SHOW BIZ

SUPERSTAR Cher was left “speechless” when she found out she had a secret granddaughter aged 15.

In an exclusive interview with The Sun on Sunday, the girl’s mum Kayti Edwards says she told the chart legend the bombshell news in an emotional phone call last year.

Ex-model Kayti had a brief romance with 79-year-old Cher’s second son Elijah Allman in 2010 which led to the birth of their daughter, Ever.

Kayti, who lives on a ranch in Joshua Tree, California, explained: “Cher got in touch with me last June and asked if it was true, so I had to confess.

“She said she had heard something about it from Elijah back in 2021, but didn’t know if it was just crazy talk.

“When she heard the news, she was speechless.

strong enough

Cher seeks conservatorship of son Elijah Blue Allman’s estate after arrests

shock arrest

Cher’s son Elijah Blue Allman arrested on suspicion of assault at prep school

“Cher told her family, ‘Oh my God, I’m finally a grandma’.”

Kayti, 49, said she had been friends with Elijah, also 49, for years but they briefly became romantically involved.

The mum-of-four explained: “Elijah and I spent the night together and I fell pregnant.

“He always knew from day one, but he never wanted to be a parent.

“He would pop in every couple of years but would just say hello.

“It wasn’t until 2021, when he overdosed on drugs, that he blurted out to his then-wife that he had a child.

“This is what started the rumours in the family.

“He then sent me a text message to say he wanted to make amends.”

But Kayti says her husband has been Ever’s “true father” throughout her life.

She said: “She has a father who has raised her from day one and that is her dad. I couldn’t ask for a better father for my kids.”

Guitarist Elijah’s history of drug addiction was made public after Cher filed for an emergency conservatorship in 2023.

She claimed he was “substantially unable to manage his own financial resources due to severe mental health issues”.

The pair later resolved the matter privately.

But in June last year, Elijah — who is Cher’s son from her second marriage to the late musician Gregg Allman — was hospitalised for several days after a second overdose.

Kayti explained: “He came back into my life just recently.

“I didn’t know anything about his state.

“But he asked me if he could come to Joshua Tree as he needed to get out of Hollywood.

“As soon as he stepped out of the car, I knew he wasn’t well.

“A few weeks later, he overdosed and was hospitalised, and this was when Cher got in touch.

“She wanted to know what had happened and then she asked me if it was true regarding Ever.

“That’s when I had to tell her the situation.”

Kayti, who owns a horse rescue centre, told how Cher invited her and Ever to her Malibu home last September.

“We went to the house and stayed the night,” she said.

“She was lovely and kind and we had dinner.

“Cher asked Ever if she wanted to see her closet and showed her a pair of jeans she had worn in concert.

“It was a cool experience for her.

“Cher was very childlike.

“They played in the pool and she spoke to Ever about school and asked her about boys.

“She was like a kid herself.”

The Believe hitmaker, who played a glamorous gran in Mamma Mia! Here We Go Again, has previously told how she longed to be a grandma.

On the 2018 press tour for Mamma Mia!, the singer said: “I don’t have any grandchildren.

“I wish I did, I really do.”

Kayti said Cher is still “processing the news” after the shock reveal, but she and Ever — who is a straight-A student — are building a relationship.

She went on: “Cher sent her a Christmas card and present.

“It was a Chrome Hearts hoodie.

“And then for her birthday, she sent her some money and Chrome Hearts sweats.

“She called her and they spoke on the phone.

“Cher is really trying.

“It’s an adjustment and I’m not pushing any relationship.

“It has to come naturally.

“Elijah and his wife always said Cher didn’t want to be a grandma and to keep Ever away, so I was nervous to introduce her, but it’s been nothing but a good experience.”

Kayti said Elijah wanted to be a part of Ever’s life, which is why he went to Joshua Tree.

She said: “He wanted to see her and have a relationship with her, but he wasn’t in any fit state.

“She thought he was just a family friend at that point.

“I had to shelter her from him and, when he gets better, he will appreciate that.

“Cher is also very protective of Ever and the family dynamic and she knows Elijah’s state and wants to protect that from her, too.

“He needs to get back to being the guy I once knew, and Cher agrees.

“We need to get him better.”

Kayti told Ever that Elijah was her father last month when rumours started to swirl after he was arrested for allegedly assaulting someone at an elite school.

Elijah reportedly told cops he was a “prospective father”, which caused mass speculation online.

Days later, he was arrested again for allegedly breaking into a house.

He is currently in jail awaiting trial in New Hampshire.

With her voice cracking, Kayti said: “Elijah did this.

“I’m only speaking about this now because I want this to be my story.

“I would have kept it under wraps.

“I have to say, Cher loves her son.

“He needs help and, regardless of what anyone says, she goes to any lengths to help him.”

Kayti, who is the step-granddaughter of Mary Poppins star Julie Andrews, said: “I know what it’s like to have a famous grandma and it’s not all it’s cracked up to be.

“I craved the ideal of grandma baking cookies in the kitchen with me, but it wasn’t like that.

“We had cooks and were raised by nannies.

“To talk to my grandma, I had to call her assistant.

“They are busy women in Hollywood.

“It’s not a normal life and I never wanted that for Ever.

“But I think she thinks Cher is pretty cool — I mean, she’s a pretty cool grandma.”

Cher is reportedly in talks with Netflix over a TV documentary deal worth £12.6million.

The singer, who turns 80 in May, found fame in 1965 as part of the folk-rock duo Sonny & Cher, with her first husband Sonny Bono.

She went on to become one of the best-selling music artists in history.

Kayti added: “We are dealing with Elijah and once he gets settled and in a place that is more stable, we can sit down and talk about this situation.

“I don’t want this to change Ever’s life.

“We all need to heal.”

ROBBIE WILLIAMS could be getting back in the studio — this time with boyband Blue.

It comes after Rob wrote the lads’ new single Flowers, which is on the setlist for the UK leg of their 25th Anniversary world tour.

Biz on Sunday’s Emily caught up with Blue members
Antony Costa, Simon Webbe, Lee Ryan, and Duncan James at the Eventim Apollo in Hammersmith, West London, this week.

The band are on their milestone tour following the release of seventh studio album Reflections.

Antony said: “We would love to work with Robbie’s people and that is the conversation that is happening.

“Karl Brazil (Robbie’s music director) is very much on our side.

read more on robbie williams

no regrets

Robbie Williams hits back at ‘bully’ podcast host after he’s branded a ‘redcoat’

READY TEDDY GO

‘Incredibly proud’ Robbie Williams says daughter Teddy is set for stardom

“He is championing Blue and us and the lads have spoken to Karl separately and together.

“You never know, watch this space.”

Antony revealed that Robbie reached out to the band after watching their story on the BBC documentary Boybands Forever.

He said: “It resonated with him because we were all young and he was a young lad in Take That.

“Take That went on a different journey than us, but we still wanted that same goal.

“Robbie has always been there and he’s been a big supporter of me and the boys.”

Duncan said: “We’re so lucky that after 25 years we’re still getting to sell out gigs, still touring around the world and we’ve got the adoration from the fans.

“We’ve had the nod from Robbie to write that song for us, so it’s almost like the industry is opening the door again and we’re feeling the love.”

Of their new hit Flowers, Duncan added: “A lot of people have said it sounds like a Robbie song as well.”

Blue are one of the few bands still touring with an original line-up.

Simon said: “One of the reasons we have stood the test of time is all four of us wanted to be in a boyband.

“Most are full of members who want to be solo artists but weren’t good enough.

“So all of a sudden you’ve got egos.

“We don’t understand why bands argue or why they don’t get on because when you’re a team, you’re a team player.”

The boys are playing at London’s Royal Hospital Chelsea on June 11.

I will get my prosecco and picnic blanket ready.

Tickets are on sale at myticket.co.uk.

Meanwhile, the band revealed Ellie Goulding got them to perform at her 70s-themed baby shower in January, ahead of the birth of her daughter Iris.

The boys sang their 2002 track One Love with Ellie.

Duncan added: “We didn’t realise she was a big fan of our music.”

SAM THOMPSON is stepping down from his role on Love Island: Aftersun.

The 2023 I’m A Celeb winner has been a panel regular on the spin-off since his stint in the jungle.

But an insider revealed: “Sam’s schedule is jam-packed and producers are going in a different direction so there’ll be a bit of a shake-up on Aftersun.

“ITV is really keen on harnessing new talent, especially plucking from its pool of influencers and TikTokkers to boost ratings.

“Sam may well return as a guest, but he won’t be a regular.”

A spokeswoman for Sam said: “He absolutely loved his time as part of the Love Island team and the show will always have a special place in his heart.”

NOEL SHOWS HIS SCENTS OF STYLE

NOEL GALLAGHER might have a thing for cigarettes and alcohol – but he also likes more refined smells, too.

The Oasis great shares the same taste in scent as suave Thirties and Forties playwright and composer Noel Coward.

He visited bespoke perfumer Azzi Glasser at her London studio.

Azzi, who has created scents for Kylie Minogue, Tom Hardy And Jude Law, charges £1,500 for a “fragrance workshop” to create a one-off scent to match your personality.

Noel spent £400 on candles and chose Vetiver scent by Floris London – favoured by Noel Coward.

Azzi revealed that Noel is also a fan of her £259 Mystere Vetivert.

She said: “It smells like you’re wearing a million dollars.”

IS THAT MADGE? CORSET IS

MADONNA returned to Coachella in the same jacket and corset she performed in 20 years ago as she joined Sabrina Carpenter for her headline set on Friday.

The sparkling duo performed the Queen of Pop’s hits Vogue and Like A Prayer before launching into a new song, I Feel So Free, from Madonna’s long-rumoured new album, Confessions II, set for release on July 3.

Madonna was delighted to stand four inches taller than Sabrina, who is just under 5ft.

She told the crowd: “The other thrilling thing I need to point out to everybody right now is this is probably the first time I’ve ever performed with someone who’s shorter than me.

“So, thank you for giving me that experience.”

In response, Sabrina shouted, “Amen!”.

Cute as a button.

’ROACHES ROLLING OUT AGAIN?

ROLLING STONES fans reckon there could be live dates on the horizon under their alias, The Cockroaches.

Rumours started after the rockers updated their website to include a poster of a 1977 surprise gig at El Mocambo Club in Toronto, attended by Princess Margaret , which was billed as a gig by The Cockroaches.

Keith Richards also posted a cryptic comment saying: “Great fun though huh?

A good rhythm section, a couple of mates, where else can you go.”

A source said: “There is a lot of buzz about this as next year it will be 50 years since the Stones last played live as The Cockroaches.”

TALIA MAR is hoping to work with DJ Sigala again.

The pair collaborated on 2022 dance track Stay The Night.

Asked if she would like to work with him this year, Talia told me: “Oh my God, yes. I was talking to him the other day. He is summer. I was like, ‘Can we get some new music please, because it is summer?’.”

Talia who has released new track Lady, will play at London’s Courtyard Theatre on May 16.

She said: “I want it to be really casual, I don’t want it to be glitz and glamour.

“Stripping it down is a really lovely moment.”

TIM’S CHILL TIME DOWN TO A TEE

TIMOTHEE CHALAMET has been enjoying some chill-out time on the beach.

After watching Justin Bieber at Coachella with his girlfriend Kylie Jenner last weekend, he headed for Miami to relax.

The Marty Supreme actor paid homage to his movie with a “Supreme” Wu-Tang Clan tee.

Tim was later seen catching some rays shirtless and sipping on a Coke.
Lovely.

