SHOW BIZ

Alan Carr will tomorrow night battle to win The Celebrity Traitors, which ends on BBC One after a pulsating few weeks which has seen the likes of Sir Stephen Fry and Celia Imrie tease viewers

The Celebrity Traitors’ star Alan Carr has filmed a pilot episode for a new BBC quiz show, it is reported.

The comedian has been described as “the hottest man on TV right now” amid his stint on the popular reality TV show, the final of which airs on Thursday. It is understood Alan, 49, worked abroad for BBC Studios at the end of last month for the new primetime, celebrity-led format.

“Unquestionably, Alan is the hottest man on TV right now. Everyone wants a piece of him. But the BBC have acted quickly and last week he was jetted out to a swanky European city for a day of filming a pilot,” a source said.

Alan has also been linked with one of the Strictly Come Dancing roles, we reported last week. He has been praised for his charisma and competitive attitude, traits said to be admired by Strictly bosses.

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But first, if the pilot is successful, it is understood Alan will get a bumper deal to front the new game show. It will be one of the first regular shows Alan has presented solo since Chatty Man on Channel 4, which ended on Christmas Day 2017 after an eight-year stint. He did, though, host Picture Slam, which returns next week.

And the pilot is indeed believed to have been well-received by bosses at the Beeb. Speaking to The Sun, the source added: “It went well and now it’s just a matter of when, not if, this gets green-lit.” However, details of the exact nature of the show are top secret for now, the insider stressed.

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Some 15 million viewers are expected to tune in to see who wins tomorrow’s Celebrity Traitors final, featuring Alan’s fellow Traitor, singer Cat Burns, with Faithfuls ex-rugby star Joe Marler, comedian Nick Mohammed and historian David Olusoga. Joe has also impressed in the smash-hit series, so much so there is speculation he, too, could have his own programme. The 35-year-old former rugby player has even been rumoured to become the next James Bond.

Jonathan Ross, who was banished last week, has been given a one-year contract extension with ITV amid the success of The Celebrity Traitors. However, if Alan gets a new chat show, the funnyman could well go head to head with his fellow former Traitor.

The source, again talking to The Sun, continued: “There is also talk of bringing back a version of Chatty Man, as Alan has incredible contacts and would get some brilliant guests.”

RAPPER Young Bleed has tragically died aged 51 after suffering a brain aneurysm.

The star, whose real name was Glenn Clifton Jr, sadly passed away on Saturday, his son confirmed.

He had been rushed to hospital in the days leading up to his death after collapsing in Las Vegas.

Young Bleed rose to fame in the 90s with the hit “How You Do That” and went on to release nine studio albums.

The rap icon’s son, Ty’Gee Ramon Clifton, confirmed the tragic news with an Instagram video captioned: “RIP to the biggest legend I know.”

Addressing fans in the clip, he said: “As of November 1st, my dad gained his wings.

“This is a tough topic for me – not sure how it’s going to go. But I am here to clear up a lot of false narratives.”

He added: “I know with him being a legend worldwide, all lot of people were concerned for him, they wasn’t sure what they heard.

“So I’m here to confirm as his oldest child that he has gained his wings.

“My dad was 51 years out when this happened to him… The My dad didn’t have no real health issues, these are just chapters in life.

“I hope after this video that people that are going through grieving moments find peace in this video.

“My dad like most as you get in [older] in age take had high blood pressure. He would take his medicines… Once he collapsed he did pass from the aneurysm, the bleed to the brain.”

The late rapper’s mother has also set up a GoFundMe page to help cover the cost of medical and funeral expenses. 

She had started the page when he had been hospitalized and admitted it was ‘completely unexpected and has turned our world upside down.’

Young Bleed was born on June 6, 1974, in Baton Rouge, Louisiana and his passion for music was sparked at nine-years-old.

He shot to fame in the 90s and worked with fellow rappers C-Loc, Max Minelli, J-Von, and J-Von’s younger brother Chris Hamilton.

They created the group Concentration Camp in 1995 and his song with C-Loc How You Do That was released two years later, seeing him rise within the industry.

The song peaked at No. 1 on Billboard’s R&B and Hip Hop album charts the following year.

Rapper RBX has sued Spotify, alleging that the Swedish audio company has failed to stop the artificial inflation of music streams for artists like Drake and is hurting the revenue other rights holders receive through the platform.

RBX, whose real name is Eric Dwayne Collins, is seeking a class-action status and damages and restitution from Spotify. RBX, along with other rights holders, receive payment based on how often their music is streamed on Spotify, according to the lawsuit, filed in U.S. District Court in L.A. on Sunday.

Spotify pays rights holders a percentage of revenue based on the total streams attributed to them compared with total volume of streams for all songs, the lawsuit said.

The Long Beach-based rapper said that rights holders are losing money on Spotify because streams of some artists are being artificially inflated through bots powered by automated software, even though the use of such bots is prohibited on the platform, according to the lawsuit.

For example, the lawsuit notes that over a four-day period in 2024 there were at least 250,000 streams of Drake’s “No Face” song that appeared to originate in Turkey, but “were falsely geomapped through the coordinated use of VPNs to the United Kingdom in attempt to obscure their origins.”

Spotify knew or should have known “with reasonable diligence, that fraudulent activities were occurring on its platform,” states the lawsuit, describing the streamer’s policies to root out fraud as “window dressing.”

Spotify declined to comment on the pending litigation but said it “in no way benefits from the industry-wide challenge of artificial streaming.”

“We heavily invest in always-improving, best-in-class systems to combat it and safeguard artist payouts with strong protections like removing fake streams, withholding royalties, and charging penalties,” Spotify said in a statement.

Last year, a U.S. producer was accused of stealing $10 million from streaming services and Spotify said it was able to limit the theft on its platform to $60,000, touting it as evidence that its systems are working.

The platform is also making efforts to push back against AI-generated music that is made without artists’ permission. In September, Spotify announced it had removed more than 75 million AI-generated “spammy” music tracks from its platform over the last 12 months.

A representative for Drake did not immediately return a request for comment.

RBX is known for his work on Dr. Dre’s 1992 album “The Chronic” and Snoop Dogg’s 1993 album “Doggystyle.” He has multiple solo albums and has collaborated with artists including on Eminem’s “The Marshall Mathers LP” and Kris Kross’ “Da Bomb.” RBX is Snoop Dogg’s cousin.

Artificial intelligence continues to change the way that the entertainment industry operates, affecting everything from film and TV production to music. In the music industry, companies have sued AI startups, accusing the businesses of taking copyrighted music to train AI models.

At the same time, some music artists have embraced AI, using the technology to test bold ideas in music videos and in their songs.

Return to Paradise star Anna Samson has spoken out about the future of the BBC series

Return To Paradise star Anna Samson has opened up about the triumph of the Death in Paradise spin-off series as it makes its comeback for a second series, confessing there was no certainty the storyline would continue.

The Home and Away actress broke new ground as the franchise’s inaugural female lead when she stepped into the shoes of DI Mackenzie Clarke.

The debut series, which broadcast last year, followed her character’s homecoming to Australia after establishing her reputation within London’s Met Police.

Whilst she briefly rejoined Dolphin Cove’s local constabulary to assist with a murder investigation, accusations of tampering with evidence prevented her planned return to London, compelling her to face her Australian past for an indefinite period.

Adding complexity to her position, her ex-fiancé Glenn (Tai Hara), whom she previously abandoned at the altar, ultimately confesses he still harbours romantic feelings towards her.

Return to Paradise has now progressed with a second series, placing Mack in charge of unravelling another collection of puzzling killings, reports the Express.

Speaking about how it felt to return to the world of Dolphin Cove, she shared: “We were so thrilled to get a second series, which is never a guarantee, even if your show’s a huge success.

“We adore each other: the cast, crew, everyone in the office, and the producers. It’s a workplace full of love, support, kindness, and fun. Getting the chance to go back and do it all again, there aren’t many better opportunities in the world than that.”

Teasing the new episodes, she added: “You can expect murders, and for Mackenzie and her team to solve them! We’re expanding the emotional world of all the characters in series two. Who they are and why they are the way they are.

“Colin and Mackenzie’s friendship becomes ridiculously joyful. They act like best friends while having no idea that they feel that way, which is really fun to play.

“That love triangle between Glenn, Mackenzie and Daisy also gets even more complicated, giving us a peek into her vulnerable side. We really challenge the emotional wall she puts up in this series.”

Admitting she was “overwhelmed with heartfelt positivity” from the response to the first series, Anna continued: “The show comes with an incredibly loyal and enthusiastic fanbase already, as it is part of a franchise.

“We felt a responsibility to do justice to the show and to honour the audience. The biggest surprise for me, and maybe it shouldn’t have even been that surprising, but how many of the fans are young women – I was so moved by that.

“Seeing the impact of a character like Mackenzie, who isn’t always smiling or worried about being liked, yet remains at the centre of the story, is what made putting on the waistcoat every day feel so valuable.”

The storyline for the second series of Return to Paradise hints: “Detective Sergeant Mackenzie Clarke finds herself trapped in her hometown of Dolphin Cove to solve more perplexing cases, while grappling with the end-of-series-one bombshell that her ex-fiance, Glenn, still has feelings for her.

