Samuel Monroe Jr., known for ‘90s cult classic films “Menace II Society” and “Tales from the Hood,” is fighting for his life after doctors misdiagnosed a meningitis infection.
Monroe’s wife, Shawna Stewart, confirmed the news with Complex, telling the outlet that the star contracted meningitis 18 months ago while filming in Las Vegas.
“He went to several different hospitals, where his condition was repeatedly misdiagnosed and because of this negligence, the meningitis went untreated for eight months,” Stewart told the outlet.
She said that by the time doctors properly diagnosed the actor, the infection had already spread “not only to his spine but also to his brain.”
According to the Mayo Clinic, meningitis is an infection and swelling of the fluid and membranes around the brain and spinal cord. The inflammation from meningitis typically triggers symptoms such as headache, fever and a stiff neck. While viral infections are the most common cause in the United States, bacteria, parasites and fungi can also cause the condition.
The family launched a GoFundMe on Monday, sharing that the financial strain has been “immense” and that over the last nine months, Monroe has been in multiple hospitals and two rehabilitation centers. According to the fundraiser, the actor will require around-the-clock care if he regains consciousness and is removed from life support.
“As the whole family and friends do not want to think negative in the event that Samuel is taken home by God,” Tayonna Stewart wrote on the GoFundMe. “Any funds raise would be put towards a proper and respectful celebration of life for his family, friends and fans to attend.”
The actor’s mom, Joyce Patton, also shared the news on Facebook and asked for prayers for her son.
“Please pray for Samuel Monroe Jr. my son who is now on life support,” she wrote on Saturday. “God don’t make no mistakes but he is gracious and I am humbly asking for his mercy and grace for Sam. I love you son … to the moon and back 100 times.”
At present, the GoFundMe has raised 7% of its $50,000 goal, with “Big Boy’s Neighborhood” radio host Kurt Alexander contributing $1,000.
Monroe, who has gone by the stage name “Caffeine” and “Caffamilliano,” landed his first acting gig in 1993, opposite Patti LaBelle on the hit TV series “Out All Night.” The same year, he splashed onto the big screen, portraying Ilena’s cousin in “Menace II Society.”
He’s also acted in films “Tales from the Hood,” “Don’t Be a Menace to South Central While Drinking Your Juice in the Hood,” “What Goes Around Comes Around,” “Set It Off” and “The Players Club.”
Most recently, he acted in 2023 films “Packz” and “Payment Received.”
French actor Tahar Rahim revealed how he and his co-star Izuka Hoyle were handcuffed together during filming for four months.
Speaking about the challenges of filming while attached to his co-star, The Serpent actor explained: “Being handcuffed to someone for four months filming could easily be a nightmare, but Izuka is a beautiful soul.
“We got on incredibly well and became real friends. She’s my partner in crime. It was a pleasure.”
The pair star as highly valued prisoner and mafia informant Tibor Stone (Rahim) and prison transport officer Amber Todd (Hoyle) respectively.
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After their prison convoy is attacked by the organised crime group that Stone is testifying against, Todd makes the split-second decision to handcuff herself to him and ensure he makes it to court for the trial in four days’ time.
However, Tibor isn’t just any informant; he’s a trained assassin and can take out many of the people sent to eliminate him before he can reveal all.
This required both Rahim and Hoyle to jointly perform stunts while their characters were handcuffed.
Addressing these challenges, the Golden Globe and BAFTA nominee explained: “Being handcuffed during big stunt sequences made things more complex.
“Our stunt team was brilliant and inventive, open to ideas and incredibly collaborative.
“Izuka and I had to constantly adapt and choreograph every movement together.
“Izuka has great instincts and she’s strong, which made everything easier. I decided to just flow with her and to treat it like a dance.
“For me, acting with a partner is a kind of dance: you listen, you feel, you respond.”
Meanwhile, Big Boys and Scottish BAFTA winner Hoyle explained: “Having them on made us realise just how close we were going to be to each other for such a long period of time, and that took some getting used to.
“Tahar is incredible. He’s physically fit, so in terms of us pushing each other, it was great.