Professional pickpocket Lee Thompson left Amanda Holden open-mouthed when he admitted his real age on stage

A skilled pickpocket who appeared on Britain’s Got Talent tonight (April 18) left the judging panel gobsmacked within moments of stepping onto the stage.

Lee Thompson, from Birmingham, delivered a slick routine in which he repeatedly lifted Ant and Dec’s phones, glasses and room keys without them having the faintest idea.

He was also shown secretly planting wristwatches in the bags and pockets of audience members after posing as a security guard in a pre-recorded segment — and even managed to pull one over on the judging panel backstage, Simon Cowell included.

Yet it wasn’t his nimble fingers that first left the panel speechless — it was his age. Within moments of stepping out on stage, he had Amanda Holden in particular utterly open-mouthed.

“You look very dapper,” Amanda began as the performer first walked out. He swiftly fired back: “Oh! Do I look my age?”, reports Wales Online.

“I don’t know, how old are you babes?” the judge quipped, prompting Lee to reveal: “I’m touching 60.”

The admission left Amanda visibly stunned as she shot back with a “You’re not! Are you?” in sheer disbelief. Simon, clearly equally impressed, then weighed in with: “You look good.”

Following that exchange, he went on to wow the entire panel with his act, earning himself the title of the “modern-day Artful Dodger” from Amanda.

Remarkably, Lee was actually employed as a Pickpocket Consultant on Guy Ritchie’s Young Sherlock series on Prime Video, which follows a young Sherlock Holmes as he finds himself trying his hand at pickpocketing after being inspired by the story of Oliver Twist.

Viewers at home were equally taken with the performer, with one writing: “This is genuinely amazing. Even if he might be incriminating himself.” A second enthused: “That was clever, funny and amazing….good job.”

While Lee breezed through to the next round with four yes votes from the judging panel, some viewers questioned why he wasn’t awarded the prized Golden Buzzer, which grants an act a direct pass through to the live final.

Fans were outraged this evening after KSI awarded his Golden Buzzer to a contentious act. Comedy performer Mr Cherry, 44, kicked off his routine by opening a jar of pickles before subsequently uncorking wine bottles with his buttocks.

“Ladies and Gentlemen, I don’t know about you but that was the greatest thing I have ever seen,” KSI declared, as disgruntled viewers swiftly branded his choice the “worst Golden Buzzer” act ever put through on the programme.

Britain’s Got Talent airs Saturday nights from 7pm on ITV1 and ITVX. All episodes can be streamed on ITVX after broadcast.

As BBC marks what would have been Queen Elizabeth II’s 100th birthday, Peter Phillips says that his grandmother stunned them all in 2012

As the nation remembers Queen Elizabeth II on what would have been her 100th birthday next week, one grandson has given fresh insight into the subterfuge that went into her astonishing James Bond moment from the 2012 Olympics.

Peter Phillips was gripped by the scenes, along with the rest of the nation, in which the monarch comes face to face with Daniel Craig’s 007, before they seemingly parachute into the stadium from a helicopter.

But speaking in a new BBC documentary, Peter says even the family were kept totally in the dark about the extraordinary stunt. “When the clip first started we were like, ‘I wonder who they’ve got playing the Queen?’ And then she turned around. And we were like ‘wow’. It was sheer amazement. That was one of the best-kept secrets, because literally nobody knew.”

READ MORE: ITV reveals last ever outing for cast of 7 Up this year – but some faces will be missingREAD MORE: Iconic 90s TV show returning to Channel 4 for first time since 2015

The tribute film, which airs tomorrow, takes viewers through all the key moments of her reign, with insights provided by leaders, celebrities, experts and loved ones.

Queen Camilla speaks of her deep admiration for her late mother-in-law. Looking back at how she came the first female member of the royal family to join the army full time, when she joined the Auxiliary Territorial Service during the war, Camilla says: “I think duty has over-ridden everything. I don’t think I’ve ever seen anybody have a sense of duty like she had.”

Ex-US president Barack Obama agreed, commending the late Queen’s “combination of a sense of duty, with a very human quality of kindness and consideration and a sense of humour”. He adds: “I think that’s what made her so beloved, not just in Great Britain but around the world.”

Former Labour Prime Minister Tony Blair also had deep respect for Elizabeth II. “She was not a queen, but the queen,” he says. “I don’t think we’ll see her like again.”

Camilla recalls that celebrating the Queen’s platinum jubilee in February 2022, just as the Covid pandemic finally came to a close, was particularly joyous coming, as it would turn out, just a few months before the Queen’s death.

“I remember there were thousands and thousands of people lining the streets and lining The Mall – we were all looking for something to cheer us all up,” she says. “People hadn’t been out, they’d been stuck in their houses so it was an incredible jubilee. She was very much centre stage, I’ve never seen anything like it. Everybody was in a good mood.”

Helen Mirren, who put in as Oscar-winning performance as Elizabeth II in The Queen, agrees that the monarch’s profound sense of duty came naturally to her and says her death in 2022 left many feeling bereft. “She’d become such an intrinsic part of the tapestry of our life, it was as if you were going to pull a thread and the whole thing was going to fall apart.”

To research the role for the 2006 movie, Helen studied hours of footage, including plenty of when the monarch was a child. She laughs when shown an archive reel of a three-year-old Elizabeth. “I’ve never seen this before, so young! And her hair is almost the same as when she died. That’s incredible.”

Another clip shows Elizabeth aged around 10. “When I played the Queen I watched a particular piece of film over and over again of her getting out of a big black car,” the actress explains. “You see how she steps forwards and does what she knows she’s supposed to do, which is shake hands. She naturally had a sense of self control and duty.”

That innate sense of how to behave was again in evidence when Elizabeth’s father, George VI, died suddenly while she and her new husband Prince Philip were just six days in to a tour of the Commonwealth in 1951. Returning swiftly to Britain, she was filmed smiling and shaking hands with the many top-hatted, male politicians who were on the tarmac to greet her.

“She’s only just been told that her beloved, beloved father has died without her being there,” Helen 80, says. “I think that would have been so devastating to her, that she never had the chance to say goodbye.What you see happening is the duty stepping in, she does exactly what she’s supposed to do.”

Camilla is also astonished to see how calm and composed the young queen looks in this challenging moment, when she is dealing with her own grief. “It must have been so difficult being surrounded by much older men. There weren’t women prime ministers or women presidents, she was the only one. So I think she carved her own role.”

Over the course of her life Elizabeth faced plenty of difficult times, including the marriages of three of her children ending in the same year and the loss of many loved ones.

When her husband of 73 years, the Duke of Edinburgh, died during the pandemic, the Queen refused to break the rules governing the nation and instead broke hearts as she sat at his funeral all alone. Watching the sad clip of his isolated grandmother, Peter Phillips says all he wanted to do at the time was “give her a hug”.

But there were also times when the Queen came in for criticism rather than sympathy, never moreso than after the death of Princess Diana in 1997, when she opted to remain at Balmoral for more than a week rather than return to London.

BBC royal presenter Kirsty Young remembers: “There was tangible anger. Whether it was the flag being brought down to half mast or the Queen making a statement, these things were not happening. There was radio silence. There was a sense in which people might almost storm the gates of the palace.”

But the Queen then turned public opinion around with her heartfelt TV broadcast to the nation. Describing the former monarch as “quietly radical”, Kirsty adds: “I think the address by the Queen after the death of Diana illustrated beautifully that she had an ear to the public and that she was willing to do things that had never been done before.”

Blair agrees it was one of the Queen’s most challenging moments. “We had a series of really intense conversations where the Queen was having to balance the impact on her family, on her grandchildren, with the need to respond to what was a national mood at the time. Her genius was, in a way, to steer the monarchy through all of that whilst not really changing much herself.”

For her part, actress Helen believes the Queen was absolutely right to stay with her grandsons after the devastating loss of their mother. “I think she was right to stay in Balmoral with the children and then when she came out and did the very difficult walk with the flowers and everything, that was the right thing to do.”

Born just a couple of weeks after the Queen, Sir David Attenborough was running the BBC at one point in the late 1960s when it was decided the royals needed to become more relatable. This led to the BBC documentary Royal Family, an early example of reality TV, where they let the cameras in. “There was a feeling that the royal family was getting a bit remote and I remember the discussions we had in the BBC, that the image of the family should be softened in some way,” Sir David explains. It was huge hit with more than 30million UK viewers tuning in – but afterwards the Queen regretted her decision to display their private lives. The series has not been shown since the 1970s, with Elizabeth ordering it was locked away in the royal archives.

But tonight viewers can see rare clips from the series, showing a relaxed Philip cooking sausages and the queen laughing and joking with her children.

– Queen Elizabeth II: Her Story, Our Century, BBC1, 9pm, Sunday

MODEL Lottie Moss has revealed she went back on fat jabs despite ending up in hospital and having a seizure the last time she tried them.

The 28-year-old admitted to injecting Mounjaro, but gave it up for being “too expensive”.

Lottie, the younger half-sister of supermodel Kate Moss, said: “I went on Ozempic for a bit and Mounjaro for a bit and then I came off it and I just gained all the weight back because it got really expensive.

“I’m not wasting £300 a month on that s***.”

She weighed only nine stone when she took Ozempic in 2024 and ended up in A&E.

At the time she said: “I felt like I was dying – I’ve never had a seizure before.

“It wasn’t worth it.”

Speaking on her vlog, the former OnlyFans star added: “Weight is something I’ve always struggled with. I wake up in the morning and it’s the first thing I think about.

“I look in the mirror and I’m like, ‘How do I look?’

“Weight’s always been a really big thing for me, especially with modelling, so feeling good in my weight and myself – I know I’m not an unhealthy size – it’s just something I personally want to improve on.”

The “Coachella of books” has arrived. The biggest literary event in the country, the L.A. Times Festival of Books, kicked off at USC this weekend. The 31st annual event features more than 500 authors, including Lionel Richie, Tina Knowles, Larry David, Pat Benatar, Amy Tan, Anne Lamott and more. Several of these talented individuals stopped by the L.A. Times photo studio to have their portraits taken between spirited panel discussions and book signings.

Here are some portrait highlights from the 2026 Festival of Books:

Lisa Rinna author of “You Better Believe I’m Gonna Talk About It.”

Morgan Hutchinson and Brett Hutchinson.

Daniel Humme and Roda Ahmed.

Rachel Renee Russell, Presli Noelle James, Kim James, Nikki Russell and Cori James.

Chet’la Sebree 2026 finalist for the LA Times Book Prize in Poetry for her collection “Blue Opening.”

Chanda Prescod-Weinstein.

Tens of thousands of readers of all ages, from toddlers clutching picture books to longtime fans carrying armfuls of paperbacks, fanned out across the USC campus Saturday for the opening day of the 31st Los Angeles Times Festival of Books, packing panels and lining up to see favorite authors and celebrity guests.

It was too early to know how many people attended the first day of the event, billed as the country’s largest literary festival, though organizers said they expect between 150,000 and 155,000 attendees over the weekend. By late morning, the campus was already bustling, with strong turnout expected for appearances by author T.C. Boyle and actors Sarah Jessica Parker and David Duchovny, among others.

Founded in 1996 and spread across eight outdoor stages and 12 indoor venues, the festival has become a fixture on Los Angeles’ cultural calendar, bringing together more than 550 storytellers for panels, author interviews, book signings, performances and screenings spanning a wide range of genres, from children’s story times to cooking demonstrations.

This year’s lineup features a broad mix of writers, performers and public figures, including comedian Larry David, musician Lionel Richie, multihyphenate businesswoman (and Beyoncé’s mother) Tina Knowles, author and social critic Roxane Gay and scholar Reza Aslan.

