actor

AMERICAN actor T.K. Carter best known for his role in horror Sci-Fi film The Thing has been found dead at home.

Carter played Nauls in the 1982 movie and has starred in other films including Southern Comfort, He’s My Girl, and Ski Patrol.

He also featured in various television shows including Punky Brewster, The Corner, and Just Our Luck.

According to TMZ, the actor was found dead on Friday at his home in Duarte, California.

Officers discovered his body around 5:40 pm after they were called to the property.

No foul play is suspected and a cause of death has not yet been released.

read more on celebrity deaths

STAR GONE

Actor in Oceans Eleven, Rhoda, and Commando dies following heart attack

STAR KILLED

Singer shot dead in car during ‘ambush-style’ killing as cops launch manhunt

More to follow…

ACTOR and director Timothy Busfield is facing allegations of child sexual abuse.

An arrest warrant has been issued for the Emmy-winning star, best known for his roles in “Field of Dreams” and the TV shows “The West Wing” and “Thirtysomething”.

A police probe into the film icon was launched in November 2024 when cops attended the University of New Mexico Hospital after a doctor made a report.

An officer reportedly spoke with two parents who said their children were actors on the FOX TV show “The Cleaning Lady” – where Busfield, 68, worked as a director.

The producer is alleged to have told the siblings to call him “Uncle Tim”, and was accused of tickling their stomach and legs, according to a warrant filed by Albuquerque police on January 4.

Hospital employees told police that it appeared the kids had been groomed, court documents say.

PORN STAR ‘PREDATOR’

Inside horrific rape & sex attack allegations made against Ron Jeremy

One of the minors claimed the alleged abuse started when he was seven years old.

Busfield allegedly touched the child five or six times on another occasion.

The director is said to have grown “closer to the boys” over the series shooting, the children’s’ parents say in the arrest warrant.

One of the minors told a therapist in 2025 that Busfield touched his “genitalia” and “bottom” while in a bedroom on the set of the TV show, according to an affidavit obtained by KTLA.

The document says that Busfield told an officer that he had engaged in “playful” contact with the children on set, but denied any wrongdoing. 

Busfield, also well-known for his role in “Revenge of the Nerds”, now faces two counts of sexual contact with a minor and child abuse. 

It is currently unclear whether or not the Hollywood star has been booked yet.

According to his arrest warrant, Busfield has previously faced sexual assault allegations dating back to 1994.

The Sun reached out to Busfield’s team for comment.

Busfield has over 700 credits as an actor, producer and director in TV and film.

He won an Emmy Award for his role as Elliot Weston on the hit series “Thirtysomething” in 1991.

The film industry giant is best-known for his role as Danny Concannon in several seasons of “The West Wing”.

But he has also appeared in several films including “Stripes,” “Sneakers” and “Quiz Show”.

Busfield married Melissa Gilbert in 2013, and the pair do not share any children.

Breaking news… More to follow…

Myha’la is a married woman — and has been for a year.

The actor, known for HBO’s finance drama “Industry” and dark comedy “Bodies Bodies Bodies,” revealed that she and Armando Rivera tied the knot last year. She celebrated their anniversary via Instagram on Monday, sharing photos of herself with Rivera and pictures of friends and family during their intimate ceremony.

“One year of marriage,” she wrote in the caption of the post. The 29-year-old actor also included a disclaimer to reassure followers they weren’t the only ones who missed out on the wedding news.

“Sos if this is how you’re finding out, promise we didn’t tell most everyone,” she wrote. The San Jose native, birth name Myha’la Herrold, also expressed gratitude to her family and friends for “helping make this day so very magical.”

The spouses married five years after striking up a conversation during the COVID-19 pandemic, according to W Magazine. Myha’la gained popularity for her portrayal of dogged aspiring finance analyst Harper Stern in “Industry,” which debuted in November 2020. Rivera was among the fans who messaged Myha’la and her co-stars amid the show’s success. Rivera, a soccer player and an actor, then decided to interview his would-be-wife for a college journalism assignment.

“I thought, it’ll be five, 10 minutes, whatever. And immediately was like, ‘Whoa, you’re so hot and nice!’ ” Myha’la told W Magazine in 2023. “We talked much longer than we expected.”

They finally took their relationship offline, meeting in person in the Bay Area at the beginning of 2021. Since then, the pair have flaunted their romance on social media and various high-profile events, most recently the red carpet premiere of “Industry” Season 4 in New York City on Thursday.

“Industry” returns to HBO on Sunday. The drama hails from creators Mickey Down and Konrad Kay and also stars Ken Leung, Marisa Abela, Harry Lawtey, Kit Harington and Sagar Radia.

A fundraiser aimed at keeping Mickey Rourke housed has hit the brakes temporarily after the Oscar-nominated actor rejected more than $100,000 from fans and supporters earlier this week.

On Thursday, the GoFundMe page had a “donations paused” tag on it while Kimberly Hines, Rourke’s manager of nine years, addressed the situation in an update.

“Thank you so much for your generosity and for standing with Mickey during this time,” she wrote. “Your support truly means a great deal to us, and we are grateful for every donation. We remain committed to finding a resolution and are working with Mickey to determine the next steps.”

Rourke, 73, said in a video posted Monday that he didn’t know who set up the campaign. The effort, ostensibly aimed at keeping Rourke in his home when he faced eviction because of nearly $60,000 in unpaid rent, was set up Sunday by members of his management team and raised more than its $100,000 goal by Tuesday morning. Dozens of the more than 2,700 people who donated also posted messages about how much the actor’s films had meant to them over the years.

“I wouldn’t know what a GoFund foundation is in a million years,” said Rourke, who was a leading man in the 1980s with movies including “Barfly” and “Angel Heart” and was Oscar-nominated for his work in 2008’s “The Wrestler.” “My life is very simple and I don’t go to outside sources like that.”

He said later in the video that he “would never ask strangers or fans for a nickel. That’s not my style. You ask anyone who knows me. It’s humiliating and it’s really f— embarrassing.”

Rourke said that he wound up in “a really bad situation” with the house he had been renting for years in Beverly Grove. New owners bought the place, wouldn’t fix anything, he said, and raised the rent to $7,000 a month from $5,200. He alleged that the floors were rotted, there was no running water in a couple of places there should have been and the place was infested with rodents.

Rourke was served with notice of eviction in December, with the landlords also looking to recapture $59,100 in unpaid rent for 2025. Ricardo Villalobos, the attorney representing owner Eric Goldie in the eviction case, did not reply to The Times’ request for comment about Rourke’s allegations. The eviction paperwork, reviewed by The Times, was filed Dec. 29.

Hines did not respond to The Times’ request for comment but spoke with the Hollywood Reporter on Tuesday, telling the trade that it wasn’t true that Rourke didn’t know the origins of the fundraiser. She validated some of the things he said about the condition of the property and added a few details of her own. In her GoFundMe update Thursday, she included a link where donors who wanted a refund could submit a claim. The fundraiser lists Hines as the beneficiary.

She told the trade outlet that she and her assistant ran the fundraiser idea past Rourke’s assistant and everyone thought it might be helpful. Hines and her assistant arranged for movers and a U-Haul to help Rourke, got the “Iron Man 2” villain and his three dogs out and into a nearby hotel and secured an apartment for him to move into soon in Koreatown, she said, before his landlords were to change the locks that day on what she called an “uninhabitable” house.

“Nobody’s trying to grift Mickey. I want him working. I don’t want him doing a GoFundMe,” said Hines, who fronted the money Rourke needed in an “emergency” situation. “The good thing about this is that he got four movie offers since yesterday. People are emailing him movie offers now, which is great because nobody’s been calling him for a long time.”

The actor “doesn’t know the word moderation,” she told THR. “So he either has a lot or has nothing. He lives check to check.” Hines said it was time for a reality check with her client about living within his means off Social Security and income from any work that might come his way.

In his video, Rourke took some responsibility for his situation.

“Listen, I’ve done a really terrible job in managing my career. I wasn’t very diplomatic. I had to go to over 20 years of therapy to get over the damage that was done to me years ago, and I worked very hard to get through that,” the “9½ Weeks” star said. “I’m not that person anymore.”

After telling supporters they should get their money back, he added, “Like all storms, this’ll pass, and I’ll go to work and things will get back to whatever normal is.” Until then, don’t worry about him, he said, because he’s grateful for what he has.

“I’ve got a roof over my head, I’ve got food to eat. … I don’t need anybody’s money, and I wouldn’t do it this way. I’ve got too much pride. This ain’t my style.”

