SHOW BIZ

Channel 4 is reportedly gearing up to axe The Inheritance, which was fronted by Liz Hurley and Rob Rinder and saw 13 players attempt to win money from a will, after just one series

Elizabeth Hurley‘s reality show could be about to be axed after just one series. The Hollywood star, 60, teamed up with Good Morning Britain presenter Rob Rinder to front the game show, which aired on Channel 4 earlier this year.

The Bedazzled actress played the The Deceased, with Rob working as The Executor, and 13 contestants battled it out in a series of challenges to unlock money from the will as they try to convince each other that only they should be trusted with the money pot. Whilst no official decision has bene made on the programme’s future, insiders have claimed that it is not expected to come back for a second run of episodes.

A source told The Sun: “The Inheritance has been widely viewed as a flop, despite all the publicity and having a big star at its heart.

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“Channel 4 maintains no decision has been made on its future, but many people involved in the debut series are working on the basis that it isn’t returning. Of course there may be some huge changes of mind and the show enjoys a stay of execution, but all the signs are that this is another expensive flop and they’re likely to quit while they’re behind.”

The Mirror has contacted Channel 4 representatives for comment.

The first episode of The Inheritance pulled in just half a million viewers, although this grew once catch up figures were taken into account. However, over the course of two weeks, overall, the programme averaged just 1.5 million. In the end, it was 28-year-old Yorkshire scaffolder Cam who emerged victorious, winning the vote amongst his fellow finalists to be the ultimate Prime Beneficiary, receiving a whopping £100,000 fortune from The Deceased’s estate.

Cam then had the option of keeping the prize money to himself, which would add to the already huge £10,000 he had accumulated throughout the game. However, in a nail biting final decision, he chose to share his winnings with Emma, Hafsah, Hannah and Jesse, who each took home £20,000 each, along with what they had already banked throughout.

In total, Cam walked away with £30,000 with the rest of the finalists trailing closely behind. Hannah and Jesse received £28,200 each Hafsah taking home £27,700 and paramedic Emma walking away with a modest £23,800.

During the tense moment, host Rob Rinder was seen standing with the finalists during the tense moment, as he revealed that Cam had chosen to split the money with all four players. “You arrived at the final at the final stages of this game together, and you now leave with an equal slice of the inheritance,” Rob announced, as the contestants broke down in tears.

“You arrived at the final at the final stages of this game together, and you now leave with an equal slice of the inheritance,” Rob announced, as the contestants broke down in tears.

“The inheritance is now concluded, please collect your money from the safe boxes and leave the estate immediately,” he concluded.

While the players were left shocked at Cam’s generous decision, it was a no brainer for him, as he announced: “I’ve had debt hanging over my head for years, I can’t describe the feeling of a fresh start.

“My dad taught me integrity and in that strong room it is literally a battle between your head and your heart. To be able to change the lives of four other people too, I am so happy and proud.” Of course, he’s only human, and he did have second thoughts when the money was right in front of his eyes.

“We all spoke about it in the final division ceremony, dividing all the money up, and I think it’s easy to say you would,” he said. “However, when you get down into that room, and you’ve got a hundred thousand pounds in front of your face, you start thinking about everything back at home and how much it could change your life.

“It really is a tough decision but at the end of the day I’m a team player, and I’m just so happy that I did make the decision I made.”

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SINGER Louise Redknapp looked sensational as she stunned on the red carpet of a glitzy awards ceremony.

The former Eternal member was one of the many stars who enjoyed a night out at the extravagant Music Industry Trust Awards.

Louise commanded attention as she flashed her bra under a sheer see-through shirt.

She paired it with a maroon ruched skirt and accessorised with a large black clutch bag.

The glitzy do was hosted in partnership with YouTube and Global and saw a raft of celebrities step out for the event at the Grosvenor House Hotel.

Kelly Brook, who is set to star in this year’s I’m A Celebrity, also looked fantastic as she made a statement on the red carpet.

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The glam model looked phenomenal as she wore a loose-fitting leopard print dress.

The outfit fell to her feet but left her toes exposed with Kelly choosing to wear open-toe heels for her evening out.

Kelly’s hair and make-up looked flawless as she proudly posed away for cameras at the event.

Popstar Rita Ora was another guest of honour and even took to the stage for an exclusive performance at the shindig.

The Hot Right Now singer opted for an all-pink ensemble.

Rita looked as glam as ever in a hot pink sequined mini dress that she teamed with an equally bright pair of skintight leggings.

She added an oversized pink fluffy fur coat to the look as well as showing off her hair transformation after opting for a brand new fringe.

Rita wasn’t the only performer to hit the stage with Price Tag hitmaker Jessie J also wowing audiences with a stellar performance.

It is one of Jessie’s first gigs since undergoing surgery for breast cancer treatment and having to postpone her scheduled tour owing to medical appointments related to her cancer battle.

Jessie equally looked just as glam as her fellow ladies as she wowed in a figure-hugging white dress which featured a sheer skirt with a translucent detail.

Kate Garraway, Emma Bunton and Olly Murs were also all in attendance for the star-studded night out.

It isn’t crazy: Carly Rae Jepsen is expecting her first child with husband Cole M.G.N.

The Canadian singer-songwriter announced her pregnancy Monday in an Instagram post, sharing a few black-and-white photos of the couple and Jepsen’s baby bump that hint there may be some kicking going on.

“Oh hi baby,” Jepsen, 39, wrote in the caption along with a heart emoji. Her 40-year-old husband, whose full name is Cole Marsden Greif-Neill, is feeling so much love and excitement that he has been rendered speechless, if the multiple heart-eyes emojis are any indication.

According to the couple’s wedding spread in Vogue, Jepsen and the Grammy Award-winning producer tied the knot in October, and the couple had been trying to get pregnant while planning their New York wedding. The musicians first met as colleagues in 2021 and started dating in 2022 before getting getting engaged in September of last year.