“The team contends with even more perplexing cases in this series, including the chemical poisoning of a man alone at sea, alongside having to deal with larger-than-life characters like a troublesome rock band who fall under suspicion when one of their members turns up dead.

“Beyond her detective duties, Mackenzie is forced to face Glenn’s shocking confession that he still has feelings for her, despite his impending wedding to Daisy, complicating her own feelings toward him even further.

“Meanwhile, the unexpected arrival of Colin’s old friends from back home starts to crack the mystery behind his decision to leave everything behind and build a new life in the tight-knit community of Dolphin Cove.”

Return to Paradise is available to watch on BBC iPlayer.

THERE was recently an awkward moment a huge popstar had her microphone the wrong way up.

She was even accused of lip-syncing in an embarrassing on-stage blunder, though some fans have defended her.

Canadian hitmaker Tate McRae, 22, was performing at a recent gig when she crooned into her microphone when it was the wrong way up.

Sparking major lip-syncing accusations, Tate has now been slammed for allegedly miming at her concerts.

Sharing a video of Tate “lip-syncing” on stage, an X account wrote: “Tate McRae caught lipsync during her show.

“Many fans are question if she ever sang live since the beginning of her career.”

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In the video, Tate could be seen dancing a high octane routine.

Flipping her hair backwards and forwards, the superstar rocked out on stage in some very tiny shorts.

Dancing around, Tate then moved her microphone up to her mouth.

Holding the microphone the wrong way up, Tate crooned into the bottom of the handle of the mic.

Tate quickly realised as her backing track played, and turned the mic so it was the right way up.

Ever the professional, the hitmaker then continued with her performance.

Fans have since reacted to the awkward on-stage blunder.

One person penned: “I don’t listen to Tate McRae but she literally started singing when she flipped the mic around, she’s singing over a track.”

Another said: “When she flips the mic around, you can hear her voice. It’s just that a backing track is there. Not lipsyncing.”

A third person added: “As someone who saw her recently in concert, she lip syncs like 80% of the concert because she’s more focused on dancing and theatrics and doesn’t try to hide it.

“The only time she actually sings is when she’s stationary for small periods but there’s always a backtrack no matter.”

While a fourth wrote: “I went to a show. There IS a lot of backing tracks since she dances so much, but she definitely sings live a ton as well. And you can tell when she does.”

And a fifth said: “That’s called a backing track you can clearly hear her singing.”

Tate is known for her hits such a Greedy, You Broke Me First, Sports Car and Revolving Door.

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She often storms stages at music festivals and her own concerts and puts on high energy shows.

Tate is famous for her dance routines and sexy image.

There’s no shortage of bands commemorating their glory days as decade anniversaries of albums fly by. Yet few landmark releases feel not only fresh but forward-thinking 20 years after they were recorded. My Morning Jacket stumbled onto this kind of brilliance in October 2004 when it released its fourth studio album “Z.” Across 10 tracks of lush, euphoria-driven rock ‘n’ roll, the band captured a notable tone shift in its sound that melded Southern rock, haunting folk, psychedelic soul laced with jam band energy. It’s a set of songs that still make up a huge chunk of the bands live show. In September the band performed the album in its entirety to a sold-out Hollywood Palladium for its 20th anniversary.

“We still play these songs all the time,” said frontman and principal songwriter Jim James in a recent conversation. “So it’s not like we broke up after we released ‘Z’ and then we got back together 20 years later to play these songs, and it’s such a trip. We’ve been playing them nonstop for 20 years.”

Shortly after the release of its 10th studio album “is,” the band put out a deluxe reissue of “Z” that includes four B-sides and a whole album’s worth of demo versions of songs like “Wordless Chorus,” “Off the Record” and Dodante. Recently James spoke to The Times about the enduring power of “Z” and the joy of going back to the beginning of the album’s origins to give himself and his fans a new appreciation for the groundbreaking sound the band created.

The rerelease of “Z” was prefaced earlier this year with a full-album show at the Palladium. What was it like revisiting the album on stage first before it came out (again) on vinyl and streaming?

This is our fourth album now to hit the 20-year mark. So we’ve got some experience now doing these album shows. And it’s funny because some of the earlier albums we don’t play all the songs from them so we had to go back and relearn a lot of songs. But the songs from “Z” we pretty much play all the songs all the time. So it’s pretty hilarious how it involved no effort. It just involved playing them in that order of the sequence of the album. But we kind of laughed about that. We’re like, man, we don’t really even have to do any research or anything. We were all kind of reflecting just on how grateful we are that we like playing all the songs still. It’s such a great feeling to play songs for 20 years and never really get tired of them. People still want to hear them and there’s still excitement there, and they still feel fresh. It’s really a beautiful thing.

This was your first album using an outside producer. What was that like for you as the songwriter to step in the studio with John Leckie to help you realize your vision with “Z”?

It was so great, because I really needed somebody who could work with me and not let our egos clash too much. John was just really great about coming in and respecting what I wanted to do, but also voicing his opinion and what he liked and what he didn’t like and when he thought we could do better. And it was just really so refreshing and so good for us to have him there. I mean, his track record speaks for itself, he’s somebody who you can trust right off the bat, just because of all the things they’ve done in the past. He’s such a soft-spoken gentleman but he also has this hilarious, brutal honesty about him, which was always really great.

Your lineup had also changed between the previous album “It Still Moves” and “Z” — adding keyboard player Bo Koster and guitarist Carl Broemel who are still in the band today. So was that like stepping in the studio with the “new guys” for the first time?

It was really nerve-racking and really exciting all at once. We had some touring experience under our belt with Bo and Carl, so we kind of knew that it was working out on that level, but we’d never really recorded before, so it was a real test for all of us. And I think we all knew that. So everybody brought their A game to the session and we took it really seriously, but we also had a lot of fun and just really kind of got to know each other. That was good to do that out in the middle of nowhere, out there in the Catskills, up at the studio. It gave us some time to really bond without a lot of the real-world stuff coming in or other people coming in. So I think that was really important, that we did it that way.

Do you remember what song came out of the sessions first?

“It Beats 4 U” was the first one, because that was one we had already played live before we started recording. So I think that was the first song that we started messing with. But I think they all were kind of coming to life around the same time. So by the time we got in there to start unpacking them, I had already written them and kind of made the demos of them and stuff.

It’s great that you included so many demo versions of your songs on this rerelease. What was the process like of locating these, sifting through and sequencing which ones you wanted to put on the album?

Well, I love demos for a lot of my favorite bands — I love it when I get to hear the demos from the albums. So I’m always saving all that stuff; with my own stuff I’m always compiling all the demos, because that’s half the fun to me. Because sometimes you get this just like a beautiful glimpse into the song. Quite often, I end up liking the demo more than I like the actual album, song because you get a whole, whole new view of it. It’s also interesting when you’re sequencing for vinyl, because you don’t have unlimited time so you kind of got to pick and choose, and that kind of forces you to just choose the best. There’s a whole other round of band demos and then there were my demos, so there were a lot of things to choose from. But it kind of helps me to look at it in vinyl format. There’s still something about the vinyl time limit that helps with quality control. Just kind of pick the ones that I feel are most effective and then try and make a fun sequence so that hopefully, if somebody’s into them, it’s kind of like you get a bonus album that you can listen to.

We had four true songs, B-sides, that we really love too, that weren’t demos. So that was really nice to finally get those out, because those had been on different soundtracks. And then one wasn’t even released. So I don’t think that those weren’t even on streaming or anything for years and years. So it’s really cool to have those out kind of everywhere now, because I’ve always liked all those songs and been proud of those songs too. And I think most bands know the feeling of you know when you make a record. Sometimes songs just don’t fit the record, even if you still love the songs.

MMJ during the “Z” era.

(Sam Erickson)

Were you playing any of those live at the point where you released the album the first round, or did you shelve them for later?

We’ve always played “Where to Begin” live — off and on. We’ve also tried “Chills” a couple times, and I think we did “How Could I Know” a couple times. We’ve never played “The Devil’s Peanut Butter,” we kinda forgot that one existed until this whole [album rerelease] process started, and I found that song again. So we’ll probably play that one somewhere out on the next leg.

Was this process something that you enjoy doing, like, in terms of your how to, sort of like, reexamine an album?

I really love it because I just feel so grateful that anybody even gives a s–, you know? I mean, so there’s that part of me that’s just so grateful to even still be in the game, talking about this. But beyond that, it’s really cool for me because it’s like jumping in a time machine and going back and looking at that point in my life and getting perspective on where I am now, and seeing how I’ve grown and asking “where have I changed? Where have I not changed?” I look back and with all of these albums as they come up to this 20-year mark, and I see I’ve always been really mean and hard on myself, on Jim, but I know that Jim was doing the best he could at each time. That’s the one thing I’ve always kind of been able to see, to get myself through, to not be too hard on myself. I know I was giving it everything I had, so whether I would change things about it as I am today or not — we all look back on the past, and maybe there’s things we’d do differently, but it gives me a lot of comfort to know that I was trying as hard as I could, and all the guys in the band were trying as hard as they could. It really makes me feel proud of us for just putting in the time and effort.

