SHOW BIZ

Strictly Come Dancing star Balvinder Sopal found herself in the dance-off with Ellie Goldstein

After a thrilling Strictly Come Dancing show on Saturday night, Balvinder Sopal found herself in the dance-off against Ellie Goldstein.

Balvinder and her professional partner Julian Caillon reprised their Rumba to Stay by Shakespears Sister, while Ellie and Vito Coppola performed their Tango to Abracadabra by Lady Gaga once more.

Following the second performances of both couples, the judges made their decision and chose to save Balvinder and Julian.

Post-dance-off, Balvinder posted a photo of herself and Julian performing on Instagram, captioning it: “I loved dancing the Rumba with @Julian_caillon. This was a gorgeous pay off to a very difficult week.”

This followed Julian’s post of photos from their performance, declaring it their “favourite dance yet”, reports Wales Online.

“Which I can’t believe we’re saying considering where we started with the Rumba,” he wrote.

“This week more than ever I saw @leesopal grow and improve as a dancer. From the technique to the performance there was absolutely nothing more she could’ve done, and I absolutely loved dancing this routine together.

“Make sure you’re tuning into the results show tonight to see if we “Stay” in the competition.”

Meanwhile, on the Strictly results show, Vito had some heartfelt words for Ellie after their elimination.

“Honestly, there are no words I can use to describe how proud I am of you and you did really change my life so much,” he said.

“You made me such a better person. At the beginning of this year, I said to myself please, please, please can you send me a beautiful angel into my life? And now you arrived.

“I’ve never had a little sister but I always wanted one. Now, I have you and you’re my little sister forever, and your big brother is always by your side.”

Nine couples remain in the competition and will perform next Saturday when the professional dancers will be accompanied by the Band of the Royal Air Force Regiment in a special tribute to Remembrance Sunday.

Damon Albarn has opened up about his emotional journey while recording Gorillaz’ upcoming album.

The singer and his bandmate Jamie Hewlett poured the grief of losing their dads into their ninth record, The Mountain, and Damon revealed he scattered his father’s ashes in India while making the collection.

“Both Jamie and I lost our fathers,” Damon said.

“We did two quite amazing, magical trips to India.

“India is a very interesting place to carry grief, because they have a very positive outlook on death.

“England is just really bad at dealing with death.

“In a way, I think this record is in that tradition of celebrating their lives.

“I did things I’d never done before. I swam in the Ganges in Varanasi.

“I watched the bodies being burnt on the banks of the Ganges.

“In England when we cremate a body we don’t even look at the bodies, it’s covered up immediately and then it’s put in the fire, the little curtains close and that’s it.

“On the banks of the Ganges, every family is there with the body wrapped in a shroud and they’re burnt, and it’s going on everywhere. It goes on 24 hours a day and it’s been going on for thousands of years.

“I took my dad’s ashes there and I cast them in the river. It was very beautiful.”

Indian culture helped shape the record — which will be released in March — with the album’s cover art featuring the title in Devanagari, a script used to write the Indian Sanskrit language.

And this time around the pair will not make their famous, animated music videos and instead are creating a one-off production.

Damon added: “We’re making a full eight-minute thing.

“This is why there are no videos at the moment, because it’s serious stuff. It’s really great that Jamie is concentrating on doing one animated thing.

“It’s a big amount of work, any animation. It’s kind of our Achilles’ heel because no other band has to spend that kind of time just to produce one small thing.

“So let’s make it a piece of art in itself and not really rely on it for the promotional aspect of things and let it breathe in its own way.

“I think fans are going to love every aspect of this record.”

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Personally, I cannot wait.

Jen’s perfect pairing

Jennifer Lawrence put on her poshest frock to party in the Big Apple after promoting her new film, Die My Love.

The Hunger Games star appears alongside Robert Pattinson in the black comedy, out this Friday.

And the pair coordinated their outfits for the New York premiere at the AMC Lincoln Square Theater.

J-Law then changed into a blue gown before heading out for a night on the town with her pals.

The actress has a busy few months coming up. She is starring in and producing upcoming murder-mystery movie The Wives, before kicking off a new project with legendary director Martin Scorsese and Leonardo DiCaprio.

Jen and Leo are set to play the leads in a terrifying film adaptation of Peter Cameron’s ghost story, What Happens at Night.

She did the chart double last month but Olivia Dean is keeping her feet firmly on the ground.

The singer scored No1s with her album The Art of Loving and single Man I Need, becoming the first British solo female artist to top both charts simultaneously since Adele in 2021.

Asked whether she’s let her success go to her head, she said: “I don’t think so. I feel like I try really hard and think all the time about not becoming a p***k. That would just be horrible.

“I’ve met some and it’s just like, ‘Oh no, it got to you’.”

On how success depends on the people around you, Olivia continued: “A lot of people work really, really hard. It’s really important to recognise that yes, you’ve worked on your skill or your craft, but all the people around you had to believe in it and be there to make it happen as well.

“It takes a village of people to make an album or do a campaign. There’s a lot that people don’t see.”

It sounds like Olivia has a lot of goals in the future, though – including headlining Glastonbury and releasing an album of standards.

On the And The Writer Is… with Ross Golan podcast, Olivia was also asked if she had written a musical yet.

She said: “No, but I would like to in the future. It’s definitely on the bucket list for me.”

Time to say ’ello to Eli

Hot prospect Eli released debut album Stage Girl at the weekend, jam-packed with infectious melodies.

It looks like her label, RCA Records – also home to Britney Spears, P!nk and Shakira – has unearthed another gem.

But her collection of tunes also features references to a battle with her identity, which the American singer has now overcome.

In an exclusive interview, Eli, who is a trans woman, said of her album: “It was made in a flow state.

“But that was after a year or two of complete wits’ end, last straw, end of the rope, repressing everything under the sun as a human being for 20 years of my life.

“I was just like, ‘I need this joy and I need this super-extravagant pop’.”

Part of her journey of discovery is related to listeners in album highlights Girl of Your Dreams and Falsetto, and Eli now hopes that her music will help people to accept those in the queer community.

She explained: “I like the idea that this is going to play in Walmart in Kansas, for the lady who thinks I’m the spawn of Satan.

“And she’s going to be like, ‘Wow, this song is so good’.

“I feel like there is a sort of trickle-down effect of awareness of my humanity and trans humanity in general.”

Eli is already feeling the love following her album release – Mark Ronson, Demi Lovato and Zara Larsson have all voiced their support and her fan base is growing and growing.

Eli added: “I feel so excited by the community I’m existing in in LA right now.

“I feel like everyone is so supportive of each other.

“And it’s so refreshing and so cool.”

Dazzled by Doja

Doja Cat looked a true member of the glitterati as she joined A-listers for a night out.

The rapper sported a sparkly orange dress at the LACMA Art+Film Gala in Los Angeles and completed the ensemble with a curly blonde wig in a nod to Marilyn Monroe.

This is not the first time she has gained inspiration from the Hollywood legend. At the 2022 Grammys, she wore a custom-made crystal Versace gown – which took 475 hours to make.

Doja attended the fundraising bash alongside a host of stars, including actresses Demi Moore, Salma Hayek and Cynthia Erivo all of whom dazzled in their ’fits.

Keep sparkling, ladies.

Robyn’s return so sexi

Singer Robyn is planning to drop a new single in the next few weeks, then her ninth album in 2026.

It is seven years since the Swedish-born star put out her last collection, Honey, and an industry insider tells me the new one, with alluring title Sexistential, promises to be bigger and better than ever before.

They said: “Robyn has spent years working on this music and has been really inspired by loads of up-and-coming artists.

“She has worked with some very cool people and all the stops are being pulled out for this to be her biggest record in decades.”

Robyn has joined Gracie Abrams and Charli XCX on stage for surprise performances over the past year.

But by the sounds of it, next year she will likely be performing plenty of big gigs of her own.

Cat Burns opens up about losing her grandad and breaking up with a long-time girlfriend on her new album How to Be Human.

The singer and Celebrity Traitors star told The Sunday Times’ Style mag: “While grieving, a quote that stood out to me was: ‘Grief is just love with no place to go’. That helped guide the message of the album.”

A Brum deal for Benson

Benson Boone is due back on stage tonight at London’s O2 Arena after he was forced to cancel his Birmingham show on Saturday.

The Beautiful Things singer, who is on his American Heart World Tour, told fans he wouldn’t have been able to put on the show at the Utilita Arena due to problems with his voice.