In 2023, Jepsen told People that their first collaboration, the song “So Right” from her album “The Loveliest Time,” was in essence the couple’s “meet-cute.”

“This is our first little baby out in the world,” Jepsen told the outlet at the time. “I think you’ll see a lot more of our collaboration together for future projects.”

Known for her earworm 2012 hit “Call Me Maybe,” Jepsen most recently celebrated the 10th anniversary of the release of “Emotion” with a sold-out show at the Troubadour, where she performed the entirety of the 2015 album.

“‘Emotion’ was like an introduction to my authentic version of what pop music was,” Jepsen said of the LP in 2020. “I was itching to share something different, because I knew that ‘Call Me Maybe’ wasn’t the only color of what I had to offer.”

GLAMOUR model Katie Price has claimed she once kissed footie hunk Jack Grealish.

She also said the Premier League star — who is 17 years her junior — is one of the most famous celebrities she has smooched.

Mum-of-five Katie, 47, did not specify when they kissed after making the claim on a live show of her tour with singer Kerry Katona, 45.

An audience member told The Sun: “Katie and Kerry had Instagram messages from fans to be asked at the show.

“One asked who is the most famous person they have kissed.

“Katie said to Kerry, ‘Do you know who I have? Grealish’.

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“She went bright red and hid her face with a pillow.

“The audience was shocked.”

Katie was speaking in front of around 300 people at the gig in Northwich, Cheshire, on Friday.

Jack, 30 — on loan at Everton from Man City — is in a long-term relationship with Sasha Attwood, 29.

His representative was asked to comment.

MIAMI BEACH — South Florida is seeing a wave of new cars, but they won’t add to traffic or lengthen anyone’s commute. That’s because the cars are made of marine-grade concrete and were installed underwater.

Over several days late last month, crews lowered 22 life-size cars into the ocean, several hundred feet off South Beach. The project was organized by a group that pioneers underwater sculpture parks as a way to create human-made coral reefs.

“Concrete Coral,” commissioned by the nonprofit REEFLINE, will soon be seeded with 2,200 native corals that have been grown in a nearby Miami lab. The project is partially funded by a $5-million bond from the city of Miami Beach. The group is also trying to raise $40 million to extend the potentially 11-phase project along an underwater corridor just off the city’s 7-mile-long coastline.

“I think we are making history here,” Ximena Caminos, the group’s founder, said. “It’s one of a kind, it’s a pioneering, underwater reef that’s teaming up with science, teaming up with art.”

She conceived the overall plan with architect Shohei Shigematsu, and the artist Leandro Erlich designed the car sculptures for the first phase.

Colin Foord, who runs REEFLINE’s Miami coral lab, said they’ll soon start the planting process and create a forest of soft corals over the car sculptures, which will serve as a habitat teeming with marine life.

“I think it really lends to the depth of the artistic message itself of having a traffic jam of cars underwater,” Foord said. “So nature’s gonna take back over, and we’re helping by growing the soft corals.”

Foord said he’s confident the native gorgonian corals will thrive because they were grown from survivors of the 2023 bleaching event, during which a marine heat wave killed massive amounts of Florida corals.

Plans for future deployments include Petroc Sesti’s “Heart of Okeanos,” modeled after a giant blue whale heart, and Carlos Betancourt and Alberto Latorre’s “The Miami Reef Star,” a group of starfish shapes arranged in a larger star pattern.

“What that’s going to do is accelerate the formation of a coral reef ecosystem,” Foord said. “It’s going to attract a lot more life and add biodiversity and really kind of push the envelope of artificial reef-building here in Florida.”

Besides the project being a testing ground for new coral transplantation and hybrid reef design and development, Miami Beach Mayor Steven Meiner expects it to generate local jobs with ecotourism experiences such as snorkeling, diving, kayaking and paddleboard tours.

The reefs will be located about 20 feet below the surface of the water and about 800 feet from the shore.

“Miami Beach is a global model for so many different issues, and now we’re doing it for REEFLINE,” Meiner said during a beachside ceremony last month. “I’m so proud to be working together with the private market to make sure that this continues right here in Miami Beach to be the blueprint for other cities to utilize.”

The nonprofit also offers community education programs, where volunteers can plant corals alongside scientists, and a floating marine learning center, where participants can gain firsthand experience in coral conservation every month.

Caminos, the group’s founder, acknowledges that the installation won’t fix all of the problems — which are as big as climate change and sea level rise — but she said it can serve as a catalyst for dialogue about the value of coastal ecosystems.

“We can show how creatively, collaboratively and interdisciplinarily we can all tackle a man-made problem with man-made solutions,” Caminos said.

Fischer writes for the Associated Press. Associated Press videojournalist Cody Jackson contributed to this report.

Holly Willoughby is poised for a dramatic return to our TV screens, following her departure from This Morning in October 2023, as she’s set to host Strictly Come Dancing

Holly Willoughby “will take over” as Strictly Come Dancing presenter, according to top media source.

The host is set for a dramatic return to our TV screens, more than two years after quitting This Morning on ITV when she became the victim of a murder plot. Gavin Plumb, the creep behind the conspiracy, was jailed for life in July and now it is thought Holly, 44, is ready to come back to broadcasting.

Peter Fincham, who was director of the BBC for two years until 2007, understands Holly will replace either Claudia Winkleman or Tess Daly, who are leaving Strictly after more than two decades associated with the programme.

Mr Fincham, who since managed ITV between 2008 and 2016, said: “My hairdresser also cuts the hair of a well-known channel controller. What’s said in Harry’s the hairdresser stays in Harry’s. But he says with great confidence that Holly Willoughby will take over.”

