SHOW BIZ

Joshua Jackson says he knows he was “really just a footnote” in James Van Der Beek’s life, despite the “amazing” time they spent together as stars of the series “Dawson’s Creek.”

The star of “The Affair” is reflecting publicly for the first time about his former castmate, who died Feb. 11 at age 48 after a battle with colorectal cancer.

The time they shared on set was “formational” for them, Jackson said on “Today.” When the “Dawson’s Creek” pilot aired in January 1998, he was 19 and Van Der Beek was almost 21, playing characters who were 15.

“I know both of us look back on that time with great fondness, but I will also say that I know that I’m really just a footnote in what he actually accomplished in his life.”

Jackson spoke with great respect for his friend, who he said “became what we used to just call a good man, a man of the kind of belief, the kind of faith that allowed him to face the impossible with grace, an unbelievable partner and husband, just a real man who showed up for his family and a beautiful, kind, curious, interested, dedicated father.”

On the one hand, the 47-year-old said, “that’s beautiful.” On the other, “The tragedy of that loss for his family is enormous.”

Since Jackson and Van Der Beek played Pacey Witter and Dawson Leery three decades ago, both men had kids of their own — a 5-year-old daughter for Jackson, born during the pandemic with ex-wife Jodie Turner-Smith, and six kids for Van Der Beek with second wife Kimberly Brook. The latter couple’s children — two boys and four girls, ranging in age from 4 to 15 — were what Van Der Beek said changed everything for him.

“Your life becomes shared, and your joys become shared joys in a really beautiful way that expands your level of circuitry out to other people instead of just keeping it all for your own gratification,” the actor told “Good Morning America” in May 2023. “And the lessons, they keep on coming. It’s the craziest, craziest thing I’ve ever done, and it’s the thing that’s made me happiest.”

Knowing his colleague’s love for his family, Jackson said on “Today” that “for me as a father now, I think the enormity of that tragedy hits me in a very different way than just as a colleague, so I think the processing [of Van Der Beek’s death] is ongoing.”

The “Little Fires Everywhere” actor was on the morning show Tuesday to bring attention to colorectal cancer screenings.

Van Der Beek’s diagnosis, which went public in November 2024, was among the factors prompting Jackson to get involved with drugmaker AstraZeneca’s “Get Body Checked Against Cancer” campaign, which takes a lighter approach to a serious subject — cancer screening — through a partnership with Jackson, the National Hockey League and the Philadelphia Flyers’ furry orange mascot, Gritty.

“It is … true, the earlier you find something,” said “The Mighty Ducks” actor, “the better your possible outcomes are.”

EXCLUSIVE: A beloved crime drama is set to return for a third season next week, with a host of “incredible” guest stars

Fans of Death in Paradise are being urged to watch a “cosy” crime drama with a distinctive premise.

Death in Paradise creator Robert Thorogood’s English-set mystery series, The Marlow Murder Club, follows three amateur detectives as they solve crimes in the tranquil riverside town of Marlow.

Judith Potts (Samantha Bond), a retired archaeologist, establishes a club alongside professional dog walker Suzie Harris (Jo Martin) and vicar’s wife Becks Starling (Cara Horgan). Their discoveries eventually earn them positions as civilian advisers under Detective Sergeant Tanika Malik (Natalie Dew).

The trio are poised to return for a third series next week (March 18), which will be presented in a three-story structure, featuring an adaptation of Thorogood’s third Marlow novel, The Queen of Poisons.

Now firmly embedded within newly promoted DI Malik’s crime-solving operation, Judith, Suzie and Becks are back, applying their unorthodox techniques to a series of high-profile murders. However, it quickly becomes apparent to the amateur investigators that their enquiries may strike closer to home than ever before, reports the Express.

The synopsis reveals: “From the sudden death of the kindest man in Marlow, the town’s beloved Mayor, to a celebrity chef found dead at the launch of his cookbook with half the town in attendance, the team will be working under the watchful eye of the Marlow community.”

“They’ll also be called to an eerie manor house in the middle of nowhere, where they’ll face a case intrinsically linked to Becks’ past that could threaten the future of their roles as civilian advisors. Judith, Suzie and Becks will have to pull closer together than ever to catch these killers.”

Since launching in 2024, The Marlow Murder Club has established itself as a beloved staple amongst mystery fans. Speaking exclusively to the Mirror, leading actress Jo Martin, who portrays Suzie, has shared her thoughts on why the programme connects with audiences so profoundly.

“People love murder, don’t ask me why. And the fact that this isn’t this gruesome, you know, dead women everywhere, mutilated. It’s a cosy crime drama, and it’s beautifully shot as well,” she explained.

“You can sit back and feel like [you’re having] a cup of drinking chocolate, you know? It’s like that. It’s like toasting some marshmallows and watching this. You’re in safe hands. It’s a great formula and it works.

“I think people have bought into the characters as well. And the fact that there aren’t many shows where you’ve got, you know, three, four women leading the show. We’re not the wife of, or the friend of, or the dead body – we are leading the show, and we’re all women of a particular age.”

Jo continued: “It’s intergenerational, which is always very interesting, you know… I think it’s wonderful.”

Alongside the returning main cast, series three will welcome an impressive array of guest stars throughout its six episodes. The stellar line-up includes Nigel Harman, Peter Davison, Jacqueline Boatswain, Sarah Alexander, Tony Gardner, Jason Merrells, Harry Enfield, Cherie Lunghi, Adrian Lukis, and Alastair Mackenzie.

Additionally, Hugh Quarshie reprises his role as Professor Darius Gifford, a prospective romantic interest for Judith.

Discussing the significance of embracing their guest performers, Jo explained: “If you’re coming on as a guest, it’s really hard to enter this family… [We want] to make [them feel] a part of it, so they can do their best work. So, yeah, we love it, welcoming new people.”

The actress also described her excitement upon meeting comedy icon Harry Enfield. She recalled: “We’ve had some great artists this season. It’s been amazing. I’m a huge fan of Harry Enfield… When he was on set, we’re all like, ‘Oh God, when can I ask for a selfie? When’s it going to be cool to get a selfie with Harry Enfield?’ Yeah, it’s incredible.”

With only two episodes remaining in the current series of Death in Paradise, audiences may be seeking a new series to satisfy their appetite. This “intriguing” programme that fans “watch on repeat every day” could prove the ideal escape into the realm of murder mysteries, minus the blood and violence.

The Marlow Murder Club returns to U and U&DRAMA on Wednesday, March 18 at 8pm

For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossip website

NOAH Cyrus made sure she turned heads when she went braless in a daring shredded gown as she reunited with her mom Tish after their nasty family feud.

Things previously took a turn in the mother-daughter relationship when it was reported that Noah, 26, had been seeing actor Dominic Purcell, 56, before her mom Tish, 58, married him.

Things got so bad, that Noah was reportedly “banned” by her mom from her wedding to the Prison Break actor.

But two years later, and things appear to be back on track for the pair as they were seen posing on the red carpet at a glitzy bash.

Noah made a dramatic statement in her shredded dress.

The star had also ditched her bra for the premiere of Reminders of Him at the Hollywood Legion Theater.

Noah was there to promote her new track Light Over the Hill, which she wrote for the film.

Tish, who is also the mom of Miley Cyrus, 33, was seen supporting her daughter at the event, proving that their relationship is back on track.

The ex-wife of Billy Ray Cyrus looked chic in her off-the-shoulder black sweater and black pants.

It’s Noah and Tish’s first outing together following reports of a fallout over actor Dominic.

Tish married the TV star in the summer of 2023 – a year after her divorce from country star Billy Ray

But Noah was reportedly “banned from the wedding” over fears she might “cause a scene”.

“Tish didn’t invite Noah to her wedding because she thought it would cause a scene and drama,” an insider told Entertainment Tonight.

“It’s also been an adjustment for Noah in general for her parents to be divorced.”

It was then claimed that Noah had actually been “seeing” Dominic before her mom started a romance with him.

The actor, who is 30 years Noah’s senior, started dating her mother Tish in 2022.

“Noah was [seeing] Dominic when Tish started pursuing him,” a source told Us Weekly.

The source also said that Tish was aware of the situation before deciding to pursue him.

“The turmoil between Noah and Tish goes far beyond [what people think],” said the source.

“Noah is very distraught over Tish stealing Dominic from her.”

Tish shares Noah, Miley, and sons Trace and Braison with ex-husband Billy Ray, 64.

The country star is now in a relationship with model Elizabeth Hurley, 60.

Meanwhile, Tish and Billy were married for nearly 30 years before their shock 2022 split.

One of the biggest takeaways from the biography “Judy Blume: A Life” may not be in the story itself but in its author. Because of her frank talk about puberty and sexual awakenings, Blume’s work is usually associated with young female readers. Her biographer, Mark Oppenheimer, is a middle-aged father of five.

He says he received minimal pushback on the idea that a man should be allowed to write Blume’s definitive life story. If the whole point of her books is that there should be no shame in body awareness, what service does it do to say only a woman has the authority to write her story? Plus, although her books aren’t selling as well as they used to — who’s are? — Oppenheimer’s biography points out that there are still plenty of parents who will throw a copy of her seminal “Are You There God? It’s Me, Margaret.” at their kids rather than have the menstruation talk or risk any misinformation that may be online.

