SHOW BIZ

SINGER Harry Styles takes a stroll with girlfriend Zoe Kravitz — who shows her dedication to him by wearing his merchandise.

The couple were seen in New York with actress Zoe, 37, wearing a £35 baseball cap with the word “Kiss” on it — a reference to Harry’s new album Kiss All The Time. Disco, Occasionally.

Harry, 32, wore white sunglasses for their date.

We revealed earlier how fans reckon his brand new tattoo is a poignant tribute to his late 1D bandmate Liam Payne.

It came just days after the Aperture hitmaker, 32, spoke out for the first time on the dad-of-one’s passing.

Harry, who was in the group with Liam from 2010 to 2016, said living his life “to the fullest” is the best way he can “honour” his friend.

STYLES’ SIGNAL

Harry Styles’ fans spot blink-and-you’ll miss it nod to girlfriend Zoe

APPY DAYS

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Now eagle-eyed viewers have spotted Harry in the crowd of US TV show Saturday Night Live donning a surprise new inking on his right arm.

He had swirling writing etched in black on his upper arm that spelled out the word Slinky.

One fan took to TikTok to muse: “Harry Styles’ slinky tattoo that people suspect harry got in honour of Liam Payne’s love for Toy Story”.

Slinky is a much-loved spring dog that features in the Disney Pixar movies, and is a loyal pal to protagonist Woody.

Another user then commented: “He loved him so much”.

One mused: “And that’s the arm that he said was going to be only for his family…. (he said that years ago it may not even be true anymore but it’s cute)”.

Back in the early 2010s, the music industry was at a low point.

Piracy was rampant. Compact disc sales were on a steady decline. And the then-new audio streaming services, like Spotify, were taking hits from creators for paying low royalty rates.

Today, Spotify has grown into the world’s most popular audio streaming subscription service and the highest-paying retailer globally — paying the music industry over $11 billion last year. The Swedish company said in a recent post that the payouts aren’t strictly going to ultra-popular artists, but that “roughly half of royalties were generated by independent artists and labels.”

“A decade ago, a lot of the questions were really fair. Spotify had to be able to prove out if it could scale as an economic engine. People didn’t know if streaming would scale as a model,” said Sam Duboff, Spotify’s global head of marketing and policy of music business.

Duboff said Spotify’s payouts aren’t “plateauing — we’re still growing that royalty pool on Spotify more than 10% per year.” He credits the streaming platform’s growth to “incentivizing people to be willing to pay for music again” by providing personalized experiences and global accessibility.

The company, founded in 2006, serves more than 751 million users, including 290 million subscribers, in 184 markets.

“The average Spotify premium subscriber listens to 200 artists every month, and nearly half of those artists are discovered for the first time,” Duboff said. “When you build an experience where people can explore and fall in love with music, it inspires them to upgrade to premium and keep paying.”

The platform offers a wide variety of playlists, curated by editors like the up-and-comer-driven Fresh Finds or rap’s latest, RapCaviar. There are also personal playlists generated for users, such as the weekly round-up Discover Weekly and the daily mix of tunes called the “daylist.”

The streamer considers itself the first step toward “an enduring career” for today’s indie artists. Last year, more than a third of artists making $10,000 on the platform in royalties started by self-releasing their music through independent distributors.

“Streaming, fundamentally, is about opportunity and access. It’s artists from all over the world releasing music the way they want to and reaching a global audience from Day One,” Duboff said. He adds that when fans have a choice, they will discover new genres and music cultures that may have otherwise languished in obscurity.

In 2025, nearly 14,000 artists earned $100,000 from Spotify alone. The streamer’s data also show that last year the 100,000th highest-earning artist made $7,300 in Spotify royalties, whereas in 2015, an artist in that same spot earned around $350.

The company, with a large presence in L.A.’s Arts District, emphasizes that the roster of artists on its platform who earn significantly more money — well into the millions — is no longer limited to the few. A decade ago, Spotify’s top artist made around $10 million in royalties. Today, the platform’s top 80 artists generate over $10 million annually. Some of 2025’s top artists globally were Bad Bunny, Taylor Swift and the Weeknd.

Spotify claims those who aren’t household names can earn six figures, with more than 1,500 artists earning $1 million last year.

For some musicians, the outlook is not as clear

Damon Krukowski, a musician and the legislative director for United Musicians & Allied Workers, argues that Spotify’s money isn’t necessarily going to artists — it’s going to their labels.

Those without labels usually upload music through distributors such as DistroKid and CD Baby. These platforms charge a small fee or commission. For example, DistroKid’s lowest-level subscription is $24.99 a year, and the site states users “keep 100% of all your earnings.”

”There are zero payments going directly to recording artists from Spotify,” Krukowski asserts. “Recording artists deserve direct payment from the streaming platforms for use of our work.”

The advocacy group, which has mobilized more than 70,000 musicians and music workers, recently helped draft the Living Wage for Musicians Act to address the streaming industry. The bill, introduced to the U.S. House of Representatives last fall, calls for a new streaming royalty that would directly pay artists a minimum of one penny per stream.

In the Q&A section of Spotify’s Loud and Clear website, the streamer confirms that it “doesn’t pay artists or songwriters directly. We pay rights holders selected by the artist or songwriter, whether that’s a record label, publisher, independent distributor, performance rights organization, or collecting society.”

Instead of following a penny-per-stream model, Spotify pays based on the artist’s share of total streams, called a “streamshare.”

“Streaming doesn’t work like buying songs. Fans pay for unlimited access, not per track they listen to,” wrote the company online. “So a ‘per stream’ rate isn’t actually how anyone gets paid — not on Spotify, or on any major streaming service.”

All episodes have found a new home on the streaming platform

What some consider as the ‘best series ever made’ that is based on an award-winning novel is now streaming on Netflix.

In the latest significant update for the streamer’s library, all episodes of The Man In The High Castle have been added to the service. While it was originally a Prime Video exclusive released back in 2015, running for four season until 2019.

It is an alternate history period drama, loosely based on the novel of the same name written by Phillip K. Dick. The author was one of the most celebrated sci-fi writers, with many of his works adapted for the screen including into films such as Blade Runner, Minority Report and Total Recall.

The story takes a look at what the world might look like had the outcome of World War II turned out differently. In this dystopian scenario, the Axis powers won the war, leading to the United States being divided into three parts, an area controlled by the Japanese, a Nazi-controlled section, and a buffer zone between the two.

Despite the oppression, a new hope emerges when films turn up that seem to show a different world. A woman believes the films contain the key to freedom and is determined to find their mysterious guardian as she begins to build a network of resistance.

The series was created for television by Frank Spotnitz who previously worked as a writer for The X Files. Alien director Ridley Scott served as an executive producer.

It boasts an 84% rating on website Rotten Tomatoes. One reviewer claimed: “a superb, frightening experience filled with unexpected twists and (some sci-fi) turns.”

A different critic penned: “unlike anything else on television, impeccably acted and packed with vivid, multi-layered characters, gut-wrenching twists and dark, dark moments of human misery”.

It would go on to last for three more seasons and years after the final episode released, many fans still hail it as one of the more superior historical fiction shows. One went so far as to post on Rotten Tomatoes declaring it as “one of the best shows ever made.”

Another added: “a haunting alternative history vision implemented in a extremely authentic fashion.”

While a third confessed how they were hooked upon discovering the series for the first time. They said: “Beyond impressed, stayed up until 2am on a week day… I decided to squeeze in the pilot. Needless to say, seven episodes later I was still watching.”

They continued: “The storyline is incredible. The acting is great. The emotions that it brought out of me was real and raw. It made me appreciate and think differently about the word/idea/concept that we all throw around ‘FREEDOM'” Yes, it’s fictional, and yes it’s just a TV-show, but boy they hit on something, at least in me. I’m beyond impressed!”

Someone else commented: “This is the best series since Breaking Bad. I think every one under the age of 40 needs to see this.”