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The insider spoke to Richard Eden, a journalist with the Daily Mail, who wrote Holly is likely to present Strictly from the start of the next series in 2026. Tess and Claudia will depart at the end of the current series, from which actress and model Ellie Goldstein was eliminated on Saturday.

Holly was on This Morning for 14 years until her exit, which came after her long-time co-presenter Phillip Schofield resigned. Phillip, 63, had admitted that, before leaving his wife, he had carried on an extramarital affair with a young male co-worker and had lied about it to ITV’s management, his colleagues, lawyers, agents and friends and family.

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The experienced presenter was dropped by his talent agency YMU after the affair, which was not illegal, and he also stepped down from ITV completely – meaning he did not host the British Soap Awards in the following days.

Holly’s return, said to be backed with “great confidence” by the “well-known channel controller”, would come off the back of this scrutiny – albeit more than two years down the line. The bombshell claims come after sources linked comedian Alan Carr, 49, to one of the two vacant Strictly posts.

The presenter is currently impressing millions with his playful charisma on The Celebrity Traitors, on which he has reached the final five. A source had said: “He’s an old-fashioned showbiz pro who would be just perfect hosting Strictly. If he does manage to win Traitors it will be a sign to the BBC that he has the star quality to present its flagship show.”

DOWNLOAD festival has landed a Hollywood A-lister to perform at the rock and metal event next summer.

The 2026 line-up was announced this evening and features the surprising actor, as well as three American bands topping the bill.

Download will return to Leicestershire’s Donington Park from June 10 to 14, with The Matrix and John Wick star Keanu Reeves set to play.

The band Dogstar, for which he plays bass, are among a series of acts which have been officially unveiled.

Limp Bizkit will headline the Friday night, followed by Guns N’ Roses on the Saturday.

Linkin Park will close the festival on the Sunday night, marking their first performance at the festival since frontwoman Emily Armstrong was brought in.

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They previously headlined four times between 2004 and 2014 with their original line-up.

And it comes after Linkin Park played a sold out concert at Wembley Stadium in June.

Tickets are already on sale for the 23rd annual festival, which will also feature performances from Pendulum, Trivium, The All-American Rejects, Mastodon and Bush.

Other acts on the line-up include Feeder, Ash, Tom Morello, The Pretty Reckless and Those Damn Crows.

Limp Bizkit’s booking comes just a fortnight after it was revealed that bassist and founding member Sam Rivers had died aged 48.

They paid tribute to him last month when they described him as not “just our bass player” but “the soul in the sound.”

The band said: “From the first note we ever played together, Sam brought a light and a rhythm that could never be replaced.

“His talent was effortless, his presence unforgettable, his heart enormous.”

The full rundown of artists was revealed at a launch event at the Barbican in central London, where guests were entertained by fortune tellers and a string quartet.

Somehow in Los Angeles, everything comes back to traffic.

While making their works featured in the Hammer Museum’s Made in L.A. biennial, artists Patrick Martinez, Freddy Villalobos and Gabriela Ruiz set out to capture the essence of the city’s crammed streets through different lenses.

For over a decade, the Hammer has curated its Made in L.A. series to feature artists who grapple with the realities of living and making art here. It’s an art show that simultaneously pays homage to legacy L.A. artists like Alonzo Davis and Judy Baca, and gives a platform to newer faces such as Lauren Halsey and Jackie Amezquita.

This year’s show, which opened last month, features 28 artists. As part of that cohort, Martinez, Villalobos and Ruiz bring their lived experiences as Latinos from L.A. to the West Side art institution, drawing inspiration from the landscapes of their upbringing.

While creating their displayed works, Martinez took note of the many neon signs hanging in stores’ windows, leading him to make “Hold the Ice,” an anti-ICE sign, and incorporate bright pink lights into his outdoor cinder block mural, “Battle of the City on Fire.” With flashing lights and a shuttered gate tacked onto a painted wooden panel, Ruiz drew on her experiences exploring the city at night and the over-surveillance of select neighborhoods in the interactive piece, “Collective Scream.” Villalobos filmed Figueroa Street from a driver’s perspective, observing the street’s nighttime activity and tracing the energy that surrounds the place where soul singer Sam Cooke was shot.

This year, Made in L.A. doesn’t belong to a specific theme or a title — but as always, the selected art remains interconnected. These three artists sat down with De Los to discuss how their L.A. upbringing has influenced their artistic practice and how their exhibited works are in conversation. Made in L.A. will be on view until March 1, 2026.

The following conversation has been condensed and edited for clarity.

All three of you seem to put a spotlight on various elements of L.A.’s public spaces. How is your art affected by your surroundings?

Ruiz: I really got to explore L.A. as a whole, through partying and going out at night. I prefer seeing this city at night, because there isn’t so much traffic. That’s how I started my art practice. I would perform in queer nightlife spaces and throw parties in cheap warehouses. With my commute from the Valley, I would notice so much. I wouldn’t speed through the freeway. I’d instead take different routes, so I’d learn to navigate the whole city without a GPS and see things differently.

Martinez: That’s also how I started seeing neons. I had a studio in 2006 in downtown, off 6th and Alameda. I would wait for traffic to fade because I was staying in Montebello at the time. I would drive down Whittier Boulevard at night. And you see all the neon signs that have a super saturated color and glow bright. I thought about its messaging. None of the businesses were open that late. They were just letting people know they were there.

Ruiz: Specifically in this piece [“Collective Scream”], there’s a blinking street lamp. It reminds me of when I would leave raves and would randomly see this flickering light. It’s this hypnotizing thing that I would observe and take note of whenever I was on the same route. There’s also a moving gate, [in my piece,] that resembles the ones you see when you’re driving late at night and everything’s gated up.

Villalobos: You do experience a lot of L.A. from your car. It’s a cliche. But f— it. It’s true. When I moved out of L.A., I felt a little odd. I missed the bubble of my car. You can have what seems to be a private moment in your car in a city that’s packed with traffic and so many people. It made me think about what that means, what kind of routes people are taking and how we cultivate community.

