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BACK in the 80s and early 90s, this movie star was known for huge blockbuster films, and was one of the biggest names in Hollywood.

Sadly, in 1991, the actor’s beloved wife died and he started to take a step back from the limelight and eventually quit fame – but now the 72-year-old star is making his big comeback.

Rick Moranis, famed for 80s films like Ghostbusters, thrilled fans when he made a rare appearance at CinemaCon 2026.

The much-loved actor was spotted at the big event with the cast of the Spaceballs sequel as he prepares for his return to the big screen.

It was announced last year that the Canadian actor would be reprising his role as Dark Helmet.

The original movie, which is a spoof of Star Wars, came out in 1987 and starred many notable names, including Mel Brooks, Daphne Zuniga, Bill Pullman, the late John Candy, and Joan Rivers, among others.

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Many of Rick’s former co-stars have returned for the sequel, such as Mel, Daphne, Bill, and George Wyner.

There are also several new faces among the cast, including Josh Gad and Keke Palmer.

The cast joined Rick at a panel event to promote the movie at CinemaCon.

Despite the star rarely being seen in the last three decades, the actor hasn’t changed much in appearance.

The Flintstones star wore his trademark round-framed glasses, which he was famed for in his iconic movies.

Other than Spaceballs, Rick starred in many successful films in the 1980s and 1990s, including Honey, I Shrunk the Kids and its sequels, and playing Barney in The Flintstones.

Sadly, Rick started to take a step back from Hollywood when his wife, Anne Belsky, passed away from breast cancer in 1991.

During the 90s, he slowly started to quit fame to focus on parenting his two children.

Although Rick hasn’t been seen on screen, he hasn’t entirely distanced himself from acting.

He lent his voice to several animated projects over the years, including Disney‘s Brother Bear in 2003, and its sequel, Brother Bear 2, in 2006.

Rick’s voice also appeared in a 2018 episode of The Goldbergs and a 2020 episode of the Disney+ docuseries Prop Culture.

However, he hasn’t appeared in a live-action film since Disney’s Honey, I Shrunk Ourselves, which was released directly to video in 1997.

But Rick is now set to be back on the big screen, with production for Spaceballs 2 underway.

The hotly-anticipated sequel is set to hit cinemas in 2027.

Reese Witherspoon is hyping A.I. again, and American authors have a few thoughts.

The Oscar-winning actor and producer, known for spotlighting women’s voices through her famed book club, television and screen projects, may have been barking up the wrong tree when she told her social media followers that it was time to learn A.I. on Wednesday.

“Well…I’ve decided it’s TIME,” she wrote in the caption of an Instagram reel on Wednesday. “The AI revolution has begun, and I need to learn as much as I possibly can about AI and share it with all of you. Also, FYI: the jobs women hold are 3x more likely to be automated by AI, yet women are using AI at a rate 25% lower than men on average. We don’t want to be left behind. So…do you want to learn with me?”

In the video, which the star shared across social media platforms, Witherspoon said she was with 10 women at a book club this week. “I said to the 10 of them, ‘How many of you guys use AI?’ And only three of them used AI. And then I said, ‘How many of the three of you feel like you really know what you’re doing or using it the right way?’ And there was only one person,” she said.

“So, if three out of 10 women are the only ones using AI, that means 70% of that group is not keeping up. The thing I’ve learned about technology is if you don’t get a little bit of understanding from the very beginning, it just speeds past you. So you have to have little bits of learning just to keep up.”

The “Big Little Lies” star then seemingly put out a feeler for an A.I. learning course saying, “I think we should learn the basics together and learn some really good tools that are going to make our everyday lives easier and better. Do you want me to share what I’m learning with you?”

While there were plenty of comments from fans and stars hyping up Witherspoon’s sentiment — Former co-stars Ali Larter said “Yes yes yes!” and Kerry Washington said “THIS” — many of the replies called the actor out, citing environmental, economic, social, educational and intellectual concerns, among others.

One group that was especially vocal in their opposition to A.I., was the literary community, and writers and authors across the country didn’t hold back when sharing their two cents.

Bestselling “Bad Feminist” author Roxane Gay chimed in on Threads, writing, “Oh Reese. Absolutely not.”

“This is obviously a scripted ad and it’s genuinely infuriating. Notice how AI’s biggest defenders are the ones cashing checks from it,” wrote screenwriter and director Charlene Bagcal on Threads. “AI isn’t inevitable. Technology follows society. If people stop using it, it dies. We still have agency.”

“Jagged Little Pill” author and literary agent Eric Smith weighed in, “As someone who champions authors and books the way you do, this is so disappointing.”

“AI plagiarized all my books. It seems unlikely that I’ll be ‘left behind’ if I don’t use it, given that it’s trained on work I did years ago,” wrote “Get Well Soon” author Jennifer Wright.

Writer and actor Rati Gupta said, “How am *I* the one being “left behind” by not using AI when *my* cognitive function will remain fully intact and uncompromised?”

And Sophia Benoit posted, “There’s something particularly insidious about seeing that women— the group you have built your brand on— have not adopted something and instead of assuming it’s out of wisdom, infantalizing them with ‘we’re falling behind.’”

In 2021, Witherspoon’s company, Hello Sunshine, partnered with World of Women (WoW), an NFT collective, and the actor similarly caught flak from followers for tweeting “In the (near) future, every person will have a parallel digital identity. Avatars, crypto wallets, digital goods will be the norm. Are you planning for this?”

Representatives for Witherspoon have not responded to the Times request for comment.

AFTER the whirlwind success of No1 hit Stick Season, Noah Kahan didn’t rush back into the studio.

In fact, he stopped completely. Facing writer’s block and still processing everything that had happened, he stepped away for six months, forced to rethink not just the music, but what success meant.

His 2022 album Stick Season — rooted in Vermont and exploring mental health, identity and small-town life — transformed the singer from a cult folk artist into a global name.

Topping the charts in the UK, the record was also certified multi-platinum in the US, where it sold over four million copies and had billions of global streams.

Kahan was nominated for a Grammy for Best New Artist and the emotionally raw, nostalgic and deeply personal record was widely seen as one of the defining albums of the decade.

“I just couldn’t write for a while,” he confesses. “When I first got off the road, I didn’t make any music in a long time.

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“I spent months not doing anything and it was painful because I like to be busy.

“It took so much strength for me to push that feeling away.

“I’m aware of how rare the moment was, how big the moment was and how lucky and fortunate I was, but my whole life I was trying to prove to people that I had a place here. So when the huge moment was happening, instead of being like, ‘Yeah, I made it’, I was like, ‘Oh my god, how am I going to stay here?’.”

That pressure quickly took its toll. Kahan said: “Writer’s block is such a lonely feeling — it makes you feel like your value’s been taken away. I felt completely unable to open up about it, but I ended up reaching out to friends.

“Marcus Mumford really helped. He understood what it’s like to be under a lot of pressure and afraid of failing and gave me great advice.”

Kahan also had to redefine success. It was not chasing numbers — just being able to make music was enough.

He says: “I learned the hard way about burnout. Success is a double-edged sword. I’ve always said if I had any, or if my tour sells out, I’d be happy. But the second it sells out, you’re looking at the next thing to achieve.

“Starting off this new album was really scary. I had to realise I didn’t need to be the biggest artist in the world or where Stick Season took me. I didn’t need to be successful to be loved.”

Kahan is in London for a few days to promote The Great Divide, his fourth studio album, which is out next Friday.

Taking time off to reset both mentally and emotionally was essential to writing again.

“I’ve struggled with my mental health,” he says candidly.

“But I was struggling more than anybody knew. I’ve struggled with anxiety, depression and body dysmorphia, but it was the OCD that I hadn’t figured out.

“I was diagnosed with OCD last year. It’s not about washing my hands a thousand times — it’s obsessive thinking. I was struggling with a lot of self-esteem and confidence issues, but I’d never dealt with anything so acutely like OCD. I’m supposed to be the singer who’s open about his mental health, but I felt so much shame.

“I needed medical intervention and therapy, and I didn’t want to be open about that because I was afraid. It was frightening as I’d been stripped of

this thing I loved.

“I couldn’t express myself through music any more, and so I didn’t tell anybody and it came to a breaking point.”
Through help and time, Kahan started to recognise his disorder in ways he hadn’t before.

“Now I wake up knowing my day is not going to be decided by what I see on my phone,” he says when discussing how therapy has helped him.

“Before, I’d have 700 brilliant words of praise, but it would be the one negative word that would shatter me. For a long time, I thought I was crazy.”

In August 2025, Kahan married his longtime partner Brenna Nolan, bringing a new sense of stability to his life.

The singer has also made a Netflix documentary — Noah Kahan: Out Of Body. It captures this difficult period, which he sees as part of his healing.

He says: “Making the film was a strange but amazing process. Having people follow you around took time to get used to, but they captured a really honest moment for me. Watching it back with my family was emotional. It showed how we really are.

“It was hard seeing how unhappy I was then, but in the end, it told a beautiful story.”

He adds: “My family are on the new record. I love the song American Cars. It’s about my sister.

“Whenever things were tough at home, she’d drive up from New York in a rental car, sunglasses on, just a total badass.

“She’s a surgeon, she just gets things done. She’d come back and help us through it, and the song came from that. Like, you need to come home and help fix this.”

The Great Divide is an album about friendship, miscommunication, regret and personal growth, and the title track became the guiding, emotional “north star” of the record.

He says: “Yeah, The Great Divide is really about a friendship that didn’t work out — one where I wasn’t able to express myself.

“And then there’s a song, Dan, which is about the opposite — being open, telling each other how much you care, facing hard truths. It ends in a way that really encapsulates the whole record. It’s probably my favourite song we made.

“There are a lot of stories,” he adds.

“It’s very emblematic of my childhood and a lot of people’s, young men in particular. Talking about feelings or asking difficult questions can feel like more discomfort than it’s worth, but the consequence is you don’t really know someone as well as you think you do.”

