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Over the next two weekends, Los Angeles will be flooded by long-distance runners and the film industry’s biggest stars — much to the delight of fans and the dismay of drivers trying to make their way through the city.

The L.A. Marathon and half-marathon will take place Sunday, with both courses starting at Dodger Stadium and ending at Avenue of the Stars and Santa Monica Boulevard.

The 98th Academy Awards are the following Sunday at the Dolby Theatre in Hollywood.

Here’s what road closures to expect and when:

Marathon closures on Sunday

Runners start the 2025 Los Angeles Marathon.

(William Liang / For The Times)

The L.A. Marathon begins at 7 a.m. at Dodger Stadium. The McCourt Foundation, which organizes the race, said road closures will begin along the route as early at 3 a.m. and will reopen on a rolling basis after runners pass. Some stretches are expected to remain closed until around 6 p.m.

Oscars closures beginning March 15

Julianne Hough on the red carpet near the Dolby Theater at the 97th Academy Awards.

(Robert Gauthier/Los Angeles Times)

A few blocks around the Dolby Theatre — including on Hollywood Boulevard, Orange Drive and Johnny Grant Way — closed for the Oscars earlier this month. But larger sections of Hollywood will be affected starting early on March 15.

Maps of the closures, according to event organizers, can be viewed here.

These roads and sidewalks will be closed from 12:01 a.m. March 15 through 6 a.m. March 16:

• Hawthorn Alley from Orange Drive to Highland Avenue
• Orange Drive from Hollywood Boulevard to Lanewood Avenue
• North sidewalk of Hollywood Boulevard from Highland Avenue to 300 feet east of Highland Avenue (no pedestrian access)
• South sidewalk of Hollywood Boulevard from Highland Avenue to 300 feet east of Highland Avenue (8-foot pedestrian access)
• South sidewalk of Hollywood Boulevard directly in front of the north-south Hawthorn Alley (no pedestrian access to cross alley)
• East sidewalk and curb lane of Highland Avenue from Yucca Street to Sunset Boulevard (8-foot pedestrian access, 300 feet south of Hollywood Boulevard only)
• West sidewalk of Highland Avenue from Hollywood Boulevard to Sunset Boulevard
• West curb of Highland Avenue from Johnny Grant Way to Hollywood Boulevard

These roads and sidewalks will be closed from 4 a.m. March 15 through 4 a.m. March 16:

• North and south crosswalks on Hollywood Boulevard at the Highland Avenue intersection
• Highland Avenue from Sunset Boulevard to Franklin Avenue
• Hollywood Boulevard from La Brea Avenue to Orange Drive
• Hollywood Boulevard from Highland Avenue to Cahuenga Boulevard

These roads and sidewalks will be limited to local residents, businesses needs and emergency vehicles from 12:01 a.m. March 15 through 6 a.m. March 16:

• Hawthorn Avenue between Orange Drive and La Brea Avenue
• Hawthorn Avenue between Highland Avenue and McCadden Place
• McCadden Place between Yucca Street and Hollywood Boulevard
• Yucca Street between Highland Avenue and Wilcox Avenue
• Wilcox Avenue between Sunset Boulevard and Cahuenga Boulevard
• South sidewalk of Franklin Avenue from Orchid Avenue to Highland Avenue
• Hillcrest Road south of Franklin Avenue to the dead end

TRAVEL influencer NonStop Dan is being slammed online after claiming he’s unable to get home from Singapore due to the Iran war, when economy seats were still available on flights.

The popular YouTuber boasts over 1million subscribers and is known for frequently flying around the world.

However, the star received no sympathy after his latest video went live as viewers called him out for actually being able to get home if he were willing to book a cheaper flight.

The video begins with Dan saying him and his friend Alex are “stranded in Asia” like millions of other travellers are going to be.

He was en route to Bali from Singapore, but he claimed he was unable to keep travelling or get home due to the war in Iran.

However, towards the end of the video Dan noted how there were still “a few flights left in economy”.

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He very clearly said: “There are a few flights left in economy but even those are selling fast.”

Fans took to the video’s comments section to call out the discrepancy, unable to believe he considered himself as stranded just because he wasn’t willing to fly outside of first class.

One viewer said: “Absolutely hilarious that Dan would rather wait two weeks in Singapore without seeing his family rather than dealing with the horror of travelling economy.”

Another said: “You’re saying I would rather stay in a luxury hotel than fly economy.”

A third added: “Swallow your pride and take economy this one time.”

A forth user joked: “My thoughts are with the premium passengers and those in danger of flying economy.”

NonStop Dan, otherwise known as Daniel Goz, first started travelling at the age of 12, and decided to turn his passion for it into a career.

He predominantly reviews different airlines around the world, having flown with over 160 different ones to date.

Though he mostly flies first and business class based on his history of reviews.

Alongside these reviews, Dan provides his fanbase with travel tips as well as tricks on how to make the most out of your points and air miles.

He holds a bachelors degree in Liberal Arts and Sciences combined with General Studies and Humanities from Minerva University.

Minerva is an unconventional place of study which sees its students travel to multiple different countries during their course.

It achieves this through partnering with lots of other institutions worldwide and offering multiple study abroad-style programmes.

Lord Alan Sugar’s candidates on The Apprentice had a nasty surprise in the latest episode of the BBC programme as three hopefuls were eliminated from the competition

The Apprentice candidates had a huge shock as Lord Sugar sent three of them packing after a tense boardroom.

The latest episode of the hit series, which aired on Thursday (March 5), saw Megan Ruiter, Carrington Saunders and Andrea Cooper all shown the door in a surprise triple firing.

Megan admitted she was “absolutely devastated” about getting the boot from the BBC show, but Carrington said: “I can say it didn’t hurt as much because it wasn’t just me getting fired. So, it was more of a ‘wow’ moment opposed to something that was entirely sad. It wasn’t until a few days later in when the sadness kicked in.”

Andrea confessed that it was “a terrible task” for her but added: “I’m not saying I was surprised because by my calculations, it could have possibly been a triple firing that week. But if there were only going to be one or two fired, I didn’t think that it should have been me.”

The episode saw the candidates head to Egypt to put on corporate away days for paying clients.

One team headed off into the desert for a dune adventure and ended up with a bumpy ride, whilst the other set off on a lagoon tour, which was anything but smooth sailing.

Megan was the project manager in charge of organising the lagoon tour, having said she’d held 25 corporate events in the past.

But she found herself in the firing line after leading her team to a loss of $290 due to the clients asking for a 50% refund for their raw and cold food and their kayaking activity, which left them eating dinner in wet clothes.

Lord Sugar branded it as one of the worst performances in corporate hospitality, later posting on X (formerly Twitter): “I’ve seen some kitchen disasters in my time on The Apprentice, but this one takes some beating. ‘Unbelievable’ is the word.”

The businessman took Megan back into the boardroom for her performance as project manager, with Carrington alongside her after she served up the raw potato wedges. Andrea ended up joining them after she clashed with Kieran McCartney during a successful negotiation.

The trio all fought for their place in the competition but Lord Sugar was unimpressed, declaring there would be a rare triple firing as he showed all three of them the door.

“This is a b***** disaster,” he said. “An absolute disaster. One of the worst performances in corporate hospitality. So you can put that in your CV next.”

The Apprentice airs on BBC One

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EMMA Watson has been spotted passionately kissing her billionaire boyfriend, entrepreneur Gonzalo Hevia Baillares.

The Harry Potter star confirmed their secret romance on a trip to Mexico.

Emma, 35, didn’t appear to care who saw her embrace the businessman as they walked through Mexico City airport.

The couple were flanked by guards as they snogged in the security queue, according to pictures seen by the Daily Mail.

A source told the paper: “Widely regarded as one of Mexico’s most eligible bachelors, Gonzalo now appears to be deeply smitten and reportedly taking his relationship with Emma seriously – having already introduced her to his parents.

​”Without a doubt, Gonzalo and Emma are shaping up to be one of 2026’s most unexpected power couples.”

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Emma was believed to have last been dating Kieran Brown while she studied creative writing.

The actress appears to have moved on with Gonzalo – cementing their relationship with a romantic getaway to the exclusive beach resort of Punta Mita.

Gonzalo is the grandson of Mexican billionaire Alberto Baillères, who died in 2022.

His family are the third wealthiest family in the country and are said to have a net worth of £14.2billion, having made their money from a multi-billion-dollar mining company.

Gonzalo is currently working as a CEO of investment firm HBeyond in New York.

​He was previously romantically linked with Spanish singer Belinda Peregrín before they broke up in 2024.

