News Desk

Six people in critical condition as a severe heatwave fuels 154 wildfires across Algeria in a single day.

At least 12 people have been killed and 54 others injured as wildfires ravaged parts of northeastern Algeria, an official said, as authorities evacuated dozens of families from the hardest-hit areas.

Minister of Interior Said Sayoud, speaking to reporters on Wednesday, said the deaths occurred in the provinces of Jijel, Bejaia and Tizi Ouzou.

“Five deaths were recorded in the prefecture of Jijel, four in that of Bejaia and three in that of Tizi Ouzou,” he said.

Sayoud made the remarks during a visit to a hospital in the city of Souk El Thenine in Bejaia to evaluate treatment for victims suffering burn injuries and smoke inhalation.

According to the official Algeria Press Service, Sayoud reported 54 burn cases at the hospital, including six people who were in critical condition.

Sayoud said Civil Protection teams recorded 154 fire outbreaks across the country on Wednesday, including 36 in Bejaia province, 18 of which had been brought under control.

The fires come as a severe heatwave sweeps across Algeria and neighbouring Tunisia.

Sayoud said firefighting teams have managed to contain the blazes in the provinces of Skikda, El Tarf, Bouira, Tizi Ouzou and Tebessa. Operations were still under way in Bejaia, where 18 hotspots remained active, and in Jijel, where fires were burning in 12 municipalities.

He added that dozens of families had been evacuated from areas affected by the fires.

Images broadcast by regional news website Jijel News showed residents seeking refuge in a post office amid thick smoke.

Algeria frequently endures deadly seasonal wildfires during peak summer months.

At least six people were killed last month alone.

In recent years, intense heatwaves and fierce winds have amplified fire risks across the country’s forested Mediterranean coastline, disasters exacerbated by drought and climate change.

In death as in life, Parton left us one of the few spaces where Americans can still unite under a single banner. The banner of Dolly.

Flags are flying at half-mast to honor singer Dolly Parton, who died Tuesday at the age of 80.

There are few artists, let alone individuals of any stripe, whose loss compels a national day of mourning. Especially now, when it can appear there is little to agree upon and everything to debate.

But in death as in life, Parton left us one of the few spaces where Americans can still unite under a single banner: The banner of Dolly.

Her music was borderless, disarming and genuine. Simply put, it was a reflection of the woman who wrote and performed the songs. Her outsized personality, warmth, compassion and charm made her more than a country music star. Parton was an icon whose music, philanthropy and authenticity superseded genre, class, sexuality, color and politics.

She ingratiated herself to the public in bigger-than-big wigs, “trashy” outfits (her words) and with an unfailing sense of humor about herself. When I interviewed Parton in 2001 upon release of her album “Little Sparrow,” she expounded on her fashion sense.

“Just ‘cause I’m singing about a farmer doesn’t mean I have to come out in overalls,” she said. “Or just ‘cause I’m singing about a woman having a baby doesn’t mean I have to wear a maternity smock. But if I did, I’d put rhinestones on it.”

Parton’s self-effacing jokes made her immense talent less threatening in an entertainment industry that often reserved the title of “genius songwriter” for men. And women’s contributions were often minimized by putting the focus elsewhere.

In 1977, when she appeared on “The Tonight Show Starring Johnny Carson,” the most powerful man on television asked what her ample bustline would have been called back home. “Healthy,” he joked? She laughed it off. He then said he would give a year’s pay to “peek under there.” She was quick with a comeback, “I paid good money for these.”

Parton was a master at meeting wisecracks about her shapely figure with her own one-liners. When Carson’s successor Jay Leno asked if her breasts were real, Parton replied, “They’re real big!”

The boob jokes were predictable during her frequent appearances on talk and variety shows. But the of-its-time sexism was neutralized when she’d pull out her acoustic guitar and perform a song as comfortably as if she were sitting on the porch of her childhood home in Appalachia. The audience was then reminded that it was her indelible songs like “Coat of Many Colors” or “Jolene,” and the home-spun beauty of Parton’s voice, that made her a star.