The total amount pledged to the fundraiser had dropped from more than $100,000 earlier this week to a little less than $97,000 Thursday after it was paused. Late Wednesday, Rourke’s Instagram page reposted a World Boxing News story summing up the reason for the pause.

In Jafar Panahi’s acclaimed thriller “It Was Just an Accident,” it’s a distinct sound that alerts Vahid (Vahid Mobasseri), a mechanic, that the man who tortured him in prison might be dangerously close.

After hearing it, he embarks on a rage-fueled mission to kidnap and kill the interrogator. But Vahid is not certain he has the right man, so he enlists a group of other victims to help identify him. What ensues is a brilliantly taut ensemble piece.

The latest from the Iranian master earned the Palme d’Or at the Cannes Film Festival and is now a major contender this awards season, representing France at the Oscars in the international feature category. Iran would not submit the politically charged film.

“Because the auditory sense of prisoners is usually strongest above all the other senses, I thought that I would begin the film with a sound,” a stoic Panahi says via an interpreter in a hotel room in Santa Monica. “In prison, you keep trying to guess if this voice that you hear belongs to an older person, a younger person, what he looks like and what he does in life.”

A scene from “It Was Just an Accident.”

(Neon)

Panahi is no stranger to being deprived of his freedom. Arrested in 2022 for his outspokenness against the regime’s practices, he spent seven months in prison. It wasn’t until he went on a hunger strike that his right to legal representation was granted.

Without an attorney present, Panahi explains, interrogators blindfold detainees and stand behind them, either asking questions directly or writing them on a piece of paper and handing it to the detained, who lifts their blindfold just enough to read it. An interrogation nearly identical to that description plays out in last year’s Oscar-nominated film “The Seed of the Sacred Fig” by Mohammad Rasoulof, one of Panahi’s longtime collaborators.

“I had not actually seen Rasoulof’s film because when we make films clandestinely, we don’t talk about them, even with our close friends,” he explains. “I didn’t even know what his film was about. Only when I got to France to mix [‘It Was Just an Accident’], and Rasoulof’s film was out in theaters there, that’s when I saw it.”

Making films on the outskirts of legality under an authoritarian regime entails high-stakes discretion. The script for “It Was Just an Accident” never left Panahi’s sight when casting.

“To all of the actors, I gave the script in my own apartment,” he recalls. “I told them, ‘Read it here, don’t take it with you. Go and think about it for 24 hours, and then tell me whether you want to be a part of it.’” Everyone in the stellar cast, composed of dissident artists with varying degrees of experience in front of the camera, was aware of the risks it entailed.

Jafar Panahi.

(Kate Dockeray / For The Times)

Mobasseri had appeared in Panahi’s previous effort, “No Bears,” while Majid Panahi, who plays a groom swept up in the scheme by his vengeful bride, is the director’s nephew. Mariam Afshari, as a photographer who also joins the plot, had minimal acting experience, but had been involved in other productions in below-the-line roles. Panahi says he casts actors based on how their physical traits resemble the character he has in mind.

That was the case with the tall and lean Ebrahim Azizi, who appears as Eghbal, the man the group believes was their ruthless captor. For a scene near the end where Eghbal breaks down, thinking he’s about to be killed, Panahi placed his trust in Azizi — who only acts in underground films, not state-approved projects — to convey the tempestuous humanity of a presumed villain.

“I felt a huge burden on my shoulders when I left prison that made me feel I owed something to my fellow prisoners who were left behind,” Panahi says. “I said this to Ebrahim Azizi, ‘Now the entire burden of this film is on your shoulders with your acting, and you have to put that burden down with utmost commitment.’”

The first time Panahi shot that searing scene, he sensed it wasn’t coming together. After all, his only experience with real-life interrogators was from the receiving end of their questioning. “I went to one of my friends, Mehdi Mahmoudian, who has spent one-fourth of his life in prison,” he says. “I told him, ‘Because you know these personality types very well, come and tell this actor what to do.’ He guided [Azizi] and we took two or three more takes and it was done.”

Amid the hard-hitting moral drama of “It Was Just an Accident,” moments that warrant a chuckle for their realistic absurdity might surprise some viewers. However, a touch of sardonic levity has always been part of Panahi’s storytelling.

“Humor just flows through life. You cannot stop it,” he says.

To make his point, Panahi recalls a morbid memory from when he was around 10 years old. One of his friends had lost his father. Disturbed, the boy threatened to take his own life. Panahi and his other friends followed him to try to stop him if he did in fact attempt to hurt himself.

Determined, the boy announced he would stand in the middle of the road and throw himself in front of a large vehicle. “We were lucky because we were in a very isolated part of town and there were no real big cars passing by,” he says. “Two hours later we were all sitting in a movie theater. Humor is always there. It’s not really in my hands.”

During Oscar season, The Envelope also likes to celebrate actors in roles that might not otherwise garner awards attention. You can sense a whole life behind these portrayals; they draw you in and make you want to know more.

April Grace as Sister Rochelle, ‘One Battle After Another’

Amid the controlled chaos that is Paul Thomas Anderson’s “One Battle After Another,” young Willa (Chase Infiniti) is brought to a nunnery that used to be part of her parents’ revolutionary group French 75. What Willa doesn’t know is that her mother (Teyana Taylor) betrayed the group in order to save herself from prison, and is still alive.

Sister Rochelle, played by April Grace with seething intensity, sets her straight. “Your mother was a rat, and that makes you a baby rat,” she spits, and Willa’s world crumbles further.

Grace will be familiar to eagle-eyed PTA fans; in “Magnolia,” she played Gwenovier, the reporter who calmly destroyed Tom Cruise’s character. When the offer of Sister Rochelle came, “I didn’t need to look at the role, I trust Paul implicitly,” she says. “He is there for the actor, whatever you need.”

Grace has worked in film and television for over 30 years, “but I started out in theater, so character development is really important to me.” She created a backstory for Sister Rochelle, building up the reasons she was so hostile to Willa. “Sister Rochelle is all about community, and you don’t betray your community.”

Of Infiniti, Grace notes, “She was just lovely, and she made my job really easy, just looking at her” trying to act tough, “like you don’t even know you’re a baby.”

Jacobi and Noah Jupe as Hamnet and Hamlet, ‘Hamnet’

(Dania Maxwell / For The Times)

Jacobi Jupe plays the title role in “Hamnet,” as the ill-fated son of William Shakespeare (Paul Mescal) and Agnes (Jessie Buckley). He was thrown into the deep end on his first day, when his father leaves the family for London. “I didn’t really know Paul, and I had to get so intimate and so upset but hold it together, and I was a bit nervous,” Jacobi recalls. “But Paul is such a lovely person, and I instantly trusted him, so it was really easy to do that scene.”

His big brother Noah adds, “And it’s what spurs on your entire character, the courage from that scene, so it’s a big thing to start with.”

It gets harder from there. Jacobi depended on his mother (actor Katy Cavanagh), Buckley and director and co-writer Chloé Zhao — “they were my three mums on that shoot” — to help him process his own death scene. “It was shocking, really, because I spent so long being Hamnet and feeling his emotions, and having to let him go was really hard.”

Noah was hired to play the actor playing Hamlet just before the part was to be shot. “That is an opportunity you cannot turn down,” he says, even though he only had a week to prepare the most famous soliloquies in the Western canon. “I learned the sword fight in eight hours.”

During rehearsals onstage, there was no Globe audience before him except for Buckley. “I just found myself performing to her, which then made all of the scenes I was doing like a conversation between me and Jessie.”

Zhao showed Noah his brother’s scenes so that his Hamlet would carry echoes of the lost child. “It was like watching yourself without all of the self-consciousness or the criticism,” he says of seeing Jacobi’s portrayal, “and just truly marveling at a performance by someone that is literally part of your heart.”

Hadley Robinson as Belle, ‘The History of Sound’

With one glance at Hadley Robinson’s Belle, you can feel the weight of the baby in her arms, the sorrow in her eyes, and the exhaustion in her soul. The film, directed by Oliver Hermanus and written by Ben Shattuck, centers on Lionel (Paul Mescal) and David (Josh O’Connor), secret lovers who travel the American countryside to record folk music after World War I. After they part, Lionel writes David for years without hearing back, and finally travels to his home to see him again.

Unknown to him, David had married Belle, and died several years earlier. Lionel instead meets Belle, now remarried and with a baby.

