SHOW BIZ

FORMER Corrie actress Michelle Keegan is being courted for her first Hollywood film role.

US screen star Reese Witherspoon is keen for the 38-year-old to play the lead in a big-budget movie adaptation of her new novel.

Oscar-winner Reese, 49, wrote crime thriller Gone Before Goodbye with American author Harlan Coben, who was behind Michelle’s Netflix hit show Fool Me Once.

Harlan introduced the women to each other at the launch of the book at the ­London Literature Festival, held at the capital’s Festival Hall last weekend.

A source said: “Harlan has been singing Michelle’s praises to Reese and she was keen to meet her. They got on really well and it was clear Reese was really taken with Michelle.

“The plan is to turn the book into a film and Michelle is their first choice to take on the role of the lead character, Maggie McCabe.

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Michelle Keegan looks incredible posing with Hollywood star Reese Witherspoon

“She is a combat surgeon and Michelle previously played an Army medic in Our Girl on the BBC, so it’s a role they know she could take on with style.

“It’s early days but Harlan and Reese think Michelle is tailor-made for this role and would love her to come on board when the time is right.”

Ex-soap star Michelle became a global success after the mystery drama Fool Me Once was released last year.

The series became one of Netflix’s most watched TV shows of 2024 — with more than 107 million people streaming it worldwide in the first 90 days.

Best-selling author Harlan said of his leading lady: “I think what Michelle has, besides tremendous talent and all the other stuff, is a genuine authenticity.

“I think the audience, loves her, people want to follow her life, because they sense that there’s a kindness and a gentleness.

“And that’s really her, she’s truly authentic.”

Speaking last year, 63-year-old Harlan insisted he would be keen to work with her again and reckoned: “If we could get Michelle, we’d love to get Michelle.”

Fans of Michelle, from Stockport — who has a daughter with Heart FM DJ husband Mark Wright — will next see her on screen in ITV crime drama The Blame.

She plays Detective Inspector Emma Crane in the six-parter, which is an adaptation of ­Charlotte Langley’s 2023 debut novel of the same name.

Michelle is also known for her roles in the Sky One comedy drama Brassic and BBC drama Ten Pound Poms, about Brits who migrated to Australia in the 1950s.

“Who are you really? What is real happiness? What do you actually need for happiness?” Rhea Seehorn murmurs.

It’s an otherwise ordinary Wednesday afternoon, steps away from bookshelves stuffed with works like “East of Eden” by John Steinbeck and the “A Court of Thorns and Roses” series by Sarah J. Maas, when she casually lists these big life questions aloud while leaning over a vegan brownie and cup of tea at a small table inside Village Well Books & Coffee in Culver City. I’m still questioning whether I read the street parking signs correctly. But these are queries Seehorn has given hard thought to in recent months.

That’s what happens when you’re headlining a Vince Gilligan show. Existential reckonings are part of the gig.

Seehorn is at least familiar with the deep internal struggles that swirl within Gilligan’s protagonists. For six seasons on “Better Call Saul,” AMC’s hit prequel spinoff to “Breaking Bad” that told the backstory of Walter White’s smarmy lawyer Saul Goodman a.k.a. Jimmy McGill (Bob Odenkirk), Seehorn played Kim Wexler. The fan-favorite type A lawyer with a perfectly-positioned ponytail was McGill/Goodman’s principled but increasingly conflicted girlfriend who got caught up in his elaborate schemes and paid a price for his crimes.

In his first follow-up to the “Breaking Bad” universe, Gilligan opted to forgo revolving another series around a tormented man in favor of one that let the shades of Seehorn’s talent fill the screen.

Gilligan says that in “Better Call Saul,” which he co-created with Peter Gould, he saw in Seehorn what he had observed in Aaron Paul years before on “Breaking Bad” — an actor whose performance propelled a side character, wayward junkie Jesse Pinkman, into a figure that commanded viewers’ attention and became integral to the story.

“Aaron made that character indispensable,” Gilligan says over video call. “It was like déjà vu with Rhea Seehorn. I hate saying I wasn’t aware of her prior to us auditioning and casting her. But she was just fantastic from Day 1. What Peter and I saw in her was a potential to take a show that, at the beginning, was about one character and make it a two-hander. And I just knew very, very quickly in the early life of ‘Better Call Saul’ that I wanted to work with her again after it was over.”

So he set out to create a story where she was No. 1 on the call sheet.

How did Seehorn process that news?

“I just cried,” she says.

It’s not, as some may have hoped, a Kim Wexler spinoff — though, she’s still open to that: “I’ll do it. I’ll do it. Anything. A series. A film. A Staples commercial,” she says.

Rhea Seehorn as Carol in Apple TV’s “Pluribus.”

(Apple TV)

“Pluribus” has been a tightly-guarded project for Apple TV with a strict embargo on details that makes it difficult to provide a lot of context to its premise. Here’s what can be said: Seehorn plays Carol, a fantasy romance author who, despite a successful career and seemingly loving relationship with her partner, is described as “the most miserable person on Earth.” After a signal from space changes the world in a significant way, she must save humankind from happiness. The nine-episode drama premieres with two episodes on Nov. 7; new episodes will be released weekly after that.

For a while, Seehorn only had the first script to make her assessments about the world Gilligan was building. She eventually got her hands on two more before 2023’s dual Hollywood strikes kicked in. When she finished reading through them, one thought came to mind: “‘Wow, this is a lot of me,’” she says, launching into laughter. “He had warned me — ‘You’re going to be in almost every scene’ — but then you read it and you’re like, ‘Oh … oh.’”

Careful to be as vague as possible, she continues: “I can’t spoil it. There’s a lot of time I spend completely on my own. I’m not giving away anything am I? Make sure I’m not!” Aside from the way she has to be coy about the series, she’s appealingly unguarded in her enthusiasm for the journey it sent her on as an actor.

“‘Better Call Saul’ was its own animal, but it had the mothership,” she says. “With this, in our conversations, it felt like Vince wanted to push things to the limit — it’s genre-defying, tone-defying. It’s hilarious and then gut-wrenchingly upsetting. It’s scary in a variety of ways. It really makes you think: What would you do in this situation?”

Seeking to playfully lean into the show’s interest in exploring happiness and the human condition, in scheduling our meet-up I asked that Seehorn pick a location that makes her happy, which led us to this bookstore near her home. “I buy books constantly,” she says. Her most recent purchase was Rachel Kushner’s spy thriller “Creation Lake.” But lately, she’s been prioritizing William T. Harper’s book, “Eleven Days in Hell: The 1974 Carrasco Prison Siege at Huntsville, Texas,” which chronicles the true story of the standoff between inmates and law enforcement. At the time of this sit-down, Seehorn is days away from beginning production in Texas on a film adaptation of the book that will also star Taylor Kitsch and Diego Luna.

She lights up as the conversation veers into the stuff she watched to unwind while shooting “Pluribus”: “I’m obsessed with ‘Chicken Shop Date,’” she says. “Do you watch? Can we please use this article to get me on that show? This is my campaign.”

Rhea Seehorn, who stars in the new Apple TV series “Pluribus,” says the show is genre-defying: “It’s hilarious and then gut-wrenchingly upsetting. It’s scary in a variety of ways. It really makes you think: What would you do in this situation?”