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In a statement, he told fans: “Birmingham I am so so sorry but I will not be able to perform. I have tried everything I can to revive my voice, but I cannot give you the show I’d like to be able to give you with the condition of my throat right now.

“I’m working with my team to find a date to reschedule as soon as possible. I promise I will do everything in my power to make it up to you. I love you guys so much.”

We’re sending you our best, Benson, and we hope you can make the show tonight.

This summer, Netflix’s animated hit “KPop Demon Hunters” might have created the most popular K-pop girl group in America. And seemingly the only people unaware of that distinction are its members.

“Is that what it is?,” asks Rei Ami, who with fellow artists Ejae and Audrey Nuna forms the film’s fictional trio Huntr/x. “Is that what it’s being labeled as?”

The stats are behind them: “Golden,” a contender for the Oscar for original song, hit No. 1 on the Billboard Hot 100 for more than eight consecutive weeks, with three other numbers earning a place in the Top 10. As a result, the film’s soundtrack hit No. 1 on the Billboard 200 and recently went platinum. With success has come an array of other opportunities as well. The group have since made a cameo on “Saturday Night Live” and performed on “The Tonight Show Starring Jimmy Fallon.”

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But as Ejae points out, theirs has not been the usual route to K-pop stardom. A former K-pop trainee herself, she notes that many hopefuls spend years developing their craft and chemistry with future group members. “We were all individually our own person. They had their music career, and I have my career as a songwriter,” she says. “[Becoming a K-pop group] later is unheard of with K-pop training. You do it when they’re kids, before anything [can develop], so they can shape them together, whereas we’re our own individuals coming together. Having this synergy is incredibly rare.”

That’s what singing in the most-watched Netflix film of all time will do for you. Premiering in August, “KPop Demon Hunters” propelled the members of Huntr/x — all of them already established in the industry, Nuna and Ami as artists and Ejae, who recently released her first solo single, as a songwriter for K-pop groups — into a new intensity of spotlight. (Ejae also wrote several tracks for the film, including “Golden,” with co-writers Mark Sonnenblick, Ido, 24 and Teddy.)

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1. Rei Ami is the singing voice for Zoey. 2. Ejae is the singing voice for Rumi. 3. Audrey Nuna is the singing voice for Mira. (Justin Jun Lee / For The Times)

“We were thrown together, basically,” says Nuna. “I’ve seen photos of us and I [thought], ‘Damn, we look like we were perfectly calculated to be in this group.’ The balance is nuts. But to think how serendipitous it was that this happened — we didn’t audition in rooms or go through multiple rounds of pairings to find each other… It just speaks to the beauty of the universe and how things go and when things just happen.”

In fact, the singers did not even meet until nearly five months ago, on the carpet at the film’s premiere. They recorded their parts separately with executive music director Ian Eisendrath, who then worked with the music team to edit them all together.

Ami was the last to record her part, which meant she got to hear “This Is What It Sounds Like” in its entirety with all the voices meshed together. The moment recalled the film’s final scene, in which Huntr/x — whose members double as the demon hunters of the title — reunites to fight the main villain to the sounds of the very same song, when “This Is What It Sounds Like” plays.

“I got to hear the song in full and all of our harmonies for the first time,” she recalls. “I was completely moved. I knew in my heart that this was going to be great.”

Still, they never expected the film to become a global phenomenon, resulting in their now chaotic schedules filled with press interviews, panel engagements, media appearances and special performances. Ami smiles, “We’re doing our best.”

Through it all, they’ve hyped each other’s achievements and held hands while expressing their appreciation for each other.

“These women have worked so hard on their journeys individually,” says Ami. “The industry has been so tumultuous, and the amount of pain, struggle, blood, sweat and tears that we’ve individually had to deal with … These two girls are the only ones in the world who will fully understand what I’m going through. I can’t talk to anyone else about this. Only they understand, and I feel so supported and not alone.”

They all clasp hands, with Ami telling the others, “I love you guys.”

And, for all the challenging moments, they are immensely grateful for the chance to fulfill their dreams. They all express their gratitude for the opportunity, as it has always been their dream.

“Literally, a month before the movie came out, I was doubting myself as a songwriter,” Ejae explains. “My goal was to get No. 1 on the Hot 100. I was going to do that — move to California, write so many sessions, and get No. 1. It felt impossible.”

“Those are all things we have on our bucket list,” Ami, right, says of the prospect of performing at the Oscars or Grammys.

(Justin Jun Lee / For The Times)

Ami becomes emotional about the film’s success when she talks about its impact on her career.

“I’m so blessed,” she says, holding back tears. “It’s really introduced me to more fans and new fans. This whole experience has taught me a lot about myself and what I want to do as an artist. My dreams are coming true.”

That hasn’t necessarily been the experience for her groupmates, though. “It takes a very long time [for me] to process and metabolize emotions,” Nuna says of her own lack of waterworks. “I’ve never wanted somebody to cry so much in my life,” Ami chimes in, laughing. “Feel something!”

The “instant chemistry” displayed in their interview was recently on display when the three were asked to perform “Golden” together for “The Tonight Show Starring Jimmy Fallon” — their first as a group. And the more they rehearsed, the more they cohered. Just like a real K-pop group.

“It’s really wild and weird,” says Nuna. “Honestly, the mesh of our voices just felt so intuitive. It was very organic and easy. The song is not easy, but the mesh and connecting were. It was literally our first time singing together, and I feel like we were hearing overtones in our harmonies and stuff, because they’re just really locked in.”

Awards buzz, for both the Oscars and the Grammys, has come as a surprise to the group, but it leads to questions about reuniting Huntr/x onstage at the biggest pop culture events of the year.

“[Performing at the Oscars or Grammys] would be the biggest deal,” says Ami. “I think we can all relate. That’s probably one of the highest accolades and achievements you can accomplish as an artist, songwriter, and producer. Those are all things we have on our bucket list.”

The trio hasn’t thought far enough ahead about an actual performance on either stage, as they’ve only recently begun rehearsing together.

“Jimmy Fallon will be a good practice,” Ejae laughs. “Good warm-up preparation.”

Indeed, though they have joked about forming a (real-life) K-pop group, all three are busy with individual projects — at least for now.

“If we were to get together, the charts better watch out!” Ami shouts. “You might not ever see another name other than us.”

Alan Carr has fled the UK ahead of the final of The Celebrity Traitors, as he’s convinced he’s the ‘most hated man in the country’ after killing off his co-stars

Alan Carr has fled the country before The Celebrity Traitors finale, declaring: “I’m the most hated man in the UK.” The comedian brutally eliminated beloved actress Celia Imrie in full view during Thursday night’s episode, and revealed his backstabbing antics on the programme have left him deeply unpopular.

Nevertheless, the 49-year-old confesses he reckons his fellow celebrities are “thick” for failing to spot his obvious eliminations. Chatting whilst taking his nephew and niece to Universal Studios in Orlando, Florida, Alan said: “That’s why I’m in America.

“I’m the most hated man in the UK. I’ve had to come here to Orlando to get away from it all – everyone hates me. My Christmas card list is getting smaller and smaller.”, reports the Daily Star.

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Yet he reckons his showbiz mates should have spotted his blatant murders – particularly as he struggles to hide his reactions. Speaking to Heart radio in Orlando, Alan – who also eliminated his mate Paloma Faith on the programme – added: “I’ve got loads of celebrity friends, but are they thick?

“I’m giggling when people are murdered. When they don’t come down for breakfast, I just stick cheese in my mouth.” He went on: “It’s stressful murdering every day… I’m getting a taste for it.”

Fellow Traitor Cat Burns, 25, confesses the spotlight is all “a bit mad” and revealed she is managing it by “mainly just staying at home”. Meanwhile, recently eliminated star Kate Garraway has backed Alan to triumph in the competition.

The Good Morning Britain host declared: “I think he’s going to win. I don’t know. I’m going to say it now.” She revealed that his strategy has been to burst into fits of laughter during loyalty challenges, particularly whilst playing a round where contestants had to share two truths and one falsehood.

She explained: “The flaw in the plan was everybody slightly flickered, their eyes changed so when you say ‘are you a mother of five’ they just go yes because they’re relaxed about that. But on every single one Alan looked guilty, even on the ones that were true.

“So therefore I think his thing is that he looks guilty and the more he mucks up and the more he sweats and the more he can’t get out loud ‘I’m a Faithful’, then the more it plays in to ‘Alan’s just being Alan’. And I think that’s going to be the genius.”

The Celebrity Traitors finale broadcasts on Thursday at 9pm on BBC One.