Under sunny skies, actor and reality TV personality Lisa Rinna brought humor and a bit of bite to a 10:30 a.m. conversation on the festival’s main stage. The “Real Housewives of Beverly Hills” alum released her second memoir, “You Better Believe I’m Gonna Talk About It,” in February, chronicling her time on the show and her recent turn on Season 4 of Peacock’s reality competition series “The Traitors.”

Reflecting on her approach to “Traitors,” Rinna said she wanted to strip away the conflict-driven persona she had cultivated on “Real Housewives” and present a more unfiltered version of herself. “I was like, ‘Self, listen. You’re gonna go in there and just be you. No housewife s—, none of that reactionary stuff.’ ”

In conversation with Times senior television writer Yvonne Villarreal, Rinna also spoke candidly about the loss of her mother, Lois Rinna, in 2021 and how her grief manifested in a feeling of rage while she was filming Season 12 of “Real Housewives.”

“It really took me by surprise,” she said. “And you have to give space for it because you can’t make it go away. … They always say time heals, but time makes everything just a little less intense.”

At a noon panel titled “Fire Escape: Wildfires and the Changing Geography of Southern California,” moderated by Times climate and energy reporter Blanca Begert, author and former wildland firefighter Jordan Thomas said the scale and frequency of California wildfires have shifted dramatically in recent decades.

“The vast majority of the largest wildfires in California’s recorded history have happened just in the past 20 years,” said Thomas, author of last year’s National Book Award finalist “When It All Burns: Fighting Fire in a Transformed World.” “While I was a hotshot, there were three of those fires burning simultaneously, including a million-acre fire — more than used to burn across the entire American West over the course of a decade.”

In the early afternoon, former Georgia Rep. Stacey Abrams spoke with moderator Leigh Haber about artificial intelligence and voter suppression in front of an enthusiastic, packed crowd at USC’s Bovard Auditorium.

Abrams’ latest Avery Keene novel, “Coded Justice,” came out last year and explores the role of artificial intelligence in the healthcare industry. AI has already become enmeshed in everyday life, she said, asking audience members to raise their hands if they had used TSA PreCheck or a streaming service.

“AI is a tool … but it is created by someone, it is programmed by someone, it is controlled by someone,” she said. “Regulation is not about slowing down progress. It is about asking questions and saying that in the absence of answers, we’re going to put on reasonable restraints that we can revisit.”

Abrams also revealed that her next book, the fourth in her Avery Keene thriller series, will focus on prediction markets.

“I write Avery Keene novels to tell stories about social justice, but I put it in a form that’s accessible to people who don’t think that they are social justice people,” Abrams said. “I want to meet people where they are, not where I want them to be.”

She also encouraged audience members to push back against voter suppression and defend democracy by volunteering at polling places — even in reliably blue districts — warning that she believes masked paramilitary groups will be allowed to patrol voting locations and target people of color in the upcoming midterm elections.

The festival kicked off Friday evening with the 46th Los Angeles Times Book Prizes ceremony at Bovard Auditorium, emceed by Times columnist LZ Granderson, recognizing both emerging voices and established writers.

Winners were announced in 13 categories for works published last year. Find a full list of winners here.

Oakland-born novelist Amy Tan, whose work often explores identity and the Chinese American immigrant experience, received the Robert Kirsch Award for lifetime achievement, and the literary nonprofit We Need Diverse Books received the Innovator’s Award for its work promoting diversity in publishing.

Accepting her award, Tan, author of the 1989 bestseller “The Joy Luck Club,” said that as a birthright citizen, she had never questioned her place in the country until recent debates over citizenship and belonging led her to reconsider whether she is, in fact, a “political writer.”

“My birthright and that of millions of others is now being argued before the Supreme Court, and no matter what the outcome is, it’s been a kick in the gut to know that those in the highest echelons of government and those who support them believe that we don’t belong.”

Tan said that as an author, “I imagine the lives of the people I write about,” and that act of compassion “reflects our politics and our beliefs. And so yes, I am a political writer.”

Addressing the attendees, Times Executive Editor Terry Tang pointed to the breadth of the weekend’s programming as an opportunity for connection and discovery. “If you take in just a fraction of these events, it will expand your mind,” she said. “This weekend gives all of us a chance to celebrate a sense of unity, purpose and support.”

The festival runs through Sunday. More information, including a schedule of events, can be found on the festival’s website.

The movie is beloved by viewers and critics with a 97% score on Rotten Tomatoes

A historical post-war film has been hailed as “one of the most beautiful movies ever made.” This film follows a young Irish woman who is torn between two worlds in the 1950s. Critics and audiences alike have praised its emotional precision and timeless appeal.

Boasting an impressive 97% on Rotten Tomatoes, Brooklyn (2015) is the perfect weekend watch. It is now available to stream for free on BBC iPlayer. However, viewers only have 19 days left to catch the film.

In the 1950s, young Irishwoman Eilis Lace (played by Saoirse Ronan) leaves her small hometown for a new life in Brooklyn, drawn by the promise of opportunity in America.

Though she initially struggles with homesickness, she gradually adapts. Eilis eventually falls in love in Brooklyn, and embraces her independence.

However, a sudden family emergency calls her back to Ireland, where she becomes entangled once again in the life she left behind.

Caught between her past and her future, Eilis must choose between two countries and the very different lives each offers.

Reviews

“In short, Brooklyn is one of the very best films of the past decade and worth looking back on,” wrote Dave Giannini for InSession Film.

Giving the film a five out of five, Don Shanahan from Film Obsessive shared: “Brooklyn is a forthright, approachable, and esteemed historical drama where the dignity and honesty soar to heavenly heights to shine on the plights of love and independence.”

Audience members also raved about this film. One said: “Beautiful story. One of the best movies. Moving.” Another added: “Beautiful classic in every sense of the word. Outstanding performances. Atmospheric joy. Don’t miss it.”

A third wrote: “It’s a masterpiece, and profoundly moving, especially if you’re an immigrant yourself. The closing is one of the most beautiful romantic scenes ever. In my opinion.”

Lastly, someone said: ” One of the most beautiful movies ever made. Colours, music, and reticence punctuate throughout. I have watched the scene in the dining room of the church 7,351,212 times.

“The man sings, the actress recognises brilliance amidst shuffles and anonymity, and then the director cuts to her chaperone listening to a radio. So god**** brilliant.”

You can now watch Brooklyn on BBC iPlayer by clicking here.

CRUZ Beckham has put on a loved-up display with his girlfriend Jackie Apostel in Florida after his cryptic post amid the family feud with his brother Brooklyn.

The singer, 21, put his recent family dramas to the back of his mind to enjoy some quality time with Jackie, 29.

She took to Instagram to share a sneak peek into their holiday with two sweet snaps.

In the first photo, she stood in front of a stunning backdrop of palm trees, blue skies and the stunning sea.

Jackie wore a backless black dress as she looked towards the camera for the sexy picture.

In the second photo, Cruz wrapped his arm around his other half as he planted a kiss on her cheek while closing his eyes.

READ MORE ON THE BECKHAM’S

ALWAYS BE THERE

Spice Girls mark Victoria Beckham’s birthday with sweet throwback photos

posh’s privilege

David Beckham playfully mocks ‘working class’ Victoria on her birthday

The musician opted to wear a yellow polo shirt tucked into some smart black trousers.

His mum Victoria commented: “So pretty,” with four red heart emojis.

The holiday snaps come after Cruz shared a post about his phone calls being ignored, just hours after Victoria broke her silence on the family feud with Brooklyn.

Posting to his Instagram stories, Cruz shared a screenshot from his phone of himself attempting to FaceTime someone, cropping out the contact name.

He cryptically said in the caption of the post: “I never get an answer…”

Cruz then added: “Anyway, new tour vlog is out @itsthebreakers check it, link in story’s“.

The aspiring musician didn’t divulge who never answers his calls, but it could have been a nod to his older brother Brooklyn, who has blocked him on social media.

Cruz is amongst the several family members who have been cut off by Brooklyn and his wife Nicola Peltz.

Until now, the Beckham arm of the family have remained fairly silent on the row, choosing not to respond to Brooklyn’s lengthy statement.

But speaking for the first time on the row, Victoria was asked directly about her eldest son during a new interview with the Wall Street Journal.

The Spice Girls star said: “I think that we’ve always—we love our children so much.

“We’ve always tried to be the best parents that we can be. And you know, we’ve been in the public eye for more than 30 years right now, and all we’ve ever tried to do is protect our children and love our children.

“And you know, that’s all I really want to say about it.”

Victoria did not refer to Brooklyn by name when asked about the rift but discussed how she had only ever tried to “protect and love our children”.

Brooklyn had previously suggested public image and Brand Beckham was the biggest priority to his mum and dad.

Victoria and David are understood to have been left devastated over the fall out and have even recently offered to meet with Brooklyn and his wife Nicola in the presence of lawyers and therapists in an attempt to rebuild the rift.

But with Brooklyn seemingly standing strong on his statement, the family are still yet to make any movements towards a reconciliation.

COMIC Jack Whitehall kicked off his £250,000 wedding to model Roxy Horner yesterday by rowing a boat across a lake to her.

The 37-year-old’s romantic gesture moved some guests to tears — but his pals soon lightened the mood as they jokingly called out to him: “Shagger!”

The comment was believed to be a reference to his appearance on BBC ancestry programme Who Do You Think You Are? in 2019.

It saw Jack discover that his great-great-grandfather Richard, a travelling salesman, was a bed-hopping womaniser killed by syphilis.

The funnyman smiled on the show as he called him “a bit of a shagger”.

His wedding took place in the grounds of £12million stately home Euridge Manor, near Chippenham, Wilts.

Read more on Jack Whitehall

WEDDY TO GO

Jack Whitehall arrives at £250k Cotswolds wedding as proud parents are spotted

WHITE WEDDING

Inside Jack Whitehall & Roxy Horner’s lavish wedding TODAY with brutal speech

The Georgian-style property is owned by Kate Middleton’s former boss, Jigsaw tycoon John Robinson.

Jack and Roxy invited more than 100 guests, including the comedian’s fellow TV star father Michael and mother Hilary.

Jack and 34-year-old Roxy’s two-year-old daughter Elsie acted as a flower girl.

The comedian’s sister Molly appeared to be a bridesmaid while his brother Barnaby was his best man.

Speaking to The Sun earlier this year, Jack said of Barnaby: “I gave quite a savage speech at his wedding.

“There were a few low blows he wasn’t too appreciative of.

“He’s going to have his opportunity to get his revenge on the big day.

“I’m bracing myself for that.”

Celebrity guests were said to include TV pals James Corden and Jamie Redknapp, who Jack worked with on Sky’s A League of Their Own.

Guests were asked to turn off their phones during the ceremony and were put on a social media blackout.

Cars driving in and out of the venue had blacked-out windows and there were security guards at the gates and by the entrance to the stately home.

Brit Awards host Jack and Roxy started dating in 2020 after meeting on a trip to Australia.

They got engaged in 2024.

Britain’s Got Talent viewers were left fuming after KSI used his golden buzzer on a strange act

Britain’s Got Talent viewers were left disappointed as they threatened to ‘turn off’.

During Saturday’s (April 18) episode of the ITV talent programme, YouTuber KSI used his golden buzzer to send one act through to the live shows, but his choice has sparked criticism from viewers, who described it as the “worst golden buzzer”.

Audiences tuned in for the final auditions in the 19th series of the popular talent competition as hopefuls from across the nation demonstrated their abilities in an attempt to wow judges Simon Cowell, Amanda Holden, Alesha Dixon and KSI.