EastEnders have been using Nigel Bates in a dementia storyline, exploring the effects of the illness on those suffering from it and their loved ones, particularly those caring for them

BBC soap EastEnders has aired emotional scenes about Nigel Bates‘ dementia, as the fans become sure he will die soon. The character has been part of a “heartbreaking” dementia storyline that has highlighted the impact of the illness on those caring for a sick loved one.

In Thursday’s episode (March 5), Nigel (Paul Bradley) was thrown a going-away party at the Vic before moving to his new care home. While he was able to smile and laugh in the pub, as those around him reminisced, he was unable to remain completely in the present and struggled with his illness.

As he hopped in a taxi, Oscar Branning (Pierre Counihan-Moullier) noted that Nigel was unlikely to ever be back to Albert Square – and fans agree.

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When he arrived at the care home, Nigel became agitated and then unresponsive. His behaviour was deeply distressing for Phil (Steve McFadden), who had been caring for his friend. Breaking down in tears, Phil apologised to Nigel and gave his hand a squeeze, but Nigel did not move. As such, many fans think Nigel will die soon.

“I don’t know why, but I feel maybe next week, maybe Nigel’s final week,” one wrote. “I don’t know because seeing this episode made it feel like his time is near, and it’s so devastating and heartbreaking.”

Another added that Nigel’s unresponsive behaviour made it look like he was already dead. “Very much looked like he died at the end of the episode as he didn’t react to the door slamming or the card falling.”

Others shared that they thought this would become a euthanasia storyline. “I genuinely thought Phil was gonna suffocate Nigel OMG,” one wrote.

A second said: “For a minute there I thought Phil was gonna ease his pain by suffocating him by putting the jacket on him, but I’m glad it didn’t happen as it would have been even more heartbreaking.”

They later added that they loved a conversation between Yolande Trueman (Angela Wynter) and Nigel’s wife Julie Bates (Karen Henthorn) and felt this was leading towards Nigel’s death too: “I thought they were gonna go down the route of euthanasia.”

As part of Nigel’s dementia storyline, his daughter, Clare Bates (Gemma Bissix) has returned to the Square for a short stint. Clare is Nigel’s adoptive daughter. They became family in 1994 when he married her mother, and he continued to care for her after her mother died a year later.

Though Nigel and Clare both left the show shortly after, Clare made a comeback in 2008 without him, and she has made a return again. Her return was not such a happy one, as she had been estranged from her father, and he failed to recognise her for most of the episode. Eventually, Julie helped Nigel remember his daughter in a touching moment.

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FORMER Love Islander Maura Higgins was given a £17,000 Birkin bag by the man who betrayed her on the final of The Traitors US.

Maura, 35, was fooled when American snake wrangler and TV personality Rob Rausch nabbed all the £165,000 prize money.

But he made it up to her by giving her a burgundy Hermès Togo Birkin 30 bag on Bravo TV show Watch What Happens Live with Andy Cohen.

Maura said: “See this is my win.

“I knew I’d have my moment.

“You’re forgiven.

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“I love her.

“She’s beautiful.”

She also poked fun at herself for not guessing Rob was a Traitor by wearing a T-shirt with “I’m dumb?” printed on it.

Maura was later pictured leaving the Bravo TV studios in New York wearing a white outfit with huge fur collar and cuffs.

She also spoke to Elle USA, about the moment she was betrayed in the final.

She said: “The crazy thing about it is, I always have something to say.

“And in that moment — I don’t think I’ll ever forget it — I was genuinely speechless.

“I couldn’t speak.

“It was so crazy.

“Even my mum, she was, like, ‘You always have something to say’.

“And I was like, ‘But I genuinely believed he was a Faithful.

“Honestly, winning best-dressed of the castle, being runner-up on a show that I have never watched, and I’m getting a free Birkin, for me, that’s a win.

“I don’t need anything else.

“I genuinely don’t.

“That is a win.”

However, her movie career is off to an underwhelming start — her debut film, The Spin, took just £12,000 in its opening weekend in the UK and Ireland.

ACTRESS Daisy Edgar-Jones has spoken about a crippling health diagnosis – and going through ‘years of unexplained pain’.

The Normal People star, 27, opened up for the first time about suffering from a chronic disease.

The Golden Globe-nominated star told Vogue in a YouTube video: “I have endometriosis, so my hormones are kind of all over the place.

“I had extremely bad acne for most of my teenage years.

“When I had terrible acne, it was all I could see when I looked in the mirror.”

The Twisters star added: “For so long, I had such painful periods and really volatile skin.

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“I was diagnosed when I was, I think I was 24. I was definitely relieved to find out why I was going through it.”

The chronic disease causes inflammation, scarring and – in many cases – excruciating pain.

According to the NHS, it affects around one in ten women of reproductive age in the UK – an estimated 1.5 million people – and there is no cure.

Daisy, who is in a relationship with photographer Ben Seed, said she has found ways to manage the condition’s hormonal effects through diet and skincare.

She explained: “I’ve found over the years skincare that really works for me.

“But I also find drinking lots of water and when I eat well – especially when I try and not eat as much dairy – that really helps.”

She also offered a heartfelt message to others struggling with breakouts.

“When I had terrible acne, it was all I could see when I looked in the mirror.

“But actually when I look back at photos and videos, it’s funny that so much of the beauty of you is inside and the confidence that you wear can really help.

“So I would say to anyone with acne – I know it’s all you can see, but it’s not what everyone else can see.”

The actress was born in Islington, North London, and grew up in the world of entertainment.

Her dad Phil is head of entertainment at Sky TV while her mum Wendy is a former film editor.

The actress was catapulted to fame thanks to her debut lead role in BBC lockdown smash-hit Normal People, alongside Paul Mescal.

The Bafta and Golden Globe-nominated actress trained with the National Youth Theatre from the age of 14 before landing her first professional job at 17, appearing in a Christmas special of BBC sitcom Outnumbered.

Daisy then joined the cast of Cold Feet as Olivia, the on-screen daughter of actress Hermione Norris – shortly before starring in the raunchy drama Normal People, an adaptation of the best-selling Sally Rooney novel.

BRITNEY Spears’ manager has slammed her DUI arrest, branding it inexcusable.

Britney, 44, was busted by California Highway Patrol on Wednesday night, with a representative now speaking out, vowing that the singer will “make a long overdue change”.

Britney’s manager Cade Hudson broke his silence hours after the arrest

In a statement to The U.S. Sun, he said: “This was an unfortunate incident that is completely inexcusable.

“Britney is going to take the right steps and comply with the law and hopefully this can be the first step in long overdue change that needs to occur in Britney’s life.

“Hopefully, she can get the help and support she needs during this difficult time.

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“Her boys are going to be spending time with her.

“Her loved ones are going to come up with an overdue needed plan to set her up for success for well being.”

TMZ have since reported Britney spent some time at a hospital early Thursday morning.

She spent time here because California Highway Patrol officers “transported her there to draw her blood”.

The outlet claims she did not sustain any injuries, and the hospital visit was “purely to determine her blood alcohol content”.

The singer was booked into jail at 3am, records indicate. She was later released at 6am.

On the booking documents, the star’s occupation is listed as “celebrity.”

TMZ report that Britney was “very emotional while being processed” at the Sherriff’s Office.

Sources told the outlet she was “crying a lot”.

After her arrest, Britney’s car was taken to a Thousand Oaks towing yard.

She is expected to return to court on the morning of May 4.

Her arrest comes as The California Post exclusively revealed that cops have been called to Britney’s home 14 times in the past two years.

Records obtained by The Post show 14 calls to the Ventura County Sheriff’s Department made since Jan 1, 2024.

The most recent call logged was for a “trespassing in progress”, which around midnight on October 23, 2025.

The month prior was for a a wellbeing check, which was reportedly listed as canceled.

The outlet also report several calls made to the cops in August 2025, with one listed as trespassing in progress.

Another wellbeing check was carried out in July 2025, which was the first call to cops since March of that year, which was for a “silent alarm”.

December 2024 saw cops called for an “audible alarm” and in November of that year there were two wellbeing checks logged.

In October 2024, the cops went to Britney’s home for a “suspicious subject” after a “subject disturbing” two months prior.

In recent hours, she also deleted her very active Instagram account.

This isn’t the singer’s first run-in with officials.

Just last year, cops were called about her “dangerous behavior” on a plane.

Britney reportedly caused a scene when she started drinking while flying home on a private jet with her security from Cabo San Lucas, Mexico in May 2025, TMZ reported.

Flight attendants were reportedly shocked when she pulled out a cigarette and lit it mid-flight.

Though she put out the cigarette when asked. cops still confronted her when she landed at Los Angeles International Airport.

She was reportedly issued a warning, and then allowed to go free.

Britney was placed under a conservatorship in 2008. Her now-estranged father Jamie was appointed as her conservator, and handled all her personal and financial affairs.