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STRANGER Things star David Harbour admitted he has “made mistakes” over the last 10 years just WEEKS before ex-wife Lily Allen released her bombshell album.

The couple, who split after a five year marriage in February this year, have had their relationship thrust into the spotlight after Lily’s blistering attack on her marriage on new album, West End Girl.

The 14-track album was dropped last week, but shortly before the release, Harbour briefly spoke about ‘regrets’ while promoting the upcoming final season of Stranger Things.

Talking to Esquire Spain, Harbour was asked to reflect on the past decade of his life in line with how long he has played burly cop Jim Hopper on the show.

He responded by calling it a “hard question” and, while not addressing Lily specifically, he said: “I would change either everything or nothing. 

“You either accept your path completely and realise that even the pain and the slip-ups and the mistakes are all part of the journey, and that there’s truth and growth, wisdom and deeper empathy and connection in all that.”

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“It’s kind of like a house of cards,” he added. “The minute you try to change one thing you kind of have to change it all.”

Ultimately he said he’d change “everything” and “just make his life happy and silly”, though it would “suck” not to be an actor.

West End Girl

On West End Girl, Lily chronicles her relationship with Harbour, starting with their whirlwind relationship after meeting on Raya in 2019 and setting up their life together in New York.

However, she notes things began to unravel after she landed a part in a West End production of 2:22 A Ghost Story, which required her to come back to London.

She then accuses him of getting close to a woman she names “Madeline”, despite them having an “arrangement” for him to sleep with other people.

Mentioning her on the track ‘Tennis’, fans were abuzz with the question: “Who the f**k is Madeline?”

While Lily has said the album, which features alleged dates and supposed voice notes, is a mixture of fact and fiction, the the real life “Madeline” has spoken out, with New Orleans based costume designer Natalie Tippett, 34, claiming to have been involved in the fling.

David and Natalie reportedly began an affair while working on 2021 film We Have A Ghost, despite marrying Lily the previous year in Las Vegas.

He later allegedly flew Natalie to his home in Atlanta, Georgia.

Since the album has been released, Harbour has not commented on the claims on the songs – which took Lily 10 days to make and record.

It’s also unclear where the line between fact and fiction stands on the album.

Despite this, Lily made another dig at her ex – dressing up as cartoon character Madeline for Halloween as she partied with friends in Los Angeles.

Elliot Zwiebach was 62 years old when he sang in front of a live audience for the first time.

The retired reporter had always loved show tunes, but he’d never considered singing in public before.

“I sang for my own amusement, and I wasn’t very amused,” he said recently.

But one night, after attending a few open mic nights at the Gardenia Supper Club in West Hollywood as a spectator, he got up the nerve to step onto the stage and perform a tune backed by a live band.

For his first song, he picked the humorous “Honey Bun” from the Rodgers and Hammerstein musical “South Pacific.” It was frightening and he didn’t sing well. And yet, the following week he came back and did it again.

Newbie Ian Douglas, left, and longtime singer Elliot Zwiebach look over a sign-up sheet at the Gardenia’s long-running open mic night.

Sixteen years later, Zwiebach, now 78, is a core member of what the event’s longtime host Keri Kelsey calls “the family,” a group of roughly 25 regulars who sing jazz standards, show tunes and other numbers from the Great American Songbook at the longest-running open mic night in L.A.

“It’s very much like a community,” Zwiebach said on a recent evening as he prepared to sing “This Nearly Was Mine,” another song from “South Pacific.” “Everyone knows everyone.”

For 25 years, the small, L-shaped Gardenia room on Santa Monica Boulevard has served as a musical home for a diverse group of would-be jazz and cabaret singers. Each Tuesday night, elementary school teachers, acting coaches, retired psychoanalysts, arts publicists and the occasional celebrity pay an $8 cover to perform in front of an audience that knows firsthand just how terrifying it can be to stand before even a small crowd with nothing more than a microphone in your hand.

“You are so vulnerable up there with everyone staring at you,” said Kelsey, who has hosted the open mic night for 24 years and once watched Molly Ringwald nervously take the stage. “But it’s also the most joyous experience in the world.”

Director and acting coach Kenshaka Ali sings “Goodbye Pork Pie Hat” by Rahsaan Roland Kirk.

The singers are backed by a live, three-piece band led by guitarist Dori Amarilio. The rotating group of musicians — a few of them Grammy winners — arrive not knowing what they will be playing that night. Some singers bring sheet music, others chord charts. And there are those who just hum a few bars and allow the musicians to intuit the key and melody enough to follow along. Poet Judy Barrat, a regular attendee, usually hands the evening’s piano player a copy of the poem she’ll be reading and asks him to improv along with her.

“It’s totally freeform,” said Andy Langham, a jazz pianist who toured with Natalie Cole and Christopher Cross and often plays the Gardenia. “I read the stanzas and try to paint pictures with the notes.”

Keri Kelsey, singing “Mack the Knife,” has hosted the Gardenia’s open mic night for 24 years.

The Gardenia, which opened in 1981, is one of the few venues in L.A. specifically designed for the intimacy of cabaret. The small, spare room has table service seating for just over 60 patrons and a stage area beautifully lit by an abundance of canned lights. Doors open at 7 p.m. on Tuesday nights, but those in the know line up outside the building’s nondescript exterior as early as 6 p.m. to ensure a reasonable spot on the night’s roster of singers. (Even though there is a one-song-per-person limit, the night has been known to stretch past 12 a.m.) Nichole Rice, who manages the Gardenia, takes dinner and drink orders until the show starts at 8:30 p.m. Then the room falls into respectful silence.

Pianist Andy Langham and guitarist Dori Amarilio perform live music accompaniment for each open mic participant at the Gardenia.

“This is a listening room,” said singer-songwriter Steve Brock, who has been attending the open mic night for more than a decade. “I’ve been to other rooms where I’m competing with tequila or the Rams. Here, when anyone goes up in front of that microphone, everyone stops.”

On a recent Tuesday night, the show began as it always does with an instrumental song by the band (a piano, guitar and upright bass) before an opening number by Kelsey. Dressed in a black leather dress and knee-high boots, she had this time prepared “Mack the Knife.” “This may be one of the loungiest lounge songs ever,” she said. “Maybe that’s why I really like it.”

People begin to line up outside the Gardenia at 6 p.m. to get a spot for the Tuesday open mic night.

The first singer to take the stage was Trip Kennedy, a bearded masseur who performed “The Rainbow Connection” in a sweet tenor. When he finished, Kelsey shared that she was cast as an extra in “The Muppets Take Manhattan.”

“It was the most ridiculous thing,” she said, filling time as the next singer consulted quietly with the band. “I was a college student who dressed up as a college student for the audition.”

Dolores Scozzesi, who sang at the Hollywood Improv in the ’80s between comedy sets, performed a moody arrangement of “What Now My Love.” “This is a [chord] chart from 2011,” she told the audience before she began. “I want to try it because these guys are the best.”

Monica Doby Davis, an elementary school teacher, sings the jazz standard “You Go to My Head” at the Gardenia.

Zwiebach performed a medley of two Broadway hits, “I’ve Grown Accustomed to Her Face” (which he altered to “his face”) and “This Nearly Was Mine,” easily hitting all the notes. After, his young friend Ian Douglas, a relative newbie who started attending the open mic night in the spring, sang the jazz standard “You Go to My Head.” Zwiebach praised the performance.

“I know that song very well and you did a great job,” he said.

Monica Doby Davis, who once sang with the ’90s R&B girl group Brownstone and now works as an elementary school teacher, also performed “You Go to My Head.” Although she had left the entertainment business decades ago, she said finding the Gardenia open mic night 13 years ago “brought music back to my life.”

Tom Nobles, left, sings alongside bassist Adam Cohen, center, and pianist Andy Langham at the Gardenia.

There were many beautiful, intimate moments that night, but perhaps the best was when Tom Nobles, an actor and retired psychoanalyst in a purple knit cap and thick plastic glasses, forgot the words to “Lost in the Masquerade” by George Benson.

He stumbled for a moment, a bit perplexed, before turning to his friends for help.

“Whoever knows the words, sing it with me,” Nobles said to the crowd.

Quietly at first and then louder and stronger, the whole room broke out into song.

We’re lost in a masquerade. Woohoo, the masquerade.

Despite her criminality, Stephanie St Clair liked to be seen as a ‘lady’ and her story is told in a new Sky History series, Original Gangsters, which is narrated by Sean Bean

Roaring Twenties New York was a hotbed of crime, where mobsters like Lucky Luciano ruled the roost – cashing in on prohibition with bootleg booze. Then there was the numbers game … and there was Stephanie St. Clair.