The fourth of 12 children born to a poor sharecropper in a one-room cabin on the banks of the Little Pigeon River in Pittman Center, Tenn., Parton over six decades sold more than 100 million records to become one of the bestselling music artists of all time. She expanded her audience when in 1980 she played an overworked, underappreciated secretary alongside Jane Fonda and Lily Tomlin in “9 to 5.” The title track she wrote and performed for the film is an enduring work anthem, no matter the generation.

Despite Parton’s huge pop successes, which also included “Here You Come Again” and “Islands in the Stream,” she always came back to her roots. “When I came out of the Smoky Mountains, I tried to make a living doing [mountain music], but I couldn’t,” she said back in 2001. “I had to prostitute myself in certain ways musically in order to make a living. It’s almost like I had to get rich in order to sing like I was poor again.”

But it was largely what Parton did and said outside the recording studio and film set that made her such an inspiring and beloved figure, especially in communities that had been overlooked, marginalized or demonized.

She spent her lifetime giving back to Appalachia and other regions of her home state, sponsoring literacy programs and building the Dollywood theme park to attract tourism and create jobs. She covered tuition and related college expenses should Dollywood employees enroll in higher education. It was also reported that Parton had anonymously paid for the band uniforms for a number of Tennessee high schools for years.

When Whitney Houston popularized the country singer’s song “I Will Always Love You,” Parton used her songwriting royalties to buy property in a historically Black Nashville neighborhood, and moved her own business offices into the complex rather than in the city’s corporate or music-row districts. Functioning as a local commercial building and office space, it allowed her to invest directly in the surrounding community. Parton referred to the property as “the house that Whitney built.”

Parton was also known for her long history of openly supporting the gay community. She raised money for HIV-related charities, and her production company, Sandollar Productions, co-produced the Oscar-winning documentary “Common Threads: Stories From the Quilt,” which honored people lost to AIDS. She also publicly came out in support of same-sex marriage in 2009 and voiced her support for the trans community after several anti-trans measures came into law in Tennessee in 2023.

Communities across the political and cultural spectrum, and countries overseas, are now remembering and honoring Parton with drag parades, New Orleans brass band tributes and even a King’s Guard rendition of “9 to 5” outside Buckingham Palace.

Parton’s acts weren’t political. They were empathetic. And unifying. Even in death.

Aug. 26 (UPI) — Testimony ended Wednesday in Lindsay Clancy’s triple-murder trial, with closing arguments set to begin Thursday.

Clancy, 36, is charged with three counts of first-degree murder in the killings of her three children, ages 5, 3 and 8 months, at their Duxbury, Mass., home in January 2023. She pleaded not guilty.

The defense has argued that Clancy should not be held criminally responsible because of extreme mental health issues, including postpartum psychosis, while prosecutors say she deliberately killed the children. A panel of 12 jurors is expected to start deliberations after closing arguments.

An FBI psychiatrist, Dr. Gregory Saathoff, was the final witness Wednesday. He said Clancy could still appreciate right from wrong when she killed the children and noted her planning for it, CNN reported. Clancy sent her husband out for takeout before the killings and then attempted to take her own life, cutting her wrists and neck and jumping out a second-floor window. She was paralyzed by the fall.

“The fact that this was done without any witness present during a time where she had asked a potential witness to go on a longer errand — also I thought was significant,” Saathoff said.

The jury will have the choice of first- or second-degree murder or manslaughter charges. If Clancy is found guilty, she will face life in prison. If she is found not guilty by reason of insanity, she will likely be committed to a mental health facility.

The prosecution called more than 70 witnesses during the trial, while the defense called 10. Clancy’s defense included testimony from friends and family members who called her an “incredible” mother.

Clancy, who worked as a labor and delivery nurse at Massachusetts General Hospital, sought treatment for her mental health issues and was prescribed more than a dozen psychiatric medications on and off over several months. Both sides called psychiatric experts to testify during the trial.