It’s hardly surprising that they pulled out all the stops in their efforts to impress the panel and secure the £250,000 cash prize along with a coveted slot at the Royal Variety Performance. And as expected, they’re all hoping to earn the golden buzzer – which propels them directly through to the live shows.

However, one performer sparked considerable controversy. Mr Cherry – a Guinness World Record holder and former contestant on America’s Got Talent in 2021 – appeared on stage and left everyone stunned with his peculiar performance, reports Wales Online.

The comedian ‘strongman’, 44, began his bizarre routine by opening a stubborn jar of pickles, which neither judge KSI nor Simon Cowell managed to accomplish.

He proceeded to crush cans by sitting on them. But matters then escalated, leaving everyone astounded after he stripped down and opened wine bottles with his buttocks.

Despite squirming throughout the entire performance, audiences were stunned when KSI opted to slam his golden buzzer. KSI dashed onto the stage, only to slip and slide across the floor on the falling confetti, taking Mr Cherry down with him.

Making his way back to his seat, KSI declared: “Ladies and Gentlemen, I don’t know about you but that was the greatest thing I have ever seen.”

However, viewers at home appeared far from convinced, branding his choice the ‘worst’ golden buzzer in the show’s history.

Taking to social media, one furious fan wrote: “I’m sorry this show is finished #bgt.” Another commented: “A Golden Buzzer? How bloody ridiculous #KSI #BGT #BritainsGotTalent.”

A third posted: “WTF?! Why the hell did KSI give that act the golden buzzer, when he spent the entirety of it squirming uncomfortably? It’s beyond a joke.”

Yet another chimed in with: “Worst Golden Buzzer #BGT.” While one more questioned: “KSI HOW IS THAT GOLDEN BUZZER WORTHY???”

Britain’s Got Talent airs Saturday nights from 7pm on ITV and ITVX.

Britain’s Got Talent viewers complained about one act tonight, calling it inappropriate for family viewing

Britain’s Got Talent viewers have voiced the same grievance, urging ITV bosses to “do better” following an “utterly inappropriate” act.

The beloved ITV talent programme has returned to screens once again with a brand new series, featuring BGT judges Simon Cowell, Amanda Holden, Alesha Dixon and KSI, alongside legendary hosts Ant and Dec.

Tonight (April 18) marked the final round of auditions, but one particular act left viewers at home feeling “sick” and outraged. Fakir Testa, 45, was welcomed onto the stage, leaving both the audience and judges curious about what his performance might involve – and no-one could have guessed.

Viewers at home were quickly horrified to witness him standing on blades while having them pressed against his neck, prompting ITV to issue a ‘do not try at home’ warning.

Admitting she was “stressed”, judge Alesha pressed her red button, joined by Simon, who appeared distinctly unimpressed by the performance, reports Wales Online.

Members of the audience were also spotted turning away and peeking through their fingers, while judge Amanda buried her face in her hands.

Nevertheless, Fakir proceeded to invite Simon onto the stage, requesting he take a seat in a waiting car, before hauling it with a blade pressed against his neck.

The audience seemed to watch on in sheer horror, yet the act proved popular with the Blackpool crowd, as KSI was overheard exclaiming: “You madman, you crazy madman.”

However, viewers at home remained thoroughly unimpressed, as they directed their frustration squarely at ITV bosses. Taking to X, one person wrote: “WHAT THE ACTUAL HECK IS THIS? #BGT.” Another said: “This is NOT a family show #bgt.”

A third fumed: “F***s sake. This is on pre watershed. Do better #itv.” A fourth commented: “This is NOT talent! This is f***** lunacy.”

A fifth echoed: “I can’t watch! Why are they showing this for family entertainment #BGT ?!!?”

One viewer admitted they felt “sick” while another confessed they “can’t watch”. One person labelled it as “utterly inappropriate” as another added: “There are far too many of these Don’t try this at home stunts on #bgt . How about don’t show them on the Tele?”

However, one impressed viewer enthused: “Faki Testa – oh my days that was strange so hard to watch but b****y brilliant entertainment.”

Another offered an explanation: “The blade has to move sideways to cut or use a large amount of energy to chop My Kung Fu teacher had us do this, including spears in our throats, back in the day #BGT.”

Judge Alesha also appeared to reverse her earlier red buzzer decision as Fakir successfully made it through his audition.

Britain’s Got Talent can be streamed on ITVX

Reed Hastings, who helped launched Netflix from a fledgling DVD mail-order business into a global streaming juggernaut, plans to exit the company after nearly three decades.

Hastings will leave the company he co-founded to focus on philanthropy and other efforts, the streaming company announced said Thursday.

Hastings, who serves as chairman of the Los Gatos company’s board, told Netflix he will not stand for reelection when his term expires in June, Netflix said in a letter to shareholders timed to its fiscal first-quarter earnings.

He said the commitment of Netflix Co-Chief Executives Ted Sarandos and Greg Peters was “so strong that I can now focus on new things.”

Peters described Hastings, 65, as the company’s “biggest champion,” and that he “is a part of our DNA.”

Sarandos called Hastings a “true history maker,” saying in a statement that Hastings’ “selfless, disciplined leadership style” will continue to shape Netflix’s path ahead.

Hastings’ exit was not unexpected as his role in the company diminished after he stepped aside as co-chief executive of Netflix in 2023.

During his tenure, Hastings oversaw the substantial growth of the streaming colossus. Today, Netflix has a market cap of about $455 billion, more than double that of the Walt Disney Co.

“My real contribution at Netflix wasn’t a single decision; it was a focus on member joy, building a culture that others could inherit and improve, and building a company that could be both beloved by members and wildly successful for generations to come,” Hastings said in a statement.

For the first quarter of 2026, Netflix reported nearly $12.3 billion of revenue, up 16% compared to the same time period a year ago. Operating income grew 18% to $3.9 billion for the three-month period ending March 31.

Both figures were ahead of the company’s guidance, a feat the streamer attributed to slightly higher than expected subscription revenue.

The company reported net income of $5.3 billion, up more than 80% compared to the $2.9 billion it recorded during the same period last year. Earnings per share was $1.23, up from 66 cents last year.

Netflix said it continues to expect 2026 revenue ranging from $50.7 billion to $51.7 billion, with an operating margin of 31.5%.

The earnings release and the Hastings announcement came after markets closed.

Netflix shares closed at $107.79, virtually unchanged. After hours, the shares dropped more than 8% to $98.26. They have climbed about 18% this year.

The Los Gatos-based company had previously secured an $82.7-billion deal to buy Warner Bros. studios and streaming services in December but it withdrew from the bidding war in late February after Paramount Skydance offered $31 a share. As part of the switch, Netflix was paid a $2.8-billion termination fee.

“Warner Bros. would have been a nice accelerant for our strategy, but only at the right price,” Netflix said in its investor letter. “We have multiple ways to achieve our goals (including producing, licensing, and partnering) and we’re constantly seeking to allocate our resources to the most attractive opportunities to maximize the value we are delivering to our members.”

Before Reed Hastings revolutionized the global entertainment business, he sold Rainbow vacuum cleaners door-to-door during his gap year between high school and Bowdoin College, where he earned his bachelor’s degree in mathematics.

During his sales pitch, Reed would first clean a homeowner’s carpet with their vacuum and then demonstrate how to clean using a Rainbow. The job helped hone his ability to understand customers, a core foundation of Netflix’s user-driven, candor-obsessed culture.

After Bowdoin and before he earned his master’s degree in computer science at Stanford, Hastings served in the Peace Corps (he also did a stint in the Marines) teaching high school math in Swaziland (now Eswatini).

“Once you have hitchhiked across Africa with ten bucks in your pocket, starting a business doesn’t seem too intimidating,” he told Time magazine.

While those experiences helped shape Hasting’s business sense, it was a late fee for a video that became the catalyst for launching Netflix, upending the way viewers consumed content and disrupting how Hollywood does business.

As the story goes, Hastings had misplaced a VHS tape of “Apollo 13” racking up a hefty $40 charge.

It was 1997 and his company Pure Software had just been acquired. It dawned on him that a gym membership offered a better business model, than the average video store — where you paid a set fee for the month and you could work out as much or as little as you liked. He thought, why not apply that to the movie rental business?

Netflix, began in Scotts Valley, Calif., as a mail-order business. Customers paid a tiered monthly fee to rent DVDs online which were delivered by mail.

The business exploded racking up millions of customers as it jettisoned the post office to an internet-based business. As the business accelerated across the world it also expanded, creating original content such as award-winning blockbusters such as “Stranger Things” and “House of Cards.”

The company’s innovation extended internally too. Hastings became known for implementing a unique and controversial culture of radical transparency, where employee evaluations are brutally candid and average performances can be grounds for termination.

The concept was a central theme of his 2020 book “No Rules Rules: Netflix and the Culture of Reinvention,” written with business professor Erin Meyer.

Times staff writers Meg James and Wendy Lee contributed to this report.

Bombs are in and art is out as the Trump administration’s proposed 2027 budget requests $1.5 trillion in defense spending (up 44% from last year), while again attempting to snuff out the National Endowment for the Arts and the National Endowment for the Humanities, as well as the Institute of Museum and Library Services.

The budget proposal released earlier this month calls for just enough money to permanently wind down the operations of each agency: $29 million for the NEA (down from $207 million); $38 million for the NEH (down from $207 million); and $6 million for the IMLS (down from $291.8 million).

Congress has the final say about whether or not these cuts actually get made, and Sept. 30 is the deadline to pass next year’s budget. (Failure to do so could result in yet another government shutdown.) It’s worth remembering that Trump tried to defund these organizations last year and was thwarted by Congress. But the administration did successfully choke off funding for the Corporation for Public Broadcasting, which ceased operations in January.

It’s hard to know how this renewed threat to agencies that collectively support thousands of arts programs and initiatives across all 50 states, Puerto Rico and Washington, D.C., will play out, especially because the only constant in this administration is its mercurial temperament. Plus, Congress doesn’t have a great track record of keeping Trump in check (see Venezuela, Iran, the White House East Wing, the Kennedy Center, etc.). The ongoing war in Iran, which pundits warn could last until the midterms, may also impact how Congress decides to vote.

In times of conflict and chaos, we need the arts — a sentiment so obvious it normally goes without saying. But this moment somehow feels different. There were many alarming moves that Trump wanted to make during his first term that the so-called adults in the room allegedly kept him from achieving. Those adults are gone and he is now surrounded with enablers. This means the unthinkable is now possible — as we have seen time and again over the past 15 months.

In a country without the NEA, NEH and IMLS, hundreds of small local arts groups would likely cease to exist entirely — and with them, the community, education and enlightenment that underpin our increasingly fragile, fractured society. We can close our eyes until it happens, or we can start urgently ringing the alarm bells. I vote for the latter. Here’s a link to get you started.

I’m Arts editor Jessica Gelt banging a gong. This is your arts and culture news for the week.

Dispatch: mots take on AI at Flux Festival

A participant experiences “The Pledge,” part of artist duo mots’ acclaimed “AI & Me” series, on view April 25 at Blum Gallery, Culver City, as part of Flux Festival.

(mots / Daniela Nedovescu and Octavian Mot)

Artist duo mots is staging one of its exploratory AI-centered exhibits — “The Pledge” — at the upcoming Flux Festival at Bloom Gallery in Culver City (April 24 and 25). Last year, mots received quite a bit of attention for its U.S. premiere of “AI & Me,” part of Tribeca Festival’s Immersive Program. That piece, according to mots website, “dives into the weird dynamics between humans and artificial intelligence,” by placing people in a confessional style booth while AI tells them exactly what it thinks of them.

“The Pledge” takes that concept further by inviting participants to stand on a stage while AI-generates a statement about them— one that is solely based on appearance. The person then must decide whether to read the AI feedback aloud into a microphone or leave. If you decide to share, you become part of the permanent video installation.