Like a people’s lottery, players of the numbers game – which was illegal – would write a lucky three digit number on slips of paper and runners would run these slips and the bets between the gamblers and their ‘bankers.’

The winning numbers were chosen from the last three digits of the daily trading totals of the New York Stock Exchange which, crucially, made the game impossible to tamper with or fix.

At a time when Black people weren’t even allowed bank accounts, St Clair – a Black woman born in Guadalupe who fled to the US from the French West Indies where she was raised at 13 – wanted a piece of the pie.

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Anyone with the cash to pay winners, or the front to chance their arm until they built up a big enough pot, could be a numbers banker. And it was a way for Black people to enter the banking system. In 1922, St Clair – until then a cleaner – managed to accumulate $30K and launched her own numbers operation – stepping out of the boundaries of both her sex and her race.

Interestingly, she also used other people – particularly men – to keep her hands clean while masterminding the racket. One such enforcer was Bumpy Johnson, who became known as the Godfather of Harlem where they were based. Bumpy would punish people with beatings – or by taking lives.

Featured in a new Sky History series, Original Gangsters, which starts on Tuesday and is narrated by Sean Bean, despite her criminality, St Clair liked to be seen as a ‘lady.’ Sean Bean says:”Although very few photos of her survived, we can see that that image was incredibly important to Stephanie. She never allowed herself to be photographed without her hair, her makeup, her clothes all perfectly styled.”

Alongside being a ruthless gangster, St Clair was a committed activist for the Black community. And when she was arrested, she testified about the participation of the NYPD in vice rackets – leading to more than a dozen police officers being suspended from the force. But when another formidable gangster, Dutch Shultz, tried to muscle in on her numbers, her resistance led to Harlem becoming a warzone – with him using bombings, beatings and murders to muscle in on her turf.

When Shultz was eventually gunned down by a group known as Murder IN, she sent him a message on his death bed saying, ‘As you sew, so shall you reap.’ The same could be said of her, when she is jailed in the 1930s after gunning down her ex and being imprisoned for two to 10 years. Released in the early 1940s, little is known of her after that.

But Serena Simmons says of the little known crime boss, who died in 1969 aged around 72: “She was an outlier. She was someone who may have been able to go down a different path – a good path – if circumstances had been different. She was a very strong character. Underneath it all she was thoughtful, sensitive and a deep thinker. She was intelligent, self educated and widely read. Her clothes were her costume – she needed to be taken seriously – and she was functioning in a man’s world.

“Don’t get me wrong, she did do bad things, but she had a strong moral code; she was aware of injustice because she herself had experienced so much. I think her intention was bizarrely a good one. She had to be self-serving to help others. She had a lot of trauma when she was younger – so this is someone for me who was in survival mode and psychologically could compartmentalise her actions.

“She was motivated to achieve something and constructed her own path outside of any institutional support. I’m not sure we have any understanding about how hard that would have been. Is there a little bit of me that admires her? Yes, there is.”

Original Gangsters starts on Tuesday 4th November at 9pm on Sky History and History Play. The series will also be available to stream on NOW.

GEMMA Collins stunned fans as she showed off her impressive three-stone weight loss in a gorgeous dress for Halloween.

The former TOWIE star, 44, transformed into Ariana Grande‘s Glinda, displaying her much slimmer frame on her Instagram.

“We’re doing a look today for Halloween,” Gemma explained, revealing her sparkling, bedazzled, bright purple ball gown.

Wearing a matching tiara and clutching a magic wand, she sang, “Popular, I’m going to be popular. I love, love, love Wicked.

“Like beyond. I’m obsessed.

“I know the premiere is coming to London, but for Halloween, I thought I’d do Glinda.

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“We was going to do Elphaba as well but… what was the reason we didn’t do Elphaba?

“Just because it’s going to be loads of green paint and I’ve got to be in about 20 places within the next three hours.

“So yeah, we’re having fun today behind the scenes and I can’t wait for you to see the final look,” the reality TV favourite explained.

In another video, Gemma joked that after Halloween was over, she would be racing to put up her Christmas tree.

Her famous friends and followers loved the Wicked look, with pals Jedward saying she looked like “Ariana Grande‘s sister”.

Another fan wrote, “Our gorgeous Essex glinda”

While a second said, “Absolutely stunning Gemma!!!️ hope your having a lovely weekend, love the Glinda look.”

“I wish I was this pretty,” wrote a third.

A fourth penned: “The GC always brightens up our day.”

Her dramatic transformation comes after Gemma dropped from a size 26 to a size 20 after becoming the latest celebrity on fat jabs.

She started the NHS-approved Mounjaro weight loss jabs in November 2024.

Gemma previously told The Sun: “For me, taking the jab is more about helping me not to fixate on food, so I actually only eat once a day now and don’t snack.

“I used to fascinate about food all day, but now it’s not a major player in my life anymore, I’ve forgotten all about it.

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“If I get a bit hungry, I’ll have something to eat, but it’s just about making smarter choices.

“The jabs aren’t for everyone but it’s a life changing drug for some people if it’s taken correctly and not abused. It has helped me a lot.”

Universal Music Group said Wednesday it has reached licensing agreements with artificial intelligence music startup Udio, settling a lawsuit that had accused Udio of using copyrighted music to train its AI.

Users create music using Udio’s AI, which can compose original songs — including voices and instruments — from text prompts.

Udio has agreed with UMG to launch a new platform next year that is only trained on “authorized and licensed music,” and will let users customize, stream and share music.

“These new agreements with Udio demonstrate our commitment to do what’s right by our artists and songwriters, whether that means embracing new technologies, developing new business models, diversifying revenue streams or beyond,” Lucian Grainge, UMG’s chairman and chief executive, said in a statement.

Udio declined to disclose the financial terms of the settlement and licensing agreements. UMG did not immediately return a request for comment on the terms.

Artificial intelligence has brought new opportunities as well as challenges to the entertainment industry, as AI startups have been training their models on information on the internet, which entertainment companies say infringes on their copyrighted work.

In the music industry, music businesses have accused New York City-based Udio and other AI music startups of training on copyrighted music to generate new songs that are based on popular hits without compensation or permission.

UMG, Sony Music Entertainment, Warner Music Group and other music businesses sued Udio last year. In the lawsuit, Udio was accused of using hits like The Temptations’ “My Girl,” to create a similar melody called “Sunshine Melody.” UMG owns the copyright to “My Girl.”

“A comparison of one section of the Udio-generated file and ‘My Girl’ reflects a number of similarities, including a very similar melody, the same chords, and very similar backing vocals,” according to the lawsuit. “These similarities are further reflected in the side-by-side transcriptions of the musical scores for the Udio file and the original recording.”

Udio said on its website at the time that it stands by its technology and that its AI model learns from examples, similar to how students listen to music and study scores.

“The goal of model training is to develop an understanding of musical ideas — the basic building blocks of musical expression that are owned by no one,” Udio had said in a statement. “We are completely uninterested in reproducing content in our training set.”

On Wednesday, Udio’s CEO and co-founder, Andrew Sanchez, said he was thrilled at the opportunity to work with UMG “to redefine how AI empowers artists and fans.”

The collaboration is the first music licensing agreement that Udio has reached with a major music label.

“This moment brings to life everything we’ve been building toward — uniting AI and the music industry in a way that truly champions artists,” Sanchez said in a statement. “Together, we’re building the technological and business landscape that will fundamentally expand what’s possible in music creation and engagement.”

Udio said that artists can opt in to the new platform and will be compensated, but declined to go into the specifics or the artists involved.

Udio, launched in 2024, was co-founded by former Google DeepMind employees. Udio’s backers include music artist will.i.am, Instagram co-founder and Anthropic’s chief product officer Mike Krieger and venture capital firm Andreessen Horowitz.

Udio said millions of people have used Udio since it launched in 2024. Users can access the platform through its app or website. The company did not break out specifically how many downloads or website users it has.

Udio has had 128,000 app downloads in Apple’s App Store since its app was released in May, according to estimates from New York-based mobile analytics firm Appfigures.

On Thursday, UMG also announced a partnership with London-based Stability AI to develop music creation tools powered by AI for artists, producers and songwriters.

Netflix fans do not have long left to wait for a brand new season of Squid Game: The Challenge.

Squid Game fans have just two days left until a brand new season of a high stakes reality game returns to Netflix screens.