The Man In The High Castle is streaming on Netflix.

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

Matt Tebbutt will not return to MasterChef The Professionals after just one series at the helm, it has been reported. He stepped in to replace axed Gregg Wallace

Matt Tebbutt is reportedly not returning to MasterChef The Professionals after just one series at the helm. The TV chef was drafted in to replace Gregg Wallace, who was axed from the show over misconduct allegations.

It has been reported that the popular TV host will not be returning to the BBC professionals series when this one wraps – with just Marcus Wareing and Monica Galetti hosting the show.

Sources claim that the decision for Matt not to return is nothing to do with the presenter and more so because of the closeness with Monica and Marcus, who have been on the show since 2014 bar a brief hiatus for Monica.

“There might be a few eyebrows raised that Matt isn’t staying on given he has just joined. He didn’t do anything wrong and will definitely come back to the series as a guest in the future,” a source told The Sun.

“But bosses simply realised that they could get away with just having Marcus and Monica at the helm, especially as their chemistry is great and they have a tight relationship. Three was a bit of a crowd. Matt has taken it all in his stride and has plenty of other work to keep him busy. The whole experience was brilliant exposure for him.”

A Banijay spokeswoman said: “No decisions have been made yet about the presenting line up for the future series of MasterChef. We won’t comment on speculation.”

When Matt joined the show last year, he described it as an “absolute honour”. Announcing the exciting news, he said: “It’s an absolute honour to be working alongside these two titans of the food world. Their knowledge and uncompromising attitude is now the stuff of legend and I look forward to them taking me under their wing and seeing the chefs get off to a flying start in the competition!”

Matt previously confessed it was difficult stepping into Gregg’s shoes. He explained: “Stepping into someone’s TV shoes is a difficult position to be in. But I did it before – under totally different circumstances, of course – when James Martin left Saturday Kitchen.

“I just try and make my own mark without making too many waves. I’ll be as safe as houses on MasterChef: The Professionals! It’s fair to say the ‘Good Cop’ would apply here. My two grown-up kids, for instance, call me ‘GI Dad’ but the ‘GI’ refers to ‘give in’ rather than the GI Joe reference that I’d hoped they meant. Seriously, though, I think I’ll be pretty fair but expect high standards – after all some of these contestants are at the top of their game.

“It’s all been very exciting and I was very chuffed to be picked for The Professionals. I was pretty surprised to be honest but I think they wanted to get someone with as much experience as possible so they could drop them in at the deep end! And the fact that my name also begins with a ‘M’ maybe helps. A bit of alliteration never hurts.”

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SINGER Anne-Marie has sparked concern after branding herself a “wreck” in a new social media message.

The star tweeted a lengthy message in which she also suggested people “wouldn’t care” about her “emotional” struggles.

Anne-Marie, 34, took to X earlier today to share the rare personal message in which she also addressed her parenting struggles and ‘mum-guilt’ amid attempts to revive her fledgling music career.

The star began by writing: “Feeling emotional today. Sorry I been distant.

“Not sure if you care but I do. I’m working really hard to get this right.”

Her concerning post continued as she addressed her compromising work-life balance.

TOUGH TIME

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The Ciao Adios singer penned: “Still figuring out how to be a good mum AND write the best album you’ve heard from me. It’s intense.

“I want to post, but I look and feel like a wreck most of the time.”

She added: “I know you don’t care about that though hahah.

“I miss you all so much and hope you are feeling as happy as you can be.”

Anne-Marie signed off her message by posting: “A cuddle is needed.”

The mum-of-two’s post sparked worry among her fans as many rushed to check in on the performer and insist they “do care” after her troubling words.

One said to her: “Anne marie you never ever need to apologise for being distant. You’re balancing being a mum, being human, and creating something beautiful for all of us that’s a lot for anyone.”

Another echoed: “We all care about you so much. You prioritise yourself, your health and your family.”

Another alarmed fan penned: “I’m proud of you. Speaking out is already so brave.”

Before a fourth went on to comment: “You didn’t have to force yourself, we care about it and care about you. Take care yourself and kids love u.”

Anne-Marie welcomed her first child with rapper husband Slowthai in February 2024 months before he faced a trial relating to charges of rape.

Her partner faced a criminal trial later that year whilst she was pregnant with their second child.

Slowthai was ultimately found not guilty of the crimes.

The couple’s second child was born in April last year.

The singer has been attempting to head back to the top of the charts after her latest single released failed to make a dent on the singles charts.

Her latest single, Depressed, managed to reach number 41 – a far cry from her top ten streak of hits eight years ago.

A collaboration with Aitch, also released last year, also failed to chart.

Speaking to The Sun last year, she affirmed her plans to continue working on her fourth album despite recent setbacks.

She told us: “Next year there will be new music.

“I think I need to switch it up a bit… Will I be rapping? Who knows.

“I am definitely switching it up.

“I need to make it exciting again, you know.

“I can’t just come back as the same Anne Marie I have been for ten years.

“I am going to do a little spice.”

Disneyland Resort President Thomas Mazloum has been named chairman of Walt Disney Co.’s experiences division, the company said Tuesday.

Mazloum succeeds soon-to-be Disney Chief Executive Josh D’Amaro as the head of the Mouse House’s vital parks portfolio, which has become the economic engine for the Burbank media and entertainment giant. His purview includes Disney’s theme parks, famed Imagineering division, merchandise, cruise line, as well as the Aulani Resort and Spa in Hawaii.

Jill Estorino will become the head of Disneyland Resort in Anaheim. She previously served as president and managing director of Disney Parks International and oversaw the company’s theme parks and resorts in Europe and Asia.

Estorino and Mazloum will assume their new roles on March 18, the same day as D’Amaro and incoming Disney President and Chief Creative Officer Dana Walden.

“Thomas Mazloum is an exceptional leader with a genuine appreciation for our cast members and a proven track record of delivering growth,” D’Amaro said in a statement. “His focus on service excellence, broad international leadership and strong connection to the creativity that brings our stories to life make him the right leader to guide Disney Experiences into its next chapter.”

Mazloum had been about a year into his tenure at Disneyland. Prior to that, he was head of Disney Signature Experiences, which includes the cruise line. He was trained in hospitality in Europe.

In his time at Disneyland, Mazloum oversaw the park’s 70th anniversary celebration and recently pledged to eliminate time limitations for park-hopping, which are designed to manage foot traffic at Disneyland and California Adventure.

Mazloum will now oversee a 10-year, $60-billion investment plan for Disney’s overall experiences business, which includes new themed lands in Disneyland Resort and Walt Disney World. At Disneyland, that expansion could result in at least $1.9 billion of development.

The size of that investment indicates how important the parks are to Disney’s bottom line. Last year, the experiences business brought in nearly 57% of the company’s operating income. Maintaining that momentum, as well as fending off competitors such as Universal Studios, is key to Disney’s continued growth.

In his new role, Mazloum will have to keep an eye on “international visitation headwinds” at its U.S.-based parks, which the company has said will likely factor into its earnings for the fiscal second quarter. At Disneyland Resort, that dip was mitigated by the park’s high percentage of California-based visitors.

Times staff writer Todd Martens contributed to this report.

Ellis has returned, bringing back DCI Ellis and DS Chet Harper to investigate a new head-scratching murder.

WARNING: This article contains spoilers from Ellis.

Ellis season two has arrived and it seems that fans have been left saying the same thing about the new series.

When it initially debuted in October 2024, Ellis received rave reviews from Channel 5 viewers as no non-sense DCI Ellis (played by Sharon D Clarke) travels around helping local police forces in need of help with difficult investigations.

So fans couldn’t wait for its return with Ellis debuting its second season tonight, Tuesday, March 10, with the first episode revolving around the murder of a big-hearted businessman.

Peter Barron (James Doran) had launched a new scheme to help young offenders by employing them at a gardening centre but not everyone in the town was happy with the initiative.