In a powerful scene, Belle tells Lionel her own love story — meeting David, falling for him, losing him — fully aware that she’s talking about her great love to David’s great love. But her loneliness is so thorough, she’s almost grateful to have someone to share David with. Lionel barely speaks as he absorbs the information.

“It was absolutely a monologue,” says Robinson. “But I found that to be so much easier to prepare, because there was so much in there that the character couldn’t help but be specific, because I was given an exact template.” She journaled as Belle for a week before her one day on set. “I’ve never had a role that was that devastating before.”

Though Lionel says nothing, Robinson praises Mescal as a scene partner. “I have found listening to be extremely difficult, and the way Paul listens is like a superpower. He was so incredibly present in that room.” He stayed on set all day, even when he was offscreen, “and rehearsed with me as well. He really showed up in a way that not all actors do.”

A SOUTH Korean movie star, hailed “The Nation’s Actor” has died, following a years long battle with cancer.

Ahn Sung-ki, who began his career as a child star, was a heavyweight in the industry and spent six decades on South Korean screens.

His death was confirmed by his agency, Artist Company, and Seoul’s Soonchunhyang University Hospital, which said Ahn had been battling blood cancer.

Born to a filmmaker in the southeastern city of Daegu in 1952, Ahn made his debut as a child actor in the movie The Twilight Train in 1957.

He subsequently appeared in about 70 movies as a child actor before he left the film industry to live an ordinary life.

In 1970, Ahn entered Seouls Hankuk University of Foreign Studies as a Vietnamese major.

Ahn said he graduated with top honors but failed to land jobs at big companies, who likely saw his Vietnamese major largely useless after a communist victory in the Vietnam War in 1975.

More to follow… For the latest news on this story keep checking back at The Sun Online.

Thesun.co.uk is your go-to destination for the best celebrity news, real-life stories, jaw-dropping pictures and must-see video.

Like us on Facebook at www.facebook.com/thesun and follow us from our main Twitter account at @TheSun.

PARIS — Actor George Clooney and his wife Amal Clooney were granted French citizenship because “they contribute, through their distinguished actions, to France’s international influence and cultural outreach,” the French government said Wednesday, defending their naturalization that was questioned by a junior French minister.

The naturalizations of the Kentucky-born star of the “Ocean’s” series of heist movies, his wife and human rights lawyer Amal Clooney, and their twins Ella and Alexander were announced last weekend in the Journal Officiel, where French government decrees are published.

Marie-Pierre Vedrenne, a junior minister at the Interior Ministry, expressed misgivings Wednesday that some of the Clooneys’ new French compatriots may think that the star couple was granted special treatment. The actor speaks only what he himself says is “horrible, horrible” French.

“The message being sent is not good,” Vedrenne said in an interview with broadcaster France Info. “There is an issue of fairness that, in my eyes, is absolutely essential.”

The couple purchased an estate in France in 2021 and Clooney has said that it’s their primary residence. Non-French residents of France have multiple possible routes to becoming naturalized. It wasn’t clear whether the 64-year-old actor retained his American citizenship. His 47-year-old wife was born in Lebanon and raised in the U.K and naturalized by France under her maiden name, Amal Alamuddin. The 8-year-old twins were born in London.

The Foreign Ministry said the Clooneys were eligible for citizenship under a French law that allows for the naturalization of foreign nationals who contribute to France’s international influence and economic well-being.

It argued that France’s cinema industry will benefit from the actor’s clout as a global movie star and said that as a lawyer, Amal Clooney regularly works with academic institutions and international organizations in France.

“They maintain strong personal, professional and family ties with our country,” the ministry said.

“Like many French citizens, we are delighted to welcome Georges and Amal Clooney into the national community,” it concluded, giving the actor’s first name a French twist by adding the “s” at the end.

The decision was also defended by Vedrenne’s superior at the Interior Ministry, Interior Minister Laurent Nuñez, who said he signed the naturalization decree.

“It’s a big chance for our country,” he said.

In recent media interviews when he was promoting “Jay Kelly,” Clooney said that he is trying to teach himself French using a language-learning app. He said that his wife and children speak the language perfectly.

“They speak French in front of me so that they can say terrible things about me to my face and I don’t know,” he joked, speaking to French broadcaster Canal+.

French media have reported that the Clooneys live part-time in their luxury 18th-century villa outside the town of Brignoles in southern France, where they can keep a lower profile and their children are protected from unauthorized photographs by French privacy laws.

In an interview with Esquire in October, Clooney said: “I was worried about raising our kids in L.A., in the culture of Hollywood.”

“I don’t want them to be walking around worried about paparazzi. I don’t want them being compared to somebody else’s famous kids,” he said. Growing up away from the spotlight in France, “they have dinner with grown-ups and have to take their dishes in. They have a much better life.”

AN ACTOR who appeared in Kung Fu Hustle has died at the age of 69.

Yuen Cheung-yan also choreographed martial arts scenes for Charlie’s Angels and The Matrix.

The star died in hospital on New Year’s Day

His cause of death was not disclosed.

Cheung-yan’s film career began in the late 1960s.

He was best known for playing the beggar in Stephen Chow’s 2004 film Kung Fu Hustle, having previously played a beggar in Gordon Chan’s 1992 King of Beggars.

‘PREDATOR’ SMITH

Will Smith sued for sexual harassment by male tour violinist & TV star

STAR GONE

Ex Fox late night host & comedian found dead inside home aged 67

The choreographer was a member of Hong Kong’s renowned Yuen family.

His late father, Yuen Siu-tien, was an actor and martial artist who starred alongside actors such as Jackie Chan.

Cheung-yan’s elder brother, Yuen Woo-ping, is a martial arts choreographer and director who has worked in Hong Kong and Hollywood.

Another brother, Yuen Shun-yi, is a martial artist, actor, and stuntman.

The siblings were all trained in martial arts from a young age by their father.

In the 1990s and 2000s, Cheung-yan worked in Hollywood, choreographing fight scenes for films including Charlie’s Angels, Daredevil, and The Matrix.

He was nominated four times for the Hong Kong Film Award for Best Action Choreography, winning in 1992 for Once Upon a Time in China.

He was also nominated at the 30th Golden Horse Awards for Tai Chi Master.

Despite declining health later in life, he remained active in the film industry and was photographed in 2025 working on Red Wedding Dress while using a wheelchair.

His funeral will be held in Hong Kong on February.

It comes after former late night host John Mulrooney died at the age of 67.

The comic was found dead in his Coxsackie, New York, home on December 29.

He died suddenly, as reported by Albany Times-Union.

Mulrooney was known for hosting Fox’s The Late Show in 1987 after Joan Rivers was fired.

He hosted Comic Strip Live between 1989 and 1990, and appeared in Great Balls of Fire in 1989.

Mulrooney played a talk show host in the flick which also starred Dennis Quaid, Winona Ryder, and John Doe.

“The Princess Bride” star Cary Elwes says he will remain in mourning long after the shocking deaths of beloved friend Rob Reiner and his wife, Michele Singer Reiner, earlier this month.

“Because my heart still aches every time I think of you, I know the grief of losing you too soon will likely never go away,” Elwes wrote Tuesday in an Instagram tribute to his longtime friends.

Elwes published his heartfelt remembrance of the Reiners more than two weeks after they were found dead in their Brentwood home on Dec. 14. “Enough time has passed that I can finally put my grief into words,” Elwes began his post.

The actor, 63, looked back on his time working with Reiner on 1987’s “The Princess Bride” and their relationship over the years since then, sharing behind-the-scenes footage from filming and a charming snippet from a reunion celebrating the 25th anniversary. He recalled meeting Reiner nearly 40 years ago when he was cast as Westley, the farmboy-turned-hero of the beloved fantasy film.

Elwes, who had been a Reiner fan before working with the filmmaker, wrote that “from that very first meeting I fell in love with him.”

The “When Harry Met Sally…” and “Stand By Me” director was “someone I wanted in my life,” Elwes continued, recalling the filmmaker’s authenticity and efforts to find the best in people. Looking back on his time with Reiner on “The Princess Bride,” Elwes wrote, “I can’t remember a single day without laughter.”

The actor’s social media post also paid tribute to the Reiners’ relationship and their longtime devotion to progressive political causes. “In a town where many talk the talk, they truly walked it,” Elwes wrote.

Elwes celebrated Reiner’s effortless comedy and dedication to “finding the joy.” He also compared making Reiner laugh to winning the lottery.