After years of objection and a public legal battle, the #FreeBritney movement exploded onto social media.

Thirteen years after it began, a judge officially terminated her conservatorship on November 12, 2021.

On a dreary February afternoon in Chinatown, Ben Lovett, pianist and keyboardist of the British folk-rock group Mumford & Sons, was hours away from releasing his band’s sixth album, “Prizefighter.” The LP — co-produced by Aaron Dessner with guests Hozier, Gracie Abrams and Chris Stapleton — rejuvenates a catalog that includes a Grammy for album of the year in 2013. He could have been celebrating, or at least resting up for his upcoming “Saturday Night Live” gig and fall arena tour.

Instead, Lovett was calf-deep in sludgy rain water flooding the streets from a sudden downpour, standing at the roll-gate of a ripped-apart warehouse. “You’ll need this,” Lovett told a Times reporter as he handed out hardhats, walking his construction team through the still-raw hallways, shouting over a cacophony of circular saws.

In a few weeks, this site will be Pacific Electric, a new 750-capacity music venue that Lovett and his venue-developer firm TVG Hospitality have been converting for six years. It’s a small but ambitious entry into a Los Angeles venue landscape that’s recovering from fire and economic woes, yet has also seen several jolts of life recently.

Pacific Electric is a new flagship for the team at TVG, which has become an independent-scene force in the U.S. and U.K. over the last decade. Beyond his band, this project plants Lovett’s flag as an L.A. live music entrepreneur too.

“I’ve never had such a significant moment around a venue launch,” Lovett said in the soon-to-be dressing room at Pacific Electric. “It’s the seventh venue we’ve done, but it has never coincided with such an important creative moment with the band. I have to be very disciplined right now.”

Mumford & Sons led the 2010s folk revival that minted a generation of plaintive, earnest singer-songwriter acts atop the charts. While their genre peers’ fates have varied, Mumford & Sons remained perennial arena and festival headliners, with an ambitious midcareer streak in the studio. As pop culture’s tastes shifted, and his band moved around New York, L.A. and the U.K., Lovett returned to his show-producing roots in 2016 to build the 320-capacity nightclub Omeara in London.

Los Angeles, CA – February 19: Exterior view of the new music venue Pacific Electric, which is under construction in Chinatown and owned by Ben Lovett of the Grammy-winning folk band Mumford & Sons. (Allen J. Schaben / Los Angeles Times)

(Allen J. Schaben / Los Angeles Times)

“A lot of rooms in America are owned by the promoter, so unless you are working with that promoter, you can’t play that room. I don’t like that. I think there’s something fundamentally broken with that practice,” he said. “I wanted to prove out that idea, but I had to learn everything, like how you get a liquor license. It wasn’t perfect, but the intent was so pure.”

Two years and a couple U.K. venues later, TVG got an unexpected call from the city of Huntsville, Ala., to build the Orion Amphitheater, an 8,000-capacity anchor venue for the massive civic project Apollo Park. The futuristic Grecian agora, which opened in 2022, was beyond anything they’d built before — similar to Red Rocks in Colorado or Forest Hills Stadium in New York. Suddenly, Lovett and TVG were players in the U.S. too.

“When I’m off the road, I drop my kid at school and I go to work. I sit in an office from 9 a.m. to 6 p.m.,” Lovett said. “That’s not common, but there are people I really admire like Pharrell Williams who have a foot in entrepreneurship while also being a creator of songs. By doing a day’s work with TVG, sitting down at the piano can still feel like a hobby.”

Lovett, who lives in L.A., had long wanted something closer to home. The industrial northern pocket of Chinatown housing Pacific Electric is well-known to ravers and foodies — Insomniac’s Naud Street warehouse is close by, and the upscale cocktail bar Apotheke and pan-Asian restaurant Majordomo are around the corner. But besides festivals at Los Angeles State Historic Park, there hadn’t been much of a live music presence in the area (a plan to open an outpost of the NYC venue Baby’s All Right was thwarted by the pandemic).

Pacific Electric will be on the small side for a theater, a more intimate peer of downtown’s Regent or Bellwether. But Lovett’s plowed 20 years of notes from touring into the space — from the serene sandstone-hued dressing rooms with a piano and built-in laundry facilities, to a fully-separated horseshoe bar area to keep fan drink lines moving. There’s no bad sightline in the space, from either the ground floor or upper level balcony, which looks out over a stage wreathed in pink neon and wood cutouts evoking the industrial cityscape outside.

“Keeping the dirt under my fingernails with projects like this, and watching shows as often as I do, you realize how hard and how much creativity and magic there are around shows,” Lovett said. “It’s never a given to have an audience.”

To manage the venue, TVG brought on Stacey Levine, a veteran of the Palladium, Wiltern and Theatre at the Ace Hotel (now the United Theater on Broadway). While her management experience is in larger, historic venues, the chance to build something from scratch with an artist’s insight was enticing.

“People really want to get off their phones and back into independent venues, and this little pocket of downtown is about to pop off,” Levine said. “It’s very cool and close to different areas of L.A. But the venue is also really artist-focused. At 750 capacity, do you often have really nice dressing rooms? Probably not. But this is like welcoming artists into a nice hotel.”

Pacific Electric is independent in the sense that it’s not wholly exclusive for either promoter conglomerate (they plan to work with both Live Nation, AEG and others). Lovett, who cited the San Francisco concert impresario Bill Graham as a model for his company, said, “I love the opportunity to back an artist and be their advocate, and they should be able to work in any room they want to. I’ll die on that hill.”

The music won’t lean especially Mumford-ish. Its first show, with the synthwave group TimeCop1983, is slated for March 20, with a Robyn-themed club night, heavy rockers Militarie Gun and a big comedy slate from the Netflix Is a Joke festival up next.

L.A.’s nightlife — particularly in downtown — is still recovering from the pandemic-era culling of live venues and hospitality. After the malaise that’s ripped through L.A.’s entertainment economy of late, and a year of fires, ICE raids and other withering events in Los Angeles, Pacific Electric will have its work cut out to build its regular audience.

But new venues like South Pasadena’s Sid the Cat Auditorium and Re:Frame in Atwater Village have taken similar big swings in recent months. Lovett sounded hopeful that L.A. has plenty of room for more.

“I operated five venues in the pandemic, and conversations abounded like ‘Is this the death of live experiences?’” Lovett said. “My take was different, which was the one thing that we couldn’t figure out how to fix, was how to spend time together. Our greatest void was human interaction. We’re always going to trend towards congregation. If I didn’t believe that, I wouldn’t do this.”

Running free during a game of catch on the empty field at SoFi Stadium is a fantasy most Angelenos will never experience. For comedians Jo Koy and Gabriel Iglesias, it’s just a warm-up to a dream that’s been a lifetime in the making.

Gripping the football with fingers covered in Filipino tribal tattoos extending in a sleeve up his arm, Koy looks across the expanse of emerald green turf at his son jogging toward the south end zone of the Inglewood stadium on a recent afternoon. “To be able to throw at SoFi is crazy,” Koy said with a sparkling grin of bright white veneers.

The 54-year-old comedian with a beard full of gray stubble drops back to pass, launching a tight spiral underneath SoFi’s massive technicolor halo scoreboard hovering above a sea of empty stands. Joseph Jr. — a wiry 22-year-old with a head full of curly dark brown hair — runs briskly toward the goal line with a black cast on his left arm. He raises his right arm just in time to scoop it into his chest for a touchdown. The imaginary crowd goes wild.

“Yes!!!” Koy shouts, his excitement echoing in the stadium. He jogs over to Joseph in his navy blue coverall jumpsuit and L.A. Dodgers cap to deliver a satisfying father-son chest bump.

A few yards away, Iglesias is watching Roka, his tiny black chihuahua, dart around the field like four pounds of rambunctious entitlement. The plus-sized comedian — better known as “Fluffy” — is sporting his typical loose-fitting vintage Hawaiian shirt, denim shorts and black flat cap. Whenever they stand together, the duo’s dynamic is like a modern-day Laurel and Hardy.

Nearly 70% of tickets for Koy and Iglesias’ SoFi show sold within days, making this the largest stadium stand-up performance to date.

(Christina House/Los Angeles Times)

“The fact that we’ve known each other as long as we have is wild … we’ve known each other since we both had hair,” Iglesias, 49, says as they both lift up their caps in unison, laughing and exposing their shiny bald heads.

On March 21, this stadium will be filled with more than 70,000 guests as the pair takes center stage at the Super Bowl of comedy — the largest stadium stand-up show to date. Koy and Iglesias are now part of a small fraternity of comics, including Kevin Hart, Dane Cook, Bill Burr and Larry the Cable Guy, who’ve sold out stadiums across the country.