It didn’t take long before DCI Ellis and DS Chet Harper (Andrew Gower) were called as Peter was found dead in his home, kicking off this week’s investigation.

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Despite its previous popularity, it didn’t take long for fans to complain about the debut episode of Ellis season two.

“I am not as gripped by the new episode so far,” a viewer commented.

Another agreed: “Disappointed. Loved the last series, but this has got off to a rather wooden and uninspiring series two.”

A third echoed: “New to this but it seems very cliched. Will try and stick with it but so far it’s like it has been written from a kit.”

Another wrote: “Don’t really think much this programme,” as someone else posted: “That didn’t really feel like an ‘end of episode one’ scene in #Ellis .

“I suspect this was originally intended to be broadcast as a single two-hour story like the first series, rather than split in two.”

But some were happy to see the drama’s return with a fan writing: “Good to have #Ellis back, I’ve been looking forward to it.”

Ellis season two will consist of four episodes in total with the series split into two different investigations. Fans are going to be able to find out what happened to Peter Barron tomorrow night, Wednesday, March 11. After this, Ellis will return for a new story on Tuesday, March 17, and Wednesday, March 18.

Ellis season two continues on Wednesday, March 11, at 9pm on Channel 5.

Welsh actress Eve Myles stars in ITV’s Gone as Detective Annie Cassidy, and if you’ve already binged the six-part drama then fans recommend her thriller from 2017

From The Guest and Coldwater to The Hack, Eve Myles has featured in many of the latest big TV dramas during the last few months.

Now the Welsh actress can be seen in another prominent role, portraying Detective Annie Cassidy in ITV’s Gone. Alongside Sherwood’s David Morrissey, the six-part series follows Annie as she works to unravel the puzzling disappearance of a woman.

Whilst it’s broadcasting on ITV1 on Sundays and Mondays over the coming weeks, fans can also watch all six episodes on ITVX. And if you’ve already devoured the drama in a few sessions, you might want to consider binge-watching another hard-hitting series featuring Eve.

The 47-year-old took the lead in the Welsh noir thriller Keeping Faith, which was filmed in both Welsh and English, debuting on Welsh language channel S4C in 2017 (as Un Bore Mercher) before the English language version aired on BBC Wales.

The series stars Eve as Faith Howells, a solicitor working at a family law practice whose husband, Evan (portrayed by her real-life spouse Bradley Freegard), vanishes whilst she’s on maternity leave after giving birth to their third child, reports Wales Online.

The programme proved enormously successful in Wales, attracting an average of 300,000 viewers per episode, becoming the most-watched show on BBC Wales in over 25 years and, with more than 8.5 million downloads by May 2018, the most downloaded non-network programme on BBC iPlayer.

All three series of Keeping Faith remain available on BBC iPlayer and fans have been flocking to Rotten Tomatoes to share their views, with one describing it as a “gem”.

They said: “A well acted gem. Real locations, even the kids in the series we believable and put in great performances. We are USA based and it beat almost anything locally made here.”

Another viewer enthused: “Eve Myles was spectacular in this. Definitely one of the best series and thrillers I have seen. Everything from the story the acting screenplay and the shots was fantastic. Even the music was absolutely captivating. If you haven’t seen it I definitely advise you do.”

A third remarked: “Gripping without the glitz. Faith’s problems make everyone else’s problems seem insignificant. Closer to real life than Hollywood.”

One viewer praised: “This is a slow-burner but keeps you gripped with beautiful cinematography, suspense, and Eve Myles’ award-worthy acting.”

Though not everyone was convinced, with one viewer confessing to feeling “very underwhelmed” whilst another noted: “The first episode is so good that the rest of the season struggles to deliver on its promise.”

Keeping Faith is available to watch on BBC iPlayer and Gone is on ITV1 and ITVX

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

A PRIEST has supported a controversial devil-horned bench tribute to Prodigy star Keith Flint — despite it being placed in a graveyard.

The wooden seat was carved with horns in honour of the Firestarter singer’s spiky green haircut.

Some residents feel that the Satanic detail on the bench is inappropriate in a Christian churchyard.

However, the Very Rev Rod Reid, the dean of St Mary’s Church in Bocking, insisted the Essex-based band and Flint’s family had been “very respectful” of its setting.

Mr Reid presided over Flint’s funeral at the church near Braintree in 2019, after the star was found dead at home aged 49.

He said: “The band and the family wanted something fitting for the churchyard. They were very respectful and very aware of the setting.”

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Prodigy manager John Fairs and founder Liam Howlett helped to design the tribute, which was signed off by Flint’s family.

Mr Reid said people were amazed by the bench “and what it means to have it here”.

He went on: “For local people here in Braintree and around, this means an awful lot. They remember seeing Flint and Liam on the dance floors in Braintree. They have followed them all the way through and they are proud.”

Electro-punk pioneers Prodigy enjoyed a string of hits in the 1990s, including their 1996 chart-topper Firestarter.

Its video featured demon-like imagery and a demented dance from wild-eyed Flint which attracted thousands of complaints from BBC viewers.

More than 5,000 people attended his funeral. A post-mortem found traces of cocaine, alcohol and codeine in his body when he died.

Essex coroner Caroline Beasley-Murray recorded an open verdict at the inquest.

She said: “We will never quite know what was going on in his mind on that date.”

POPULAR food influencer Eating With Tod has revealed he has asked his stunning girlfriend to marry him.

The social media star, who boasts over 2million followers, revealed he had popped the question to his rarely-seen partner Mea.

The influencer, whose real name Toby Inskip, took to Instagram to share their happy news.

The restaurant reviewer shared a slew of snaps from his romantic proposal, in Brazil, which included one of him down on one knee on a yacht.

Another photo saw Mea flashing her HUGE diamond ring for the camera, while another sweet snap saw the newly engaged couple posing for a romantic selfie.

Toby captioned the engagement announcement post with: “Cheers to the next chapter @mea_c.k – can’t wait for the next adventure with you ❤️

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“Luckily the ring didn’t fall into the water… #engagement #wedding #brazil.”

Fans rushed to share their joy for the couple, with one posting: “Congrats you two!”

Another commented: “This is such wonderful news!”

A third said: “So awesome! Congratulations!!”

A fourth added: “Massive congratulations to you both!”

Mea also shared the sweet snaps and wrote: “03. 03. 26. Rio de Janeiro, Brazil, sailing between Christ the Redeemer and Sugarloaf Mountain Toby proposed.”

Toby’s new fiancee doesn’t appear a lot on Toby’s Instagram, and it is not clear on how long they have been in a relationship for.

Meanwhile, the social media star’s Eating With Tod channel is so popular that he is one of the biggest food influencers in the UK.

Toby’s content sees him review restaurants from around Britain by trying out their different dishes and giving his opinion.

However, despite his popularity, he came under fire last December for his highly-anticipated Christmas food market, held on London’s Tottenham Court Road.

Fans posting about the event criticised it for overcrowding and overpricing.

It was noted that one stall was commanding £6 for a cinnamon roll, while another vendor was charging an eyewatering £13 for a burger.

Meanwhile, since rising to fame Toby has boosted his bank balance by working with huge brands like McDonald’s, Tabasco hot sauce and Gordon Ramsay Street Pizza.

Fans can also buy Eating With Tod merch which sees T-shirts being flogged for £25.

The Influencer Insider – Get all the gossip on all your favourite online stars

Want to know more about the influencer who faked cancer? Read all about Brittany Miller and her sham career here.

We have all the inside gossip about Ladbaby mum’s incredible weight loss here.

And talking of weight loss, we know all about what is going on with B&M queen Becki Jones, which you can read up on here.

If health influencers are your thing, then read this on the man behind Tonic Health and his dubious claims here.

SHARON Osbourne has revealed that Ozzy’s iconic Ozzfest gigs will continue following his tragic passing.