Once again, 456 players will take on a series of brutal games in the hopes of winning a staggering $4.56 million cash prize for season two of Squid Game: The Challenge.

The hit Netflix reality show, based on the popular Korean thriller Squid Game, was a huge success when it first hit screens back in 2023. Another series was announced earlier this year, with it now being just days away.

Over three weeks, the players will go head to head in a number of gruelling games, both new and old, until there is only one contestant left.

Unlike the original phenomenon where players are killed if they lose, there will still be devastating impacts as contestant will miss out on winning the life-changing amount of money. Despite the full cast remaining under wraps, Netflix has already announced some huge names, including familiar faces from Selling Sunset and Big Brother.

Episode release schedule explained

Squid Game: The Challenge season 2 will return to screens on November 4. However, not all episodes will be released straight away.

Instead, fans will have to wait a week for different instalments for the three week run.

• On November 4, fans will be treated to four episodes as a group of brand new players are introduced to the game.
• November 11 will then see the next three episodes aired.
• But fans will have to wait until November 18 for the remaining episodes in the huge season finale.

Squid Game The Challenge games

With subtle nods to various games, executive producer Nicola Brown told Tudum: “Those little Easter eggs are important for both the viewers at home and the players.

“The first thing they do when they walk into the dorm is look at the walls and try to figure out what the new games might be.”

Here are some games fans can look forward to:

• The count – a brand new game that will determine how the competition continues
• Six-Legged Pentathlon – teams race head to head, with legs tied together with mini games thrown in
• Catch – a brand new game which games designer Ben Norman teases is not as simple as it sounds
• Mingle – players on a carousel must gather in groups consisting of a number called out and walk into an adjoining room
• Marbles – with the same rules as season 1 players again partner up and given a bag of marbles and 30 minutes
• Slides and Ladders – a new game that turns the familiar board game into something high stakes and “oversized”
• Circle of Trust – blindfolded at desks in a circle, the player who received a gift box must guess who gave it to them
• Finale game – Remains a mystery for now

Is there a season 3?

With season 2 just days away, Netflix has already geared up for another season of the hit reality show. Anyone wishing to take part can apply online for a chance to compete.

However, according to Tudum, there is another way to get on the show. Tudum hints: “Player recruitment for Season 3 is also now taking place through Squid Game: The Experience in both New York and London.

“Winners at the immersive, IRL experience will receive priority in the casting process, though this does not guarantee they will be selected to take part in Season 3.”

Squid Game: The Challenge season 2 premieres Tuesday, November 4 on Netflix.

THE wild moment when Geri Halliwell and Kylie Minogue locked lips during a TV appearance has resurfaced.

The Aussie pop star and former Spice Girl — whose last name is now Horner — appeared on the iconic TFI Friday show in 1999.

Hosted by Chris Evans, TFI Friday was a huge TV hit in the late 90s thanks to its mixture of music, stars and entertainment.

It was never short of unexpected moments, including the famous snog between Kylie and Ginger Spice.

A clip showing their kiss was shared to Instagram and showed how the pair were sitting opposite each other at a table before embarking on an intense arm wrestle.

As the pair battled it out, they began leaning in closer to each other and ultimately locked lips.

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They then laughed and sat back before coming in together for a quick embrace.

“Back in ’99, pop royalty collided on TFI Friday when Geri Halliwell and Kylie Minogue shared a surprise kiss on live TV,” wrote the 90s TV Legacy Instagram account on the post.

Many people reacted to the video, including TV producer Nathan Eastwood, who was working on TFI Friday at the time.

“I had the job of asking Kylie to do the arm wrestle. She was so lovely, just said of course. The kiss wasn’t planned,” he wrote in the comments.

Other people who remembered the moment happening as they watched live also shared their thoughts.

“Watched it live, classic TV,” commented one person.

Another added: “I remember thinking ‘this is the best day of my life’ watching that as a kid.”

And a third wrote: “Late 90s early 00s was peak humanity and I will not be told any different.”

Kylie herself opened up about the kiss in 2012 when chatting to media outlet, Pride Source.

“That’s true, I hadn’t thought about that… We never discussed it – the kissing or anything. It just all happened,” she said.

A mutant killer baby. Lampshades and pickle jars that come alive. Sinister sewers. A demonic clown that preys on children.

HBO Max’s “It: Welcome to Derry,” the latest adaptation of Stephen King’s epic 1986 novel about a deadly clown named Pennywise, has already scared up a lot of buzz since its Oct. 26 premiere with its mix of evil events and nightmarish images.

The first episode featuring Robert Preston warning “Ya Got Trouble” via the classic musical “The Music Man” is an ominous introduction to the subsequent terrors. Gruesome sequences revolving around birth in the first two episodes will likely make several viewers cover their eyes. (The second episode drops Friday on HBO Max in time for Halloween, and it will air in its usual 9 p.m. PT Sunday slot on HBO.)

A prequel to 2017’s “It” and 2019’s “It: Chapter Two” — both directed by Andy Muschietti — the new drama is set in 1962 in the fictional small town of Derry, Maine. Bill Skarsgård, who played Pennywise in the films, will reprise his role during the season.

The large ensemble of child actors and adults features several Black characters, including Air Force Maj. Leroy Hanlon (Jovan Adepo); his wife Charlotte (Taylour Paige), a civil rights activist in a Jackie Kennedy pillbox hat; and son Will (Blake Cameron James). Also featured is Hank Grogan (Stephen Rider), the town’s theater projectionist, and his teen daughter Ronnie (Amanda Christine).

Developed by Muschietti, his sister Barbara Muschietti and Jason Fuchs, the creators have prioritized increasing the intensity of the films. But the Muschietti siblings add that they are also incorporating certain messages into the mayhem. Many of the Black characters face bigotry and resistance in the predominantly white town that echo challenges that people of color currently face.

“Stephen is a master of weaving these issues into his stories, and it’s impossible to think of doing one of his stories without having that texture front and center,” Barbara Muschietti said.

The Muschiettis, in a video call, discussed diving deeper into the story of Pennywise, getting their young cast to act like kids from the 1960s, and what gives them nightmares. This interview has been edited for length and clarity.

Siblings Barbara Muschietti and Andy Muschietti on the set of HBO’s “It: Welcome to Derry.”

(Brooke Palmer / HBO)

How soon after the two “It” movies did the idea of a deeper dive into the world of Pennywise come about?

Andy Muschietti: The novel was the inspiration. There are all these enigmas still lingering, enigmas intentionally left unresolved in the book. Part of the greatness of the novel is that you finish 1,200 pages and at the end, you still have no idea what “It” is and what it wants. It’s all speculation. We had conversations with Bill about how great it would be to do an origin story of Bob Gray, this cryptic character, and give him the opportunity to play the human side, the man behind the clown. It’s about completing the puzzle and uniting the stories that lead one to another, creating a story with the final purpose of getting to this conclusive event, which is the creation of Pennywise, the incarnation of evil.

Barbara Muschietti: Once the idea start percolating, we got in touch with Mr. King and he loved the idea. At the beginning of the pandemic we went to (then-Warner Bros. TV chief) Peter Roth. He bought it in the room and we’ve been on it ever since. Not a day of rest.

“The Music Man” plays a prominent role in the first episode, and it gets dark pretty quickly. I’m a huge fan of that movie, and I don’t know if I’ll ever be able to look at that joyful musical the same way again.

Andy Muschietti: I actually wanted us to create a musical ourselves that would pretend to be a movie from 1962. But we would have spent so much money and energy. So we started a quest for the right musical. “The Music Man” was made by Warner Bros. in 1962, and it’s about someone coming to a small town not unlike Derry, talking about trouble, trouble. And it just seemed to fit.

Barbara Muschietti: We also hope a lot of younger people will be curious and go see “The Music Man.”

What is the superpower of “It” that makes it a story that keeps giving and giving?

Andy Muschietti: There are a lot of things people connect to. One of them is childhood. Most of us cherish those years as being full of magic and imagination. We’ve all been children and we’ve all been afraid of something. The novel is a testament to the virtues of childhood, and those virtues normally disappear when you become an adult. Arguably the adults are always the enemy in the world of ‘It.’”

Apart from the clown, there’s a whole mythology that has yet to be connected. My purpose in this series is to reveal the iceberg under the water.

Black characters, including Hank (Stephen Rider), Ronnie (Amanda Christine), Leroy (Jovan Adepo) and Charlotte (Taylour Paige) play central roles in HBO’s “It: Welcome to Derry.” (Brooke Palmer / HBO)

You could not have planned the timing of the show coming on, but it seems like the topical issues addressed in this show, like bigotry, have a relevance to what’s going on in the country today.