The air-launched version of Castelion’s Blackbeard hypersonic strike missile for the U.S. Navy has now at least been test-loaded onto an F/A-18E/F Super Hornet. Castelion and the Navy are pushing to have the lower-cost Blackbeard ready for a limited early entry into operational service no later than August 2028.

Attendees at the Tailhook Association’s annual convention this past weekend were shown a picture of a pair of Blackbeard test articles under the right wing of a Super Hornet. The image was shown alongside another one offering a general side profile view of the missile, seen at the top of this story, which was first released publicly last week.

Blackbeard, which the Navy is acquiring under its Multi-mission Affordable Capacity Effector (MACE) program, was included in the same briefing at Tailhook where the new AIM-424 Malice Long-Range Air-to-Air Missile (LRAAM) was revealed. The slide on MACE was shown very briefly in passing in a video of the recording of a new episode of The Mover and Gonky Show podcast, which was posted online on Tuesday.

TWZ has reached out to the Navy about obtaining the full image and for more information.

Where or when the picture of the Blackbeards loaded on the Super Hornet was taken is unknown. In March, Axios reported that the missile would “fly aboard an F/A-18 in the near future,” without directly naming a source. In a press release the following month regarding a $105 million contract award from the Navy, Castelion said that funding would go in part to “completing the hardware and software integration of Blackbeard onto the F/A-18E/F airframe.”

Whether or not any actual flight tests have been conducted is also unclear. Another slide in the Navy briefing at Tailhook included a bullet point reading “Project Alpha – Hypersonic missile shot in 2026,” but does not explicitly say whether or not that milestone has already been reached. The MACE slide makes clear that the program is directly intertwined with Project Alpha, if they are not just different names for the same effort.

Beyond the confirmation of this important new step in testing, the picture of the Blackbeards on the Super Hornet’s wing offers a new look at the front of the missile, showing what look to be apertures on one side of the design’s wedge-shaped nose. The apparent apertures are also seen pointed up, but many air-launched munitions do flip down after release.

How exactly Blackbeard is guided remains unknown, but a downward-angled aperture at the nose end for a seeker system would make sense for this weapon, which the Navy is pursuing primarily as a new way to target enemy ships. In particular, a wide array of existing anti-ship and land attack missiles, as well as certain anti-air types, have variously shaped apertures in their noses for imaging infrared seekers. Imaging infrared has the benefit of being immune to radio frequency electronic warfare jamming. In addition, it is a passive capability that does not send out signals that can give an opponent advance notice of an incoming attack. Blackbeard’s full guidance package very likely also includes some means of navigating to a target area first, and it could have multiple modes of operation.

The apertures could also be present in this case for testing or other purposes, though this seems far less likely.

We previously discussed the other visible aspect of the design after last week’s release of the side profile picture, writing:

“A profile photo at the company’s headquarters reveals a weapon with a ballistic missile-like booster, on top of which is mounted what could be an unpowered hypersonic glide vehicle (HGV). A booster brings an HGV to the desired velocity and altitude before releasing it toward its target. The concept is in contrast to air-breathing cruise missiles capable of traveling at hypersonic speeds. Hypersonic speed is generally defined as anything above Mach 5, which larger ballistic missiles also reach in the course of their flights. More precise performance figures for Blackbeard are lacking, but Castelion has previously hinted it could hit targets out to just under 500 miles. Alternatively, the second stage may also have its own motor, allowing it to continue accelerating or sustain high-speed flight. A similar arrangement has been suggested as the propulsion system for the Russian Zircon missile.”

“Both stages of the weapon have cruciform fins, while the upper one features a prominent ‘chine’ line along the length of its body, and a slightly beaklike nose. The trolley on which the weapon is mounted provides some idea of its overall size. The blue stripes seen on each stage normally signify that a munition is an inert, non-explosive round utilized for training or tracking purposes. This would indicate a real (unarmed) missile rather than a dummy or mockup.”