The festival featured an array of artists and was created by Ozzy and Sharon as a music festival tour specialising in rock and metal music.

It was an annual event which ran between 1996 and 2018 and was well known for featuring performances from Ozzy and his band, Black Sabbath.

Now, less than a year on from his sad passing, Sharon has revealed there are plans to revive the music festival tour in his legacy – beginning with a new run of shows in 2027.

Having held discussions with entertainment giant and touring company Live Nation, Sharon confirmed on her son Jack Osbourne‘s podcast that deals had been struck for brand new shows.

She said: “2027, it’s coming back – Aston Villa.

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“We wanna do two days in Aston Villa and then come to America.

“We wanna hear from everyone about where we should go in America.”

She went on to add: “We gotta find a lot of young new talent because that is what your dad would want.”

Jack agreed, adding: “That is what Ozzfest was all about.

“That second stage is where so many guys came out of.”

Sharon appeared to be referring to Villa Park – the stadium of Ozzy’s beloved team Aston Villa in his native Birmingham.

He held his farewell concert there last summer – just weeks before he tragically passed away.

The news will be a welcome surprise for Ozzfest attendees and fans of metal and rock music.

Sharon and Ozzy recently honoured Ozzy at the Brit Awards where he won the Outstanding Contribution to Music award.

It took months of effort, lobbying and mounds of cash for Paramount Skydance to finally clinch its prize of Warner Bros. Discovery.

Now, however, the David Ellison-led company faces a long and challenging road to merge these two media giants and set it up for a successful future.

Key to that will be striking a delicate balancing act between investment and paying down its debt load of $79 billion, which is massive even by Hollywood standards.

Notably, the figure is even greater than Warner’s nearly $55 billion of debt post-merger with Discovery, a burden that hamstrung the company for years and led to successive rounds of layoffs and relentless cost cutting.

Last week, my colleague Meg James wrote about the concerns Fitch Ratings and S&P Global Ratings have about Paramount’s credit, given the mountain of debt the company will now carry. Fitch downgraded its credit to BB+ — “junk” territory — from BBB-, and S&P Global Ratings placed the company’s ratings on “negative watch.”

Carrying that amount of debt comes with significant risks.

For one, a company with a lot of debt that is “junk”-rated is going to be under pressure to cut costs. “Junk status” means a company’s debt is rated below the level that credit agencies consider investment grade. Such a rating means it can be more expensive to refinance or take out new loans, raising the cost of capital.

Paramount executives have already said they plan to find $6 billion in “synergies” within three years, though they’ve emphasized that the majority of their cost cutting will come from “non-labor sources,” including consolidating their streaming technology and cloud providers, combining IT systems across the company and “optimizing the combined real estate footprint and the broader corporate overhead,” among other ideas.

And as I wrote last week, most Hollywood observers and those familiar with Ellison’s plans predict that Paramount will be forced make steep layoffs to offset the cost of the deal and eliminate overlapping roles and functions between the two historic studios.

At the same time, in order to compete with well-funded rivals, Paramount-Warner Bros. will also need to invest in new programming — something that can be difficult for a heavily leveraged business .

Paramount executives have said their cost-cutting efforts won’t include a reduction in production capacity, and Ellison has reiterated that there will be continued spending on programming. Beyond content, he’ll also likely need to invest in improving the technology along with the look and feel of the streaming platforms.

“Whether or not they have the capital to do all of that and to try to get their leverage down is something I’m curious to hear about,” said Naveen Sarma of S&P Global Ratings.

It’s possible that Paramount may not be able to pursue a good opportunity in the future because it has used up all its debt capacity and can’t raise additional financing, said Kelly Shue, a professor of finance at Yale School of Management.

“It might cause them to underinvest in good projects in the future,” she said.

And the company needs to spend on good projects.

The economics of this deal hinge on the combined heft of Paramount and Warner’s two libraries and valuable intellectual property, which will unite Harry Potter, DC Studios, SpongeBob SquarePants and “Mission Impossible” all under one roof.

Building up its streaming platform, which will combine Paramount+ with HBO Max, is important for competing with the behemoth Netflix, which bowed out of the Warner Bros. auction.

And on the theatrical side, Ellison has said the combined company will release 30 films a year — 15 from each studio. That would be a substantial increase from 2025, when the two companies released 18 films — eight at Paramount and 10 from Warner Bros.

“While studios content budgets might not come under immediate focus for cost cutting, we have a hard time seeing no content costs savings considering opportunities to reallocate or pull back from at least the linear networks,” MoffettNathanson’s Robert Fishman wrote in a note to clients last week.

Of course, all of this would come only after the deal’s completion. On the immediate horizon, Paramount needs to secure international regulatory approval as well as at home. Although state attorneys general including Rob Bonta of California have said this is not a “done deal,” most analysts expect that any opposition there is only likely to slow — not stop — the transaction.

A very masculine year in film

A recent study from San Diego State University put a number on something we all suspected: The percentage of female protagonists in the top 100 films last year dropped. A lot.

Female protagonists made up just 29% of the top-grossing films in 2025, down from 42% in 2024, according to the university’s annual study of women’s representation in top films. A selection of film titles from the last year says it all: “The Running Man,” “A Working Man,” “Superman.”

That 29% figure has, unfortunately, been very consistent over the years — it was the same in 2016 and has largely hovered in the range of high 20s to low 30s for the last decade, with a few exceptions (40% in 2019 and 42% in 2024).

Focusing on just the protagonists in the top 100 films means that small fluctuations can change that percentage greatly.

But when the study looked at a broader sample size of the more than 1,900 characters in those films, the results weren’t much better.

The percentage of women in speaking roles was 38%, up just 1% from 2024. And the percentage of major female characters declined to 36% in 2025 from 39% the year before.

The fact that these figures have not moved much, in spite of the countless panels and think pieces about the issue, suggests there isn’t much will in Hollywood to change, said Martha Lauzen, author of the study and founder and executive director of San Diego State’s Center for the Study of Women in Television and Film.

“Representation is social relevancy and social capital,” she told me. “So when you see fewer women than men, that’s a message.”

Stuff We Wrote

Film shoots

Number of the week

Walt Disney Co. and Pixar’s “Hoppers” came in big at the box office this weekend with a $46-million opening in the U.S. and Canada — the strongest domestic debut for an original animated movie since “Coco” in 2017. Globally, the film made $88 million.

The reception is an encouraging sign for original animated movies, which have largely struggled at the box office since the COVID-19 pandemic while their sequel counterparts have shined.

What I’m watching

Several months ago, some friends and I started a movie club, where we each nominate a film we want to watch and we rotate who gets to make the final selection. Last week, we watched the 1996 comedy “First Wives Club,” which I had never seen but loved for its goofy antics, unexpected song-and-dance number and the focus on the enduring power of female friendships.

Joshua Jackson says he knows he was “really just a footnote” in James Van Der Beek’s life, despite the “amazing” time they spent together as stars of the series “Dawson’s Creek.”

The star of “The Affair” is reflecting publicly for the first time about his former castmate, who died Feb. 11 at age 48 after a battle with colorectal cancer.

The time they shared on set was “formational” for them, Jackson said on “Today.” When the “Dawson’s Creek” pilot aired in January 1998, he was 19 and Van Der Beek was almost 21, playing characters who were 15.

“I know both of us look back on that time with great fondness, but I will also say that I know that I’m really just a footnote in what he actually accomplished in his life.”

Jackson spoke with great respect for his friend, who he said “became what we used to just call a good man, a man of the kind of belief, the kind of faith that allowed him to face the impossible with grace, an unbelievable partner and husband, just a real man who showed up for his family and a beautiful, kind, curious, interested, dedicated father.”

On the one hand, the 47-year-old said, “that’s beautiful.” On the other, “The tragedy of that loss for his family is enormous.”