Andy Muschietti: What’s going on is not new. It’s just found a new expression. It has been going on and on in cycles. We have this illusion that things are good, but around the corner is another dictator trying to come. We came from Argentina, and we don’t have the kind of racial tension that America has had for hundreds of years. Most of Stephen’s books are a song to empathy in general, and denouncing injustice everywhere. It is important to show, especially in an era where some people in the country are trying to delete history.

Barbara Muschietti: Sadly, these horrors keep haunting us, and racism, antisemitism, Islamophobia is still sadly a human condition, needing to find someone below you that you can punch. Yes, our history makes us a little more sensitive. We live in the United States, it’s a country we love, but it is surprising …

Andy Muschietti: Alarming.

Barbara Muschietti: … that more people are not more concerned.

Andy Muschietti: It’s the fog that Stephen King was talking about. People, basically out of fear, look the other way, trying to suppress things they see, and forget. It’s all part of the same reflection.

It’s immediately obvious that some horrific things will be happening in this show, even more so than the films. The imagery is really nightmarish.

Andy Muschietti: Being a shape-shifter is the thing which keeps giving and giving, and there was a clear intention for us to raise the volume of intensity. You need to meet the expectations of the audience — they don’t want to see more of the same. And we are also dealing with a different time when the collective fears were different because of the social and political situation of that era — the Cold War, the Cuban Missile Crisis — was just around the corner. Then there’s social unrest and segregation.

Barbara Muschietti: I’d like to say it’s all very cathartic. We’re very nice people. I swear.

A demon baby birthed in Episode 1 is among the monsters seen in “Welcome to Derry.”

(HBO)

The show also has a great feel and look to it when it comes to depicting the 1960s.

Andy Muschietti: There was a lot of instinctive respect and attention to accuracy, aesthetically and spiritually. It was the true work of a team in every department, the same folks who had worked on the movies. There was also the research from the writers.

Most of the cast members are kids who did not live in that era. How do you communicate that era and feel to a young cast?

Andy Muschietti: There is a lot of talking. Stephen King knows a lot about this because he was a kid in the 1950s. The book is so rich in detail. We have Ben Perkins, who is a child actor coach. And there is imagination. These kids like to play and at this age, they thrive when you don’t put a lot of restrictions on them. The only thing that went overboard was the cursing.

Barbara Muschietti: That’s one thing that Stephen came back to us with. “There’s too many f—.” We also send the kids with Ben who basically sets up a camp — a bicycle riding camp, a swimming camp, stuff like that which kids in 2024 did not have access to. We’ve been doing that since 2016 very successfully. Because of all of this, all these kids have an incredible bond. They’re friends for life. They get to say goodbye to adolescence on our sets in the most beautiful way.

How long will you keep expanding the ”It” universe?

Andy Muschietti: It’s Derry, Derry, Derry all day. “Welcome” is an arc that expands over three seasons. Why is “It’” Derry, and why is Derry “It”? We will eventually reveal a bigger story revolving around the existence of Pennywise.

I have to ask — what gives you two nightmares? What is scary to you?

Barbara Muschietti: Fascism. Guns.

Andy Muschietti: Violence in general. We’ve come so far as a civilization, and it seems like we haven’t learned anything. What happened to empathy, and seeing what makes us similar, instead of things that divide us?

Barbara Muschietti: And love and respect.

THE once chart-topping boyband is said to have cut all final ties following a long-running secret divide, years of silence and bitter behind-the-scenes fallouts.

The British boy band – made up of Max George, Siva Kaneswaran, Jay McGuiness, Nathan Sykes and the late Tom Parker – have been at loggerheads since their split in 2014.

The platinum-selling group were behind hit songs such as “Glad You Came”, “All Time Low” and “Chasing the Sun” before they disbanded.

They briefly reunited in 2021 for a charity concert in Tom’s honour, but old wounds have reopened – and some members are said to no longer be on speaking terms.

Insiders claimed friendships “never fully healed” after the band’s initial breakup, with egos, solo projects and clashing personalities driving a deeper wedge between the lads.

The break up

The Wanted announced they were to split in January 2014 to “pursue personal endeavours” after completing their upcoming ‘Word of Mouth Tour’.

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In a statement posted on their website, the band said: “The Wanted are pleased to announce the release of their new video and single ‘Glow In The Dark’ taken from their November release ‘Word of Mouth’.

“They are very excited to perform ‘Glow In The Dark’ along with their smash singles ‘I Found You’, ‘Chasing The Sun’, and ‘Glad You Came’, amongst others for their fans on their upcoming ‘Word of Mouth Tour’.

“This tour will be their last for a while as Tom, Max, Jay, Siva and Nathan have collectively decided to take time to pursue personal endeavours following the tour’s conclusion.

“The band wants to stress to their fans that they will continue on as The Wanted and look forward to many successful projects together in the future.

“They thank their fans for their continued love and support and look forward to seeing them on tour.”

‘Very difficult conversations’

Although their official statement claimed they’d “continue on as The Wanted,” Max later revealed that simmering tensions and clashing ambitions had secretly driven the group apart.

Max admitted: “Over the past year, there has been a lot of tension. Our personal lives drove us apart – things started to happen and we were drifting. We used to be such a brotherly pact, but it started to feel like it wasn’t The Wanted anymore.”

He went on to confess that he and bandmate Nathan were the ones who pushed for the split – despite protests from the others.

“We had a very difficult conversation,” Max said. “Our manager Scooter Braun asked us who would want to take a step out after and try to do their own thing. Me and Nathan both said we have other ambitions.”

Both singers went on to be represented by Braun – with Nathan briefly finding solo success (and headlines) thanks to a short-lived PR romance with Ariana Grande, while Max landed a role on Glee.

But behind the scenes, the duo’s diverging paths reportedly caused even more tension within the group.

Siva hits out at Max

Siva hit back at bandmate Max after The Wanted split, slamming his comments about “personal relationships causing issues” as “untrue and very unfair.”

Speaking out in an interview, Siva instead blamed their E! reality show The Wanted Life for sparking tension within the group.

He said: “I think from doing the TV show we all kind of knew where we stood and from that I felt like there was some sense of… I felt like it was every man for himself looking back on when the show aired.

“I’ve never been that way and I’d never actually seen it before until I looked back at the show. I think that is where we lost the team element and from there it kind of just went.”

Despite the rift, Siva said he wanted to find common ground with Max, adding: “Aside from the drama with Max, I’m going to talk to him to find a way forward and be adults about it.

“All of us boys are like brothers, it’s all I’ve ever known and we’re going on tour together.

“I think we’re just going to be professional with each other and give the fans a good show – because it’s all about the fans at the end of the day.”

Nathan cutting ties

In 2016, Nathan admitted he wasn’t talking to Siva or Max anymore.

Nathan told Yahoo: “I still class Jay [McGuiness] as a really good friend. He’s a really nice person. And Tom [Parker], I’m not so sure about where the others are at but I’m sure they are very busy and very happy.”

However, Nathan admitted that if everyone was on board with a reunion, he would be happy to have a “conversation” about it.

He said: “Obviously, I am very focused on my solo career at the moment, so I haven’t thought about the band ever getting back together, but you never know what is going to happen in the future.

“If there was an opportunity and everyone wanted to, it’s a conversation, but if everyone is still happy doing their own thing, then I think everyone will just be happy to continue as they are.”

Meanwhile, Siva was living in Los Angeles, attempting to crack Hollywood.

Tom’s cancer diagnosis

The band eventually put their differences aside when tragedy struck, after Tom was diagnosed with stage four brain cancer in 2021.

His illness brought the group back together, reuniting them publicly in October that year.

Reflecting on the reunion, Max said: “I think I speak on behalf of everyone, in the time away from it, it gave me time to reflect and appreciate what we’d achieved and how good our music actually was.

“Because at the time we were doing it, it was so packed in that we didn’t get to really appreciate how much we enjoyed each other’s company or how good our music was because… like, every day, it was all a bit mad.”

Jay added: “Even when we were under so much pressure and we’d be squabbling and whatever was going on, we always had fun, we were always very down to earth. But really,” he continued on a more serious note, “time helps a lot. And all of our perspective has changed.

“We are grateful, we’re the boy band that walk into the room and are, like, ‘I’m just happy to be here.’ Back in the day, Max has said this a few times, we wanted a number-one after number-one because we’d had that, and we felt terrible when we didn’t get that. And when five young men have that sort of ambition, it can get really tense.”