In this moment of deep AI anxiety, the mots’ work is tapping into more than just a playful back and forth between man and machine.

“On one hand, we’re thrilled to see people lining up to interact with the pieces we build; on the other, we’re trying to gather the courage to destroy them and stop this madness before it’s too late,” the mots write on their website.

— Jessica Gelt

Dispatch: Monster Party

The adult-centric interactive melodrama “Monster Party,” at Rita House through April 25.

(Clint Keller)

“Monster Party” starts with a moment of ecstasy. Then the adult-centric interactive play gets demented — a bit demonic, even. We meet characters shrouded in mystery. Guests at a cocktail party, there’s a writer working on a book about supernatural creatures, a vacuum salesman with a closely guarded secret, a repressed religious fanatic and more. None of them can remember how or why they ended up at this soiree, hosted by the confidently cryptic Baroness, a character who clearly delights in creating sin and madness. We’ll soon find out this isn’t an event for the lucky.

But that’s not just what makes “Monster Party” special. Remounted after a short theatrical run in 2024, the work from immersive creator Matt Dorado intermixes the personal and political. Lurid, humorous and sexy, “Monster Party” is also a scathing critique of how political systems can drive one mad.

Set during the Lavender Scare, the anti-communist purge of LGBTQ+ people from the U.S. government in the 1950s, “Monster Party” opens with camp and then descends into very real horrors of life in the United States. You’ll drink, play parlor games and gradually uncover one dark skeleton after another.

The intimate production is limited to 50 guests per showing, and cocktails are included in the $159.45 ticket. Come ready to socialize.

8 p.m. Thursdays and Friday; 3 and 8 p.m. Saturdays, through April 26. Rita House, 5971 W. 3rd Street monsterpartyshow.com

— Todd Martens

The week ahead: A curated calendar

FRIDAY
Chaya Czernowin
Monday Evening Concerts presents the U.S. premiere of the Harvard-based Israeli composer’s “Poetica,” which she describes as “a journey of one into themselves,” performed by percussionist Steven Schick and the percussion ensemble Red Fish Blue Fish.
8 p.m. Zipper Hall at the Colburn School, 200 S. Grand Ave., downtown L.A. mondayeveningconcerts.org

The Last Days of Judas Iscariot
O.C. theater companies the Wayward Artist and Larking House team up for Stephen Adly Guirgis’ bold, darkly comedic courtroom drama set in Purgatory. Directed by Lizzy McCabe.
7:30 p.m. Friday and Saturday and April 23-35. Irvine United Congregational Church, 4915 Alton Pkwy., Irvine. thewaywardartist.org

Harry Fonseca
“Portrait of the Artist as a Young Coyote,” an exhibition of more than 30 paintings, prints and works on paper, follows the path of the late Native artist’s alter-ego, the Trickster Coyote, an exploration of his own identity and a means of challenging existing narratives. Also being exhibited is “Sedej Tuulémisé (Blood Relations),” featuring paintings by emerging artist Deerstine Suehead.
Noon-5 p.m. Tuesday-Saturday, through July 3. PDC Design Galleries, 750 N San Vicente, West Hollywood. pacificdesigncenter.com

Ryan Bancroft will conduct the L.A. Phil this weekend at Walt Disney Concert Hall.

(Carlin Stiehl/For The Times)

Shostakovich & Sibelius
Ryan Bancroft conducts the Los Angeles Philharmonic with cellist Alisa Weilerstein playing one of her specialties, Shostakovich’s “Second Cello Concerto.”
8 p.m. Friday; 2 p.m. Saturday and Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Liu Xiaodong
For the work presented in the exhibition “Host,” the figurative painter trained his eye on a Detroit tattoo artist with a penchant for medieval battle recreations.
10 a.m.-6 p.m. Tuesdays-Saturday, through June 13. Lisson, 1037 N. Sycamore Ave., L.A. lissongallery.com

SATURDAY
Back to Oz
MUSE/IQUE salutes a truly American fairy tale through music with pieces from “The Wonderful Wizard,” “The Wiz,” and “Wicked,” performed by Carmen Cusack, LaVance Colley, Nathan Granner, DC6 Singers Collective and the MUSE/IQUE Orchestra.
5 p.m. Saturday and Sunday; 7:30 p.m. Thursday and April 24; 2:30 and 7:30 p.m. April 25; and 2:30 p.m. April 26. Mark Taper Forum, 135 N. Grand Ave., downtown L.A. muse-ique.com

Colored People’s Time: A History Play
From Civil War to civil rights, Leslie Lee’s drama, directed by Ben Guillory, examines the lives of Black Americans through a century of struggle.
8 p.m. Thursday-Saturdays; 3 p.m. Sundays, through May 17. Los Angeles Theatre Center, Theatre Four, 514 S. Spring St., downtown L.A. therobeytheatrecompany.org

The Expanding Field: MOCA’s Collection from the 1940s to 1970s
Works by Mark Rothko, Luchita Hurtado, Piet Mondrian, On Kawara, Robert Rauschenberg, Betye Saar, Anne Truitt and others illustrate the breadth of the museum’s holdings.
Saturday through Sept. 20. Museum of Contemporary Art, 250 S. Grand Ave., downtown L.A. moca.org

Falstaff
Craig Colclough stars in LA Opera’s production of the energetic Verdi comedy about two wives turning the tables on an unwanted suitor in merry olde England.
7:30 p.m. Saturday; 2 p.m. April 26; 7:30 p.m. April 30, May 2 and 6; 2 p.m. May 10. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org

Steven Culp and Joey Stromberg in “For Want of a Horse” at the Echo Theater Company.

(Cooper Bates)

For Want of a Horse
Olivia Dufault’s comedy about an unusual love triangle involving a horse opens Echo Theater Company’s 2026 season. Directed by Elana Luo.
Opening night, 8 p.m. Saturday; 8 p.m. Fridays and Saturdays; 4 p.m. Sundays; 8 p.m. Mondays, through May 25. Echo Theater Company, Atwater Village Theatre, 3269 Casitas Ave. echotheatercompany.com

Hear Now Music Festival
A chamber concert doubleheader (separate admissions): The matinee features Lyris Quartet, Brightwork Ensemble and HEX performing Hugh Levick’s “No Pasaran” for brass quintet; Ania Vu’s “Small Tenderness” for vocal ensemble and string quartet; Liviu Marinescu’s “String Quartet No. 1”; Bryan Chiu’s “Anthology” for piano and horn; and Tom Flaherty’s, “Recess” for string quartet. Lyris Quartet and Brightwork Ensemble return for the evening show with mezzo-soprano Peabody Southwell, and the music of Peter Knell, “Canciones de Agua” for mezzo-soprano and violin; Sean Heim, “there is no such thing as time” for mixed ensemble; Vera Ivanova’s “The Firebird’s Feather,” for flute solo; and Jordan Nelson’s “Join” for string quartet.
Chamber Concert 1, 3 p.m. (2 p.m. preview); Chamber Concert 2, 8 p.m. (7 p.m. preview). First Lutheran Church of Venice, 815 Venice Blvd. hearnowmusicfestival.com

Claudia Keep
In the exhibition “Water, Water, Everywhere,” the painter finds fascinating details in the life-giving liquid and all its forms, including rivers, ocean waves, clouds and afternoon coffee.
Opening reception, 4-6 p.m. Saturday; the exhibition runs through May 30. Parker Gallery, 6700 Melrose Ave., L.A. parkergallery.com

Kinship & Community: Selections from the Texas African American Photography Archive
The exhibition, a collaboration between Art + Practice and the California African American Museum, shares the work of Black photographers who documented life in the urban neighborhoods and rural villages of eastern Texas from 1944 to 1984. Saturday evening, exhibition curator and NYU professor Nicole R. Fleetwood and Getty Research Institute curator LeRonn P. Brooks will discuss the exhibition and the volatile time of great change that it captures.
The exhibition opening is 11 a.m.-5 p.m. Saturday and runs through Sept. 5. Art + Practice exhibitions space, 3401 W. 43rd Pl. L.A. Conversation, 6-7:30 p.m. Saturday. Art + Practice programs space, 4334 Degnan Blvd., L.A. artandpractice.org

Majestic Tango
Directed and produced by Miriam Larici and Leonardo Barrionuevo, this program features 13 dancers and six musicians using music, movement and storytelling to convey the passionate energy of Buenos Aires.
8 p.m. Irvine Barclay Theatre, 4242 Campus Dr. thebarclay.org

Richard Mayhew, “West Bay,” 2004 Oil on canvas 36” x 48’.

(© Estate of Richard Mayhew. Courtesy the Estate and Karma)

Richard Mayhew
“Understory” surveys the artist’s work created between 1960 and 2023, when he saw his expressive landscapes as “an artistic reclamation of the land stolen from his Black, Shinnecock, and Cherokee-Lumbee ancestors.”
Opening reception, 6-8 p.m. Saturday; exhibition runs through May 30. Karma, 7351 Santa Monica Blvd., L.A. karmakarma.org

Natural HERstory
Drag performance meets real science in this 30-minute STEAM musical, developed by Drag Arts Lab and the Natural History Museum of Los Angeles County, and designed to engage elementary-aged learners.
11 a.m. Annenberg Community Beachhouse, 415 Pacific Coast Hwy., Santa Monica. eventbrite.com

Parsons Dance
David Parsons’ New York City-based troupe marks its 40th anniversary with a program set to the music of Milton Nascimento; Giancarlo De Trizio; Champion, Four Set & Skrillex (featuring Naisha); Miles Davis; Sheila Chandra; and Yusuf/Cat Stevens
7:30 p.m. Saturday; 2 p.m. Sunday. BroadStage, Santa Monica College Performing Arts Center, 1310 11th St. broadstage.org

The Storyteller of East LA
The Latino Theater Co. has the world premiere of Evelina Fernández’s magical realist drama about a 90-year-old woman with dementia and the challenges faced by her family and caregivers. Directed by Jose Luis Valenzuela.
8 p.m. Thursdays-Saturdays; 2 p.m. Sundays, through May 17. Los Angeles Theatre Center, 514 S Spring St., downtown L.A. latinotheaterco.org

Verdi in España
The Verdi Chorus performs sequences from the composer’s operas “Don Carlo,” “Il Trovatore,” “La Traviata” and “Ernani,” alongside Bizet’s “Carmen” and selections from Spanish composers Catán, Granados, Giménez, Torroba and De Falla.
7:30 p.m. Saturday; 4 p.m. Sunday. First Presbyterian Church, 1220 2nd St., Santa Monica. verdichorus.org

SUNDAY
Mozart’s Requiem
Grant Gershon conducts the Los Angeles Master Chorale in Mozart’s final masterpiece, plus the West Coast premiere of Fanny Mendelssohn’s “Oratorio on Scenes from the Bible.”
7 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. lamasterchorale.org

TUESDAY
Yuja Wang and Mahler Chamber Orchestra
The celebrated pianist continues her long-standing collaboration with MCO for a program featuring works by Segei Prokofiev and Alexander Tzfasman.
8 p.m. Tuesday. McCallum Theatre, 73000 Fred Waring Dr., Palm Desert; 8 p.m. Wednesday. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa; 7 p.m. Thursday. Granada Theatre, 1214 State St, Santa Barbara; 8 p.m. April 25. The Saroya, 18111 Nordhoff Street, Northridge. mahlerchamber.com

WEDNESDAY
Khorus Harmonia
Katey Sagal and Kurt Sutter are producing ten performances of this choral concert to benefit the Coalition for Humane Immigrant Rights and The Wounded Warrior Project.
8 p.m. Wednesdays-Saturdays; 4 p.m. Sundays, through May 2. Hudson Backstage Theatre, 6539 Santa Monica Blvd. onstage411.com

This Ends Badly
The theater collective Frank’s presents an evening of short plays by Frank Demma, Marlane Meyer, John Pellech, John Pollono, Benjamin Weissman and Sharon Yablon.
8 p.m. Wednesdays, through May 13. Echo Theater Company, Atwater Village Theatre, 3269 Casitas Ave. echotheatercompany.ludus.com

Arts anywhere

New and recent releases of arts-related media.