Since Jackson and Van Der Beek played Pacey Witter and Dawson Leery three decades ago, both men had kids of their own — a 5-year-old daughter for Jackson, born during the pandemic with ex-wife Jodie Turner-Smith, and six kids for Van Der Beek with second wife Kimberly Brook. The latter couple’s children — two boys and four girls, ranging in age from 4 to 15 — were what Van Der Beek said changed everything for him.

“Your life becomes shared, and your joys become shared joys in a really beautiful way that expands your level of circuitry out to other people instead of just keeping it all for your own gratification,” the actor told “Good Morning America” in May 2023. “And the lessons, they keep on coming. It’s the craziest, craziest thing I’ve ever done, and it’s the thing that’s made me happiest.”

Knowing his colleague’s love for his family, Jackson said on “Today” that “for me as a father now, I think the enormity of that tragedy hits me in a very different way than just as a colleague, so I think the processing [of Van Der Beek’s death] is ongoing.”

The “Little Fires Everywhere” actor was on the morning show Tuesday to bring attention to colorectal cancer screenings.

Van Der Beek’s diagnosis, which went public in November 2024, was among the factors prompting Jackson to get involved with drugmaker AstraZeneca’s “Get Body Checked Against Cancer” campaign, which takes a lighter approach to a serious subject — cancer screening — through a partnership with Jackson, the National Hockey League and the Philadelphia Flyers’ furry orange mascot, Gritty.

“It is … true, the earlier you find something,” said “The Mighty Ducks” actor, “the better your possible outcomes are.”

EXCLUSIVE: A beloved crime drama is set to return for a third season next week, with a host of “incredible” guest stars

Fans of Death in Paradise are being urged to watch a “cosy” crime drama with a distinctive premise.

Death in Paradise creator Robert Thorogood’s English-set mystery series, The Marlow Murder Club, follows three amateur detectives as they solve crimes in the tranquil riverside town of Marlow.

Judith Potts (Samantha Bond), a retired archaeologist, establishes a club alongside professional dog walker Suzie Harris (Jo Martin) and vicar’s wife Becks Starling (Cara Horgan). Their discoveries eventually earn them positions as civilian advisers under Detective Sergeant Tanika Malik (Natalie Dew).

The trio are poised to return for a third series next week (March 18), which will be presented in a three-story structure, featuring an adaptation of Thorogood’s third Marlow novel, The Queen of Poisons.

Now firmly embedded within newly promoted DI Malik’s crime-solving operation, Judith, Suzie and Becks are back, applying their unorthodox techniques to a series of high-profile murders. However, it quickly becomes apparent to the amateur investigators that their enquiries may strike closer to home than ever before, reports the Express.

The synopsis reveals: “From the sudden death of the kindest man in Marlow, the town’s beloved Mayor, to a celebrity chef found dead at the launch of his cookbook with half the town in attendance, the team will be working under the watchful eye of the Marlow community.”

“They’ll also be called to an eerie manor house in the middle of nowhere, where they’ll face a case intrinsically linked to Becks’ past that could threaten the future of their roles as civilian advisors. Judith, Suzie and Becks will have to pull closer together than ever to catch these killers.”

Since launching in 2024, The Marlow Murder Club has established itself as a beloved staple amongst mystery fans. Speaking exclusively to the Mirror, leading actress Jo Martin, who portrays Suzie, has shared her thoughts on why the programme connects with audiences so profoundly.

“People love murder, don’t ask me why. And the fact that this isn’t this gruesome, you know, dead women everywhere, mutilated. It’s a cosy crime drama, and it’s beautifully shot as well,” she explained.

“You can sit back and feel like [you’re having] a cup of drinking chocolate, you know? It’s like that. It’s like toasting some marshmallows and watching this. You’re in safe hands. It’s a great formula and it works.

“I think people have bought into the characters as well. And the fact that there aren’t many shows where you’ve got, you know, three, four women leading the show. We’re not the wife of, or the friend of, or the dead body – we are leading the show, and we’re all women of a particular age.”

Jo continued: “It’s intergenerational, which is always very interesting, you know… I think it’s wonderful.”

Alongside the returning main cast, series three will welcome an impressive array of guest stars throughout its six episodes. The stellar line-up includes Nigel Harman, Peter Davison, Jacqueline Boatswain, Sarah Alexander, Tony Gardner, Jason Merrells, Harry Enfield, Cherie Lunghi, Adrian Lukis, and Alastair Mackenzie.

Additionally, Hugh Quarshie reprises his role as Professor Darius Gifford, a prospective romantic interest for Judith.

Discussing the significance of embracing their guest performers, Jo explained: “If you’re coming on as a guest, it’s really hard to enter this family… [We want] to make [them feel] a part of it, so they can do their best work. So, yeah, we love it, welcoming new people.”

The actress also described her excitement upon meeting comedy icon Harry Enfield. She recalled: “We’ve had some great artists this season. It’s been amazing. I’m a huge fan of Harry Enfield… When he was on set, we’re all like, ‘Oh God, when can I ask for a selfie? When’s it going to be cool to get a selfie with Harry Enfield?’ Yeah, it’s incredible.”

With only two episodes remaining in the current series of Death in Paradise, audiences may be seeking a new series to satisfy their appetite. This “intriguing” programme that fans “watch on repeat every day” could prove the ideal escape into the realm of murder mysteries, minus the blood and violence.

The Marlow Murder Club returns to U and U&DRAMA on Wednesday, March 18 at 8pm

For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossip website

NOAH Cyrus made sure she turned heads when she went braless in a daring shredded gown as she reunited with her mom Tish after their nasty family feud.

Things previously took a turn in the mother-daughter relationship when it was reported that Noah, 26, had been seeing actor Dominic Purcell, 56, before her mom Tish, 58, married him.

Things got so bad, that Noah was reportedly “banned” by her mom from her wedding to the Prison Break actor.

But two years later, and things appear to be back on track for the pair as they were seen posing on the red carpet at a glitzy bash.

Noah made a dramatic statement in her shredded dress.

The star had also ditched her bra for the premiere of Reminders of Him at the Hollywood Legion Theater.

Noah was there to promote her new track Light Over the Hill, which she wrote for the film.

Tish, who is also the mom of Miley Cyrus, 33, was seen supporting her daughter at the event, proving that their relationship is back on track.

The ex-wife of Billy Ray Cyrus looked chic in her off-the-shoulder black sweater and black pants.

It’s Noah and Tish’s first outing together following reports of a fallout over actor Dominic.

Tish married the TV star in the summer of 2023 – a year after her divorce from country star Billy Ray

But Noah was reportedly “banned from the wedding” over fears she might “cause a scene”.

“Tish didn’t invite Noah to her wedding because she thought it would cause a scene and drama,” an insider told Entertainment Tonight.

“It’s also been an adjustment for Noah in general for her parents to be divorced.”

It was then claimed that Noah had actually been “seeing” Dominic before her mom started a romance with him.

The actor, who is 30 years Noah’s senior, started dating her mother Tish in 2022.

“Noah was [seeing] Dominic when Tish started pursuing him,” a source told Us Weekly.

The source also said that Tish was aware of the situation before deciding to pursue him.

“The turmoil between Noah and Tish goes far beyond [what people think],” said the source.

“Noah is very distraught over Tish stealing Dominic from her.”

Tish shares Noah, Miley, and sons Trace and Braison with ex-husband Billy Ray, 64.

The country star is now in a relationship with model Elizabeth Hurley, 60.

Meanwhile, Tish and Billy were married for nearly 30 years before their shock 2022 split.

One of the biggest takeaways from the biography “Judy Blume: A Life” may not be in the story itself but in its author. Because of her frank talk about puberty and sexual awakenings, Blume’s work is usually associated with young female readers. Her biographer, Mark Oppenheimer, is a middle-aged father of five.