The couple were notably absent from a crucial episode

The final stretch is nearly here for this year’s Married at First Sight UK couples, who tied the knot with complete strangers just weeks ago.

Recent episodes on E4 have shown some pairs flourishing as they’ve built connections, whilst others have endured emotional breakdowns, startling revelations and fierce rows.

With final vows looming, the remaining participants faced a crucial decision at Tuesday evening’s (November 4) final commitment ceremony about whether to remain in the experiment.

But in an unexpected twist, one couple failed to show up, prompting expert Mel Schilling to address the assembled group.

She said: “It’s been incredible to see all your journeys unfold with your time with us. This is the last time that you get to bring your marriage to the couch and share with us where you’re at at this pivotal stage in the experiment and make that final decision on whether to stay or leave”, reports OK!

“Before we begin, obviously you’ll all notice that Grace and Ashley are not with us today, they’ve had a rocky couple of weeks and as a result, felt they needed more time to reflect and they won’t be joining us today.”

The pair – who spent homestays week apart – had both been contemplating their future together, with Ashley removing his wedding band when audiences last saw him.

He admitted that he and Grace might be “too different”, whilst she became tearful and claimed she’d witnessed a side of Ashley that nobody else had seen. She also accused him of making her feel like she was the “problem” and that their marriage was “doomed”.

Grace referred back to earlier rows they’d had over Ashley wanting her to wear a dress for a particular dinner and offering to get her nails done, disputing the way she recalled those conversations.

“I would sit on that couch, hear him twisting things to be more positive and favourable to him, sometimes I take issue with him about something, and he’d be like, no I didn’t, and I’d be like, well how do I argue with you now?” she said.

“I felt really isolated,” she continued, becoming emotional as she spoke about her self-doubt and questioned whether she’d misunderstood their relationship.

“Why am I the only person that sees him this way? No, he is doing this, he wants me to feel apologetic, contrived, he wants to be begged for forgiveness so he can feel in control. It’s the self-doubt that’s getting me down,” she cried. “I’ve had enough.”

Meanwhile, Ashley confessed that he and Grace weren’t “in the best place”, adding: “We’ve both put so much into this, I don’t know what to do, every relationship takes compromise, but we’ve both compromised and now we’re at a stage where she’s now what I need and I’m not what she needs.

“I do have feelings for her, and I do care for her, but I need Grace to be a different person, and I feel like she needs me to be a different person.”

Taking off his wedding ring and expressing his feeling of being “out of options”, Ashley added: “I can’t physically do any more to prove to her who I am as a person.”

Married At First Sight UK airs at 9pm on E4.

THE ongoing Beckham feud has been reignited after Brooklyn failed to post anything about his dad David’s knighthood.

Today Sir David, 50, was awarded his long awaited knighthood by King Charles at Windsor Castle in front of his famous family – but his eldest son was nowhere to be seen.

David’s wife – the newly appointed Lady Victoria – and parents Ted and Sandra Beckham watched on proudly as he received the coveted honour.

Joining them were his three other children, Romeo , 23, Cruz, 20, and Harper, 14.

The ex-England and Manchester United star was knighted by King Charles for his services to sport and charity.

However, during what Becks called the “proudest moment of his life”, his first born was nowhere to be seen.

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Brooklyn is also yet to acknowledge his dad’s huge achievement on social media.

Both Romeo and Cruz have posted pictures from the historical ceremony today.

Romeo even wrote next to his picture of his family at Windsor Castle: “No one deserves this more than you, love you so much. Congrats Sir dad.”

But their big brother Brooklyn has remained completely silent.

It should be noted that he is living in LA, so with the time difference he may not have had chance to write a message of support yet.

It comes as David’s eldest child is believed to have “quit” the famous family this year following rising tension.

The Beckham family feud is understood to have actually started four years ago, when Brooklyn’s wife Nicola Peltz, 30, refused to wear a wedding dress designed by Victoria.

Tensions then became public when Brooklyn did not publicly acknowledge fashion designer Victoria on Mother’s Day. He then failed to show at any of David’s 50th birthday parties.

Meanwhile, Becks put the feud behind him today to receive the biggest honour of career and become Sir David Beckham.

It marks the end of an agonising wait for the charity ambassador, who was first put forward for a knighthood in 2011.

In a lengthy Instagram post he said: “I can’t even begin to describe what a special day it is for me today, a boy born in East London, to receive a Knighthood from His Majesty The King. I am truly humbled and so grateful for this honour.”

Sir David then went onto reveal just how much the honour meant to him.

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“All I have ever wanted to do is to make my family proud.” the star gushed.

Becks then added a sweet message to his four kids, and wrote: “To my beautiful children who I am so proud of and I know this is a proud and inspiring day for them as well, they are our greatest joy in life and my inspiration every single day. I love you all so much…”

The cuts in Hollywood just keep coming, following a sadly familiar script.

Last week it was Paramount, which laid off about 1,000 workers in the first wave of a deep staff reduction planned since tech scion David Ellison’s Skydance Media took over the storied media and entertainment company.

The cuts affected a wide swath of the company, from CBS and CBS News to Comedy Central, MTV and the historic Melrose Avenue film studio, my colleague Meg James and I reported. Another 1,000 layoffs are expected in the coming weeks.

But Paramount isn’t the only one in the media business that’s shedding jobs and payrolls.

Earlier, cable giant Charter Communications said it would lay off 1,200 people nationwide, as the company faces increased competition for its broadband internet packages. NBC News, too, laid off 150 employees last month amid declining TV ratings and lessening ad revenue.

Other recent media-adjacent layoffs included 100 cuts to Disneyland Resort’s Anaheim-based workforce and the massive 14,000 worker reduction at Amazon, including at the company’s gaming and film and TV studios.

And that doesn’t even include widespread job losses that happened earlier this year at companies such as Walt Disney Co., Warner Bros. Discovery, NBCUniversal and Six Flags Entertainment Corp.

It all adds up to a grim picture for Hollywood’s workers, who have faced a near endless marathon of economic hurdles for the last five years.

First it was the pandemic, followed by the dual writers’ and actors’ strikes in 2023, cutbacks in spending after studios splurged on streaming productions, and the outflow of production to the U.K. and other countries with lower costs than California.

Then, in January, nature struck a blow, with the fires in Altadena and the Pacific Palisades destroying many industry workers’ homes.

Topping it off, Saturday marked the first day that millions of low-income Americans lost federal food assistance due to the government shutdown that began Oct. 1. That has affected some 5.5 million Californians and probably some who work in the entertainment industry.

“It’s been one crisis after another, without enough time in between,” said Keith McNutt, western regional executive director of the Entertainment Community Fund, which provides social services for arts and entertainment professionals. “People are concerned and very worried and really trying very hard to figure out where they go from here.”

McNutt reports that the nonprofit group has already heard from some people who were recently laid off, and has experienced a sharp increase in demand for its services, particularly from those in the film and TV industry. The fund offers healthcare and financial counseling and operates a career center. It also provides emergency grants for those who qualify.

Clients include not only low-income people who are always hit hardest in downturns, but also veteran entertainment industry professionals who’ve worked in the business for 20 to 30 years.

Those who were lucky enough to have savings saw those wiped out by the pandemic, and then were unable to replenish their rainy-day funds after the strikes and industry contraction, said David Rambo, chair of the fund’s western council.

“It has been snowballing very slowly for about five years,” Rambo said.

Many in the industry are hopeful that California’s newly expanded film and television tax credit program will bring some production — and jobs — back to the Golden State. That’s what backers campaigned on when they lobbied Sacramento legislators to bolster the program. Dozens of TV shows and films have received credits so far under the revamped program, but it’ll take some time to see the results in filming data and employment numbers.

And that doesn’t help the workers who were just laid off last month. For those folks, McNutt suggests calling the fund’s health insurance team to make sure they understand their options and also to spend some time with career counselors to understand how Hollywood skills can be transferable to other employers, whether that’s on a short- or long-term basis. Most importantly, don’t isolate yourself.

“You’re not alone,” he said. “Nobody’s alone in this situation that the industry is finding itself in right now, and so reach out to your friends, reach out to your colleagues. If you’re not comfortable with that, reach out to the Entertainment Community Fund.”

Stuff We Wrote

Film shoots

Number of the week

The Los Angeles Dodgers’ wild 11-inning win on Saturday over the Toronto Blue Jays notched nearly 26 million viewers, making it the most-watched World Series game since 2017, according to Nielsen data.

The 2017 Game 7 win by the Houston Astros over the Dodgers had an audience of 28.3 million.

The Dodgers are now the first Major League Baseball team to win back-to-back championships in 25 years. On Monday, thousands of Dodgers faithful turned out for the team’s victory parade through downtown L.A.

Finally …

You’ve no doubt heard of L.A.’s famous star tours. But what about a tour of a historic cemetery?

My colleague, Cerys Davies, wrote about local historian and guide Shmuel Gonzales — or as he calls himself, “Barrio Boychik” — and his walking tour of Boyle Heights’ Evergreen Cemetery.

The cemetery is the final resting place for many of L.A.’s early movers and shakers, including the Lankershims and the Hollenbecks, and it’s also a prime example of L.A.’s multicultural history.