“His laugh was one of the greatest sounds I’ve ever known,” Elwes wrote, “so heartfelt it still rings in my ears.”

Elwes and Reiner maintained a bond long after “The Princess Bride” and collaborated again in 2015 on “Being Charlie.” Nick Reiner, the filmmaker’s second son, co-wrote the movie about a successful actor with political ambitions and a son addicted to drugs. The younger Reiner, 32, has been charged with murdering his parents after years of struggling with addiction and other issues.

Elwes, the latest Hollywood figure to salute the Reiners, concluded his post channeling a memorable line from his “Princess Bride” character.

“Sure, death cannot stop true love,” he wrote, “but life is pain without you.”

ACTOR Isiah Whitlock Jr – whose starring role in The Wire launched an iconic catchphrase – has died aged 71.

Whitlock Jr was best known for his recurring roles in Law & Order and Veep as well as being a regular in Spike Lee films.

His iconic catchphrase “Sh*******t” was also enshrined into pop-culture after he first delivered the line in 25th Hour.

In an interview in 2008, Whitlock Jr revealed he had picked up the phrase from his uncle Leon.

“I did it there, and I did it in She Hate Me,” he said.

“But then, when I got on to The Wire, I saw a couple of opportunities where I could do it, and I did.

“And they started writing it in.”

Whitlock Jr was born in South Bend, Indiana, and began his acting career after graduating from college, when he joined San Francisco’s American Conservatory Theater.

The star first appeared on screen in 1987 in a guest role on CBS’ Cagney & Lacey.

He continued to appear on TV for the following 35 years, starring in the Law & Order franchise in multiple episodes of Special Victims Unit and Criminal Intent.

Best known for his role as corrupt State Senator R. Clayton “Clay” Davis in The Wire, he appeared in all five seasons of the popular crime drama.

Whitlock Jr later got to play a man obsessed with The Wire in the 2011 comedy Cedar Rapids.

The star was confirmed dead on Tuesday by his long-time manager Brian Liebman.

“Isiah was a brilliant actor and even better person,” Liebman told Deadline.

“He was loved by all who had the pleasure to work with or know him. 

“He will be greatly missed.”

A fan favourite on HBO’s political comedy Veep, he played Secretary of Defence General George Maddox.

Whitlock Jr was a series regular on Showtime’s legal thriller Your Honor, where he portrayed a politician with connections in organised crime.

His final TV role was in the Netflix murder mystery series The Residence, where he depicted the Chief of Police, opposite Uzo Aduba.

The show premiered in March.

The star had a long-standing relationship with Spike Lee, appearing in six of the Oscar-winning filmmaker’s movies: 25th Hour (2002), She Hate Me (2004), Red Hook Summer (2012), Chi-Raq (2015), BlacKkKlansman (2018) and Da 5 Bloods (2020).

He also appeared as a doctor in Martin Scorsese’s Goodfellas, as well as roles in Chappelle’s Show, Pieces of April, Enchanted and Pixar’s Cars 3 and Lightyear.

On the big screen, Whitlock Jr was most recently seen in Elizabeth Banks’ black comedy Cocaine Bear.

His voice will also be heard as part of the voice cast in the Pixar/Disney animated feature Hoppers, which is slated for release in March, 2026.

Isiah Whitlock Jr., best known for his role in HBO’s “The Wire” and his collaborations with director Spike Lee in films such as “BlacKkKlansman” and “Da 5 Bloods,” has died. He was 71.

Whitlock’s manager, Brian Liebman, shared news of his client’s death in an Instagram post on Tuesday.

“It is with tremendous sadness that I share the passing of my dear friend and client Isiah Whitlock Jr.,” Liebman wrote. “If you knew him — you loved him. A brilliant actor and even better person. May his memory forever be a blessing. Our hearts are so broken. He will be very, very missed.”

Liebman told Deadline that Whitlock died peacefully in New York after a short illness.

Born in South Bend, Ind., Whitlock had dreams of playing pro football. He told NPR in 2021 that, while playing at Southwest Minnesota State University, he got “banged up … concussions, broken ankles.”

“To me it just didn’t seem to make sense anymore. … I wandered by the theater department.” After nabbing a role in “The Crucible,” he said he’d been “working ever since.”

After graduating in 1976, Whitlock joined the American Conservatory Theater in San Francisco.

At the start of his career, the actor picked up roles in procedurals and dramas, including iterations of the “Law & Order” franchise, notably “Law & Order: Special Victims Unit” and “Law & Order: Criminal Intent.”

He most famously left his mark on HBO’s “The Wire” as corrupt Maryland State Sen. Clay Davis, whose drawn-out, drawled profanity, “s—,” became a memorable element of the 60-episode crime drama.

After brief appearances on multiple short-lived TV series, including Fox’s “New Amsterdam,” ABC’s “The Unusuals,” CBS’ “Chaos,” and others, Whitlock made his HBO return with a recurring role on the political satire “Veep” as George Maddox, the secretary of defense and presidential candidate.

Whitlock also appeared on CBS shows “The Good Wife,” “Elementary,” FX’s “Louie,” “Atlanta,” Fox’s “Gotham,” NBC’s “The Carmichael Show” among many more. His final TV role was as Chief of Police Larry Dokes in Netflix’s 2025 mystery comedy drama “The Residence.”

On the big screen, Whitlock appeared in the black comedy horror film “Cocaine Bear” in 2023, as well as multiple movies directed by Lee, including “She Hate Me” (2004), “Chi-Raq” (2015), “BlacKkKlansman” (2018) and “Da 5 Bloods” (2020).

The director shared a photo of the two on his Instagram account, writing, “Today I learned of the passing of my dear beloved brother Isiah Whitlock. God Bless.”

Whitlock is slated for two posthumous releases, the 2026 Pixar animated film “Hoppers” and the Irish American film “The Body Is Water,” directed by Vicky Wight.

Welcome to Screen Gab, the newsletter for everyone who is mindlessly scrolling on their phones before the futile New Year’s resolution to curb the habit begins.

In our annual year-end edition, we expand our usual “ICYMI” feature, highlighting 2025’s most-read stories about film and television. It’s a hearty mix of celebrity profiles, insightful criticism and deep dives into the most talked-about pop culture that defined the year.

And we couldn’t do it without the support of our subscribers. We know there’s an endless stream of TikToks, Reels, articles and, ahem, other newsletters competing for your attention in any given minute — not to mention, TV and movies! — so we’re incredibly thankful for the time you choose to give this newsletter each week. We hope to continue guiding you through all the exciting film and television that greets us in 2026.

Until then, happy reading and happy watching! See you in the new year!

Take care,

Yvonne Villarreal

(The writer who tries to pull this whole thing together each week, with the help of my tag-team partner Maira Garcia.)

P.S.: Shout out to my amazing colleagues who never make me grovel for contributions, even with their demanding work loads. And to the copy editors who remain the true heroes of this place.

Diane Morgan as Philomena Cunk in “Cunk on Life.”

(Netflix / BBC / Broke & Bones)

How far will Philomena Cunk go to get a laugh? ‘If he breaks my nose, it’ll heal’: Diane Morgan, the actor who plays know-nothing TV pundit Philomena Cunk, explains how series like ‘Cunk on Life’ come together. (Jan. 2)

Billy Bob Thornton unpacks ‘Landman’ finale, details his hopes for Season 2: The actor, who stars as the fixer for a Texas oil company in the hit Taylor Sheridan drama, breaks down the season finale and discusses the prospects for Season 2. (Jan. 12)

Laura Dern’s letter to David Lynch: You wove L.A. into our dreams: The Oscar-winning actor reflects on a lifetime of work with the filmmaker, with whom she collaborated on ‘Blue Velvet,’ ‘Wild at Heart’ and ‘Inland Empire.’ (Jan. 22)

In deathbed audio, Paul Reubens recalled pain of being falsely labeled a pedophile: The recording is featured in HBO Documentary Films’ ‘Pee-wee as Himself,’ which premiered Thursday at the Sundance Film Festival. (Jan. 23)

Sundance is moving to one of 3 cities. Here’s what we know about their bids: Boulder, Cincinnati and a combined Salt Lake City and Park City are competing to become the new home of the Sundance Film Festival. (Jan. 24)

How Karla Sofía Gascón turned a historic Oscars first into a historic Oscars nightmare: With a series of resurfaced tweets, the lead actress nominee for ‘Emilia Pérez’ has caused an awards season uproar — and plenty of culture war confusion. (Feb. 4)

(Stephanie Jones / Los Angeles Times; Getty / JB Lacroix)

Justin Baldoni’s tumultuous road to the center of a Hollywood scandal: The actor-director built a career blending his Bahai values and storytelling. Now allegations involving Blake Lively and ‘It Ends With Us’ threaten his image. (March 5)

‘Severance’ stars explain Season 2’s harrowing finale and the ‘love hexagon’: Actors Adam Scott, Britt Lower and Dichen Lachman, director Ben Stiller and series creator Dan Erickson discuss “Cold Harbor,” the mind-blowing Season 2 finale. (March 21)

What happened on the shocking ‘White Lotus’ Season 3 finale: Who died? Did Gaitok shoot? What happened to the lorazepam? As Mike White’s HBO anthology wraps up it’s third season, we’re here to explain it all. (April 7)

Two new mysteries show the tariff-proof resilience of Arthur Conan Doyle and Agatha Christie: “Sherlock and Daughter,” a paternal twist on the Holmes legend and a new adaptation of Agatha Christie’s “Towards Zero” debut on the CW and BritBox, respectively. (April 16)

Natasha Lyonne portrays Charlie Cale in Peacock’s “Poker Face.”