It’s an expansive album with 17 tracks, including the gorgeous We Go Way Back, Willing And Able, Haircut and Porch Light.

He adds: “I can’t wait to see crowds singing back Willing And Able, and Haircut started from that idea of someone coming back to town changed — like they’ve outgrown it. I felt like I’d become that person, only going home for inspiration instead of really being there.

“The song is almost someone singing to me, saying, I’m glad you’ve figured things out, but at least I’m still here and still real. You’ll leave again, and we’ll still be here. That’s what it’s about.

“Then, Porch Light is really about my biggest fear — how I’ve changed.

“I worry about going home and feeling like people see me differently, like I’ve become this ‘Hollywood’ version of myself, too big for where I’m from. That my relationship with Vermont has been changed by success and leaving Vermont for Nashville.

“But my family has always kept me grounded. They’re so happy for me. I wanted to write about that fear you have in your head before you even pick up the phone.

“You’re always anticipating what people might think. But there’s a silver lining in Porch Light. It’s about people saying, ‘We still care about you, we’ll still be here — but you need to figure things out first’.”

And that sense of place runs throughout the album.

“Yeah, the first and last songs really frame the album — I wanted them to feel like an intro and an outro,” Kahan says.

“The first track, End Of August, is this big, building track about that time of year in Vermont . . . It’s that moment when the tourists leave and the people who live there can finally come out of hibernation — like, ‘They’re gone’.”

He’s been working with Stick Season collaborator Gabe Simon, The National’s Aaron Dessner — best known for his work with Taylor Swift, Bon Iver and, more recently, Gracie Abrams — plus Ed Sheeran and Mumford & Sons.

Kahan says: “Gabe and I are really close — we went through a lot making Stick Season, so on this album we leaned on each other. He’s like a brother and the perfect person to go through this with.”

Aaron Dessner brought calm, structure and creative balance to the process.

“Aaron came in early on, but I was intimidated at first,” admits Kahan. “I looked him up on Wikipedia and was terrified of his success. This guy’s a legend.

“This was where Taylor Swift writes and Justin Vernon (Bon Iver), who works with Aaron, is my hero. Aaron has a magic to his music — a real understanding of what an artist is trying to say. But he’s a sweet, calm man who lives a very humble life in upstate New York on a farm.

“I needed him to stabilise me creatively. He is regimented in how he makes music and I need a routine. He is an amazing producer and this album sounds so f*****g cool because of what Aaron did.”

The sound on the new album is more expansive than Kahan’s earlier music and includes horns, guitar and richer production.

He says: “Honing on a sound and a theme started the process. Aaron’s place had dirt bikes, fishing rods and skeet shooting — all the things that I grew up doing.

“We couldn’t make the music in Vermont this time and the setting was really important, feeling connected to nature and beauty.

“It’s hard for me to make music in a city. Whenever I’m in a city, all I write is, ‘Get me out of the city’ songs.”

He adds: “We were also still in the middle of touring and I was over the Stick Season songs.

“There’s a lot of electric guitar on the new record, and bouzouki and mandocello, instruments we haven’t really used before. It’s a new confidence, but having spent three years on the road, I just want to make music that’s exciting to play live.”

It’s the connection with his audience that remains key.

He says: “I love it when I see fans singing back my songs as it means they’re feeling it.

“I’m always honoured when someone says my music has helped them to reach out for help. Though it can be overwhelming when people tell me they’re struggling with difficult thoughts.

“I don’t always feel equipped to handle that and I worry I’m not helping in the way they need. It’s hard when you feel you’re letting someone down.”

Now, his attention is focused on bringing the album to the stage.

He says: “I’m looking forward to playing these new songs. This record tells a story, so we’re working on the stage design, setlist and lighting to tell that story. We’re playing stadiums now, but I want fans to still have an intimate experience.”

Kahan returns to historic Boston baseball stadium Fenway Park, the home of the Boston Red Sox, for four nights this July.

He will also be back in the UK, including three nights at London’s O2 in November.

He says: “I’m excited about those dates, but my dream is to play Stamford Bridge.

“It’s my favourite sport and I love Chelsea FC. But I was told you can’t play there. I’ve achieved so much already, but that is my ultimate dream.”

• The Great Divide album is out next Friday, April 24.

NOAH KAHAN – The Great Divide

★★★★★

VICTORIA Beckham has kicked off her early birthday celebrations with a lavish “girls” dinner in Miami after finally breaking her silence on her bitter feud with Brooklyn.

After her eldest son launched a scathing attack on the family with a bombshell Instagram statement back in January, the singer recently addressed the fallout for the first time.

Since speaking out on the “rift” between her family the fashion designer has been spotted letting loose at her early birthday celebrations.

Stunning Victoria took to her Instagram to show fans the incredible navy blue dress she decided to wear to the dinner.

Posing in the mirror of a huge dressing room, Victoria explained her dress of choice.

She said: “So I’m here in Miami and tonight I’m going out with my girlfriends for my birthday and I’ve got this amazing navy blue jersey dress which I love.

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“I love the waist detail here, which really brings the waist in making it look super super toned. It’s got a slit up the side as well… It is the perfect party dress for a night out with my girlfriends.”

Victoria, who turns 52 today, looked sizzling in the tight fitting dress as she showed off her toned physique.

The Spice Girls star had her hair styled in natural waves and her makeup was flawless, complete with a very subtle smoky eye.

She accessorised the chic outfit with some blue open toed stilettos, chunky diamond bracelets and an emerald ring.

Victoria and her closet gal pals sat down for a very bougie meal at Italian restaurant Casadonna.

For starters they had focaccia bread, followed by a choice of grilled octopus or a baby gem lettuce caesar salad.

And for their third and final course the girls had the option to pick between filet mignon, branzino or beef ragu bolognase.

Victoria’s daughter Harper, 14, was also present at the girls dinner as she was seen giving her mum a big hug.

The singer-turned-fashion-designer captioned the snap: “I love you so much @harperbeckham.”

Victoria appeared over the moon as Harper surprised her with a huge birthday cake, which was complete with regal white icing and a singular gold candle.

Earlier this week Victoria broke her silence on her long-running feud with her son, amateur chef Brooklyn, 26.

Speaking to The Wall Street Journal magazine, Victoria did not refer to Brooklyn by name when asked about the rift but discussed how she had only ever tried to “protect and love our children”.

The Spice Girls star said: “I think that we’ve always—we love our children so much.

“We’ve always tried to be the best parents that we can be. And you know, we’ve been in the public eye for more than 30 years right now, and all we’ve ever tried to do is protect our children and love our children.

“And you know, that’s all I really want to say about it.”

Corrie star Craig Charles took on the Retching Ball challenge with fellow campmate David Haye in a bid to earn food for camp in the latest bushtucker trial

The latest bushtucker trial left I’m A Celeb star Craig Charles throwing up a mouthful of maggots.

The 61-year-old Corrie star took on the Retching Ball challenge with fellow campmate David Haye in a bid to earn food for camp. The duo were strapped into a revolving ball while having to answer questions directed at them by Ant and Dec.

But of course in true I’m A Celeb style they were not alone in the ball cage, as creepy crawlies were dumped on them to add to their distress. Following a dumping of maggots on the duo, David Haye cried out ‘I’ve got maggots in my mouth’ and it wasn’t long before co-star Craig began throwing up.

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David and Craig carried on for another round but the momentum seemed to catch up with Craig. As he threw up Ant quipped “Oh I think we’ve had a vomit. Now Craig you’ve just worked out why it’s called the wretching ball,” he added.

Despite his sickness, he kept going but he ended up being sick again in the final round where they were asked to name Adele songs. Craig looked delighted when time was up and he and David were removed from the retching ball to learn they had secured seven out of a possible 11 stars in total.

In a sneak peek at tomorrow evening’s episode Gemma Collins appears to quit again. She told the cameras: “I’m A Celebrity get me out of here. I am done.”

She looked to be in tears again as a stunned Scarlett watched on. It left fans pondering if she had actually walked again, or if it was another low moment for the reality TV star.

On X, formerly known as Twitter, one user said: “Hope Gemma doesn’t go from that clip! I need misery guts David gone before anyone else in camp!”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Coronation Street actor Gareth Pierce has been playing Todd Grimshaw since 2020, but fans were shocked to discover his real accent

Coronation Street’s Gareth Pierce is well known for his portrayal of Todd Grimshaw, yet in real life, he sounds remarkably different.

Gareth, 45, rose to prominence when he joined the Corrie cast in 2020 as Todd Grimshaw, stepping into the role previously held by Bruno Langley, who departed the show in 2017.

Over the past six years on the long-running soap, Todd has been at the centre of some heartbreaking storylines, including the deaths of his closest friends Billy Mayhew (Daniel Brocklebank) and Paul Foreman (Peter Ash).

Last year, Todd embarked on a relationship with dashing scaffolder Theo Silverton (James Cartwright), who was already married with two children.

Theo, who had kept his sexuality a secret, found himself ostracised by his family when his wife Danielle (Natalie Anderson) uncovered his affair with Todd, reports the Daily Star.

Despite initially pulling away from Todd to concentrate on his family, the pair quickly rekindled their romance, though the road has been far from smooth.

Matters took a darker turn when James Bailey (Jason Callender) drunkenly attempted to kiss Todd at number eleven, prompting Theo to deliver a stark warning. He has since continued to tighten his grip on every aspect of his boyfriend’s life.

For months, Theo has been subjecting Todd to both mental and physical abuse in a deeply disturbing domestic violence storyline. Most recently, Theo launched a brutal attack on Todd, leaving him bloodied and battered in deeply distressing scenes.

The funeral director has been quietly struggling for months, with Todd’s nearest and dearest beginning to notice that something isn’t quite right. Regrettably, their concern about his wellbeing has driven the scheming Theo to resort to increasingly extreme measures.

Theo manipulated Todd into walking down the aisle with him, but his sinister plans didn’t stop there. The conniving villain subsequently schemed to spirit his new husband away to Belfast, far from his loved ones and support network.

