SHOW BIZ

A soap icon known for Coronation Street and a comedian join the cast as guest stars in the latest instalment of the Channel 5 drama

Benidorm is Murder is Channel 5‘s brand new detective drama.

Described as a “cosy crime” thriller, the murder mystery series comes from Death in Paradise writer Ian Jarvis and started last week on the channel.

The series has a star-studded cast list, including John Hannah, who plays burned-out ex-police officer Dennis, and newcomer Carolina Bécquer, you can find out more about the rising star here, who takes on the role of his unlikely sidekick Rosa.

Other permanent players include Ariadna Cabrol who stars as DS María Hernandez, Brian Bovell who plays Archie, Damian Schedler Cruz who takes on the role of PC Jesús Ballesteros, and Eva van der Gucht in the role of Jackie. You can see the cast list and where you recognise them from in full here.

But Benidorm is Murder also has an incredible roster of guest actors, two of whom will join for the second episode. Channel 5 has confirmed Coronation Steet star turned Loose Women Denise Welch will play Ziggy, the owner of Benidorm Palace, while comedian and actor Alistair McGowan will step into the shoes of faded 90s game-show star Vince Starky.

Denise Welch plays Ziggy

Denise plays Ziggy, owner of Benidorm Palace.

Writer and creator Ian Jarvis said of Denise in the role of Ziggy: “Denise Welch is amazing. We felt like we had TV royalty when we got Denise. She is brilliant in the role. She didn’t need much steering about this character. Ziggy is this low-rent showbiz queen, an agent in the stand-up comedy world. Denise is also just loads of fun to be around. She loves a chat. We spent a lot of time chatting about everything.”

Denise is best known for playing Natalie Barnes in the ITV soap opera Coronation Street, in which she appeared in over 400 episodes.

She also starred as Steph Haydock in Waterloo Road, and Trish Minniver in Hollyoaks. Viewers might also recognise Denise from Spender, Soldier Soldier and Down to Earth. She is also a regular panellist on the ITV chat show Loose Women.

Alistair McGowan plays Vince Starky

Alistair McGowan plays faded 90s game-show star Vince Starky. His character appears in the Laughter Lounge alongside his younger wife, Vienna.

Alistair is a comic, actor, pianist, poet, and writer. He provided voices for eight series of Spitting Image and earned a BAFTA for his BBC One television series The Big Impression, with Ronni Ancona.

He is also known for All Quiet on the Preston Front and has been a regular on Radio 4 dramas and comedies, including Elvenquest and Whatever Happened to Baby Jane Austen? He took the lead role in BBC One’s detective series Mayo, and has appeared in many stage roles over the years.

What is Die Laughing about?

A synopsis for the instalment reads: “At the Laughter Lounge, veteran comic Frank Mann is emceeing when his old friend, faded 90s game show star Vince Starky, blows in with younger wife Vienna. Vince’s comeback dates are tanking and owner Ziggy, drowning in debt, needs them to work…

“But the next morning, doorman Paco finds a dead body on the club roof. Maria begrudgingly asks Dennis to look at the scene, where he notes the head wound, scuff marks round the access door and, below, a fire extinguisher buried in a car windscreen.“As Rosa helps retrace the movements of everyone connected to the club, old grudges, financial pressures and buried secrets come bubbling to the surface. Has the killer been hiding in plain sight all along? And can Dennis convince Maria to reopen a case she’s so eager to keep closed?”

Benidorm is Murder continues on Thursday at 9pm on Channel 5.

The ongoing explosion of revival screenings in Los Angeles is an opportunity not just to revisit accepted classics, but also to give a spotlight to undersung oddball picks deserving of broader attention.

Take for example 1988’s “Tapeheads.” An offbeat comedy about two friends trying to break into the then-emergent world of music videos, the film stars John Cusack and Tim Robbins just as their careers were starting to take off. A snapshot of a specific moment in Los Angeles — some shots of downtown’s skyline at sundown have an unexpected beauty — the film has never been lost exactly, but it is deserving of renewed interest.

The movie will show on Monday as part of the American Cinematheque’s Cinematic Void program at Los Feliz Theatre, screening from a rare 35mm print provided by the UCLA Film & Television Archive. Director and co-writer Bill Fishman will be there along with producer and co-writer Peter McCarthy, producer Eric Barrett and production designer (later turned director) Catherine Hardwicke.

Cusack and Robbins star as Ivan and Josh, friends since childhood now working as nighttime security guards until they figure out their future. Cusack’s Ivan has ambition and drive while Robbins’ Josh is sensitive and creative. Together they launch a music video business and take it upon themselves to revive the careers of their favorite soul singers, the fictional Swanky Modes (played by real-life soul legends Sam Moore and Junior Walker). Josh and Ivan soon find themselves accidentally wrapped up in a blackmail scheme involving a sex tape and a conservative politician, complicating everything.

“It was a hustler and an artist and the merging of the two, trying to get some sort of balance with your creative side and what you needed to do to make a living,” explains Fishman, now 68, during a recent video interview from Venice, Calif. “We came up with the credo ‘You do what you gotta till you can do what you wanna.’ And that was really where it came from.”

Before making his feature debut with “Tapeheads,” the native New Yorker had already found success in his 20s as a music video director himself, creating clips for songs such as Suicidal Tendencies’ “Institutionalized” and the Georgia Satellites’ No. 2 hit “Keep Your Hands to Yourself.” Straddling the music scene and Hollywood, Fishman found that a satire of conservative politics came to him naturally.

“Music videos seemed to be an easy thing for me to do because I knew that world,” he says. “Even though the story was what we thought would be completely ludicrous, it ended up being much more realistic than we believed.”

John Cusack, left, and Tim Robbins in the movie “Tapeheads.”

(American Cinematheque)

James Branscome, who programs the Cinematic Void series for the American Cinematheque, calls the rare chance to show the film a bucket-list experience.

“It was a weird movie that felt lost, especially when it stars John Cusack and Tim Robbins being zany in a way they don’t often get to be,” he says by phone. “It felt like this very organic, perfect movie, like: This checks so many boxes for me.”

Among the producers on the film is Michael Nesmith, a former member of the Monkees, and through him the project fell under the production umbrella of NBC. Fishman remembers being invited to the home of Brandon Tartikoff, president of NBC Entertainment and a green-lighter of titles including “Miami Vice” and “Seinfeld.” What he thought was going to be a relatively brief meeting was instead hours of Tartikoff patiently going through the script page by page.

“I did not know anything,” remembers Fishman, whose most recent credit is the 2024 film “Waltzing With Brando,” starring Billy Zane. “I thought Hollywood was always going to be like this. But I didn’t realize that my best experience was my first and then we were going to have to fight and claw for the rest of it.”

It was young casting director Victoria Thomas (lately of “Once Upon a Time … in Hollywood” and “Michael”) who brought in Cusack and Robbins. Cusack, a Chicagoan, was in Los Angeles to appear onstage with Robbins’ theater group the Actors’ Gang and the two of them came in to audition together.

“They had really prepared,” says Fishman. “And after an hour or more of the interview, which went great, I said, ‘I want you guys to switch roles.’ And that freaked them out. They were like, ‘We can’t do that. We rehearsed. We can’t just throw this together for you.’ I said, ‘I really think you should.’ And they said, ‘OK, give us 15 minutes.’ And they walked out onto the street in Venice and they came back in as the other characters, redid the audition and that’s how they were cast.”

Mary Crosby and John Cusack in the movie “Tapeheads.”

(American Cinematheque)

Fishman made sure to show Cusack the 1957 film “Sweet Smell of Success,” with Tony Curtis’ smarmy press agent an influence on his character. Fishman also says Cusack’s greased-back hair and pencil mustache were partly inspired by Eric Roberts in “Star 80.”