(Anthony Avellano / For The Times)

She wrapped production on “Pluribus” last December. Since then, she‘s shot an indie film, “Sender,” with “Severance’s” Britt Lower, had a brief family vacation and helped the eldest of her two stepsons get settled in for his first year of college. They’re the kind of life moments, she says, that feed into those big questions discussed earlier and what the show confronts.

“It’s about this reckoning — a big exploration of who you are. It got me thinking about how we handle really difficult emotions,” Seehorn says. “There was a constant through line for me about this feeling of anxiety that we all know. When we have those nightmares where you’re running around telling everyone that the barn is on fire and they all keep saying, ‘It’s fine.’ And you’re screaming that it’s not.

“You find yourself thinking, how do I measure success?” she continues. “About everything — relationships, career, talent, ambition. There’s reasons we make armor, sometimes long-term, sometimes short-term. There are choices that are survival skills, that are good for you at one time, that later are no longer the crutches and tools they used to be. The performance Carol is giving at the beginning — where she hates the life she’s living and questions the people who like her work because it’s not impressive enough — Vince and I had some deep-dive talks about that as people in the arts.”

Of course, the philosophy of self and purpose and happiness was not something Seehorn considered much while growing up. Deborah Rhea Seehorn — she went by Debbie until her early teens — was born in Norfolk, Va., but spent her childhood in places like Arizona and Japan because of her father’s job as an agent for the Naval Investigative Service, later known as NCIS when it added “Criminal” to its name. “My dad was not Mark Harmon,” she jokes. After her parents divorced when she was 12, the family stayed in the Virginia Beach area.

On paper, Seehorn wasn’t primed for a life of acting. But she felt a creative pull: Her mother did musical theater in high school; her father and paternal grandmother painted. And Seehorn and her sister began sketching from a young age. Seehorn initially had ambitions of pursuing a career in design or art — she majored in painting while a student at George Mason University. She thought maybe she’d land a job doing exhibition design or art restoration at the Smithsonian or one of the other museums around town. But when she was required to take an elective course her freshman year, she saw an opportunity to try something that otherwise felt out of reach to her.

“At the time, at least to me, American television and film had people who looked like models,” she says. “I didn’t. I thought I would get made fun of mercilessly if I said I wanted to be an actor. It felt the same as saying I wanted to be a supermodel. But I knew immediately, with the first class I took, that acting was it for me.”

It was taught by Lynnie Raybuck, a teacher and actor who remains a mentor to Seehorn. This is where — in life and in this conversation — it becomes clear Seehorn revels in the technique of acting. She grows animated referencing Practical Aesthetics, the acting technique developed by David Mamet and William H. Macy for the Atlantic Theater Company, and detailing her fondness for in-depth script analysis.

“To me, it blew my mind the first time I realized that it isn’t magic fairy dust on some people — that they’re just talented and you’re not,” she says. “That there is a way to work toward that. As soon as somebody said there was a way to study that and there was a way to get closer and closer to inviting that audience in to go with you on a journey and make it believable, I just was like, ‘Well, this is what I’m doing for a living.’”

Rhea Seehorn starred as Kim Wexler opposite Bob Odenkirk’s Saul Goodman/Jimmy McGill in “Better Call Saul.” (Greg Lewis/AMC/Sony Pictures Television)

She knew it wouldn’t pay the bills right away. She ushered, worked the box office, read stage directions for new plays — she had days jobs, too, like working at TGI Fridays — “By the way, they just offered me suspenders since I never got them.” (She was underage and unable to serve alcohol at the time, so she was a hostess who did expo for the waiters.)

She eventually landed in New York, working at Playwright Horizons, an off-Broadway theater. After a few years, the pull of L.A. led her west. She was cast in the ABC sitcom “I’m With Her,” starring Teri Polo and loosely based on writer Chris Henchy’s marriage to Brooke Shields. It didn’t last long, but other roles would come along with varying degrees of steadiness. She had a recurring role as an assistant DA in the legal dramedy “Franklin & Bash” and played the best friend of Whitney Cummings’ fictionalized version of herself in NBC’s “Whitney,” which ran for two seasons from 2011 to 2013.

Then, as “Better Call Saul” was coming together, the casting directors working on the project were familiar with Seehorn, who had auditioned for them many times over the years, and what she could deliver.

“The first time I met her was for the producer sessions and there were three actresses who were reading for Kim with me,” Odenkirk says by phone. “The other two actresses were absolutely fantastic. But Rhea and I had chemistry, and we all knew it. We all felt it. It was undeniable and it was easy.”

She was cast as Kim, before a last name was even assigned to the character, and with no inkling for how essential she would become to the story. And it quickly becomes clear how she dissects her characters. (Both Odenkirk and Gilligan, without prompting, say that her scripts were often heavily marked up with scribbled notes, highlights and tabs.)

“I only have one line of dialogue in that first episode, other than the intercom,” Seehorn says, still able to recite it by memory. “They told me later it wasn’t on purpose that I have almost no contractions in the first couple of episodes and other people do. And I was like, should I ask them if it’s OK to elide ‘want to’ to ‘wanna’ or ‘do not’ to ‘don’t.’ But then I was like, ‘No! What if I just try to figure out who talks like this?’ It started to be this thing of ‘Who is this controlled person? And why would she be this controlled?’ She became so important to me because I had largely built her out of subtext and this private part of her that mostly the audience was my biggest confidant.”

Rhea Seehorn on starting her acting career: “I thought I would get made fun of mercilessly if I said I wanted to be an actor. It felt the same as saying I wanted to be a supermodel. But I knew immediately, with the first class I took, that acting was it for me.” (Anthony Avellano/For The Times)

Odenkirk admiringly references Seehorn’s level of attention and their shared approach in defending the emotional intelligence of their characters. He notes the predicament the “Better Call Saul” writers sometimes faced in placing Jimmy/Saul and Kim, who knew each other so well, in dramatic situations that ordinarily would require more obliviousness or willing unawareness.

“When Kim and Jimmy were together, there were times — not many, but a few — where one of them was lying to the other one,” he says. “And it was always a challenge. We’d be like, ‘Saul knows he’s being lied to’ or ‘Kim knows Saul is lying.’ And we’d have to find a way around it. Or we’d have to let go — she’s [Rhea] good at that too … I just love her seriousness of purpose. And her love for losing herself in the dream.”

It’s why he’s not surprised Gilligan wanted her to lead his next series.

“She is formidable in nature,” Odenkirk says. “Her strength on screen is great, her dynamic range is incredible. She has the strength of character of a leading man — I’m just going to say it. She has the backbone and the steely determination of a leading man.”

In fact, when the idea for “Pluribus” began tugging at Gilligan years ago, in the midst of “Better Call Saul,” he initially envisioned it having a male protagonist.

“But I would take these long walks during our lunch breaks in the writers room and, I can’t remember when exactly, but it dawned on me on one of those walks that I really like this young lady, Rhea Seehorn,” he says. “She’s a really good actor. And I started thinking, ‘Why does the main character of my next show have to be a guy? ‘ I was about to say I kind of tailored the role to Rhea, but the truth is, I don’t know if that’s true. Rhea has so many strengths as an actor, I know she can do anything I threw at her — just like I knew many years before that Bryan Cranston could do anything. She makes it look easy.”

When Seehorn and I speak again a few weeks after our initial meeting, she is video-calling from a nondescript room during a break from production on “Eleven Days.” She has already fiddled through a number of jigsaw puzzles and “Paint by Numbers” — her activities of choice when she needs to turn down her actor brain — in the time since we last spoke; she reaches for the painting of plants she recently completed as proof. We eventually return to the idea of happiness. What makes her happy right now?