The British Museum in London.

(Kin Cheung / Associated Press)

British Museum
As excitement builds for the opening of the new Geffen Galleries at LACMA on Sunday (for priority members; May 4 for the general public), one’s appetite may be whetted to visit other museums. Why not start in London with the British Museum? The sprightly 273-year-old institution boasts a collection of eight million works and draws more than six million visitors each year. But there’s no need for a plane ticket or a Tardis to see it. Google Arts & Culture offers virtual tours that allow you to wander the halls and grounds for free (and it won’t rain!). artsandculture.google.com

Philip Glass

Two opportunities to see the work of one of the finest American composers will soon be available with the click of a button or a tap of a screen. First up is “The Complete Philip Glass Piano Etudes featuring 10 Pianists” (which was performed at Walt Disney Concert Hall in 2024) streaming live from the 3,500-seat Hill Auditorium on the campus of the University of Michigan in Ann Arbor. 4:30 p.m. Saturday and on demand through April 28. youtube.com

Six days later, the Paris Opera offers its current, sold-out production of “Satyagraha,” Glass’ revelatory, triptych portrait of Gandhi. Directed by choreographers Bobbi Jean Smith and Or Schraiber, with a cast including Anthony Roth Costanzo and Davóne Tines — all four members of AMOC*, American Modern Opera Company — the show will be presented live on the Paris Opera Play streaming platform (for $14) at 10:30 a.m. April 24. POP’s live broadcasts are typically available on demand for 30 days following transmission. play.operadeparis.fr

— Kevin Crust

Culture news and the SoCal scene

Pooya Mohseni, from left, Ava Lalezarzadeh, Tala Ashe and Marjan Neshat in “English” by Sanaz Toossi at the Wallis Annenberg Center for the Performing Arts.

(Joan Marcus)

With the U.S. at war with Iran, “This is an important moment to experience ‘English,’ Sanaz Toossi’s Pulitzer Prize-winning drama, set in an English-language classroom outside of Tehran in 2008,” writes Times theater critic Charles McNulty. “The play, now having its L.A. premiere at the Wallis Annenberg Center for the Performing Arts, reminds us of the lives — the hopes, the dreams, the sorrows — on the other side of the headlines.”

It’s been an anxious journey for Bob Baker Marionette Theater since 2019 when it was forced out of its downtown home of 55 years. After a lengthy search, the nonprofit signed a 10-year lease for a former cinema-turned-Korean Church in Highland Park. With that, however, came the accompanying stress of being renters in L.A. But good news has arrived: the beloved theater “has entered into an agreement to purchase its [current] home at the corner of York Boulevard and North Avenue 50,” reports Times features columnist Todd Martens.

The Samuel Oschin Air and Space Center is a major expansion of the California Science Center.

(Myung J. Chun/Los Angeles Times)

California Science Center has completed construction on its new $450-million Samuel Oschin Air & Space Center, which houses the Endeavor shuttle. Staff writer Malia Mendez headed onsite to get the scoop on the, “sleek 20-story, 200,000-square-foot new building rising over Exposition Park,” nearly doubling the museum’s exhibition space.

The impossibly trendy SoCal health food retailer Erewhon is launching a cafe at Los Angeles County Museum of Art’s new David Geffen Galleries. And, like almost everything about the new building, public opinion is split on whether or not that’s a good idea.

Architecture writer Sam Lubell put together a fascinating Q&A with Peter Zumthor in which the Geffen Galleries’ architect addresses a number of ongoing criticisms about his creation, including its loss of square-footage.

In case you missed it: Pop singer Pink has will host the 79th Tony Awards. “The award ceremony returns to New York City’s Radio City Music Hall on June 7, with nominations announced May 5,” writes Times reporting fellow Iris Kwok.

Nathan Peterson, Cell 63 Flyer, May 29, 1992, displayed in CSUN Art Galleries, which received a Mike Kelley Foundation grant.

(© Nathan Peterson, Punk Arts & Culture)

It’s been a decade since the Mike Kelley Foundation for the Arts began awarding Infinite Expansion Grants to local contemporary arts organizations. The money has always mattered, but means even more during a time of great uncertainly about federal support for the arts (as I wrote in my newsletter intro). This year’s round of grantees was just announced, with nine L.A. contemporary arts groups sharing $400,000 in support. These groups, a news release says, “exemplify risk-taking, critical inquiry, and community engagement,” and include Art in the Park Community Cultural Programs; Color Compton; Cal State University, Northridge Foundation on behalf of CSUN Art Galleries; Barnsdall Art Park Foundation on behalf of Los Angeles Municipal Art Gallery (LAMAG); Los Angeles Performance Practice; Monday Evening Concerts; Clockshop; Institute of Contemporary Art, Los Angeles (ICA LA); and the Vincent Price Art Museum Foundation.

Big change is coming to the Soraya and California State University, Northridge. Artistic and Executive Director Thor Steingraber, is leaving his position after 12 years to become president and chief executive at Vivo Performing Arts in Boston. The Soraya has also announced Steingraber‘s replacement: Chad Hilligus. Hilligus arrives at CSUN from the Gallo Center for the Arts in Modesto where he served as chief executive and curated more than 100 multidisciplinary live performances.

And another leadership shakeup has come to the Los Angeles Master Chorale, which announced that its current president and chief executive, Scott Altman, will step down on June 5 to become executive director of Miami City Ballet. Master Chorale board member William Tully will serve as interim president while the group launches a national search for a replacement.

— Jessica Gelt

And last but not least

It doesn’t get much weirder than this: Hegseth recites ‘Pulp Fiction’ speech at Pentagon prayer service

KATIE Price’s son Harvey has called her new husband Lee Andrews “daddy” after appearing to confirm Lee’s travel ban.

The self-proclaimed businessman, 43, took to his Instagram stories today to share a picture that Harvey had drawn for him.

In the picture, two frogs are seen sitting next to each other with a love heart saying “I love you” in between them.

He addressed the drawing to “Mummy Bullfrog and Daddy Lee Bullfrog,” and said: “I hope you have a great Valentine’s Day and a happy holiday, love from Harvey.”

Lee wrote under it: “Harvey Price. You are just the best human,” as Katie reshared his story on her own profile.

It comes after The Sun revealed Lee’s devotion to Harvey with an apparent tattoo on the side of his left hand.

RUBLE RIDDLE

Katie Price’s hubby Lee reveals ‘REAL source of his huge wealth’

WHEELY UNHAPPY

Katie Price breaks silence on seventh driving ban saying she’s ‘livid’

Harvey’s name could be seen in a fancy font alongside an image of a frog, the 23-year-old’s favourite animal.

He’s yet to fly to the UK and meet her children in person but no doubt he’s spoken to Harvey via FaceTime.

Lee and Katie, 47, tied the knot in a secret ceremony in Dubai back in January before having a second ceremony the following month.

Ever since the pair tied the knot, there’s been constant speculation that Lee is unable to leave Dubai, where he resides full-time.

It was reported that he allegedly forged his ex-girlfriend Dina Taji’s signature to secure a £200,000 loan – something he’s strongly denied.

On several occasions, he’s claimed he’s coming to the UK but each time, he hasn’t ended up coming.

During the latest episode of her podcast with her sister Sophie, the former glamour model was asked directly about Lee’s situation.

She said: “Of course I’m going back to Dubai and Lee will come here when he needs to.

“People have to remember he’s lived in Dubai for 21 years, that’s where he lives and where he does his work. There’ll be a time when he does come to England and he’ll be with me.”

Sophie replied: “I thought he had a travel ban?”

While not confirming whether or not Lee is unable to leave the city, Katie said: “Do you know what? Everyone has said to me you can get a travel ban over anything in Dubai.

“A parking ticket or if you owe a bill for electricity or something… you can get a travel ban for absolutely anything.”

Sophie asked: “Do they do anything like that over here?”

The I’m A Celebrity star joked: “No. If they did, I’d be banned for life! But yeah, you can get one for even breathing the wrong way in Dubai. It’s so strict.”

A clip from the podcast was posted on social media, with Katie writing: “Lee’s travel ban… it’s so strict!!!!”

On Thursday, Lee claimed he’s moving to the UK in May.

Posting on his Instagram Stories he shared an image of him with Katie, which read: “LEE ANDREWS CONFIRMS RETURN TO UK.

“With his gorgeous wife Katie to support her family and career commitments.

“The couple are stronger than ever and will make the commitment to live together this coming May. Ahead of their Winter Wedding this Year.”

This year’s festival will take place Saturday and Sunday at the USC campus, and it’s packed with a mind-boggling array of great participants and exhibitors. You can peruse the complete schedule, download the book festival app, and book your parking and panel reservations here.

I have warm fuzzy feelings about the festival, attending as a budding writer in the early aughts. As someone who aspired to “go long” but had no clue how to go about doing it, the event was an inspiration: all these hot-shot authors talking about their craft, and free admission no less.

Of course the event wasn’t the sprawling, magnificent behemoth it is now, with cooking demonstrations from the world’s greatest chefs, and bestselling children’s authors reading to tiny budding bibliophiles. The first festival in 1996 drew 75,000 book fans; last year, more than twice as many people showed up.

As the festival grew, so did the excitement. In 2007, I waited in line along with hundreds of other fans for the privilege of hearing Gore Vidal talk about his craft in UCLA’s Royce Hall. Gay Talese, one of my journalism heroes and a veteran of some of the very first festivals in the late ’90s, was always a pleasure. His stories about breaking into the New York Times conjured up a lost world that seems positively antediluvian now. “If you show up in a three-piece suit and a hat, and you look like you might have taken a bath recently, they don’t kick you out as fast,” Talese told a packed crowd in 2008.

By that time, much to my astonishment, I knew Talese personally. In 2004, I was working on a book about the New Journalism movement that he spearheaded. That year, he asked me to join him at the book festival as a guest. It was my first time in the “green room,” the backstage area where authors socialize over food and drinks. After ogling all the A-list talent in the room, I was asked by Talese to join him for lunch at a table along with novelists Jane Smiley and John Kaye, historian Doug Brinkley and social critic Naomi Wolf, all of whom were appearing at the festival. Reader, my mind was suitably blown. I just kept my mouth shut and listened.

I will be moderating a panel Sunday at 1:30 p.m. at the Ray Stark Family Theatre (plug) and I can’t wait. There is nothing like this festival; it is The Times’ annual gift to the Southland, and we should all be grateful we get to enjoy it.

Here are some of this weekend‘s festival highlights. All panels are an hour in duration.

📚 Ultimate Festival Guide

Saturday

Drawn to Life: A Conversation on Graphic Novels

Graphic novelists Henry Barajas, Eagle Valiant Brosi, Anders Brekhus Nilsen, Mimi Pond and Angie Wang discuss their latest graphic novels, each of which is based on true events or popular myths.

Where: Albert and Dana Broccoli Theatre
When: 10:30 a.m.