As noted, Castelion and the Navy are hoping to see the air-launched Blackbeard reach an early operational capability (EOC) within the next two years. Castelion’s press release in April said EOC was being targeted for 2027, a timeline that had been previously reported. Just yesterday, the company put out a press release announcing a new nearly $90 million contract from the Navy specifically to help push the weapon closer to that milestone, as well as perform other activities. The release did not explicitly mention a new EOC schedule, but did say the contract covered work through August 2028, by which point the hope is that at least 50 missiles will have been delivered.   

Castelion previously released the video below to highlight continued work on Blackbeard, including in an air-launched form for integration on the Navy’s F/A-18E/F Super Hornets.

Blackbeard is coming 🏴‍☠️

The U.S. Army is also separately funding development of a surface-launched version of Blackbeard. In May, the Pentagon outlined plans for the acquisition of 12,000 Blackbeard missiles over the next three years, but it is unclear whether this covers surface- or air-launched versions, or a mix of both. At that time, the Pentagon also announced a framework for purchases of 10,000 lower-cost surface-launched cruise missiles in that same timeframe.

As underscored by those planned orders, Blackbeard is being developed with an eye toward lower cost and relative ease of production, as well as exportability to U.S. allies and partners. Historically, hypersonic missiles have been viewed as expensive, low-density assets offering a more limited ‘silver bullet’ capability against high-value targets. Depending on the price point that Castelion can achieve with Blackbeard, it could help change this calculus. Expanding sales beyond America’s armed forces could help further spread cost burdens and drive down unit prices through economies of scale.

Reduced production costs and timetables are areas of great interest today to the U.S. military when it comes to munitions, in general. Global conflicts in recent years, including recent fighting with Iran, other crises in the Middle East, and the war in Ukraine, have underscored the importance of having adequate stockpiles of key munitions and being able to rapidly replenish them. They have also exposed the United States’ increasingly worrisome lack of capacity in both areas at present.

For the Navy, from an operational perspective, Blackbeard is seen as a particularly important addition to the arsenal available to the service’s carrier air wings. The missile will offer Navy Super Hornets, and potential other aircraft, a boost in the range at which they can hold targets at risk, as well as the ability to cover those longer distances faster. Castelion’s design will also give the service a new stand-off strike weapon that is far more survivable and more capable, especially against time-sensitive targets. The missile’s speed will lessen the need for persistent kill chains, as well.

Greater standoff reach is already becoming more and more valuable, if not vital, as carriers and their air wings are being pushed further and further away from target areas by expanding and evolving adversary anti-access/area denial (A2/AD) bubbles. Similar considerations are pushing the Army and other services toward greater standoff strike capabilities.

If the development schedule for Blackbeard holds, the Navy will see the arrival of its first operational air-launched hypersonic weapon in the next two years. We now know that work on this weapon has already reached another important milestone, with testing on the Super Hornet now underway.

Contact the author: joe@twz.com

When Dolly Parton sang, “Working 9 to 5, what a way to make a living,” it was an understatement.

The legendary country singer, who died Tuesday after a brief battle with cancer, “worked up until the day she died” on multiple projects, her longtime manager Danny Nozell said in a statement to The Times.

“She loved seeing her dreams come to life, and loved knowing her work brought people joy,” Nozell said. “Ever the planner, Dolly worked with the team that she handpicked, for the past several years to build a project roadmap that will guide us for decades to come.”

The projects vary from a line of Dolly Parton dolls, which will launch online Sept. 15, to a biopic and a docuseries with release dates to be revealed later. A scripted show and an animated series based on Parton’s “Billy the Kid” book franchise are scheduled to be released on a date to be determined.

Other projects announced were Dolly’s Tennessean Travel Stop — a travel center in Cornersville, Tenn. — which will celebrate National Truck Driver Appreciation Week beginning Sept. 13; and Dolly Parton’s SongTeller Hotel in Nashville, where patrons can book stays starting Sept. 14, with a grand opening scheduled for Sept. 29.

The Parton estate will open the 20,000-square-foot Dolly’s Life of Many Colors Museum at the SongTeller Hotel on Sept. 29 and launch Dolly’s Cup of Ambition Coffee online on the same day. The coffee line will be available at retail stores starting spring 2027.