(Christina House / Los Angeles Times)

Natasha Lyonne remains unconventional as a sleuth in ‘Poker Face’ and in her career: The actor is back as Charlie Cale in ‘Poker Face,’ Peacock’s murder mystery series, and for Season 2, Lyonne is adding director to her list of duties on the show. (May 8)

‘Good Night, and Good Luck’ CNN live broadcast brings George Clooney’s play to the masses: The actor’s Broadway play, based on his 2005 film, allowed viewers at home to see the actor’s much-hyped turn as Edward R. Murrow through CNN’s live television event. (June 7)

‘And Just Like That…’ seems determined to insult women over 50. And under 50: The reboot of HBO’s groundbreaking series ‘Sex and the City’ has failed to mature the women at the center of the show, or their relationships, much to this viewer’s dismay. (July 3)

Up, up and … eh? A rebooted ‘Superman’ gives the Man of Steel a mind of marshmallow: Director James Gunn launches his DC Extended Universe with a high-energy Superman played by David Corenswet, joined by co-stars Nicholas Hoult and Rachel Brosnahan. (July 8)

Stephen Colbert’s ‘Late Show’ is canceled, but he won’t go quietly into that goodnight: CBS announced that ‘The Late Show With Stephen Colbert’ would end in 2026. (July 18)

How ‘The Fantastic Four’ post-credits scene brings us one step closer to ‘Doomsday’: Yes, ‘The Fantastic Four: First Steps’ includes two post-credits scenes. Here’s how that big reveal sets up what’s coming in Phase 6 of the MCU. (July 24)

“The Wizard of Oz,” as presented in the Las Vegas venue Sphere.

(Rich Fury / Sphere Entertainment)

‘Wizard of Oz’ at Las Vegas’ Sphere feels more like a ride than a movie (with Disneyland-level pricing): The cherished 1939 fantasy has been expanded by generative AI to fit the giant parameters of the Las Vegas immersive venue. Has too much creative license been taken? (Sept. 3)

After 15 years of ‘Downton Abbey,’ Hugh Bonneville and Michelle Dockery can’t quite say goodbye: The actors reflect on their father-daughter roles in ‘Downton Abbey,’ the end of an era and honoring Maggie Smith’s legacy in ‘The Grand Finale.’ (Sept. 5)

How an O.C. teen joined Kanye West’s inner circle and filmed him unfiltered for six years: Director Nico Ballesteros followed Ye at close range, capturing the artist’s rawest highs and lowest lows in the new documentary “In Whose Name?” (Sept. 10)

Shutdown of Corp. for Public Broadcasting, recipient of Governors Award, elicits boos at Emmys: The Corp. for Public Broadcasting, which last month announced it would be shutting down after federal funding cuts, received the 2025 Governors Award at an earlier ceremony. (Sept. 14)

Jenny Han on ‘The Summer I Turned Pretty’ series finale and why Belly had to go to Paris: The author, producer and showrunner knows fans are restless about how her hit Prime Video series might end, but she says she “loves surprising people.” (Sept. 15)

A look at the scene outside the El Capitan Entertainment Centre, where the late-night show “Jimmy Kimmel Live!” is staged, in the wake of the show getting pulled from ABC.

(Jae C. Hong / Associated Press)

ABC’s decision to pull Jimmy Kimmel’s show has echoes and contrasts of Roseanne Barr firing: The news that ABC would be pulling ‘Jimmy Kimmel Live!’ indefinitely was reminiscent of the cancellation of Roseanne Barr’s eponymous sitcom, which had been rebooted in 2018, but had significant differences. (Sept. 18)

What Jon Stewart, Stephen Colbert, Jimmy Fallon and Seth Meyers said about Jimmy Kimmel’s suspension: The four late-night hosts weighed in on ABC’s decision to suspend Jimmy Kimmel’s show indefinitely in their monologues and in other segments. (Sept. 18)

Jimmy Kimmel returns to ABC with emotional monologue defending free speech: ‘We have to stand up’: The host returned Tuesday to his late-night show on ABC, where he addressed his comments on Charlie Kirk’s death and thanked those who have supported him in the past week. (Sept. 23)

‘South Park’ quietly ended Season 27, jumping into Season 28 with new episode roasting Peter Thiel: The adult animated comedy series returns Wednesday to Comedy Central with a new episode that also marks a new season. (Oct. 15)

An actor who appeared in Tyler Perry’s “Boo! A Madea Halloween” allegedly confided in the media mogul about health concerns and financial woes months before filing a $77-million sexual assault lawsuit against the billionaire actor-director last week.

The actor, identified in court documents as Mario Rodriguez, sued Perry on Thursday for sexual assault and sexual battery in connection to multiple alleged encounters from 2015 and 2019. The 23-page civil complaint, filed in Los Angeles County Superior Court, claims that Rodriguez cut off contact with Perry in 2019 and that through 2024 the director “would randomly reach out to Mr. Rodriguez.”

Screenshots of text messages, obtained by several outlets including the Associated Press, seem to show otherwise.

Rodriguez initiated text conversations with Perry as recently as August of this year. In a statement Monday, Rodriguez said “people are pointing to messages where I was polite, grateful, or vulnerable — and trying to use that to discredit me.”

“Survivors often stay cordial. They often ask for help when they feel desperate,” he added. “That does not mean abuse didn’t happen. Those text messages were sent to Perry at a time when I was especially vulnerable as can be seen from the context.”

The Associated Press reported Monday that Rodriguez expressed gratitude to Perry in a message sent during Thanksgiving 2024. “Just know that I love you and I thank you for everything, I appreciate you to the moon,” Rodriguez said in one message, according to screenshots published Monday by TMZ.

In a separate string of texts sent Aug. 31, Rodriguez informed Perry of his ongoing health issues, adding that he did not have health insurance. “I know I promised you I would never ask you for anything, but if it is what I think it is, I don’t think I could do it on my own because I barely pay my bills,” Rodriguez said in one message, according to TMZ.

“I just can’t go to the doctor because I can’t even afford it,” Rodriguez said in another August text message. “I don’t want anything. I just wanna be OK. Scared brother.”

Perry attorney Alex Spiro said Monday in a statement: “I said it before and I’ll say it again. This is nothing but a 77 million dollar money grab scam.”

The Rodriguez suit comes after “The Oval” actor Derek Dixon sued Perry in June, alleging quid pro quo sexual harassment, sexual battery, retaliation and more. Dixon is seeking $260 million in damages.

Rodriguez alleges in his lawsuit that Perry, 56, leveraged his Hollywood stature “to abuse and sexually assault people who hope to secure roles in his movies,” echoing claims Dixon made in his June filing. Rodriguez also alleges that Perry did not rehire him for further projects because he rejected the director’s sexual advances. Rodriguez and Dixon are both represented by attorney Jonathan J. Delshad.

According to the new lawsuit, Rodriguez started out as a model before a trainer approached him at a luxury gym in 2015 and put him in contact with Perry for a potential role in “Boo! A Madea Halloween.” Before Rodriguez auditioned and secured the minor role, Perry allegedly informed him, “I’m not a bad person to know and have in your corner” and touted the idea of more roles in the future.