“Tapeheads” captures a specific moment in Los Angeles history, sure to be nostalgic for some, from a desolate downtown to a percolating music scene. Legendary local party band Fishbone provided music for the score and appears briefly as a country-and-western bar combo. Devo rerecorded a version of their song “Baby Doll” in Swedish to stand in for an international boy band’s hit. The film is also full of cameo appearances by real-life music figures, including “Soul Train” host Don Cornelius, MTV’s Martha Quinn, comedian Bobcat Goldthwait, rapper Doug E. Fresh and musicians “Weird Al” Yankovic, Ted Nugent and Stiv Bators. (A then-largely unknown Courtney Love has an uncredited appearance as a dominatrix on a sex tape.)

“The soundtrack and the people we used in the film were reflective of the wide spectrum of what was unifying, I thought, for the counterculture in specifically L.A.,” says Fishman. “It wasn’t a film about punk rock, it wasn’t a film about rhythm and blues or hip-hop. It was a film about young people expressing themselves.

“When you would go out in Los Angeles at that time, you would go to nightclubs and all these bands would be playing in the same club,” he says. “If you were part of the counterculture you could play anything or dress any way and you were sort of accepted. It was a creative scene and that’s what the film was about.”

One highlight of the movie is a commercial Ivan and Josh make for local L.A. eatery Roscoe’s House of Chicken ‘N Waffles (still going strong), featuring a memorable rap by blues singer King Cotton and done with a bold yellow and black look.

“I grew up in New York City and chicken and waffles was not a thing,” says Fishman. “People here would go get it late night in Hollywood and when I was looking for some business that they could do a video for, it just struck me as an absurd combination, which was all about what the film was about: absurd combinations. And it happens to be delicious.”

“That Roscoe’s Chicken and Waffle commercial is incredible,” says programmer Branscome. “Which is the most California thing because outside of L.A. no one knows what a Roscoe’s is unless you’ve been here. It’s full of very niche stuff that is elevated. It works on one level, but if you know exactly what it is, it gives it a different dynamic.”

Tim Robbins in the movie “Tapeheads.”

(American Cinematheque)

When “Tapeheads” was released in October 1988 (after a berth at the film festival that would be later renamed Sundance), it struggled to find theaters. Moore and Walker performed on “Late Night With David Letterman” as the Swanky Modes. According to Fishman, Cusack and Robbins were both reluctant to do press for the film at the time “because they thought it was uncool.”

It was not until it hit the VHS market that the movie truly began to find its audience. That said, it has never been on Blu-ray and is available to stream from only a few scattered sites. Perhaps this sold-out L.A. screening, with the support of some of the key behind-scenes-team, will help spur the film toward a broader renaissance. It deserves to be seen as more than just a cult curio.

“As soon as people saw the film, they said, ‘Oh, this is a cult film’ and I always hated that,” says Fishman. “I was like, ‘No, it’s not a cult film — it’s a pop movie.’ We wrote it to play to everybody.”

The Federal Communications Commission voted 2-1 in favor of allowing TV station ownership groups to own more outlets, easing the way for more consolidation.

The Thursday vote that favored the change means companies can own local stations that cover more than 39% of the U.S. They could also own more than two stations in a single market.

The measure supported by FCC Chairman Brendan Carr will allow the agency to approve deals that put station ownership groups over the cap if the agency determines that they are promoting the public interest. Carr has said the agency would consider such issues as commitment to local journalism and “viewpoint diversity.”

“In my view, if you care about trusted sources of local news and information, you have to care about the future of local TV stations,” Carr said. “They are the economic engines that produce the paychecks for so many of the local journalists that remain in the business. So how can the FCC maximize the odds that those institutions continue to survive and hopefully thrive into the future? To start, we should stop hamstringing this one segment of the broader market with outdated restrictions.”

The station groups say the ability of tech companies such as Google and Netflix to reach every consumer in the U.S. puts them at a disadvantage. At the same time, streaming now accounts for more than 40% of all viewing, according to Nielsen, pulling consumers away from traditional TV. Television stations are also seeing their share of carriage fees from cable and satellite companies shrink due to cord-cutting.

Declining viewership and revenue have also made it more challenging to sustain multiple local TV news operations in a single market.

Anna Gomez, the lone Democrat on the commission, opposed the measure, saying the rule change will only help big firms get bigger and more powerful.

“Eliminating the cap does not free local broadcasters from economic pressure, it just changes who is doing the squeezing,” Gomez said in a statement issued ahead of the vote. “The large station groups positioned to grow even larger under this decision are not local broadcasters, they are national companies that own local stations and increasingly dictate what airs on them.”

The measure ending the cap limits also faced push back from consumer groups and state government officials who believe station consolidation will result in journalist layoffs and fewer voices for the communities they serve.

TV station owners and its lobbying group the National Assn. of Broadcasters have been clamoring for a change in the rule, citing the changes in technology that have occurred since the ownership limit. The 39% threshold was set in 2004 when streaming video was still a nascent business.

Jeff McCall, a professor of communications at DePaux University, agrees the current limit is outdated in the current media environment. “Local broadcasters are struggling in terms of audience and revenue, and this plan could give them some needed relief,” he said.

But McCall added that having the FCC decide who benefits from the rule change will face resistance.
“it will give the FCC wide discretionary powers and open up any decisions to second-guessing and, of course, court challenges,” he said.

There are also likely to be questions on how even-handed Carr will be when faced with a proposal that puts a station owner over the caps. The chairman has made his name by threatening to pull the broadcast licenses of TV stations that irritate President Trump with their coverage and commentary. Even Trump-supporting Republicans such as Sen. John Kennedy, R- La., have raised concerns the FCC’s scrutiny of broadcast content could be violating the right to free speech.

In April, the FCC called for an early review of the licenses for Disney’s eight broadcast TV stations, a day after Trump demanded that ABC fire late-night host Jimmy Kimmel over a joke about First Lady Melania Trump.

Carr also questioned whether ABC’s daytime show “The View,” where negative Trump commentary occurs often, should qualify as a bona fide news program that is exempt from giving equal time to qualified candidates.

Carr also believes large media companies such as Disney and NBCUniversal parent Comcast hold too much sway over the stations affiliated with their networks.

“New York and Hollywood interests have steamrolled those local TV stations and the broader media market in recent years in ways that run directly counter to the regulatory framework that Congress and the FCC put in place,” he wrote. “Their national programs naturally reflect the values of the New York and Hollywood executives that produce them. This power imbalance has contributed to a steady decline in locally produced news — and with it, a weakening of the public’s trust in the media.”

Earlier this year, a group of attorneys general filed suit to block Nexstar Media Group’s proposed $6.2-billion acquisition of Tegna, arguing it violates a 112-year-old U.S. antitrust law by knocking out a major competitor. The deal would give Irving, Texas-based Nexstar control of 265 television stations across the country, up from 164. And, in dozens of markets, including San Diego and Sacramento, Nexstar would own multiple TV network affiliates.

U.S. District Judge Troy L. Nunley issued a preliminary injunction in April that forbids Nexstar — which owns KTLA-TV Channel 5 in Los Angeles — and Tegna, from combining operations. Nexstar is appealing.

“The biggest divorce trial in British history” is coming and the stakes couldn’t be higher.

A “bold” legal drama has confirmed its start date where “winning is everything” when it comes to divorce.

Brought to life by the creator of Lupin and Hijack, War is an upcoming eight-part Sky drama on the “headline-grabbing” divorce between a tech entrepreneur and an international film star.

Dominic West leads the cast as Morgan successful businessman Morgan Henderson with his soon-to-be ex-wife and actress Carla Duval played by Sienna Miller.

They will be thrown into the “high-stakes world of two of London’s most prestigious rival law firms” who will stop at nothing to secure victory for their clients.