Patrick Martinez’s “Battle of the City on Fire,” made in 2025, was inspired by the work of the muralist collective, named the East Los Streetscapers.

(Sarah M Golonka / smg photography)

It’s interesting that you all found inspiration in the biggest complaints about L.A. Maybe there’s something to think about when it comes to the way those born here think of car culture and traffic.

Martinez: I see its effects even with the landscapes I make. I’ll work from left to right, and that’s how we all look at the world when we drive. I always think about Michael Mann movies when I’m making landscapes, especially at night. He has all those moments of quiet time of being in the car and just focusing on what’s going on.

Beyond surveying the streets, your works touch on elements of the past. There’s a common notion that L.A. tends to disregard its past, like when legacy restaurants shut down or when architectural feats get demolished. Does this idea play any role in your work?

Martinez: The idea of L.A. being ashamed of its past pushed me to work with cinder blocks [in “Battle of the City on Fire”]. One of the main reasons was to bring attention to the East Los Streetscapers, the muralists who painted in East L.A. [in the 1960s and ‘70s as a part of the Chicano Mural Movement]. There was this one mural in Boyle Heights that was painted at a Shell gas station. It was later knocked down and in the demolition pictures, the way the cinder blocks were on the floor looked like a sculptural painting. It prompted me to use cinder blocks as a form of sculpture and think about what kind of modern-day ruins we pass by.

Villalobos: Speaking about L.A. as a whole feels almost too grand for me. But if I think about my specific neighborhood, in South Central, what comes to my mind is Black Radical Tradition. It’s where people are able to make something out of what other people might perceive as nothing. There’s always something that’s being created and mixed and mashed together to make something that, to me, is beautiful. It’s maybe not as beautiful to other people, but it’s still a new and creative way to see things and understand what comes before us.

Ruiz: Seeing my parents, who migrated to this country, come from nothing and start from scratch ties into that idea too. Seeing what they’ve been able to attain, and understanding how immigrants can start up businesses and restaurants here, speaks so much to what L.A. is really about. It’s about providing an opportunity that everybody has.

So it’s less about disregarding the past and more about making something out of nothing?

Martinez: It ties back to necessity, for me. Across this city, people come together by doing what they need to do to pay rent. It’s a crazy amount of money to be here. People need to regularly adjust what they do to survive. Recently, I’ve been seeing that more rapidly. There are more food vendors and scrolling LED signs, advertising different things. Once you understand how expensive this backdrop can be, that stuff sits with me.

Freddy Villalobos’ “waiting for the stone to speak, for I know nothing of aventure,” is an immersive work in which viewers can feel loud vibrations pass as they, figuratively, travel down Figueroa Street.

(Sarah M Golonka / smg photography)

We’ve talked a lot about how the past affects L.A. and the role it plays in your art. Does a future L.A. ever cross your mind?

Villalobos: I feel very self-conscious about what I’m gonna say. But as much as I love L.A. and as much as it helped me become who I am, I wouldn’t be too mad with it falling apart. A lot of people from my neighborhood have already been moving to Lancaster, Palmdale and the Inland Empire. When I go to the IE, it feels a little like L.A. and I’m not necessarily mad at that.

Ruiz: It’s really difficult to see what the future holds for anybody. Even with art, what’s going to happen? I don’t know. It’s really challenging to see a future when there’s a constant cycle of bad news about censorship and lack of funding.

Martinez: It’s murky. It’s clouded. This whole year has been so heavy, and everyone talking about it adds to it, right? We’re facing economic despair, and it’s all kind of heavy. Who knows what the future will hold? But there are definitely moves being made by the ruling class to make it into something.

FORMER Love Island star Molly-Mae Hague has broken her silence on her Behind It All documentary and the backlash she faced.

The 26-year-old successful star and mum of one, was slammed when her new Amazon docuseries, Molly-Mae: Behind It All, was released.

Many viewers of the series admitted the Love Island star’s “bratty behaviour” had “put them off her” after watching the Amazon offering.

Breaking her silence on the backlash and reaction from viewers, Molly-Mae opened up in the introduction of her new YouTube video, which was shared on Monday evening.

The influencer and fashion mogul even revealed she was forced to delete TikTok amid the comments she saw about the series.

Speaking in her vlog, she said: “I had seen what people were saying about the doc and then made the executive decision to basically delete TikTok.”

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Molly-Mae added how deleting the app “has been quite frankly one of the best decisions I ever made”.

The reality star then said how though she has grown a thick skin over the years, “there’s something about that app that just feels like so insanely toxic”.

Molly-Mae then explained how she saw her makeup artist scrolling on social media and spotted “at least three things within that short time of me looking at her phone that I didn’t want to see”.

“So, I just felt like, okay, definitely definitely in no way, shape or form rushing to get the app back anytime soon.

“I just want to say that I’ve also received so many incredibly lovely messages and people saying that they’ve also really enjoyed it.

“And that’s literally all I wanted for the doc. It’s never ever been to do anything other than just create something for people to watch and enjoy.

“And I think I’ve definitely definitely learned a lot,” she added.

Molly-Mae then told of how she was nervous about the documentary coming out.

“Like I think even before the premiere, there’s a bit of me in this vlog where I’m like severely anxious,” she explained.

Molly-Mae then said that she had anticipated some of the critique the documentary got.

“I literally said like ‘that’s going to cause this’ and ‘this is going to cause that’.

“I have been doing this job now for a really really long time and I feel like we kind of had a formula that we followed for years that avoids what has happened with the doc from happening.

“And with this drop of the doc like we literally did the complete opposite of what we normally do.

“Like we spoke about things we don’t speak about.

“We kept things in that probably I would never ever show of myself like because with the last drop of the doc everyone was like we want more. We want more.”