“It is my family and my friends, but it’s also my work,” she says. “Carol, on paper, has many of the things that I want, that many of us want. Success at work, especially in a career in the arts. But she won’t believe the hype. Her mocking of her work and her fans is just a mocking of herself. It’s self-loathing — like she’s trying to beat people to the punch.

“For me, I realized I fully own and will not be embarrassed about the fact that a third leg on that stool for my happiness is my work,” she continues. “It is intrinsically a part of who I am and I am a better mom to my stepsons and a better partner to my fiance because I get to do what I love.”

And she’s finding new ways to do more of it. She has become an executive producer on Katja Meier’s Swiss TV show “$hare” and made her episodic directorial debut with “Better Call Saul” — “I would like to try to direct again. There’s a couple of projects and people I’m talking to about directing on their show. People are like, ‘Why didn’t you direct the first season [of ‘Pluribus’]?’ I’m like,’I was trying to remember to brush my teeth with all I had going on.’”

She references the children’s book “Archibald’s Next Big Thing,” written by actor Tony Hale, whom she shared screen time with on “Veep.” It’s about embracing the journey you’re on.

“You’re constantly moving your goal post and all it is doing is just s— on yourself and where you are now,” she says. “Carol missed things until they were taken away. She could have stopped judging everything and judging herself.”

It was a reminder to embrace the freedom to think outside the box with her performance. The first episode is a high-wire balancing act; at one point, there’s a 12-minute stretch that has her character twisting through confusion, fear, grief, anger and frustration like pretzel dough being looped into a knot — on her own, yet not alone.

“Everything made me nervous about Carol,” she says. “As soon as Vince sent me the script, I was like, ‘This is bananas.’ You’re on your way to work and you just think, ‘What if I just took this off-ramp and I fled the scene and it would be all over?’ But then you’re like, ‘You know what, I’m gonna show up and do my best. Believe me, I did some takes that I’m sure were embarrassing, but I was just like, ‘When else are you going to try? The time is now.”

In other words, she says, “Don’t be a Carol.”

A Gogglebox couple who have been married for several years have been keeping fans entertained with their hilarious takes on the telly highlights

Gogglebox viewers were left stunned after a married duo posted a nostalgic photograph.

Much-loved South London pair Sue and Steve became part of the enduring Channel 4 programme back in 2019 – and the pair quickly established themselves as audience favourites.

Throughout the years, Steve, a former black cab driver, and Sue, who is semi-retired, have left audiences in fits of laughter with their witty remarks and amusing reactions to television highlights.

Beyond the long-running show, the couple – who have been wed for more than 40 years – are devoted parents to two daughters and proud grandparents to grandson Roman.

Sue and Steve regularly keep their 5,000 Instagram followers informed about their everyday lives. This week, the duo thrilled fans by posting a throwback photograph, reports the Manchester Evening News.

The image, captured during the 1980s, showed Sue and Steve posing for the camera, appearing considerably younger. They wrote alongside the post: “The way we were #somanyyearsago #younglove #the80s #greattimes #dinnerdances #carefree.”

Fans immediately flooded the comments section to praise the “gorgeous” couple. One admirer commented: “You both look amazing then and now. Love you both on Gogglebox.”

Another added on the platform: “Great pic. Steve’s punching here.” A third person remarked: “What a gorgeous picture of you both. Lovely couple.” Sharing similar sentiments, Gogglebox co-star Ellie Warner wrote: “Youngs love dream.”

In a health-related revelation, Sue took a brief hiatus from Gogglebox in 2024, later bravely sharing her battle with Bell’s Palsy, which resulted in temporary facial paralysis.

She candidly discussed the hurdles she faced post-diagnosis, admitting that she had to “relearn” certain fundamental actions. In her words: “One is to speak through the side of my mouth, and the other one is chewing. Chewing takes a long time.”

Steve couldn’t resist a cheeky comment: “I have offered to chew your food for you, but you declined. I’ve gotta say, you haven’t lost the sharp side of your tongue though, have you?”.

Bell’s Palsy is a neurological disorder that causes temporary weakness or lack of movement on one side of the face. The condition can, on rare occasions, spread to both sides of the face, while more typical symptoms include a drooping eyelid or corner of your mouth, dry mouth or drooling, loss of taste and a dry or watering eye.

Gogglebox airs every Friday at 9pm on Channel 4.

MOLLY-MAE Hague has taken a major step in her relationship with Tommy Fury after the couple’s recent reconciliation.

The Love Island stars had been living separately for a year following their shock split.

Now The Sun can reveal the pair are “stronger than ever” and have decided to make their reunion official by living under the same roof again.

A source told The Sun: “Molly and Tommy are living together and sleeping in the same bed again.

“She’s been living between her house and his house but it’s too much so she’s making the jump to live full time with him. 

“They’re in a really good place and she’s really happy so feels comfortable that it’s the right thing to do.”

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The Sun has contacted Molly-Mae’s rep for comment.

Molly-Mae, 26, also dropped hints they’d moved in together again when she featured Tommy in her new YouTube vlog. 

In the video, the pair can be seen lounging in bed together eating chocolate with their daughter Bambi, looking relaxed and affectionate.

The influencer also opened up about their living arrangements, explaining that Tommy had temporarily moved back in with her while his own house undergoes renovation.

She said: “He’s doing building work in his master bedroom so it’s unliveable,” adding that he’s been spending most of his time at her Cheshire mansion.

The move marks a big milestone for the couple, who met on Love Island in 2019.

They welcomed their daughter, Bambi, in January 2023.

However, their relationship hit the rocks last year and Molly-Mae ditched her engagement ring as she kicked Tommy out of their home.

Despite the split, she confirmed they were working on their relationship in her Prime fly on the wall series Behind It All series one.

Then in Behind It All series two, Molly, 26, said: “Recently, we have been spending more time together.

“Going out together in public more which at first was scary because we didn’t know what we were going to say.

“We had literally broken up and then suddenly spending time together again.”

She explained: “We are back together. Like we are back together.

“We are, I don’t know what we are.”

Opening up about her fears the Maebe fashion designer explained that she wasn’t quite ready to wear her £600k ring again.

She said: “I’m not putting my ring back on yet just because I don’t feel quite ready.

“And also because I would kinda quite like for him to make a kind of a gesture.

“Not ask me again. That’s a lot but just a nice dinner or something.

“Just to like have that moment of ok, I’ll wear my ring again.”

Now, their reunion and Molly-Mae’s decision to live with Tommy full-time has fuelled speculation the couple could be planning for a second baby.

In her recent vlog, Molly-Mae hinted that family life is once again her top priority, telling fans she’s “in a really happy place.”

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Fans have also reacted to her latest photos from Dubai in their droves, insisting she could already be expecting.

She was forced to deny she was pregnant back in April after fans saw a “clue” in her home.

In the world of child prodigies, novelists are the rarest breed. Barbara Newhall Follett, born in Hanover, N.H., in 1914, fit the bill. By the time she was 9 years-old she had completed her first novel, a subsequent draft of which was published by Knopf when she was 12. Two years after that, she released her second novel. Both were met with critical acclaim, and Newhall became a celebrity in the publishing world.