The one-night-only show, which won’t be televised or recorded as a special, is meant to be one giant party for comedy fans who’ve supported Koy and Iglesias since their early days. The comics will be passing the mic back and forth throughout the night, which will feature special guests, surprise moments and plenty of other unplanned interruptions that will make for a roughly four-hour show. Though the L.A. comedy scene tends to exist in the shadow of Hollywood, this feat managed by two of its biggest names puts a historic spotlight on stand-up.

“It’s more sweet because it’s taken so long,” Iglesias said. “This wasn’t an overnight thing. Nowadays, everybody wants everything so fast. Between the two of us, we’ve got about 60 years of comedy experience.”

“It’s insane. I can’t explain it,” Koy adds, staring up at the stadium’s glass roof, preparing to crack it with decibels of laughter. “Every time we come in here and look up, I’m like, ‘There’s going to be a stage here the size of the end zone.’ We took the stage from the arenas that we normally play and injected steroids into it.”

For comedians who’ve witnessed their ascent, which now literally includes hands and feet cemented in front of TCL Chinese Theatre and a star for Fluffy on the Hollywood Walk of Fame, the journey has been incredible to watch.

“It’s huge for stand-up, it used to be just in dingy clubs and bars and always something small and intimate and kinda like an afterthought,” said fellow comedy star Tiffany Haddish, a longtime friend to both Koy and Iglesias. “To be honest I never thought comedy would be this big.”

Jay Leno, a confidant to Iglesias and the man who inspired him to start his own insane car collection and offered Koy his first late-night appearance on “The Tonight Show,” agrees that a show like this is a huge step for comedy.

“My attitude when I came to this town was if you can’t get in through the front door, go in the back door,” Leno said. “And they didn’t do it the traditional way, they got to where they are as comedians, one audience member at a time.”

For the two L.A. comedians, the historic milestone represents decades of work and signals comedy’s arrival in mainstream entertainment venues.

(Christina House/Los Angeles Times)

When the pair of arena-selling comics announced last year they’d be joining forces to perform at SoFi, the task of filling the massive concert venue and football stadium seemed laughable. But within a week, it clearly wasn’t a joke. Nearly 70% of the tickets were sold just days after going on sale. Now, weeks before the gig, the show is completely sold out with more seats being added. If there’s one person who is not necessarily surprised, it’s Iglesias. By his calculations — including his ability to sell out Dodger Stadium twice for the filming of his 2022 Netflix special, “Stadium Fluffy,” and Koy’s ability to sell out the Forum a record-setting six consecutive times (more than any other comedian) — the math checked out.

“At a certain point it’s like we’ve been doing [huge stand-up shows] for so many years, it becomes normal,” Iglesias said. “What do you do to change things? What do you do to grow? The worst thing that happens is it fails. But at least we know we tried it. Then we know what our ceiling is. But as of now, this isn’t the ceiling.”

Despite the logic, looking at the stadium’s massive seating chart during an initial meeting with the venue made the task feel akin to climbing Mt. Everest.

“SoFi is the size of like five Forums. That seating chart on a wall was the most discouraging thing I could possibly look at,” Koy said. “And then looking at the amount of money it was gonna cost us even before we sell one ticket. Me and Gabe should’ve been looking at that and been like, ‘What … are we thinking? Hell nah we ain’t doing this … !’”

It took more than a little convincing from Iglesias to get Koy on board. “[Jo] does not like change. I had to break down the math for him and I pushed it a lot,” Iglesias said. “And I’m glad we did because now that it’s sold out, the hard part is over. We just have to show up and deliver a kick-ass show. And then we can both celebrate after, crack a couple bottles and I know I’m taking a week off after that.”

Unlike a typical arena show, which takes several months to coordinate, their big night at SoFi required a full year of planning. The production and stage will be three times the size of the comedians’ normal stages and will be managed by the same team that produces stadium shows for acts like Los Bukis and Bad Bunny.

“It’s more sweet because it’s taken so long,” Iglesias said. “This wasn’t an overnight thing. Nowadays, everybody wants everything so fast. Between the two of us, we’ve got about 60 years of comedy experience.”

(Christina House/Los Angeles Times)

“It’s almost like a chessboard,” Iglesias said. “You got to do a bunch of moves in order to pull something like this off, it’s not just we’re gonna do it. This took a lot of planning, a lot of coordinating.”

When asked how the tickets could’ve possibly moved so fast, outside of typical avenues of good marketing and promotion, Koy says it was really comedy fans making a statement of support for them and for stand-up.

“There’s no such thing as marketing on this one, to me it’s a phenom,” he said, noting the pride both he and Iglesias have to see the excitement and support from local fans, especially Filipino and Latin communities across L.A. that have been a major part of their respective fanbases. “That type of reaction and that response to us saying we’re gonna be at SoFi is almost like a bragging right and it’s ‘our night, we’re gonna be there, I don’t care where we’re sitting.’”

The SoFi gig was conceived in February of 2024 during Koy’s sixth sold-out show at Kia Forum. In the hoopla of Koy breaking his own audience record at the venue, Iglesias crashed the show, presented his friend with a plaque and laid down the gauntlet in front of 17,500 fans. When Iglesias asked Koy if they should contemplate performing “across the street” together, the crowd erupted with excitement.

“Our agents and managers were like, ‘Are you sure you wanna do that?’’’ Iglesias said. “I think they missed a couple bonuses. But at the end of the day, it’s part of history.”

“That’s what’s beautiful about Gabe, he’s not scared to take on those big risks,” Koy said. “But the whole thing was a risk. We gotta alter our tour dates and sacrifice other opportunities to make this happen.”

“Every time we come in here and look up, I’m like, ‘There’s going to be a stage here the size of the end zone,‘” Koy said about the upcoming SoFi show on Mar. 21. “We took the stage from the arenas that we normally play and injected steroids into it.”

(Christina House/Los Angeles Times)

For Koy, a life of comedy was a risk inspired by his heroes while growing up in Tacoma, Wash. He traces it back to being 15 and seeing Eddie Murphy perform at Climate Pledge Arena during his “Raw” tour in Seattle. He remembers taking a panoramic look at the sold-out crowd roaring in the darkness before the leather-suited legend even took the stage. “I’m like, ‘Wait a minute, this guy got this many people in here?’ I just thought that was the most impossible thing,” Koy remembers. “And now I get to share this moment with my son and let him walk with me and let him see that this is possible.”

When Koy was moving up the comedy ranks under his real name Joseph Glenn Herbert, the thought of calling himself a comedian felt like a pipe dream. Koy, the son of a white father and Filipina mother, saw comedy as a way to channel an overactive personality and need to make people laugh into a career. Going from coffee shop open mics in Tacoma to clubs and casinos in Las Vegas in 1989, Koy scratched out a living doing random jobs to move to L.A. in 2001 with hopes of making it big.

Working at a bank or Nordstrom Rack offered some stability as he drove up and down Sunset Boulevard in his battered Honda Prelude with one broken headlight, looking for a way forward to pursue his passion. Haddish, his longtime friend, spent years working with Koy, who served as her mentor at the Laugh Factory. Between sets on stage, the two would often take breaks to fantasize about fame.

“Jo and I would sit outside of the Laugh Factory and have these conversations and we’d be eating hot dogs wrapped in bacon and we’d be dreaming about being in a big movie, playing big theaters and helping people heal through laughter,” Haddish said. “Now here we are.”

“At the end of the day, this is a big stamp. And I think it also lets other comics know, ‘Hey, man, step up your game. Let’s grow this,’” Iglesias said.

(Christina House/Los Angeles Times)

Pulling off a show of this magnitude is jaw-dropping to think about, Iglesias said, even after having achieved a similar feat just a few years ago at Dodgers Stadium where he filmed his special over the course of two shows. He also set a record for fines incurred by a performer for going over his allotted time slot (a hefty $250,000 for not leaving the venue until 4 a.m.). The SoFi gig leaves him only one shot to get it right. This time around, Iglesias feels infinitely less pressure despite the bigger venue.

“[Dodger Stadium] for me was grueling,” Iglesias said. “I didn’t know what to expect, I didn’t know how it was gonna go. Every day we were pulling our hair out trying to figure it out. Fortunately we were still able to pull it off and we learned a lot from it. This time around, believe me when I tell you the stress of this show is not even there.”

Iglesias, a native of Long Beach, has spent over 30 years rising up the comedy ranks. Among his accomplishments are seven major comedy specials, a TV show (“Mr. Iglesias”) and becoming the first Mexican American comic with a top-grossing worldwide tour. Like Koy, who also has seven major specials, Iglesias went through a lot of metamorphosis on stage prior to finding his calling as a gregarious, fun-loving comedian with a penchant for doing cartoon-ish voices.