“No good writer should be ghettoized,” Oppenheimer says during a recent Zoom call with The Times. “If you’re a good writer, you shouldn’t be marketed just to girls or just to boys or just to white people or just to straight people. Good art should be for everyone.”

It is intrinsic and impossible not to parlay Blume’s stories of sibling rivalries, first loves, friends and frenemies, and (most famously) puberty with what was going on in your life when you read them. Books like “Deenie” and “Superfudge” and “Margaret” are also remarkably malleable enough so that, even if a kid picks them up decades after their release or cannot relate with a parallel experience, they can become placeholders and explainers for what must be going on in the minds of their classmates. Last year, TV creator Mara Brock Akil adapted “Forever,” Blume’s 1975 story of the kind of mutually shared devotion that feels like it will last eternally, into a miniseries set in 2018 Los Angeles.

“I think for many of us, Judy’s books are our first crush or our first love and they do hold a special place that no book we read in our world-weary, cynical 40s can hold,” says Oppenheimer.

Some of this can be attributed to time and brain space. Oppenheimer discovered Blume’s work when he was a child. He’s now a parent, with a career and all the other time-sucks that come with adulthood.

“The books I read as a child imprinted on me in a way that books today don’t,” he says. “I probably remember more plot points of the first Judy Blume books that I read than I do of any book I’ve read in the past five years.”

But what of Blume herself? Can America’s mom also be a three-dimensional person who makes her own mistakes? Discovering her four adult novels — especially “Wifey,” a book about a gilded-caged suburban housewife that even Oppenheimer describes as “a very salacious, one might say, smutty, adult novel” that even some of Blume’s collaborators wanted her to publish under a pseudonym — or watching documentaries about her like 2023’s “Judy Blume Forever,” in which she is seen joking about masturbation with employees at her Key West, Fla., bookstore, can seem as evasive and dangerous as reading your mom’s diary.

Author Mark Oppenheimer

(Lu Arie)

There have been other books about Blume and her work, most notably Rachelle Bergstein’s 2024 deep-dive “The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us.” But Oppenheimer’s biography is a more straightforward tracing of Blume’s life and career. He starts with her childhood when she was encouraged to read Philip Roth at home and went to sleepovers at friends’ houses that were more about body awakenings. He discusses her stifling first marriage, which gave her the last name she carries with her to this day and her two children but is also where she hung her college diploma and another award over her washing machine as reminders of her intellect. There’s talk of her second marriage, which Blume has always been reluctant to discuss, as well as the two abortions that resulted from it. And there are details on her life with her third husband, the polymath George Cooper.

Oppenheimer relied on past news stories about Blume, as well as a collection of her work and professional correspondences that are archived at Yale’s Beinecke Rare Book & Manuscript Library and, probably most informatively, his own interviews with Blume and her friends and family. (Although Blume did agree to speak with Oppenheimer for his book, she declined our request to interview her for this story about that book).

“I think that the difficult subjects are sometimes the ones that make her more relatable,” Oppenheimer says of his subject. “I think most of her fans will find it interesting and admirable that she speaks so candidly about her abortions, about especially her divorce from her first husband, which came as she was getting involved in the [second-wave] women’s movement, about her early same-sex experiences, about masturbation as a girl; these are things we would expect Judy Blume to be candid about.”

Oppenheimer matches how these life events correspond with the ones of Blume’s characters because, for better or for worse, she almost always was an author who wrote what she knew even if her fandom transcended it. What her books lack in character diversity, they make up for in specificity. And that, in turn, also makes them relatable.

“Judy found incredibly compelling human drama in books about the New Jersey suburbs, and that’s a testament to her strength as an artist,” Oppenheimer says.

Writer Judy Blume at her nonprofit bookstore Books and Books on March 26, 2023, in Key West, Fla.

(Mary Martin / Associated Press)

Examining and reexamining Blume’s work as an adult also gave Oppenheimer a better perspective of her writing style. Blume didn’t begin to try to write professionally until she was a married mother of two and some have criticized her work for not being as flowery and polished as others’.

“All of her books tend to take a fairly tight focus on the characters,” Oppenheimer says. “They don’t tend to pull back and look at large societal forces or changes going on in the country or the world. And that’s fine. You know, the same could be said of Jane Austen.”

Perhaps the best example of this is Blume’s own religious foundation. Her most autobiographical novel, “Starring Sally J. Freedman as Herself,” has a protagonist who is paranoid that she sees Adolf Hitler on park benches and whose life is imprinted with stories of a relative who followed her mother into the concentration camps and the neighbors sitting shiva (a time of mourning) for their daughter who got pregnant with her non-Jewish boyfriend. And yet, Oppenheimer notes, Blume is not always immediately thought of as a Jewish writer. Nor have most of her readers been Jewish.

“I think that her Judaism is there, if you know where to look,” says Oppenheimer, who spends the early part of his biography looking at how the synagogue and religious community were a normal part of a young Blume’s life. He adds that “she is somebody who speaks really, really well across religious, cultural and racial differences, and that’s partly why she has sold tens of millions of books.”

Oppenheimer acknowledges that Blume’s characters may not be diverse enough by today’s standards; that they don’t usually discuss “gender identities or sexualities; children of multiracial backgrounds; children who have disabilities.” They can also feel like time capsules to other dimensions; his 12-year-old daughter was scandalized by how normative bullying was after she read “Blubber,” Blume’s 1974 novel about tween mean girls and body shaming.

He adds that some of today’s bestselling young adult novels, like Rick Riordan’s Percy Jackson series about a teen demigod or Suzanne Collins’ dystopia-set “Hunger Games” books, are “contemporary realism [that] focus on extraordinary or unusual circumstances.” And while he’s happy for these books’ popularities, he says that some subjects may be better told by kids who also aren’t tasked with saving the world. (I am pretty sure I learned more about male puberty from Blume’s 1971 story “Then Again, Maybe I Won’t,” which is as much about wealth divides and questionable friend choices as it is about a 13-year-old boy’s inner monologues about her awkward adolescence).

“If what you’re looking for is realism that isn’t focused on obvious external differences, but rather on interiority,” Oppenheimer says, “then Judy Blume still remains one of the premier novelists that you would want to read.”

Friedlander is a pop culture and entertainment journalist based in Los Angeles who hates coffee but loves Coke Zero.

OLIVIA Attwood has dropped a cryptic hint about her ex Bradley Dack’s “breach of trust” following their split.

The TV and podcast star, 34, appeared to suggest her next relationship won’t have the same pitfalls in her Instagram story.

She shared a post that read: “No more learning experiences please god I am smart enough,” while Tame Impala’s aptly titled ‘New Person, Same Old Mistakes’ played over the top.

Yesterday, Olivia revealed that she will speak about her split from footballer Bradley, 32, a week after she was spotted leaving the same Manchester hotel as close pal Pete Wicks, 37.

The Sun reported how he was seen carrying two pizzas up to his room at 3am.

Yesterday, Olivia joined This Morning hosts Ben Shephard and Cat Deeley in the studio to discuss her new ITV show The Heat.

READ MORE ON OLIVIA ATTWOOD

BACK TOGETHER

Pete Wicks & Olivia Attwood all smiles as they reunite after ex blocked Pete

ATTA GIRL

Olivia Attwood opens up on ‘good distraction’ from Bradley Dack split

But the presenters couldn’t help but turn the spotlight onto Olivia’s personal life as they asked her how she was coping following her split.

Ben said: “It’s been a very busy start to the year for you professionally and personally, how you doing?” to which Olivia began to laugh.

She replied: “My feet haven’t touched the ground, I’m grateful forever for this wonderful thing that I get to call work and I can throw myself into it.

“I think when you are in entertainment and you have to show up as the person you’re booked to be, almost when you’re doing that you kind of trick your brain – it’s a distraction isn’t it, you can just get into it, that’s been my anchor since Jan.

“I feel like I haven’t breathed.”

Olivia then spoke about her house move, which saw her leave her shared home with Brad last month.

“I am now getting there with the apartment, I am very lucky that I’m in the position where I’m on my own two feet and I can do that. But moving is hell, no matter how much help you have,” she said.

Olivia acknowledged there is an expectation for her to share her private life due to her rise to fame on reality show Love Island.

But she said she’s taking her time to process everything before speaking about her split on her podcast.

“The reason I’m sat here with you guys today is from being on Love Island, so people are used to a level of access to me which I have no issue with providing still but I have to do it when I’m ready and I know what I’m wanting to share,” she said.

“I’m trying to do that a little bit more as I get older ‘think before you speak’, because once you’ve said it, it’s hard to take it back.

“I’m still digesting things and working things out. We’ll get to it, we’ll have a podcast chat, it’s coming but I just need to process it.”

The Sun revealed in January that Olivia had split from Gillingham footballer Bradley following a “breach of trust” on his part.

In 2017, she went on Love Island and emerged in a relationship with Chris Hughes, later saying it was revenge on Bradley for cheating.