The lawsuit alleges the mogul first sexually assaulted Rodriguez in Perry’s Los Angeles home in 2015. The two began drinking together before Perry invited the actor-model to his home theater to watch a movie, the document says. Perry, who instructed Rodriguez to leave his phone in the kitchen, allegedly asked the actor about his personal life and proceeded to hug him and compliment his appearance. He allegedly began rubbing Rodriguez’s shoulders and chest while making sexual noises, the lawsuit said. After Rodriguez attempted to distance himself, Perry allegedly continued touching the actor, “rubbing his inner thigh right next to his penis,” the complaint says.

The filmmaker’s sexual assaults persisted, the lawsuit alleges, in the years after he and Rodriguez wrapped the “Madea” film in 2016. Rodriguez returned to L.A. and stayed in contact with Perry, who invited Rodriguez to visit his home again to discuss future projects, the filing says.

“After a couple of visits, Mr. Perry then again began to make more sexual comments to Mr. Rodriguez” about his appearance, “and to ask him graphic sexual questions” including whether he had ever had sex with another man, the lawsuit says. Perry allegedly grabbed Rodriguez’s leg near his genitals again, the complaint says.

In November 2018, Rodriguez accepted another invitation from Perry to discuss a potential role in the TV series “The Oval.” They met for dinner in Beverly Hills, where Perry allegedly asked “So what are we? What are we doing?” before the director instructed Rodriguez to meet him at his Los Angeles home later that evening.

Conversations about potential collaborations took a sexual turn, the lawsuit says, when Perry asked Rodriguez whether he liked oral sex and if he had given oral sex to a man. Perry allegedly tightly hugged Rodriguez, tried to unbuckle the actor’s pants, reached into his underwear and grabbed his penis, according to the complaint. Before Rodriguez left Perry’s home in a rideshare, the filmmaker placed $5,000 in his pocket, the suit says.

Perry continued to invite Rodriguez to his Los Angeles home under the guise of work and sexually assaulted the actor over the following months, the lawsuit says. After another incident in April 2019, the suit says, Rodriguez stopped communicating with Perry.

Perry allegedly became infuriated by Rodriguez’s efforts to keep his distance and sent the actor expletive-filled texts. The lawsuit includes screenshots of the alleged exchanges, including one in which Rodriguez apologizes for not staying in touch with the director due to personal matters.

“I deserve a text at [least] once a month,” Perry texted Rodriguez, according to the lawsuit. He also asked the actor about his physical training and requested to see pictures, the complaint said.

Regarding his surfaced texts to Perry, Rodriguez added in his statement that “continued financial support and access are not inconsistent with abuse — they are often part of the power dynamics that follow it.”

He added: “The existence of financial assistance does not disprove harm. It is entirely consistent with the complex realities survivors face after abuse.”

Rodriguez also sued Perry for intentional infliction of emotional distress and sued “Boo! A Madea Halloween” distributor Lionsgate for negligent retention.

The academy has recognized “One Battle After Another” filmmaker Paul Thomas Anderson’s prodigious talents with plenty of nominations over the years. But Oscar voters seem to have been waiting for frogs to rain from the sky to give him an award. The most successful film of his career could change that.

11

Anderson’s nominations total so far includes five for writing, three for directing and three for best picture, all without winning.

2-for-8

Anderson’s rough contemporary and fellow Angeleno, Quentin Tarantino, has received fewer nominations but won twice, both for writing.

28

Years between Anderson’s first nomination, for writing “Boogie Nights,” and finally winning an Oscar, if he does, in March.

26

Years between Martin Scorsese’s first nomination, for directing “Raging Bull,” and finally winning an Oscar, for directing “The Departed.”

3

Anderson’s directing, writing and best picture nominations for 2021’s “Licorice Pizza” suggest the academy understands he is overdue.

3/15/26

Anderson winning for “One Battle After Another” would not be a “makeup” victory but that rare instance of justice arriving via a career-highlight film.

9

Only nine performances from Anderson’s movies have been nominated to date, a total that fails to reflect his gifts as a director of actors (or love of ensemble casts).

1

Of those nine, only Daniel Day-Lewis won, for his lead performance in “There Will Be Blood.”

3

Cinematographer Robert Elswit’s statuette for “There Will Be Blood” and costume designer Mark Bridges’ prize for “Phantom Thread” bring the Oscar total for Anderson’s movies to three.

6

Leonardo DiCaprio (lead actor), Sean Penn (supporting actor) and Teyana Taylor (supporting actress), at least, look like locks for acting nominations for “One Battle After Another,” with Chase Infiniti (lead actress), Benicio Del Toro (supporting actor) and Regina Hall (supporting actress) also contenders.

Former EastEnders actor Jamie Borthwick cut a glum figure as he shared a new year message with his followers months after being axed from the long-running BBC soap

It’s been a year to forget for Jamie Borthwick, and now the actor has shared a sad Christmas message. Months after being let go by EastEnders producers, Jamie, 31, has uploaded a sombre looking image and message.

He had played the part of Jay on the BBC soap since 2006. However, following a fallout amid Strictly chaos, Jamie found himself suspended by the soap. Three months later, he was axed, losing his role in September this year.

Now, in a rare social media update, Jamie has tried to look on the positive side of things – even if his picture appears to portray a different message. Taking to Instagram, he shared a picture of himself looking glum while wearing a paper Christmas hat.

READ MORE: Wayne Lineker ‘fully recovered’ after spending Christmas Day in hospital with pneumoniaREAD MORE: Scarlett Moffatt rules out having more children after ‘soul-destroying’ miscarriage

The black-and-white image was accompanied with the words: “Wishing everybody a very merry Christmas and let’s hope for a slightly better 2026 for us all xx.” He added a peering face emoji and an emoji of a face giggling.

Jamie has largely remained off social media since his axing from the long-running soap. He had been suspended following footage being revealed in which he used a severely derogatory term.

He was heard using the offensive term for people with disabilities to describe Blackpool residents while filming Strictly in the seaside town. The BBC said at the time that his language, caught in a clip on a phone, was “entirely unacceptable and in no way reflects the values or standards we hold and expect”.

At the time, BBC Studios, which makes the soap, said: “We can confirm that Jamie Borthwick will not be returning to EastEnders. We do not comment on individual matters.”

Disability charity Scope said that Jamie should reflect on what he had said and urged him to educate himself. It added: “We hope he takes the opportunity to get to know the reality of disabled people’s lives.”

The star, who had played funeral home manager Jay Brown, was spotted after the decision looking downcast and unshaven. It is understood he was only told about the bosses’ decision days before news broke.

He had reportedly been set to return to set to recommence filming after the suspension. However, he was instead shown the door. with the BBC saying: “We are very clear on our expectations that inappropriate behaviour and language will not be tolerated.”

In June, Jamie said: “I am deeply sorry for any offence and upset my words and actions have caused. It is no excuse, but I did not fully understand the derogatory term I used and its meaning.

“That is on me completely. Now I am aware, I am deeply embarrassed to have used the term and directed it in the way I did. It was wrong.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Cynthia Erivo’s aggressively feathered Balenciaga at the “Wicked: For Good” New York premiere. Alexander Skarsgård’s Ludovic de Saint Sernin halter top and snug leather pants at the London premiere of the BDSM dramedy “Pillion.” Jacob Elordi’s Celine suit — in monster green, no less — at the Newport Beach Film Festival as the actor promoted “Frankenstein.”

If these recent outings haven’t convinced you that Hollywood is in its method dressing era, well, where in the Law Roach have you been?

From left: “Pillion’s” Alexander Skarsgård, “Marty Supreme’s” Timothée Chalamet and “Frankenstein’s” Jacob Elordi.

(Photos by Getty Images)

For those not familiar, method dressing is when stars wear looks on a press tour inspired by the movie they’re promoting. The practice has been around since the days of Old Hollywood, when actors like Audrey Hepburn, in “Breakfast at Tiffany’s” and “Sabrina,” melded their star personas with their characters. More recently, Geena Davis and Gwyneth Paltrow channeled their projects with their premiere fits in the 1990s, and the casts of 2015’s “Cinderella” and 2018’s “Black Panther” did the same.

But experts say the current method dressing trend — exemplified by Margot Robbie’s Andrew Mukamal-styled candy-colored juggernaut for “Barbie,” Zendaya’s dystopian desert and tennis chic in her Law Roach-styled appearances for “Dune 2” and “Challengers,” and the relentless, two-year press tour for the “Wicked” movies — is a different animal.