War will be making its debut on Friday, October 3, on Sky and its streaming service NOW, with its official trailer now out and it’s a gripping watch.

What’s even more exciting is that the future of War has already been guaranteed ahead of its season one debut. Sky has given the drama a two-series order with production currently underway on its second season.

Underneath the bitter tension between West and Miller’s characters, there’s also the competition between “London’s most powerful lawyers”, Cathcarts & Sons and Taylor & Byrne.

Screw actress Nina Sosanya is behind Beatrice “Queen Bea” Ubosi as The Crown star Pip Torrens plays John Smallwood from Cathcarts & Sons.

Meanwhile, their counterparts and “fierce rivals” at Taylor & Byrne are portrayed by The Great’s Phoebe Fox as Serena Byrne and Sexy Beast’s James McArdle as Nicholas Taylor.

Then there is ambitious young lawyer Jonathan “Johnny” Warren, played by Shadow and Bone’s Archie Renaux, who quickly realises that it’s a ruthless world where “winning is everything”.

Other memorable cast members set to feature in War include The Thursday Murder Club’s Celia Imrie, Ted Lasso star Nick Mohammed, Mint actress Emma Laird and Gavin and Stacey legend Adrian Scarborough, just to name a few.

War debuts on Friday, October 2 on Sky and streaming service NOW.

Bravado, insecurity, deceit. These are the bitter ingredients that seasoned the chef Anthony Bourdain inside the pressure cooker of the restaurant industry. Set over one formative summer in 1975, Matt Johnson’s affectionately sleazy biopic “Tony” is a portrait of the culinary adventurer (who died by suicide in 2018 at the age of 61) as a snotty 19-year-old Vassar student who doesn’t know an oyster knife from his ego. “I was — to be frank — a spoiled, miserable, narcissistic, self-destructive and thoughtless young lout, badly in need of a good ass-kicking,” Bourdain confessed in his 2000 bestseller “Kitchen Confidential,” a scorching memoir that elevated him from obscurity to damaged saint. “Tony” opens with that quote and proves it with scenes of boozing, puking and petty crime. Miraculously, it’s the most heartwarming comedy of the year.

Teenage Tony (a feral Dominic Sessa of “The Holdovers”) claims he’s already writing the next great American book, a navel-gazing bildungsroman — his word, not mine — in the key of Kerouac. Really, he’s just a middle-class kid from New Jersey who doesn’t expect to work for a living. Stalking his high school crush Nancy (a grounded Emilia Jones) to Provincetown, Mass., he begrudgingly supports himself with a dishwashing gig at the Flagship, a humble seafood joint. The kid is ashamed of blue-collar labor. That his rowdy co-workers think he sucks at it is worse. This taste of humiliation would change his destiny.

Under the tutelage of the Flagship’s idiosyncratic unnamed chef (Antonio Banderas), Tony will discover the importance of punctuality. A devilish shellfish-shucker (Leo Woodall, an intoxicating scamp) will also introduce him to cocaine. That first bump hits Tony with such a rush that the soundtrack explodes with boogielicious disco.

Sessa was born to prowl around wild-eyed in retro polyester. He relishes the fast and funny dialogue, flinging around fancy words that don’t mean a thing. At low emotional tide, Sessa’s Tony can also be watchful and quiet. He makes us hear the character’s silent inner schemes as loudly as when he’s actually blabbering.

Director Johnson (“BlackBerry” and the maniacally brilliant “Nirvanna the Band the Show the Movie”) and his co-screenwriters Matthew Miller, Todd Bartels and Lou Howe have blended every hard-knock lesson that Bourdain learned across decades of job-hopping into one month of blood and sweat. Spiritually, it’s fantastic. Factually, it’s baloney, although “Tony” does restore the restaurant’s actual name — the Flagship — from Bourdain’s Dreadnaught, the pseudonym he gave it before he ever imagined future fans following him around the world. Mild spoiler alert: Readers of “Kitchen Confidential” will also know it’s dedicated to Nancy, who became his first wife.

The kitchen scenes are a combo platter of boot camp, frat house hazing ritual and kung fu movie. As Bourdain would later explain, he thrived in a setting where actions have instant consequences: a sore back, a sliced hand, a good meal. Burn the sandwich, toast it again; scrub every plate and punch out with pride. You can’t help but grin at Sessa’s hoot when his scrawny Tony finally manages to muscle a raw potato through a french-fry slicer. And at the end of a shift, he and his dysfunctional workplace family gather to share bowls of squid stew and taste the results of their work. Back in New Jersey, dinnertime with his biological family feels as cold and stale as their meal of frozen peas and store-bought white bread.

Banderas’ chef is the kind of mentor you’d expect to find on a mountaintop mediation retreat, starting over a half-dozen scenes coldly waking up the sleeping whippersnapper with a cold bucket of morning seawater to the face. As Banderas plays him, he’s a bearish marvel of a man with the kind of earthy soul that would have had Ernest Hemingway chugging salty dogs on his barstool all night. There’s a shot of Banderas biting into a tomato that’s pure bliss for him and us.

Whereas Tony talks a big game, squeezing Japanese words like boketto — the art of doing nothing — into conversation, Banderas shows us how to simply do it. (Likewise, a centerpiece montage makes penning a coming-of-age book look way lamer than than just living a full life.) Watching Banderas’ chef stare at the Atlantic, it may occur to you that a cook can no longer afford a waterfront shack on the sand. The film is too breezy to say so directly, but its emphasis on the value of honest work wants you to think it.

Watching Banderas spend a day simmering his own handcrafted ketchup simply to store it in repurposed Heinz bottles says everything about the guy’s devotion to food and his indifference toward marketing. It’s a little grating to see boorish Tony offer him business tips. It helps that some of his advice isn’t great.

“Tony” stays planted in its own immediate present, rarely hinting at the veers Bourdain’s biography will take. “Kitchen Confidential” won’t be published for another 25 years; his globe-trotting celebrity comes after that. Johnson keeps the tone so zingy and loose that you don’t have to know Bourdain at all to enjoy the movie. The ending even tacks on a let’s-save-our-hangout rally that could be Velcroed onto any ’80s comedy.

The script allows itself just two beats to squeeze out a knowing tear. The first comes when Tony describes his approach to writing: “I try to imagine interesting places I’ll probably never go, people I’ll never get to meet,” he says, unaware how much his horizons will one day expand. The second trickier and clumsier aside happens when Banderas’ chef tells Tony the tragedy of 17th century French cook François Vatel, who literally fell on his sword before serving a banquet to Louis XIV. Lore has it that Vatel didn’t have enough fish. The teenager doesn’t understand. “He killed himself? Why?” Tony repeatedly asks. That question will never have a satisfying answer.

Like a lazy Susan, today’s youth seem to be coming full circle to young Tony’s dilemma. He’s got one foot on the so-called safe path — college, white-collar isolation — and the other on a career that’s already covering him in well-earned scars. As employees are feeling insecure and replaceable, there are rumblings that the current crop of kids is gravitating back toward physical jobs and finding, as Tony did, that one can find fulfillment working with your hands. The stress of the kitchen didn’t make Tony a better man overnight. But it was the grit that grew a pearl.

Rhea Seehorn possesses what Vince Gilligan calls “Jumbotron face.” As the creator of “Pluribus” and (with Peter Gould) “Better Call Saul,” Gilligan has relied on Seehorn’s ability to broadcast what her characters are thinking and feeling without saying much of anything. Gilligan loves silences and uses them in long stretches, allowing — or, perhaps more accurately, demanding — his audience to figure out what’s happening on their own.

And in Seehorn he found someone who, with a mere sidelong glance or knitted brow, can let you in on Gilligan’s secrets.