Leno says one of the key factors in Fluffy’s mass appeal is his likability.

“The great thing about Gabriel is that the kindness comes across, there’s not a mean spirit in his body,” he said. “There’s a lot of comics who are really funny but people don’t like them because they think they’re mean-spirited. … When you watch Gabe even when he does something that’s not fall-down hysterical, you smile because you like him. … I find him a joy to watch.”

Much of what Iglesias learned about marketing himself was inspired by the WWE. The costumes, witty banter and theatrics of the wrestling ring influenced his consistent look and even allowed the name “Fluffy” to become his calling card.

Comedians Gabriel Iglesias, aka, “Fluffy,” in front, and Jo Koy are photographed at SoFi Stadium in Inglewood on February 10, 2026, ahead of their March 21st show.

(Christina House/Los Angeles Times)

“There is a certain level of pandemonium, as they say in wrestling, that’s needed to get people excited,” Iglesias said. “Then there’s the marketing and the way that you do it — so I did study wrestling a lot.”

Handing the kingdom of SoFi over to the court jesters for a night is a feat worthy of celebration.

“At the end of the day, this is a big stamp. And I think it also lets other comics know, ‘Hey, man, step up your game. Let’s grow this,’” Iglesias said. “And it’s not, ‘Step up your game,’ like we’re competing with each other. It’s more so like, ‘Let’s elevate the game of comedy.’”

Right now Koy feels plenty elevated, as though he’s floating every time he enters the stadium and looks up at the stands — like the night he saw Eddie Murphy all those years ago.

“You should’ve heard the whispers me and Gabe had to ourselves walking out of the stadium tunnel, like, ‘Yo, is this really happening?!’” Koy said with a megawatt smile. “Coming from an open mic night at a coffee house, never in my wildest dreams did I say, ‘Someday, a football stadium’ … we’re literally living our dreams right now.”

Actor Patrick J. Adams is best known for playing Mike Ross alongside Meghan Markle in the hit series Suits.

This month, actor Patrick J. Adams is set to star in a brand-new Paramount+ drama called The Madison.

Patrick, best known for his role alongside Meghan Markle in Suits, is taking on the role of young investment banker Russell McIntosh.

In the upcoming series, created by Yellowstone’s Taylor Sheridan, viewers will see Russell and his family move from New York to find solace in Montana’s wilderness.

However, the drama will take people on an emotional journey as it’s set to be a heartfelt study of grief and human connection.

Alongside Patrick, people will also see the likes of Michelle Pfeiffer and Kurt Russell front the upcoming show.

On Thursday’s instalment of This Morning, some of the cast spoke to Ben Shephard and Cat Deeley about what people can expect to see in The Madison.

Addressing Patrick, Ben commented, “I felt for your character, because of course, he’s surrounded by women!

“Properly surrounded, and I feel like he’s doing his best to try and navigate what his wife is expecting of him, what his mother-in-law is expecting of him.”

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Patrick replied, “This is true, he’s trying to make everybody happy. Luckily, I have two amazing sisters, strong, willed, intelligent, brilliant sisters.

“A very powerful mother, I have three daughters now. I had my third little girl a month ago! I’ve got an amazing wife, I’ve got a lot of women in my life! So I have been practising for this for a long time.”

The actor is married to Pretty Little Liars star Troian Bellisario, as they tied the knot back in 2016.

Since then, they’ve had three daughters together, and Trion has shared the announcement of their latest addition on social media.

Sharing a compilation of videos of her growing bump over the weeks, the final clip showed her with their newborn, as she wrote: “Tiny dancer has arrived, welcome home my love.”

People were quick to congratulate the couple as actress Sophia Bush said, “Just so happy for yoooooou.”

One fan added: “Awwwh!! bless. I am so, so happy for you, beyond. You are an amazing mama, and I am so happy to see your family thrive, so much love

The Madison premieres with three episodes on Saturday, March 14, 2026, on Paramount+.

BBC bosses have taken inspiration from Britpop legends Blur for the UK’s 2026 Eurovision entry.

The Sun can reveal Look Mum No Computer’s song Eins, Zwei, Drei has been inspired by the British music legends.

It features  random lyrics and almost spoken word verses.

Controversially, the chorus is all in German.

Sam Battle, the man behind Look Mum No Computer, says on the track: “If only there was a language that I could count in, that would make me feel better.”

He then launches into a bizarre counting session in German.

The Eurovision track opens with Sam saying: “So sick of doing the whole 9 to 5.

“I pay my dues I’m just staying alive… and I’m so bored, I’m so bored of it. Oh what’s the point of it.”

A source said; “The song is about as far away from last year’s entry as posisble but maybe that’s what the UK needed to do?

“On one hand it’s very Blur inspired.

“On the other there are whole waves of the song that are in German.

“That being said if you had been played it and told it was from another European country you’d think it’s the perfect Eurovision track.”

The song will get its official first play on BBC Radio 2 Breakfast with Scott Mills on Friday morning. 

The music video is also set to drop on Friday as well.

This year’s contest takes place in May in Vienna.

The Sun revealed earlier this month how Australia will be represented by Delta Goodrem after she told Bizarre of her dream of competing in the show in an interview back in May 2025.

The Sun previously revealed how BBC bosses were forced to go back to the drawing board after one of their shortlisted acts was exposed for inappropriate comments online.

Bosses hauled the act – who is a solo artist – into a meeting where they were dramatically told they would no longer be representing the UK.

As well as the performer, the song was also ready to go – with the track being played to a number of industry high-flyers to gauge the reaction.

It meant that during January staff had been desperately trying to find a replacement act in time for the impending submission deadline.

A source previously said: “The BBC can’t take any chances with Eurovision being such a pressure cooker this year.

“Routine checks brought up past behaviour that just didn’t line up.

“It was brutal but they were dragged into a meeting and told they could no longer represent the UK.

“Naturally the person was mortified and devastated.

“It’s been a mess ever since the start of the year trying to find a new act.”

KATIE Price reportedly had a phone call with her husband Lee Andrews’ ex before tying the knot with the Dubai businessman.

Alana Percival, who was with Lee for nine months, has claimed that the former glamour model, 47, had “reservations” and was told by Alana to “run for the hills”, but ignored the warnings.

“Katie reached out to me via a friend. We spoke on the phone. She was saying, ‘I don’t know what to believe’ and I told her it’s black and white,” Alana told MailOnline.

She added: “I told her I would show her everything; I said I was happy to meet her. I told her he was going to break her down and ruin her. 

“I told her he doesn’t have money, he has scammed loads of people, I said to her, ‘Come and sit with me for an afternoon’.”

However, Alana says Lee has painted her as a “crazy ex” and convinced Katie she is lying.

‘I’m not stupid’

Katie Price insists hubby Lee’s NOT a conman & she’s seen proof of wealth

family fury

Katie Price says family were ‘p***ed off & angry’ at her for whirlwind marriage

Alana was with Lee last year and says she got engaged to him in September in a proposal identical to the one he used on Katie in January,

Last month, Lee was exposed by The Sun as a fantasist businessman who faked celebrity links using AI-generated photos and recently talked about marrying two other women.

However, in her first interview since the shock romance and wedding, Katie assured she has seen proof of his fortune.

The star, who refused to get a pre-nup before marrying Lee, told The Sun: “So yes, I can reassure everyone at home that I haven’t gone for a con man.

“I haven’t gone for a scammer. There was no love bombing.

“I’ve gone for a beautiful human being who genuinely makes me happy, who I’m so in love with.”

Katie declared “I’m not stupid” – and said that Lee has shown her documents attesting to his wealth.

During the interview, she even showed The Sun his passport, Dubai residency card and, incredibly, what appears to be a real estate proof of purchase for his new property worth an astonishing £36mn – paid in cash.

Following Katie and Lee’s wedding, Alana told The Sun that Katie should “run”

She said: “Katie should run for the hills. Lee is a liar, a narcissist and I think he’s a manipulator. 

“Once I tried to leave him, he told me had a heart condition and was living on borrowed time. 

“Lee doesn’t know what’s fact and what’s fiction. 

“It’s worrying because I think he believes his own lies.” 

Who is Katie Price’s husband Lee Andrews?

KATIE Price tied the knot with Lee Andrews in January 2026. Yet who is he?