Todd informed Theo that he wasn’t prepared to relocate, prompting the villain to confiscate his phone and hold him captive. As a Weatherfield resident is set to meet a grisly end in an upcoming whodunnit, could Theo be next in line?

Away from the Manchester-based soap, Gareth has left fans stunned after revealing his real-life accent. Last year, he took to Instagram to wish the Welsh women’s football team well as they competed in the Euros.

Sporting a Welsh football shirt, Gareth, who hails from Gwynedd in Wales, said: “Massive week ahead in the Women’s Euros. Wales and England both playing today, but also playing each other on Sunday. Big showdown. Obviously, I’m shouting for Wales.”

Speaking in Welsh, he added: “Good luck, Wales. Let’s go. Come on, Wales!”

Soap devotees were left gobsmacked after watching the clip, as Todd’s Mancunian accent on Coronation Street is worlds apart from Gareth’s natural Welsh lilt.

Flocking to the comments, one viewer wrote: “You learn something new every day. Did not know he was Welsh”, while another added: “Love the slight Welsh accent.

“Didn’t know you were Welsh”, a third chimed in as another exclaimed: “Didn’t know he was welsh c’mon Cymru.”

“Are you Welsh, mate?” asked one fan while another stated: “Mind blown!”

Coronation Street airs weekdays on ITV and ITVX

Dr Xand van Tulleken told viewers ‘it can be like a heart attack for your legs’

A BBC doctor has given a worrying update for anyone who has woken up in the morning with a pain in the leg. Appearing on BBC Morning Live, Dr Xand van Tulleken told viewers they should ‘never’ just write symptoms off as what happens due to ageing.

Many people get aches and pains, but specific discomfort in the legs should be investigated, he said. Host Helen Skelton said: “We’re looking at protecting our health now, though. And if you started this morning with a pain in your leg, you’re not alone.

“It’s thought that one in five people over the age of 60 is living with a blood vessel disorder.“ Dr Xand said “It’s really important that no one should ever regard any symptoms they have as just part of getting older. If you have a symptom and you don’t know why you have it, you need to get an explanation.

“Whether it’s shortness of breath or pain in your legs. There are lots of different causes for pain in your legs, but this morning we’re talking about peripheral arterial disease, which is a sort of intimidating medical term, but really we mean just peripheral, meaning it’s at the outside of your body. It’s in your legs rather than being in your heart or your brain.”

Arterial disease might be the cause – and that’s a condition which can mean there are serious health issues at stake beyond just aching legs. Dr Xand said “Arterial disease is the same problems that gives us heart attacks and strokes. Your blood vessels narrow over time. They can calcify, they harden, they clog up with cholesterol, and you are left with a narrower space for blood to flow through and that means that you’re not getting a sufficient blood supply to your legs and that can give you leg pain.

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“And you can think of it a little bit like in the same way that some people get angina, they get heart pain when they exercise, when they move around. This is a bit like angina for your legs. And sometimes if those blood vessels completely clog off, it can be like a heart attack for your legs.”

The NHS says many people with PAD have no symptoms. However, some develop a painful ache in their legs when they walk, which usually disappears after a few minutes’ rest. The medical term for this is “intermittent claudication”.

The pain can affect 1 or both legs, range from mild to severe, and usually goes away after a few minutes when the person rests their legs.

Other symptoms of PAD can include:

• hair loss on your legs and feet
• numbness or weakness in the legs
• brittle, slow-growing toenails
• ulcers (open sores) on your feet and legs, which do not heal
• changing skin colour on your legs, such as turning paler than usual or blue – this may be harder to see on brown and black skin
• shiny skin
• in men, erectile dysfunction
• the muscles in your legs shrinking (wasting)

The NHS adds: “The symptoms of PAD often develop slowly, over time. If your symptoms develop quickly, or get suddenly worse, it could be a sign of a serious problem requiring immediate treatment.”

Dr Xand added: “The quality of the pain is quite specific. I mean, the way that people describe it and it typically wouldn’t be a pain that you’d get when you’re just sitting still, much like angina. It’s the pain that comes from not getting enough oxygen to your muscles. Those blood vessels aren’t working. And so, people tend to describe a kind of deep, heavy ache, like they’re just not, and you can almost feel that thing of just not getting enough.

“It’s a bit like if you’re lifting weights at the gym, if you go beyond your limits, you know, your muscles really start to hurt. It’s a similar thing. The pain is called claudication, but it’s that kind of pain. And typically, if you rest, it’ll go away again. So, that’s the that’s the kind of pain, but there are other changes that you can look for as well.”

He said people might see changes in their legs which could indicate the problem. Dr Xand said: “If you do look at your legs, you may see some changes if you don’t have a good enough blood supply. So, things like loss of hair on your legs would be an examples. The hair the hair can’t grow anymore because you’re not getting enough nutrients to your leg.

“Cold feet, the warm blood from the middle of your body is no longer reaching your feet. Ulcers or cuts are not healing because your immune system carried in your bloodstream is not reaching those and so you’re getting skin breakdown. You’re not getting antibodies and white blood cells and things like that. Changes in skin tone. So, your skin may look kind of mottled and gray as if it’s not getting enough blood. And then your toenails, you may think, I haven’t cut my toenails in a while. Well, are they just simply growing because they’re not getting the nutrients from the bloodstream that they need. So, those are things that might be a clue.”

Tackling the problem

A main cause is smoking, Dr Xand said, and also making sure people get cholesterol, blood pressure measured and check if you have diabetes. He said exercise is a good way of trying to improve the situation: “This may sound a bit a bit paradoxical, may sound like it’s hard to exercise, you’re getting pain when you exercise, but doing some exercise can stimulate the growth of new blood vessels. It can help those blood vessels open up.

“It will lower your cholesterol. It will lower your blood pressure. It will lower your stress. It will improve your blood sugar. You get so many wins from doing a bit of exercise.”

More information from the NHS here.

80’S ICON Sinitta has shared rare pictures of her two children on social media to celebrate her son Zac’s 20th birthday.

The 62-year-old, who is currently on screens in I’m A Celebrity… South Africa, shared a sweet photo montage on Instagram of her eldest to mark the milestone.

Looking all grown-up, the proud mum uploaded snaps of Zac attending a variety of fancy black-tie evenings, red-carpets, and luxury dinners over the years.

Alongside it, the singer wrote; “Happy Birthday My Beautiful Boy @zac_willner. 20 years old does not seem real. You are the gentle giant, affectionate, kind, smart and funny and so so big now!!!”

‘I Love being your Mom, you are everything I wanted and I love you so much I want you to have everything good that this world has to offer and that you want”

Sinitta married Andy Wilner in 2002, and in 2007, the couple adopted two children – Zac and Magdalena Wilner.

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The couple decided to adopt following several miscarriages and failed IVF attempts during their marriage. 

Her post comes after she recently opened up on her struggle with mental health and how her adopted children gave her ‘a reason to live’ through some of the darkest moments she’s ever had. 

Talking to The Mirror, Sinitta explained how she “wanted to curl up in a ball and shut the world out”.

She recalled the day she took her two children home as ‘surreal’ and ‘scary’. 

Sinitta and Andy Wilner later divorced in 2010 after eight years of marriage/

The singer has since opened up on their early relationship together – calling it a ‘revenge move’ at her previous romance with TV personality Simon Cowell. 

In a recent I’m A Celeb episode, Sinitta revealed that she met Simon in a London nightclub when she was a teenager, and their on-off romance continued to last for 40 years. 

When speaking to fellow campmates, Sinitta explained that Simon “wasn’t a faithful boyfriend” but that she believed they would get married one day. 

Simon isn’t the only high-profile romance the star has enjoyed with Sinitta also dishing in the camp about her relationship with actor and producer Brad Pitt.

The singer, 62, dated A-lister Brad, also 62, back in the late 80s for around two years, long before he went on to marry Jennifer Aniston and, later, Angelina Jolie.

Talking about Brad, Scarlett asked Sinitta during the episode: “You were with Brad Pitt, weren’t you?”

“Yeah, years ago. Before he was actually famous,” replies Sinitta.

Scarlett continued: “That’s unbelievable that. Did you, like, kiss and tha?” with Sinitta confirming: “Yeah, everything”.

In a solo piece to camera in the Bush Telegraph, Sinitta confessed: “Even I do think, wow, it was nice while it lasted.”

The pop star originally burst on to the music scene back in 1986, with her hit single So Macho reaching number two in the UK charts and spending several weeks in the top 10.

After a series of successful songs for Simon Cowell’s record label, she appeared as a judge on The X Factor alongside him for it’s 2004 season during the Judges’ Houses stage.

History textbooks often include the story of the Underground Railroad, an organized network of secret routes, places and people that guided enslaved populations from the South to abolitionist Northern states.

However, less is known about the underground railroad that ran southbound to Mexico. But one live-looped musical is unearthing that hidden history, one beat at a time.

Co-created and performed by Brian Quijada and Nygel D. Robinson, “Mexodus” tells the fictional story of Henry, who evades his capture by fleeing Texas across the Rio Grande. After a near fatality, he is saved by Carlos, a farmer and former combat medic battling his own trauma from the Mexican-American War. Together they form solidarity, despite social, racial and political strains plaguing both sides of the border.

Following its off-Broadway run at the Daryl Roth Theatre in New York City, the hip-hop and bolero-infused musical directed by David Mendizábal will open at the Pasadena Playhouse stage July 8 and run until Aug. 2. But for history buffs and musical enthusiasts alike, a sonically richer version filled with sound effects of the musical airs exclusively on Audible today, April 16.

The idea for “Mexodus” first came to Brian Quijada — playwright, actor and composer behind “Where Did We Sit on the Bus?,” “Kid Prince and Pablo” and “Somewhere Over the Border” — when reading a 2018 article on History.com about the estimated 5,000 to 10,000 enslaved individuals that escaped the American South for freedom in Mexico, though some researchers estimate that number to be higher.