Nearly a decade later, after a fight with her adulterous husband, the 25-year-old Follett left her apartment in Brookline, Mass., with $30 in her pocket and a notebook. She was never seen or heard from again. The mystery of the vanished former child genius has pulled at the public imagination ever since, resulting in a number of books and articles about her life and disappearance, including a 2019 essay in the Los Angeles Review of Books speculating that Newhall had committed suicide by ingesting barbiturates.

Barbara Follett, a child literary prodigy, is the subject of a new musical titled “Perfect World.”

(Courtesy of Stefan Cooke / Farksolia.org)

A world-premiere musical can now be added to the growing list of Newhall-themed explorations. “Perfect World,” written by Alan Edmunds and composed by Richard Winzeler, with lyrics by both men, opens Saturday at the El Portal Theatre in North Hollywood, running through Nov. 9.

The project marks Edmunds’ debut as a librettist. The retired psychologist — who specialized in gifted children — hit upon the idea of creating a musical about Follett’s life after a deep dive into her archives at Columbia University almost 15 years ago.

“As I’m reading through this, I start to feel the tragedy of what really happened to her,” Edmunds said during an interview at the theater over the pounding of hammers and the buzzing of drills as the detailed set was put together. “I thought this is the hero’s journey. Unfortunately, it’s not a happy ending.”

Edmunds was so inspired by the 15 boxes of archival material, including hundreds of hand-typed letters that Follett wrote to dozens of relatives and acquaintances, and endless lyrical descriptions of the imaginary world of Farksolia at the heart of her debut novel, “The House Without Windows,” that he drafted his initial outline for the musical on his knee while taking the subway from Columbia to Broadway to see “La Cage aux Folles.”

The show’s team took creative license in the retelling of Follett’s story, but for the most part Edmunds adhered to the broad strokes of her short, vibrant life. The musical hops back and forth between two story lines: Follett’s experiences up until her disappearance, and the nationwide investigation that unfolded afterward, led by the dogged Capt. Stahl and forever pushed forward by her grieving mother, Helen Thomas Follett.

Follett’s childhood was marked by unhappiness, Edmunds said, noting that Helen, who wrote for a commercial shipping company, and Follett’s father, a Knopf literary editor named Wilson Follett, fought often.

“They were at each other hammer and tongs,” Edmunds said. “And even when they wrote about Barbara, subsequently, you could feel the animosity between them.”

This made sense because about a year after the publication of Barbara Follett’s first book, Wilson left Helen for a much younger woman, moving in with her in Greenwhich Village. Her father’s desertion dealt a crushing blow to Barbara, who adored him. She subsequently embarked on a sailing journey with Helen from New York to Barbados and then on through the Panama Canal. Barbara became seriously ill during the journey — the result of nerves and depression, Helen thought.

Barbara Follett, a child literary prodigy, is the subject of a new musical titled “Perfect World.”

(Courtesy of Stefan Cooke / Farksolia.org)

Around that time, Follett met and fell in love with a 25-year-old sailor named Edward Anderson. Helen did not approve, and Edmunds said she conspired to get Anderson fired from his position as second mate. The loss of Anderson was the second major blow in Follett’s life, Edmunds said, and it’s a thread that runs through the musical, leading to Follett’s meeting with a recent Dartmouth graduate named Nickerson Rogers — the man who would become her husband, and who would eventually leave her after having an affair with her best childhood friend.

The couple shared a love of nature, and before they were married, spent months hiking and camping together along the Appalachian Trail. Photos from the early 1930s show a slender, bare-legged Follett with short-cropped hair, sitting beside an open fire with a cooking pan and an old tin coffee pot.

Follett’s life was filled with crushing disappointment and near-constant stress, but nature provided a release. This is likely why she conjured up the perfect world of Farksolia at such a young age. It was an escape, and Follett packed it with as much detail as possible, including its own system of mathematics, its own language — Farksoo — and its own alphabet.

The heroine of “The House Without Windows” is a young girl named Eepersip who runs away from home to live contentedly with her animal friends in the woods. If it sounds simple, it was. But that was also its genius.

Critics loved it and it sold more than 20,000 copies upon its initial printing.

“I can safely promise joy to any reader of ‘The House Without Windows.’ Perfection,” wrote the English author of children’s books, Eleanor Farjeon, in a review.

Barbara Follett, a child literary prodigy, is the subject of a new musical titled “Perfect World.”

(Courtesy of Stefan Cooke / Farksolia.org)

There are many theories about what happened to the adventurous and headstrong young woman after she vanished, including that she was killed by her husband, who had demanded she stop writing and failed to report her missing until two weeks after she left. Others think she simply moved far away, changed her name and continued to write under a pseudonym. Then there is the recently surfaced idea that she went to a family-owned cottage in the woods and swallowed enough barbiturates to end her life. That theory holds that a body discovered in the late 1940s was misidentified as another woman, when it was actually Follett.

Edmunds has given the matter extensive thought and believes that Follett loved life too much to kill herself. The idea that appeals to him the most comes from a crumb of a clue in Follett’s archives — a letter from the sailor Anderson that Follett received a short time before her disappearance. It could be surmised from her letters that she never stopped loving Anderson. Could it be that she went to find him when her husband’s affair became known to her?

Edmunds ultimately decided not to go down the rabbit hole of speculation about Follett’s demise, opting instead to focus the musical on Follett’s life, “What she did, how she rescued herself, how she was so engaged and connected to nature, and how she wanted people to take care of each other and be good to each other,” Edmunds said. “How we could have a better world.”

Hazbin Hotel season 2 is here with the first two episodes of the new season dropping on October 29

Hazbin Hotel is back with a bang for its second series, following the adventures of Hell’s crown princess Charlie Morningstar, portrayed by Erika Henningsen.

Charlie continues her mission to offer sinners redemption and a ticket to Heaven through her Hazbin Hotel, an alternative to Heaven’s annual soul “Extermination” due to Hell’s overcrowding.

The first series was a hit, earning a solid 78% on Rotten Tomatoes, and it has continued to grow in popularity with a dedicated following.

Here’s everything you need to know about where to catch the second series. The show is brought to life by SpindleHorse in partnership with Amazon MGM Studios, reports the Express.

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While the pilot debuted on YouTube, Amazon Prime Video has since picked up the series, making season two available to all Prime Video subscribers.

The first two episodes of the new eight-part series were released on 29 October, with the rest airing weekly thereafter.

So, mark your calendars as the season two finale is set to air on 19 November.

The titles for the first two episodes have been revealed as New Pentious and Storyteller.

Series creator Vivienne “VivziePop” Medrano has hinted at some changes following feedback from the first series.

She promised better pacing and storytelling, with a more straightforward plot to follow. Medrano also gave fans a glimpse into the future of the show, revealing a five-series plan is in place.

Speaking to Polygon, she shared her thoughts on the latest season: “The pacing is better, because the story is simpler than season one, where there was so much going on.

“We were meeting the characters, we were dealing with the Heaven extermination deadline being pushed up, we were dealing with a big build to a final stand. There was just so much to cram into those eight episodes, at 22 minutes each.

“So the runtime for the episodes in season two are longer by default. We were able to get much more out of the runtime, and out of the episode count.”

Hazbin Hotel season 2 is now available on Prime Video.

LILY Allen has launched a fresh attack on David Harbour’s “mistress” Madeline with a savage new TikTok.

On her new album West End Girl, Lily, 40, accuses her ex-husband David, 50, of infidelity with someone called Madeline – though she has stressed the record is a combination of fact and fiction.