Dolly’s Dog Treats are on the calendar for early 2027, along with Dolly Bedding & Home Decor debuting in the third quarter of next year.

Broadway previews for “Dolly: A True Original Musical” will begin in December, with opening night scheduled for Jan. 19, 2027. The estate is also collaborating again with fashion designer Kendra Scott for a “9 to 5” jewelry collection.

Nozell guaranteed Parton’s fans that if any unreleased music, products, books, experiences and campaigns are launched through the official Dolly Parton channel, each was personally stamped on by the singer.

“As the leader of the team responsible for overseeing her legacy, we will ensure the many dreams she had yet to fulfill are brought to life,” Nozell said. “Many projects were in various stages of development, and we want to be transparent with her fans about this fact.”

The international body declared Uganda Ebola-free after 42 days without any new transmission, though cases are rising in DR Congo.

Uganda has been declared free of Ebola, with the World Health Organization (WHO) confirming that the East African country had passed the mandatory 42-day monitoring period without any new cases.

WHO made the announcement at a joint news conference on Tuesday with Uganda’s Ministry of Health.

But the declaration came roughly a month after Uganda had declared that the local outbreak was over, based on its own analysis of the virus’s spread.

“We had assessed the risk, we had assessed the whole chain of transmission and the dynamics of importation of the virus in the country, and we knew that we were free from Ebola,” Diana Atwine, the permanent secretary for Uganda’s Health Ministry, told national broadcaster NTV.

“However, WHO had to wait because that’s the process. That’s the guideline.”

Atwine called on countries that had imposed travel restrictions on Uganda during the outbreak to lift them.

“Unless they have other reasons, they should definitely lift the restrictions off the country, and Ugandans should be free to travel to any country,” she said.

Uganda reported 20 Ebola infections in total, with its last confirmed case recorded on June 21. Two people died from the virus during the outbreak.

The last patient was discharged from Mulago National Referral Isolation Centre on July 16, and the Health Ministry formally declared the outbreak over on July 28.

The outbreak in the Democratic Republic of the Congo (DRC), by contrast, is accelerating.

Confirmed cases in the DRC reached 5,656 as of August 25, an increase of 72 from a report released one day prior. A total of 2,715 deaths have been recorded, according to the latest government data cited by the European Centre for Disease Prevention and Control.

Ituri province, in the northeast of the country, remains the epicentre of the outbreak, with more than 4,700 people infected.

Uganda shares a border with the northeast part of the DRC, stretching more than 877km (500 miles).

Kasonde Mwinga, the WHO’s representative for Uganda, said in Wednesday’s news conference that the country was supporting treatment and laboratory capacity at two sites across the border, in Aru and Kasenyi, both part of the Ituri province.

Mwinga added that the model for cross-border collaboration could be expanded regionally.

Already, Uganda has announced it would open two additional Ebola treatment centres in the DRC, bringing the total to four.

On Monday, Ugandan and Congolese officials also met in Kampala to review a bilateral memorandum of understanding on cross-border health security.

Kenneth Akiiri, the undersecretary for Uganda’s Health Ministry, called for the WHO and the Africa Centres for Disease Control and Prevention (CDC) to mobilise further resources.

“When you are vulnerable and you have littler resources, you are supposed to raise an alarm for help,” Akiiri said in a joint statement.

For his part, DRC delegation head Adelard Lufungula urged strong action to combat the virus. “We want to fight Ebola like a war,” he said.

Caracas, August 26, 2026 (venezuelanalysis.com) – Venezuelan opposition lawmaker Antonio Ecarri has proposed dollarizing Venezuela’s economy and abolishing the bolívar, the country’s official currency, as a way to “stop devaluation” and “protect citizens’ purchasing power.”

Ecarri, a National Assembly Deputy from Alianza del Lápiz, has hired US economist Steve Hanke as an advisor for his plan to change the national currency.

“We are working on a serious dollarization proposal to put the brakes on the infernal devaluation that is destroying people’s wages. Enough of bureaucracy financing public spending by confiscating the private property and labor of Venezuelans,” Ecarri said.