“Our competitive streaks would come out… ‘We can go faster than that. We can do better than that. We can push harder than that.’ And we did. Everyone around us would be like, ‘F****g hell’.”
Prisoner will be released on Sky as a boxset on Thursday, April 30
Jada Pinkett Smith is asking a judge to make Bilaal Salaam cover the $49,000 in legal fees she racked up fighting claims he made in a December lawsuit.
According to a motion filed April 20 and obtained by The Times, Pinkett Smith is asking that Salaam pay $49,181.23, consisting of “reasonable attorneys’ fees incurred” in connection with Pinkett Smith’s successful special motion to strike Salaam’s complaint, “plus further fees and costs associated with this motion.”
Salaam — Will Smith’s former best friend of 40 years who also goes by Brother Bilaal — filed a lawsuit against the “Bad Moms” actor in December, alleging emotional distress and seeking $3 million in damages.
Salaam claimed that in September 2021, he attended a private birthday party for Will Smith at the Regency Calabasas Commons. According to his lawsuit, he was in the lobby of the movie theater when Pinkett Smith approached him with about seven members of her entourage and threatened him. Salaam’s suit claims that Pinkett Smith told him he would “end up missing or catch a bullet” if he kept “telling her personal business.” She also allegedly pressured him to sign a non-disclosure agreement.
In November 2023, Salaam appeared on the “Unwine With Tasha K” podcast and alleged that he walked into Duane Martin’s dressing room and saw Will Smith having a sexual encounter with the “All of Us” actor. He also made claims about Pinkett Smith’s sexual habits.
Pinkett Smith swiftly responded during an appearance on “The Breakfast Club” and said that Salaam started the rumors as part of a broader “money shakedown” and that his claims were “ridiculous and nonsense.”
“It’s not true and we’re going to take care of it,” she said. “We’re about to take legal action.”
Salaam beat Pinkett Smith to the courthouse and sued her in December, but Pinkett Smith asked the judge to toss the case in February.
According to the motion filed this week, the former “Red Table Talk” host argues Salaam should pay her hefty legal bills because she “prevailed on her anti-SLAPP motion” and the court struck all allegations relating to media statements “that formed the basis for Plaintiff’s three causes of action, as well as additional allegations regarding a cease-and-desist letter.”
Russell Brand, the British comedian and actor who has been accused by multiple women of rape and sexual assault, said his sexual flings amid the height of his fame in the early aughts included sleeping with a 16-year-old girl.
Brand confirmed the relationship to Megyn Kelly on the the latest episode of her eponymous podcast and YouTube show published Wednesday. “I did sleep with a 16-year-old when I was 30,” he said, “but when I was 30 I was a different person. I was a lot younger and I was an immature 30-year-old.”
The “Get Him to the Greek” actor, 50, emphasized that the age of consent in the United Kingdom is 16 and reflected on his behavior at the time, adding that he thinks having consensual sex as a famous person “involved exploitation.” He said he felt fame and addiction paved the way for “opportunity for endless consent which led me to be a hedonist and a fool and exploiter of women.”
“That is wrong and that is something that needs to be redeemed and addressed and atoned for,” he added.
Brand’s relationship with a 16-year-old girl became public in 2023 when the Times of London and Britain’s Channel 4 published a joint investigation detailing allegations of rape, sexual assault and other abusive behavior against the once-in-demand actor. One of the women who raised allegations against Brand said she became involved with the former actor when she was 16 and he was 31, and that he referred to her as “the child” in their relationship. According to the woman, Brand reportedly forced his penis down her throat, making it difficult to breathe, and she fought him off by punching him in the stomach. Brand denied the claims at the time.
The investigation centered on alleged incidents that occurred between 2006 and 2013 — the peak of Brand’s Hollywood fame — and laid the groundwork for additional complaints against the raunchy comedian to come to light.
In April 2025, the Metropolitan Police Service charged Brand with single counts of rape, indecent assault, oral rape and two counts of sexual assault connected to alleged attacks on multiple women between 1999 and 2005. U.K. authorities pressed additional rape and sexual assault charges against the “Forgetting Sarah Marshall” actor in December. He will stand trail in October.