On the track called Tennis, which documents her discovering that her man’s connection with another woman is deeper than just sex, Lily sings: “So I read your text, and now I regret it. I can’t get my head ’round how you’ve been playing tennis.

“If it was just sex, I wouldn’t be jealous. You won’t play with me. And who’s Madeline?”

The song has created a huge buzz ever since, with one interviewer just bluntly asking Lily, “Who the f**k is Madeline?”.

It has been put in the same lane as Dolly Parton classic Jolene, which sees the country star plead with an attractive woman not to steal her man, and Beyoncé’s Sorry, in which she takes aim at ‘Becky with the good hair‘ after husband Jay-Z admitted to being unfaithful.

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Now, in another dig at her ex-husband, Lily has taken to TikTok and posted a video of herself lip-syncing to a woman saying: “Who the f**k is Madeline?”

It is taken from a scene from the Australian cult comedy Summer Heights High.

In fact Lily credit’s The Sun’s Howell Davies with giving her the audio, after he noticed a similarity between the lyrics of the song and a scene from the cult comedy.

In the scene, school girl Ja’mie confronts her boyfriend over messages he has been sending to another girl named Madeline.

Meanwhile, the the real life “Madeline” has spoken out, with New Orleans based costume designer Natalie Tippett, 34, claiming to have been involved in the fling.

Stranger Things star David and Natalie reportedly began an affair while working on 2021 film We Have A Ghost, and he later allegedly flew Natalie to his home in Atlanta, Georgia.

He had married Lily the previous year in a Las Vegas ceremony.

Speaking from her home in New Orleans’ historic Treme district, Natalie told Daily Mail she was the woman behind “Madeline”.

When approached by Daily Mail, Natalie said: “Of course I’ve heard the song.

“But I have a family and things to protect.

“I have a two-and-a-half-year-old daughter, and I understand this is going on.

“It’s a little bit scary for me.”

The affair reportedly came to light when Lily found an incriminating text on David’s phone.

The discovery inspired several tracks on her new album, which details betrayal and heartbreak.

Natalie declined to discuss the lyrics further, saying: “Yeah… I just don’t feel comfortable talking about it at the moment.”

The Sun has contacted Lily and David’s reps for comment at the time.

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Lily and David announced their split in January after four years of marriage.

It is understood they separated in December, with Lily spending Christmas alone with her children in Kenya.

Celebrity Traitors star Jonathan Ross has landed himself in hot water with show bosses after spilling behind the scenes secrets but is hasn’t stopped him revealing more

Jonathan Ross can’t stop revealing Celebrity Traitors secrets as he spilled on an unseen moment despite bosses issuing a warning. The chat show host has been decieving his fellow celebrities on the hit BBC murder mystery show as a Traitor.

He has been working alongside Cat Burns and Alan Carr, killing off the Faithfuls while trying to remain undetected. Jonathan has so far been successful in keeping his true identity under wraps.

However, he has now revealed he actually let slip he was a Traitor in a moment that didn’t make the final edit. In a shocking confession, Jonathan revealed: “It’s nerve-wracking watching it for me.

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“The round tables, of course, because a lot of stuff is edited out and I’m not allowed to talk about the stuff that’s edited out, which I can understand why.

“When I started talking about it last week, they sent us all a kind of list saying, ‘Just to remind you, these are the things in your contracts you’re not allowed to talk about.’

“So I’ll skirt around it as much as possible and not break any rules. But there’s a fairly comprehensive list, and most of it I can see is to protect the integrity of the game as a viewing experience for people, so it makes perfect sense.”

Jonathan confessed he didn’t think he played the fame well, while Clare Balding was approaching it “cleverly”. He added: “She – I think – had figured me out quite clearly and more so than actually appeared on the screen.

“On the Uncloaked episode where she sees it’s my name, she goes ‘oh I was going to go for him last night’ – because I’d actually said something to her the night before which I think made her think it was me.

“And that wasn’t in the show because it didn’t lead to the roundtable but I think she was fairly confident it was me.” He added on his podcast with daughter Honey: “So you can imagine how delighted I was when she put Charlotte’s name down.

“She was doing it smart, because she knew she didn’t have enough people to support my claim yet and ‘if I say him and he is a Traitor, he may well murder me, so I’ll do this and then maybe keep me closer and get rid of me the next time’.”

Despite Jonahtan’s slip up with Clare, he has remained undetected by his fellow co-stars. On spin-off, Uncloacked, Stephen Fry was convinced Cat, Joe and David were the Traitors, but he got the shock of his life when he found out the truth.

“Jonathan?! FFS!” he said. “Oh he played a blinder, we knew he was a superfan, but he convinced me he wanted to be Faithful!”

“Alan?! What will Paloma say? Wow does he want to end the relationship?! Alan Carr, I don’t believe it! Two big dogs, and one small Cat!”

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JAMIE FOXX launches furious rant at audience member after he’s forced to stop show. 

The actor and musician, 57, was performing at his daughter’s music festival when a concert-goer reportedly hurled a bottle on stage at another huge US rapper.

A two minute clip making the rounds on social media shows the moment Jamie abruptly stops performance to unleash a furious on stage rant.

The actor who is known for his roles in films including Django Unchained and Baby Driver appeared at SKVLK Fest, a Halloween-themed party which was organised by his teen daughter Anelise.

Also taking to the stage was female rapper GloRilla who was forced to stop her set after a glass bottle was thrown at her. 

Jamie immediately jumped to the music star’s defence, exclaiming: “ Who did it? Why would you do that?”

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He continued to question the confused crowd asking: “Why would you throw something at the stage?”

“This for free. Ya’ll don’t deserve this s***, that’s f****** up.”

“I’m so disappointed. Damn I love y’all but hate whoever the f*** that was. That ain’t cool.”

He added: “You throw some s*** at my house? Nah man that ain’t cool.”

“Wow that’s insane, shall we just pull the plug ?” which was met by a chorus of no’s and sighs from the crowd.

Afterwards GloRilla – who’s famed for her hits Wanna Be and TGIF – picked right up where she left off.

The video which was shared on X sparked big fan reaction, one user said: “Jamie is a real one. Respect for calling it out.”

Another added: “Shoutout to Jamie, that can really hurt someone.”

“It should be something where they can charge you if you toss something at a celebrity and ban you,” a third penned.

A fourth chimed: “I love how he defended her. More men should do that.”

This isn’t the Hollywood actor’s first altercation with glass throwing, just last year Jamie was left injured after reportedly being involved in an altercation in a Beverly Hills restaurant.

The star was enjoying a birthday dinner at Mr Chow with his family when he was said to have had a glass thrown at him, before police were called.

A spokesperson for Foxx told Page Six that Jamie was at dinner “when someone from another table threw a glass that hit him in the mouth“.

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They added: “The police were called and the matter is now in law enforcement’s hands.”

Jamie reportedly left the restaurant by the time law authorities arrived and did not receive any medical attention at the scene despite needing stitches.

Paramount on Wednesday was expected to cut 1,000 employees, the first wave of a deep staff reduction planned since David Ellison took the helm of the entertainment company in August.

People familiar with the matter but not authorized to comment said the layoffs will be felt throughout the company, including at CBS, CBS News, Comedy Central and other cable channels as well as the historic Melrose Avenue film studio.

Another 1,000 jobs are expected to be cut at a later date, bringing the total reduction to about 10% of Paramount’s workforce, sources said.