Hanke, a Johns Hopkins University academic who served in the Reagan administration, has advised countries such as Ecuador and Zimbabwe on similar initiatives. In an article for business magazine Fortune, he confirmed that he has already drafted “a bill for the Venezuelan parliament.”

According to the US economist, the transition would begin with the establishment of a fixed USD-bolívar exchange rate before converting bolívar-denominated accounts to US dollars. The Venezuelan Central Bank (BCV) would retain administrative functions but lose the ability to issue money or set interest rates.

Hanke previously revealed that he has held meetings with US Treasury and White House officials to discuss an international strategy aimed at strengthening the US currency through dollarization of foreign countries, currency boards, and other instruments.

Ecarri’s proposal drew significant criticism, with Venezuelan National Assembly President Jorge Rodríguez announcing “an investigation process to establish the offenses committed” by the opposition lawmaker. Ecarri was also removed from his position as chairman of the Venezuela-US Parliamentary Friendship Group, a post he had held for just two months.

According to a published statement, the opposition deputy allegedly violated the legislature’s internal procedures as well as the constitutional provision establishing that “the monetary unit of the Bolivarian Republic of Venezuela is the bolívar” and that the Central Bank “is the public entity that, exclusively and mandatorily, exercises monetary policy.”

Rodríguez also described the proposal during a parliamentary session as “absurd and outrageous.” Ecarri, however, defended his stance and decision to hire Hanke, whom he called “an authority in the field and a personal adviser of mine for some time.”

The opposition lawmaker argues that Venezuela is “at a key moment” to debate the adoption of a different currency. 

“The country is already de facto dollarized, but those who continue to receive their wages in bolívars that lose value every day are our teachers, nurses, workers, and pensioners,” he stressed. “The government itself has just approved a law allowing rents to be paid in foreign currency.”

Ecarri claimed that growing oil revenues would supply Venezuela with enough foreign currency to adopt the dollarization plan, which he argued “should be accompanied by a Macroeconomic Stabilization Fund to protect the value of the currency against potential external shocks in the United States.”

Since 2018, the Venezuelan government has tolerated the circulation of US dollars amid efforts to control inflation. Though the bolívar remains the official currency, businesses and retailers establish cost structures and prices using US dollars. Venezuelan authorities have also fixed monthly bonus payments, which constitute virtually the entire income for workers and pensioners, in dollars, which are then paid in bolívars using the exchange rate established daily by the BCV.

The Central Bank has continually devalued the bolívar, with the USD-bolívar exchange rate growing by more than 150 percent since the beginning of 2026. The currency depreciation is a key driver of inflation. Prices rose by 19.9 percent in July, and accumulated 12-month inflation presently stands at 576 percent.

Financial authorities have likewise been unable to control a parallel, speculation-driven exchange rate which currently stands 15-20 percent above the official one.

Despite the persistent devaluation-inflation issues, formal dollarization is opposed by most Venezuelan policy analysts, including government critics. Economist Asdrúbal Oliveros warned that dollarization would be an effective mechanism for drastically reducing inflation but “is not the best solution,” since it would be a “nearly irreversible” decision that would limit the country’s monetary policy options.

Right-wing economist José Guerra likewise considers dollarization “a straitjacket” for an oil-producing country. “Without a central bank issuing currency, an external shock will cause deflation, an inability to pay salaries and finance public spending, as happens in Ecuador. It also creates a high dependence on the US and is a one-way path,” he said.

Rodrigo Cabezas, former finance minister under President Hugo Chávez, similarly expressed his “complete opposition” to dollarization, stating that it is “unreasonable” for a country to surrender essential economic tools, losing control over foreign exchange policies and interest rates.

For his part, economist and former United Socialist Party (PSUV) legislator Tony Boza contended that Washington wants to push dollarization in Latin America to “stave off its economic downfall.” Boza went on to criticize the acting Delcy Rodríguez government and the National Assembly for subordinating economic policies and the country’s national resources to US and foreign capital interests.

Edited by Ricardo Vaz in Caracas.