“My parents crossed the border undocumented in the late 1970s, so I think I’ve always been fascinated with writing immigration stories,” Quijada said. “The reason that this story attracted me was because it’s like a reverse border story, but I also knew that it wasn’t my story to tell so I sat on it for a long time.”

Quijada bookmarked the article until he met Robinson — a performer at Berkeley Rep, Baltimore Center Stage, Shakespeare Theater Company, Mosaic Theater and writer and composer of “Santa Claus Is Comin’: A Motown Christmas Revue” and “R&J: Fire on the Bayou” — at an actor-musician conference weeks before the start of the COVID-19 pandemic. They were the only actors-musicians of color in the room, listening in on conversations about how one should audition for musicals like “Once,” “Million Dollar Quartet,” which typically center white storylines.

“We kind of looked at each other and we’re like, ‘we don’t really belong here,’” said Quijada, who invited Robinson to take part in “Mexodus” during the pandemic shutdown. The first iteration of the project was as a mixtape.

The musical edge of “Mexodus” hinges on live looping, a recording and playback technique where a sound is repeated and then layered (think Justin Bieber’s solo performance of “Yukon” at the 2026 Grammy Awards). Physically, both Quijada and Robinson’s characters have to pick up a guitar, record it, then play the drum set and run to the bass. “ It’s pretty labor-intensive,” Quijada said.

“I think Brian and I are artists in this way, like various people of color, where it’s like, no one else is gonna do it for me, so I can do it all by myself,” Robinson said.

There’s also a more dramaturgical, meta reason for the loop, which follows a four chord structure throughout the piece, set in both 1851 and present day.

“The looping shows you that there’s not much difference between 1851 and 2026,” Robinson said. “We just keep finding ourselves in a loop and like maybe a sound is in that wasn’t there before. Maybe another sound is added, but it’s still the same four chord structure that has been happening in this country for all existence.”

In 2010, the U.S. National Park Service outlined a possible runaway route stretching on the Camino Real de la Tejas between Natchitoches, La., to Monclova, Mexico. Still, it is unclear how organized the underground railroad heading to Mexico truly was, the Associated Press reported in 2020, with archives destroyed in a fire and sites along the path abandoned.

In 2024 the Jackson Ranch Church and Martin Jackson Cemetery in San Juan, Texas — which are part of a ranch owned by interracial couple Nathaniel Jackson and Matilda Hicks — were recognized by the U.S. National Park Service for serving as a gateway to freedom in Mexico.

Other Texas couples alongside the border— including interracial abolitionist couple Ferdinand Webber and Silvia Hector — aided enslaved people in their pursuits to reach Mexico, which had abolished slavery in 1829, while Texas was still part of the country.

Fears surrounding the Mexican government’s attempts to abolish slavery led to the formation of the Republic of Texas in 1836 and its eventual annexation to the United States by 1845; records also show that American slave owners would head down to Mexico to kidnap formerly enslaved individuals, according to USC historian Alice Baumgartner, who wrote about it in her 2020 book “South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War.”

A database by the Texas Runaway Slave Project, which found listings for 2,500 runaways across various Texas newspapers from the 1840s through the 1860s, also documents the frequented journey to Mexico.

Slavery in the U.S. wouldn’t be officially abolished until 1865 with the ratification of the 13th Amendment to the Constitution.

“I was also really intimidated by the amount of research that I would have to do to write this piece because at the time back [between 2017 and 2020], [researchers] were just beginning to uncover a lot of this,” Quijada said.

Themes of racism — including anti-Blackness in the Latino community — oppression and resistance are woven throughout “Mexodus,” which since its debut in 2023 at the Baltimore Center Stage/Mosaic Theater Company in Washington, D.C., has been making viewers aware of the little-known history.

Robinson recalled how one Black woman came up to him after the show to let him know she believed in Trump’s border wall.

“I got nervous, but she was like, ‘after seeing this, I’m realizing that there’s something trying to convince me of that.’ And I’m like, yes!” said Robinson. “I’m like, this is good. This is good. We started you somewhere. Wow.”

The pair hope that amid all the dark news circulating around the world — and the traumatic, historical themes interlaced in “Mexodus” — the existence of this piece of art can be a glimmer of hope and joy for the future of both Black and brown communities.

“ I need you all to see the truth, but we’re gonna try and dance anyway,” Robinson said.

Victoria Beckham is speaking out about her rift with son Brooklyn Peltz Beckham.

In an interview with WSJ Magazine, the former Spice Girl shared insight into her relationship with her son, although she did not refer to him by name.

“I think that we’ve always — we love our children so much,” Beckham said. “We’ve always tried to be the best parents that we can be. And you know, we’ve been in the public eye for more than 30 years right now, and all we’ve ever tried to do is protect our children and love our children. And you know, that’s all I really want to say about it.”

The response comes after Peltz Beckham took to his Instagram Story in January to accuse his parents of “endlessly trying to run” his relationship with his wife, Nicola Peltz Beckham. The 27-year-old claimed his parents “repeatedly pressured and attempted to bribe” him into signing away the rights to his name, that his mother “hijacked” the first dance during his wedding and that his family “values public promotion and endorsements above all else.”

“My wife has been consistently disrespected by my family, no matter how hard we’ve tried to come together as one,” Peltz Beckham wrote. “Family ‘love’ is decided by how much you post on social media, or how quickly you drop everything to show up and pose for a family photo opp, even if it’s at the expense of our professional obligations.”

Peltz Beckham ended the post writing, “I do not want to reconcile with my family. I’m not being controlled, I’m standing up for myself for the first time in my life.”

After the Instagram bombshell, fans believe David Beckham broke his silence while speaking about the power of social media during an interview in January on CNBC’s “Squawk Box.”

“They make mistakes, but children are allowed to make mistakes. That is how they learn. That is what I try to teach my kids,” David Beckham said. “You sometimes have to let them make those mistakes as well.”

During Peltz Beckham’s birthday in March, his parents wished him happy birthday and shared that they love him on their Instagram Stories.

SHE was 35 and in her prime when Smash Hits magazine published images of her parading the stage in a skimpy bra – and scoffed: “Calm down, grandma!”

But the cutting headline, which accompanied a review of her Girlie Show tour in 1993, did nothing to deter the uniquely stylish Madonna.

In a career spanning more than 40 years, she became the hottest female singer in the world, selling over 400million records.

But through it all, the Queen of Pop faced intense backlash over her appearance.

Critics have judged everything from her cone bra in 1990 to her Met Gala “bondage”-style outfit in 2016, when she was 57.

But now, as Madge prepares to return to the spotlight with her 15th studio album, she has done what many thought would never be possible.

speaking out

Victoria Beckham breaks silence on Brooklyn feud for first time

BAY BEAUTY

Iconic Baywatch star signs up to reboot alongside Brooks Nader and Livvy Dunne

Aged 67, she is finally cool again.

The Vogue singer confirmed this week that she will release her first record in seven years this July — a sequel to her 2005 smash Confessions On A Dance Floor.

The original, inspired by disco and Eighties electropop, shifted more than 10million copies.

It featured No1 singles Hung Up and Sorry, and ushered in a new era of dance music.

Now, Confessions On A Dance Floor: Part II is promising to be a continuation of the project.

And Madonna is still not letting her age define her fashion, posing in a blue leotard, fishnets, a silver jacket and shades in a defiant photo to promote the record.

A music insider said: “Madonna has locked in for this project and it’s not at all what you’d expect from any other woman who is nearly 70.

“It has roots in New York house music and rave culture and her record label believes it will usher in a whole new generation of fans.

“Confessions 1 showed Madonna at her coolest and, after straying into other genres on her last few albums, this feels wonderfully authentic.”

Madge is yet to release the album’s first single, but she has been steadily building a Gen Z fanbase, who have been discovering her back catalogue.

Last month, her 1985 chart-topper Into The Groove returned to the Top 20 after going viral on TikTok.

Cruz Beckham, KSI, Aitch and Sam Thompson were among those who shared videos of themselves dancing to the song 41 years after it was a No1 hit.

And she is heavily tipped to make a live return tonight at the buzziest festival of the year alongside one of the world’s hottest young pop stars, Sabrina Carpenter, 26.

The Espresso singer will headline the second weekend of Coachella in California and has extended her set by ten minutes, further fuelling industry whispers that Madge may join her on stage.

It would be the veteran pop star’s first performance there in 20 years. She delivered a memorable set in 2006 following the release of her first Confessions album.

Sabrina idolises Madonna as a blueprint for pop music — and there are suggestions they may have collaborated on a song.

In 2024, she paid tribute to Madge by attending the MTV VMAs in a vintage strapless gown previously worn to the Oscars by her musical hero in 1991.

Sabrina said of Madonna last year: “She’s so lovely and so exactly how you expect her to be — just, like, so magnetic.”

Many of the current crop of pop starlets have named Madonna as their top inspiration.

Dua Lipa has said her 2020 No1 album Future Nostalgia was heavily influenced by Madge, and she worked with her on a remix of her song Levitating.

Jade Thirlwall said last year: “She is one of the best pop stars we will ever get.”

In fact, Madge has such pulling power, supermodel Kate Moss, plus film stars Benedict Cumberbatch and Gwendoline Christie, are set to have cameos in her comeback music video.

It is a sea-change from previous generations who used Madge as a verbal punching bag.

When asked to name the most overrated person in pop, Lily Allen once said: “Madonna. She might have meant something once, but I don’t know many people my age who care.”

And Lady Gaga insisted she could not be compared to the megastar, explaining: “I play a lot of instruments. I write all my own music . . .  I’m a producer. I’m a writer. What I do is different.”

On Wednesday, Madonna released a snippet of upcoming track I Feel So Free, which heavily samples the 1989 house tune French Kiss by Lil Louis.

The original features more than two minutes of sex noises — something which seems fitting for pop’s most notorious provocateur.

For Confessions II, Madonna has teamed up again with British producer Stuart Price, who was musical director on her 81-date Celebration Tour in 2023 and 2024.