The move was expected. Paramount’s new owners — Ellison’s Skydance Media and RedBird Capital Partners — had told investors they planned to eliminate more than $2 billion in expenses, and Wednesday’s workforce reduction was a preliminary step toward that goal.

Paramount has been shedding staff for years.

More than 800 people — or about 3.5% of the company’s workforce — were laid off in June, prior to the Ellison family takeover. At the time, Paramount’s management attributed the cuts to the decline of cable television subscriptions and an increased emphasis on bulking up its streaming TV business. In 2024, the company eliminated 2,000 positions, or 15% of its staff.

Longtime CBS News journalist John Dickerson announced earlier this week that he would exit in December. The co-anchor of the “CBS Evening News,” Dickerson has been a familiar network face for more than 15 years, completing tours at “CBS This Morning” and the Sunday public affairs show “Face the Nation.” He was named the network’s evening news co-anchor in January alongside Maurice DuBois to succeed Norah O’Donnell. The revamp, designed in part to save money, led to a ratings decline.

The Paramount layoffs are the latest sign of contraction across the entertainment and tech sectors.

Amazon said this week it was eliminating roughly 14,000 corporate jobs amid its embrace of artificial intelligence to perform more functions. Last week, Facebook parent company Meta disclosed that it was cutting 600 jobs in its AI division.

Last week, cable and broadband provider Charter Corp., which operates the Spectrum service, eliminated 1,200 management jobs around the country.

Los Angeles’ production economy in particular has been roiled by a falloff in local filming and cost-cutting at major media companies.

As of August, about 112,000 people were employed in the Los Angeles region’s motion picture and sound recording industries — the main category for film and television production. The data does not include everyone who works in the entertainment industry, such as those who work as independent contractors.

That was roughly flat compared with the previous year, and down 27% compared with 2022 levels, when about 154,000 people were employed locally in the industry, according to data from the U.S. Bureau of Labor Statistics.

The industry has struggled to rebound since the 2023 strikes by writers and actors, which led to a sharp pullback in studio spending following the era of so-called “peak TV,” when
studios dramatically increased the pipeline of shows to build streaming platforms.

“You saw a considerable drop-off from the strikes and the aftermath,” said Kevin Klowden, an executive director at Milken Institute Finance. “The question is, at what point do these workers exit the industry entirely?”

Local film industry officials are expecting a production boost and an increase in work after California bolstered its film and television tax credits.

But Southern California’s bedrock industry is confronting other challenges, including shifting consumer habits and competition from social media platforms like YouTube and TikTok.

“There is a larger concern in terms of the financial health of all the major operations in Hollywood,” Klowden said. “There’s a real concern about that level of competition, and what it means.”

The writer of the Witcher books answered fan questions on the hit adaptations

The author behind the books which are the basis of Netflix series The Witcher has shared what he really thinks of the adaptation.

The fourth season is set to be released on the streaming platform, with eight new episodes available to binge from October 30. According to the synopsis, after the Continent-altering events of season three, Geralt, Yennefer, and Ciri find themselves separated by a raging war and countless enemies.

As their paths diverge, and their goals sharpen, they stumble on unexpected allies eager to join their journeys. And if they can accept these found families, they just might have a chance at reuniting for good. The series is based on the works of Polish author Andrzej Sapkowski.

Sapkowski’s Witcher books include two collections of short stories, five novels making up the main Witcher saga and two standalone novels. Season four is believed to be largely based on the publications Baptism of Fire and The Tower of Swallows.

The writer took part in a special AMA session on Reddit where fans were invited to ask him any question they liked. It took place in celebration of the latest English translation release of Crossroads of Ravens. The new book is a standalone novel that serves as a prequel for Geralt’s story.

Many fans have been welcomed to the world of the Witcher thanks to its adaptations. These include the live-action series on Netflix as well as the video game series developed by CD Projekt Red.

The third game, subtitled Wild Hunt, in particular was a runaway critical and commercial success. Its story served as a follow-up to the saga told in the original books.

It wasn’t long before one fan asked about Sapkowski’s current views on the adaptations. The writer previously admitted he allowed his work to be translated into a game because of the money offered to him.

Netflix have also released an original prequel series as well as an animated feature film Sirens of the Deep, which was based on one of Sapkowski’s short stories.

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Now, he has expressed his blunt view on all these adaptations. He explained: “I’ll put it this way: there’s the original and then there are adaptations. Regardless of the quality of these adaptations, there are no dependencies or points of convergence between the literary original and its adaptation.

“The original stands alone, and every adaptation stands alone; you can’t translate words into images without losing something, and there can’t be any connections here.”

He continued: “Moreover, adaptations are mostly visualisations, which means transforming written words into images, and there is no need to prove the superiority of the written word over images, it is obvious. The written word always and decidedly triumphs over images, and no picture – animated or otherwise – can match the power of the written word.”

The Witcher is streaming on Netflix.

MICHAEL Douglas stepped out with his daughter in New York City – and she proved the spitting image of his wife Catherine Zeta Zones.

Glam nepo baby Carys Zeta Douglas, who recently turned 22, oozed the elegance of her movie star mother as she donned a classic LBD for the night out with her father.

She styled her brunette locks into natural waves over her shoulders and accessorised her classy look with black point-toe heels and drop earrings.

Carys currently enjoys a career as a social media influencer as well as having stepped into the modelling world.

She stood with a proud arm around 81-year-old father Michael’s back, with the Hollywood actor posing in a black suit paired with white shirt and purple tie.

The pair attended the PAC NYC ICONS OF CULTURE Gala held at the Perelman Performing Arts Centre.

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Carys’ look-a-like mum Catherine, 56, married Basic Instinct star Michael at the Plaza Hotel in New York on November 18, 2000, in a high-profile ceremony that cost an estimated £1.5million.

The couple share two children, a son Dylan Michael (born August 2000) as well as daughter Carys Zeta (born April 2003).

NEPO BABY STATUS

Carys studied at Brown University in Rhode Island and studied International and Public Affairs, spending many months overseas in Europe as part of a placement.

Carys had a first brush with fame when she was chosen by fashion brand, Fendi, to appear in a 2019 campaign alongside her mother.

Yet having showed off her acting skills in the short film,  F**k That Guy, Catherine admitted both Carys and Dylan were keen to be pro actors.

Speaking in 2021, Catherine said on The Drew Barrymore Show: “Their love of the craft of acting is so strong that even when their brains are doing politics and history in school, their passion is acting.

“And they’ve never done anything professional, but they would like to go into acting.”

FAMILY LIFE

Previously, we reported how the Hollywood pair have been determined to keep their kids grounded and leading an ordinary life away from the spotlight – even making sure they spend at least two weeks a year with their grandparents in Wales.

This year, Wednesday actress Catherine revealed the very normal destinations she and hubby Michael enjoy their downtime.

Welsh screen star Catherine, who shot to fame in 1991 when she starred in The Darling Buds Of May alongside David Jason, recently told of their family summer holidays.

She said of her brood: “They’ve been to Butlin’s, Legoland, seen the sights in London, up to Scotland, over to Ireland.”

She added to Radio Times: “They’ve even been to the Isle of Man, I think.”

Catherine told the publication her kids also spend two weeks a year in her home country, Wales, with her parents David James Jones and Patricia Fair.

Previously, the Mask of Zorro actress spoke about their Swansea trips after being given the Freedom of the City.

MUM TAKE

Catherine candidly spoke out about her parenting role ahead of the new Wednesday series, aired and available on Netflix.