After Tim Curry finished playing the flamboyant Dr. Frank-N-Furter — first onstage, then in the 1975 film “The Rocky Horror Picture Show” — the actor never returned to the role that made him famous. Not once, over decades of “Rocky Horror” revivals from the West End to Broadway, did he ever put those fishnets back on.

For Curry, who died Tuesday at 80 in Los Angeles, there were too many characters to play, and too much fun to be had, for him to spend much time looking back.

“I’ve always moved on,” Curry told me last year, sitting in the Roxy Theatre on the Sunset Strip, where he’d played Frank to great acclaim in 1974, after originating the role in London. “That was part of the attraction of being an actor. I really didn’t want to come out of the same box every time.”

Last year, as “The Rocky Horror Picture Show” was being celebrated for its 50th anniversary, he agreed to meet at the Roxy, which he called “another home for me.” The stage show there had been a local sensation, and it was clear he still had pride and great affection for his role in the movie adaptation, which remains the longest continuous theatrical release in film history.

A stroke in 2012 left him partially paralyzed, interrupting a busy acting career. But he was quick to laugh and joke as he remembered playing Frank, including his nightly entrance at the Roxy, marching down a catwalk in heels and Dracula cape. The long life that “Rocky Horror” has enjoyed as a midnight movie, with shadow casts of costumed fans lip-syncing along, was a surprise to everyone.

Frank-N-Furter was a vivid invitation to fans to let their own freak flag fly. Even amid the era’s accelerating glam rock movement, “Rocky Horror” pushed the boundaries of mainstream pop culture as an outré musical about a mad scientist with a theme song called “Sweet Transvestite.”

“It was part of the sexual revolution, really,” Curry said of the film and its audience. “Experiment was in the air and it was palpable. I gave them permission to be who they discovered they wanted to be. I’m proud of that.”

He was also pleased with other roles that showed off his gifts, including a 1982 film version of “Annie,” directed by John Huston. Curry was the playfully crooked Rooster Hannigan, and had a standout scene singing and dancing in a pencil mustache and slicked back hair to “Easy Street,” alongside Carol Burnett and Bernadette Peters.

Tim Curry, left, in the 1985 movie “Clue.”

(American Cinematheque)

In 1996’s “Muppet Treasure Island,” Curry was a duplicitous but layered Long John Silver, a wild-eyed pirate motivated by greed but with a hint of humanity, as he sang songs and grappled with the strange, felt-covered puppet heroes.

“I love the Muppets,” he said last year. “One of the things that used to fascinate me was that the Muppeteers, when they had the Muppet on their hand, would only speak to you as the character. If you said, ‘Hello’ or ‘What’s the weather like outside,’ they would tell you as the character.”

Never humorless, Curry played the ruthlessly villainous Cardinal Richelieu in the 1993 adaptation of “The Three Musketeers.” Conceived as a vehicle for several Brat Pack actors of the time including Charlie Sheen and Kiefer Sutherland, the film nonetheless belonged to Curry, who relished every line of villainy. The actor again stole the show with theatrical flair as the Lord of Darkness in Ridley Scott’s bleak 1985 fantasy “Legend,” playing a demonic horned figure opposite Tom Cruise.

Curry brought the same energy to more relatable comedic roles in the beloved ensemble mystery “Clue” as the highly suspect Wadsworth the Butler, and “Home Alone 2,” as a four-star hotel concierge outmatched by a 10-year-old boy hero.

“Rocky Horror” gave him a film career and even led to a music sideline, with the 1979 radio hit “I Do the Rock.”

“When I did ‘Hair’ in London, my first gig, I was not sure whether I wanted to be a singer or an actor,” Curry told me. “And doing that show kind of postponed the decision long enough and I realized that I really wanted to be an actor more than anything, and I took it very seriously. And worked with the Royal Shakespeare Company. I saw myself having the trajectory of a serious English actor.”

The roles turned out wilder and more varied than he might have expected but his seriousness and sense of fun never faded, pushing boundaries and himself. No one was ever bored watching Tim Curry onscreen.