Molly-Mae went on: “So, it’s like you give it, but then it’s not like it’s too much or it’s, you know…

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“I saw someone saying that they fell asleep halfway through one of the episodes because it was so boring yet they feel like the episodes aren’t long enough.”

She then said how she “really really can’t keep everyone happy” no matter how much she tries.

Diane Ladd, the Oscar-nominated actor who received acclaim for her work in films including “Rambling Rose,” “Wild at Heart” and “Alice Doesn’t Live Here Anymore,” has died. She was 89.

Oscar winner Laura Dern, Ladd’s daughter with Oscar-nominated actor Bruce Dern, announced her mother’s death in a statement shared Monday. “My amazing hero and my profound gift of a mother, Diane Ladd, passed with me beside her this morning, at her home in Ojai,” Dern wrote. A cause of death was not revealed.

“She was the greatest daughter, mother, grandmother, actress, artist and empathetic spirit that only dreams could have seemingly created,” “Marriage Story” star Dern said in her statement. “We were blessed to have her.”

This is a developing story and will be updated.

The Split Up is a spin-off from the hit BBC drama The Split and will follow another family’s law firm.

A spin-off from the hit BBC drama The Split has received a significant update.

Fans were gutted when the legal series starring Nicola Walker and Stephen Mangan wrapped up after three seasons in 2022, followed by a two-part special last year. Now, fresh information about the upcoming show The Split Up has emerged, including casting announcements.

The original programme featured Annika star Nicola as Hannah, grappling with the breakdown of her marriage to Nathan (Stephen) whilst juggling affairs, romance and complicated relationships, all while managing her family’s law practice alongside the chaos created by her two sisters and mother.

The Split Up will now centre on a different family law practice, this time based in Manchester and focusing on the British-Asian elite Kishan family.

The six-episode series will explore “the high-stakes world of Manchester’s divorce law circuit, where one family of lawyers, the Kishans, reigns supreme,” according to the previous announcement, reports Wales Online.

It adds: “Kishan Law is a British-Asian high net worth family law firm in Manchester, noted for its clientele and its reputation.

“They are the ‘go to firm’ for Manchester’s elite who come to them for their excellence, integrity, and discretion.

“But the future and legacy of Kishan Law hangs in the balance when a family secret from the past comes to light, throwing their professional and personal lives into turmoil.”

The line-up for the series has already been unveiled, and it’s now been confirmed that The Good Place star Jameela Jamil is coming on board.

When the announcement was posted on social media featuring a photo of Jameela with leading lady Ritu Arya, the She-Hulk actress responded: “I love her.”

“My two favourites together,” one supporter wrote, whilst another added: “OMG can’t wait. Love you both!!!”

“Very excited for this,” a third person commented.

Jameela is joining The Umbrella Academy’s Ritu Arya, Unforgotten’s Sanjeev Bhaskar, alongside Aysha Kala (Virdee), Arian Nik (Film Club), Danny Ashok (Dinosaur), Dimitri Leonidas (Those About To Die), Mawaan Rizwan (Juice), Sindhu Vee (Matilda the Musical), Shalini Peiris (The White Lotus) and Tom Forbes (Queenie).

Celebrity guest appearances will also feature Lenny Henry and Jane Horrocks.

The BBC revealed: “The fast-rising star of Kishan Law is Aria Kishan (Ritu Arya), poised to step up and take the mantle from her father Dhruv (Sanjeev Bhaskar). However, the death of her mother has cast a new light over these plans for Dhruv, who has begun to wonder if his daughter can, or should, take on this responsibility single-handedly.

“Aria’s relationship is placed under scrutiny too with the wedding for long-term partner Neal (Danny Ashok) on the horizon, but with their personal and professional so entwined it’s unclear if their relationship can withstand any more pressure – a problem further compounded when a former secret flame (Dimitri Leonidas) arrives in Manchester unexpectedly.

“Alongside her siblings Maya (Aysha Kala) and Kav (Arian Nik), Aria must navigate the splits that divide family and those we love – and ask herself: who should you live your life for?”

Creator Ursula Rani Sarma expressed: “Having admired The Split and Abi Morgan for years, I was honoured to be asked to bring The Split Up to life. As a writer passionate about representation, it’s a dream come true to place a contemporary British South Asian family centre stage. Diversity deepens our understanding, enriches our stories, and reflects the true fabric of our society.

“It’s thrilling to watch our amazing cast led by Ritu and Sanjeev bring the Kishan family to life. I can’t wait for audiences to meet them and to witness the drama as it unfolds.”

Abi Morgan chimed in: “The chance to take all that was loved about The Split and use it to inspire the next generation of British South Asian talent, to create a new family of dynamic lawyers spilling over with all the messiness of life, both personally and professionally, has been a brilliant challenge, beautifully realised by lead writer Ursula Rani Sama. I hope audiences will take it to their hearts.”

The Split is available to watch on BBC iPlayer.

LAURA Dern has revealed her mother, Diane Ladd, has died in an emotional statement.

The actress shared the sad news on Monday.

Laura’s statement read, “My amazing hero and my profound gift of a mother, Diane Ladd, passed with me beside her this morning, at her home in Ojai, Ca. 

“She was the greatest daughter, mother, grandmother, actress, artist and empathetic spirit that only dreams could have seemingly created. 

“We were blessed to have her.

“She is flying with her angels now,” Laura concluded.

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The Oscar nominated actress was 89 years old.

Diane appeared to have no plans of slowing down anytime soon, as her last social media post shared her latest project.

In September, the actress posted a picture on Instagram of a promotional photo for her new film, The Last Full Measure, which was recently released on numerous streaming platforms.

Diane also shared a screengrab of one of her scenes in the movie, opposite Christopher Plummer.

She gushed about the production, which was halted due to the Covid-19 pandemic, and her co-stars, including Peter Fonda, William Hurt, Ed Harris, Samuel L. Jackson, and Sebastian Stan.