Eva Price has burst back onto Coronation Street and much-loved actress Catherine Tyldesley says the future couldn’t be more exciting for the soap as she opened up on her anxiety

Soap favourite Catherine Tyldesley feared her chances of ever returning to Coronation Street were in danger after she kept saying no to bosses – but now she thinks the show going in an ‘old school’ direction will keep the critics at bay.

Catherine is back on the Cobbles as feisty Eva Price following a seven-year absence, and admits she was incredibly nervous about reprising her role. The actress finally told producers yes after hearing their plans for the future and telling them she didn’t want her character involved in any cheating scandals.

Eva left Weatherfield behind in 2018, but now she’s back with some new faces. Joined by husband Ben Driscoll, played by Aaron McCusker, mother-in-law “from hell” Maggie [Pauline McLynn] and their blended family she is also the queen of the Rovers Return – and said the pressure of following in the footsteps of legendary landladies also added to her anxiety.

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She said it was the perfect time to come back to the ITV soap and was sold as soon as producer Katie Brooks explained where the programme was heading. Catherine spoke to the Mirror as she juggles being a working mum and missing important family moments.

The 42-year-old said: “It’s been incredible to be back. You are like a family when you work at Corrie. We’ve all really make the effort to stay in touch, cast and crew, so it’s I just feel incredibly lucky and I’ve been made to feel super welcome. I needed that because I was really nervous. I was genuinely, really nervous because it’s been a long time.

“I’ve had to say no a few times. I was worried they’d just stop asking! That’s why I emailed them after having to reject the chance those times. I just said ‘I love the show and said I loved playing Eva, so please, please always ask me… and at some point, further down the line, hopefully the time will be right’.

“Kate [Brooks] is passionate about bringing a new golden era and kind of looking to the old school Corrie days for inspiration, which is what people seem to love – and what Kate is brilliant at, alongside our writing team. The route she envisioned Corrie going in is everything that I’m about, as soon as we spoke I was inspired and motivated.

“They really know how to do that, and that’s how she worded things to me. I want to bring Corrie into this brilliant new era. It’s a very exciting time, and I felt excited by everything that she was saying to me and how passionate the character and really exploring strong women.”

The show has faced criticism, with Charlie Lawson, who played Jim McDonald for decades, hitting out over ‘woke’ plots before claiming viewers are switching off. It was revealed that Corrie didn’t make it into the ten most-watched TV shows on Christmas Day last year but Catherine says things are looking up.

“They’re putting everything into it,” she said. “I think, if there has been criticism over the show, everything is peaks and troughs in life, you can’t be perfection day in, day out. It is important for shows like this to experiment with things and look at relevant topics that are things that are happening around us, and sometimes the audience like that, sometimes they maybe don’t.

“The only way you can learn is if you take risks, mixing things up and different producers have different ideas. It just so happened for me that I felt very, very aligned with Kate, and everything that she was saying, and her new vision for the show in terms of finding that old school era.”

But while her return has been a pleasure, it’s also been painful. The star added: “Obviously Eva is older and wiser, I wanted Eva and Ben to be tight, to be loyal, to be this power couple at the forefront at the pub. We were very passionate about the fact we wanted her to retain that childlike quality that she has, that really fun side. “I’ve been super happy to have Pauline and Aaron to bounce off. They are such wonderful human beings in real life. So we’re having the best time. The other day, I came up to my dressing room and I remember thinking, gosh, my face is hurting from smiling! Pauline is hysterical. I could just put her in a room and watch her and she just got comedy bones. Yeah, they’re both brilliant.”Mum-of-two Catherine has linked up with O2 to help launch an incredible 5G book that connects families for bedtime, even when they have to be apart. The unique book transforms a traditional children’s story into a shared, interactive experience and she says it’s a must for parents.

“I wanted to get involved in this campaign because, for me, a bedtime story is a ritual – it was always my favourite part and still is. That opportunity to kind of talk about their day with them and then to you, delve into a story is just so special.“O2 told me that through their research, I think it was more than half as parents also agreed with that statement that that was their favourite time of the day. So, for me to have the opportunity to do this connected storybook with Iris, who is three, was just amazing.“Whilst nothing can replicate being snuggled up in bed reading with your little one, seeing technology used in this way to make that special moment of connection still possible is just amazing. The book is beautiful and to see the look on Iris’ face when I popped up in the story was a very special moment. She loved being able to see me and read through the story together even though we were apart.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

KENDALL Jenner secretly celebrated her 30th birthday at designer Tommy Hilfiger’s luxury villa on a private Caribbean island, The U.S. Sun can reveal.

Supermodel Kendall began posting snaps on Monda after spending the weekend at the $125k-a-week property in Mustique.

Kendall was joined by dozens of family members and friends, including her mom, Kris Jenner, and sisters, Kim, Kylie, and Khloe, although Kourtney was notably absent from the festivities.

She also celebrated with longtime friends, including Hailey Bieber, Fai Khandra, Renell Medrano, and Lauren Perez.

There was no expense spared as the large group enjoyed a lavish spread, an 818-themed birthday cake, and $500 bottles of Chateau Haut-Brion red wine, bottled in 1995 – the year Kendall was born.

She was also spoiled with decorations, including huge silver balloons reading, ‘Happy Birthday Kendall’ and cups with baby photographs emblazoned on them.

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There appeared to be a theme for the bash with everyone dressed in brown, black, and pink beach outfits for the fashionista.

Kendall joined the Tommy Hilfiger family by fronting the brand’s Spring Campaign last year.

His private property in Mustique is known as the Palm Beach Villa, and boasts seven en-suite bedrooms and two pool cottages with room for up to 18 guests.

A website claims the vacation home is situated on six acres on the beachfront land and costs between $125,000 and $130,000 per week to rent.

‘BEACH SEATING’

“The Colonial design of the property is simple yet imposing, and the white facade gives a very welcoming feeling to guests,” the bio reads.

“The grand Palladian-style residence was built in 1999 and has undergone renovation works since.”

Kendall and the gang made the most of the private beach with a seating area set up on the sand, as photographs on Instagram showed pillows and tiki torches.

The bio online also explains, “The villa offers impressive views over the sea and the neighbouring islands from its balconies and terrace.

“Guests can enjoy the views from the large swimming pool, or soak up the rays from the surrounding sun loungers.

“The poolside gazebos are ideal for evening drinks, and there are plenty of spaces to relax throughout the perfectly manicured gardens.”

Services at the villa include a manager, chef, waiter, housekeeping, and laundry, according to the website.

Although food and beverage cost extra, along with grocery pre-stocking, spa and beauty treatments, and activities and excursions on the island.

Dee Hilfiger, Tommy’s wife, gave Marie Claire a tour of the house in 2024, with photographs showing her relaxing in the luxurious setting.

Although she admitted it was all about simplicity and guests being able to relax at the home, not worrying that they might damage antiques or expensive furnishings.

“We have a lot of furniture with slick covers,” she explained.

“We constantly change out all the lampshades in the house because it’s right on the ocean, so things rust.

BIRTHDAY TRIBUTES

“We don’t have anything too precious. It’s a family home and we also rent it a lot.

“I would describe it as a chic but user-friendly type of home where nothing’s too precious or expensive. It’s designed to walk through with sandy feet.”

The outlet explained that the villa sits on the shores of Mustique’s L’Ansecoy Bay and is named Palm Beach for the trees that surround it. 

Kim, 45, shared snaps from the getaway, writing, “Happy 30th Birthday @kendalljenner may this decade bring you the kind of love and joy you so freely give to everyone else. I love you more than you’ll ever understand! Here’s to 30 Kenny.”

Kim could also be seen joking around with a handful of tequila shots in one photograph as she threw her head back laughing.

Sister Khloe, 41, also wrote a lengthy tribute to Kendall, posting, “To my baby sister, my forever girl, happy 30th birthday. I can’t believe you’re thirty. It feels impossible and yet, here you are; more radiant, grounded, and beautifully you than ever before.

“Something I’ve always admired and respected about you is how deeply and unapologetically you live in your truth. In a world where so many try to fit in or please others, you’ve always just been yourself. […] You have this energy that can’t be replicated.

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“Gentle but strong, mysterious yet warm, and so full of love that it overflows into everyone lucky enough to know you.

“You make people feel seen, safe, and inspired just by being who you are. Kenny, I hope you know how endlessly proud I am of you. […] Happy birthday, my sweet angel. I love you with everything I am @kendalljenner.”

Politics in the year after a presidential election are typically focused on local and statewide contests.

But the races decided on Tuesday — which include a pivotal mayoral contest in New York and California’s referendum on congressional redistricting — will have national implications. The gubernatorial races in Virginia and New Jersey will be a report card on President Trump’s second term.

As a result, cable news will be paying special attention. The races will also serve as an important test run for a couple of cable news networks in transition.

“This is the first election of the 2026 midterms, and we know what happens 30 seconds after the mid-terms are over — 2028 starts in earnest,” said Chris Stirewalt, political editor for Nexstar Media Group’s NewsNation. “In New Jersey and Virginia, you have two states that look a lot like the country as a whole. President Trump’s approval ratings in those places is about the same as it is nationally.”