They eventually reunited after having a heart to heart while she was still with Chris, and she joined Towie in 2019, on which Pete was already a regular.

Last summer, Olivia and Pete were seen in an intimate embrace on a yacht off Ibiza.

We revealed Bradley has now blocked Pete on Instagram — just a few weeks after the couple’s split.

Speaking ahead of the Brit Awards on their Sunday Roast podcast, Pete said: “What always happens at these events is Liv and I gravitate towards each other and basically just stick together, don’t we?”

Olivia replied: “Because I feel like we both have the same objective. And talk to as few people . . .”

Pete then added: “As possible.”

Pete then said: “Although we are not going big this year, are we?” – to which Olivia countered: “What do you mean?”

Pete continued: “You have a flight the next day.”

Olivia replied: “I know – you need to keep me lucid enough that I don’t get stopped at immigration.”

Pete said: “The danger being that I jump on the flight with you in what I am wearing from the Brits.”

Jonathan Ross’ new Channel 4 show Handcuffed: Last Pair Standing has gripped the nation.

Emotions were at an all-time high during an episode of Channel 4’s Handcuffed: Last Pair Standing.

The new social experiment, with his hosted by Jonathan Ross, sees nine strangers put into pairs and compete against one another to win a £100,000 prize.

During an upcoming episode of the Channel 4 show, millionaire businessman Anthony Saxon Kearsley had an eye-opening experience with a homeless man.

Anthony has been partnered with 37-year-old Tilly, a North London barmaid who works three jobs and is involved with giving meals to the homeless through her charity.

While prepping meals, the wealthy contestant shared some out-of-touch opinions on those without a home, suggesting some people ‘don’t want to help themselves’.

He also compared homelessness to ‘camping’, however, Anthony quickly changed his tune when handing out meals himself.

When giving a McDonald’s to one homeless man, who had recently come out of prison, Anthony learnt the man was struggling to secure a job without an address.

He explained: “I’ve been out of jail for a while, I just feel like going back, I can’t stand it.”

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Sharing the hope that things worked out for him, it was clear Anthony was moved by the interaction with the homeless man.

While speaking to the camera, he confessed: “I am a bit [overwhelmed]. He wants to go back to prison because he can’t cope with life. It’s appalling.

“It’s really shocking. I was wrong to say some people don’t want help. It’s appalling, dreadful. Thank you [Tilly] for showing me. I won’t be as flippant again.”

As Tilly revealed that it was a small percentage of what she sees day in and day out, Anthony was in awe.

While getting choked up, he replied: “I’m amazed that you’re so positive and I’m amazed that you’ve survived this intact. Anyway, God love you. Terrible isn’t it. I’m quite cut up about it to be honest.”

Handcuffed: Last Pair Standing is available to watch or stream on Channel 4

A whole host of new faces are joining the crew for the adventure

The second season of Netflix’s critically acclaimed live-action adaptation of a beloved manga series is finally here.

Brand new episodes of One Piece are now available to stream as of today (March 10). Fresh instalments adapt several story arcs from the original source material which was previously turned into a popular anime.

The first season of the live-action version debuted exclusively on the streaming service back in August 2023. It means fans have been eagerly awaiting the continuation of the Straw Hat crew’s adventures.

Based on the Japanese manga series by Eiichiro Oda, One Piece follows Monkey D. Luffy on his journey to find the legendary treasure, the One Piece, in his quest to become King of the Pirates. The second season is subtitled Into The Grand Line.

Who is in the cast One Piece Season 2 on Netflix?

All members of the Straw Hats crew return for the live-action series’ second outing. They are lead by Iñaki Godoy as Monkey D. Luffy, a young pirate bestowed with the power of stretching from eating a Devil Fruit as a child.

His ultimate goal is to find the One Piece and become the next King of the Pirates. Mexican actor Godoy has previously appeared in The Imperfects on Netflix.

Emily Rudd also returns as Nami, a cat burglar and expert cartographer. Rudd has previously starred in Fear Street Parts Two and Three as well as thriller series Hunters.

Mackenyu stars as swordsman Roronoa Zoro, an ex-bounty hunter who becomes Luffy’s first mate shortly after their first encounter. He trains regularly to become the world’s greatest swordsman. Mackenyu previously appeared in Pacific Rim Uprising and recently voiced Gennojo in the game Assassin’s Creed Shadows.

Jacob Romero Gibson plays Usopp, master storyteller and estranged son of an infamous pirate. He aspires to be a brave warrior of sea. He has also appeared in episodes of Grey’s Anatomy and The Resident.

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This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.

Taz Skylar also returns as Sanji, the master chef and martial artist who only fights with his legs to protect his hands for cooking. He is searching for the All Blue, a mythical connection point of the Four Seas. Spanish-British actor Skylar, is also known for Boiling Point and The Lazarus Project.

The newest member of the Straw Hats for Season 2 is Tony Tony Chopper. They are a reindeer capable of walking and talking like humans after consuming a Devil Fruit, who also happens to study as a medical practitioner. Providing Chopper’s voice is Mikaela Hoover, known for turns as Cat Grant in 2025’s Superman while she’ll also appear in the new season of Beef on Netflix.

Aside from the main crew, they have a number of familiar adversaries on their tail. It includes Koby, the former cabin boy of the Alvida Pirates Luffey rescued back in the first episode. He has since become a Marine in his tracking his former pal down. He is once again played by Morgan Davies whose recent credits include Evil Dead Rise.

Marine Vice Admiral Garp is also on the Straw Hats’ tail. He was also revealed during season one to be Luffey’s estranged Grandfather. He’s played by Welsh actor Vincent Regan, whose credits include Shetland, House of the Dragon, The Bay and Poldark to name a few.

Also confirmed to return is Jeff Ward as Buggy the Clown, the circus-themed captain of the Buggy Pirates. Buggy has the power to split his body into pieces and control each part remotely. Like Luffey, his unique ability comes from eating a Devil Fruit. Ward has previously appeared in Hacks and Agents of Shield.

Who are in the Baroque Works?

There are not the only ones our heroes need to worry about though. A brand new faction is introduced and causing trouble on the Grand Line. Namely, a mysterious group of assassins who call themselves Baroque Works.

Their leader is the mysterious Mr. O, played by Joe Manganiello. The actor is easily recognisable for his turns in True Blood and his uncredited appearance as Deathstroke in Zac Snyder’s Justice League.

Bridgerton star Charithra Chandran is also part of the group as Miss Wednesday while she also has her own agenda. Her partner is Mr 9, played by Raised by Wolves actor Daniel Lasker.

David Dastmalchian stars as Mr. 3 described as “creepy artist serial killer of Baroque Works.” Dastmalchian previous roles include Oppenheimer, Ant-Man, The Suicide Squad and Late Night With The Devil.

The OA actor Camrus Johnson is Mr 5, while Lioness star Jazzara Jaslyn plays Miss Valentine. They are joined by Exterritorial’s Lera Abova as Miss All Sunday alongside The School for Good and Evil’s Sophia Anne Carusoas as Miss Goldenweek.

One Piece is streaming on Netflix.

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

Jennifer Runyon, a film and television actor known best for her roles on “Ghostbusters,” “A Very Brady Christmas” and “Charles in Charge,” has died. She was 65.

Runyon died Friday, according to a Sunday statement reportedly posted to her social media account, which has since gone private.

“This past Friday, our beloved Jennifer passed away. It was a long and arduous journey that ended with her surrounded by her family,” the statement read, according to ABC7. “She will always be remembered for her love of life and her devotion to her family and friends. Rest in peace our Jenn.”

“Bewitched” actor Erin Murphy shared in a Sunday post on Facebook and Instagram that Runyon died “after a brief battle with cancer.”

“Some people you just know you’ll be friends with before you even meet,” Murphy wrote in her tribute. “She was a special lady.”

On the 1980s sitcom “Charles in Charge,” Runyon portrayed Gwendolyn Pierce, a fellow college student of the show’s titular live-in housekeeper (portrayed by Scott Baio) and the target of his affections.

In his Facebook tribute, fellow “Charles in Charge” actor Willie Aames described Runyon as a “dear dear friend, muse, and encourager.”

“From the moment we met on set all those decades ago- I knew you ‘got me,’” wrote Aames. “Watching you slip away these last few months was one of the hardest times of my life… I can still hear your voice so clearly. No one will ever be able to fill the massive hole that’s been left in our hearts… ever.”

A Chicago native, Runyon made her television debut as Sally Frame in the long-running soap opera “Another World.” She also appeared in episodes of “Magnum, P.I.,” “Quantum Leap” and “Murder, She Wrote.” Runyon also portrayed the grown-up Cindy Brady in “A Very Brady Christmas.”

Her film credits include the 1984 classic “Ghostbusters,” where she appeared as one of the students participating in the ESP study conducted by Bill Murray’s Peter Venkman.

On Instagram, Runyon’s daughter Bayley Corman, an actor who has appeared on TV shows such as “Chilling Adventures of Sabrina,” “Bel-Air” and “Running Point,” described her mother as “the kindest most compassionate person i’ve ever known.”