Jay said he believes the group reunion proved they could finally let bygones be bygones and simply enjoy being together again.

The Wanted made an emotional return to the stage at the Stand Up To Cancer concert organised by Tom at London’s Royal Albert Hall, an event later featured in the Channel 4 documentary Inside My Head.

“There was a moment where I thought I was going to break down and have a meltdown,” Tom admitted.

“But the boys just comforted me… It was just an emotional night all around, even for the whole day and stuff. And just walking into the venue – we had never played the Royal Albert Hall before, when we played all around the world.”

He added: “There’s just something beautifully special about it.”

Max and Siva tour

The Wanted fans were left baffled in May 2024 after Max announced he was heading on tour with just one of his bandmates.

The Strictly Come Dancing star revealed he would be touring alongside Siva – but without Jay or Nathan.

The duo performed in America for a number of dates and finished up in India.

Before the tour, Max told fans: “Myself and Siva can’t wait for this! Our first time in India… dream come true!”

Fans were quick to question the absence of Jay and Nathan – sparking fears the original line-up had officially fallen apart.

It later emerged that Jay would be performing in 2:22 A Ghost Story in Dublin, while Nathan is thought to be focusing on new music.

The shows marked the first time members of the group have performed since the tragic death of bandmate Tom.

The divide

The band have openly admitted there was a clear divide during their heyday – with Max and Tom on one side, and the others forming their own group.

Max and Siva even confessed they never imagined they’d end up touring as a duo when The Wanted went on hiatus in 2014, admitting they “weren’t the closest” and barely spent time together off stage.

Max said: “I’m not going to lie, if you’d said to us 10 years ago that it’d be me and Siva doing this together we’d be like no, never.

Siva agreed: “Max was with Tom, I was with Nathan and Jay.”

Max continued: “Apart from working, we didn’t spend any time together, so I feel like I’ve got to know Siva more in the last year than in the whole 10 before it.

Reflecting on Jay and Nathan’s decision not to rejoin the group, Max added: “We had lots of conversations with the other boys and each other.

“The other boys are so happy doing what they’re doing and they’re really focused on their lives and their careers.

Siva added: “We missed being in the band… we really wanted to get back on stage.”

Future reunion?

Earlier this year, Nathan told The Sun they would never get back together – as the band “will only ever be a five-piece.”

Nathan, Tom, Max, Siva and Jay reunited for a greatest hits album and one-off show in 2021, which was followed by a tour in early 2022, ending just two weeks before Tom’s passing.

Speaking about the emotional concerts, Nathan said: “Obviously, you’d give anything for it not to have happened.

“But, equally, I’m so grateful that we were able to have that time, given that it did happen.

“It was just such a special time and the reception that he got every night, he really felt it. And it meant so much to him that he could do that.

“He was desperate to do that tour. There were tough moments, but we were having some of our fondest memories with Tom over that time.

While Max and Siva toured as The Wanted 2.0 – a four-piece reunion with Nathan and Jay seems out of the question.

Nathan said: “I’m really happy for them. They get a lot of enjoyment in performing the music and they see it as a tribute to Tom.

“Whereas Jay and I’s approach to it is that there’s a lot of emotion attached to that still. And I think we would find that really difficult.

“It’s just two different approaches and neither one is wrong. I think it’s really difficult imagining The Wanted as a four-piece because The Wanted has been and will only ever be a five-piece.

“It’s difficult imagining not performing with Tom.”

Nathan’s wedding

Nathan tied the knot with his girlfriend of six years Charlotte Burke in October 2025.

Nathan opted for an intimate celebration, inviting just 61 of their closest friends and family, among them was his bandmate Jay.

But Max and Siva were noticeably absent from Nathan’s wedding.

Speaking to OK! Nathan said: “We haven’t touched base recently, so I’m not sure they would have known the wedding date.

“With them being out in America at the time, we’ve not had the chance to [catch up], but I’m sure we will soon.”

He added: “We had a room full of people we’re comfortable with, so it was a really safe space and allowed us to relax.”

However, it now seems that Max and Nathan might not be talking at all.

Unfollow

Fans on Reddit noticed that the pair unfollowed each other on Instagram, cutting off social media communication.

One said: “Couldn’t help but notice Max and Nathan unfollowed each other? I wonder if there’s any beef between them lol.”

Another added: “I’ve always suspected Max and Nathan had a falling out before they broke up the first time.”

A third penned: “It’s a real shame because teenage me loved Nathan and Max’s interactions.

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“I remember when Nathan used to comment on Max’s ig posts around 2 years ago.

“They haven’t followed each other in a very long time.”

As we mentioned last time when Sabrina Carpenter hosted “Saturday Night Live,” there’s no substitute for a host who fully throws themselves into “SNL.”

He may not have done double duty as host and musical guest the way Carpenter did, but Miles Teller appeared to fully embrace the challenge of returning to host for a second time (the first was in 2022). The “Top Gun 2: Maverick” star, who’ll next be appearing in the movie “Eternity,” gave a solid performance, appearing in nearly every sketch, including the cold open and two pre-recorded videos.

He first appeared as former Gov. Andrew Cuomo, a candidate for New York mayor, in the cold open with help from Ramy Youssef and Shane Gillis as opponents Zohran Mamdani and Curtis Sliwa.

After that, Teller played a hungover game show contestant recovering from Halloween, a hockey player shooting a public service announcement for the unfortunately named Nashville Predators and both twin Property Brothers in a video sketch about the current White House renovation.

Teller was also in a sketch about a TV newsroom that decides to show viewers what its background employees are doing, a Netflix promo for a true crime story about husbands who don’t know where their wives went, one about a police press conference that takes a turn and a show closer about a silly Italian restaurant in Nebraska.

Teller handled it all well; he’s good with accents and earned strong laughs, especially playing two characters at the same time in the “Property Brothers” sketch and as Cuomo in the cold open.

Musical guest Brandi Carlile performed “Church & State” and “Human.”

This week’s cold open was one of the stronger (or at least funnier) political sketches of the season so far, tackling the New York mayoral race. As hosted by Errol Louis (Kenan Thompson), “the least famous person to be impersonated on ‘SNL,’ ” the debate sketch portrayed Cuomo (Teller) as a sexually harassing (“Yadda yadda yadda, honk honk, squeeze squeeze) panderer to Jewish voters; Mamdani (Youssef) as a force-smiling, TikTok-flirting candidate who’s pretty sure he won’t be able to implement his promises; and long-shot candidate Sliwa (Gillis) as an “old-fashioned New York nut” with one traumatic story after another to recount. The biggest surprise may have been Gillis, who as Sliwa recounted stories about being hung by his testicles and getting assaulted by a Times Square Spider-Man. Where was this energy when Gillis hosted “SNL”? As has been the habit on many a cold open, President Trump (James Austin Johnson) interrupts the proceedings to mock the candidates and insert his own commentary. This time, that included singing a song from “Phantom of the Opera” to conclude the sketch.

Teller’s monologue was short and simple, relaying how as a kid who moved around most of his childhood, “SNL” was a constant. He shared a photo of himself and his sisters dressed up as the “Night at the Roxbury” characters from the show and then made up a list of memories from the show, like having his first beer in the audience and falling over after having a few beers. Teller mentioned that he and his wife lost their Palisades home in January’s Los Angeles fires. As such, he made sure to point out the fire exits for the audience.

Best sketch of the night: An extreme White House makeover

The Property Brothers Jonathan and Drew Scott (Teller times two) meet their toughest clients yet: Trump and First Lady Melania Trump (Chloe Fineman) who need help with their current renovation of the White House to make room for a new ballroom. Melania shared her skeleton and withered tree decorations (“They are for Christmas,” she said), and the couple complained that 55,000 square feet and 132 rooms just isn’t enough space. With a budget of “$350 million to infinity” the brothers get to work with the help of park rangers and astronauts working through the government shutdown. But when it comes to getting paid for their work, there’s a problem. “Aren’t you guys from Canada?” the president asks. Then he calls ICE on them.

Also good: Nobody asked for this much transparency in news

On a show called Newspoint, the host (Fineman) and her guest (Thompson) are trying to have a serious news discussion, but because the show has opened up its full newsroom to viewers, all the workers in the background draw attention. Among them are Mikey Day, who awkwardly notices the cameras are on him before spilling a carrier of drinks, Bowen Yang as a worker who gets electrocuted by a copy machine and Teller, who has manga erotica up on his work screen. It’s nice to see some physical comedy from Day in particular and the sketch’s visual gags work nicely.