MSNBC will be covering its first election night without the resources of NBC News. The progressive-leaning network — which changes its name to MS NOW on Nov. 15 — is being spun off by parent company Comcast into a new entity called Versant.

NBC News no longer shares correspondents or analysts with MSNBC. The channel’s line-up of opinion hosts including Rachel Maddow, Joe Scarborough, Nicolle Wallace, Ari Melber and Lawrence O’Donnell remains intact.

Loyal MSNBC viewers will notice that election data maven Steve Kornacki will not be crunching numbers on his big board. Kornacki signed a new deal last year with NBC, where he works for the news and sports divisions.

Kornacki will be a part of the network’s coverage on NBC News Now, its free streaming channel. “NBC Nightly News” anchor Tom Llamas is leading the coverage with Hallie Jackson, the network’s senior Washington correspondent; and “Meet the Press” moderator Kristen Welker.

MSNBC host Ali Velshi will take on the voter analysis duties previously held down by Kornacki. The network said it will have 15 correspondents reporting throughout the country, including West Coast-based Jacob Soboroff delivering analysis on TikTok.

MSNBC national correspondent Jacob Soboroff.

(MSNBC/Paul Morigi/MSNBC)

CNN will use the night to test the appeal of its new direct-to-consumer streaming service launched last week.

While CNN will have its usual array of anchors and experts led by anchor Jake Tapper, Anderson Cooper and Erin Burnett, the network will also offer an alternative streaming feed featuring its analyst Harry Enten alongside conservative commentator Ben Shapiro and “The Breakfast Club” radio host Charlamagne tha God.

“CNN Election Livecast” will be only be available from 5:30 to 7:30 p.m. Pacific to subscribers of CNN All Access. The program will be a discussion of the results presented as “a more casual option” for viewers, according to a representative for the network.

The feed will mark the first time CNN, owned by Warner Bros. Discover, has produced full-scale live coverage exclusively for a streaming audience.

Martha MacCallum and Bret Baier of Fox News

(Fox News)

Fox News will rely on anchors Bret Baier and Martha MacCallum for a special telecast at 10 p.m. Eastern and 7 p.m. Pacific, pre-empting its comedic talk show “Gutfeld!”

The 2025 election night will also mark a change in calling the results. All of the major broadcast networks and cable channels will be using data analysis from the Associated Press, which teamed with Fox News and NORC at the University of Chicago several years ago to create an alternative to the research company used by CBS, NBC, ABC and CNN.

Starting Tuesday, all five networks will get voting results at the same time.

Leland Vittert, Elizabeth Vargas and Chris Cuomo will anchor election night coverage for NewsNation.

(NewsNation)

The exception is Nexstar Media Group’s NewsNation, which will use Decision Desk HQ to call its races during its coverage co-anchored by Stirewalt, Chris Cuomo, Leland Vittert and Elizabeth Vargas. The service was the first to call the results of the 2024 presidential election, beating the competition by 15 minutes.

The ability to call the races sooner means more time for analysis, which is expected to lean heavily into what the results say about the 2026 midterms and the 2028 presidential campaign.

Stirewalt said the night has the potential to set up the political plot lines of the next two years. He believes the passage of Proposition 50 in California and a victory for New York mayoral candidate Zohran Mamdani would elevate Gov. Gavin Newsom and Rep. Alexandria Ocasio-Cortez as 2028 presidential contenders.

“That’s would be a big feather in the cap for AOC, who can say that she’s leading a movement,” Stirewalt said. “Gavin Newsom gets to ring the bell. He gets to say ‘I won. I did something that was controversial. I took it to Donald Trump. I’m delivering a win.’”

Gabby Logan has been a mainstay of the BBC Sport presenting team for many years, but she was given a reality check by her daughter when she tried to push her into certain sports

Few individuals could be better suited to front BBC Sport than self-proclaimed sports fanatic Gabby Logan.

Gabby, who competed for Wales in rhythmic gymnastics at the 1990 Commonwealth Games, has remained a familiar face for decades through her contributions to ITV and BBC, presenting World Cups, Olympic Games, Six Nations and countless other sporting occasions.

Following Gary Lineker’s exit from the corporation’s premier football programme, Match of the Day, she has joined the presenting roster tipped to succeed him. However, Gabby was decisively “put in her place” by her daughter Lois when she tried to guide her towards the sports she herself was most passionate about.

She explained to The Telegraph: “I always used to say to Lois, when she first got into horses at the age of nine: ‘Oh, if you played golf, I would play with you every night. If you played tennis, I’d play with you all the time.’

“And she’s like: ‘Mummy, those are your dreams, not mine.’ So I was very much put in my place… I used to tell Clare Balding that I’d had her love child.”

Gabby’s Clare Balding reference proved rather fitting.

Now aged 20, Lois works as a show jumper and recently took part in her first horse race as a jockey.

Lois’s twin brother Reuben has also inherited the family’s athletic streak, featuring as a back-row forward for Sale Sharks.

As a mum, Gabby admits she finds it challenging watching both her children pursue physically demanding and potentially dangerous sports. “They’ve not made it easy for me, have they?” she quipped.

“Or for Kenny, in terms of a nice, sedate sport – something a little less frenetic and potentially fraught with danger.

“Still, for me it was important that they had a passion and did something they wanted to do in life, and they both love sport.”

Reuben may have regretted his choice to go into professional rugby on one particular occasion, though.

One of his regular gym sessions at the club turned into a toe-curlingly embarrassing experience when one of his mum’s podcasts was played over the PA system.

It happened to be the episode in which Gabby, 50, was discussing changes in her sex life since her husband – former rugby international Kenny Logan – had his prostate removed following a cancer diagnosis in 2022.

Gabby has been outspoken about reconnecting with intimacy after menopause. She told The Sun: “Taking HRT saw my libido returning. I started with a very small dose of oestrogen and testosterone gels, and progesterone in tablet form. I noticed massive changes within a few weeks. It was a lovely feeling – like myself again.

“My libido came back within about a week. I felt a massive improvement there, and that was important to me and also to Kenny. Once I was on HRT and my libido returned, our sex life was back on track – even to the extent of having daytime sex. There are plus points to becoming empty nesters!”

KATIE Price looks worryingly thin in new snaps – after admitting she’d been to hospital over weight loss mystery.

The pics came just a day after the former glamour model, 46, showed off her super-toned stomach following a new beauty procedure.

They are also hot on the heels of the mum of five’s medical trip, where fans were left concerned when she was rushed to hospital.

Katie, who has claimed medics are baffled by her slimmed-down frame, was seen posing in all-black attire for a recent photoshoot.

The reality TV star pulled on a snug black zipped tracksuit from brand JYY London, giving her Facebook followers a glimpse from both the front and the rear.

Katie flashed a huge smile as she struck her poses against a brick wall in a garden, and gushed in the image caption: “So comfy it’s unreal.”

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Yet instead of honing in on the loungewear, some social media users opted to make distasteful remarks on her shape.

One female Facebook user posted: “Shame isn’t it she was stunning once.”

One then posted: “U must be freezing all the time.’

Katie’s loyal fans were quick to have her back and one sarcastically clapped back at the user: “Very mature.”

Another posted: “Calling people names is why a lot of people begin to hate themselves and go to far with plastic surgery. Not nice at all.”

Earlier this week, Katie revealed her “snatched and defined” look as she headed for lymphatic drainage in Greater Manchester.

A series of images posted to Drain and Define’s Instagram page showed her lying on her back, with her bare tummy and array of body artwork exposed.

Katie, who sought further medical advice for her weight just last month, has undergone an “ultimate reset” with full-body lymphatic drainage treatment.

Katie Price surgery boxout

KATIE Price’s love for surgery is no secret – here’s the details

1998 – Katie underwent her first breast augmentation taking her from a natural B cup to a C cup. She also had her first liposuction

1999 – Katie had two more boob jobs in the same year, one taking her from a C cup to a D cup, and then up to an F cup

2006 – Katie went under the knife to take her breasts up to a G cup

2007 – Katie had a rhinoplasty and veneers on her teeth

2008 – Katie stunned fans by reducing her breasts from an F cup to a C cup

2011 – Going back to an F cup, Katie also underwent body-contouring treatment and cheek and lip fillers

2014/5 – Following a nasty infection, Katie had her breast implants removed

2016 – Opting for bigger breasts yet again, Katie had another set of implants, along with implants, Botox and lip fillers

2017 – After a disastrous ‘threading’ facelift, Katie also had her veneers replaced. She also had her eighth boob job taking her to a GG cup

2018 – Katie went under the knife yet again for a facelift

2019 – After jetting to Turkey, Katie had a face, eye and eyelid lift, Brazilian bum lift and a tummy tuck

2020 – Katie has her 12th boob job in Belgium to correct botched surgery and a new set of veneers

2021 –  In a complete body overhaul, she opts for eye and lip lifts, liposuction under her chin, fat injected into her bum and full body liposuction

2022 – Katie undergoes another brow and eye lift-and undergoes ‘biggest ever’ boob job in Belgium, her 16th in total

2023 – Opting for a second rhinoplasty, Katie also gets a lip lift at the same time as well as new lip filler throughout the year

2024 – Katie has her 17th boob job in Brussels after revealing she wanted to downsize. She performed at Dublin Pride just days later and surgeons warned the lack of recovery posed a risk of infection

HEALTH CONCERNS

Just last month, Katie uploaded a selfie to social media with a concerning caption.