Meanwhile, her boyfriend, former footballer Akeem Morris, 29, is regularly seen dancing and larking around with her in videos on TikTok, where her clips have been liked over 45million times.

Last month, Madonna was in Venice shooting for the second series of the Apple TV show The Studio, in which she will appear opposite Julia Garner.

But now it is full steam ahead with her music, after re-signing with Warner Records — her label for the first 24 years of her career.

Madonna said of her new album: “When Stuart Price and I first started working on this record, this was our manifesto: We must dance, celebrate and pray with our bodies . . .  To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people.”

Gen Z will not know what has hit them . . . 

Paramount Skydance Chief Executive David Ellison made his case directly to theater owners Thursday, pledging to release a minimum of 30 films a year from the combined Paramount and Warner Bros. Discovery company during a speech at the CinemaCon trade convention in Las Vegas.

“I wanted to look every single one of you in the eye and give you my word,” Ellison said in a brief on-stage speech, adding that Paramount has already nearly doubled its film lineup for this year with 15 planned releases, up from 8 in 2025.

He also said all films will remain in theaters exclusively for 45 days, starting Thursday. Films will then go to streaming platforms in 90 days. The amount of time that films stay in theaters — known as windowing — has been a controversial topic for theater owners, as some studios reduced that period during the pandemic. Theater operators have said the shortened window has trained audiences to wait to watch films at home and cuts into theater revenues.

“I have dedicated the last 20 years of my life to elevating and preserving film,” said Ellison, clad in a dark jacket and shirt with blue jeans. “And at Paramount, we want to tell even more great stories on the big screen — stories that make people think, laugh, dream, wonder and feel — and we want to share them with as broad an audience as possible.”

Ellison’s CinemaCon appearance comes as more than 1,000 Hollywood actors and creatives have signed a letter opposing Paramount’s proposed acquisition of Warner. Supporters of the letter have said the deal would reduce competition in the industry and “further consolidate an already concentrated media landscape.”

Some theater operators have also questioned whether the combined company could achieve its goal of releasing 30 films a year, particularly after the cost cuts that are expected after the merger closes.

“People can speculate all they want — but I am standing here today telling you personally that you can count on our complete commitment,” Ellison said. “And we’ll show you we mean it.”

The speech came after a star-studded video directed by “Wicked: For Good” director Jon M. Chu that was shot on the Paramount lot on Melrose Avenue and showcased directors and actors including Issa Rae, Will Smith, Chris Pratt, James Cameron and Timothée Chalamet that are working with the company.

The video closed with “Top Gun” actor Tom Cruise perched atop the Paramount water tower.

“As you saw, the Paramount lot is alive again,” Ellison said after the video. “And we could not be more excited.”

It turns out the “Spaceballs” sequel won’t be called “Spaceballs 2: The Search for More Money” after all.

Mel Brooks beamed into Amazon MGM Studios’ CinemaCon presentation to set the record straight via a pre-taped video Wednesday. The follow-up to his 1987 film set in a galaxy very, very, very, very far away is actually titled “Spaceballs: The New One.”

“After all these years, I found the money,” the comedy icon explains as he waves toward a duffel bag overflowing with “Spaceballs” money. “But everywhere I go people say, ‘Mel, Mel, where’s the new “Spaceballs”? When are you going to make the new “Spaceballs”? When are you going to make the new one?’”

“Well, we did it, and the title is ‘Spaceballs: The New One,’” Brooks continues. “It’s just like the old one, but it’s newer.”

While details about “The New One’s” story remain under wraps, the studio did offer attendees a glimpse of the film with a new trailer that pokes fun at the current state of the industry. A voice-over declares Hollywood studios are “merging willy-nilly” as images of the Paramount and Warner Bros. signs appeared on screen — before noting that the merger between Amazon and MGM Studios is what led to “Spaceballs 2.”

Dark Helmet’s look appears to be updated for the times, as his mask resembles that worn by the “Star Wars” sequel trilogy’s Dark Side warrior Kylo Ren. The trailer also included footage of lightsaber (or Schwartz ring) fights as well a nod to the “Avatar” franchise, with Dark Helmet crossing paths with a Na’vi in the restroom.

“Spaceballs: The New One” is slated to hit theaters April 23, 2027. Here’s everything we know about the sequel so far.

What is “Spaceballs: The New One” about?

According to Amazon MGM’s press release, the film’s story details “are being kept under lock, key and an industrial-strength Schwartz shield.”

Who is in the movie?

Original “Spaceballs” cast members Rick Moranis (Lord Dark Helmet), George Wyner (Colonel Sandurz), Daphne Zuniga (formerly Princess, now Queen Vespa), Bill Pullman (Lone Starr) and Mel Brooks (Yogurt) are confirmed to return for “The New One.” This marks Moranis’ first onscreen film role since taking a hiatus in 1997.

Newcomers include Josh Gad, Keke Palmer, Lewis Pullman and Anthony Carrigan playing new characters who’ve yet to be revealed.

Who are the filmmakers?

“The New One” is directed by Josh Greenbaum (“Barb and Star Go to Vista Del Mar,” “Will & Harper”) from a script written by Josh Gad, Dan Hernandez and Benji Samit (based on characters created by Brooks, Thomas Meehan and Ronny Graham).

Brooks is among the producers of “The New One,” which also includes Brian Grazer and Jeb Brody as well as Gad, Greenbaum and Kevin Salter. Executive producers include Adam Merims, Samit and Hernandez.

Time staff writer Samantha Masunaga contributed to this report.

In the weeks before Justin Bieber’s headlining performance at this month’s Coachella festival — the 32-year-old teen-pop survivor’s first major concert after a lengthy stretch in the celebrity wilderness — speculation began to mount that he planned to play only songs from his recent “Swag” and “Swag II” albums.

And indeed, for 45 minutes or so last Saturday, it seemed like that was what he’d come to do as he sang new song after new song on Coachella’s giant main stage. But then he pulled out a laptop, fired up YouTube and started singing along with some of his old hits — a thrilling subversion of our expectations for a big festival set and a poignant act of self-examination by an artist who’s lived more than half of his life on our screens.

For the singer, Bieberchella was clearly a trip down memory lane. But it also offered the audience a chance to look back on a career that’s encompassed virtually every major shift in pop music over the last two decades.

Ahead of Coachella’s second weekend, then, here’s a list, ranked from worst to best, of every hit that Bieber has put inside the Top 10 of Billboard’s flagship singles chart, the Hot 100. Pop, of course, is an art as much as a science, meaning statistics get you only so far: Some important Bieber songs aren’t here, not least among them “Lonely,” which may be his finest vocal performance but stalled out at No. 12 on the chart. Other throwaways made it on the list thanks to Bieber’s gamesmanship or Billboard’s methodological quirks.

Yet these 27 songs tell a fascinating story about a boy, about a man, about a talent possibly more vital today than ever before.

27. ‘Never Say Never’ (peaked at No. 8 in March 2011)

Co-written and co-produced by the guy who would later top the Hot 100 with “Rude” by the band Magic, this booming kiddie-rap track was introduced as the theme song for Jaden Smith’s 2010 remake of “The Karate Kid” before Bieber used it in a 2011 concert film of the same title. The voice is high; the beat is blah.

26. ‘Monster’ (peaked at No. 8 in Dec. 2020)

Just a month after he dropped “Lonely,” Bieber returned to his teen-idol woes — far less movingly, alas — in this dreary duet with Shawn Mendes.

25. ‘Stuck With U’ (peaked at No. 1 in May 2020)

The nicest thing you can say about the doo-woppy “Stuck With U” is that Bieber and Ariana Grande donated the song’s proceeds to first responders navigating the early months of the COVID pandemic. Do not rewatch the video unless you want to be reminded of the smiley horrors of Zoom life.

24. ‘No Brainer’ (peaked at No. 5 in Aug. 2018)

We’ll get to Bieber’s convivial 2017 hook-up with DJ Khaled and friends. As for this shameless sequel, Khaled’s “another one” tag has never been less necessary.

23. ‘Cold Water’ (peaked at No. 2 in Aug. 2016)

Sleek. Pretty. Forgettable.

22. ‘As Long as You Love Me’ (peaked at No. 6 in Sept. 2012)

How high was Bieber riding as he prepared to release 2012’s “Believe” LP? High enough to swipe the title of the Backstreet Boys’ classic teen-pop ballad for this junior-dubstep jam. Stick around (or don’t) for Big Sean’s guest verse about needing “you” to spell both “us” and “trust.”

21. ‘Holy’ (peaked at No. 3 in Oct. 2020)

In which Bieber and Chance the Rapper preach about marriage like two horny youth pastors.

20. ‘Anyone’ (peaked at No. 6 in Jan. 2021)

What if Phil Collins had recorded “In Your Eyes” instead of Peter Gabriel?

19. ‘10,000 Hours’ (peaked at No. 4 in Oct. 2019)

Timed to commemorate his and Hailey Baldwin’s wedding among the salt marshes of South Carolina, Bieber’s crack at high-gloss country music was warmly welcomed by the Nashville establishment; it even spent two weeks atop Billboard’s Country Airplay chart. No surprise, really: To listen to earlier stuff by Dan + Shay, Bieber’s collaborators on “10,000 Hours,” is to hear how extensively white-soul singing had reshaped country by the early 2010s.

18. ‘I Don’t Care’ (peaked at No. 2 in May 2019)

Has any would-be song of the summer ever song-of-the-summered harder? Bieber and Ed Sheeran’s breezy dancehall bro-down was clearly modeled on the sound — and the success — of Sheeran’s “Shape of You.” (Call it “Shape of II.”) Yet the duo’s chemistry feels real enough to believe that all of these hooks — hey, they just happened.

17. ‘I’m the One’ (peaked at No. 1 in May 2017)

Bieber’s first Khaled collab has a merry bounce that softens the braggadocio from him, Quavo, Chance the Rapper and Lil Wayne, whose verse opens pricelessly like so: “Looking for the one?/ Well, b—, you looking at the one.” Fun chart fact per Billboard: The week after “I’m the One” bowed atop the Hot 100, Bieber became the first artist ever to score new No. 1s back to back when his remix of “Despacito” replaced “I’m the One.”