But Seehorn carries this ability wherever she goes, she tells me. People take a look at her and make assumptions. She’s 5 foot 4, lean and seems athletic, though she says she’s “the least athletic person that anybody knows.” That hasn’t stopped her from being cast as a golf instructor in the upcoming second season of the Owen Wilson comedy series “Stick” and a track and field coach in a movie she’s shooting right now called “Running.”

“I do not run,” she told the movie’s director, Gavin O’Connor. “I can tell people to run, but you don’t want to see me running.”

It’s not just work, though, where these deductions are made. Up until a few years ago, when people started recognizing her for playing poker-faced attorney Kim Wexler on “Better Call Saul,” Seehorn would be standing in a store and customers figured she worked there. Shopping at the Gap, she’d be asked if a T-shirt comes in medium. In Target, she’d be queried about where to find the Christmas decorations. Even on set, a background person would approach her, wondering if there’s any more plain bagels at craft service.

Why do you think this happens? I ask her. Because, even with her fame and her Golden Globe win for playing Carol, a sad woman forced to save the world from happiness and the hive mind in “Pluribus,” Seehorn, 54, says this still takes place on a regular basis.

“I’ve asked my friends, and apparently my daydreaming or thinking face looks focused,” she says. “I guess my interior monologue is highly interpretable to people, and if you’re standing in a store and you see somebody really thinking and thinking, they’re like, ‘She must be restocking the shelves.’ When in reality, I’m probably thinking about what I said wrong to somebody at a party in the ’80s.”

Rhea Seehorn as Carol Sturka in “Pluribus.”

(Apple TV)

Seehorn bursts out laughing, which she does often and with great gusto throughout our conversation. We’re at The Times, nine years after her last visit to our offices, which I know because she shows me a photo on her camera roll of her youngest stepson, McLain, taken when we were downtown and he was 9, young enough to still be thrilled about being in a “newspaper building.”

This prompts another take-your-kids-to-work memory.

“I brought him and Gray [the other stepson she shares with her partner of 12 years, real estate agent Graham Larson] to the set of ‘Better Call Saul’ when they were 7 and 9, and the thing they were most excited about was signing an NDA,” Seehorn says. “Everybody in the production office made a huge deal of it, pretending like they were spies, because I knew they’d think that was cool.”

Seehorn played Kim opposite Bob Odenkirk on “Better Call Saul” for six seasons, creating a character that evolved from a minor role to what Gilligan calls the “backbone of the series.” Dazzled by her versatility, Gilligan wrote “Pluribus” for Seehorn. But he didn’t want to tell her about it until he had a script and not just an outline. He asked “Saul” executive producer Melissa Bernstein to act as a spy and tell him if Seehorn was close to taking another job. One day, during the show’s final season, Bernstein told him he’d better pounce.

“I didn’t want to miss my opportunity,” Gilligan says over the phone. “That would have been a bummer. Rhea is the manager that makes the show work.”

(Ian Spanier / For The Times)

Where Kim Wexler was a composed and poised overachiever, suppressing her emotions when things (as they often did) spiraled out of control, “Pluribus’” Carol Sturka lets it all hang out. She’s volatile and angry, drinking heavily to obliterate her regret and rage. The characters share a fierce drive to fight for what they believe is right, which, for Carol, means maintaining her autonomy and resisting the good-vibes group contentment of the Others. A hero has never been more reluctant than this curmudgeon.

Seehorn is the ultimate professional: pleasant, quick to credit her colleagues, a team player. So Carol’s bitter fury feels distinct from her friendly personality as well as anything we’ve ever seen her do onscreen. But it’s not entirely foreign. Talking about the “Pluribus” season finale, she said that while she’s never murdered anyone, she has felt out-of-control rage.

When did this happen?

“I’m not going to tell you that!” she answers, laughing.

I’m just trying to picture it, I tell her.

“I know, because a lot of people are like, ‘I’ve never seen you mad,’” Seehorn says. “I suppress. I suppress too much. That’s something I work on with my therapist. I used to scream and yell as a teenager. That’s how I fought. And I just decided in college one day — I think I had an out-of-body experience — that I don’t want to be this person. And it probably moved the needle too far the other way. Now, when I’m angry, often I withdraw and get very quiet. I say everything is fine and then I’m never speaking to you again.”

That could have made playing a highly reactive character like Carol therapeutic. Instead, it did a number on Seehorn’s body.

(Ian Spanier / For The Times)

“Unlike Carol, I cry often when I’m extremely angry and in the middle of trying to tell someone how upset I am,” Seehorn says. “Like the anger disturbs my body so much that it makes me cry. No matter how much I tried to unplug from Carol, my body didn’t understand that I was pretending.”

We start talking about relationships and unhealthy withdrawal and letting things fester to the point that when the emotions come out, it feels abrupt and the other person has no idea what’s going on. And out of nowhere, Seehorn gives me a taste of Carol, growling the words, “Can you just get it?” with such ferocity that I’m almost physically blown back in my chair.

“God, you scared me with that,” I tell her.

“Thank you,” Seehorn says, beaming.

Because she’s a (generally) well-adjusted human being, Seehorn has developed ways of dealing with the terror and flop sweat that comes with playing the lead on an expensive, highly touted TV series, one that earned 18 Emmy nominations, including one for her lead turn. She converted the garage at her home into what sounds like a veritable wonderland. In one corner, there’s a tiny gym. There’s a place to record voice-over work, not a proper booth, which she’d like someday, but close. There’s a space to be quiet and read scripts. There’s an area where she can paint, sculpt, do jigsaw puzzles, Lego sets, embroider — all the things that ease her anxiety but also help her work through creative blocks.

“If I have too much of a vice grip on a scene and I can’t figure it out, I’ll do a jigsaw puzzle or draw while running the lines,” Seehorn says.

She loves creating things, but she also loves projects that involve following instructions. That soothes her. In the middle of enthusing about a cross-stitch embroidery project, she says, “Don’t roll your eyes at me!” Which I most definitely was not doing. That was my daydreaming, thinking face.

(Ian Spanier / For The Times)

Sometimes these projects make their way inside the house, where Seehorn might turn on the television and watch what she calls “murder TV,” sitting under a big, curved metal dome lamp that feels like an interrogation spotlight. There, her brain still working on what she was doing in her office, she’ll lose herself on multiple fronts as she wrestles with a scene.

Seehorn loves watching shows like “Dateline” because they provide a sense of order in a chaotic world. Bad guy. Bad guy gets caught. Bad guy goes to jail. All is well. But it goes beyond that. As an actor, she loves watching people trying to lie — and failing. She can’t believe how bad people are at not telling the truth.

“Every single time, I’m like, ‘Dude’s lying,’” Seehorn says. “Women too, where I’m watching an interrogation scene and thinking, ‘There’s a zero percent chance you did not know someone was going to break in and shoot your husband.’ It’s funny because as actors, whenever we’re playing criminals that are lying to the police, we’re really good at it.”

Does that mean Seehorn is an adept liar? Yes and no. You’ve seen her act. She can make you believe anything. But when she does lie, she is compelled to confess, even when the fib is innocuous.

“I’ll be in a conversation where there’s a bunch of cool people talking about a movie they saw, and I’ll be like, ‘Oh yeah, that was great!’” Seehorn says. “And then I’ll leave and then I’ll come back and say, ‘I didn’t actually see it. I’m sorry.’ And they’re like, ‘Who’s that weird girl?’ I’m good at lying, but bad at holding the guilt.”

So when you’re telling me you don’t know any details about the second season of “Pluribus,” are you misleading me? I ask.

“I know nothing!” Seehorn says. The atomic bomb in the crate that a helicopter carefully deposits in Carol’s driveway in the last scene? “As soon as they said, ‘Cut,’ I went up to Vince and asked, ‘Now can you tell me what we’re doing?’ And he said, ‘I have no idea.’”

“And all these months later, I know no more than that,” she continues.