She wrote: “First day off and straight to the doctors to find out what’s happened to my weight.”

She also shared another snap of herself in a pink hoodie and said: “Doctors for bloods to see why I’m losing weight.”

This comes after she revealed she was in hospital last month after drastically shedding the pounds over the past 12 months.

The Celebrity Big Brother winner told her fans on Snapchat at the time: “I’ve been up early at the doctors so she could do some bloods and because my veins are so s*** they had three attempts.

“They could only fill two tubes up, so I’ve got to go back in two weeks.

“And I’ve got to have my stitches out then because they looked at my little stab wound that I did.”

Her frail frame has been a cause of concern for her fans over the last few months, with many of her loyal followers taking to the comments section of her pictures to share their worries.

FAMILY CLAP BACK

Her fans aren’t the only ones who have shared their concerns as the former glamour model’s family have also said their piece.

In August, while filming the first episode of her new podcast, The Katie Price show, she was joined by her sister Sophie.

As the podcast was wrapping up, the sister duo were joined by Sophie’s dad and Katie stepdad Paul as talk soon turned to Katie’s weight loss.

On the episode, Katie, who recently showed off her newest surgery, asked her dad: “What are you looking at?” to which he replied: “Look how thin them legs are, terrible they are, my hand can go round them.”

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She replied: “They’re obsessed with my weight,” as Sophie chimed in: “You are thin.”

Katie was heard insisting: “I am happy,” as her dad retorted: “No it’s not right, it’s probably that vaping crap.”

As one century gives way to another, a child is born in Mumbai. “The millennium’s gift,” Chandni Contractor, is a source of joy to her parents. When Chandni turns 4 and reveals herself to be a musical prodigy, she becomes a source of wonder. At the age of 13, she dazzles audiences across India with her piano and sitar performances. Five years later, she enthralls Majnoo, the playboy son of billionaire parents, and the pair go on to have a spectacular wedding. But their marriage sours and her in-laws turn overbearing. Eventually Chandni snaps and wreaks havoc by playing a different kind of music, one that has the power to destroy livelihoods and lives.

“The Musician of Kahani” is one of five stories in a new collection by Salman Rushdie. “The Eleventh Hour” sees the acclaimed Indian-born British American author exploring the weighty matters of life and death. That he should choose to craft tales around these twin themes is hardly surprising. In 2022, he was nearly killed in a frenzied attack at an event in upstate New York. Two years later, in his up-close-and-personal memoir, “Knife,” he recounted his ordeal and told how he had come to embrace what he called “my second-chance life.” Rushdie’s brush with death and new lease on life renders his latest stories — his first fiction since the attack — all the more potent and poignant.

The collection’s opener, “In the South,” gets underway both innocently and ominously: “The day Junior fell down began like any other day.” What follows is a chronicle of a death foretold. Senior and Junior are two octogenarian neighbors in Chennai, India, who spend their time together arguing. The former has had a rich and fulfilling life, but as so many of his friends and family have died — or “gone to their fiery rest” — he now longs for death. The latter, afflicted by “the incurable disease of mediocrity,” has led a disappointing life yet still possesses a lust for it.

When a tsunami hits the city, it kills Junior. At first Senior is angry (“Why not me?” he rages), but his dominant emotion turns to sadness after he realizes he has lost a man who was his “shadow.” Or so he believes. For Junior’s passing is not the end. Senior continues to see, and quarrel with, his fallen friend. As Rushdie puts it: “Death and life were just adjacent verandas.”

One of the finest stories here, “Late,” involves another apparition. English academic S. M. Arthur wakes up in his university college (an unnamed King’s College, Cambridge) and discovers he is dead. Feeling like “a broken entity trapped in a kind of prison,” he finds peace by communing with the one person who can see him, Indian student and fellow lonely soul, Rosa.

The pair form a bond in the empty college over the Christmas holidays. Despite their affinity, Arthur harbors secrets. When Rosa is tasked with sorting his papers, she comes across a mysteriously locked box file, the contents of which he refuses to disclose. Then Arthur takes stock of his situation and decides he can’t rest until Rosa helps him get even with a past persecutor. What is in the box and why the need for revenge?

Weighing in at over 70 pages, “Late” constitutes more a novella than a story, as does “The Musician of Kahani” and the equally substantial “Oklahoma.” This last offering about writers, writing and elaborate vanishing acts is artfully structured and formally daring, made up of multiple layers, diverse references, literary ventriloquy and slick twists and turns. In a lesser writer’s hands, this novella might have been too clever for its own good; however, Rushdie, a seasoned pro, achieves the perfect balance.

He hasn’t done so in recent years in his long-form fiction. “The Golden House” (2017), “Quichotte” (2019) and his last novel, “Victory City” (2023), were blighted in places by digressive riffs and monologues, bottomless subplots, “humorous” character names (Evel Cent, Thimma the Almost as Huge) and excessive magic-realist high jinks comprising talking revolvers, ferocious mastodons, an Italian-speaking cricket and a demigoddess who grows a city from seeds and lives for 247 years. Sometimes this hocus-pocus worked wonders; at other times it felt like cheap tricks.

Rushdie has far more success in “The Eleventh Hour.” His narratives are more streamlined. His flights of fancy— malevolent music, undead scholars, imaginary brothers, a cult led by a guru with 93 Ferraris in an “experimental township” called the Moon — are more controlled and add subtle strokes of color. Some groan-inducing puns aside, Rushdie’s comic touches are deftly managed, appearing as sharp satirical swipes or witty repartee. “You look like a man who is only waiting to die,” says Junior to Senior, who in turn retorts: “That is better than looking, as you do, like a man who is still waiting to live.”

Rushdie exhibits further playfulness by scattering clues and inviting his reader to trace connections. Arthur is in part a crafty composite of the writer E.M. Forster and the computer scientist Alan Turing — all three being, like their creator, King’s College alumni. “And at midnight, the approved hour for miraculous births in our part of the world, a baby was born to a Breach Candy family,” Rushdie writes of Chandni, with a knowing nod to the key time, place and circumstances in his 1981 masterpiece “Midnight’s Children.”

The book’s last and shortest entry, the fabular “The Old Man in the Piazza,” makes for a somewhat slight coda. Otherwise, this is an inventive and engrossing collection of stories which, though death-tinged, are never doom-laden. With luck this master writer has more tales to tell.

Malcolm Forbes is a freelance writer and critic from Edinburgh, Scotland, who writes for the Economist, the Washington Post and other publications.

The annual TV licence fee is set to rise in April 2026

Calls have been made to scrap the BBC TV licence fee and introduce either advertising or a paywall system before the annual price increase in April. A new online petition has urged the Government to make changes to the TV licence system.

The current fee stands at £174.50 and households must pay this if they watch or record live television, or face potential fines. This charge usually increases alongside September’s Consumer Price Index (CPI) inflation rate, which reached 3.8 per cent.

Such a rise would push the licence fee up by £6.65 to £181.15 for the 2026/27 financial year. The Daily Record reports that this isn’t guaranteed and awaits confirmation from the UK Government later this month, typically around the Autumn Budget on November 26.

From April 1, 2024, the UK Government determined the licence fee would increase annually with CPI inflation for the Charter period’s remaining four years. The BBC’s current Charter continues until the end of 2027.

Campaigner David Gilmore contends that “even if you don’t watch the BBC you still have to pay for it”. He continued: “You don’t have to pay for content put on by theatres or cinemas if you don’t watch it so why should you be required to pay the BBC if you don’t watch their content?”

The petition titled “Scrap the BBC TV licence and replace funding with adverts or paywall” appears on the UK Government’s petitions-parliament website. At the time of reporting, it had over 1,300 signatures.

The petition needs 10,000 signatures to receive a written response and at 100,000 signatures, it would be considered for debate in Parliament. The petition can be viewed online here.

Other calls to change the TV licence

Over 15,200 people have signed a similar petition, urging the UK Government to cover the TV licence fee for all State Pensioners and those who reach the current official retirement age of 66. As per the current rules, only those over the age of 75 who are receiving Pension Credit are entitled to a free TV licence, saving them £174.50 on the annual fee.

Michael Thompson, the creator of the petition, argues that “many pensioners live on the breadline with only the TV for company”.

He further stated: “With the cost of food soaring and utility bills ever higher, we feel there is a desperate need to provide all pensioners with at least this concession.”

Mr Thompson added: “We feel it is a double outrage that those who have given their all to this country in taxes and raising children have to pay a TV licence fee and are only exempt if they receive means-tested Pension Credit. Meanwhile, some media figures draw huge salaries.”

The “Fund free TV licences for all pensioners” petition can also be seen on the UK Government’s petitions-parliament website.

OVER one million people watched as Brittany Miller made the perfect roast potato over the weekend – for her perfect twins in her perfect home with her perfect smile.