Brand, ex-husband to pop star Katy Perry (who is facing her own sexual assault scandal),fell mostly out of public favor within the past decade and pivoted his focus to religious and “free-thinking” content. Last year he appeared at Turning Point USA’s AmericaFest 2025.
At the beginning of the podcast episode, Kelly said that after learning about allegations against Brand she “felt anger for a couple years” toward the actor. However, Kelly said she grew open to speaking with him after some time and an “enormous amount of open-mindedness to [Brand] being railroaded and attacked by people.”
Notably, Kelly in November offered a flimsy definition of pedophilia when it came to late convicted sex offender Jeffrey Epstein. Citing “somebody very close” to Epstein’s case, Kelly said Epstein “ was into the barely legal type, like, he liked 15-year-old girls,” Kelly continued.
“I’m not trying to make an excuse for this, I’m just giving you facts — that he wasn’t into, like, 8-year-olds,” she added at the time. “But he liked the very young teen types that could pass for even younger than they were, but would look legal to a passer-by.”
Times staff writer Meredith Blake contributed to this report.
Plucked from a previous life as a working actor, Richard Gadd experienced a disorienting whirlwind less than two years ago. “Baby Reindeer,” his painfully personal 2024 Netflix show, based on the sexual assault he survived, instantly opened the floodgates of fame for him.
“The show came out on Thursday, and by Sunday, I could barely walk anywhere without being recognized, without being stopped,” Gadd says while visiting The Times’ offices earlier this month. “That’s an adjustment because I always thought if anything like that ever happened, it would be a bit more of a gradual process. But it was overnight, so I didn’t have time to adjust.”
Now the winner of three Emmy Awards and a slew of other accolades for that series, which he starred in, wrote and served as showrunner, Gadd, 36, has already helmed a new emotionally ferocious show.
Probing the tropes of rigid masculinity, “Half Man,” premiering Thursday on HBO, chronicles the destructive bond between two men over several decades. Niall and Ruben — whose respective mothers are romantic partners — call themselves brothers but they couldn’t be more dissimilar.
Bullied at school, meek Niall (played by Mitchell Robertson in his youth and Jamie Bell in adulthood) lost his father as a young boy. He dreams of being a writer. Meanwhile, the insolent and hyper-confident Ruben (Stuart Campbell as a teen and Gadd as a grown-up) has been in trouble with the law from a tender age. Facing any conflict, he resorts to brutal violence. When Ruben takes Niall under his wing, the two become inseparable. But as the years and resentments pile on, their cancerous brotherhood threatens to obliterate them both.
“Half Man” follows the destructive bond between Ruben (Richard Gadd), left, and Niall (Jamie Bell) over several decades.
(Anne Binckebanck / HBO)
“Richard’s writing is really unique and really singular,” Bell says on a video call from England, where he’s currently shooting the “Peaky Blinders” sequel series and is sporting a shorter haircut. “He identifies that real gray area of humanity really well and he puts a voice to the most uncomfortable places that we go into or things that we think when we’re alone in the dark, when we think no one’s watching.”
Gadd wrote the first episode of what would become “Half Man” back in 2019, while he still was performing the live version of “Baby Reindeer,” which he turned into the series. At the time, he recalls, society at large was seriously engaging in conversations around toxic masculinity and sexual violence as the #MeToo movement gained strength.
“It wasn’t necessarily that I set out going, ‘Oh, I want to make a show about that,’” Gadd says. “It was more that something must have just drifted into my head thinking, ‘You take two men repressed in their current life, repressed in the modern world. And then you go all the way back to their childhood. You contextualize learned behavior; you contextualize trauma and things they learned that make them these repressed adults. And you bring a bit of context to, I suppose, difficult male behavior in the present.’”
As “Baby Reindeer” launched his career as a creator, Gadd put “Half Man” on ice for four years but couldn’t stop thinking about returning to it. “Even as I was coming to the end of ‘Baby Reindeer,’ I thought, ‘I’m really looking forward to getting back to that project,” he recalls. “The second ‘Baby Reindeer’ finished, I thought, ‘This is what I’m going to do now.’”
Sitting across from the mild-mannered Gadd, the magnitude of his transformation on screen for “Half Man” becomes even more impressive. Gadd comes off as thoughtful and emphatic, while Ruben, his physically imposing character, commands trepidation.