“All of the best parts of me came from you,” Corman wrote in her tribute. “i would give anything for one more day together.”

HILARY Duff broke down in tears as she laid bare the heartbreaking feud with her sister.

The So Yesterday hitmaker – who is in the midst of a huge pop revival with new album Luck … Or Something – admitted the pair “don’t speak”.

Hilary, 38, first referenced bad blood with her actress and singer sibling Haylie, 41, in her album track We Don’t Talk.

The track also tellingly samples Gotye song Somebody That I Used To Know.

In a new podcast chat with Jay Shetty, she explained the delicate situation and how the ongoing drama is a “raw part of my existence”.

Hilary, who previously starred with her big sister on the pair’s infamous Lizzie McGuire TV show, fought back tears as she told the On Purpose podcast: “My sister and I don’t speak.

HEY NOW!

Stalking & ‘child trafficking rumours’ – scandals that have plagued Hilary Duff

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Hilary Duff admits she CRASHED A-lister ‘nemesis’ movie premiere during feud

“And I think in my adulthood I’ve come across more and more people that are having this experience”.

She branded the situation as “a very raw part of my existence’ before she added: “I hope it’s not forever, but it’s for right now”.

Hilary said: “As painful as it feels to share, when I decided to make this record, I could only talk about the things that I’ve gone through.

“Like there would be no purpose to make a record after 10 years than to face, you know, what it’s been like.

“That’s my truth.

“And I really worked hard to lyrically make sure that I’m just speaking about my experience, you know?”

The sisters haven’t been seen together in public since 2019.

During her recent tour Hilary, who is currently relaunching her music career with a slew of stage shows, appeared to lift the lid on the fall out with her sister, and even blamed “jealousy”.

During her recent concert in London, Hilary introduced fans to the new song, We Don’t Talk.

In a clip of her performing the song on stage, she sung: “Don’t know when it happened / Not even sure what it was about,” alluding to their broken down relationship.

She continued: “Cause we come from the same home, same blood.

“People ask me how you’re doing / I wanna say amazing, but the truth is that I don’t know / What I always end up saying is how … ”

For the chorus, Hilary sung: “We don’t talk, we don’t talk about it / We don’t talk about anything anymore.”

It is in the second verse that Hilary alluded to sibling rivalry.

“And if it’s ’cause you’re jealous / God knows I would sell it all, then break you off the bigger half,” she sung.

A fan then took to social media to put: “WOWW… Hilary Duff just sung We don’t talk and it’s 100% about Haylie. But not mean at all. Basically telling her to reach out.”

Another agreed and put: “I think Hilary misses her sister!”

In another interview, she confirmed the spat was the source material for her track.

“Yeah, it is. It’s definitely about my sister,” Hilary admitted.

After years of silence, back in November Hilary seemingly addressed the feud between her and her sister while chatting about “family drama”.

Speaking to Rolling Stone about her musical comeback, the star said she feels “ready to fill in the blanks and share with people and connect with them on the level of now”.

She then told the outlet how she and her fans have gone through twists and turns and “have gone through a lot of the same things”.

“Whether that’s complicated relationships, anxiety, raising kids, divorces, trying to find yourself in adulthood, family drama…

“Finally I felt safe enough and comfortable in my own family to step outside and open that part of myself up again,” she explained.

Chatter previously swirled that the pair, who were once very close, weren’t getting along because of differing political views.

However, social media gossip page DeuxMoi claimed that the sisters fought over Hilary’s husband, Matthew Koma, butting heads with Haylie’s husband, Matthew Rosenberg.

Tommy DeCarlo, a longtime fan of Boston who became the classic rock band’s lead singer in the late 2000s, has died. He was 60.

DeCarlo died Monday following a battle with brain cancer, his family announced on Facebook.

“[H]e fought with incredible strength and courage right up until the very end,” the family’s statement said. “During this difficult time, we kindly ask that friends and fans respect our family’s privacy as we grieve and support one another.”

Born April 23, 1965, in Utica, N.Y., DeCarlo said he first started listening to Boston — the 1970s rock band known for its instrumental overtures and hits including “More Than a Feeling,” “Don’t Look Back” and “Peace of Mind” — as a young teenager, according to the group’s website. The vocalist credited his love for Boston’s original frontman Brad Delp and his desire to sing along with him on the radio for helping to develop his own singing voice.

After Delp’s death in 2007, DeCarlo, then a manager at a Home Depot, sent a link to his MySpace page filled with Boston covers as well as an original song in tribute to Delp to the Boston camp, hoping for a chance to participate in a tribute show for the singer. They kindly turned down his offer.

But eventually, Boston founder and lead songwriter Tom Scholz heard DeCarlo’s cover of “Don’t Look Back” and invited the singer to perform a few songs with the band at the tribute. That tribute show would be DeCarlo’s first time ever performing with any band in front of a crowd, but it wouldn’t be his last. He continued to perform with the band at live shows for years, and even joined them on some tracks for their 2013 album, “Life, Love & Hope.”

DeCarlo also formed the band Decarlo with his son, guitarist Tommy DeCarlo Jr. In October, the singer announced he was stepping away from performing due to “unexpected health issues.”

“[P]erforming and sharing music with all of you around the world has been one of the greatest joys of my life,” DeCarlo wrote in his Facebook post. “I can’t thank you all enough for the incredible love, support, and understanding you’ve shown me and my family during this time. It truly means the world to us.”

The BBC war drama depicts a fictional nuclear attack on Britain by Russia and its devastating aftermath – and was so disturbing it was banned from broadcast for two decades

In the face of escalating conflicts worldwide – from the intensifying US-Israel joint operation against Iran in the Middle East, Israel’s ongoing war on Gaza following Hamas’ October 2023 attack, to the four-year-long Russia-Ukraine war still in progress – it’s no exaggeration to say we’re witnessing a catastrophic level of global unrest.

Amidst this turmoil, the looming threat of nuclear warfare is ever-present. The aftermath of such a conflict would bring about unimaginable destruction and devastation – the fallout is too horrific to contemplate.

This chilling scenario was portrayed in a BBC documentary from 1965, a film so disturbing it was banned from television broadcast for two decades by the British Broadcasting Corporation itself.

At the time, the corporation justified its decision to prohibit the documentary, stating: “The effect of the film has been judged by the BBC to be too horrifying for the medium of broadcasting. It will, however, be shown to invited audiences..”

The controversial pseudo-documentary finally aired in Great Britain on 31 July 1985, twenty years after its initial scheduled screening date of 6 October 1965. This broadcast coincided with the week leading up to the 40th anniversary of the Hiroshima bombing, reports the Express.

The War Game is currently available for free streaming on BBC iPlayer or can be bought for £5.99 on Amazon Prime Video.

Written, directed and produced by Peter Watkins for the BBC, The War Game depicted a fictional nuclear strike on Britain by the Soviets and its devastating consequences.

The docu-film’s official synopsis states: “In this British documentary, a hypothetical Chinese invasion of South Vietnam triggers a new world war between East and West. In the town of Rochester, Kent, the anticipation of a nuclear attack leads to mass evacuations.

When a stray missile actually explodes, the ensuing firestorm blinds all those who see it. It’s not long before the fabric of society is ripped apart owing to radiation poisoning, a lack of infrastructure and rioting for food and other necessities.”

On 13 April 1966, The War Game had its premiere at the National Film Theatre in London, where it screened until 3 May. Barred from broadcast, the 47-minute docu-drama subsequently appeared at numerous international film festivals, including Venice, where it secured the Special Prize.

The recognition continued – the prohibited BBC production went on to claim the Academy Award for Best Documentary Feature in 1967, alongside two BAFTAs for Best Short Film and the UN Award.

Boasting a near-flawless 93% approval rating on review aggregator site Rotten Tomatoes, The War Game has earned widespread acclaim from critics and viewers.

One reviewer commented on the docu-drama: “Nothing that you have heard or read can fully prepare you for Peter Watkins’ 1965 faux documentary on the aftermath of a nuclear attack on Great Britain.”

Another reviewer added: “One of the most disturbing, overwhelming, and downright important films ever produced.”

A third critic described it as essential viewing, noting: “It was produced by the British Broadcasting Corp. but never televised because it was felt its showing would be both horrifying and depressing. It is. It also is realistic, informative and shattering. It is a movie that everyone should see.”

Whilst one critic said: “Still packs a whallop. Will stick with you for life. Don’t say I didn’t warn you,” another commented on the nuclear war drama, “One of the most skillful documentary films ever made.”

Viewer reactions mirror this sentiment, with one audience member writing in an extensive review: “The War Game, although created as a TV movie for the BBC for the 20th anniversary of the bombing of Hiroshima and Nagasaki, is easily the one of the most disturbing movies I have ever seen, on par only with Gus van Sant’s “Elephant. ” It accurately portrays the effects and aftermath of a nuclear attack and uses a handheld documentary style that makes everything chillingly real.

“There were several times during the film when I had to remind myself that Britain had never suffered a nuclear attack and the footage I was looking at was not real. There are very few films that have left me in the state that this one did when it was over. Much like “Schindler’s List” or “American History X,” this is the kind of movie I think everyone should watch because it is so incredibly informative and brings the viewer so much closer to understanding the pain and monstrosity of a nuclear attack.”