Diane also teased a potential career pivot into podcasting, sparking a slew of comments from fans excited for what’s to come for the movie star.

“Looking forward to the movie and podcast! Much love to you!” one person wrote.

“Miss Diane, I cannot wait to hear what your podcast will contain,” said another.

“I’d love to hear your podcast Mrs. Ladd. You’re also one of the greats. Will never forget you in Wild at Heart. ICONIC. love,” boasted a third.

Diane’s death comes two months after her husband, Robert Charles Hunter, tragically passed.

Robert, who was the former PepsiCo CEO, was 77 when he died in August while visiting his family in Fort Worth, Texas.

He was the third husband of Diane’s, following her marriage to Laura’s father Bruce Dern from 1960 to 1969 and businessman William Shea Jr. from 1973 to 1976.

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Diane and Robert’s love story began when they met in Sedona, Arizona, and tied the knot in 1999.

They launched a production company together, though Diane is most known for her showstopping performances in front of the camera.

Jon Stewart’s biting satire may have made his new bosses squirm, but they went ahead and extended the comedian’s run on Comedy Central through December 2026.

The channel’s parent company, Paramount, announced Monday that Stewart will continue to host “The Daily Show” on Monday nights and serve as an executive producer through the end of next year.

Members of the show’s news team will continue to share Tuesday through Thursday hosting duties. Terms of the contract were not disclosed.

“Jon Stewart continues to elevate the genre he created. His return is an ongoing commitment to the incisive comedy and sharp commentary that define The Daily Show,” Ari Pearce, Comedy Central’s manager said in a prepared statement. “We’re proud to support Jon and the extraordinary news team.”

Stewart’s contract was re-upped nearly four months after Paramount-owned sister network CBS notified Stephen Colbert, who rose to fame on “The Daily Show,” that it was dumping his late night show at the end of the season. The cancelation was revealed days after Colbert lambasted a $16 million settlement Paramount agreed to pay President Trump to end a lawsuit over edits to “60 Minutes.” Colbert called the arrangement “a big fat bribe.”

Paramount settled the Trump suit to win approval from the Trump administration of its sale to David Ellison’s Skydance Media and RedBird Capital Partners. CBS has said the reason for Colbert’s cancellation was financial, not political, although many people have expressed doubts.

Ellison took ownership of Paramount in August. Stewart has joked that he, too, might be tossed as the company tries to reposition itself to the political center.

Last week, the company began a deep round of layoffs, cutting 1,000 employees with plans to terminate another 1,000 in the coming weeks, in an effort to trim its workforce by 10%.

After a nine-year absence, Stewart returned as a host in February 2024. He had helmed the show for 16 years before taking a break in 2015. His current contract was expiring.

The show was hosted by Trevor Noah until 2022, when he stepped down. That prompted a rotation of guest hosts, including Kal Penn, Charlamagne tha God, Sarah Silverman and Michelle Wolf.

Last month, during a conversation with the New Yorker at a cultural festival, Stewart was asked whether he might stick around longer. “We’re working on staying,” Stewart told the New Yorker’s David Remnick.

The rotation of “The Daily Show” hosts also will include Ronny Chieng, Josh Johnson, Jordan Klepper, Michael Kosta, and Desi Lydic with Troy Iwata and Grace Kuhlenschmidt.

Helen Flanagan was left humiliated after she struggled to remember the name of a TV legend while appearing on an episode of the celebrity version of The Weakest Link

Former Coronation Street star Helen Flanagan’s memory was put to the test while appearing on the celebrity version of The Weakest Link. When asked by host Romesh Ranganathan to name which month shared the surname of a Top Gear host, the former soap star, 35, took an awkwardly long pause while figuring out the answer.

And this left the other contestants, including rapper Konan from Krept and Konan, in utter disbelief. This came after she was shown a picture of James May, who co-hosted the hit motoring show for many years, alongside Jeremy Clarkson and Richard Hammond.

When the image was revealed, Romesh asked the now turned reality TV star: “Look at your screen, this TV presenter shares his surname with which month of the year?”

Taking an awkwardly long pause she then answered the question after a reported 20 seconds. But she gave a correct answer, to which the mum of three yelped “yes”, in response to being told the good news.

Speaking about the show, former Coronation Street actress Julie Hesmondhalgh, who does the voiceover said : “Helen took so long to get the month question that I had enough time to make a cup of tea and go to the shop for biscuits – but she did getit right in the end.”

After receiving the most amount of votes, Helen said: “Wow – that is so bad, I am so shocked. I got the main question right.” And comedian Tim Vine added: “The thing that made me do it was just before a correct answer when you waited for, I think, six minutes. It was quite a long time.”

In an attempt to redeem herself, Helen hit back saying: “But did I get that answer right?” Biting back Tim answered: “Yes, but the clock was going down.” Doing his best to keep the peace, host Romesh chimed in saying: “If it makes you feel any better she seems pretty chilled about it.”

But this is not the first time Helen has appeared on the show as she attempted to excel last year. The mum of three has been off our screens for many years since playing Rosie in the popular ITV soap.

During her previous stint, Romesh asked her: “In geology, the White Cliffs of Dover are principally formed of what substance, chalk or cheese?”

But, assumingly without thinking, she answered “cheese,” which undoubtedly left her fellow contestants bowing their heads. And it also caused a stir on social media.

Away from the spotlight, it looks as though Helen is keen to get her love life back n track. In an interview with the Mirror, she admitted: “I’m open to dating, but I’m just so, so busy with the kids. “

She added: “When you’re 19 you can go out in Manchester and come home with a boyfriend a few days later, but I’m 35 now, I’m not really going to go on a night out am I, really?”

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GRATEFUL Dead singer Donna Jean Godchaux-MacKay has sadly died at the age of 78.