“The second ‘Baby Reindeer’ finished, I thought, ‘This is what I’m going to do now,’” Gadd says about working on “Half Man.”
(Ian Spanier / For The Times)
Watching Gadd as the rage-fueled Ruben, one might be surprised to learn he originally had no intention of acting in “Half Man.” After wearing multiple hats on “Baby Reindeer,” Gadd thought this time around he could get a purely external bird’s-eye view of a project as showrunner and writer of “Half Man.” But eventually people around him suggested he should be in front of the camera once again.
“My initial response was always, ‘That’s just so far away from anything I’ve done before. It’s so far away from me. Are people going to buy it?’” he recalls. “And behind every single fear-based thought was a worry of what people might think, which in my opinion, isn’t a good enough reason to not do something.”
Convinced audiences would struggle to see the guy from “Baby Reindeer” as this “hard man,” a U.K. term for tough and intimidating men, he had to physically morph. To inhabit a new body, Gadd underwent a strict exercise regimen, and most importantly, a new diet.
“I had a chef make these meals in England, fun enough, and send them up to Scotland where I was filming,” he recalls. “I’d eat them at specific times. You go through periods of fasting and through dehydration whenever you had your top off. There was a real science to it.”
And yet, though he at first worried he wouldn’t look big enough, Gadd refused to portray Ruben with a chiseled physique conceived for mere aesthetics.
“I didn’t want him to have a six pack, I wanted him to feel like a real person,” Gadd says. “Sometimes when you see someone on TV and they’re ripped, I almost don’t think that’s real strength. Someone like Ruben, they wear their life in their body, they’re heavy set. It’s not ripped. It’s bulky. It’s natural to him.”
Before he agreed to play the character, Gadd auditioned numerous actors for the part, but with all of them he felt they were too focused on his appearance as an imposing figure and not his inner turmoil. “Ruben is extremely sad as a person. He’s terribly broken and traumatized,” he says.
For the series, Gadd bulked up to become more physically imposing: “Someone like Ruben, they wear their life in their body, they’re heavy set. It’s not ripped. It’s bulky. It’s natural to him.”Richard Gadd in “Half Man.”(Anne Binckebanck / HBO)
When asked if he sees himself as Ruben, Gadd contemplates the question, debating whether it’s his “jetlagged brain” or ambivalence about finding some of Ruben within him.
“Do I see myself in Ruben?” After a pause, he concedes: “All of his behavior is a reaction to a deep traumatic happening in his life. I can relate to finding it extremely difficult to get past big traumatic events and coming to terms with them and coming to terms with yourself even as a result of them.”
With less hesitation, Bell, 40, acknowledges that he finds a certain kinship with his character. As a teenager, Bell flocked to people with a defiant edge. “I grew up without a father in an all-female household and I felt very naked as a child in terms of needing to be protected by someone who was dominant and aggressive,” he says. “I totally understand why Niall seeks solace in someone like him. No one will touch Ruben. There is a safety in that.”
Gadd says he doesn’t think about celebrities when searching for the actors. “I’m quite fame-averse when it comes to casting because I think sometimes it can get in the way,” he explains. “You can have a show, which starts up with all the best intentions, turn into a sort of acting vehicle for someone, or the discussion becomes about the actor doing this role.”
That said, when the casting director on “Half Man” asked him about his “dream cast,” Gadd expressed Bell was the only one who would genuinely excite him. But could that happen? “In my head, I was still in pre-‘Baby Reindeer’ time where I thought, ‘Well, somebody like him is not going to be interested.’ And then I thought, ‘Well, he might be,’” Gadd says.
For his part, Bell found the “nihilism” in Niall, a man desperately running from his true self and living in Ruben’s shadow, an enticing and complex character to play. “[Niall] conceals himself in many different ways, and has a lot of self-loathing, but at the same time has all these ambitions and actually is incredibly egotistical and thinks that his way is the correct way, and that other people don’t understand that he is terminally unique,” Bell explains with a chuckle.