But behind the 29-year-old influencer’s flawless façade lies a sinister web of lies which saw her fake cancer and con her followers. Now, for the first time we reveal the truth behind her shock scam – and why she’ll stop at nothing to achieve fame.

In 2017, Brittany was an unknown 21-year-old living in Oxfordshire, with dreams of becoming the next big social media influencer. Her small online community were then left shocked when she claimed to have been diagnosed with stage three gastric cancer. 

Her friends rallied around her – a crowdfunding page was set up to help support her financially and interest around her started growing.

But then just as fast as her cancer news started spreading – it then disappeared and wasn’t mentioned again. No trace of her extraordinary lie could be found online. 

It wasn’t until 2020 when Brittany collaborated with a breast cancer awareness charity that her former best friend decided to speak out – revealing the whole thing had been a scam. 

Brittany lied to us all – not just her friends but also her followers online

Former friend

The police have confirmed to The Sun that Brittany was indeed convicted of her crime – fraud by false representation.

In July 2020, she was given a conditional discharge for 12 months and was forced to pay compensation and costs to the Crown Prosecution Service. 

Her criminal record will no longer show up on basic checks, which has left her victims furious. 

Speaking anonymously, a former pal revealed that Brittany had in fact been the one to set up the JustGiving page and had begged her friends to circulate it for her.

They told us: “Brittany lied to us all – not just her friends but also her followers online. 

“Now people are following her and they have no idea what she is really like.

“Yes it happened years ago but lying about cancer is really wrong. Lots of her followers will have family members living with cancer but little do they know that every time they watch one of her videos, they are giving money to a fraud.”

MAKING CASH AND FALLING OUT

Indeed, Brittany has built herself a successful online career. Her videos are mostly her dishing up huge meals, making home comfort food or showing hauls from Temu or Shein.

It might not be groundbreaking stuff but she has 3.5 million people following her on TikTok.

Her boyfriend, Ash Griffiths, regularly features in her clips and in July last year she gave birth to identical twins, Elijah and Emiliano, who have also become a big part of her content. 

The couple recently moved into a plush new home in East Sussex, thanks to the proceeds from Brittany’s TikTok account.

Looking back, another friend recalled how Brittany would tell her she was in hospital, having treatment, including radiotherapy and would guilt trip her when she wasn’t available to hang out with her.

Things came to a head when the pal accused Brittany of stealing money from her grandma.

In messages seen by The Sun, someone appearing to be Brittany admits to taking the cash but blames it on the strong medication she was taking. The pair fell out shortly after. 

In the weeks and months after Brittany’s crime was revealed, there has been a lot of online speculation but she has never addressed what happened. 

The former pal told us: “Brittany has done what she can to erase her history and will delete any comments referencing it.

“It’s pretty scary to think she was happy to lie about cancer and makes you wonder just how far she will go to be super successful.

“This isn’t about getting revenge on her, it’s about people knowing the truth, which they deserve.”

PAST MISTAKES AND PRESENT ISSUES

The cancer scam wasn’t the only time Brittany has been caught telling lies.

In 2018, she was convicted of travelling on the railway without having paid the fare. She gave the officer of the railway company a fake name and address. She was fined £320. 

In recent months, Brittany’s parenting has also come under question and  she revealed how an anonymous hater had accused her of child abuse.

Ash, who is the father of their twins, was even quizzed on her being an alcoholic and a “druggy.”

I’m in the spotlight, I get millions of views every video, I get it, there’s nasty people out there

Brittany on her fame

Unlike in the past, Brittany decided to be very open about what had been going on and, in an emotional video, she acknowledged that someone reported her to social services, not only accusing her of child abuse, but holding her responsible for “lots of things”.

She confirmed that she “got questioned about everything” and was “really upset” when she spoke to them on the phone, so much so that she “kept having to pause” because she was crying so much.

No further action was taken but the whole incident left Brittany shaken up. 

She said at the time: “People are so desperate for my downfall and bringing me down, but bringing my children into it is ludicrous – why would you want to do that to them, innocent babies?

“Do what you want to me, whatever, but to them, innocent children who are clearly very happy and healthy babies, that’s crazy, you’re an actual weirdo, you’re an actual loser.”

Brittany added:  “Never in a million years did I think I’d have to go through something like this – obviously, I’m in the spotlight, I get millions of views every video, I get it, there’s nasty people out there, I understand that. 

“I just think, how cruel can you actually be? So, so cruel.”

It’s not just Brittany who has been left shaken up by it all – her former friends now fear they will be targeted by trolls accusing them of spreading lies to social services.

An insider said: “It feels like trouble follows Brittany. She might have this perfect life on social media but it’s not the truth. This drama with social services won’t be the last she’s involved in. But she’s built up an incredible following now – and they will support her, no matter what.”

Brittany has been contacted for comment.

After going global for its second volume, “Star Wars: Visions” Volume 3 brings the anthology series back to its roots with a new slate of shorts all created by Japanese anime studios.

Each season of the Disney+ series, which launched in 2021, has infused fresh creative energy into the galaxy far, far away by giving international animation houses the freedom to explore ideas about the Force, the factions of the Galactic War and brand new planets and cultures outside of the constraints of the long-running franchise’s canon.

And while Volume 3, which premiered last week, revisits some characters that were introduced in Volume 1, it also shows how anime is a medium with range. From the gritty installment that explores the complexity of the dark sides of the Force through a battle between former Sith and Jedi (“The Duel: Payback”) to a more heartwarming story about a pair of resourceful orphans who decide to become family (“Yuko’s Treasure”), there are different types of anime for everyone.

Anée-san in “The Duel: Payback,” one of the shorts in “Star Wars: Visions” Volume 3.

(Lucasfilm Ltd.)

With movies like “Demon Slayer: Kimetsu no Yaiba Infinity Castle” and “Chainsaw Man — The Movie: Reze Arc” making waves at the box office, anime’s growing popularity is undeniable and its availability on major streamers has also made anime series and movies more accessible than ever. So for those whose curiosity about the medium has been piqued by “Star Wars: Visions,” here are some titles to check out based on the themes and stories of the nine shorts that comprise Volume 3.

Stunning fights (with some moral ambiguity)

Sagiri in an episode of “Hell’s Paradise.”

(©Yuji Kaku/Shueisha, Twin Engine, Mappa / Crunchyroll)

Let’s be honest: Lightsaber duels are awesome. So it’s no surprise that a number of shorts in “Star Wars: Visions” Volume 3 leaned into stories involving Jedi and/or the Sith, including “The Duel: Payback,” “The Lost Ones” and “The Bird of Paradise.”

For those who are looking for anime featuring stylish and stunning sword-fighting scenes, the ever popular “Demon Slayer” (Netflix, Disney+/Hulu, Crunchyroll), featuring a secret organization fighting to protect humans from demons, is an obvious choice. Another show featuring stylish combat between skilled warriors and supernatural monsters is “Hell’s Paradise” (Netflix, Disney+/Hulu, Crunchyroll). The series follows a ninja who is recruited by an executioner to join a party of death row inmates on a quest to find the elixir of life on a mythical island populated with mysterious deadly threats. The successful convict will be pardoned for all of their past crimes. The premise may remind some of the supervillain team-up “The Suicide Squad,” but the fighting scenes — and the island’s inhabitants — stand alone.

Master and apprentice dynamics

Frieren, left, and Fern from “Frieren: Beyond Journey’s End.”

(Crunchyroll)

Speaking of Jedi, “The Lost Ones” and “The Bird of Paradise” also touch on the relationship between a Jedi master and their padawan apprentice. If a story involving a lineage of student-teacher dynamics that’s about friendship, human connection, memory, mortality and legacy sounds intriguing, consider checking out “Frieren: Beyond Journey’s End” (Netflix, Disney+/Hulu, Crunchyroll). The fantasy series follows an elven mage, her young human apprentice and others they pick up along their years-long journey to visit the spirits of old friends. The show is part travelogue, part adventure quest with monsters, magic battles and dungeon exploration.

Lovable scoundrels

Kazuki, left, Miri and Rei in an episode of “Buddy Daddies.”

(©KRM’s Home / Buddy Daddies Committee / Crunchyroll)

The world of “Star Wars” is full of scoundrels that fans can’t help but love for their swagger and independent moral code, and “Visions” installments “The Smuggler” and “The Bounty Hunters” add to that legacy.

Well-known classics like “Cowboy Bebop” (Crunchyroll) and “Lupin the Third” (Tubi, Crunchyroll) and the long-running “One Piece” (Netflix, Disney+/Hulu, Crunchyroll) are good starting points for those first dipping their toes into anime and are interested in the adventures of a ragtag group of bounty hunters, thieves and/or pirates. For those looking for something new, consider “Buddy Daddies” (Crunchyroll), which follows a pair of assassin roommates who form a makeshift family after taking in a 4-year-old they encounter while out on a job. Think of it like “The Mandalorian,” if Mando had a recluse gamer co-parent and Grogu was a picky eater.

Political space wars and mech suits

Suletta Mercury in an episode of “Mobile Suit Gundam: The Witch from Mercury.”