• Katie Price has married businessman fiancé Lee Andrews in a whirlwind wedding
• It is the fourth time Katie, 47, has been a bride. She has also been married to Peter Andre, Alex Reid and Kieran Hayler
• Katie and Lee met just after being introduced on social media
• Lee claimed he is a billionaire in a failed clip from his acting career
• He now claims to be a Dubai-based businessman
• Yet The Sun has unmasked him as a fantasist who faked celebrity links using AI-generated photos and recently talked about marrying two other women
• Failed actor is just another title to add to Lee’s questionable CV, after he claimed to have once worked as the Director of Philanthropy at The Prince’s Trust (now The King’s Trust)
• Lee also shared images – since proven to be AI – of him working with Elon Musk and Kim Kardashian
• It’s been revealed shameless Lee told former girlfriends that he had studied at Cambridge University, and has a PhD in biotechnology science
• But The Sun has seen a response from the university explaining it could not find a record of Lee being registered as a student with a date of birth they had provided
• His LinkedIn profile says Lee has been a Member of the Board of Advisors to the Labour Party since 2015
• Lee was also mocked for repeating the exact same wedding proposal on Katie – that he did for another woman just four months ago.

“The Bride!” is a maniacal assemblage of ’30s musicals, ’40s noirs, 19th century literature and 21st century ideology. Every wacky second, you’re well aware how perilously close it is to falling apart at the seams. This spiritual sequel to “Frankenstein” is a romantic tale of obsession, possession and fantasy — adjectives that also apply to its filmmaker, Maggie Gyllenhaal, who expends massive quantities of energy jolting it to life. She succeeds by the skin of her teeth.

The monster’s missus comes with as much narrative anticipation as Godot. Mary Shelley’s 1818 novel has Dr. Frankenstein bicker with his creature about her potential existence before deciding against it in fear that “she might become ten thousand times more malignant than her mate.” Over a hundred years later, the debate continued, raging through nearly all of 1935’s “Bride of Frankenstein” which finally introduces Elsa Lanchester and her sky-high bouffant five minutes before the end credits, just enough time for her to make an iconic impression before her arranged husband blows them both to smithereens. Boris Karloff laments, “She hate me.” Lanchester’s Bride never speaks and quite possibly never knows what is happening to her at all.

Gyllenhaal’s empowerment story, meanwhile, feels like an unhinged scream. Jessie Buckley (who starred in Gyllenhaal’s debut, “The Lost Daughter”) tackles the dual roles of the Bride and Shelley, a hat tip to Lanchester, who did the same thing. The action starts in Shelley’s grave where she’s spent centuries seething about the sequel she never dared to write, then cuts to an American nightclub, where her spirit suddenly possesses a drunken strumpet named Ida (Buckley) — not smoothly but herky-jerky, with the angry author causing this gangster’s moll to go on the fritz. Her accent alternates mid-sentence from city gal to snidely British, Ida loudly accusing a mob boss of murdering women. She’s right and she’s next.

Our setting is 1936 Chicago, but this is an exaggerated, fictional world, not ours or even Karloff’s. Elsewhere in town, the original creature, played by Christian Bale, has lurched here from Austria still on his lonely quest for companionship. (For simplicity’s sake, he goes by Frank.) He begs the ethically gray Dr. Euphronius (Annette Bening) to help him finally experience what he chivalrously calls, “a garden of pleasure.” The blunter and crasser Euphronius asks if Frank has a specific shape of mammaries in mind. (Her maid, played by Jeannie Berlin, is a riot.)

This Bride comes alive roughly and rudely not having given her consent either. Regardless, now that she’s here, she still has to figure out her next move, with or without Frank, and often without key pieces of information. Frank has convinced her she’s an amnesiac. Also, somehow, she doesn’t even know that she’s dead.

The theme is, of course, a woman’s right to choose. But what’s interesting about Gyllenhaal’s approach is that she expands Ida’s options beyond an enthusiastic yes and a priggish no into a dim sum menu that includes a dubious yes, an asterisked yes and a no that rejects even having to answer the question. She also overuses Bartleby the Scrivener’s line, “I would prefer not to.” I would prefer not to hear that quote a dozen times in two hours, but neither I nor the Bride get exactly what we want.

A perversity in the script is that Frank is a manipulator and a gaslighter but overall a pretty good dude. Their bond is messy and thrilling, with one of the most delightful romantic montages in ages. There’s a great scene where Frank exposes his unbeating heart to her and gets rejected, yet he laughs with delight because the Bride’s stubborn spirit is exactly what he likes about her.

The Bride also looks dynamite in her bias-cut coral dress and peekaboo black lace bra. Her zapping turns her entire head of hair — not just a streak — shocking white à la Jean Harlow, and leaves an oddly-appealing black blotch on her cheek. It’s a fabulous look, at once sexy and frightful, with an element of cartoonishness as the movie sends her speeding around the country pursued by gangsters and the police, changing stolen cars but never her clothes.

The movie makes no secret of its phony mechanics. In one scene, the Bride is the most famous outlaw in America; in the next, a cop doesn’t recognize her at all. There are several moments that force you to accept that the characters can become psychic at will, including one where Frank somehow mind-controls a party to dance the jitterbug — heck, we almost believe that he invented it — and the smart move is just to give in and enjoy the number.

Whatever Gyllenhaal wants to do, she does, which becomes its own act of captivation and reckless empowerment. It helps that Buckley and Bale are terrific, as is the ensemble at large. The full force of Lawrence Sher’s cinematography, Karen Murphy’s production design and Hildur Guðnadóttir’s orchestral score is fabulous, combining to make something seedy, moody and extravagant.

Gyllenhaal’s love for other variations of this story is right up there onscreen with brash callbacks to Mel Brooks’ 1974 “Young Frankenstein” and the underrated “Frankenhooker.” Yet “The Bride!” isn’t just assembled from her passion for those movies. It seems to be made of every movie: a wild and playful and overbearing ambulation of references.

Almost every role is a Frankencharacter of the director’s cinematic obsessions, like Penelope Cruz’s lady detective who is named for “The Thin Man’s” Myrna Loy, acts like “His Girl Friday’s” Rosalind Russell, and dresses like Barbara Stanwyck in “Double Indemnity.” I suspect that Gyllenhaal’s favorite movie might be the same as my own, the bitterly nostalgic ’80s-does-’30s Steve Martin musical “Pennies From Heaven.” Watch it and tell me if you agree and even if you don’t, at least you’ll have seen one of the greatest films of all time.

There’s a scene in which Frank meets his own idol, an alt-world version of Fred Astaire (played by Gyllenhaal’s brother Jake, who is good at mugging and singing), and vomits his fandom at him until the actor recoils. The intensity of devotion can feel a bit like that. It also exposes that our culture is ready for its own shock of invention. Shelley spawned the entire genre of modern science fiction; today’s talents often feel like remix artists.

Like the mad scientists she’s sending up, Gyllenhaal goes too far. She triply underlines her feminist themes and nearly sabotages her own clever creation. Ironically, she doesn’t trust the audience to think for itself either. The overkill hits its nadir when the Bride repeatedly wails the survivors’ hashtag, “Me too!” But grab a scalpel and cut 10 minutes out of it and “The Bride!” would be a rip-roaring dazzler. This monster is more than alive, it’s allliiiiiive.

The iPic dine-in movie theater chain has filed for Chapter 11 bankruptcy protection and intends to pursue a sale of its assets, citing the difficult post-pandemic theatrical market.

The Boca Raton, Fla.-based company has 13 locations across the U.S., including in Pasadena and Westwood, according to a Feb. 25 filing in U.S. Bankruptcy Court in the Southern District of Florida, West Palm Beach division.

As part of the bankruptcy process, the Pasadena and Westwood theaters will be permanently closed, according to WARN Act notices filed with the state of California’s Employment Development Department.

The company came to its conclusion after “exploring a range of possible alternatives,” iPic Chief Executive Patrick Quinn said in a statement.

“We are committed to continuing our business operations with minimal impact throughout the process and will endeavor to serve our customers with the high standard of care they have come to expect from us,” he said.

The company will keep its current management to maintain day-to-day operations while it goes through the bankruptcy process, iPic said in the statement. The last day of employment for workers in its Pasadena and Westwood locations is April 28, according to a state WARN Act notice. The chain has 1,300 full- and part-time employees, with 193 workers in California.

The theatrical business, including the exhibition industry, still has not recovered from the pandemic’s effect on consumer behavior. Last year, overall box office revenue in the U.S. and Canada totaled about $8.8 billion, up just 1.6% compared with 2024. Even more troubling is that industry revenue in 2025 was down 22.1% compared with pre-pandemic 2019’s totals.

IPic noted those trends in its bankruptcy filing, describing the changes in consumer behavior as “lasting” and blaming the rise of streaming for “fundamentally” altering the movie theater business.

“These industry shifts have directly reduced box office revenues and related ancillary revenues, including food and beverage sales,” the company stated in its bankruptcy filing.

IPic also attributed its decision to rising rents and labor costs.