Bell, who plays Niall, says his character “conceals himself in many different ways, and has a lot of self-loathing, but at the same time has all these ambitions and actually is incredibly egotistical …”
(Anne Binckebanck / HBO)
Aside from a tight schedule to produce “Half Man,” the challenge for Bell was adjusting to the dramatic intensity that Gadd was after. “I wasn’t particularly prepared for that, therefore sometimes my reading of certain scenes I’d get wrong. We’d start scenes and Richard was like, ‘You are pitching it at like a six, and this is very much an 11,’” Bell recalls laughing. I was like, ‘Oh, OK.’ That took some modulating.”
In Gadd’s mind, Bell remains an “underrated” artist. A proud Scotsman, Gadd recalls loving Bell in the 2007 romantic dramedy “Hallam Foe,” where the British actor played Scottish. For “Half Man,” Gadd thought Bell could convey the pain that haunts Niall, even as his actions paint him less like Ruben’s victim and more like a vengeful participant in the chaos.
“There’s always something I find so vulnerable about Jamie and I knew that I was going to take Niall in some really big journeys where he was going to almost test the audience’s love for him,” Gadd says. That Niall finds Ruben so alluring is natural to Gadd, who believes the notion of a valiant male figure has been bred into everyone via fables and fairy tales.
Gadd adds that whether or not we like to admit it, we’re drawn to alpha male characters. “Because from an early age, we’ve been told they are always at the top of the social hierarchy. And as a result, we’ve always, as a society, answered to those kinds of people as some sort of leaders.”
And though he says he’s unfamiliar with the “manosphere,” the misogynistic and chauvinistic online community, Gadd doesn’t believe Ruben would fall for the gurus in those circles who claim to have the answers for young guys to become “real men.”
“Ruben carved his own masculinity. To give him credit, if that’s even something you can give him, those spaces wouldn’t hold any weight for him. He’s his own man,” Gad says. “He would never follow anyone on social media. He’s the person to be followed.”
Based on the tone of Gadd’s output thus far, it may come as a surprise that as a young person he dreamed of creating a show along the lines of the U.K.’s “The Office,” which he considers a “perfect piece of art.” The stories he is telling now better reflect his “neuroses” and the experiences he’s endured.
“My life just took a very dramatic turn, and my sensibilities weren’t workplace sitcoms anymore. When I grew up and I was doing comedy I thought, ‘I’ll write a sitcom one day and every character will be sort of funny in it,’” he says. “But my life just took a turn to the point where I needed my writing and my art darkened because what I went through was very dark.”
Humor is not entirely absent from “Half Man,” some of the characters’ reactions to their distressing realities earn a chuckle. Still, Gadd’s funny bone might also find an outlet in other people’s narratives. He was recently announced as part of the cast in Apple TV’s upcoming high-concept series “Husbands,” for which he already shot his scenes. Adapted from a bestselling novel of the same name, it stars Juno Temple as a woman who gets to experience life with a different partner every time she changes the light bulb in her attic.
“I’m very picky with stuff I take on. Because I love writing my own work so much, anything that takes me out on someone else’s show has to be very special. And this was very special,” Gadd says.
“Everything I do doesn’t have to be dark,” he adds with a soft smile.
Patrick Muldoon, known for his roles on “Days of Our Lives,” “Melrose Place” and “Starship Troopers,” has died. He was 57.
The actor and producer reportedly died Sunday, his manager confirmed to Variety. According to Deadline, Muldoon died suddenly after a heart attack. The Times has reached out to Muldoon’s reps for comment.
Muldoon originated the role of Austin Reed on the daytime soap opera “Days of Our Lives.” He first portrayed the aspiring boxer and brother of Lisa Rinna‘s Billie Reed from 1992 to 1995, and returned to reprise the role from 2011 to 2012 (the character had since become a forensic accountant).
“Austin is a wonderful role,” Muldoon told The Times in 1995. The actor explained he took his “sweet time” mulling over whether to leave the show because “it was one hell of a decision to make.”