(©Sotsu, Sunrise, MBS / Crunchyroll)

Some film and TV shows set in the galaxy far, far away are more political than others, but aspects of the conflict involving the Galactic Empire, Rebel forces and stray Jedi are touched on in a few of the shorts in “Visions” Volume 3 like “The Lost Ones,” “The Smuggler,” “Black” and “The Song of Four Wings,” with the latter featuring a young protagonist that dons a snazzy flying mech suit.

The mecha franchise “Gundam” is best known for its giant robots, but it’s a sprawling space opera that touches on political themes including the horrors of corruption, inequity and war. A recent standout is newcomer-friendly “Mobile Suit Gundam: The Witch From Mercury” (Crunchyroll). The show follows a shy new transfer student at a corporate military school where recruits train and settle disputes in giant mech suit combat. The series uses school drama and a budding teen romance as a backdrop to touch on themes such as class strife and prejudice, corporate greed and personal vengeance.

Emotionally resonant robots

Atom in an episode of “Pluto.”

(Netflix)

From the Skywalkers’ fussy protocol droid C-3PO to Hera Syndulla’s cranky astromech Chopper, lovable androids are a “Star Wars” signature. “Visions” Volume 3 installments “The Ninth Jedi: Child of Hope” and “Yuko’s Treasure” each introduce loyal droids that tug viewers’ heartstrings.

The title androids in “Astro Boy” (also known as Atom) and “Doraemon” are kid-friendly household names in Japan akin to Mickey Mouse and Snoopy, but a more mature option is “Pluto” (Netflix). The gritty, sci-fi murder mystery series is based on a reimagining of a story arc from the “Astro Boy” manga, and is set in a world where humans live alongside robots — though the dynamic is a bit different than in “Star Wars.” The story follows a robot detective who is investigating a string of robot and human killings, and, like many sci-fi stories about androids and artificial intelligence, touches on themes like what makes humans human.

A scene from “Yuko’s Treasure,” one of the shorts in “Star Wars: Visions” Volume 3.

(Lucasfilm Ltd.)

Rambunctious kids

Plenty of “Star Wars” media is made with younger audiences in mind, but not many are about the adventures of children in the galaxy far, far away. “Vision” Volume 3’s “Yuko’s Treasure” puts a couple of orphan kids in the forefront — along with an adorable bear-like droid.

There’s no shortage of anime series about the (mis)adventures of rambunctious kids and one of the more heartwarming involves a “fake” family. “Spy x Family” (Disney+/Hulu, Crunchyroll) follows a secret agent working to maintain the fragile peace between neighboring nations and the faux happy family he constructed for his latest undercover mission. Unbeknownst to him, his adopted daughter is secretly a telepath and his fake wife is an assassin. As one might expect, a telepathic first grader with a wild imagination who lives with a spy and an assassin can get caught up in plenty of shenanigans. Bonus: The family also adopts a cute massive dog.

Kotaro in an episode of “Kotaro Lives Alone.”

(Netflix)

On the opposite end of the spectrum is “Kotaro Lives Alone” (Netflix), a more grounded show with just as outlandish a premise. The series follows a 4-year-old who moves into a rundown apartment complex alone — for reasons that are eventually revealed as his neighbors get to know him. The boy is unusually self-reliant and mature but also childish and understandably vulnerable. As viewers might assume, there are not many happy circumstances that could possibly lead to a 4-year-old child living on his own, but there’s more warmth than tragedy.

Musical, visual spectacle

One of the standouts in “Star Wars: Visions” Volume 3 is “Black,” a jazz-fueled, mind-bending fever dream of a Stormtrooper during a battle. The bold, music-driven 13-minute short is a visual spectacle that challenges viewers and there’s not much else out there that compares. Though it has a more structured narrative, the anime film “Inu-Oh” (Netflix) is a psychedelic rock opera that might scratch the same itch. Set in 14th century Japan, the film follows two young artists who forge a friendship because they are both outcasts — the musician is blind, and the dancer was born with monstrous deformities — and their dazzling performances drive the story.

Channel 4 is reportedly gearing up to axe The Inheritance, which was fronted by Liz Hurley and Rob Rinder and saw 13 players attempt to win money from a will, after just one series

Elizabeth Hurley‘s reality show could be about to be axed after just one series. The Hollywood star, 60, teamed up with Good Morning Britain presenter Rob Rinder to front the game show, which aired on Channel 4 earlier this year.

The Bedazzled actress played the The Deceased, with Rob working as The Executor, and 13 contestants battled it out in a series of challenges to unlock money from the will as they try to convince each other that only they should be trusted with the money pot. Whilst no official decision has bene made on the programme’s future, insiders have claimed that it is not expected to come back for a second run of episodes.

A source told The Sun: “The Inheritance has been widely viewed as a flop, despite all the publicity and having a big star at its heart.

READ MORE: Lorraine Kelly takes bitter swipe at Liz Hurley following her jaw-dropping NTAs outfitREAD MORE: The Inheritance winner revealed in nail-biting Channel 4 final twist

“Channel 4 maintains no decision has been made on its future, but many people involved in the debut series are working on the basis that it isn’t returning. Of course there may be some huge changes of mind and the show enjoys a stay of execution, but all the signs are that this is another expensive flop and they’re likely to quit while they’re behind.”

The Mirror has contacted Channel 4 representatives for comment.

The first episode of The Inheritance pulled in just half a million viewers, although this grew once catch up figures were taken into account. However, over the course of two weeks, overall, the programme averaged just 1.5 million. In the end, it was 28-year-old Yorkshire scaffolder Cam who emerged victorious, winning the vote amongst his fellow finalists to be the ultimate Prime Beneficiary, receiving a whopping £100,000 fortune from The Deceased’s estate.

Cam then had the option of keeping the prize money to himself, which would add to the already huge £10,000 he had accumulated throughout the game. However, in a nail biting final decision, he chose to share his winnings with Emma, Hafsah, Hannah and Jesse, who each took home £20,000 each, along with what they had already banked throughout.

In total, Cam walked away with £30,000 with the rest of the finalists trailing closely behind. Hannah and Jesse received £28,200 each Hafsah taking home £27,700 and paramedic Emma walking away with a modest £23,800.

During the tense moment, host Rob Rinder was seen standing with the finalists during the tense moment, as he revealed that Cam had chosen to split the money with all four players. “You arrived at the final at the final stages of this game together, and you now leave with an equal slice of the inheritance,” Rob announced, as the contestants broke down in tears.

“You arrived at the final at the final stages of this game together, and you now leave with an equal slice of the inheritance,” Rob announced, as the contestants broke down in tears.

“The inheritance is now concluded, please collect your money from the safe boxes and leave the estate immediately,” he concluded.

While the players were left shocked at Cam’s generous decision, it was a no brainer for him, as he announced: “I’ve had debt hanging over my head for years, I can’t describe the feeling of a fresh start.

“My dad taught me integrity and in that strong room it is literally a battle between your head and your heart. To be able to change the lives of four other people too, I am so happy and proud.” Of course, he’s only human, and he did have second thoughts when the money was right in front of his eyes.

“We all spoke about it in the final division ceremony, dividing all the money up, and I think it’s easy to say you would,” he said. “However, when you get down into that room, and you’ve got a hundred thousand pounds in front of your face, you start thinking about everything back at home and how much it could change your life.

“It really is a tough decision but at the end of the day I’m a team player, and I’m just so happy that I did make the decision I made.”

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SINGER Louise Redknapp looked sensational as she stunned on the red carpet of a glitzy awards ceremony.

The former Eternal member was one of the many stars who enjoyed a night out at the extravagant Music Industry Trust Awards.

Louise commanded attention as she flashed her bra under a sheer see-through shirt.

She paired it with a maroon ruched skirt and accessorised with a large black clutch bag.

The glitzy do was hosted in partnership with YouTube and Global and saw a raft of celebrities step out for the event at the Grosvenor House Hotel.

Kelly Brook, who is set to star in this year’s I’m A Celebrity, also looked fantastic as she made a statement on the red carpet.

Undivided love

Louise Redknapp makes red carpet debut with her new boyfriend Drew Michael

red hot

Louise Redknapp shows off her amazing figure in red swimsuit

The glam model looked phenomenal as she wore a loose-fitting leopard print dress.

The outfit fell to her feet but left her toes exposed with Kelly choosing to wear open-toe heels for her evening out.

Kelly’s hair and make-up looked flawless as she proudly posed away for cameras at the event.

Popstar Rita Ora was another guest of honour and even took to the stage for an exclusive performance at the shindig.

The Hot Right Now singer opted for an all-pink ensemble.

Rita looked as glam as ever in a hot pink sequined mini dress that she teamed with an equally bright pair of skintight leggings.

She added an oversized pink fluffy fur coat to the look as well as showing off her hair transformation after opting for a brand new fringe.

Rita wasn’t the only performer to hit the stage with Price Tag hitmaker Jessie J also wowing audiences with a stellar performance.

It is one of Jessie’s first gigs since undergoing surgery for breast cancer treatment and having to postpone her scheduled tour owing to medical appointments related to her cancer battle.

Jessie equally looked just as glam as her fellow ladies as she wowed in a figure-hugging white dress which featured a sheer skirt with a translucent detail.

Kate Garraway, Emma Bunton and Olly Murs were also all in attendance for the star-studded night out.