“Method dressing often becomes prologue to the film itself — it sets the tone and the context of the film and makes you curious about it,” says Ross Martin, president of marketing agency Known. “[But it’s also] a signal that the actor you like really is deeply invested in this film. They’re not just showing up, they’re actually embodying the character in the world of the film.”

‘Wicked’ stars Cynthia Erivo and Ariana Grande.

(Photos by Getty Images)

Martin cites Timothée Chalamet’s orange-hued campaign for “Marty Supreme” as a particularly skillful deployment of the trend. “If your favorite actor keeps showing up in the same way over and over again, that used to be rewarded,” he says. “Now there’s this pressure on Hollywood stars to define and then redefine themselves … [you] don’t want to see the same Chalamet that [you] just saw playing Bob Dylan. What you’re seeing is really modern marketing tools applied in very strategic ways to the traditional medium of films. It’s really necessary because 90% of the movies that are released don’t get the marketing dollars they need to launch. So this is innovation by necessity.”

Savvy stylists are also driving the red carpet cosplay. “Previously, stylists were responsible for making sure that stars appeared on trend,” says Raissa Bretaña, fashion historian and lecturer at New York’s Fashion Institute of Technology. “As they gained more prominence in the movie industry, it was less about making sure the stars were on trend and more about making sure the stars were setting the trends.”

Setting trends and creating meme-worthy, TikTok- and Instagram-friendly moments that often reach more eyeballs than the films themselves. An image of “a star wearing a beautiful gown isn’t enough anymore,” says Bretaña. “It is meant to engage with the algorithm. How do we get people talking more about this movie? How do we get more eyes on it by having a different manifestation of it in our real life?”

Indeed, during the “Challengers” press tour, online chatter peaked each time Zendaya stepped out in a new tennis-centric look. “I’m a storyteller, and the clothes are my words,” Zendaya’s stylist Law Roach recently said to Variety. As for his work with the actor on “Dune: Part Two” — including Thierry Mugler’s sartorial mic drop — Roach told Vogue the “looks served as an extension of the wardrobe from the movie; it was intentional and purposeful.”

Zendaya in outfits inspired by her movie “Challengers”

(Photos by Getty Images)

Pop culture commentator Blakely Thornton has been following method dressing closely, posting frequently on press tour fashions. “Maybe [Zendaya] walked so Cynthia and Ariana could run,” he says. “The stars are taking it upon themselves to be like, ‘I have to invest in myself in this capacity to get what I need out of it.’” It’s an important distinction, he notes, as film execs aren’t always footing the bill for stylists. “The studios are pretending that it’s not something they have to pay for when it’s something in the internet era you must require. Because if these people came out wearing a turtleneck to every premiere, you wouldn’t be happy.”

Enrique Melendez, the stylist behind Jenna Ortega’s viral red carpet looks for the “Beetlejuice Beetlejuice” press tour, believes his work was key in boosting interest for new demographics. “Jenna being of a newer generation, wearing pieces and looks celebrating the original film had a whole new wave of young people researching the references and Easter eggs with their parents who understood exactly what they meant.”

Still, you can’t guarantee virality: There’s a fine line between a “Spider-Man” triumph and a “Madame Web” tragedy. Some of it can be attributed to an actor’s commitment, says Martin, contrasting Chalamet’s enthusiastic campaign with Dakota Johnson’s reluctant “Madame Web” tour. It also depends on the film itself. Bretaña says method dressing tends to work best with sci-fi or fantasy projects because of the inherent drama in their costuming.

She’s excited by an upcoming period film, Emerald Fennell’s adaptation of “Wuthering Heights,” starring on-theme veterans Margot Robbie and Jacob Elordi. “I think ‘Wuthering Heights’ will be our litmus test to see if method dressing will spill over into historically inspired garments,” says Bretaña. “In the past, whenever actors promoted period films, they try to look as contemporary as possible in order to distance themselves.”

Actors actually looking like themselves on the red carpet? Groundbreaking.

Welcome to Screen Gab, the newsletter for everyone who would rather reflect on the year in pop culture than look at their current bank statement.

Santa wasn’t the only one making lists this year. As the final days of the year come to a close, we’ve gathered several of our key year-end TV and film lists for 2025 in one handy place for easy browsing while you wait in return lines, prepare to board flights or zone out on the couch.

We also threw in some other recent lists, unbound to 2025 but still useful this time of year when our brains need all the help they can get to winnow down viewing choices.

Enjoy!

From left, Tessa Thompson in “Hedda”; Benedict Cumberbatch and Olivia Colman in “The Roses”; Michael B. Jordan and Miles Caton in “Sinners.”

(Photo illustration by Josep Prat Sorolla / For The Times; photos from Amazon Prime, Searchlight Pictures and Warner Bros. Pictures )

The 10 best movies of 2025 — and where to find them: The best movies of 2025 include “Sinners,” “Hedda,” “One Battle After Another,” “Eddington” and “The Naked Gun,” according to our critic Amy Nicholson.

The 12 best needle drops of 2025: These songs made their scenes indelible, from classic rock and dance pop to old-timey blues and thrash. There’s even a former Beatle on here.

34 movies and shows to watch on a plane — or trapped at the airport — this holiday season: In addition to getting you where you want to go, those hours spent on a plane — or trapped at the airport — are a guilt-free opportunity to catch up on or revisit great movies and shows.

10 on-screen political thrillers that stood out in a year of upheaval and partisanship: At a time of political unrest, the political thriller on television and film is both a reflection of, and an escape from, turbulent times.

Ho-ho-rror for the holidays: 15 scary watches for the dead of winter: Ghost stories have long been a holiday tradition, so gather ‘round the electronic hearth and watch some (or all) of these.

Best of 2025: Television — from left, Anna Lambe in “North of North,” Ethan Hawke and Michael Hitchcock in “The Lowdown,” “Women Wearing Shoulder Pads.”

(Photo illustration by Josep Prat Sorolla / For The Times; photos by Netflix, FX and Warner Bros.)

The best TV shows of 2025: The TV series on this list delivered real surprises with new directions and original formats, while others just had good old-fashioned storytelling, according to our critic Robert Lloyd.

The 16 best documentaries of 2025: The documentary films and series that captured our attention this year feature famous people and ordinary people, as well as new ideas and perspectives.

The 12 unforgettable TV moments of 2025: Some of the year’s most memorable TV moments and episodes

The best reality TV of 2025: Scandals, competitions and breakups are par for the course on reality shows, but this year also brought some tender moments that made for must-see TV.

The 33 best comedy specials of 2025: Specials by Frankie Quiñones, Andrew Schulz, Jordan Jensen, Sebastian Maniscalco, Bill Burr, Atsuko Okatsuka and Gabriel Iglesias make our list.

15 must-watch British crime drama series: Whether with an old-fashioned one-case-per-episode or a more sprawling multistrand story, quaint or violent, historic or modern, the birthplace of Agatha Christie understands that we all need stories that make sense of seemingly senseless acts.

The 7 best Netflix holiday movies to watch, from a secret Santa con to a crime caper: “My Secret Santa” starring Alexandra Breckenridge is the latest holiday film to be released on the streamer, which has several new offerings and recent classics worth revisiting.

Celebrated director of ‘Jenin, Jenin’ documentary leaves behind legacy of artistic resistance.

Acclaimed Palestinian actor and filmmaker Mohammad Bakri has died in northern Israel, ending a five-decade career that established him as one of the most influential voices in Palestinian cinema.

Bakri died on Wednesday at Galilee Medical Centre in Nahariya after suffering from heart and lung problems, hospital officials said.

His passing removes a towering figure whose work directly challenged Israeli narratives and whose decades-long legal battles over censorship became a defining chapter in Palestinian cultural resistance.

The 72-year-old was best known for his 2002 documentary, Jenin, Jenin, which captured testimonies from Palestinian residents following a devastating Israeli military operation in the refugee camp that killed 52 Palestinians.

The film ignited years of controversy in Israel but elevated Bakri’s status as a creative and would overshadow the remainder of his life.

Israeli authorities banned the documentary from screening in 2021, with the Supreme Court upholding the prohibition in 2022, deeming it defamatory.

“I intend to appeal the verdict because it is unfair, it is neutering my truth,” Bakri told the Walla News website at the time.

Five soldiers sued Bakri, and courts eventually fined him hundreds of thousands of shekels while ordering all copies seized and online links removed.

In an interview with the British Film Institute earlier this year, Bakri said, “I don’t see Israel as my enemy … but they consider me their enemy. They see me as a traitor … for making a movie.”