“I’m leaving for no other reason than why other people leave soaps,” Muldoon said at the time. “To take a shot at doing other things like nighttime, movies and other things. … I feel confident right now so I figured I better take the shot sooner than later. If I don’t, I’ll always wonder ‘what if.’ ”
He played the recurring villain Richard Hart on the primetime soap “Melrose Place” for three seasons beginning in 1995. Muldoon’s big-screen roles include Zander Barcalow, a pilot and rival of Casper Van Dien’s Johnny Rico, in Paul Verhoeven’s 1997 movie “Starship Troopers.”
Born September 27, 1968, in San Pedro, Muldoon’s early passions included football. He started playing at the age of 6 and would go on to play at Loyola High School and then at USC.
“I did fairly well for being a smaller tight end,” Muldoon told The Times in 2012, adding that getting run over during practice by USC teammateJunior Seau — the late linebacker who had a 20-year NFL career — was among the factors that led him to pursue acting instead. Muldoon began his acting career during the sport’s offseason, and his earliest roles were on shows such as “Who’s the Boss?” and “Saved by the Bell.”
In addition to acting, Muldoon was a producer with credits on films such as “Riff Raff” (2024), “Marlowe” (2022), “The Card Counter” (2021) and “The Comeback Trail” (2020). Most recently, he shared on Instagram his excitement of being among the executive producers for the upcoming film “Kockroach.”
The co-creators of the new Prime Video series “Kevin” tried to make the show “as personal as possible,” says Joe Wengert, explaining that he and Aubrey Plaza looked back to the end of their relationship nearly two decades ago for inspiration. Then, Wengert says, they focused on “the emotional story and investing in the inner lives” of the main characters. (Plaza’s production partner, Dan Murphy, was a third co-creator.)
And, Plaza adds, they strived to give the show a real “groundedness” in its specific New York neighborhood — Astoria, Queens, where she and Wengert lived together — while also “infusing some of my film nerdiness and love of New York films.” There’s even a rooftop scene that’s a homage to Al Pacino’s first leading film role, in “The Panic in Needle Park.”
OK, so all of that’s totally true, but “Kevin” is mostly a silly, raunchy animated series with a star-studded comedy cast about talking animals and their escapades in a life generally free of human owners.
The show opens with a couple, Dan (Mike Mitchell) and Dana (Plaza), breaking up and their cat, Kevin (Jason Schwartzman), deciding he’s done with both humans and will find his own way in the world.
“Joe and I were talking and realized we both weirdly wanted to do a cat comedy, and he had this idea and I loved it,” Plaza says, explaining that when they broke up, Kevin and another cat, Howard, passively went with Wengert. (Howard died relatively young, but, spoiler alert, Plaza says a cat named Howard will make an appearance as a tribute.)
“Joe was then doing a lot of comedy about being a single guy with cats.”
Wengert, who serves as showrunner, says the breakup was “a significant moment in my life” and he wanted to explore that, but a sad man going off to reconnect with his friends was not as funny as this concept. “The idea of this just made us laugh,” he says.
The real Kevin was a homebody, not a cat who looked longingly out the window, Wengert says, adding that he always felt bad for Kevin: “You could have been with Aubrey Plaza but you’re stuck with me in my studio apartment.”
In the series, Kevin soon lands at an animal rescue where he falls in with Cupcake (Whoopi Goldberg), a self-declared feral cat with a kinky and rebellious side; Armando (John Waters), an aristocratic cat with a haughty attitude; Judy (Aparna Nancherla), a cat with gross eye infections who is way more upbeat and hopeful about the world than she should be; and a shrill and bossy dog named Brandi (Amy Sedaris), who runs the human Seth (Gil Ozeri) — ostensibly the operator of the shelter.
After his owners break up, Kevin decides to stay at an animal shelter, where he makes friends with a rag-tag group of cats, dogs and other animals.
(Courtesy of Prime)
“This idea of fending for yourself and trusting your instincts is part of checking off boxes to show you have lived a quote unquote real life,” says Schwartzman, briefly growing philosophical about what intrigued him about playing a neurotic cat.
The cats encounter plenty of other animals on their adventures, from a drunk spider to a deer that gets hit by a car and curses out the driver. “That made me laugh out loud,” says Plaza, who also voices numerous animals, including the spider and a pitbull love interest for Cupcake. “I’ve always wanted a love story with Whoopi Goldberg,” she adds.