Another viewer described it as: “A harrowing punch in the gut that nothing prepared me for. Unforgettable.”

Meanwhile, one audience member remarked about Watkins’ drama: “Really shook me up and left me reeling for a while after seeing it. Peter Watkins ruined my 3 day weekend with this masterfully done piece of film. Needs to be required viewing for every being capable of understanding images and sound.”

The War Game can be streamed free of charge on BBC iPlayer until July 2026, or purchased for £5.99 through Amazon Prime Video.

The soaps are lining up some big twists next week according to new spoilers, with exits teased and new discoveries across Emmerdale, EastEnders, Coronation Street and Hollyoaks

The soaps feature major twists next week that could impact the future of some favourite characters.

Emmerdale will air a big confession, and the fallout could lead to the exit of three characters. Coronation Street is also hinting at exits, as some secrets may be exposed and one villain teases they are leaving Weatherfield for good.

Over on EastEnders, there’s a discovery about one newcomer, and Bea takes worrying action against another Walford resident. As for Hollyoaks, there’s a sibling twist and prison breakout plan.

Finally Home and Away is lining up a reunion and some worrying health news. Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source. Click here to activate or add us as your Preferred Source in your Google search settings.

READ MORE: Hollyoaks star calls for Justin Burton return ahead of ‘explosive’ new Osborne plotREAD MORE: Coronation Street love triangle erupts – and Maggie’s antics exposed

Emmerdale

Bear loses control and lies to DS Walsh that he killed Ray on purpose in a bid to protect Paddy. Paddy’s devastated, fearing his dad will get a life sentence. It leads to Paddy and Dylan agreeing to confess to their part in Ray’s death cover-up, and the events prior.

They’re told they will be charged with perverting the course of justice, and the family soon realise that finding a witness to confirm it was Ray’s intent to kill Dylan could back their self-defence claim. Elsewhere, Kim’s vulnerable with Lydia as she vows to keep her heart closed off to Graham.

Joe is fed up by Graham’s attempts to turn him off Kim, while Kim presses Joe until he makes an admission. Also next week, Jacob’s struggling with his placement and Dr. Todd’s mentorship programme but is left shattered by Dr. Todd’s brutal notes.

Kerry and Jai continue to keep their fling a secret, but Eric soon realises something could be going on. When Mary offers her advice, will he listen? Finally next week, Isaac is upset as he fears his dad Cain will die from cancer, while Cain is preoccupied in his search for farm land.

Coronation Street

Nina’s worried about Sam’s behaviour, and soon things worsen when he collapses on the pavement. He’s rushed to hospital, and when Leanne gently suggests that his exams weren’t the only reason he resorted to taking drugs, he considers confessing all.

As Sam’s family rally around him, will the walls close in on Megan? Soon, Megan’s past comes back to haunt her as a shock discovery rocks the Driscolls, and Daniel wants answers.

Lisa quizzes Kit about the attack on Mal, but he gives nothing away. When Lisa reveals a witness has come forward, Kit masks his unease before ambushing them at the station and it seems he could be exposed.

Later, Lisa reveals that Mal has regained consciousness, so Kit visits him in hospital and questions him about the attack. Some news from Adam leaves Alya forcing a smile while a data breach leaves them panicking, as residents fume. George despairs over the continuing smear campaign targeting the undertakers.

Todd’s upset to see Theo with another man, leading to Glenda urging Todd to get back on the dating scene, but how will Theo react? Later on, Theo tells Todd he’s thinking of accepting a job in Belfast as it’ll be best for both of them to have a clean break. But things take a sinister turn when he drugs Todd’s drink.

EastEnders

Peter organises a surprise for Lauren, while Max soon finds himself at loggerheads with his family and leaves. With Max away, Mark offers Lauren a business proposition with the promise of luxury cars, but she has no idea of Mark’s criminal motives.

Later, Lauren gets off to a good start as she successfully sells one of Mark’s cars, but Max is suspicious about the paperwork. Soon Callum drops some news that leads to Lauren confronting Mark.

Johnny remains distant with Linda, while she’s caught in the middle when Bea clashes with Elaine. Soon, Linda is on the receiving end of some crossed words from Max. Soon Max and Linda get closer, with Max stepping in to support her, but a shocking discovery leaves Linda reeling.

Meanwhile, when Bea’s credit card application is rejected she sets one up in Honey’s name. Later in the week, Billy, Janet and Will arrive home without Honey, and Billy’s left concerned about Bea’s obsession with his family.

Jean returns to Walford, and she and Zoe put aside their differences. Sandra arrives and is asking questions about Jasmine, with Kim and Denise discovering she is the adoptive mother of Jasmine’s twin brother Josh.

It’s not long before Josh arrives. When he finds out Zoe is also there, he insists he wants nothing to do with his mum. He does seem keen to get to know his grandfather Patrick though, while he also catches Oscar’s eye.

There’s also drama when Suki finds out about Penny and Vinny’s baby news. Penny tells Suki that she and Vinny are having their baby, with or without her blessing.

Hollyoaks

Dillon tells Vicky his plan to break Lucas out of prison so they can run away together. Later, he confides in her sister Gemma that Vicky is taking weight loss injections. Meanwhile, Rex, James and Froggy form an alliance to help Lucas, who is keen to serve his time.

Also next week, Theresa offers to help Mercedes track down her mystery new man, but is shocked by his identity. Soon, Warren drives out to the woods and opens his boot to reveal Jenson tied up.

There’s a shock when Jenson claims he’s Warren’s brother, leading to Warren attacking him before heading off to find proof. While alone, Jenson suffers an asthma attack.

Diane tells Tony she is determined to make the most of her time with her family after her cancer diagnosis. When the teens bunk off from school, Ant apologises to Trina, while Kathleen-Angel upsets him before they end up sleeping together. Ste returns from his holiday, while Dom is left hurt after being tricked by the teens and Rex struggles to open up to Ste.

Home and Away

Remi notices he’s experiencing pins and needles in his hands after a recent seizure following his brain tumour diagnosis. Eden’s devastated by some news, and soon she finds out Cash has lied to her. It’s up to Remi to tell her the truth to explain everything, before he agrees to speak with a neurosurgeon.

Marilyn shares her concerns with Alf that she could have done more to stop Leah leaving, while Leah’s furious over Justin’s ultimatum. Leah ends up staying, and she and Justin reconcile.

Mali has a warning for Lacey about Holden, while Kerrie won’t stop calling Harper before she takes a damning revenge on Tane with a drugs lie. When Tane is questioned by police, he’s aware the drugs were planted by Kerrie, but can he prove it? Also next week, Dana helps Sonny settle into the rehabilitation clinic, only for him to end their relationship.

Home and Away is available to stream from 6am weekdays, with double bill episodes airing from 6pm on 5Star. Hollyoaks is available to stream on Channel 4’s streaming service now, while it also airs Mondays to Wednesdays on E4 at 7PM.

EastEnders airs Mondays to Thursdays at 7:30pm on BBC One and BBC iPlayer. Emmerdale airs weeknights at 8pm on ITV1 and ITVX.

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

It is based on a true story but some find it difficult to watch

An award winning and 100% rated drama that ended up causing controversy at the BAFTA ceremony has just been added to Netflix.

I Swear has just been included on the streamer’s extensive library as of today (March 10). Originally released in cinemas for a limited run just last year, the title tells the true life story of John Davidson, who grew up with Tourette syndrome in 1980s Scotland.

According to the synopsis, he was diagnosed at just 15 and was targeted as ‘insane’ by his peers. The film shows how he struggled with a condition few had witnessed.

He eventually becomes a campaigner to increase public awareness and fighting for acceptance of the condition of Tourette’s as an adult. He finds his life’s purpose and accepted his MBE from the Queen in 2019.

While the film is a dramatised version of John’s life, he has appeared in documentaries before. He starred in a BBC film back in 1988 and a documentary released in 2009 called I Swear I Can’t Help It.

The biopic was welcomed with overwhelmingly positive reviews by critics upon its release. So much so that it boasts a perfect 100% rating on website Rotten Tomatoes.

However, more recently the film’s subject was attached with some controversy. While leading man Robert Aramayo picked up the BAFTA for Best Actor thanks to his performance, it was not the most talked about event of the night.

The subject of the film John Davidson was also in attendance on the night. His presence became apparent by those watching along from home at first as they heard some shouting during the show.

Actor and host of The Traitors US Alan Cumming was presenting and he asked for patience from the audience at the time. He told them during the show: “You may have noticed some strong language in the background. This can be part of how Tourette’s syndrome shows up for some people as the film explores that experience. Thanks for your understanding and helping create a respectful space for everyone.”

However, in one instance, while actors Michael B Jordan and Delroy Lindo were on the stage, a racial slur was shouted out by John and included on the BBC’s broadcast. It eventually lead to the stream of the awards ceremony being removed from the iPlayer.

In an interview after the Baftas, Davidson has said the BBC should have “worked harder to prevent anything that I said” being broadcast. He added that he shouted about 10 different offensive words during Sunday’s ceremony as a result of his tics.