But if you did…

“You’d be getting a phone call from me about an hour after we say goodbye, confessing all,” Seehorn answers, smiling.

The phone still hasn’t rung.

(Ian Spanier / For The Times)

RETIRED Instagram model Demi Rose has been spotted flaunting her famous curves for the first time in three years.

The OG influencer, now 31, made sure to turn heads in Ibiza as she stripped to a sexy bikini.

Demi, who shot to fame ten years ago, reminded fans why they used to love her so much, as she strutted along the beach.

Known for her enviable curves, all eyes were on the model as she enjoyed her time on the famous Party Isle.

Proving she’s still got it, Demi flaunted her figure in a bright orange bikini.

The social media star also wore her long brunette hair in braids.

CHEEKY ROSE

Demi Rose strips fully naked for sexiest shoot yet in Ibiza

beach bum

Demi Rose leaves nothing to the imagination as she goes topless for shoot

Despite her last Instagram post being in 2023, Demi still boasts a whopping 17m followers.

After ditching Insta, the stunning star has since switched her attention to OnlyFans.

Demi shot to international fame when she was pictured on a date with Kylie Jenner‘s first love Tyga in Cannes back in 2016.

It was shortly after the Kardashians star had split from the rapper.

Demi also briefly dated DJ Tom Zanetti in 2017 and DJ Chris Martinez in 2018.

But It hasn’t all been plain sailing though and Demi has previously revealed she was diagnosed with chronic fatigue syndrome.

The condition causes those affected to become tired often – and she started skipping school to stay at home.

She was bullied so badly at school, she quit lessons too.

“Boys, girls, and so I wasn’t really able to learn.

“Everyone just used to like to pick on me, put chewing gum in my hair, like, just to wind me up for their own entertainment,” she said.

This time, it’s personal for Eric Goode.

The director’s first two docuseries — “Tiger King” and “Chimp Crazy” — were smash hits about larger-than-life characters engaging in questionable and illegal activity surrounding the care and ownership of animals. Both had an underlying conservation message but drew viewers in with the colorful and chaotic worlds they depicted.

Goode’s third, “Monsters of God,” premiering Thursday on HBO, is both a direct descendant and forges a new path. While it also features a hugely entertaining menagerie of criminals, who speak frankly about many of their illegal acts and how much they dislike each other, “Monsters” is largely a historical look at reptile smuggling going back more than half a century — unlike the contemporaneous stories in “Tiger King” and “Chimp Crazy.”

Goode had opportunities to bring in current events — one dealer was rearrested shortly after being filmed and there were major smuggling arrests in California in recent years — but realized he couldn’t keep piling on more stories. “We’re just setting the tone of this multibillion-dollar reptile-smuggling industry that you’ve probably never heard of,” says Goode’s producing partner Jeremy McBride.

But the other difference is that Goode has spent his entire life immersed in the world of reptiles, starting long before he even contemplated making a documentary. Goode had a pet tortoise when he was 6 and slept with a tegu lizard in his bed as a teen. He also saw the industry underbelly up close and personal. “In the ’70s and ’80s, I even bought reptiles from some of the very people that I chronicle in ’Monsters of God,’” he says.

“I had personal connections in these worlds, which helped us go much deeper than in my other stories,” he says. “I don’t know if it’ll be anywhere near as successful, but in terms of investigative journalism, we went much further.”

An archival photo of director Eric Goode with a southwestern pond turtle. In addition to filmmaking, he created the Turtle Conservancy in Ojai.

(A24 / Goode Films / HBO)

(He also acknowledges that his earlier series could tilt toward sensationalism and be exploitative. “I was naive when I started all this and learned a lot from ‘Tiger King,’” he says, adding that there was internal friction about what direction to go with the material. “Now we’ve refined the like-mindedness of what we were trying to do.”)

He credits his mother with opening his eyes to the larger issues when he was younger. “She struggled with me keeping things in captivity and would say, ‘You can’t play God, these animals belong in the wild.’”

That said, while he is proud the Big Cat Public Safety Act passed in the aftermath of “Tiger King” and believes people should be banned from raising chimps at home, he views reptiles differently. “Kids should be able to have a bearded dragon or a leopard gecko or ball python. It nurtures a love for nature and for reptiles,” he says, adding that he’s focused more on the harm caused by smuggling.

Despite his love of animals and a high school obsession with making Super 8 film, Goode was not, for much of his life, a likely candidate to be directing these documentaries. “My whole trajectory doesn’t make a lot of sense on paper,” he acknowledges.

After attending the School of Arts and Sciences, which his father founded in Marin County, Goode moved to New York. He worked as a production assistant on big films. “I hated it,” he recalls. “I hated being a cog in a wheel, just moving things around.” (Today, even as his productions have grown more elaborate, he still goes into the field with a small team. “I like that intimacy.”) He also went to art school but was largely bored there.

“I saw the creative energy in New York in the nightlife there,” he says. So while Goode was working as an artist, he also created Area, one of the city’s biggest nightclubs of the 1980s, where he brought in collaborators like Jean-Michel Basquiat, Keith Haring, David Hockney and Kenny Scharf, with rotating themes like a carnival or natural history (which featured snakes and lizards). “Everyone came from somewhere else or were misfits and I was bringing in these interesting characters, which is very similar to what I’m doing in these films,” he says. “I like lifting up the rocks and finding the eccentrics out there.”

Area’s success led to a big career in nightclubs, restaurants and hotels. Then 20 years ago, he took his profits, along with his passion for reptiles, and created the Turtle Conservancy in Ojai. “I realized that the two most endangered groups of vertebrates in the world were primates and turtles,” he says, adding that nearly half of the smuggled animals seized at LAX in the last three years were turtles. When officials recently confiscated 350 turtles there, they brought them to the conservancy to care for them. “I’m going to go feed them after this interview,” Goode says.

The conservancy now has a worldwide reach in protecting turtles and their habitats and has become a leader in trying to stave off extinction for the ploughshare tortoise, whose fate is a major storyline in “Monsters of God.”

Tom Crutchfield, one of the reptile smugglers featured in the docuseries, with a monitor lizard in a photo taken circa 1970s.

(Photograph by Bill Love. Courtesy of Goode Films / HBO)

As filming was finishing, the conservancy became home to the first ploughshare births in captivity. “It was such a coincidence but really meaningful,” McBride says. “It anchors the film’s purpose and gives a little bit of hope in what otherwise feels bleak.”

This docuseries has been in the works for nearly 20 years, since Goode read Brian Christy’s “The Lizard King” in 2008 and tried to option it. “I even filmed him badly back then — the sound was terrible and the camera fell off the tripod during the interview,” he recalls. (Christy appears in the docuseries.)

In 2014, he finally got started but it was always on and off again as other projects got in the way. In “Tiger King,” Goode shows he’s first drawn to that story when he sees a guy with a snow leopard in his van, which happens while he’s filming Tom Crutchfield, one of America’s most notorious reptile smugglers. “But while I was making these other stories, I was always opportunistically filming reptile people,” he says, adding that they interviewed not only the criminals but federal law enforcement and others, seeking a broader scope than his previous films. “It was critical for us to get all sides of the story. Part of the reason it took so long was it sometimes took years to get someone to agree to talk.”

McBride says they finished with 1,500 hours of footage and interviews with a hundred different people, including the most notorious smugglers (some of whom were also murderers and drug dealers) and the law enforcement officials who dedicated years of their life undercover to catch them.

It’s a true crime story on some level but Goode says the series is more layered and complex than his previous projects.

“I don’t want people to think we’re the animal police,” Goode says. “Law enforcement has good intentions but they sometimes backfire with unintended consequences. Often, the more laws you create to prevent people from having a reptile, the more they want them. But sometimes prohibition does work.” (In Asia’s wet markets, the most endangered animals sell for more money with their protected status used as a marketing tool.)