16. ‘Boyfriend’ (peaked at No. 2 in April 2012)

A decade after Justin Timberlake stepped out from NSYNC, JB blatantly ripped JT’s “Like I Love You” for this heavy-breathing flirtation. “Baby, take a chance or you’ll never, ever know/ I got money in my hands that I’d really like to blow,” Bieber pants over a spacey, Neptunes-style beat. (Later, he suggests fondue.) In an ironic twist, given the song’s all-grown-up-at-18 energy, “Boyfriend” was blocked from No. 1 by “We Are Young” from Jack Antonoff’s old band, Fun.

15. ‘Ghost’ (peaked at No. 5 in April 2022)

A hurtling lost-love lament that doubles as a farewell to a departed grandparent (as in the song’s music video, which stars the late Diane Keaton).

14. ‘Let Me Love You’ (peaked at No. 4 in Oct. 2016)

In the final Top 10 hit of Bieber’s EDM era, a pleading tenderness in the singer’s vocals cuts appealingly against DJ Snake’s strobing Sahara Tent beat.

13. ‘Baby’ (peaked at No. 5 in Feb. 2010)

New puppy, old love.

12. ‘Yummy’ (peaked at No. 2 in Jan. 2020)

“Hop in the Lambo, I’m on my way/ Drew House slippers on with a smile on my face,” Bieber sings — not the last time he’d plug one of his or his wife’s brands in a lyric. A country remix with Florida Georgia Line adds shout-outs to Waffle House and Chick-fil-A.

11. ‘What Do You Mean?’ (peaked at No. 1 in Sept. 2015)

The path to Bieber’s first No. 1 on the Hot 100 was cleared by a better, more interesting song that reframed him as a dreamboat experimentalist. (More on that one in a minute.) But if “What Do You Mean?” deploys a more conventional tropical-house production, it’s still built around one of the singer’s loveliest vocals. And the fake pan flute still hits.

10. ‘Despacito’ (peaked at No. 1 in May 2017)

Luis Fonsi and Daddy Yankee’s pop-reggaeton seduction had already found an enormous audience among Latin music fans when Bieber jumped on a remix after hearing the song in a Colombian nightclub. Yet the star’s presence — in a Spanish-language chorus whose lyrics Bieber learned phonetically over the course of a four-hour recording session — turned “Despacito” into a global juggernaut. In the U.S., the song became the first Spanish-language chart-topper since “Macarena” two decades earlier; it also became something of a protest tune amid the anti-immigrant rhetoric of President Trump’s first term in office. Said Scooter Braun, Bieber’s then-manager, in a 2017 interview with The Times: “A song in Spanish is all over pop radio in an America where young Latino Americans should feel proud of themselves and their families’ native tongue.”

9. ‘Essence’ (peaked at No. 9 in Oct. 2021)

Like “Despacito,” this slinky Afrobeats track was a hit before Bieber got involved. (Among its fans: President Obama, who put it on his best of 2020 list.) What distinguishes the version with Bieber is how gently he slides between the Nigerian singers Wizkid and Tems, who both joined him for a rendition of “Essence” at Coachella.

8. ‘Stay’ (peaked at No. 1 in August 2021)

At a mere 2 minutes and 22 seconds, this breakneck electro-pop duet with Australia’s the Kid Laroi (who also put in a cameo at Coachella) is the shortest of Bieber’s 27 Top 10 singles. Yet with 63 weeks on the Hot 100, it’s also his longest-lived chart hit — and his most-streamed song on Spotify.

7. ‘Intentions’ (peaked at No. 5 in June 2020)

“Stay in the kitchen cooking up, got your own bread/ Heart full of equity, you’re an asset.”

6. ‘Beauty and a Beat’ (peaked at No. 5 in Jan. 2013)

The most fondly remembered of Bieber’s teen-idol hits anticipates the EDM makeover to come even as it stays rooted in his squeaky-clean persona: “We’re gonna party like it’s 3012 tonight” is truly something only a kid would say. Seven months after “Beauty and a Beat” peaked on the Hot 100, Bieber was infamously caught on video urinating in a mop bucket in a New York City restaurant kitchen; this song would be his last Top 10 single for more than two years.

5. ‘Peaches’ (peaked at No. 1 in April 2021)

A sumptuous R&B jam about procuring one’s peaches from Georgia and one’s weed from California, this three-way joint with Daniel Caesar and Giveon was nominated for record and song of the year at the 2022 Grammys. (It lost both prizes to another sumptuous R&B jam in Silk Sonic’s “Leave the Door Open.”) Extra props here for the vivid contrast among the singers’ voices and for the Kool & the Gang-ish synth solo at the end.

4. ‘Love Yourself’ (peaked at No. 1 in Feb. 2016)

A sick burn delivered oh so sweetly.

3. ‘Where Are Ü Now’ (peaked at No. 8 in July 2015)

Behold the dreamboat experimentalist. In search of a fresh sound after Bucketgate, Bieber found it with Skrillex and Diplo, veteran dance-music producers who took a morose piano ballad that Bieber and his frequent accomplice Poo Bear had demoed and turned it into a glimmering boudoir-rave fantasia. “I was like, ‘Diplo, Skrillex — I don’t really know if that’s, like, where I wanna go,’” Bieber later told the New York Times. “They did it, I was like, ‘Oh my gosh, this is blowing my mind.’”

2. ‘Daisies’ (peaked at No. 2 in July 2025)

Is putting a nine-month-old song at No. 2 on this list an act of recency bias? Maybe. But what a song! Against a bracingly lo-fi guitar lick played by his pal Mk.gee, Bieber sings with beautifully understated soul about coming into an emotional maturity he admits he avoided for too long.

1. ‘Sorry’ (peaked at No. 1 in Jan. 2016)

A plea, a flex, a come-on — this delirious pop masterpiece contains multitudes. “Is it too late now to say sorry?” Bieber asks, and the trick of a song born from a branding problem is that it summons the sensation of endless ascent.

Jeremy Clarkson’s choir has reportedly landed a starring role on his new series after wowing with their Britain’s Got Talent audition that sent them straight to the semi-finals

Jeremy Clarkson’s choir has landed a starring role on his new series after wowing with their Britain’s Got Talent audition. The former Top Gear presenter, 66, has documented the ups and downs of Diddly Squat in the Cotswolds on his Amazon Prime series Clarkson’s Farm since 2021, with a fifth batch of episodes expected to be released later this year.

Just weeks ago, Hawkstone Farmers’ Choir auditioned for the ITV reality competition and managed to win Amanda Holden’s Golden Buzzer, sending them straight through to the semi-finals after wowing with a rendition of Elbow classic One Day Like This. Just prior to belting out the famous track, member Katrina explained to the judges that Jeremy himself had set the choir up, having been sponsored by the Hawkstone Brewery that the TV star co-owns in the Cotswolds.

With the live semi-finals of Britain’s Got Talent just weeks away, insiders have revealed that the group of more than 30 farmers, will also enjoy another television stint with a role on the next series of Clarkson’s Farm.

READ MORE: Jeremy Clarkson’s Diddly Squat Farm teams up with iconic British homeware brand for a second timeREAD MORE: Jeremy Clarkson shows off birthday cake given to him by David Beckham

A source said: “Filming for series five is well and truly under way and the finished show is likely to air next year. Fans will, however, be able to see series four in a matter of weeks, though according to Jeremy it’s a rather darker season than we’ve been used to.”

Speaking to The Sun, the source added: “Hawkstone Farmers’ ChoirBut the appearance of the Hawkstone Farmers’ Choir in the following outing is going to make it more uplifting. They’re going to have to get used to being even more famous though.”

Just after their success on BGT was aired in March, Jeremy took to social media to congratulate them. He said: “I watched Britain’s Got Talent tonight for the first time because the Hawkstone Choir were on and they were just fantastic.

“These guys are all farmers and they work incredibly hard for really incredibly small rewards, and to see them all on that stage with all that love in the room made my heart sing – I actually welled up.”

While visibly holding back tears he went on to thank Amanda Holden for pressing the Golden Buzzer. He added: “It shows that people quite like farmers. They were very very good, well done all of you. I’m a very happy man tonight.”

The short video attracted comments from fellow BGT viewers, one wrote: “I was crying like a baby, the sentiment, the emotion, they’re sensational. They Will Win.” Another wrote: “Truly awesome really heartfelt.”

Speaking about getting the Golden Buzzer, Katryna Shell from Northumberland said: “The choir has turned into something so much more than singing…

“We have come together as a community, something I didn’t even anticipate. The choir is filled with all sorts of people with varying ages, singing experience, parts of the country, but we all have farming linking us together – it’s like nothing I’ve ever experienced before.”

Hugh Thomas, from Pembrokeshire said: “I had to pinch myself – this was really happening to an old boy from Pembrokeshire! Performing on National TV wasn’t something I ever envisaged… More importantly it will shine a light on agriculture, farming and the rural economy.”

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Commenters who never have been — and never will go — complain about the cost, the influencers, the hype. Purists wax poetic about the days when they disappeared into three days of music and the field wasn’t overtaken by brands like Barbie and e.l.f. cosmetics. Defenders claim they can camp their way to an affordable weekend, and others spend the whole time posting. A select few even talk about great performances they saw — it’s still a music festival.

But one thing everybody can agree on: Coachella has changed. I should know. I’ve been covering it as a journalist since 2007.

Rapid advancements in technology and mass adoption of social media have brought out the best and worst of the festival — not just on screens thousands of miles away, but to those of us trying not to trip over the makeshift photoshoot you might have seen on Instagram.