(Wengert voices a parrot named Paco, among others, and says there’s talk of adding a tortoise.)
One secondary character is a horse named Patti Lupony, who, naturally, is voiced by Patti LuPone. She’s part of a stacked guest star roster that includes Addison Rae, Cary Elwes, Charles Melton, Nicole Byer, Jim O’Heir, Maria Bamford, Quinta Brunson and Tig Notaro. Many of the actors, including Schwartzman, Waters, LuPone and O’Heir, are Plaza’s friends.
“I like to do things that people don’t expect me to be in, and this is definitely one of them,” says Waters, adding that “Armando is not a real fan of humans, and as a human, I’m not a real fan of cats.”
Still, Waters, who prefers dogs, says he was easily able to get into Armando’s skin. “I’m a Method actor, so I was crawling around the floor,” he jokes, before adding, “If I was a cat, I would probably act like Armando.”
For what it’s worth, Schwartzman also owns dogs, though he’s quick to point out that growing up in Los Angeles, he volunteered at a cat shelter, and these days Plaza actually owns a dog, too. But as anyone who has seen her in “Parks and Recreation” or other roles would surmise, Plaza says, “I have cat-like tendencies and relate more to cats.”
Plaza and Wengert also incorporated the actors’ sensibilities and personalities.
“We would change things on the fly based on the actor’s input,” Wengert says.
Plaza says that Waters is known for being provocative and loves reading tabloids but that he asked to tone down Armando’s snide put-downs of celebrities. “I felt ill at ease about them,” Waters says. “I’ve gotten away with my career for 50 years because I’m not mean. My specialty is praising things other people hate, not the other way around.”
Wengert says the change “forced us to dig deeper and find something more unique in the character, so I’m happy that he asked us to make the change.”
(He adds that he expected Goldberg to object more “because we gave her so many outrageous lines” but she rarely did, except “to pitch something that was even funnier that worked better.”)
Plaza knew Kevin’s neuroses fit Schwartzman but also that he could bring his own touches while improvising. “He’s really funny about his own body,” she says. “We were hanging out once and he just said, ‘Feel this, my leg is really heavy.’ So we put that in for Kevin.”
Schwartzman says, seemingly seriously, “Wow, I don’t have a memory of that exact moment, but it is true that my leg does feel heavy.” And he adds that his friendship with Plaza enabled him to feel comfortable throwing out ideas during recording, adding that the improvising and tweaking went both ways, with the writers constantly adding new ideas. “It was a collaboration and an evolution,” he says.
The writers room is stacked with people who, like Plaza and Wengert, hail from the Upright Citizens Brigade improv world. (Wengert, who also imported writers he’d worked with on Netflix’s “Big Mouth,” was running the UCB school when they met.) “Our sense of humor is very aligned,” Plaza says.
While Plaza loves how “freeing” animation is — “your imagination can run totally wild” — she says that even though it’s out of character for her, she’d play the “bad cop” in the writers room. Wengert says one day she brought Schwartzman in and he and the writers pitched some wild ideas that made them say, “What the f— is going on.”
“We’re just building the world, so you need some rules, otherwise all the inanimate objects can start talking,” Plaza says. “When things started getting too crazy, I’d say, ‘Let’s rein it in.’”
The example Wengert gives is that they can briefly have a talking pizza slice (it is New York, after all) but they don’t want it to become close friends with Kevin in a major plotline.
But if they get to produce a second season — the scripts are already written — Plaza says the leash will get looser “and it will get more insane.”
The actor is pregnant with her third child, the first with partner Tanguy Destable. The Oscar winner told Harper’s Bazaar that she and Destable, a French music producer who goes by the stage name Tepr, are “very excited.”
“I’m just very grateful,” she told the outlet. “I know it’s such a privilege and a miracle.”
Portman, 44, said that she grew up hearing about how difficult it can be to become pregnant. As the child of a fertility doctor, the actor said she has many loved ones who’ve struggled in their journey and she wants to be considerate and respectful. “I know how lucky it is,” she continued. “I’m very aware, and I’m very grateful. I have deep appreciation and gratitude.”