The singer, who made a name for herself in the band in the 70s, was also a backup singer for Elvis Presley and Percy Sledge.

The rocker sadly died on Sunday after a lengthy cancer battle.

A statement was released after she died at Alive Hospice in Nashville.

The statement announced her passing reads, “She was a sweet and warmly beautiful spirit, and all those who knew her are united in loss.

“The family requests privacy at this time of grieving.

“In the words of Dead lyricist Robert Hunter, ‘May the four winds blow her safely home’.”

Fans have already flocked to social media to express their sadness over her tragic passing.

One person on X said, “Donna was awesome. Really sad about this.”

Another penned, “Beautiful and powerful voice, there will never be another Donna Jean.”

A third person added, “So sad to learn of the passing of Donna Jean Godchaux.

“Through most of the 1970s, she made her mark on American music as a singer with the Grateful Dead. May she rest in peace.”

And a fourth said, “RIP Donna Jean Thatcher Godchaux-MacKay.

“Helluva singer who worked with the Grateful Dead & Elvis and put up with a sh**load of misogyny. Tough, special lady.”

President Donald Trump’s razing of the White House’s East Wing to build a ballroom has put some news organizations following the story in an awkward position, with corporate owners among the contributors to the project — and their reporters covering it vigorously.

Comcast, which owns NBC News and MSNBC, has faced on-air criticism from some of the liberal cable channel’s personalities for its donation. Amazon, whose founder Jeff Bezos owns The Washington Post, is another donor. The newspaper editorialized in favor of Trump’s project, pointing out the Bezos connection a day later after critics noted its omission.

It’s not the first time since Trump regained the presidency that interests of journalists at outlets that are a small part of a corporate titan’s portfolio have clashed with owners. Both the Walt Disney Co. and Paramount have settled lawsuits with Trump rather than defend ABC News and CBS News in court.

“This is Trump’s Washington,” said Chuck Todd, former NBC “Meet the Press” host. “None of this helps the reputations of the news organizations that these companies own, because it compromises everybody.”

Companies haven’t said how much they donated, or why

None of the individuals and corporations identified by the White House as donors has publicly said how much was given, although a $22 million Google donation was revealed in a court filing. Comcast would not say Friday why it gave, although some MSNBC commentators have sought to fill in the blanks.

MSNBC’s Stephanie Ruhle said the donations should be a concern to Americans, “because there ain’t no company out there writing a check just for good will.”

“Those public-facing companies should know that there’s a cost in terms of their reputations with the American people,” Rachel Maddow said on her show this week, specifically citing Comcast. “There may be a cost to their bottom line when they do things against American values, against the public interest because they want to please Trump or buy him off or profit somehow from his authoritarian overthrow of our democracy.”

NBC’s “Nightly News” led its Oct. 22 broadcast with a story on the East Wing demolition, which reporter Gabe Gutierrez said was paid for by private donors, “among them Comcast, NBC’s parent company.”

“Nightly News” spent a total of five minutes on the story that week, half the time of ABC’s “World News Tonight,” though NBC pre-empted its Tuesday newscast for NBA coverage, said Andrew Tyndall, head of ADT Research. There’s no evidence that Comcast tried to influence NBC’s coverage in any way; Todd said the corporation’s leaders have no history of doing that. A Comcast spokeswoman had no comment.

Todd spoke out against his bosses at NBC News in the past, but said he doubted he would have done so in this case, in part because Comcast hasn’t said why the contribution was made. “You could make the defense that it is contributing to the United States” by renovating the White House, he said.

More troubling, he said, is the perception that Comcast CEO Brian Roberts had to do it to curry favor with the Trump administration. Trump, in a Truth Social post in April, called Comcast and Roberts “a disgrace to the integrity of Broadcasting!!!” The president cited the company’s ownership of MSNBC and NBC News.

Roberts may need their help. Stories this week suggested Comcast might be interested in buying all or part of Warner Bros. Discovery, a deal that would require government approval.

White House cannot be ‘a museum to the past’

The Post’s editorial last weekend was eye-opening, even for a section that has taken a conservative turn following Bezos’ direction that it concentrate on defending personal liberties and the free market. The Oct. 25 editorial was unsigned, which indicates that it is the newspaper’s official position, and was titled “In Defense of the White House ballroom.”

The Post said the ballroom is a necessary addition and although Trump is pursuing it “in the most jarring manner possible,” it would not have gotten done in his term if he went through a traditional approval process.

“The White House cannot simply be a museum to the past,” the Post wrote. “Like America, it must evolve with the times to maintain its greatness. Strong leaders reject calcification. In that way, Trump’s undertaking is a shot across the bow at NIMBYs everywhere.”

In sharing a copy of the editorial on social media, White House press secretary Karoline Leavitt wrote that it was the “first dose of common sense I’ve seen from the legacy media on this story.”

The New York Times, by contrast, has not taken an editorial stand either for or against the project. It has run a handful of opinion columns: Ross Douthat called Trump’s move necessary considering potential red tape, while Maureen Dowd said it was an “unsanctioned, ahistoric, abominable destruction of the East Wing.”

In a social media post later Saturday, Columbia University journalism professor Bill Grueskin noted the absence of any mention of Bezos in the Post editorial” and said he wrote to a Post spokeswoman about it. In a “stealth edit” that Grueskin said didn’t include any explanation, a paragraph was added the next day about the private donors, including Amazon. “Amazon founder Jeff Bezos owns The Post,” the newspaper said.

The Post had no comment on the issue, spokeswoman Olivia Petersen said on Sunday.

In a story this past week, NPR reported that the ballroom editorial was one of three that the Post had written in the previous two weeks on a matter in which Bezos had a financial or corporate interest without noting his personal stakes.