He says he received minimal pushback on the idea that a man should be allowed to write Blume’s definitive life story. If the whole point of her books is that there should be no shame in body awareness, what service does it do to say only a woman has the authority to write her story? Plus, although her books aren’t selling as well as they used to — who’s are? — Oppenheimer’s biography points out that there are still plenty of parents who will throw a copy of her seminal “Are You There God? It’s Me, Margaret.” at their kids rather than have the menstruation talk or risk any misinformation that may be online.

“No good writer should be ghettoized,” Oppenheimer says during a recent Zoom call with The Times. “If you’re a good writer, you shouldn’t be marketed just to girls or just to boys or just to white people or just to straight people. Good art should be for everyone.”

It is intrinsic and impossible not to parlay Blume’s stories of sibling rivalries, first loves, friends and frenemies, and (most famously) puberty with what was going on in your life when you read them. Books like “Deenie” and “Superfudge” and “Margaret” are also remarkably malleable enough so that, even if a kid picks them up decades after their release or cannot relate with a parallel experience, they can become placeholders and explainers for what must be going on in the minds of their classmates. Last year, TV creator Mara Brock Akil adapted “Forever,” Blume’s 1975 story of the kind of mutually shared devotion that feels like it will last eternally, into a miniseries set in 2018 Los Angeles.

“I think for many of us, Judy’s books are our first crush or our first love and they do hold a special place that no book we read in our world-weary, cynical 40s can hold,” says Oppenheimer.

Some of this can be attributed to time and brain space. Oppenheimer discovered Blume’s work when he was a child. He’s now a parent, with a career and all the other time-sucks that come with adulthood.

“The books I read as a child imprinted on me in a way that books today don’t,” he says. “I probably remember more plot points of the first Judy Blume books that I read than I do of any book I’ve read in the past five years.”

But what of Blume herself? Can America’s mom also be a three-dimensional person who makes her own mistakes? Discovering her four adult novels — especially “Wifey,” a book about a gilded-caged suburban housewife that even Oppenheimer describes as “a very salacious, one might say, smutty, adult novel” that even some of Blume’s collaborators wanted her to publish under a pseudonym — or watching documentaries about her like 2023’s “Judy Blume Forever,” in which she is seen joking about masturbation with employees at her Key West, Fla., bookstore, can seem as evasive and dangerous as reading your mom’s diary.

Author Mark Oppenheimer

(Lu Arie)

There have been other books about Blume and her work, most notably Rachelle Bergstein’s 2024 deep-dive “The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us.” But Oppenheimer’s biography is a more straightforward tracing of Blume’s life and career. He starts with her childhood when she was encouraged to read Philip Roth at home and went to sleepovers at friends’ houses that were more about body awakenings. He discusses her stifling first marriage, which gave her the last name she carries with her to this day and her two children but is also where she hung her college diploma and another award over her washing machine as reminders of her intellect. There’s talk of her second marriage, which Blume has always been reluctant to discuss, as well as the two abortions that resulted from it. And there are details on her life with her third husband, the polymath George Cooper.

Oppenheimer relied on past news stories about Blume, as well as a collection of her work and professional correspondences that are archived at Yale’s Beinecke Rare Book & Manuscript Library and, probably most informatively, his own interviews with Blume and her friends and family. (Although Blume did agree to speak with Oppenheimer for his book, she declined our request to interview her for this story about that book).

“I think that the difficult subjects are sometimes the ones that make her more relatable,” Oppenheimer says of his subject. “I think most of her fans will find it interesting and admirable that she speaks so candidly about her abortions, about especially her divorce from her first husband, which came as she was getting involved in the [second-wave] women’s movement, about her early same-sex experiences, about masturbation as a girl; these are things we would expect Judy Blume to be candid about.”

Oppenheimer matches how these life events correspond with the ones of Blume’s characters because, for better or for worse, she almost always was an author who wrote what she knew even if her fandom transcended it. What her books lack in character diversity, they make up for in specificity. And that, in turn, also makes them relatable.

“Judy found incredibly compelling human drama in books about the New Jersey suburbs, and that’s a testament to her strength as an artist,” Oppenheimer says.

Writer Judy Blume at her nonprofit bookstore Books and Books on March 26, 2023, in Key West, Fla.

(Mary Martin / Associated Press)

Examining and reexamining Blume’s work as an adult also gave Oppenheimer a better perspective of her writing style. Blume didn’t begin to try to write professionally until she was a married mother of two and some have criticized her work for not being as flowery and polished as others’.

“All of her books tend to take a fairly tight focus on the characters,” Oppenheimer says. “They don’t tend to pull back and look at large societal forces or changes going on in the country or the world. And that’s fine. You know, the same could be said of Jane Austen.”

Perhaps the best example of this is Blume’s own religious foundation. Her most autobiographical novel, “Starring Sally J. Freedman as Herself,” has a protagonist who is paranoid that she sees Adolf Hitler on park benches and whose life is imprinted with stories of a relative who followed her mother into the concentration camps and the neighbors sitting shiva (a time of mourning) for their daughter who got pregnant with her non-Jewish boyfriend. And yet, Oppenheimer notes, Blume is not always immediately thought of as a Jewish writer. Nor have most of her readers been Jewish.

“I think that her Judaism is there, if you know where to look,” says Oppenheimer, who spends the early part of his biography looking at how the synagogue and religious community were a normal part of a young Blume’s life. He adds that “she is somebody who speaks really, really well across religious, cultural and racial differences, and that’s partly why she has sold tens of millions of books.”

Oppenheimer acknowledges that Blume’s characters may not be diverse enough by today’s standards; that they don’t usually discuss “gender identities or sexualities; children of multiracial backgrounds; children who have disabilities.” They can also feel like time capsules to other dimensions; his 12-year-old daughter was scandalized by how normative bullying was after she read “Blubber,” Blume’s 1974 novel about tween mean girls and body shaming.

He adds that some of today’s bestselling young adult novels, like Rick Riordan’s Percy Jackson series about a teen demigod or Suzanne Collins’ dystopia-set “Hunger Games” books, are “contemporary realism [that] focus on extraordinary or unusual circumstances.” And while he’s happy for these books’ popularities, he says that some subjects may be better told by kids who also aren’t tasked with saving the world. (I am pretty sure I learned more about male puberty from Blume’s 1971 story “Then Again, Maybe I Won’t,” which is as much about wealth divides and questionable friend choices as it is about a 13-year-old boy’s inner monologues about her awkward adolescence).

“If what you’re looking for is realism that isn’t focused on obvious external differences, but rather on interiority,” Oppenheimer says, “then Judy Blume still remains one of the premier novelists that you would want to read.”

Friedlander is a pop culture and entertainment journalist based in Los Angeles who hates coffee but loves Coke Zero.

OLIVIA Attwood has dropped a cryptic hint about her ex Bradley Dack’s “breach of trust” following their split.

The TV and podcast star, 34, appeared to suggest her next relationship won’t have the same pitfalls in her Instagram story.

She shared a post that read: “No more learning experiences please god I am smart enough,” while Tame Impala’s aptly titled ‘New Person, Same Old Mistakes’ played over the top.

Yesterday, Olivia revealed that she will speak about her split from footballer Bradley, 32, a week after she was spotted leaving the same Manchester hotel as close pal Pete Wicks, 37.

The Sun reported how he was seen carrying two pizzas up to his room at 3am.

Yesterday, Olivia joined This Morning hosts Ben Shephard and Cat Deeley in the studio to discuss her new ITV show The Heat.

READ MORE ON OLIVIA ATTWOOD

BACK TOGETHER

Pete Wicks & Olivia Attwood all smiles as they reunite after ex blocked Pete

ATTA GIRL

Olivia Attwood opens up on ‘good distraction’ from Bradley Dack split

But the presenters couldn’t help but turn the spotlight onto Olivia’s personal life as they asked her how she was coping following her split.

Ben said: “It’s been a very busy start to the year for you professionally and personally, how you doing?” to which Olivia began to laugh.