Born in 1953 in the Galilee village of Bi’ina, Bakri was a Palestinian citizen of Israel who studied Arabic literature and theatre at Tel Aviv University. He made his striking film debut at age 30 in Costa-Gavras’s Hanna K, playing a Palestinian refugee attempting to reclaim his family’s home.

His role as a Palestinian prisoner in the 1984 Israeli film Beyond the Walls earned international acclaim and an Academy Award nomination for the production.

But it was Bakri’s commitment to telling Palestinian stories that defined his career. He appeared in more than 40 films and directed several documentaries examining the experiences of Palestinians living under occupation and within Israel.

His solo theatrical performance of The Pessoptimist, based on Emile Habibi’s novel about Palestinian identity, was performed more than 1,500 times worldwide and cemented his status as a cultural icon.

Bakri is survived by his wife Leila and six children, including actors Saleh, Ziad and Adam, who have followed him into cinema. His funeral was held the same day in Bi’ina.

Pat Finn, a veteran comedy actor known for playing the Heck family’s friendly neighbor Bill Norwood on “The Middle,” died Monday, reportedly following a three-year battle with cancer. He was 60.

“After a beautiful life filled with laughter, love, family, and friends, we share the heartbreaking news of the death of Pat Finn,” Finn’s family said in a statement to multiple outlets. Finn’s manager, Andrea Pett-Joseph, who described the actor as “the kindest, most joyful person in any room, told Deadline that he died surrounded by his family and friends. His death was first reported by TMZ.

Finn broke into show business in the 1990s, appearing in various sitcoms. His first major role was on “The George Wendt Show,” where he played Dan Coleman, the brother of Wendt’s character, George Coleman. He also had a recurring role on “Murphy Brown” as Phil Jr., the son of the original owner and bartender of Phil’s Bar (portrayed by Pat Corley) who took over the establishment in later seasons.

”Seinfeld” fans might remember Finn from his role as Joe Mayo in “The Reverse Peephole” episode. He also portrayed alternate-universe Monica’s boyfriend Dr. Roger in a couple of episodes of “Friends.” Finn’s credits also included roles on “The Drew Carey Show,” “3rd Rock From the Sun,” “That ’70s Show,” “Curb Your Enthusiasm,” “The Bernie Mac Show,” “2 Broke Girls” and “The Goldbergs.” His most recent credits included the films “Unexpected” (2023) and “Diamond in the Rough” (2022).

Born in Evanston, Ill., Finn attended Marquette University in the 1980s, where he met his future wife, Donna, and Chris Farley, with whom he became friends. After graduating, Finn, along with Farley, joined Chicago’s Second City to hone his comedy chops.

In a 2022 interview published on Phoenix.org, Finn said he’d always gravitated toward comedy.

“My mom and I watched ‘The Carol Burnett Show’ and ‘The Odd Couple,’” he said. “I really liked the idea of sitcoms. Growing up in Chicago, nobody said they wanted to be an actor. They wanted to be firefighters or in sales. … A career in comedy didn’t become a reality until I was picked up by The Second City and then the main stage.”

According to a statement provided to the New York Post, Finn was diagnosed with bladder cancer in 2022. Although he went into remission, the cancer later returned and metastasized.

A lifelong Bears fan, Finn “often showed the biggest signs when the Bears scored a touchdown” in his final days, the statement from the actor’s family said. “No pressure Bears — just saying — do it for Pat.”

Finn is survived by wife Donna and their three children, Cassidy, Caitlin and Ryan.

“South Park” creators Matt Stone and Trey Parker, who this summer landed one of the richest TV deals ever, are being called Scrooges by performers at their Casa Bonita restaurant near Denver.

In late October, the performers, including the famed cliff divers, went on a three-day strike, citing unsafe working conditions and stalled negotiations over their first contract. The performers voted unanimously to unionize with Actors’ Equity Assn. a year ago.

The strike ended when the restaurant’s management agreed to bring in a mediator to assist in the negotiations.

But the standoff has continued, prompting Actors’ Equity to take out an ad in the Denver Post this week that depicts a “South Park” cartoon-like Parker and Stone awash in hundred-dollar bills while their staff, including a gorilla and a person clad in a swimsuit, shivers outside in the Colorado cold.

The union said its goal is to prod the star producers to resolve the labor tensions by giving about 60 Casa Bonita performers, including magicians and puppeteers, a pay increase and other benefits along with their first contract.

A full page ad is running in the Denver Post on Dec 24.

(Actors’ Equity Association)

Other Casa Bonita workers voted earlier this month to join the International Alliance of Theatrical Stage Employees Local 7.

“At Casa Bonita, we value all of our team members and their well being,” the restaurant management said in a statement. “We are negotiating in good faith with our unionized team members in the hopes of concluding fair collective bargaining agreements.”

Parker and Stone declined to comment through a spokesperson.

The pair, who also created the hit Broadway play “The Book of Mormon,” rescued the kitschy, bright-pink Mexican-themed eatery in Lakewood, Colo., from bankruptcy in 2021 and have since plowed more than $40 million into the restaurant to upgrade and correct unsafe electrical, plumbing and structural issues after the facility had fallen into disrepair.

For “South Park” super-fans, the venue has become something of a mecca since first being featured in the seventh season of the long-running Comedy Central cartoon.

In that episode, Cartman flips out when Kyle invites Stan, Kenny and Butters Stotch to his birthday party at Casa Bonita (not Cartman), where they are serenaded by the restaurant’s ubiquitous mariachi bands.

Along with legions of other kids who grew up in Colorado, Parker and Stone fondly remember making the trek to the Casa Bonita of their 1980s youth. Restoring the restaurant has become a passion project for the writers, a journey that became grist for a documentary, “¡Casa Bonita Mi Amor!,” which streams on Paramount+.

In July, Paramount managers were eager to tie up loose ends to facilitate the company’s sale to David Ellison’s Skydance Media and RedBird Capital Partners. The incoming management team also became involved in the protracted negotiations to strike a new deal with Parker and Stone’s production company, Park County, to avoid having the situation unravel, possibly tripping up their corporate takeover.

Paramount ultimately agreed to extend the overall deal for Park County as well as lock up the show’s exclusive global streaming rights for $300 million a year over five years. Until this year, the show streamed exclusively on HBO Max.

The overall deal is slated to bring Parker and Stone’s firm $1.25 billion through 2030.

As part of the pact, the team agreed to create 50 new “South Park” episodes for Paramount. The series has enjoyed a ratings bounce and increased cultural resonance this year as it routinely roasts President Trump.

Actors’ Equity, which also represents Broadway performers, is seeking pay raises for its members at Casa Bonita. Union representatives said performers’ wages there average $21 to $26 an hour.

“Matt and Trey have become fabulously wealthy by pointing out the hypocrisy of rich and powerful people,” said David Levy, communications director for Actors’ Equity. “And now they are behaving exactly like the people they like to take down.”

Tennis legend Venus Williams wed Danish model and actor Andrea Preti over the weekend in Florida, the new bride announced in a shared post.

An Instagram post from Vogue Magazine’s Weddings section announced the nuptials, with the message garnering more than 30,000 likes as of Tuesday afternoon.

“We all love each other so much,” Williams, 45, said in the Vogue post. “It was just the happiest, most beautiful, sweetest day.”

The post was scant on details other than the event took place over five days in and around the couple’s home in Palm Beach Gardens.

An email for comment to representatives for Williams and Preti, 37, was not immediately returned.

The couple met at 2024 Milan Fashion Week and began texting shortly after, according to Vogue.

The couple eventually became engaged on Jan. 31 in Tuscany, according to Vogue. That detail was confirmed in July during what was a historic month for Williams.

The Compton native defeated 23-year-old Peyton Sterns 6-3, 6-4 in the first round action of the D.C. Open after a 16-month hiatus from singles matches.

In victory, Williams became the second-oldest woman to win a tour-level singles match, trailing only fellow legend Martina Navratilova, who was 47 when she won in 2004.

“Yes, my fiance is here, and he really encouraged me to keep playing,” Williams told the Tennis Channel’s Rennae Stubbs in a post-match interview. “There were so many times where I just wanted to coast and kind of chill. … He encouraged me to get through this, and it’s wonderful [for him] to be here. He’s never seen me play.”

Preti has written, acted and directed in a handful of films, primarily in Italy.

The wedding was the second for the couple, who also held a ceremony in Italy in September.