Some have argued that the incident only highlights the importance of the film itself. As one person posted online: “I Swear is an audacious biopic that has no issues tackling the roots of a serious topic, and its dedication to that task does lead to some scenes that will certainly be upsetting to some viewers.”

Another added: “Robert Aramayo delivers a fearless, deeply human performance in this compassionate biopic. I Swear balances humour and heartbreak while shedding light on Tourette syndrome, reminding us how much empathy society still owes.”

While a third commented: “Honestly I left the cinema seriously thinking if I’d ever seen a better movie! It’s so perfect from the casting to the time jumps. It’s a beautiful written story that really captures the essence of what it is to be different and how hard it must be to live with Tourette’s. Several goosebumps moments with a lot of humour!”

Someone else said: “This is a fabulous film which made me laugh and cry in equal measure. It captured the difficulties and complexities of living with Tourette’s syndrome with a startling level of authenticity. The acting was superb and I came out realising that I’d seen something very special. I’ll be thinking about it for weeks.”

I Swear is streaming on Netflix.

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

THE woman charged with attempted murder after allegedly shooting up Rihanna’s home called the pop superstar a “witch” and claimed she was going to “die” in a disturbing video before the attack.

A string of unhinged posts shared over the last few weeks lay bare 35-year-old Ivanna Lisette Ortiz’s alleged obsession with the Diamonds hitmaker.

Police claim the suspect fired multiple shots using an AR-15-style rifle – with several bullets striking Rihanna’s front gate and an RV parked on the driveway – after she drove to the star’s $14million Los Angeles home on Sunday.

Mom-of-three Rihanna was reportedly at home at the time of the disturbing incident but was not injured.

It is unclear whether anyone else, including her partner, A$AP Rocky, or their young children were in the property at the time.

Ortiz, from Orlando, Florida, remains in custody, and bail has been set at around $10.2million, officials confirmed to The U.S. Sun.

SHOCK ATTACK

Woman charged with attempted murder after shooting at Rihanna’s LA mansion

In the months leading up to the crime, Ortiz blasted the star in videos on her YouTube channel,c where she shares daily clips with the title, Praying Woman’s Journal.

“Rihanna, when you die, God is taking me to my future,” she tells viewers in one bone-chilling video from two months ago.

“You want to kill me? Shut the f*** up. Okay, shut the f*** up. Yeah, she’s a witch. She’s a witch. I’m a watchman. She’s a witch. Get that stupid girl out of here, okay,” she continues to ramble incoherently.

Other posts shared on Ortiz’s Facebook mention celebrities, including Rihanna, as she seemingly threatens the pop star.

On February 23, she wrote, “@badgalriri — Are you there? Cause I was waiting for your AIDS 5-head self to say something to me directly instead of sneaking around like you’re talking to me where I’m not at.”

She also shared a photograph of rapper Drake, with the caption, “When Drake found out Rihanna has AIDS #champagnepapi.”

There is no suggestion that her posts are true.

She referenced Rihanna as far back as December, even claiming she was “with @badgalriri” a month later, along with other stars tagged in her disturbing posts.

Ortiz also seemed angry at many female celebrities on her page, branding Kim Kardashian a “stupid b****,” adding, “Your turn hiding b****, stop begging for a look.”

Pictures show her in full glam with different hair styles, and in one, she appears next to several awards, writing, “Posing with my pageant trophies. Miss Teen Illinois Latina Princess 2006.”

She lists herself as living in Florida and is featured in earlier posts with a young girl, thought to be her daughter.

The U.S. Sun obtained filings from December 2025 that show a Florida appeals court upheld a ruling stripping Ortiz of all time-sharing rights with her child in her legal fight with ex, Jed Nikko Valdez Sangalang.

Ortiz had appealed a temporary order issued by a judge in Orange County that revoked her time-sharing entirely and barred her from having any contact with their child.

She filed for divorce in 2015, and the case docket shows it is still ongoing years later.

She was also previously charged after an alleged violent attack on her ex-partner in front of their young child, according to records.

Details about the exact outcome of that case remain limited, but Ortiz has a history of legal issues in Florida, including allegedly violating pretrial release conditions. 

The U.S. Sun has reached out to Sangalang for comment.

Meanwhile, Rihanna has yet to comment on the shooting incident.

A dispatch call from the Los Angeles West Division was reviewed by The U.S. Sun, and features an operator asking officers to attend to an address on Heather Road after reports of gunfire.

The call crackled over the radio, with the dispatcher relaying that the shots had come from across the street and that no one at the scene had a clear view of the suspect.

Witnesses said the gunfire came from a white Tesla, which was seen speeding away down Coldwater Canyon after “ten shots” were fired at the property’s gate.

For more than 10 minutes, officers scrambled for information as they tried to determine the Tesla’s exact model and license plate while investigators worked to pull nearby surveillance footage.

Authorities later said the suspect, described as having braided hair and wearing a cream blouse, was tracked by helicopter to a shopping center parking lot in Sherman Oaks and arrested around 30 minutes after the initial call.

When officers stopped the car, they allegedly found an assault rifle and seven shell casings inside the vehicle.

Naledi Raptou has joined Channel 4 soap Hollyoaks as Kathleen-Angel McQueen replacing actress Kiara Mellor

A Hollyoaks teenager is set to played by a new actress.

Naledi Raptou has joined the cast of the Channel 4 soap and has been already filming with Jorgie Porter and Danny Mac as she takes on the role of Kathleen-Angel McQueen, the daughter of Theresa McQueen and the late Calvin Valentine.

In the coming weeks, Theresa (Jorgie Porter) will find herself navigating the realities of raising a rapidly maturing teenager when her sixteen-year-old daughter Kathleen-Angel has unprotected sex with her Ant Hutchinson (Brook Debio).

Naledi’s first episode on Hollyoaks will air on Tuesday (March 17). Actress Kiara Mellor had previously played the role since 2021. Theresa also shares a daughter, Myra-Pocahontas, with now boyfriend Dodger Savage (Danny Mac).

Talking about joining Hollyoaks, Naledi said “I’m really grateful for the opportunity to join the cast of Hollyoaks, it’s a great place to work and a very nurturing environment to grow.

“It’s been a pleasure to play Kathleen-Angel as she develops into a young adult. We’re learning new things about her and I’m excited to be able to present a different side of her.”

Naledi has previously appeared in an episode of ITV’s Significant Other as Chloe in 2023.

Hollyoaks spoilers for next week reveal the Hutchinson teens decide to bunk off school for the day in upcoming scenes.

Kathleen-Angel decides to join them but she’s caught sneaking out by Dodger who ends up covering for her.

At the park, Kathleen-Angel tries to find out if Ant still likes classmate Trina (Sadie Williams) but berates him in the process and he leaves.

Back at the flat, Ant is playing computer games when Kathleen-Angel arrives. Tension rises between the teens when they both call out each other’s behaviour. Ant tells Kathleen-Angel to leave if he’s such an awful person but she refuses.

Uncle Dom Reilly (John Pickard), who is looking after the kids while Tony and Diane Hutchinson are in London seeking a second opinion following her cancer diagnosis, later learns the teens have bunked off school.

He finds Ant at home who claims he is unwell and admits Ro and Dee Dee are at the park. As Dom leaves, Kathleen-Angel emerges from the bedroom and it’s revealed the pair discover they have slept together.

The following day, In need of the morning after pill, Kathleen-Angel goes to text Dee Dee Hutchinson (Chloe Atkinson) for help but startled when Ant comes up behind her and she accidentally sends it Dodger.

Not wanting her mum to find out, Kathleen-Angel returns home and tries to delete the text from Dodger’s phone but he catches her and reveals he’s already read the text.

The teen pleads with him not to tell her mum and Dodger says he won’t because she must. Coming into the room, Theresa catches the end of the conversation.

Theresa is devastated to learn that her daughter has slept with someone and Kathleen-Angel pleads with her mum not to make a scene as she really likes Ant.

The mum is horrified to learn who her daughter slept with given his past behaviour but Dodger encourages Theresa to listen to her daughter.

Hollyoaks airs Monday to Wednesday on E4 at 7pm and first look episodes can be streamed Channel 4 from 7am

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Great British Bake Off winner Nadiya Hussain has spoken out about the Channel 4 series

More than a decade since she was crowned winner of The Great British Bake Off and became one of TV’s most successful new stars, Nadiya Hussain has admitted that she no longer watches the Channel 4 show.

Despite going on to enjoy a huge TV career, the last 12 months have proved something of a torrid time for the 41-year-old mum-of-three as the BBC cancelled her shows.

In a new interview with the Radio Times, Nadiya admits “it’s sad” how it ended but “near the end” of her relationship with the Beeb, she had voiced concerns about how her programmes were being made.

And as far as Bake Off is concerned, she admits it’s not a show she watches any more. She said: “The magic has disappeared for me. Sometimes it feels like it’s competing with some of the shows on Netflix where it’s bigger and bolder and more outrageous, and I don’t think it needs any of that. It’s a beautiful show, it’s a classic.”