She replied: “My feet haven’t touched the ground, I’m grateful forever for this wonderful thing that I get to call work and I can throw myself into it.

“I think when you are in entertainment and you have to show up as the person you’re booked to be, almost when you’re doing that you kind of trick your brain – it’s a distraction isn’t it, you can just get into it, that’s been my anchor since Jan.

“I feel like I haven’t breathed.”

Olivia then spoke about her house move, which saw her leave her shared home with Brad last month.

“I am now getting there with the apartment, I am very lucky that I’m in the position where I’m on my own two feet and I can do that. But moving is hell, no matter how much help you have,” she said.

Olivia acknowledged there is an expectation for her to share her private life due to her rise to fame on reality show Love Island.

But she said she’s taking her time to process everything before speaking about her split on her podcast.

“The reason I’m sat here with you guys today is from being on Love Island, so people are used to a level of access to me which I have no issue with providing still but I have to do it when I’m ready and I know what I’m wanting to share,” she said.

“I’m trying to do that a little bit more as I get older ‘think before you speak’, because once you’ve said it, it’s hard to take it back.

“I’m still digesting things and working things out. We’ll get to it, we’ll have a podcast chat, it’s coming but I just need to process it.”

The Sun revealed in January that Olivia had split from Gillingham footballer Bradley following a “breach of trust” on his part.

In 2017, she went on Love Island and emerged in a relationship with Chris Hughes, later saying it was revenge on Bradley for cheating.

They eventually reunited after having a heart to heart while she was still with Chris, and she joined Towie in 2019, on which Pete was already a regular.

Last summer, Olivia and Pete were seen in an intimate embrace on a yacht off Ibiza.

We revealed Bradley has now blocked Pete on Instagram — just a few weeks after the couple’s split.

Speaking ahead of the Brit Awards on their Sunday Roast podcast, Pete said: “What always happens at these events is Liv and I gravitate towards each other and basically just stick together, don’t we?”

Olivia replied: “Because I feel like we both have the same objective. And talk to as few people . . .”

Pete then added: “As possible.”

Pete then said: “Although we are not going big this year, are we?” – to which Olivia countered: “What do you mean?”

Pete continued: “You have a flight the next day.”

Olivia replied: “I know – you need to keep me lucid enough that I don’t get stopped at immigration.”

Pete said: “The danger being that I jump on the flight with you in what I am wearing from the Brits.”

Jonathan Ross’ new Channel 4 show Handcuffed: Last Pair Standing has gripped the nation.

Emotions were at an all-time high during an episode of Channel 4’s Handcuffed: Last Pair Standing.

The new social experiment, with his hosted by Jonathan Ross, sees nine strangers put into pairs and compete against one another to win a £100,000 prize.

During an upcoming episode of the Channel 4 show, millionaire businessman Anthony Saxon Kearsley had an eye-opening experience with a homeless man.

Anthony has been partnered with 37-year-old Tilly, a North London barmaid who works three jobs and is involved with giving meals to the homeless through her charity.

While prepping meals, the wealthy contestant shared some out-of-touch opinions on those without a home, suggesting some people ‘don’t want to help themselves’.

He also compared homelessness to ‘camping’, however, Anthony quickly changed his tune when handing out meals himself.

When giving a McDonald’s to one homeless man, who had recently come out of prison, Anthony learnt the man was struggling to secure a job without an address.

He explained: “I’ve been out of jail for a while, I just feel like going back, I can’t stand it.”

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Sharing the hope that things worked out for him, it was clear Anthony was moved by the interaction with the homeless man.

While speaking to the camera, he confessed: “I am a bit [overwhelmed]. He wants to go back to prison because he can’t cope with life. It’s appalling.

“It’s really shocking. I was wrong to say some people don’t want help. It’s appalling, dreadful. Thank you [Tilly] for showing me. I won’t be as flippant again.”

As Tilly revealed that it was a small percentage of what she sees day in and day out, Anthony was in awe.

While getting choked up, he replied: “I’m amazed that you’re so positive and I’m amazed that you’ve survived this intact. Anyway, God love you. Terrible isn’t it. I’m quite cut up about it to be honest.”

Handcuffed: Last Pair Standing is available to watch or stream on Channel 4

A whole host of new faces are joining the crew for the adventure

The second season of Netflix’s critically acclaimed live-action adaptation of a beloved manga series is finally here.

Brand new episodes of One Piece are now available to stream as of today (March 10). Fresh instalments adapt several story arcs from the original source material which was previously turned into a popular anime.

The first season of the live-action version debuted exclusively on the streaming service back in August 2023. It means fans have been eagerly awaiting the continuation of the Straw Hat crew’s adventures.

Based on the Japanese manga series by Eiichiro Oda, One Piece follows Monkey D. Luffy on his journey to find the legendary treasure, the One Piece, in his quest to become King of the Pirates. The second season is subtitled Into The Grand Line.

Who is in the cast One Piece Season 2 on Netflix?

All members of the Straw Hats crew return for the live-action series’ second outing. They are lead by Iñaki Godoy as Monkey D. Luffy, a young pirate bestowed with the power of stretching from eating a Devil Fruit as a child.

His ultimate goal is to find the One Piece and become the next King of the Pirates. Mexican actor Godoy has previously appeared in The Imperfects on Netflix.

Emily Rudd also returns as Nami, a cat burglar and expert cartographer. Rudd has previously starred in Fear Street Parts Two and Three as well as thriller series Hunters.

Mackenyu stars as swordsman Roronoa Zoro, an ex-bounty hunter who becomes Luffy’s first mate shortly after their first encounter. He trains regularly to become the world’s greatest swordsman. Mackenyu previously appeared in Pacific Rim Uprising and recently voiced Gennojo in the game Assassin’s Creed Shadows.

Jacob Romero Gibson plays Usopp, master storyteller and estranged son of an infamous pirate. He aspires to be a brave warrior of sea. He has also appeared in episodes of Grey’s Anatomy and The Resident.

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This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.

Taz Skylar also returns as Sanji, the master chef and martial artist who only fights with his legs to protect his hands for cooking. He is searching for the All Blue, a mythical connection point of the Four Seas. Spanish-British actor Skylar, is also known for Boiling Point and The Lazarus Project.

The newest member of the Straw Hats for Season 2 is Tony Tony Chopper. They are a reindeer capable of walking and talking like humans after consuming a Devil Fruit, who also happens to study as a medical practitioner. Providing Chopper’s voice is Mikaela Hoover, known for turns as Cat Grant in 2025’s Superman while she’ll also appear in the new season of Beef on Netflix.

Aside from the main crew, they have a number of familiar adversaries on their tail. It includes Koby, the former cabin boy of the Alvida Pirates Luffey rescued back in the first episode. He has since become a Marine in his tracking his former pal down. He is once again played by Morgan Davies whose recent credits include Evil Dead Rise.

Marine Vice Admiral Garp is also on the Straw Hats’ tail. He was also revealed during season one to be Luffey’s estranged Grandfather. He’s played by Welsh actor Vincent Regan, whose credits include Shetland, House of the Dragon, The Bay and Poldark to name a few.

Also confirmed to return is Jeff Ward as Buggy the Clown, the circus-themed captain of the Buggy Pirates. Buggy has the power to split his body into pieces and control each part remotely. Like Luffey, his unique ability comes from eating a Devil Fruit. Ward has previously appeared in Hacks and Agents of Shield.

Who are in the Baroque Works?

There are not the only ones our heroes need to worry about though. A brand new faction is introduced and causing trouble on the Grand Line. Namely, a mysterious group of assassins who call themselves Baroque Works.

Their leader is the mysterious Mr. O, played by Joe Manganiello. The actor is easily recognisable for his turns in True Blood and his uncredited appearance as Deathstroke in Zac Snyder’s Justice League.