‘Weekend Update’ winner: George Santos is back, untruthful as ever!

Andrew Dismukes and Ashley Padilla (who should be a full cast member at this point instead of a featured player) played a couple who just made out but are trying to discuss the government shutdown. But it was Yang as chronic liar George Santos who stole “Update” (and some jewels) after Yang missed an opportunity on the last “SNL” episode to play the former representative, whose prison term was commuted by Trump. Santos claimed he finished the New York marathon, which hadn’t happened yet, and kept interrupting his chat with “Update” co-host Colin Jost to take calls with prisoners with a jail window and phone he brought with him. He purported to speak with Ghislaine Maxwell, Luigi Mangione and Sean “Diddy” Combs before revealing that the key to making prison rice pudding is preheating the toilet to 350 degrees. Santos ended the segment by revealing the necklace he stole from the Louvre and insisting that he’d just won the World Series.

EXCLUSIVE: Twinne-Lee Moore played Porsche McQueen in Hollyoaks over a decade ago and the actress turned singer has hinted at a potential return for a reunion with her on-screen family

Hollyoaks could set to welcome back a familar face to the fictional village.

Twinnie-Lee Moore played Porsche McQueen from Novemebr 2014 until December 2015.

The character highlighted the issues of sexual abuse in children and other storylines included a failed marriage when her husband had various affairs.

During her time on the Channel 4 soap, Twinnie-Lee was nominated for the British Soap Award for Best Newcomer and an Inside Soap Award in 2015 for her powerful portrayal.

Since leaving Hollyoaks, Twinnie-Lee has swapped Yorkshire for Nashville to embark a career as a country pop singer-songwriter.

However, the TV star has hinted that a return to Hollyoaks could be on the cards after catching up with her on-screen family at the soap’s 30th anniversary celebration last month.

Speaking to Reach PLC, Twinnie-Lee said: “It’s been a whole decade and it’s so lovely to see everybody.

“The McQueens are obviously my favourite family and I was very honoured to be part of it and it brings back a lot of memories.”

When asked about a potential Porsche McQueen comeback, she added: “You’ll have to ask the writers about that.

“I’m currently in Nashville doing my music. I did pitch to them if they did want to come and do a Nashville series. She [Porsche] did leave on a cruise so you never know.”

Porsche was last seen on screen on Christmas Eve 2015 and Twinnie-Lee revealed that fans still message her a decade later about her character.

She explained: “It’s so wild because people even now still message me about Porsche. I posted something and everyone was like ‘omg come back’, ‘when you coming back’.

“She was such a great character to play, made a real impact and very relatable.”

Last year, Twinnie-Lee returned to the small screen in Emmerdale as Jade Garrick, an illegal gambling and underground fighting manager who Ross Barton (Michael Parr) and Billy Fletcher (Jay Kontzle) worked for for a small number of episodes.

Speaking about her new role at the time, the soap star said: “My life has been a bit crazy recently juggling music and acting with lots of back and forth between Nashville and Yorkshire but I’ve been loving it!!

“I’ve loved being back on screen, especially as the show is shot in Yorkshire, being able to be home with family and go to work on such an iconic show has been nothing short of amazing! The whole team has been so welcoming and really supportive.”

Hollyoaks airs Monday to Wednesday on E4 at 7pm and first look episodes can be streamed Channel 4 from 7am

The marriage between Arcade Fire’s indie-rocker spouses Win Butler and Régine Chassagne has flamed out.

The longtime collaborators and romantic partners split “after a long and loving marriage,” the Canadian “Reflektor” group announced Thursday in a statement shared on social media. Butler, 45, and Chassagne, 49, married in 2003 and will “continue to love, admire and support each other as they co-parent their son,” the band said.

The Grammy-winning rock group, founded in 2001 and known for songs “The Suburbs” and “Wake Up,” announced the singers’ separation years after several people accused frontman Butler of sexual misconduct in 2022.

Four people came forward about their alleged experiences with Butler in a report published by Pitchfork in August 2022. Three women alleged they were subjected to sexual misconduct between 2016 and 2022 when they were between the ages of 18 and 23. The fourth, gender-fluid accuser alleged Butler sexually assaulted them in 2015 when they were 21 and he was 34.

Amid Pitchfork’s report, Butler denied the misconduct allegations in a statement and said he “had consensual relationships outside my marriage.” Chassagne, who gave birth to her son with Butler in 2013, remained firm in her support for her now-estranged husband in 2022. The “Sprawl II” singer said, “I know what is in his heart, and I know he has never, and would never, touch a woman without her consent and I am certain he never did.”

She added at the time: “He has lost his way and he has found his way back. I love him and love the life we have created together.”

Arcade Fire rose to prominence in the 2000s for its anthemic rock, cementing its place in the Montreal indie scene with its Grammy-winning 2010 album “The Suburbs.” The group has been nominated for 10 Grammy Awards and has played some of music’s biggest stages including the Coachella and Lollapalooza music festivals. The group released its seventh album, “Pink Elephant,” in May.

Thursday’s statement clarified that Butler and Chassagne’s “bond as creative soulmates will endure, as will Arcade Fire.” The estranged spouses will also continue their charity work in addition to caring for their child.

“The band send their love and look forward to seeing you all on tour soon,” the statement said.

Times staff writer Stacy Perman contributed to this report.

The Wheel viewers were left feeling emotional on Saturday night

The Wheel fans were “in tears” as a contestant won the jackpot after their daughter’s death.

Michael McIntyre‘s The Wheel sees members of the public answer trivia questions with the support of celebrity experts.

The famous faces on tonight’s show included Josh Widdecombe, Chris Harris, Colin Jackson, Harriet Kemsley, Shirley Ballas, Frankie Bridge, Jordan North and William Hanson.

40-year-old father-of-two Gordon, who is from Glasgow, was one of the contestants taking part and shared his heartfelt story.

The NHS porter manager revealed to Michael that his 10-year-old daughter, Bella, lives with cystic fibrosis and has always dreamed of visiting Japan.

His other daughter, Ruby, sadly passed away over two and a half years ago from a brain tumour.

If he went on to win, Gordon shared that he was planning to donate some of the money to the Brain Tumour Charity in memory of his daughter, with the rest of the funds going towards Bella’s dream holiday.

Later in the show, Gordon reached the final question, and went on to play for £31,000 with the help of comedian Harriet Kemsley.

They were asked which pop legend secured the first solo UK number one single, with the possible answers being Rihanna, Katy Perry, Lady Gaga and Beyoncé.

The pair jointly decided to go with Beyoncé, with the room soon being lit up in gold as Gordon successfully won the jackpot.

Gordon became emotional as he spoke about his late daughter, saying: “When she was diagnosed, she was given six to nine months to live but with her attitude – she was just a ray of sunshine – she had a really good three years.

“She started school, she was a bridesmaid at my brother’s wedding, so as a family mantra we came up with the motto, ‘Be a bit more Ruby.'”

The show’s viewers quickly took to X to share their delight after Gordon’s win, with one person writing: “Love it when the person you’re rooting for on The Wheel actually wins! Go on Gordon!”

Another added: “Most deserving winner on The Wheel losing a child to a brain tumour and another seriously ill with cystic fibrosis. This world is so cruel. Well done Gordon!”

A third said: “Oh I am actually crying. What a well deserved winner,” with another similarly sharing: “Aww Gordon! That was so emotional!!”

The Wheel is available to stream on BBC iPlayer

BRIDGERTON’S Simone Ashley is in pole position to feature in the sequel to Brad Pitt’s movie F1.

The 30-year-old, who starred with Jonathan ­Bailey in the Netflix romance, was cast in this year’s flick but her scenes were cut.

A source said: “A script is already in the works with early plans to go into production next year.”

As well as appearing in Sex Education, Ashley has also lent her acting chops to suspense drama Thriller.

She shot to fame after starring in the hit Netflix show Sex Education.

The star developed her acting skills at the Arts Ed school in Chiswick, which specializes in Musical Theatre & Acting degrees.

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Simone has spoken about coming from a traditional Indian family, who finds her acting career “quite scary and unsettling”.

She told Veylex: “My parents are incredibly protective over me, and sometimes I found it quite stifling.

“It made me want to escape and do things my own way. I’ve always been a bit rebellious in that sense.”

“I am incredibly privileged to be apart of a generation where young women from all over the world have more opportunity than ever before, where we are being less stereotyped and walls and being broken down slowly.”