“Hopefully, people come away recognizing that we have to think about doing things differently than maintaining the status quo, because a lot of what we’re doing is not working,” Goode says. “It’s a messy story without easy answers.”

MELANIE Sykes looked stunning in her first fashion shoot since shaving her head, amid her ongoing alopecia battle

The beautiful TV star, 55, has been keeping fans up-to-date with her hair loss journey, after previously being left “two thirds bald”.

Melanie, who shot to fame in the 90s in the Boddington’s beer ads, looked radiant as she went back to her modelling roots for the first time since losing her hair.

The much-loved TV presenter showed off her beautiful new look for sunglasses brand Cubitts.

In the photoshoot, Melanie looked glowing while posing in a stylish white suit.

The stunning star also used the opportunity to embrace her new shaven head.

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Throughout Mel’s alopecia battle, which she first talked about last year, she has been open and honest about the impact it has had on her.

She previously explained how her autoimmune condition had progressed over time and had left her with noticeable bald patches across her head.

Mel told how she was in “so much pain” after spending much of it unwell.

The star said at the time: “I’ve got an autoimmune condition, I am losing my hair, I keep having crazy inflammation all over and I am working on healing.

“In the last three months, I’ve done a meditation teacher training course.

“I was too ill to finish it like. The last two days of it I couldn’t do.

“It’s meditation teacher training, I don’t necessarily want to teach, but I can do…

“Mostly I’ve been living a very, very very spiritual existence.

“I’m two-thirds bald, really. Every time I say I’m bald I laugh, I don’t know why… Thank god I can laugh.”

In May, Melanie revealed that her hair had been coming out “really quickly”, after losing two thirds of her locks for more than a year.

She explained to fans how she has been trying on wigs, with her now ditching head scarves because she is keen to “get some hair”.

INBETWEENERS star James Buckley’s wife Clair was rushed to hospital in an ambulance after “not being able to stand up”.

The couple shared on their podcast that Clair, 38, had been unwell and needed to seek urgent medical attention.

In a snippet from the latest episode of The Buckleys, Clair revealed: “I’ve not been very well.”

James, 38, then replied: “No, you ended up in the old hospital there, didn’t you?

“Didn’t an ambulance come and take you away?”

Explaining what happened, the mum-of-two said: “So basically it was some sort of virus that I had had, but it was slowly sort of chipping away at me and I was getting more and more dehydrated and I didn’t even really know.”

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The Inbetweeners star then said: “I feel a little bit bad. Because I went away, I was working.

“And you were calling me up, sort of. I’d get to my hotel and I’d check, see how you’re getting on. You’d be going, ‘I’m really ill, I’m really sick.’

“And I was going, ‘Alright, see how you feel in the morning.’

“I came home and the only way I can describe you, you look like when little weak Lord Voldemort was being carried and he’s got his little thin little legs like hanging out and he’s got like a little shawl over him!”

James, who shot to fame in the noughties as Jay in The Inbetweeners, then revealed how once he saw how sick his wife was he called 999,

“Got an ambulance, didn’t we? Because you couldn’t move, you couldn’t get in the car and stuff. You were so weak,” the star revealed.

Finishing off the story, Clair then said: “So anyway, I got taken in and just got pumped full of fluids. There you go.”

Not one to miss a comic moment, James then joked: “That’s the title of the show. That’s the title of this episode. Claire Pumped Full of Fluid!”

The Buckleys podcast is a spin-off from their hugely successful YouTube vlogging series At Home With The Buckleys,

The pair thrill fans each week with their hilarious stories from their family life.

James and Clair first found love when they met on Twitter. 

Clair, then an actress and model living in Glasgow, previously revealed how she had never watched The Inbetweeners before meeting the actor – who was currently starring in season three of the hit show at the time.

“I knew of the show and what it was but I didn’t tune in. I didn’t watch it, which might have been a good thing,” the Scottish podcaster told The Sun in 2023.

“I did watch a couple of episodes after we met but to this day I don’t think I’ve seen every single episode. James and Jay are nothing alike thank God.”

The couple bonded on Twitter over their love of The Beatles before meeting in person .

After a whirlwind romance, they welcomed their first child Harrison, now 14, in 2011.

They then wed the following year, before Jude, 12, was born in 2013.

PEREZ Hilton is “able to communicate”, his family shared – in a health update one day after the celebrity blogger’s distressing TikTok video.

Hilton, 48, was rushed to hospital on Tuesday after a disturbing livestream appeared to show him self-harming at his Miami home.

Police received multiple 911 calls from concerned fans who reported that the TV star was naked, covered in blood, with several marks on his body.

Hilton’s family have now provided an update on the blogger’s condition, while thanking well-wishers for their “compassionate humanity during this heartbreaking time”.

Their statement continued: “This has been incredibly difficult and emotional for us, made even harder because very little information has been made available to our family.

“While we continue to wait for further updates, we remain hopeful.

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“We have also been able to confirm that Perez is able to communicate, which has given our family hope.

“We respectfully ask for your continued prayers, understanding, and grace as Perez continues to recover.”

Hilton, whose real name is Mario Armando Lavandeira Jr., sparked alarm after going through a mental health crisis in front of thousands of viewers.

Emergency dispatch audio revealed the tense hours leading up to his rescue as police tried to negotiate with him.

In one dispatch recording, two men are heard discussing a “man down call” involving a “live streamer” who was broadcasting himself while in severe distress, which left viewers “upset.”

Police are believed to have arrived at Hilton’s rental home at around 7.10 pm and spent several hours trying to make contact with him while also speaking with concerned family members.

A second dispatch recording, obtained by The U.S. Sun and timestamped at around 10.41 pm, shows operators later classifying the incident as a reported “suicide attempt” as they requested additional assistance.

The audio captures the urgency of the response, with dispatchers sending multiple police units to the property and warning responding officers that it was an “active police scene.”

Other units were placed on standby as officers worked to safely resolve the crisis before Hilton was ultimately transported to hospital.

At around 11 pm, officers revealed they were entering the home and minutes later Hilton was transported to hospital.

A source close told Fox News Digital on Wednesday that Hilton was injured and was placed under a psychiatric hold under the Baker Act.

Officially known as the Florida Mental Health Act of 1971, it allows a person to be taken to a receiving facility for an evaluation of up to 72 hours.

It does not mean the person has been arrested or charged with a crime.

Earlier this year, Hilton spent three weeks in hospital as he battled sepsis, one of a series of health problems – including an ulcer and blood clot – apparently triggered by taking flu medication on an empty stomach.

Following his medical drama in March he said: “My stupidity landed me in hospital for 21 days.

“It was the worst and best thing that’s ever happened to me.”

But the star found religion while he was recovering, and even claimed God told him to sell his $4 million mansion in Las Vegas and move to Miami.

He started urging his army of social media followers to pray for him. 

In one bizarre post he wrote: “I feel like I should be scared right now, but I’m not. I definitely am worried though. God, show me the way!

“Perez Hilton is GOING THROUGH IT right now. He asks for prayers and for Christ to intervene – sooner rather than later. Working on patience!”

Hilton found global fame in the early 2000s for his blog where he spoke about celebrity gossip and commented on the latest viral showbiz stories.

He was known for his big, often controversial, opinions on the stars of the era.

This led to him rubbing shoulders with some of Hollywood’s top names such as the Kardashians as well as starring in several TV shows.

In 2007, he featured in several episodes of The View and created his own TV show over in the UK called Perez Hilton Superfan in 2012.

His success with the show in Britain also saw him land a spot as a contestant on Celebrity Big Brother in 2015.

Despite being the seventh celebrity evicted from the reality TV show, Hilton had several major moments throughout the season and is known as one of the show’s most memorable cast members.