The “Black Swan” actor has two children from her marriage to ex-husband Benjamin Millepied — a son Aleph, 14, and daughter Amalia, 9 — and told Harper’s that knowing this is “probably the last time,” she is cherishing every moment.
The actor also said she’s been enjoying the spring weather in Paris, where she has lived on and off for years. One other perk of being pregnant in Paris? “In France, they consider full term to be 41 weeks rather than 40, so I guess I get an extra week to be pregnant this time around.”
Portman split from Millepied in 2024 after more than a decade of marriage. The two met on the set of Darren Aronofsky’s 2010 film “Black Swan.” Millepied — a former principal dancer with the New York City Ballet — served as a choreographer on the movie. In 2023, French outlet Voici claimed Millepied had an extramarital affair with a climate activist. Shortly after, Portman quietly filed for divorce in Paris, where the two lived.
Last year, she told Jimmy Fallon during an appearance on “The Tonight Show” that an unexpected encounter with Rihanna at Paris Fashion Week in 2024 helped get her through the split.
“I think every woman going through a divorce should get to have Rihanna say to her that she’s a bad b—,” she joked to Fallon. “It was exactly what I needed.”
Fallon played a clip of the actor’s exchange with the “Diamonds” hitmaker in which Rihanna hugs Portman and says, “You are one of the hottest b— in Hollywood forever.”
Portman replies, “Excuse me? I’m going to faint.”
Portman has been romantically linked to Destable since March 2025.
Actor Ruby Rose’s public allegations of sexual assault against pop star Katy Perry have made their way to Australian officials, days after the former raised her claims on social media.
A spokesperson for the Victoria Police in Australia confirmed in a statement to The Times on Wednesday that its Melbourne Sexual Offences and Child Abuse Investigation Team launched an investigation into a “historical sexual assault that occurred in Melbourne in 2010” but did not confirm the identities of the involved parties. The spokesperson said police were informed that the alleged assault occurred “at a licensed premises” in Melbourne’s central business district, a metropolitan hub that hosts a number of nightclubs among other cultural establishments.
“As the investigation remains ongoing, it would be inappropriate to comment further at this stage,” the spokesperson said.
Representatives for Rose and for Perry did not immediately respond Wednesday to requests for comment.
Rose, the 40-year-old Australian actor known for “Orange Is the New Black” and the CW series “Batwoman,” accused Perry, 41, of sexual assault in a series of Threads posts over the weekend. In the comments section of a Complex Music post about Perry’s reaction to Justin Bieber’s Coachella set, Rose wrote “Katy Perry sexual assaulted me at spice market nightclub in Melbourne.” In other replies, Rose said the incident occurred when she was in “my early 20s” and alleged the “Teenage Dream” and “I Kissed a Girl” singer “bent down, pulled her underwear to the side and rubbed her disgusting” genitals on the actor’s face “until my eyes snapped open and I projectile vomitted on her.”
Perry — via a representative — denied the allegations in a Monday statement shared with The Times. “The allegations being circulated on social media by Ruby Rose about Katy Perry are not only categorically false, they are dangerous reckless lies,” Perry’s rep said.
“Ms. Rose has a well-documented history of making serious public allegations on social media against various individuals, claims that have repeatedly been denied by those named,” the statement said.
Rose, amid her departure from “Batwoman” in 2021, was accused by Warner Bros. Television of spreading “revisionist history.” When she publicly raised allegations of toxic working conditions against the series’ production team, the studio responded by noting it had parted ways with the actor after “multiple complaints” involving her workplace behavior.
Perry previously faced allegations of sexual assault in 2019 when an actor who starred in her “Teenage Dream” music video accused her of verbally bullying him during the video’s production and exposing his genitals to others without his consent during a party held separately from the shoot. Shortly after those allegations surfaced, a TV host in Georgia also reportedly accused the singer of harassing her that same year at an industry party.
During the weekend, Rose posted on Threads that she went to the police station to file a report about the alleged assault, despite expressing in an earlier post she had no interest bringing her allegations to officials. In another post shared Tuesday, Rose said she had “finalized all of my reports.”
“This means I am no longer able to comment, repost, or talk publicly about any of those cases, or the individuals involved,” she wrote, adding that she “can start the healing process now.”