As for new judge Nigella Lawson replacing Prue Leith, Nadia said: “Nigella’s got a lot to live up to following Prue. It’s very easy to become quite stuffy and very proper, and I love that she’s got a little wild streak about her. I want to be like Prue when I’m older. If I get to that lovely age.”

Following her triumph on GBBO in 2015, Nadiya went on to front numerous BBC shows including Nadiya Bakes, Nadiya’s Fast Flavours and Nadiya’s Simple Spices. She has also appeared as a guest panellist on ITV’s Loose Women.

Other achievements include being named by Debrett’s as one of the 500 most influential people in the UK, included on BBC News’ 100 Women list and invited to bake a cake for the 90th birthday celebrations of Queen Elizabeth II.

After gaining a publishing deal she was also shortlisted for Children’s Book of the Year prize at the British Book Awards for Bake Me A Story.

However, in a social media post last year, the presenter disclosed that the BBC had axed her series, calling it a “turning point” in her professional journey.

At the time, a BBC spokesperson said: “After several wonderful series we have made the difficult decision not to commission another cookery show with Nadiya Hussain at the moment. Nadiya remains a much-valued part of the BBC family, and we look forward to working together on future projects.”

In conversation with the Sun’s Fabulous magazine, she reflected: “The last year has been physically and mentally one of the hardest so my next biggest achievement would be choosing myself and deciding what’s right for me.”

This follows Nadiya describing her three children, Musa, 19, Dawud, 18, and Maryam, 15, as her “biggest achievement”. Nadiya shares her children with husband Abdal Hussain, whom she wed in Bangladesh at the age of 20.

Following the axing of her programme, she took the decision to switch careers and move into education. She’s now employed in schools as a teaching assistant, with aspirations of potentially qualifying as a teacher down the line.

She revealed that other broadcasters, including ITV and Channel 4, approached her about another series, but insists it’s “not something that I want to do”.

Speaking to woman&home magazine, she explained: “I’m currently working as a teaching assistant at a lovely little primary school. The plan is to gain some training and maybe in the future become a teacher.”

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

Death in Paradise fans shared complaints about the latest episode of the long-running drama

Fans of Death in Paradise issued the same complaint as the drama shifted its setting away from Saint Marie.

The 15th series of the enduring detective drama is currently being broadcast on BBC One, with DI Mervin Wilson (Don Gilet) continuing to investigate a series of enigmatic deaths in Saint Marie.

Shantol Jackson, Shaquille Ali-Yebuah, and Élizabeth Bourgine also feature as Naomi Thomas, Sebastian Rose, and Catherine Bordey, respectively. This series has introduced a new sergeant named Mattie Fletcher (Catherine Garton), alongside an array of high-profile guest stars.

That’s not all, as Don Warrington made a notable return to the show as Selwyn Patterson this year, following the commissioner’s apparent departure at the conclusion of series 14.

Death in Paradise fans were less than thrilled when last week’s episode was pulled by the BBC due to live FA Cup coverage. The latest instalment aired on Monday (March 9) instead, with Selwyn and Naomi journeying to Antigua after Mervin landed himself in hot water, reports the Express.

At the start of the episode, Mervin stumbled upon a crime scene whilst searching for his brother, Solomon (Daniel Ward), in Antigua. Upon entering a secluded cabin, Mervin discovered a local businessman who had been shot. The detective was swiftly struck over the head by his brother, who promptly tied Mervin up.

Solomon and his accomplice Cheech McCarthy (Julian Rhind-Tutt) both insisted that the other was responsible for the crime, and they refused to release Mervin until each one had persuaded him of their version of events.

Elsewhere, Sterling Fox (Trieve Blackwood-Cambridge) made his comeback to the show, as Selwyn and Naomi launched their investigation into Mervin’s disappearance. “Why are you here, Mr Fox?” Selwyn questioned, to which Sterling revealed that he was given a job in Antigua as an officer in training.

Selwyn and Naomi’s frustration intensified as Sterling repeatedly obstructed their progress, before the trainee officer arrested the duo for “stealing” his vehicle.

However, BBC viewers weren’t impressed by the latest episode, as they believed that not much drama unfolded like the typically action-packed instalments.

“We’re only 15 minutes in and I already think this is the worst episode ever. Hope it picks up soon,” one viewer posted on X (formerly Twitter). Another commented: “Well this interesting. Any chance of anything happening anytime soon?” whilst a third questioned: “Is Mervin spending the entire episode tied to a chair?”

A fourth fan mirrored the feeling, saying: “This is awful,” with another likewise expressing: “Script writers I have soooooo many questions.”

Meanwhile, other viewers experienced a whirlwind of emotions as the drama played out, with one individual confessing: “Mervin about to have me bawling my eyes out at 9:36pm on a random Monday.”

Another fan penned: “I swear, if they don’t solve this soon then there’ll be another murder and we all know who the victim and perpetrators will be,” whilst a third chimed in: “Loving #DeathInParadise worth the wait.”

Death in Paradise is available to stream on BBC iPlayer

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Casey Wasserman’s name has been scrubbed from the agency he founded decades ago, replaced with an amorphous moniker: “The Team.”

Monday’s move comes amid the lingering controversy over the sports mogul’s decades-old association with Ghislaine Maxwell, accomplice of the late sex trafficker Jeffrey Epstein. Following revelations of Wasserman’s salacious 2003 emails with Maxwell, several musicians and athletes — led by pop artist Chappell Roan and soccer star Abby Wambach — said that, to stay true to their values, they would leave the agency then known as Wasserman.

Fears of a broad flight of artists and agents prompted Wasserman to announce that he was selling his talent representation and sports marketing firm. Talks with prospective buyers have been ongoing, according to a person close to the agency but not authorized to speak publicly.

For now, the agency is still owned by Wasserman and private equity firm Providence Equity Partners.

Wasserman continues to lead LA28, the nonprofit group that will be staging the Summer Olympics in Los Angeles in two years. The LA28 board’s executive committee unanimously voted to keep Wasserman as chairman, after reviewing known details surrounding his more than 20-year-old flirtations with Maxwell and his “strong leadership” of the Games.

Visitors to the Wasserman agency website were greeted with a message saying the firm, as of Monday, was rebranding as the Team.

“For 24 years, this company has been shaped by our work, our people and our unifying belief in the power of Sports, Music and Entertainment,” the message read. “That philosophy remains the foundation of who we are — and where we are going.”

Wasserman was not mentioned in the website messaging. Nor was he pictured in its photos depicting smiling agents. Old press releases have been changed to refer to the company as the Team, not Wasserman.

The website’s background is now adorned with a grid of T’s.

In a Feb. 13 memo to his staff, Wasserman acknowledged his appearance in a recent batch of documents released by the Department of Justice related to the late sex trafficker Jeffrey Epstein and Maxwell had “become a distraction.”

Wasserman said he was “heartbroken that my brief contact with them 23 years ago” had brought hardship to the agency he created in 2002.

“I’m deeply sorry that my past personal mistakes have caused you so much discomfort,” Wasserman wrote to his staff. “It’s not fair to you, and it’s not fair to the clients and partners we represent so vigorously and care so deeply about.”

Wasserman appears to have met Maxwell on a September 2002 humanitarian trip through Africa, sponsored by former President Clinton.

Wasserman, a prolific Clinton fundraiser whose famous grandfather helped the Democrat win the 1992 presidential election, was joined on Epstein’s jet by his then-wife, Laura, actor Kevin Spacey, Epstein and his longtime companion Ghislaine Maxwell and others, including security agents.

It’s not clear when Wasserman and Maxwell began corresponding via email. The messages contained in the Justice Department files are from March and April of 2003. In them, Wasserman writes about wanting to see Maxwell in a tight leather outfit and she offered to give him a massage that can “drive a man wild.”

Maxwell was convicted of sexual abuse in 2021.

Wasserman has worked nearly a decade to bring the Olympics to Los Angeles.

Former Mayor Eric Garcetti recruited him to help L.A. win its host bid and the International Olympic Committee reportedly were impressed with Wasserman’s “network of contacts.”

Behind the scenes, there have been tensions with Los Angeles political leaders. Mayor Karen Bass has said that Wasserman should step down from the high-profile role overseeing the Games. Bass said that “we need to look at the leadership” of LA28 and that her job is to make sure that the city is “completely prepared” for the Games.

As Hollywood writers continue contract negotiations with major studios, one topic remains front and center: the role of artificial intelligence.

On Friday, the Writers Guild of America released a list of contract demands, which 97% of the union membership supports. Though some details have yet to be revealed, many of the union’s asks involve expanding protections over the use and abuse of AI, in addition to improved health coverage and higher residuals.

AI and streaming residuals were central issues in strikes by actors and writers in 2023.

WGA’s current contract, which expires May 1, established that AI isn’t a writer and nothing it produces is considered literary material. It prohibits companies from giving writers AI-generated scripts for a rewrite fee or requiring writers to use AI software, and a company must disclose whether any written materials were developed using AI.

The union says its current demand is to simply “expand” these protections. Other priorities include increasing contributions to the WGA benefit plans, raising minimums for “page one” rewrites and boosting streaming residuals.