If you or someone you know is affected by any of the issues raised in this story, call or text the 988 Suicide & Crisis Lifeline at 988, chat on 988lifeline.org, or text Crisis Text Line at 741741.

British athlete Katarina Johnson-Thompson shared sweet memories of her dad, including his ‘full beam smile’.

Katarina Johnson-Thompson has remembered her late dad in an emotional on-screen moment.

The Olympic athlete is looking into her family heritage in a new episode of BBC ’s Who Do You Think You Are?

During the episode, Katarina, 33, who grew up with her mum in Liverpool, visits the Bahamas to learn about her dad’s family, after his death in 2017.

He died aged 59, having lived in the Bahamas and apart from Katarina since she was just a year old.

However, she recalled her memories of him in an emotional moment with her mum.

In a clip shared ahead of the episode airing, Katarina’s mum Tracey spoke about the moment she met her dad Ricardo.

Former dancer Tracey explained: “I went to dance in a show at the Crystal Palace Casino and I used to get this little bus, which was a free bus for all the workers. Your dad used to get the bus as well, so that’s how we originally met.”

She went on: “At first we were really good friends, he came across as a kind, generous person. It was around Christmas time, we were on the bus, I happened to mention that I was quite homesick for Christmas.

“The next day, there was a knock on my door, and as I opened my apartment door, all you could see was this great big tree.

“And then this face came around, that’s when he won my heart and before long, everything happened very, very quickly.”

“We’re both so happy there,” she added, looking back on a picture of their wedding day.

Katarina added: “The smile is definitely how I remember him, this full beam.”

The athlete has previously spoken about the relationship she had with her dad, and the “difficult” time she faced after his death.

“What happened with my dad is why I have been so switched on in competitions,” she told The Daily Mail. “He didn’t see me win and that has actually made me want to win in front of my mum even more, if that makes sense.

“She comes to see me in every single competition and I always feel for her when I don’t do well, or I let myself down, or I don’t reach my potential.”

She later told the Guardian: “I am proud of myself because there have been some hard and difficult times. But dad definitely spurred me on this year. I wanted to start winning things. I wanted my family to see me doing well. And I think I have done that for sure.”

Who Do You Think You Are? airs at 9pm on Thursday on BBC One and BBC iPlayer.

Comedian and podcaster Christina Pazsitzky just dropped the “divorce episode” of “Your Mom’s House” and addressed her split from Tom Segura after 20 years as a couple: “Mom’s drinkin’ and smokin’ on this episode.”

Pazsitzky told guest host Duncan Trussell that she wanted to formally address the news after word got out that the comedy power couple had separated this year. “Yes, Tom and I are divorcing, and it is extremely sad,” she said, beginning to cry.

“Sorry, I didn’t want to cry this soon. It is very sad. That being said, we have tried to work it out for several years for the sake of our children and our family, and we gave it all we could, but we just couldn’t work things out. We are no longer a couple.”

Pazsitzky said the former couple were trying to make their two children a priority as they navigated the split.

“Look, we had 20 amazing years together, and that’s a really good run, I think, in a marriage,” she said, noting that the two had built their comedy careers, podcasting empire and a family over the course of their relationship.

“I wanted to address the audience specifically because we’ve been through a lot together — for those of you that have listened to us since the very beginning — we’ve been through Tom and I getting married and living in Silver Lake and being two broke comics. We’ve been through births and deaths, tragic accidents, cancer, COVID, all the things, and I want you to know that I’m still your mom, and I’m still here, and we will survive.”

The comedian reassured listeners that she and Segura were amicable and that there was no need to take sides. “This is not an ugly divorce,” she continued. “Like, we’re cool, dude.”

The two became a couple in their 20s while working as stand-ups on the Los Angeles comedy scene. Pazsitzky said the two were “kids” and that people change over the course of multiple decades. She looked back on the “wild ride” of being poor together, living in Silver Lake and getting married with $200 between the two of them.

“Cancer couldn’t kill me, you think a dude’s gonna f— take me out?”

ALEX Jones, 49, has revealed that she hurled four pints of milk across her kitchen in a perimenopause rage as she deals with ‘perimenopause “delayed symptoms.”

Speaking on the Dig It with Jo Whiley and Zoe Ball podcast Alex explained that she was slighly in denial about being in that stage of her life.

When Zoe asked her if she was perimenopausal yet, she replied: “I don’t know, I mean am I? I don’t know.

“I’m slightly in denial, I suppose I had my youngest child at 44 and so I don’t know whether my body is confused because have I tricked it into thinking it’s younger than it is?

“Because I kind of think I really haven’t had that many symptoms.

“But then when I threw a four pint of milk accross the kitchen the other day, I thought oh my God here we are. The rage has started.”

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Alex continued: “So you know what I don’t know. Some days I think and it’s like that isn’t it?

“It’s so vague and thankfully and I think this is brilliant, we are talking about it more and more now.”

Perimenopause refers to the period leading up to menopause, during which the ovaries gradually produce less oestrogen.

It typically begins in a woman’s early to mid-40s but can start earlier or later, and may last from a few months to 10 years 

Alex also revealed that she’s normally a calm person and wants to be the best mother, wife, friend and colleague that she can be.

She said: “Maybe I do need to embrace and go and see about it. It’s just time though, like when do you fit that in?”

Alex shares children Teddy, nine, Kit, seven and Annie, four, with her husband Charlie Thomson.

Charlie is an insurance broker, originally from New Zealand and the pair first met at a party back in 2011 and four years later announced their engagement.

The happy couple tied the knot in 2015 and celebrated their 10th wedding anniversary in Auckland last year.

The Great British Sewing Bee is currently delighting BBC viewers – but what do we know about judge Esme Young’s life?

The Great British Sewing Bee judge Esme Young has faced her fair share of struggles.

In 2016, Esme replaced May Martin as a judge on the hit BBC competition. She has since delighted BBC viewers alongside Patrick Grant and a number of hosts, including Joe Lycett, Sara Pascoe and Sophie Willan.

Over the years, Esme has established herself as an esteemed British fashion designer. In 1972, she founded a shop in Camden Town called Swanky Modes, alongside fellow designers Judy Dewsbury, Melanie Herberfield and Willie Walters.

Throughout the 1970s and 1980s, Swanky Mode’s clothing appeared in Vogue, Honey and The Face, and was photographed by David Bailey, Nick Knight, and John Swannell.

Since then, Esme has made costumes for many films, including The Beach, Bridget Jones’s Diary, Romeo and Juliet, and Trainspotting. She notably designed the bunny costume worn by Renée Zellweger in the first Bridget Jones movie.

That’s not all, as one of Esme’s most famous designs was the Amorphous Dress worn by Linda Kozlowski in the 1986 movie Crocodile Dundee – a dress that is now in the V&A Collection.

But away from her successful career, Esme has also been through a number of challenges.

Personal struggles

Esme grew up in Bedford with her stay-at-home mum and her dad, who was an RAF pilot. He was a fighter pilot in World War Two.

Speaking with The Telegraph in 2022, Esme opened up about her life in north London, after moving into a one-bedroom flat in 1983.

“I’ve never been able to afford my own home. I’ve lived in social housing since 1983 – in a one-bedroom flat in Islington, north London, rented from the charitable housing trust Peabody,” she explained.

Reflecting on her previous money struggles, Esme told This is Money: “I could not afford to pay rent so I lived in a squat with my brother and friends… We had to pay for our electricity via a meter but otherwise we lived rent-free.”

The designer has previously shared her support for the Macmillan cancer charity, after her mum died of cancer.

“Even though I do not have much money, I give as much as I can to Macmillan Cancer Support. My mother died of cancer and it gave her and all the family lots of support,” she shared.