She said: “Wednesday Addams and Morticia Addams’ relationship is beautiful, it’s encouraging, it’s contentious, it’s fraught.

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“It’s all those things a mother-daughter relationship goes through, which is a wonderful experience as a mother and not so much as a daughter. I speak from experience.”

The star, who plays Morticia Addams, added: “To be able to play those in Wednesday is something that’s very important and something that’s very real.”

“Little Mermaid” star Halle Bailey and her rapper ex-boyfriend DDG decided this week to temporarily put their differences aside in their months-long custody battle over their 1-year-old son, Halo.

The pair of musicians, who dated from 2022 to 2024, agreed to drop their mutual domestic violence restraining order requests and settled on temporary custody terms to co-parent their child, according to a stipulation filed Monday in Los Angeles County Superior Court. The stipulation, signed by both parties, is a significant development in the exes’ dispute, which came to a head in the summer.

When Bailey (of the “Do It” sister-singer duo Chloë x Halle) and DDG (born Darryl Dwayne Granberry Jr.) announced their split in October 2024, the latter said “we are still best friends and adore each other” and would work to co-parent their son. But tension between the exes surfaced in May after Bailey secured a temporary restraining order alleging the father of her child was abusive throughout their two-year relationship and had continued to behave badly since their breakup. “Darryl has been and continues to be physically, verbally, emotionally, and financially abusive towards me,” she said at the time, according to court documents. Bailey, 25, requested that DDG, 28, be ordered to stay away from her and their son.

Influencer DDG, known for the 2016 single “Balenciaga,” fired back with allegations against Bailey and a request for his own domestic violence restraining order. He accused his ex-girlfriend of “emotional instability and coercive control,” raised concern about her “repeated threats of suicide and self-harm” and alleged instances where she “endangered the child’s safety while in emotional distress.”

Though the stipulation states both Bailey and DDG must “immediately dismiss” their restraining order requests, they can each file new requests in case of future abuse.

Court documents say that Bailey will have physical custody over Halo except on Wednesdays and certain weekends. The stipulation also outlines a custody agreement for birthdays and the upcoming holidays.

The latest court documents also address each parent’s social media use, which proved to be a point of contention after the breakup. Notably, DDG brought baby Halo with him for Twitch star Kai Cenat’s livestream in November 2024.

“Neither party shall post, upload or disseminate on the internet or any social media platforms, photographs, images, and or/information regarding the Minor Child,” court documents say. Friends and family of the two musicians are also barred from posting about Halo. Additionally, neither Bailey nor DDG can “disparage the party publicly” or in the presence of their child, who turns 2 in December.

Bailey was a fan of DDG years before they became an item. After sparking up a romance via social media DMs, the former pair made their red carpet debut at the 2022 BET Awards. The singer was vocal about how she was smitten with DDG, telling Essence the romance was her “first deep, deep, real love.”

Through their time together, the former couple faced their share of ups and downs — including DDG’s diss track about his ex’s starring role in “The Little Mermaid” and some criticism from Bailey’s older sister Ski Bailey.

Halle Bailey currently has more than just family matters on her plate.

She released her debut solo album, “Love?…or Something Like It,” on Friday. Upon announcing the release earlier this month, she said on Instagram that the project is a “story of first love, heartbreak, and everything that comes after.”

Times assistant editor Christie D’Zurilla and editorial library director Cary Schneider contributed to this report.

Russell T Davies has spoken out after Disney+ ended its partnership with Doctor Who and jokingly suggested some festive titles for the upcoming Christmas special

Russell T Davies has spoken out after Disney+ ended its partnership with Doctor Who. The showrunner, 62, took to social media in the hours after it was announced that his sci-fi programme would be solely produced by the BBC going forward after two years under the global streaming service.

Earlier in the day, Lindsay Salt, director of drama at the BBC, said Disney+ had been “terrific global partners and collaborators over the past two seasons”, before confirming that a Christmas special is on the way. She added: “The BBC remains fully committed to Doctor Who, which continues to be one of our most loved dramas, and we are delighted that Russell T Davies has agreed to write us another spectacular Christmas special for 2026.

“We can assure fans, the Doctor is not going anywhere, and we will be announcing plans for the next series in due course which will ensure the TARDIS remains at the heart of the BBC.”

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In the hours that followed, Russell posted an image of the famous TARDIS onto his Instagram page, where he jokingly asked fans what they thought of some potential titles for the festive special. He wrote: “Here we go. Away in a Danger? Jungle Hells? Silent Night? Hark the Weeping Angels Sing? O Come All Ye…um, Nimon?”

Following the news that the show was no longer part of Disney, fans instantly flooded social media with their reactions, with many praising show bosses for the move to step away from the media corporation. One wrote: “Maybe without Disney’s sanitized grip, Doctor Who can return to its roots, weird, dark, brilliant storytelling that doesn’t need a corporate logo to feel epic.”

Another said: “Time for Doctor Who to feel British again, not branded,” whilst a third joked of the streaming service: “this app is literally screaming at us all month to end our memberships.” Another fan simply said: “Good tbh. The Disney era was kinda meh!”

At the end of the last series, viewers were shocked to see Ncuti Gatwa’s doctor seemingly regenerate into the likeness of Billie Piper, who starred as Rose Tyler alongside Christopher Eccleston and David Tennant following the programme’s initial revival in 2005. A comeback for her has not been confirmed, and some fans seem to think that Ncuti could be stepping back into the role after all.

One said: “Ncuti walking out of the Tardis on Christmas 2026 and pretending like nothing happened,” and another said: “billie is gonna go find 14 and then ‘fuse’ with him which will cause an ACTUAL regeneration and its just Ncuti again lmao.” A third agreed, writing: “I would LOVE for Ncuti Gatwa to be back!”

This festive season will be the first to not have a Doctor Who special for 20 years. The BBC said that the announcement about the 2026 Christmas episode had been prompted by Disney+ confirming that it would not be partnering on the next season of the sci-fi show – as widely anticipated – after international viewing figures proved disappointing.

In a statement yesterday, the BBC said that it remained “fully committed to the show and will announce plans for the next series in due course to ensure the Doctor’s adventures continue”.

At the end of this year, Doctor Who spin-off The War Between The Land and the Sea will air, as well as a brand-new animation series for CBeebies.

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HOLLY Hagan’s Geordie Shore pals have donated thousands to her late sister Darci’s memorial so her family can take time off work to grieve. 

Heartbroken Holly, 33, revealed last week that Darci had passed away aged 19. 

Now her famous friends have rallied around the family during the incredibly difficult time, The Sun can reveal. 

An insider said: “Holly Hagan’s famous pals have donated thousands of pounds to help pay for her tragic sister’s funeral and memorial, and allow them some breathing space from work. 

“Charlotte Crosby and her partner Jake Ankers have donated £2,000, Sophie Kasaei has given £1,000, Adam Frisby £1,000 and Gaz Beadle and Nathan Henry gave £500 each.”

In an emotional statement sharing the tragic news, Holly wrote: “It is with immeasurable grief and sadness that our baby girl, my baby sister Darci Rose passed away peacefully holding my hand surrounded by family and her best friends.

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“She was never in any pain.

“The last four days have been something I hope no family ever has to go through.

“We are traumatised in every sense of the word.

“One day we will share Darci’s story. But for now I please ask that you do respect our privacy and allow us to process what has happened.