The company estimated it owed about $141,000 in taxes and about $2.7 million in total unsecured claims. The company’s assets were valued at about $155.3 million, the majority of which coming from theater equipment and furniture. Its liabilities totaled $113.9 million.

The chain had previously filed for bankruptcy protection in 2019.

AMY Childs has made a plea to fans about her secret family tragedy.

The Towie icon, 35, is asking her followers to share or donate to her cousin’s fundraising page after her five-month-old daughter Lila was diagnosed with a rare and aggressive brain tumour.

Amy’s cousin has shared how they are now “out of options” following Lila undergoing 9-hour brain surgery and the tumour since returning.

Taking to Instagram on Wednesday, Amy shared a screengrab of the JustGiving page and wrote about her family’s ongoing tragedy.

“Please, if you can, help support my cousin’s beautiful daughter Lila,” Amy touchingly penned.

She continued: “She’s fighting so hard and every donation makes a difference.

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“Even sharing this means a lot. Thank you all so much.”

On the JustGiving page, Amy’s cousin Hannah opened up about the ordeal in depth.

“Our beautiful little Lila is only 5 months old and been through more in her little life than any adult we know. Our brave girl, our little lion cub,” she began.

“Lila was diagnosed at 3 weeks old with ATRT – a rare and aggressive brain tumour.

“She underwent 9 hour brain surgery at just 3 weeks old, and started chemotherapy at just 5 weeks old. And that is really just the surface.

“What one tiny baby has endured in her 5 months of life has taught us some serious life lessons.”

ATRT is also known as atypical teratoid/rhabdoid tumor.

It is a rare, fast-growing, and highly aggressive cancerous tumour that develops in the brain and spinal cord of children aged 3 and younger.

Brain Tumour Research states: “ATRTs are classified as embryonal tumours, meaning that they develop from stem cells that helped the embryo to form in the womb, but have unfortunately remained active in the brain after birth.

“When these stem cells fail to stop dividing and developing after the child is born, they can form a cancerous tumour.”

On Amy’s cousin’s fundraising page, Lila’s mum Hannah went on to add: “Lila is the strongest baby girl, already defied all the odds, she has done everything that has been asked of her.. but unfortunately after 6 rounds of chemotherapy, an MRI showed the tumour has returned.

“We were told that treatment would not continue and we were out of options.”

Hannah then revealed that she and her partner “lived in hospital for four months” and were separated from their three other children during this time.

She explained how they have now been living in a children’s hospice for two weeks.

“Our lives have been turned upside down and we are devastated,” she added.

She then explained how they have reached out to an oncologist in Toronto, who is leading on research in ATRT, for a second opinion on Lila.

“We have no idea if there are any options for us, what they could be and how much it might cost us.

“The target is therefore completely random – but if by some miracle, they come through with something for us to try and it comes down to finances, we need to be prepared. Time is not on our side,” she went on.

Concluding her moving plea, Hannah went on to add: “Be assured your donations will not go to waste.

“If our efforts don’t pay off, your donations will be given generously to the lovely charities who have supported us during this time.”

At the time of publication, Amy’s cousin had raised £24,350 of her £25,000 goal.

Good Morning Britain star Kate Garraway was joined by Paul Brand during Thursday’s live show

Fans of Good Morning Britain have said the same thing after a hosting shake-up during the latest live show.

Thursday’s (March 5) edition of the hit ITV programme was hosted by Kate Garraway, with Paul Brand stepping in to co-present alongside her.

They were joined in the studio by Laura Tobin, who presented regular weather forecasts throughout the show, while Ranvir Singh handled the rest of the day’s news.

The show’s viewers were delighted to see Paul step in, with many sharing their reactions on X (formerly Twitter). “#GMB Quality this morning with @PaulBrandITV. Praise be!”

Another added: “Nice to see Paul on GMB today,” while a third said: “Paul and Kate!”

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New animated sequences of songs from “Encanto,” “Frozen 2” and “Moana 2” are headed to Disney+.

Disney Animation announced Wednesday that “Songs in Sign Language,” comprised of three musical numbers from recent Disney movies newly reimagined in American Sign Language, will debut April 27 in honor of National Deaf History Month.

Directed by veteran Disney animator Hyrum Osmond, “Songs in Sign Language” will feature fresh animation for “Encanto’s” chart-topper “We Don’t Talk About Bruno,” “Frozen 2’s” poignant ballad “The Next Right Thing” and “Moana 2’s” anthem “Beyond.” Produced by Heather Blodget and Christina Chen, the new versions of these songs were created in collaboration with L.A.-based theater company Deaf West Theatre.

“In the majority of cases, we created entirely new animation,” Osmond said in a press statement. “There were a lot of adjustments that we had to do within the animation to be true to the original intention.”

Deaf West Theatre artistic director DJ Kurs, sign language reference choreographer Catalene Sacchetti and a group of eight performers from Deaf West worked together to craft and choreograph the ASL version of the musical numbers for “Songs in Sign Language.” The creatives focused on being true to the concepts and emotion of the songs rather than direct translations of the lyrics.

Kurs said his team jumped at the chance to collaborate and integrate ASL into “the fabric of Disney storytelling.”

“Disney stories are the universal language of childhood,” Kurs said in a statement. “The chance to bring our language into that world was a historic opportunity to reach a global audience. Working on this project was very emotional. For so long, we have known and loved the artistic medium of Disney Animation. Here, the art form was adapting to us. I hope this unlocks possibilities in the minds and hearts of Deaf children, and that this all leads to more down the road.”

Osmond, who led a team of more than 20 animators on this project, said animation was the perfect medium to showcase sign language, which he described as “one of the most beautiful ways of communication on Earth.” The director, whose father is deaf, also saw this project as an opportunity to connect with the Deaf community.

“Growing up, I never learned sign language, and that barrier prevented me from really connecting with my dad,” Osmond said. “This reimagining of Disney Animation musical numbers helps bring down barriers and allows us to connect in a special way with our audiences in the Deaf community. I’m grateful that the Studio got behind making something so impactful.”

The BBC programme shared an update with viewers during Wednesday’s show (March 4)

The One Show issued an update after a “shocking” investigation into a soap that some claimed left children with injuries.

The most recent episode of the BBC programme (March 4) featured Watchdog Wednesday, where Matt Allwright and Nikki Fox delve into consumer concerns, reports Wales Online.

At the start of the show, Matt revealed he had news on the soap, informing hosts Alex Jones and Clara Amfo: “A major update on last week’s shocking investigation into this children’s flammable bath soap. We’ve got big progress on that.”

After delivering his other updates, he revisited the investigation when host Alex queried: “Before you go, you mentioned last week’s story because you’ve had a bit of a result? This was all about a foam spray that parents got really worried about.”

“Yeah, not surprised,” responded Matt. “In case you missed it, last week Nikki told us all about reports that Kids Stuff Crazy Soap was catching fire when used near a flame such as a candle and that was causing injury to children whilst in the bath.”

He added: “Unbelievable stuff.

“But we are pleased to say that after that report, the Office for Product Safety and Standards has now suspended the sale of the product whilst further investigations are being carried out.”

“That is a great result, Matt,” Clara commended.

A statement on the government website regarding the Kids Stuff Crazy Foaming Soap read: “The product contains butane, isobutane and propane, which are flammable gases.

“If the product is dispensed on to a flame or other ignition source, or comes into contact with a naked flame, the foam may ignite causing burns to the user.”

The statement went on: “Corrective action: The Office for Product Safety and Standards (OPSS) is suspending sale of this product because of safety concerns while further investigations are carried out.

“Consumers who have the affected product should check the batch number and contact their retailer.”

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The One Show airs at 7pm on BBC One on weekdays

SORRY ladies, there is only room for one Mrs Beckham.

Over the past year, queen bee Victoria has seen son Brooklyn and his wife Nicola go all out to prove they have no wish or need to be part of the Beckham family brand.

Instead, they have made moves to cement themselves as a rival power couple with global appeal.

In January’s now infamous Instagram rant aimed at his parents, Brooklyn said of his wedding: “My mum hijacked my first dance with my wife, which had been planned weeks in advance.”

Conjuring an image that has been lampooned across the internet ­endlessly, he added: “She danced very inappropriately on me in front of everyone. I’ve never felt more uncomfortable or humiliated in my entire life.”

But considering how much they claim to want to detach themselves from Brooklyn’s famous mum, it’s Nicola’s appearance that has us all doing a double-take.

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By all accounts, she seems to be morphing into a Victoria avatar.

Both women have posed for pics in slinky catsuits.

And on Monday, Nicola shared a topless mirror selfie wearing just a pair of tights while prepping for her upcoming ballerina film Prima — instantly sparking comparisons yet again with her equally slender mother-in-law.