In a public appearance last December, Bezos acknowledged that he was a “terrible owner” for the Post from the point of view of appearances of conflict. “A pure newspaper owner who only owned a newspaper and did nothing else would probably be, from that point of view, a much better owner,” the Amazon founder said.

Grueskin, in an interview, said Bezos had every right as an owner to influence the Post’s editorial policy. But he said it was important for readers to know his involvement in the East Wing story. They may reject the editorial because of the conflict, he said, or conclude that “the editorial is so well-argued, I put a lot of credibility into what I just read.”

Bauder writes for the Associated Press.

As the nights start to draw in even earlier leading up to Christmas, TV viewers will be looking for sumptuous dramas to get lost in

ITVX is presently broadcasting a popular period drama featuring a British ruler that’s ideal for a comfortable binge-watch throughout the lengthy winter nights.

With darkness falling increasingly early in the run-up to Christmas, television enthusiasts will be seeking lavish dramas to lose themselves in.

Viewers need look no further than ITV’s digital streaming platform, which boasts an extensive range of celebrated programmes to select from.

Among the finest choices available this winter is the successful series Victoria, which launched in 2016 and featured Doctor Who’s Jenna Coleman as the youthful sovereign, charting her journey from defiant adolescent years through to responsible adulthood over three captivating seasons.

Whilst critics have targeted the programme’s shortage of historical precision, it’s undeniable that the series crafted by Daisy Goodwin provides tremendous entertainment that’s ready for exploration, or potentially a second viewing, reports the Express.

The Guardian’s favourable critique captured the essence: “As ever, it all hinges on Jenna Coleman’s performance as Victoria and her ability to conjure up a portrait of this queen as understanding, sympathetic, kind and decent, even under unimaginable and possibly imaginary pressures.

“It might not be elegant and it might not survive the strain of putting its plot points to the search engine test, but as diverting drama it gets the job done.”

An enthusiastic review from an IMDb viewer declared: “Rather captivating, I loved it. Every inch a Queen.

“I love [Coleman’s] portrayal of Victoria, she has some presence and a definite strength of character. Rufus Sewell I thought was exceptional as Lord Melbourne too, the complex relationship the pair had in real life was explained very well.

“The settings, costumes, and general production values were first rate, the show felt incredibly plush and lavish, I shudder to think of the budget for this series. Totally engaging, this was first rate viewing 9/10.”

Sadly, the series left many fans feeling let down when it was cancelled after just three seasons, leaving Queen Victoria’s story incomplete.

However, ITV gave a glimmer of hope in 2021, stating “there are no plans presently to film Victoria, but that’s not to say we won’t revisit the series with the production team at a later date”, hinting that a fourth season featuring an older Victoria might eventually be on the cards.

One hopeful fan penned: “This has been the most amazing series since Downton Abbey I have watched. I laughed, I cried, I got angry. I felt every emotion humanly possible through watching it.

“My mother and I binge watched it together and couldn’t believe how much it draws you in from beginning to end. I am so heartbroken that it has not yet come out with a 4th season. My mother and I both are. We pray they decide to release another season.

“I plead to ITV or whoever, to please give the green light for the 4th season and then some. This is an amazing love story that NEEDS to be completed.”

There’s a glimmer of hope for the series to carry on if enough viewers rewatch the series on ITVX, so it’s time to start binge-watching.

Victoria is available to stream on ITVX.

LILY Allen has announced she is taking her “revenge album” West End Girl on the road.

Hitting venues across the length and breadth of the UK, here’s everything you need to know so you don’t miss out on her first tour in seven years.

Lily Allen’s latest album West End Girl levels cheating allegations against her ex-husband, Stranger Things star David Harbour.

The couple split in December 2024, with later reports claiming he’d had a three-year affair.

Details of their open marriage and break-up are seemingly laid bare in the new 14-song album.

On October 24, 2025, Lily said in a statement: “I’ve tried to document my life in a new city and the events that led me to where I am in my life now.

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“At the same time, I’ve used shared experiences as the basis for songs which try to delve into why we humans behave as we do, so the record is a mixture of fact and fiction.”

The tour – Lily Allen Performs West End Girl – will see the singer perform the album in its entirety in the order the songs feature on her record.

When is Lily Allen’s 2026 tour? 

Lily Allen’s 2026 West End Girl tour is scheduled to take place throughout March 2026.

The British singer is set to perform her acclaimed fifth studio album at venues, theatres and concert halls across the UK.

This tour marks her first headline shows since her No Shame Tour in 2018-19.

The tour dates and venues for Lily Allen Performs West End Girl UK in March 2026 are:

• March 2: Glasgow, Royal Concert Hall
• March 3: Liverpool, Philharmonic Hall
• March 5: Birmingham, Symphony Hall
• March 7: Sheffield, City Hall
• March 8: Newcastle, City Hall
• March 10: Manchester, Aviva Studios (The Hall)
• March 11: Manchester, Aviva Studios (The Hall)
• March 14: Nottingham, Royal Concert Hall
• March 15: Cambridge, Corn Exchange
• March 17: Bristol, Beacon
• March 18: Cardiff, New Theatre
• March 20: London, Palladium
• March 21: London, Palladium

How can I get tickets for Lily Allen’s 2026 tour?

Tickets go on general sale from 10am GMT Friday, November 7, 2025, via Ticketmaster and LiveNation.

For fans who want to secure tickets before the general release, thankfully there is a presale, taking place from 10am on Wednesday, November 5, 2025.

But to access this presale, you will need to register with co:brand before midnight on Tuesday, November 4, 2025.

Selected venues have already confirmed ticket prices for Lily Allen’s UK tour.

The Glasgow Royal Concert Hall said they start at roughly £40 and go up to around £85.

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Manchester’s Aviva Studios also revealed ticket prices, with the breakdown as follows: £45, £55 and £75.

As of November 3, 2025, the official ticket prices for different sections in every venue are yet to be revealed.