“To the incredible ambulance crew, and everyone at Manchester Royal Infirmary A&E and ICU, thank you so much for giving my sister the absolute best chance.

“Because of you all we have had the opportunity to hold her hand, stroke her hair and feel her heart beating for the last time.

“We will forever be grateful for the way you have looked after her and us throughout this unimaginable process.”

Holly added: “Right now my job is to support my family in any way that I can to ensure they don’t have to worry about work/finances.

“Any posts you see this month are pre-recorded and scheduled ahead of time. I will be continuing to work, so they do not have to.”

The TV star then reflected on her late sister and recalled some of the fondest memories they shared together.

Holly continued: “Darci is so beautiful and she genuinely didn’t even realise it.

“I always told her she’d look better without the huge spider lashes but we all know what a hypocrite I was being since I wore nine pairs at her age!

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“She lived in Darci world, forgetting to turn lights off, didn’t know how to lock doors after coming in from a night out, leaving the freezer open so my mam came down to a puddle of defrosted food.

“She was the best aunty, Alpha-Jax adored her. She spent his whole birthday on the bouncy castle with AJ and Alba, and that’s a memory I’ll cherish forever.”

Brian Setzer was on tour with the Stray Cats last year when he noticed the earliest signs of what was eventually diagnosed as an autoimmune disorder.

Now, it seems that disorder may be keeping Setzer off the road.

The Stray Cats said Tuesday they would be canceling their fall U.S. tour as Setzer, 66, battled a “serious illness.” The announcement comes months after Setzer’s diagnosis, although it’s not yet clear if this is a separate health issue.

“I know this affects so many people and I am devastated to have to deliver this news,” Setzer wrote Tuesday on X. “I’ve been trying everything I can to go on and do these shows, but it is just not possible.

“I’ve been looking forward so much to being on stage with my band mates again,” he said, “and playing for all of our amazing fans, and I’m gutted.”

The Stray Cats initially canceled the first two stops on their fall run, in Mount Pleasant, Mich., and Rockford, Ill., before scrapping the whole tour Tuesday. The band said refunds would be available at the point of purchase and did not announce any future tour dates.

Setzer first shared details about his unspecified autoimmune disease in February, writing on social media that, although the illness was not painful, it rendered him unable to play guitar.

“It feels like I am wearing a pair of gloves when I try to play,” he wrote, adding that the disease had for a time hindered his ability to accomplish everyday tasks like tying his shoes.

The artist said that he had been improving as he received care at “the best hospital in the world down the block from me,” the Mayo Clinic.

“I know I will beat this, it will just take some time,” he said. “I love you all.”

The Stray Cats, formed by Setzer, Lee Rocker and Slim Jim Phantom in 1979, have dissolved and re-formed several times over the decades. In 2019, the founding trio reunited to release a 40th anniversary album, aptly dubbed “40,” their first album in a quarter of a century.

On Friday, the band rolled out its first release since then. The pair of singles, consisting of original song “Stampede” and a cover of Eddie Cochran’s “Teenage Heaven,” were described on the band’s website as “loud, upbeat, and unmistakably The Stray Cats.”

“Jim and I cut both songs in Minneapolis at Terrarium Studios,” Setzer said in a statement posted to the site. “‘Stampede’ was an instrumental that I wrote lyrics for. I basically copied the guitar part, which was pretty ahead of its time to begin with, and ‘Teenage Heaven’ is one of the few Eddie Cochran songs that has not been covered to death.”

Rocker said “‘Stampede’ has the drive and intensity that brings me back to our first album,” and “‘Teenage Heaven’ is a classic Eddie Cochran song that we put our [Stray] Cats magic on.”

“The Cats are back and better than ever,” the bassist said.

Times staff writer Alexandra Del Rosario contributed to this report.

EastEnders fans are worried about Letitia Dean after her character Sharon Watts was written out during Tuesday night’s episode just weeks after making a much-anticipated comeback

EastEnders fans are worried about Letitia Dean after her character Sharon Watts was written out during Tuesday night’s episode. The actress, 57, has been on the BBC soap on a sporadic basis since 1985 and whilst her latest stint has lasted more than 14 years in total, the star has only appeared in a handful of episodes this year, prompting some viewers to worry about her well-being in real life.

Towards the end of last month, Sharon headed back to Walford after spending some time in America visiting her sister Michelle and missed the much-anticipated return of Zoe Slater during her time away. Once she had got home, she was shocked to learn that Zoe had given birth to her twins during her time away from Albert Square, and agreed to help her son down when she told Sharon that her late husband Dennis was the father, which was a lie.

Once she had discovered Zoe’s betrayal, Sharon packed up once more and has headed back to Florida, with news of her exit being confirmed via a phone call to Vicki Fowler. After hanging up the phone, she simply said: “She won’t come back. I seriously think this has tipped her over the edge, and she was so strong for me. She was in bits. She wants to go to Florida, stay with mum. I wish I was well enough to go with her, I need her!”

READ MORE: EastEnders fans ‘rumble’ heartbreaking reason behind Zoe Slater’s desperate search for sonREAD MORE: BBC in huge blunder as Breaking News channel accidentally streams EastEnders

Fans instantly took to social media to speculate on what was going on, given that the iconic character has only been seen nine times since her return.

One fan wrote: “I hope Letitia Dean’s alright. Before she came back it was said she had lots coming up and now she’s left again after only a month onscreen. Makes me think it was a last minute exit,” whilst another said: “I really hope Letitia Dean is ok she’s only just back and Sharon is gone again let’s no speculate about her real like person business but let’s hope she’s ok and back soon x”

A third said: “i hope letitia dean is ok… sharon’s exit around the time of matins death and her subsequent exit again now r really peculiar in terms of plot direction… not like being nosey or anything just hope she’s ok” (sic)

A fourth added: “What on EARTH is going on with Sharon Watts. She completed 9 episodes since coming back after a 5 month break and she’s gone again in another hastily written exit. Worried for her.” Sharing in the concern, another fan said: “I genuinely hand on heart really hope she’s okay! It’s so sad to not see her on screen.”

After one of the twins died, Zoe left the other behind and lied to Sharon about their father in the hopes that she would provide cash to help her track the child down. However, in tonight’s episode of EastEnders, Kat (Jessie Wallace) revealed the truth to Sharon’s sister Vicki, resulting in a furious clash.

Now, fans are convinced that there’s a much sadder reason behind Zoe’s cruel methods for finding her long-lost child, and that it could result in the recently returned character leaving the Square for good. Taking to X, some fans speculated that Zoe may be desperate to find the child as she’s secretly suffering with a life-limiting illness.

“I think there’s more to Zoe’s state of mind than meets the eye. I don’t think she can get out of this one #Eastenders,” one viewer wrote on social media.

Another replied: “Yeah imagine if Zoe has had some sort of secret diagnosis before returning to Walford. Not cancer but maybe some other health condition.

This may explain why she’s so eager to find her son after all these years because deep down she knows she may not have much time left #EastEnders.”

After watching Zoe look for a cat throughout the episode, another fan said: “You saw earlier in her scenes with the Cat and her reactions that something looked off with Zoe. #Eastenders.”

Others were bewildered with Zoe’s unhinged behaviour, with another writing: “Why is Zoe so obsessed with this cat??? # EastEnders.” A fifth said: “Zoe is a MESS #EastEnders.” Another tweeted: “Zoe is all types of messed up #EastEnders.”