Robert Kirsch Award Winner Amy Tan in Conversation with Thomas Curwen

Acclaimed author Amy Tan is the recipient of the 2025 Robert Kirsch Award for lifetime achievement, which recognizes a writer with a substantial connection to the American West. Tan’s expansive body of work, including essays, memoirs and bestselling novels “The Joy Luck Club,” “The Kitchen God’s Wife” and “The Bonesetter’s Daughter,” is widely celebrated for its profound exploration of the immigrant experience, family bonds and the quest for individual identity. Join us for a conversation with Amy Tan and award-winning former Los Angeles Times writer Thomas Curwen.

Where: Bovard Auditorium
When: 10:30 am

Modern Family: Humor, Chaos, and the Absurdity of Contemporary Life in Fiction

Novelists Jade Chang, Kevin Wilson and Sarah Levin discuss their new novels, which are fresh examinations of family in contemporary life: the ones we’re born with, the ones we make, and the ways we reach out for connection in an increasingly isolated, chaotic, and lonely world.

Where: Hoffman Hall, Edison Auditorium
When: 11 a.m.

The Mirror Effect: When The Writer Becomes The Story

Lana Lin, Melissa Febos, Susan Orlean and Amanda Uhle have produced literary and artistic work that has shaped conversations, influenced culture and established them as leaders in their fields. Now, they turn the pen inward and become the story. Exploring their careers, relationships, sexuality and more, these writers offer a rare and intimate look at the vulnerability, creativity and humanity behind their work

Where: Town and Gown
When: 1:30 p.m.

Democracy, Fascism and America Today

Join California Atty. Gen. Rob Bonta, Steven J. Ross, Omer Aziz, Erwin Chemerinsky and Los Angeles Times reporter Seema Mehta for a conversation about the state of our freedoms today and what our current political atmosphere could mean for the future of our democracy.

Where: Hancock Foundation, Newman Recital Hall
When: 1:30 p.m.

Sunday

Raising Gen Alpha: Parenting Today

How do we raise children in an age of rapid technological change, political polarization and global uncertainty? Drawing from their new books and their experience as parents, Reza Aslan and Jessica Jackley will explore how to have honest, age-appropriate conversations with kids about complex and challenging topics, while psychologist Darby Saxbe shares groundbreaking research on the science of fatherhood.

Where: Wallis Annenberg Hall
When: 10:30 a.m.

The Mosaic of Us: Individual Memoirs and the Collective Truth of Black Life in America

Join Austin Channing Brown, Tre Johnson, Tamika D. Mallory and Carvell Wallace as they reflect on the moments that shaped their lives, work and perspectives. Through individual stories of resilience, love, purpose and self-discovery, their experiences weave together like a mosaic to form a deeper collective portrait of Black life and identity in America today.

Where: Hancock Foundation, Newman Recital Hall
When: 10:30 a.m.

Poetry, Power & Sovereignty

Panelists Matthew Cuban Hernandez, Karla Cordero, Sonia Guiñansaca and Yesika Salgado will dive into what it means to be autonomous, to be your own supreme authority, to belong to yourself, the land(s) and people you choose.

Where: De Los Stage
When: 12:50 p.m.

Lionel Ritchie in conversation with Mikel Wood

The legendary performer will discuss his new book “Truly” with the Times’ pop music critic.

Where: Bovard Auditorium
When: 2:30 p.m.

Looking Deeper: The Asian American Experience in Historical Fiction

Christine Bollow, Karen Tei Yamashita and Naomi Hirahara dive deep into the myriad Asian American experiences at turning points in American history, shedding light on untold stories and essential characters in our shared history.

Where: Hoffman Hall, Edison Auditorium
When: 3:30 p.m.

With its sunsoaked Californian desert setting, A-list celeb guests and top music acts, hip US festival Coachella might look like the dream destination when scrolling through the Instagram feed of one of the myriad of Love Island stars in attendance.

But while influencers are given the VIP experience, thanks to the brands who pay big bucks to take them there for free, the reality for normal punters can be a whole different story.

As the cult festival kicks off its second consecutive weekend in Palm Springs, social media has been awash with complaints from regular folk exposing the ‘truth’ about what it’s like to go there as a non VIP – and it makes for some pretty grim reading.

From nightmarish queues for cold showers, to hefty £3,000 price tags for three days at the event, various TikTok testimonials may make you think twice before booking for next year’s gig.

As someone who went as a normal person and not as an influencer, it was one of the worst concert experiences I’ve ever had,” TikTok user @lottiestars ranted in a recent social media video.

“Firstly, there’s no place for you to be dropped off. The festival is, like, really disorganised. So I remember we asked 20 different people: ‘Where do we go?’ and they they were like: ‘Oh, we don’t know’. And they actually worked for the event! So you’ll end up sitting in traffic for most of the time before you can find a spot and get dropped off.”

PARTIED HARD

Love Island’s Chloe & Millie admit they were thrown OUT of VIP at Coachella

PEACHY SNAP

Sabrina Carpenter flashes bum in tiny denim hotpants ahead of Coachella

She added that when she then finally arrived, the event proved a nightmare for her pal who was disabled.

“You have another what feels like an hour long walk to actually get into the festival, you have to do is on this super dusty, bumpy, unpaved road, which was really hard for my friend because they were in a wheelchair… they kept getting knocked over and falling out of their wheelchair, so it was not like wheelchair accessible.”

Once inside the venue, Lottie alleged that the atmosphere was not enjoyable thanks to a myriad of influencers creating a stressful environment.

“Everyone’s vibe is really, really bad. A lot of people were pretty mean. They’re like, ‘No, you’re not coming this way and stuff, you can’t go through’ so it’s harder to work your way through the crowd or to reconnect through your friends.

“It’s not as easy to take cute pictures as you think. Literally, everyone’s taking pictures. It’s like a field of cow, but instead of cows, it’s people.”

To top it all, Lottie wrapped up her video by claiming she got sick from the notorious desert winds.

She said: “I was so sick because during the daytime, it’s burning hot, and then at nighttime, it’s freezing cold, and the dust is really, really intense. Like, you’ll blow your nose, and they’ll be black dirt coming out of your nose.

“The third night, I couldn’t even enjoy the festival, and I probably was only there for like 30 minutes and I had to leave.”

And it seems this is far from a one-off negative review.

The Strokes fan @emilyjadebispo says her experience watching her favourite band was ruined by influencers who were only there to watch Justin Bieber and had no idea about ‘festival etiquette’.

She claimed: “The people around me who were there for Justin Bieber were f***ing insufferable. Oh, my God. It’s like they have never been to a festival before. They have no idea what it’s like that other genres exist.

“They are just completely unaware of any sort of concert etiquette at all. The people to my left, during one of my favourite bands sets, were talking the entire time saying: ‘I don’t even know who this is. What even is this? This is really honestly killing my vibe for Bieber.’”

For those who camp and aren’t holed up in pricey villas like the influencer crowd, some describe the experience as “endurance training.”

@huioyg3 said in one TikTok video: “Basic shower access has turned into a survival challenge, people are waiting in line for hours just to get a quick rinse, often with freezing cold water.

“To avoid this nightmare, some festival goers are spending hundreds of dollars on portable shower setups, building their own tents just to maintain a sense of hygiene.

“Another issue is making things worse, extreme heat. Phones are overheating, energy levels are dropping, and what’s supposed to be a fun four day experience is starting to feel more like endurance training.”

Of course, the biggest issue for many is how the festival impacted their wallet.

General admission tickets cost around $799 [£590] for three days, while VIP – which allows you to get closer to the stage and gives you a shuttle pass into the venue – will mean you shell out even more, clocking in around $1299 [£959].

“Coachella started as a low price event to protest against high cost events,” one music fan vented online.

“How are people affording this?” fumed another.

Some, however, claimed it was worth the price of VIP.

“It was 100% worth it We do get closer viewing to some of the stages. And honestly, when the big performers do come out, it gets super packed,” said tiktok user @noesilva

If you shun camping though, hotels can be extortionate due to high demand, as Noa explains.

“Next thing I spent money on was a hotel, which was the most expensive part. It was $2,300 [£1698] for three nights, and I know it sounds like a lot of money, but for me personally, I was not going to go camping.

And finally, you got to think of all the extra expenses that are probably gonna be happening during the trip, which is food, drinks, merch, like all the extra stuff that you’re going to be paying for, and realistically, that’s going to cost me around $500 [£370]. So in total, this trip is costing me around $4,000 [£2950].”

Another furious former Coachella fan, Nick Holiday, summed it up in a top-rated TikTok video.

“They’re charging $100 [£74]for one bite of caviar, four chicken nuggets and seven french fries. That’s honestly a crime against humanity.”

Most Angelenos know Frank Gehry as the rebel architect whose deconstructivist buildings reinvigorated L.A. amid its late-century identity crisis.

Fewer know him as the sentimental sculptor celebrated in Gagosian Beverly Hills’ upcoming “Frank Gehry” exhibition, the first to showcase Gehry’s work since his death in December. Curated by those who worked with and loved the famous architect, the show, scheduled to open May 14 and run through June 27, is equal parts tribute and art presentation. It will feature several of Gehry’s animal-themed sculptures, including a rarely seen stainless steel bear figure, on loan from the artist’s family.

The exhibition will also include the first public screening of Gehry’s entry in Gagosian Premieres, a series of videos by the gallery showcasing new art exhibitions through a mix of intimate artist interviews, studio visits and specialized musical performances.

By spotlighting Gehry’s artistic practice rather than his design ouevre — which includes Walt Disney Concert Hall, Guggenheim Museum Bilbao and Fondation Louis Vuitton — the exhibition reveals a different side of the late visionary, said Deborah McLeod, senior director at Gagosian Beverly Hills.

“I wouldn’t say it’s a retrospective, but it is a chance to stand in the room and be with him,” McLeod said, adding that she “wouldn’t have the hubris to say this is going to offer anybody closure,” but that she hopes it will help people — especially those who worked closest with Gehry — to process his loss.

“Everybody is kind of raw and missing Frank, and it’s just a chance to come together and do this again as his team,” she said.

McLeod curated the exhibition alongside Meaghan Lloyd, chief of staff and partner at Gehry Partners, whom the director said “really speaks for Frank.” Gehry‘s studio will design the show, which was realized in collaboration with the artist’s family.

“We didn’t get a chance to put one in the gallery proper. Every time we’d make one, it would get sold,” Deborah McLeod said about Frank Gehry’s bear sculptures.

(© Frank O. Gehry. Photo: Benjamin Lee Ritchie Handler / Courtesy Gogosian)

The highlight of the Gagosian exhibition is an artist proof of “Bear with Us” (2014), which the gallery lifted out of Gehry’s wife Berta Aguilera’s garden with a crane. Another edition of the bear sculpture is on view at the New Orleans Museum of Art, but at Gagosian, the work for the first time will be on view as part of an exhibition.

The stainless steel figure has a crumpled appearance that many believe is the result of Gehry balling up a piece of paper and seeing the bear in the crumple, although McLeod said Gehry told her himself that wasn’t true. The director added that the bear’s form gives the illusion of something “coming into being or dissolving.” The sculpture will likely have the Gagosian’s north gallery completely to itself.

“We’re really going to give him his due,” McLeod said. It was only right for a piece that, to her, reads as Gehry’s “self-portrait.”

A handful of other animal-themed sculptures will populate the south gallery, including a glowing black crocodile, gouache-painted papier-mâché snake lamps, and “Fish on Fire” (2023), the last of Gehry’s fish sculptures to be rendered in copper. Illuminated within the darkened gallery, the pieces will have a “magical” flair, McLeod said.

The first fish sculptures Gehry made in the ’80s were contained, even still. But when he returned to the fish form 30 years later, Mcleod said, “they started to become actually Baroque, so that’s kind of neat to see that evolution.”