Is it just an uncanny coincidence?

Or is this the US-born 31-year-old’s ­declaration that — though there might be one Mrs Beckham — Mrs Peltz-Beckham has real girl power and is ready to steal the spotlight?

The proof, of course, is in the pouting.

A true copycat

IT’S not just Vic’s red carpet outfits and off-duty dressing that Nicola likes to imitate.

In fact, she looks to her mother-in-law when it comes to fancy dress too.

And she’s took posh appearance in it as a PVC catsuit clad Catwoman for a 2018 Vogue shoot his inspiration for her own sexy feline cosplay.

They say immitation is the sincerest form of flattery. But when it comes to Nic versus Vic, the claws are out.

Met their match

FORGET Britney Spears and Justin Timberlake in double denim.

When it comes to twinning nobody did it better than Victoria and David Beckham, who used every photo call in the nineties to share a matching moment.

The double shiny leather to those famous purple wedding day numbers the pair made history.

Nicola and Brooklyn have duly tried to take the mantle, posing in matching pyjamas, Burberry and tuxes.

But they’re double trouble antiques seems somewhat amateur in comparison.

Our advice? More pleather!

Oh, jacket in

NICOLA was once keen to show she had earned her stripes as part of Clan Beckham – channelling Victoria’s vintage Dolce & Gabbana biker jacket.

She was seen wearing the statement piece on a 2024 trip to Paris for Fashion Week – more than two decades after Posh Spice Vic teamed it with chequerboard jeans and a pair of tinted aviators to watch

Manchester United be crowned Premier League Champions in 2001.

Now I’m the mane attraction

ONCE a committed blonde, Nicola made a bold statement when she ditched the bleach in 2022.

Before then, her golden locks were a trademark, drawing comparisons to her own mother, ex-model Claudia Peltz.

But after giving the colour one last hurrah at her wedding in May that year, Nicola embraced her “wifey” era with a brand-new barnet suspiciously like Vic’s brunette, mid-length do.

Dyeing for attention, maybe?

Pipped at the post

WHEN it comes to getting sentimental online, Victoria is a pro.

She often uses Instagram to declare her love for her brood.

In fact, she even did it yesterday to wish Brooklyn a happy birthday, telling him: “I love you so much” – despite the fact her estranged son had blocked his whole family on the site and requested his parents do not interact with him or tag him in posts.

Naturally, Nicola is just as effusive, regularly writing, “I love you baby” and uploading smoochy snaps to her own social media – letting Brooklyn, and the world, know that she can get soppy, too.

A pattern’s emerging here

IF Victoria airs her love on Instagram, David does it on his body.

He has famously tattooed it inch by inch to create a tapestry of tributes to his family, including the words “Posh” and “Victoria”, which are emblazoned on his hands.

Not one to be outdone, Brooklyn is following suit, decking out his body with tattooed tributes to Nicola – and he even has an image of her eyes inked on his neck.

Staring out from behind him, they firmly tell the world: “I’m the only Mrs Beckham that matters”.

I don’t give a ship

LOUNGING on the back of her £16million family yacht with loved ones is among Victoria’s favourite pastimes.

And for a while, Nicola would have happily soaked up the sun beside her as they sailed the Mediterranean.

But since the family schism, Brooklyn and Nicola have been holidaying sans Beckhams – instead, joining Nic’s family last summer on their much bigger superyacht in the south of France.

Yes, they pushed the boat out – leaving choppy waters in their wake.

They’ll make them see red

THERE is nothing Victoria and David love more than a romantic dinner together.

The couple often share snapshots from special anniversaries as they clink glasses next to a super-expensive bottle of wine.

So it is no surprise that Nicola and Brooklyn have added that to the list of “things we can do, too” – recently sharing a stream of photos from their loved-up date nights, each with a glass of pricey red in hand.

They really are sips off the old block.

You’ve got a lot of front

VICTORIA has graced the front page of hundreds of fancy magazines over the years – posing for in excess of 30 international Vogue covers, in addition to the likes of Elle, Glamour and Harper’s Bazaar.

Still, Nicola is clipping at her heels, having graced the cover of Glamour Germany’s Love Issue last year alongside Brooklyn.

She even nabbed her own solo cover for Tatler in 2022, which bore the controversial headline, “The New Mrs Beckham”.

Ouch!

Adrian Dunbar, who has played Superintendent Ted Hastings in Line of Duty for years, has starred in the lead role of Alex Ridley in the ITV detective series since 2022

Popular crime drama Ridley — which stars Adrian Dunbar — has been scrapped despite top ratings, it is reported.

The ITV series sees Dunbar play the title role, a retired Detective Inspector turned police consultant and regular jazz club singer, and has drawn in viewers since 2022. Bronagh Waugh and Georgie Glen have also had regular roles across the two seasons.

But there will be no more, according to reports today. ITV has reportedly decided to shelve the programme, filmed across Lancashire and the Yorkshire Dales.

An ITV spokesman said: “There are currently no plans to return to Ridley. We’d like to extend our thanks to creator and writer Paul Matthew Thompson, executive producer Jonathan Fisher and the team at West Road Pictures for producing two successful series.”

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It is a fresh blow for Dunbar, 67, following years of uncertainty around the future of Line of Duty. The actor, born in Enniskillen, County Fermanagh, had hinted he hoped Ridley would return. Speaking in an interview in August last year, Dunbar said: “The programme did very good numbers when it was shown in America and I know that PBS [the US’s Public Broadcasting Service], who part-financed Ridley, would like us to film another series.

“There’s definitely more to be said about Alex Ridley, his troubled life and the team of detectives with whom he works, and I would love to film more.”

But The Sun says this unlikely. The publication reports the programme had received top reviews and, since the last series ended in the autumn of last year, there had been hints it would come back.

Dunbar’s uncertainty around Line of Duty finally vanished late last year though when it was confirmed the popular police drama would return for a seventh season. In November last year, a source said: “Although this has been discussed at length since the unsatisfactory ending of series six in 2021, it’s still going to create huge excitement when the Beeb makes the announcement.

“It’s one they’ve been preparing to make for weeks, but they’ve been trying to pick the right moment, since The Celebrity Traitors has been hogging quite a lot of limelight recently.” They added: “And the BBC very much view Line Of Duty as one of the jewels in its crown that they want to deliver with some fanfare.”

Martin Compston played DS Steve Arnott in the show, which came to an end when his character and his team discovered the identity of “H”. He last year also shared details on whether viewers can expect more from the series.

THE mother of Deadliest Catch star Todd Meadows has pleaded for footage of her son’s death never to be aired.

Cameras were rolling when Meadows went overboard off the coast of Alaska last week.

The 25-year-old fell into the freezing waters of the Bering Sea while filming the long-running Discovery Channel series.

His body was recovered ten minutes later, but attempts to resuscitate him were unsuccessful.

His mother, Angela, told TMZ: “We don’t want to see any footage of the accident and do not want Discovery to air any of that footage or make money off of our son’s death.

“We hope they only air good things of Todd on that boat.”

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Instead, Angela said the family has requested footage of Todd crabbing so they can remember him doing what he loved.

The family is still waiting for a definitive answer about how he died, but Angela says she has been assured her son did not suffer in his final moments.

“We don’t want to put the blame on anyone, but someone has to take responsibility. We will have justice for Todd,” she added.

A spokesperson for the US Coast Guard said that on February 25, just after 5pm local time, officials were alerted that Meadows had gone overboard.

The alarm was raised by the fishing vessel Aleutian Lady, which reported he fell into the water about 170 miles north of Dutch Harbour, near Alaska.

Captain Rick Shelford confirmed the devastating loss in a Facebook post, calling February 25 “the most tragic day in the history of the Aleutian Lady on the Bering Sea.”

“We lost our brother, Todd Meadows,” he wrote.

“Todd was the newest member of our crew, he quickly became family. His love for fishing and his strong work ethic earned everyone’s respect right away.

“His smile was contagious, and the sound of his laughter coming up the wheelhouse stairs or over the deck hailer is something we will carry with us always.”

Discovery Channel also released a statement: “We are deeply saddened by the tragic passing of Todd Meadows.

“This is a devastating loss, and our hearts are with his loved ones, his crewmates and the entire fishing community during this incredibly difficult time.

“Our hearts are broken in a way that words can’t fully express.”

Todd is survived by three sons, and a GoFundMe has been started to support them.

The Bering Sea – known for its shallow depth, volatile weather, and freezing temperatures – is widely regarded as one of the most dangerous bodies of water in the world.

The hazards of the job are well-known among those who work the waters.

Captain Sig Hansen has previously described facing “life-threatening situations” at sea.

“We’ve had events where the boat was icing down to the point where I thought there was no return, he told Fox News.