Coachella pre-2010 was a purist’s paradise

Some of Coachella’s most iconic moments happened before smartphones: The Flaming Lips in a human hamster ball in 2004; Daft Punk’s 2006 pyramid set; Rage Against the Machine reuniting and calling for the George W. Bush administration to be tried for war crimes in 2007. If you even had a cellphone when Coachella started in 1999 it was probably a Nokia brick or a flip phone with an antenna that had limited talk and text options.

In the early years, there were no brand activations on the field; nobody knew what an influencer was and the only corporate sign you saw was for Heineken in the beer gardens. (There was no Heineken House with its own stage, just signs advertising the beer.)

The grounds were also considerably smaller, making it easier to explore the different stages and discover new music. You didn’t have fancy food options, but a slice of Spicy Pie was less than $10. (Coachella upgraded its food options from festival staples to weekend outposts of L.A. restaurants in 2014.)

The music was the draw. The festival’s track record includes artists like the Killers, the Black Keys, Childish Gambino and Kendrick Lamar climbing up from small type to headliner on the lineup poster.

Livestreams and influencers made Coachella’s reach global

The vibes started to shift in 2010 as smartphones grew in popularity, although the service on the field was spotty. It was the first year Coachella offered a livestream — available via Facebook and MySpace. The next year, the stream moved to YouTube, where it remains and draws millions of viewers.

As Coachella expanded to twin weekends due to popular demand on the ground in 2012, it also had the first viral moment fans could enjoy from thousands of miles away: Dr. Dre and Snoop Dogg brought 2Pac back to life via a hologram.

Celebrities were always at Coachella (I spotted Ryan Seacrest, Corbin Bernsen, David Hasselhoff and Danny DeVito in my early years), but the rise of social media made celebrity culture a key part of the event. By 2011, TMZ was posting about stars like Lindsay Lohan. Clips from Coachella went viral and ended up on shows like “Tosh.0” and referenced in “Community.”

The art, which was always part of the festival, became bigger and more iconic. On the growing photo app Instagram, larger-than-life sculptures of astronauts started appearing in selfies.

Brands saw an opportunity. American Express, H&M and Samsung launched activations on-site in 2015. The party scene outside the festival, with non-affiliated events that were timed because everyone was in town for Coachella, became marketing vehicles. Brands are still cashing in more than a decade later.

The next watershed moment was Beyoncé in 2018. Today, most headlining sets at the fest feel as if they are designed for the viewing experience on the livestream rather than the fans on the field (ahem, Justin Bieber and his laptop). But Beyoncé’s spectacle was just as mind-blowing on-site as it was at home. A year later, the “Homecoming” special debuted on Netflix, widening the reach.

Coachella became a key part of the pop culture landscape, and then it became a cornerstone of the influencer economy.

Behind all the hype, there’s still a music festival hiding

I inadvertently photobombed approximately 500 people just trying to go to and from the press tent last weekend and my inbox is overflowing with requests for coverage of off-site events with brands, celebs and TikTok influencers, including social media clips.

But at the end of the day, Coachella is still a music festival, and a really good one at that. The Strokes, David Byrne, Jack White, Iggy Pop, Turnstile, Wet Leg, Fujii Kaze and even Less Than Jake in the Heineken House were some of the best performances I had seen in years.

Coachella is what you make of it. And besides, everyone knows there are fewer influencers on Weekend 2.

Today’s top stories

A health worker administers a measles test on Fernando Tarin, of Seagraves, Texas, at a mobile testing site outside Seminole Hospital District on Feb. 21, 2025.

(Julio Cortez / Associated Press)

Increasing measles cases in California

• California in 2026 has already seen its highest number of annual measles cases in seven years amid an ongoing resurgence of a disease once considered effectively eradicated in the U.S.
• The re-emergence comes as vaccination rates have tumbled nationwide in recent years.

Testing LAX’s long-awaited train

• LAX’s 2.25-mile electric train system will begin running without passengers next week as testing advances following a series of delays.
• The Automated People Mover system began construction in 2019 and was initially slated to open to the public in 2023.

Nationwide recall of a popular anxiety drug

• Specific bottles of Xanax, one of the most widely prescribed medications to treat anxiety and panic disorders, has been recalled due to its failure to dissolve at a standard rate.
• FDA officials are not warning against consuming the product at this time.

What else is going on

Commentary and opinions

This morning’s must-read

Another must-read

For your downtime

Reporter Deborah Vankin gets a massage by an “Aescape” robot at Pause Wellness Studio.

(Christina House / Los Angeles Times)

Going out

Staying in

A question for you: Are you planning on leaving California for another state? If so, tell us why.

Laura says, “I left California during the pandemic. Part of the push factor for me was politics, but not blue politics. I had been living in OC since 2018 and was surprised it was so Conservative (and conservative). That became a bigger source of discomfort for me as the vaccine question demonstrated how our neighbors’ decisions can impact us directly. Rather than moving elsewhere in California, which would have sorted out the political discomfort nicely, I moved to a much more affordable state where I had family.”

Email us at essentialcalifornia@latimes.com, and your response might appear in the newsletter this week.

And finally … from our archives

Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club on April 16, 2017.

(Amy Harris / Invision / AP)

On April 16, 2018, Compton’s own Kendrick Lamar became the first hip-hop artist to win the Pulitzer Prize for music.

He won for his album “Damn.,” which the Times’ Mikael Wood heralded as Lamar’s graduation to pop superstardom.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

Avid Technology, the editing software company, is the latest entertainment industry player to introduce AI into its toolbox.

The company behind industry-standard platforms Pro Tools and Media Composer said it is entering a multiyear partnership with Google Cloud.

The goal is to implement both generative and agentic AI so that users can turn the “mostly manual process into an intelligent, AI-assisted experience,” Avid said in a statement Thursday morning.

“The primary bottleneck in Hollywood is manual labor [in editing] and managing thousands of hours of high-risk footage,” Avid Chief Executive Wellford Dillard told The Times. “This isn’t us just adding a new tool. It’s going from static files sitting on hard drives, to living data that understands its context.”

Google’s Gemini models and Vertex AI will be embedded directly into Avid’s processes, offering customers a chance to accelerate their editing time. Avid’s Media Composer, the editing system used on most professional film and TV productions, will now include a Gemini extension that could enhance metadata and generate B-Roll.

The company said that, overall, using AI on its platforms enables systems to understand the context of every file — allowing users to describe what they need based on visual movements, on-screen dialogue and emotional cues.

Dillard said that when someone uses Media Composer for editing, it can often be frustrating to click in and out of the application in search of the right shot buried within hours of footage. Now, he said, clients can describe the shot to AI, which could find it faster.

Anil Jain, global managing director at Google Cloud, said that these tools can do both simple functions like tweaking a scene’s background, or achieve more complex tasks, like creating promotional material.

“Most storytellers don’t get excited about putting together a promo, but if they could leverage AI to help do it a lot faster, then it becomes more interesting, gets it done and opens up the possibility of more creative time,” Jain said.

Avid, founded in 1987, is based in Burlington, Mass., and has since established itself as a pioneer in digital audio and video editing software. The company said its software was used to edit 87% of this year’s Oscar-winning productions, including the movies “K-Pop Demon Hunters” and “One Battle After Another.”

Avid is one of the many media companies that has recently incorporated AI into its services. In March, Netflix acquired Ben Affleck’s AI filmmaking company, Interpositive. Disney invested $1 billion into OpenAI’s now shuttered Sora platform. Even in the music industry, the “Big Three” labels have inked individual deals with AI startups like Udio, Klay and Suno — after suing a few of the same companies for copyright infringement.

Ramesh Srinivasan, a professor of information studies at UCLA, said these kinds of deals are the “new normal” and that “almost every single industry is being sort of eaten up by the Pac-Man of AI.”

But he said he’s not sure that this kind of AI will only be used for mechanical tasks.

“Editing is a task that involves creativity and human artisanship. An editor is not just someone who mechanically reproduces a number of steps. They have a sense of storytelling in mind,” said Srinivasan. “In terms of AI-created content, the initial research is showing that it is flattening creativity. It’s putting out the dominant patterns that it can copy, rather than reflect, the specific diverse and creative ways we can write, or edit.”

To Dillard, Avid’s CEO, incorporating AI is a way to ensure that creators can make enough content to keep up with audiences’ increasing demands.

“The demand for content is almost insatiable, and dollars are limited. This work can help compress those production timelines [and make] more content,” Dillard said. “Our hope is that we’re actually enabling the world, within the same budget constraints that the studios have today. You’re producing more content, and you are also opening the doors for smaller production houses to be able to produce more content competitively.”

Netflix fans have been raving about a lesser-known comedy crime show starring, as they beg for a second series of the ‘cosy’ White House murder mystery to be made

Netflix fans have praised one lesser-known comedy crime programme available on the streaming service, left desperate for more as they plead for a second series to be commissioned.

With an enormous number of TV programmes and films accessible on streaming platforms, it can be overwhelming to settle on what to watch. As a result, many people frequently turn to recommendations from friends, family, or even strangers online to determine their next viewing choice. This was precisely the situation for one Reddit user, who headed to the Netflix forum seeking a suggestion for their next watch, but stipulated it had to be a bingeable programme with only one series.

“Best Series on Netflix (Only One Season) Like a Must Watch Binging Series,” they wrote in the headline of the post.

They continued: “Please drop the best one season series down below. I mean like I’d want to watch it all in one sitting because of how good it is. Like suspenseful, action, cliff-hangers. Maybe a really sad part where I get very attached to the characters! Anything!!”

Fellow Netflix enthusiasts promptly descended on the comments section to share their top picks across a variety of genres. However, one programme stood out from the crowd, as fans lauded its characters and overall storyline.

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“Really liked the comedy The Residence,” one person shared. To this, someone else added: “So pi**ed they aren’t doing more. It was gold!

“Such a fun show,” another person said, while another wrote: “I freaking LOVED this one. So much. Great rec.”

The Residence is an American mystery comedy drama TV series exclusive to Netflix. The debut and only series launched in 2025, and centres on an eccentric detective named Cordelia Cupp as she attempts to solve a murder that took place in the White House during a state dinner for the Australian Prime Minister.