Rounding out the exhibition are a series of ink, watercolor and acrylic works on paper that “express the energetic motion of fish in networks of black line and clouds of color,” a news release said.

A portion of the pieces in the exhibition will be available for purchase, with a detailed checklist to come.

The first Frank Gehry Fish Lamps were exhibited in 1984 at Gagosian in Los Angeles.

(© Frank O. Gehry. Photo: Robert McKeever / Courtesy Gagosian)

Gehry’s designs breathed life into the city’s core, but he didn’t get to finish a number of his most exciting plans, including one to transform the 51-mile-long L.A. River.

And while his architecture was his great gift to his adoptive hometown — his art was his gift to himself.

“As one of the busiest architects in the world, imagine the math and the minutiae that you have to go through,” McLeod said, noting the enormous pressure from clients that Gehry must have felt in his daily practice.

“For him, just to make something the shape he wants to make it, plug it in … I know it was a huge relief for him,” she said. “I know how much he loved doing it, and I loved being a part of that part of his life.”

How’s Lee Cronin doing? Fine. You know, still making movies. This one’s his third feature. Somebody — perhaps it was Lee Cronin himself, probably not — wanted us to know that his latest project, “Lee Cronin’s The Mummy,” was no mere mummy movie. Certainly not the one you have in mind: bandaged dead guy, ominous hieroglyphics, maybe Brendan Fraser. This is not that mummy movie. This is “Lee Cronin’s The Mummy.”

As for what that possessive credit means, we’re still in a haze. Cronin’s previous outing was “Evil Dead Rise,” a sequel heavily devoted to the gooey game plan mapped out by Fede Alvarez’s 2013 rethink of Sam Raimi’s gross-out comedies. In our current moment, when horror seems to be mining an especially rich vein (we’ve even seen an Oscar go to an unforgettable witch in “Weapons”), Lee Cronin represents the safe old ways of dutiful stewardship, getting the job done for a generic night out.

There are worse sins in the world. And sometimes the best way to introduce an ancient Egyptian curse is via a prologue that’s tonally very much like the one in “The Exorcist.” Who is the spooky, smiling woman beckoning to a young girl at the edge of her garden? No matter. The kid goes missing and, eight years later, her American family, since relocated to suburban New Mexico, is still feeling the loss: TV reporter Charlie (Jack Reynor), his haunted wife Larissa (Laia Costa) and their two semi-surly children, Maud (Billie Roy) and Sebastián (Shylo Molina).

When their precious Katie (a game Natalie Grace) is somehow returned to them, though, nearly catatonic with wrinkled, desiccated skin and gnarly toenails that would make a pedi technician shriek, it’s hard to blame them for feeling euphoric. Working from his own screenplay, Cronin barrels over the gaping plot holes — a doctor might have some thoughts here — and gets to the good stuff with the family at home in squirm-inducing close quarters, a live-in demon resting in her bedroom.

“Lee Cronin’s The Mummy” works best as a variation on Ari Aster’s career-making “Hereditary,” slicker and less guilt-ridden, with Grace’s Katie prone to jaw-snapping clicks and faraway looks, a spin on Milly Shapiro’s hypnotic turn as a doomed host. Eventually, things get more obvious: a levitating wheelchair, some skittering around on the ceiling. If Cronin does have a signature — more of a penchant, really — it’s for juicy gore, Katie’s skin peeling off in sheets. She goes to town on her own teeth.

All these moments are good for audience groans and there’s an enjoyable bad movie here for the seizing — that is when Cronin isn’t steering the action back to Egypt for an underpowered mystery thread involving a one-dimensional Cairo detective (May Calamawy) pursuing the root of the trouble. Why deploy a plummy archaeology professor (Mark Mitchinson) if you’re only going to give him a single scene to cut loose? He’s the kind of character who usually makes it to the big finale.

The film is tangled in its mess of references: a possession thriller that also wants to dish out some grainy video footage à la “The Ring” or “Bring Her Back” along with the expected mouth-to-mouth vomiting. Ironically, an honest-to-goodness mummy movie consumed with exotica (the first one from 1932 was released in the wake of the global mania over King Tut’s tomb) makes a lot of sense right now, with America straying into foreign deserts.

Was that in mind at any point? You’d have to ask Lee Cronin. It’s his movie and these are his mummy issues.

POP icon Madonna stunned festival-goers with a racy return to the Coachella stage as a surprise guest alongside Sabrina Carpenter.

The 67-year-old music legend teamed up with Espresso singer Sabrina for a show-stopping finale – dressed-to-impress in purple lingerie.

Two decades after her own epic headlining slot at the Californian festival, the queen of pop turned heads in a flesh-flashing frilly outfit.

Wearing a purple corset with matching lilac gloves, purple stockings and knee-high stiletto boots, the comeback queen accessorised with tinted shades and her long blonde hair down in waves.

She joined a lingerie-clad Sabrina, 26, who wowed in a white lace sparkly bodice and heels during her headline set at Coachella.

The duo delighted the crowds with classic hits including Vogue, Like A Prayer and I Feel So Free from Madonna’s new album.

PEACHY SNAP

Sabrina Carpenter flashes bum in tiny denim hotpants ahead of Coachella

HER MADGESTY

How Madonna became the queen of cool aged 67 with club-inspired album & toyboy

Sabrina had been mid-performance when an instrumental tease of Madonna‘s 1990 hit song Vogue weaved in.

Madonna told the cheering audience: “Wow, thank you.

“Sabrina, thank you so much for inviting me on your show.”

Holding hands, she replied: “No thanks needed, Madonna.”

“Well, I have a few things I want to get off my chest. So, 20 years ago today I performed at Coachella,” admitted the Ray of Light singer.

“I was in the dance tent and it was the first time I performed Confessions On The Dance Floor part one in America.

“It’s a full circle moment, you know? Very meaningful for me.” 

She urged: “Let’s try to be together. Let’s try to avoid disagreements.

“And to that point, the great thing about music is that it brings people together. 

“It’s the one place that people have to put their differences aside, put their s**t down and just everybody have a good time together, right?

“So I am thrilled to be a part of that healing experience…”

The Vogue singer confirmed this week that she will release her first record in seven years this July — a sequel to her 2005 smash Confessions On A Dance Floor.

The original, inspired by disco and Eighties electropop, shifted more than 10million copies.

It featured No1 singles Hung Up and Sorry, and ushered in a new era of dance music.

In 2024, Sabrina paid ­tribute to Madge by attending the MTV VMAs in a vintage strapless gown previously worn to the Oscars by her musical hero in 1991.

Sabrina said of Madonna last year: “She’s so lovely and exactly how you expect her to be — just, like, so magnetic.”

The Please Please Please singer has thrilled fans sharing a photo dump containing some sizzling snaps of her festival stint – including a mini dress, knee-high boots and beret combo.

Meghan Trainor is turning off the microphone.

The singer announced in an Instagram Story that she is canceling her Get in Girl tour. “This is the right decision for my family and me right now,” Trainor explained Thursday, saying that the decision came “after a lot of reflection and some really tough conversations.”

“Balancing the release of a new album, preparing for a nationwide tour and welcoming our new baby girl to our growing family of five has just been more than I can take on right now, and I need to be home and present for each and all of them at this time,” Trainor wrote.

Trainor apologized to her fans, but promised that she will be “back soon.” She also shared that she “can’t wait” for fans to hear her new album, “Toy With Me,” which will be released April 24.

“I know this will come as a disappointment to my fans, and I am so sorry to let you down,” Trainor said. “I’m endlessly grateful for your love and support always.”

Trainor announced the Get in Girl tour in November and was set to kick it off June 12 in Clarkston, Mich. The tour included stops at Madison Square Garden in New York City and the United Center in Chicago and was to conclude at the Kia Forum in Los Angeles.

Social media users speculated that the tour’s cancellation was due to low ticket sales, with Ticketmaster seating charts in some stadiums showing very few seats sold. Influencer and Trainor’s close friend Chris Olsen took to TikTok to push back against the “predictably vicious” online comments about the tour.

“This is a bigger conversation than just her and people’s feelings toward Meghan,” Olsen said. “The question that always comes up for me is ‘Why? And what is the end goal?’”

The singer welcomed her third child with her husband, Daryl Sabara, via surrogate in January. Trainor, who has been candid about her struggles during her first two pregnancies, explained on Instagram that she was “forever grateful to all the doctors, nurses, teams who made this dream possible.”

“We had endless conversations with our doctors in this journey and this was the safest way for us to be able to continue growing our family,” Trainor wrote.

LOUIS Tomlinson’s sisters have unfollowed Zayn Malik online after he punched their brother in the face during a vicious row.

The clash came as the former friends filmed a three-part road trip for Netflix.

Now, his sisters Phoebe and Lottie have unfollowed Zayn online – but still follow the other One Direction boys Harry Styles and Niall Horan.

In an interview with Livelaughlukepod hosted by @lukehamnett, Phoebe and her twin sister Daisy didn’t hold back on who their favourite One Direction member was.

They twins revealed: “Niall was always the loveliest. And even when we were little, he was just very nice and caring and always cute with us.

“Liam’s not with us anymore, but he was always that for me. Yeah, so calm. He was so sweet.

HEALTH SCARE

Zayn Malik rushed to hospital with mystery illness and is ‘still recovering’

1D AT WAR

Zayn Malik PUNCHED Louis Tomlinson after making remark about his late mum

“He would always say hi and he’d remember your name and stuff.

“Whereas the others, not obviously mentioning names, didn’t really even know who you were or remember your name.

“Liam always took time and came and said hi to our grandparents and little things like that.”

Netflix has since axed the multi-million-pound project which had aimed to show Zayn and Louis bonding over shared memories of pop stardom.

A source said: “Louis was stunned and in shock. Zayn was wearing rings so it cut his head. It happened outside in front of so many people.”

Sources told The Sun their astonishing on-set row was triggered by Zayn’s remark about Louis’ mum Johannah Deakin, who died of leukaemia in 2016.

A source revealed: “The lads were filming on location. Zayn started acting up and was mouthing off.

“It spiralled into a row then Zayn made a remark about Louis’ mum Johannah.

“Louis was stunned and in shock. As he went to move, Zayn then attacked him.

“Zayn punched him straight in the face.

“Because he was wearing rings it cut Louis’ head.

“He was pulled away and Louis was taken for medical treatment. He was left with a concussion. This happened outside in front of so many people. It was shocking.”

The Sun understands Louis and Zayn – who last night shared a picture of himself in hospital with a mystery illness – have not spoken since the incident six months ago.

It is understood Netflix finally decided to cancel the three-parter  last month, after hopes of the pair reconciling dwindled.

We told last October how Louis, 34, and Zayn had signed for the show and to be filmed discussing their lives and experiences of pop stardom.

It was hoped they might even open up  about the tragic death of bandmate Liam Payne, 31, in a hotel balcony fall in Argentina in October 2024.

The bust-up between Louis and Zayn happened when  filming reached Wyoming.

Insiders said that after receiving medical treatment, Louis left for the UK, while Zayn returned to his farm in Pennsylvania.

A source said: “What clearly hurt Louis the most was Zayn’s comment about his mother.

“Zayn knew how much Johannah means to Louis and his family.

“It made Louis so upset, it was clear there was no way he would ever return to filming with Zayn.”

“The decision was taken to axe the series.”

A source added: “Netflix had thought they’d hit the jackpot when Louis and Zayn agreed to film together.

“It was a big budget show, it cost millions to make.”

Neither Louis nor Zayn have ever spoken about the documentary or why it ended.

One Direction  sold more than 70million records worldwide at the height of their fame.