Bridgerton star Charithra Chandran is also part of the group as Miss Wednesday while she also has her own agenda. Her partner is Mr 9, played by Raised by Wolves actor Daniel Lasker.

David Dastmalchian stars as Mr. 3 described as “creepy artist serial killer of Baroque Works.” Dastmalchian previous roles include Oppenheimer, Ant-Man, The Suicide Squad and Late Night With The Devil.

The OA actor Camrus Johnson is Mr 5, while Lioness star Jazzara Jaslyn plays Miss Valentine. They are joined by Exterritorial’s Lera Abova as Miss All Sunday alongside The School for Good and Evil’s Sophia Anne Carusoas as Miss Goldenweek.

One Piece is streaming on Netflix.

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

Jennifer Runyon, a film and television actor known best for her roles on “Ghostbusters,” “A Very Brady Christmas” and “Charles in Charge,” has died. She was 65.

Runyon died Friday, according to a Sunday statement reportedly posted to her social media account, which has since gone private.

“This past Friday, our beloved Jennifer passed away. It was a long and arduous journey that ended with her surrounded by her family,” the statement read, according to ABC7. “She will always be remembered for her love of life and her devotion to her family and friends. Rest in peace our Jenn.”

“Bewitched” actor Erin Murphy shared in a Sunday post on Facebook and Instagram that Runyon died “after a brief battle with cancer.”

“Some people you just know you’ll be friends with before you even meet,” Murphy wrote in her tribute. “She was a special lady.”

On the 1980s sitcom “Charles in Charge,” Runyon portrayed Gwendolyn Pierce, a fellow college student of the show’s titular live-in housekeeper (portrayed by Scott Baio) and the target of his affections.

In his Facebook tribute, fellow “Charles in Charge” actor Willie Aames described Runyon as a “dear dear friend, muse, and encourager.”

“From the moment we met on set all those decades ago- I knew you ‘got me,’” wrote Aames. “Watching you slip away these last few months was one of the hardest times of my life… I can still hear your voice so clearly. No one will ever be able to fill the massive hole that’s been left in our hearts… ever.”

A Chicago native, Runyon made her television debut as Sally Frame in the long-running soap opera “Another World.” She also appeared in episodes of “Magnum, P.I.,” “Quantum Leap” and “Murder, She Wrote.” Runyon also portrayed the grown-up Cindy Brady in “A Very Brady Christmas.”

Her film credits include the 1984 classic “Ghostbusters,” where she appeared as one of the students participating in the ESP study conducted by Bill Murray’s Peter Venkman.

On Instagram, Runyon’s daughter Bayley Corman, an actor who has appeared on TV shows such as “Chilling Adventures of Sabrina,” “Bel-Air” and “Running Point,” described her mother as “the kindest most compassionate person i’ve ever known.”

“All of the best parts of me came from you,” Corman wrote in her tribute. “i would give anything for one more day together.”

HILARY Duff broke down in tears as she laid bare the heartbreaking feud with her sister.

The So Yesterday hitmaker – who is in the midst of a huge pop revival with new album Luck … Or Something – admitted the pair “don’t speak”.

Hilary, 38, first referenced bad blood with her actress and singer sibling Haylie, 41, in her album track We Don’t Talk.

The track also tellingly samples Gotye song Somebody That I Used To Know.

In a new podcast chat with Jay Shetty, she explained the delicate situation and how the ongoing drama is a “raw part of my existence”.

Hilary, who previously starred with her big sister on the pair’s infamous Lizzie McGuire TV show, fought back tears as she told the On Purpose podcast: “My sister and I don’t speak.

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“And I think in my adulthood I’ve come across more and more people that are having this experience”.

She branded the situation as “a very raw part of my existence’ before she added: “I hope it’s not forever, but it’s for right now”.

Hilary said: “As painful as it feels to share, when I decided to make this record, I could only talk about the things that I’ve gone through.

“Like there would be no purpose to make a record after 10 years than to face, you know, what it’s been like.

“That’s my truth.

“And I really worked hard to lyrically make sure that I’m just speaking about my experience, you know?”

The sisters haven’t been seen together in public since 2019.

During her recent tour Hilary, who is currently relaunching her music career with a slew of stage shows, appeared to lift the lid on the fall out with her sister, and even blamed “jealousy”.

During her recent concert in London, Hilary introduced fans to the new song, We Don’t Talk.

In a clip of her performing the song on stage, she sung: “Don’t know when it happened / Not even sure what it was about,” alluding to their broken down relationship.

She continued: “Cause we come from the same home, same blood.

“People ask me how you’re doing / I wanna say amazing, but the truth is that I don’t know / What I always end up saying is how … ”

For the chorus, Hilary sung: “We don’t talk, we don’t talk about it / We don’t talk about anything anymore.”

It is in the second verse that Hilary alluded to sibling rivalry.

“And if it’s ’cause you’re jealous / God knows I would sell it all, then break you off the bigger half,” she sung.

A fan then took to social media to put: “WOWW… Hilary Duff just sung We don’t talk and it’s 100% about Haylie. But not mean at all. Basically telling her to reach out.”

Another agreed and put: “I think Hilary misses her sister!”

In another interview, she confirmed the spat was the source material for her track.

“Yeah, it is. It’s definitely about my sister,” Hilary admitted.

After years of silence, back in November Hilary seemingly addressed the feud between her and her sister while chatting about “family drama”.

Speaking to Rolling Stone about her musical comeback, the star said she feels “ready to fill in the blanks and share with people and connect with them on the level of now”.

She then told the outlet how she and her fans have gone through twists and turns and “have gone through a lot of the same things”.

“Whether that’s complicated relationships, anxiety, raising kids, divorces, trying to find yourself in adulthood, family drama…

“Finally I felt safe enough and comfortable in my own family to step outside and open that part of myself up again,” she explained.

Chatter previously swirled that the pair, who were once very close, weren’t getting along because of differing political views.

However, social media gossip page DeuxMoi claimed that the sisters fought over Hilary’s husband, Matthew Koma, butting heads with Haylie’s husband, Matthew Rosenberg.

Tommy DeCarlo, a longtime fan of Boston who became the classic rock band’s lead singer in the late 2000s, has died. He was 60.

DeCarlo died Monday following a battle with brain cancer, his family announced on Facebook.

“[H]e fought with incredible strength and courage right up until the very end,” the family’s statement said. “During this difficult time, we kindly ask that friends and fans respect our family’s privacy as we grieve and support one another.”

Born April 23, 1965, in Utica, N.Y., DeCarlo said he first started listening to Boston — the 1970s rock band known for its instrumental overtures and hits including “More Than a Feeling,” “Don’t Look Back” and “Peace of Mind” — as a young teenager, according to the group’s website. The vocalist credited his love for Boston’s original frontman Brad Delp and his desire to sing along with him on the radio for helping to develop his own singing voice.

After Delp’s death in 2007, DeCarlo, then a manager at a Home Depot, sent a link to his MySpace page filled with Boston covers as well as an original song in tribute to Delp to the Boston camp, hoping for a chance to participate in a tribute show for the singer. They kindly turned down his offer.

But eventually, Boston founder and lead songwriter Tom Scholz heard DeCarlo’s cover of “Don’t Look Back” and invited the singer to perform a few songs with the band at the tribute. That tribute show would be DeCarlo’s first time ever performing with any band in front of a crowd, but it wouldn’t be his last. He continued to perform with the band at live shows for years, and even joined them on some tracks for their 2013 album, “Life, Love & Hope.”

DeCarlo also formed the band Decarlo with his son, guitarist Tommy DeCarlo Jr. In October, the singer announced he was stepping away from performing due to “unexpected health issues.”

“[P]erforming and sharing music with all of you around the world has been one of the greatest joys of my life,” DeCarlo wrote in his Facebook post. “I can’t thank you all enough for the incredible love, support, and understanding you’ve shown me and my family during this time. It truly means the world to us.”