christie, Alfie Allen and Carice van Houten — entered themselves in 2019 and were nominated. Kelly Jenrette did the same in 2018 for “The Handmaid’s Tale” and earned a nod.

For Allen, it came down to believing in herself and the work she did on “The Pitt.” As her seven-episode arc aired, strangers often stopped her at her local Trader Joe’s and at the park with her 3-year-old son to tell her how moved they were by her performance and her character Roxie’s decision to accept that her life was coming to an end and say goodbye.

But, good as it was and seen as it was, that work didn’t translate into landing an agent. Having recently turned 40, Allen figured she had nothing to lose, having reached an age where she wasn’t “as worried about being perceived as the quiet little girl who doesn’t ruffle any feathers.”

In a challenging industry, that approach has resonated deeply with her peers.

“I’ve had similar moments in the past where I’ve had a memorable role on a high-profile show and I’ve thought, ‘Maybe this will make it a little easier moving forward’ and it hasn’t,” Allen says. “So if ever there was a time to go, ‘I’m going to try to put my name out there in a way that might make me a little more bankable,’ this is it.”

Kober, 72, has had ups and downs over the course of his 40-year acting career and like Duke, the grounded mentor he played on “The Pitt,” he possesses a calm acuity when talking about the profession.

“Acting is the most profoundly spiritual career a person could have because you don’t get into it unless you need approval, and then when you get that approval, you find it doesn’t do a thing for you,” Kober says. “Then you’ve got to find a way to do something with this thing you love that isn’t about getting approval. It’s only when you’re not working for that when you know the work matters.”

With his shoulder-length hair, goatee and go-with-the-flow manner, Kober gives off distinct vibes of another Jeff — Jeff “The Dude” Lebowski.

“I have heard that comparison made,” Kober says, smiling.

Both Kober and Allen express deep appreciation for “The Pitt” as a workplace where actors can come in and do the kind of work that they aspire to do, work that resonates with audiences and reminds them why they entered the profession in the first place.

“I love being on set,” Allen says, “so going to Warner Bros. every morning as the sun rose and watching that miniature city come to life and having the privilege of working in an environment that is so ripe for accessing truth and play and shared humanity was a gift. When Roxie came along, I saw it as the epitome of what I want to offer as an actor and as a person in this life.”

Because of her character’s fate, Allen will not be returning to “The Pitt.” The fate of Duke, diagnosed with a life-threatening ascending aortic aneurysm, is ambiguous. Dr. Robby encourages him to follow up with further tests, which Duke agrees to do if Robby promises to return from his sabbatical and let him take his Triumph Bonneville for a ride.

So … Duke’s coming back, right?

“One would think,” Kober says, hopeful. But then, he jokes that maybe there will be a line next season where someone in the ER says, “Did you hear about Duke? What a shame.”

“Or he could come back in Season 4, who knows,” Kober adds, noting he has heard nothing from the show’s producers. “One thing I’ve learned over the years as an actor is the importance of letting go. That’s the life of an actor.”