As the investigation unfolds, interpersonal tensions amongst the residence’s staff come to light, with both personnel and dinner guests emerging as potential suspects.

The programme has earned an impressive 84% score on Rotten Tomatoes, alongside a rating of 7.7 out of 10 on IMDb. Viewers frequently rave about the endearing central character and the captivating storyline.

“A fantastic “cosy”-style mystery: light, wickedly clever, and keeps you guessing to the very hand,” one viewer wrote in their IMDb review.

They went on to say: “Uzo Aduba as Cordelia Cup is a great lead. The supporting cast has additional strong characters as well, though some of these portrayals are less even. As much as I enjoyed the first season and wish for more, I find it hard to imagine how a second season could live-up to the first: further developing the Cup character (so that she is not just a repetition of the Cup we already know) will be hard.”

Another viewer remarked: “For those who find this series too long consider this, the plot, the mystery and all the plot twists are not nearly as important as the comedy and the wonderful performances in this fun story. It was smart without being pedantic, funny without being crude or silly, and engaging without pandering.”

KATIE Price’s husband Lee Andrews has claimed he’ll move to the UK in May AND revealed details of a second wedding.

Katie, 47, married Lee, 43, in February following a whirlwind romance, and has since revealed she won’t be moving out to Dubai to be with him.

The former glamour girl, who last week was banned from driving for the seventh time, is settling into life with husband number 4, who is based in the UAE.

Lee popped the question to the star on January 23, and the couple tied the knot in Dubai just 48 hours later.

However, Katie later revealed they actually officially wed in February.

Today Lee is promising ANOTHER wedding.

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Posting on his Instagram Stories he shared an image of him with Katie, which read: “LEE ANDREWS CONFIRMS RETURN TO UK.

“With his gorgeous wife Katie to support her family and career commitments.

“The couple are stronger than ever and will make the commitment to live together this coming May.

“Ahead of their Winter Wedding this Year.”

Lee also posted a video of himself, where he gave fans an update on his relationship with Katie, and said: ” Life is good with us at the moment.

“We’ve got a lot going on and, uh, yes, we are making a good go of it in England.

“And then we’re also going to be sort of 50 50 in Dubai, which is our problem.

“It’s not really a problem.”

Lee’s revelation about coming to the UK comes after it was previously alleged that he is unable to leave Dubai after allegedly forging his ex-girlfriend Dina Taji’s signature to secure a £200,000 loan. He vehemently denies this.

The self-proclaimed businessman’s latest reveal also comes a week after Katie revealed she has no plans to move out to Dubai.

“I don’t know why people think I’m moving to Dubai,” Katie said in her recent YouTube vlog, which has since been removed but seen by The Sun.

“My family’s here. The husband is there, but the husband can come here and I can go to Dubai when I can.”

She added: “It’s a lot of hoo-ha.”

Also last week, Katie revealed she also had no current plans to go back out to Dubai anytime soon.

The TV star recently returned back to Britain, after an extended break out in Dubai to spend time with Lee.

Speaking in her YouTube vlog, Katie said: “I love that I’m back [in the UK].

“I’m not going to go to Dubai now for a bit. I’ve done my bit in Dubai and with everything going on there, it’s all quiet and I‘ve got things to do back here as well.

“I still want to sort the house out, work, even though I can work there, I just like being home, everything is here.

“Where I’ve been in Dubai, it hasn’t even been sunny, it’s been raining.”

Revealing her husband’s plans to visit her over here, she said: “But hopefully Lee will be flying to the UK soon.

“When he can, he’ll come over and just do normal stuff here.”

Meanwhile, Lee also told The Sun last month that he bought a £36million mansion for him and Katie, saying he paid in cash for their marital home.

Katie Price’s relationship history

We take a look back at the highs and lows of Katie Price’s relationship history.

1996-1998: Katie got engaged to Gladiators star Warren Furman – aka Ace – with a £3,000 ring. But their relationship didn’t make it as far as ‘I do’.

1998-2000: Katie described Dane Bowers as ‘the love of her life’ but she broke up with the singer after he allegedly cheated on her.

2001: Footballer Dwight Yorke is the father of Katie’s eldest child Harvey. He has had very little to do with his son throughout his life.

2002: Rebounding from Dwight, Katie famously had one night of passion with Pop Idol star Gareth Gates, allegedly taking his virginity.

2002-2004: Katie was dating Scott Sullivan when she entered the jungle for I’m A Celebrity…Get Me Out Of Here!. He threatened to “punch Peter’s lights out” when chemistry blossomed between her and Peter Andre.

2004-2009: The jungle romance resulted in Katie marrying Aussie pop star Peter. They had two kids, Junior and Princess, before their bitter split in 2009.

2010-2011: Fresh from her break-up with Peter, Katie enjoyed a whirlwind relationship and marriage with cage fighter Alex Reid. They split 20 months after their Las Vegas wedding.

2011: Katie briefly dated model Danny Cipriani… but it ended as quickly as it begun.

2011-2012: They didn’t speak the same language, but Katie got engaged to Argentinian model Leandro Penna in 2011. He later fled home to South America.

2012-2018: Wedding bells rang once more after Katie met Kieran Hayler in 2013. They eventually called it quits after a rocky marriage.

2018-2019: Katie moved on quickly with Kris Boyson. They had an on-off romance for one year and even got engaged. They split for good in 2019.

2019: Katie was linked to Charles Drury during her on-off relationship with Kris. Charles, who also dated Lauren Goodger, has always denied being in “official relationship” with her.

2020-2023: Car salesman Carl Woods took a shine to Katie in 2020. Their relationship was up and down for three years. They broke up for a final time last year.

2024-2026: After weeks of rumours, Katie confirmed her relationship with Married At First Sight star JJ Slater in February 2024. The pair split in January 2026 after two years together.

2026: Katie shocked fans when she revealed she had married Dubai-based businessman Lee Andrews after a 48-hour engagement and only knowing him a week.

JODIE Marsh has been charged with assault after allegedly confronting her neighbour in a row over her animals.

The ex-glamour model, 47, said she “lost it” and “put her hands on his neck” after he carried out what she called a “campaign of harassment”.

Marsh claims the neighbour filmed her animals and doctored clips to make them look “skeletal” after trespassing on her land.

Describing the clash, she said: “I put my hand on his neck because I leaned in to whisper to him.

“I can’t even remember what I said because I was so upset. It lasted around 30 seconds.

“I’m scared to sleep in my own house. I’m scared to go out.”

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The former lads’ mag star turned her back on fame to run Fripps Farm rescue centre in Lindsell, Essex.

Marsh is due to appear at Chelmsford Magistrates’ Court tomorrow.

She is charged with common assault, specifically the use of “threatening / abusive / insulting words / behaviour with intent to cause fear or provoke unlawful violence”.

Common assault carries a maximum sentence of six months in prison.

But speaking to The Sun, Jodie insisted she did not hurt her neighbour, adding: “I didn’t actually injure him in any way.”

An Essex Police spokesman said: “At around 12.40pm on Friday 16 January officers were called to an address in Lindsell to reports of a woman behaving aggressively towards a man and assaulting him.

“It was further reported that verbal threats were made.

“As a result of further enquiries, charges of common assault and using threatening / abusive / insulting words or behaviour have since been authorised against Jodie Marsh, 47, of Lindsell.

“She is due to appear at Chelmsford Magistrates’ Court on Friday 17 April.”

Fripps Farm is currently home to over 250 animals including alpacas, emus and reptiles, many of which have been saved from slaughter.

The reality star’s website reads: “Jodie gives a loving home to animals that are either unwanted or in danger of being put to sleep or slaughtered.”

It comes after a fire on her farm killed two of her beloved marmosets.

Fripps Farm hasn’t been without its controversies amid neighbour rows and court battles.

Marsh was left in tears of joy after winning a court battle to keep lemurs at the sanctuary.

She had appealed against a council’s decision to refuse her application for a wild animal licence.

Concerns had been raised about her taking a meerkat to the pub.

She said trolls were behind much of the criticism.

At a previous hearing, clips of screeching zoo lemurs were played to Chelmsford Magistrates’ Court.

But Judge Christopher Williams dismissed the council’s argument about the animals’ noise.

SHAKIRA has been slammed by fans for her ice cold reaction after one of her cameramen fell over in front of her during a live performance.

A video of the awkward moment is currently circulating on X, with the Colombian pop star, 49, seen stepping around the fallen production member on the ground.

In the clip, the cameraman is filming Shakira as she makes her way through a walkway between the crowd, but trips over equipment during the moment.

Shakira side steps around the cameraman, who is on the floor, to continue her journey to the stage and move on with her performance.

Sharing the clip to X, one user wrote: “The camera operator filming Shakira falls, and she doesn’t make the slightest attempt to help him.”

Another said: “Lack of empathy, period. Bet if it were her who trips, they’d pause the show for a few minutes, right? …

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“Anyway, it’s the world we live in today, nothing to be done.”

While some branded the move cold, others defended Shakira, noting that the show follows strict timings, and others were there to help him.

One fan said: “The show timings are timed, if she stopped to help the cameraman she probably would have ruined part of the choreography.”

Another agreed: “There are more people there who can help him. She runs off because if she wasn’t on stage on time, it delays the show.

“It’s a live show.”

The circulating moment comes just a few months after Shakira suffered a nasty fall herself on stage.

During a performance in San Salvador in February, Shakira was singing her hit song Si Te Vas when her right ankle suddenly twisted.

She then completely toppled to her side, falling onto her elbow as she brought her microphone stand down with her.

During the moment, Shakira stopped singing as gasps could be heard amongst the audience.

But ever the professional, she quickly got herself back up and managed to continue the song – with the star’s band continuing as her guitarist cheered her on.

The star is currently on her massive Las Mujeres Ya No Lloran World Tour, which translates to “Women No Longer Cry”.

Her next performance will take place on May 2, when Shakira will perform in Rio De Janeiro, before she heads to the USA.