Hidden condition

In an interview with SheerLuxe, Esme revealed that she was “partially deaf” and therefore only learned to read when she was seven years old.

“My teachers thought I was thick and my father used to describe me as ‘dreamy’ – but, really, I was in my own little world because I couldn’t hear anyone,” she explained.

“I also didn’t learn to read until I was seven because I didn’t know how to make the right sounds. It’s still a bit of a problem today because I have to look at everything visually.”

The Great British Sewing Bee is available to stream on BBC iPlayer

Coronation Street fans are convinced an affair and a baby twist is on the way for Kit Green and Bethany Platt after Kit was dumped by his partner Sarah Platt on the ITV soap

Fans of Coronation Street think the signs are all there that Bethany Platt and Kit Green will have an affair.

Not only that but a baby twist could also be on the way. After Lucy Fallon, who plays Bethany, told the Mirror earlier this year about a plot on the way that fans would hate, viewers now think they’ve worked it out.

Recent scenes saw Bethany’s mother Sarah Platt dump her partner Kit, after her arrest. She’s currently in prison over Theo Silverton’s murder, and Kit wants to help get her out.

His hatred of Gary Windass, who helped Sarah initially cover up the crime, has led to him looking for evidence to implicate him. On Wednesday we saw Bethany roped in to Kit’s plans, with her also wanting to get her mum out of prison.

With Kit and Bethany teaming up and actress Lucy’s hints about what’s ahead, some fans can’t shake the feeling that an affair is on the way. They have wondered if Kit and Bethany will grow closer and end up sleeping together.

Some fans even wondered if it will lead to a baby twist for Bethany. Taking to social media one fan guessed: “Seeing as Bethany has a big storyline coming up, will it be having an affair with Kit after they bond taking care of Harry?”

Another fan posted: “If Sarah gets out, perhaps both Sarah and Bethany pregnant by Kit.” A third fan added: “Is the Bethany/Kit affair a FOR SURE thing or just a rumour?”

A fourth theory commented: “I also think maybe Kit and Bethany will work to get Sarah out of prison and maybe end up sleeping together.” A further post read: “Oh the tension between Kit & Bethany?! I am SORRY it is happening!”

One fan said: “I wouldn’t be surprised if something happens between Bethany and Kit.” As a fan then questioned if “another affair” was being planned, a viewer replied: “I thought to myself exactly this yesterday.”

It comes after what Lucy told the Mirror about the future for Bethany, in April. She said: “She does [have a big storyline coming up]. I can’t tell you what it is, but it’s not going to be great. I don’t think people are going to be happy about it.

“This one is low-key her fault. Everyone is going to be like, ‘She is a d**k.’ Which is fine.” But Lucy isn’t bothered about taking on controversial storylines on one condition. Lucy says as long as the plot “is good” she’s happy to get her teeth stuck into it.

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Murder 24/7 returns tonight with another harrowing episode as detectives race against the clock for justice

Chilling video footage recovered from a killer’s phone has been exposed, showing a violent spree across “two days of torture”.

Murder 24/7 has returned this week with a harrowing two-part special titled Natural Born Killer. Returning for its third series earlier this month, the true crime documentary takes viewers right into the heart of murder investigations across the UK.

Following West Mercia Police, the show, which sees detectives racing against the clock to ensure justice is done, has been dubbed better than Channel 4’s 24 Hours in Police Custody.

Last night (August 4), viewers were horrified after a harrowing episode delved into the murder of 54-year-old Jamie Gawler who was brutally killed and found by officers dead in an armchair with a towel thrown over his head.

Tonight (August 5), the second episode will air at 9pm on BBC One, as detectives continue their investigation into suspect Matthew Jonathan. A synopsis reads: “In Hereford, detectives continue to build their case against Matthew Jonathan for the murder of 54-year-old Jamie Gawler.

“The suspect maintains a ‘no comment’ stance in interviews, so the team is relying on digital and physical forensics to piece together the final days of Jamie’s life.”

It adds: “A critical forensic breakthrough comes when analysts match an incomplete, bloody footprint from the scene to Jonathan’s rare boots via a national database. Soon after, investigators recover a series of phone videos that reveal the true extent of the assault.”

In the episode, officers can be seen analysing a mobile phone recovered, believed to be Matthew’s, before discovering harrowing video footage on it which appears to show him assaulting Jamie.

The clips were played out as detectives watched on in horror. In the video footage, Matthew can be heard laughing and saying: “Don’t give me that broken face b******.”

He later instructs his victim: “Lift your head up,” before levelling abuse at him. He then adds: “I’ll do 30 years for this, I don’t care.”

The episode then sees officers showing Matthew the footage as one detective can be heard saying: “This is now two days into what I would describe as torture.”

Matthew Jonathan was eventually charged with murder as the episode explains three months later, he pleaded guilty to the charge. At sentencing, Matthew received a life sentence with a minimum of 32 years.

With all episodes available to stream on BBC iPlayer, viewers were horrified after watching the latest instalments this week. Taking to TikTok, one true crime fan admitted their “jaw was on the floor watching this show.”

In the video, they added: “Wow. Absolutely brutal…. I couldn’t believe them episodes, they were brutal.” Another replied: “I love watching this programme but those two were brutal.”

Murder 24/7 can be streamed on BBC iPlayer

Fans are already “obsessed” with Prime Video’s recent release Sterling Point

A brand new coming-of-age drama has been released on Prime Video, and fans are obsessed.

Created by Megan Park, Sterling Point follows a 17-year-old girl named Annie Jacobson who finds herself inheriting an entire island in Canada which was was once owned by her grandad. Her life takes a turn and she finds new friends, budding romances and untold family secrets along the way.

Prime Video’s official synopsis reveals: “Sterling Point is a heartfelt, coming-of-age drama led by 17-year-old Annie Jacobson (Ella Rubin). Raised in New York City with her twin brother (Keen Ruffalo) and loving adoptive father (Jay Duplass), Annie’s life takes a turn when she inherits her mysterious grandfather’s island in Canada.

“There, she finds new friends, budding romances and untold family secrets. The cast also includes Amélie Hoeferle, Jacob Whiteduck-Lavoie, Daniel Quinn-Toye, Bo Bragason, Jeffrey Dean Morgan, Nikko Angelo Hinayo, Mabel Strachan, Elle-Maija Talifeathers, and Missi Pyle.”

Fans are already obsessed, calling for another season, as one person wrote on X: “Need a #SterlingPoint season 2.” Another echoed: “GUYS THIS SHOW IS AMAZING I NEED SEASON 2.”

A third added: “The first needle drop from this show being maggots for brains had me IMMEDIATELY locked in.” On Instagram, one person stated: “THE show of the summer”, as another admitted: “I’m already obsessed.”

But some may be wondering who star Jacob Whiteduck-Lavoie is and how old he may be – here’s everything we know about the Canadian actor.

Jacob Whiteduck-Lavoie’s age and background

Jacob Whiteduck-Lavoie is a Canadian actor from Quebec who rose to fame following his performance in A Colony in 2018 – a performance which earned him a Canadian Screen Award for Best Supporting Actor. According to website Fandom, he is around 33 years old, having been born in 1993.

Fans may also recognise Jacob from his appearance in Billie Blue in 2023 and Bootlegger in 2021. He has also appeared in Troubled Waters where he plays character Billie. In 2023 he also appeared in Premier Trio as Xavier Laveau-Roy.

Now, in Sterling Point, Jacob has taken on the role of Ellis, who meets Annie after touching down in Toronto and immediately forms a connection with her. Previously speaking to Toronto Life, Jacob admitted that he had started acting from the age of 14, but up until 2021 had only acted in French.

Speaking about when he heard about his role, he said: “I was really emotional—this is the biggest project I’ve ever been a part of. I called my dad immediately. I was stunned.”

Sterling Point can be streamed on Prime Video