The Screen Actors Guild-American Federation of Television and Radio Artists has identified similar issues as it negotiates a new contract for actors. Last week, SAG-AFTRA and the bargaining group for the major studios disclosed that they are extending their negotiations for seven days. The discussions began Feb. 9.

The union, whose contract expires June 30, is expected to propose what has been called the Tilly tax, a fee that studios would have to pay to the union in exchange for using an AI actor. This demand is in response to the first AI actor, Tilly Norwood, being introduced to Hollywood. Though the bot has yet to star in a major project, the fear of AI-generated characters taking jobs is real for many actors. The bot’s creator, Xicoia, also recently announced the expansion of its AI actor universe, called the “Tillyverse.”

WGA’s negotiations are set to start Monday and will be led by Ellen Stutzman. The studios will be represented by the Alliance of Motion Picture and Television Producers’ new president, Gregory Hessinger.

The negotiations are happening as WGA West’s own staff members have been on strike, forcing the guild to call off its L.A.-based award show. The staff union, with more than 100 employees, are similarly demanding higher pay and protections against AI.

Live Nation has reached a settlement with the Justice Department in an antitrust case that put the entertainment giant at risk of being separated from Ticketmaster.

The ticket vendor’s settlement offer was announced, in a court hearing on Monday, less than a week after the long-awaited trial began. With pending approval from the judge, Live Nation will have to pay damages to the suing states and allow competitors to sell tickets on its platform. Media reports have said the company agreed to pay more than $200 million as part of the settlement.

The settlement caught Judge Arun Subramanian off guard. He said no one informed him of the tentative deal until late Sunday, even though a term sheet for a possible settlement was signed on Thursday, according to the Associated Press.

A 12-person jury was seated last Tuesday in a Manhattan federal courthouse and the trial had reached witness testimony by the end of last week. The complaint was filed in 2024, when the federal government, 39 states including California and the District of Columbia, alleged that Live Nation and Ticketmaster have monopolies in various aspects of the live music industry, such as concert promotion, venue operations, artist management and ticketing services.

Live Nation could not immediately be reached for a comment.

Many of the large monopoly claims were thrown out during a pretrial hearing last month, including an allegation that Live Nation’s industry power raises ticket prices and harms consumers. But the new settlement offers major structural changes to the company’s ticketing services.

If the trial judge approves the settlement, the Beverly Hills-based company will have to open parts of its platform to rival ticketing operators. This means third-party sellers like SeatGeek could list tickets and have access to Ticketmaster’s technology.

Another key claim in the lawsuit concerned Ticketmaster’s alleged exclusivity contracts, which required artists who booked Live Nation-owned venues to also use its ticketing services. The settlement now limits these contracts to four years and allows venues to place a number of its tickets on competing platforms.

The original lawsuit also argued that Live Nation manages more than 400 artists and controls more than 265 venues in North America — all while Ticketmaster simultaneously controls around 80% of the primary ticket marketplace and is increasing its involvement in the resale market. Under the pending legal agreement, Live Nation would have to divest more than 10 of its venues and Ticketmaster would also have to cap service fees at 15%.

Serona Elton, attorney and interim vice dean at the University of Miami’s Frost School of Music, said this outcome can be understood in two ways — it’s either a win that addresses anti-competitive behaviors or a deal that does not go far enough.

“It is important to understand that it is not illegal to be a monopoly and control a large portion of the market,” said Elton in a statement. “What is illegal is the use of anti-competitive tactics. In analyzing the settlement, the question to ask is if it does enough to address the alleged tactics and the harm they may have caused.”

Elton added that venues could benefit from these adjustments, but “music fans should not think this is going to bring ticket prices down to an affordable level as there are other causes behind the sky-high ticket prices.”

Stephen Parker, the executive director of the National Independent Venue Association, similarly expressed some skepticism about the potential settlement.

“The reported settlement does not appear to include any specific and explicit protections for fans, artists, or independent venues and festivals,” he said in a statement.

“Reported details also indicate that ticket resale platforms could be further empowered through new requirements for Ticketmaster to host their listings, which would likely exacerbate the price gouging potential for predatory resellers and the platforms that serve them,” Parker added . “If these facts are true, NIVA views this as a failure of the justice system.”

A settlement could mark the potential end to one of the major legal battles Live Nation is facing. The company is also being sued by the Federal Trade Commission and is dealing with a handful of class-action lawsuits from groups of concertgoers.

After the news of the settlement broke, Live Nation’s stock jumped over 5% to $164.03.

Travis Kelce is on his way back to the NFL for a 14th season, and it was reported Monday that his destination will be a return to the Kansas City Chiefs, the only team for which he has played.

The Chiefs don’t have as much money to spend in free agency as many other teams, but Kelce, 36, is expected to turn down more lucrative offers to stay with the Chiefs, NFL Network Insider Ian Rapoport said.

The Chiefs have $23 million–$25 million in available salary cap space. The team created room after restructuring quarterback Patrick Mahomes’ contract, releasing veteran tackle Jawaan Taylor, and trading elite cornerback Trent McDuffie to the Rams.

Kelce, one of the most popular players in the NFL and a certain Hall of Famer, contemplated retirement after the 2025-26 season. The Chiefs cratered to a 6-11 record, losing their last six games and finishing a distant third in the AFC West behind the Denver Broncos and Chargers. They missed the playoffs for the first time since 2014.

Kelce admits to having lost a step, but he still finished with 76 receptions on 108 targets and 851 receiving yards. He was voted to the Pro Bowl for the 11th year in a row and moved up to eighth on the all-time receiving list. He has more career receptions (1,080) than any tight end besides Tony Gonzalez (1,325) and Jason Witten (1,228).

His decision to return for one more season followed weeks of discussion with Chiefs Coach Andy Reid, teammates, family and close confidantes — including his fiancé and music megastar Taylor Swift. Kelce co-hosts the popular “New Heights” podcast every Wednesday during the NFL season with his brother, former Philadelphia Eagles six-time All-Pro center Jason Kelce.

Kelce, who has made about $112 million in salary, is expected to take a pay cut and play the 2026-27 season for about $10 million. His two-year, $34.25 million contract extension expired after last season, making him a free agent.

“I just love this team,” Kelce said in January after the Chiefs’ last game. “I’m proud of the way we finished this, even though it ended the way it did. The guys still showed up and gave it their all. That’s all you can ask for, man. I’ve got so much love for this team, this organization and the people here.”

A week earlier, he admitted retirement had crossed his mind after the Chiefs’ last home game.

“A whole lot of emotions,” he told reporters. “You’ve got everybody in the world watching you. You get to go out there with the young guys on prime-time television. Young guys getting an opportunity to taste what this NFL life is like.”

Yet he also savored the moment, and hinted that he might enjoy the adulation of Chiefs fans a bit longer.

“You only get a few of those where you get to stand there and appreciate 70,000 Chiefs fans cheering for you,” he said. “I always embrace that moment.

“You feel the generations of happiness and the love [the fans] have. It’s a beautiful thing, man.”

HARRY Styles’ fans have been left confused after hearing what they’re convinced is an Australian accent from the singer.

The A-list star, 32, was born and raised in Worcestershire town Redditch, but now has a global property portfolio for when he’s not at his main base in London.

Last week, Harry sat down with Apple Music’s Zane Lowe in a rare interview – during which he discussed the death of late bandmate Liam Payne, life away from the spotlight and his new album.

But some fans also noticed a change in the former One Direction star’s accent.

As New Zealand native Zane quizzed Harry on his prestigious 2023 Grammys Album Of The Year win and how he dealt with ‘imposter syndrome’ during that time, Harry’s accent seemingly adopted an Aussie twang.

Looking back on the win, Harry said: “I think, you’re in this bubble of Grammys and stuff. So, you’re like rehearsing and stuff and everything is leading up to that moment.

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“I remember writing myself a letter the night before that I said I would open the day afterwards.

“I wanted to, like, I don’t know, catch myself. With whatever happened, If I was disappointed or if I was feeling myself too much.”

Fans were quick to notice the Australian twang in Harry’s accent, as one wrote on X: “One of my colleagues said Harry Styles sounds like he’s got an Australian accent on the Zane Lowe interview and now I’m watching it I can’t unhear it”.

“why does harry styles sound so Australian atm?” asked another.

A third noticed the same accent during his One Night Only gig in Manchester last week, which was filmed for Netflix: “Why does Harry Styles sound Australian in that @NetflixUK documentary? #onenightinmanchester”.

The noticeable change in accent comes four years after Harry admitted his accent was “all over the place”.

“I think it’s a little bit all over the place because I’m from up north and then I’ve lived in London for 10 years and I’ve spent a lot of time in America and stuff.

“So, I think when I’m with Americans, they don’t think I sound American at all. And then sometimes I think when I’m with English people they expect me to sound American – I don’t think I do, but maybe I pick up a couple bits along the way.”

He added: “But I try and translate for whoever I’m with.”

With his tour kicking off in May, Harry will be doing much more globe-trotting with performances in the US, Australia, the UK, the Netherlands Brazil and Mexico.