News Desk

Oct. 16 (UPI) — U.S. Sen. Mitch McConnell, R-Ky., fell down in a Capitol hallway Thursday on his way to the Senate to vote.

McConnell, 82, announced earlier this year that he would not seek re-election when his term ends in 2026.

Two volunteers from an environmental advocacy group were questioning McConnell as he walked and he fell to the floor. He didn’t answer the question. He was quickly helped up by his aides and a security guard. He smiled and waved at the video and continued his walk.

The Senate was staging votes on Thursday related to the government shutdown, which is in its 16th day. McConnell voted after the fall, and he is expected to vote later in the day.

Retired Marine pilot Amy McGrath announced last week that she is running for McConnell’s seat in 2026.

McGrath, a moderate Democrat and former candidate for the House and the Senate from Kentucky, launched her campaign earlier this month.

Already running for the Democrats are former Secret Service Agent Logan Forsythe, former CIA officer and military veteran Joel Willett, and retired Air Force colonel and state Rep. Pam Stevensen.

For the Republicans, three people already are running: Kentucky Attorney General Daniel Cameron, businessperson Nate Morris and Rep. Andy Barr, who beat McGrath in 2018 for a seat in the U.S. House of Representatives

While both Ukraine and Russia have sustained large amounts of helicopter losses due to dense traditional frontline air defenses, in some cases, drones, and attacks on bases, the U.S. Army is taking a measured approach in applying lessons learned to the future of its own rotary-wing fleet, a top commander told us. Maj. Gen. Claire Gill, commanding general of the U.S. Army Aviation Center of Excellence is adamant that not everything that happens in Ukraine applies to the U.S. Army and it’s absolutely critical that only the right lessons should be heeded.

“When we talk about Ukraine, there are a lot of lessons to be learned,” Gill told us on the sidelines of the Association of the United States Army (AUSA) annual conference in Washington, D.C.. “We focus on the right lessons to be learned.”

“There are some differences between positional warfare with drones – they’re doing World War One with drones right now in Ukraine – and the way that the United States Army fights, particularly as a member of the combined arms team and as a member of the joint force,” he added. “So, there are a lot of things that we should pay attention to there, but they’re not flying at night. They don’t plan like we plan. They don’t bring all the collective elements that we could bring to bear when we execute our operations.”

Ukraine and Russia are likely using deception as part of their operations, “but…using the night, using the terrain, using the degraded visual environment, we’ve got some pretty exquisite capabilities, and some well-trained folks, as do the Ukrainians,” Gill noted.

Gill is less convinced about Russian training.

“On the Russian side, I’ve seen some shoot downs that make me wonder, flying around the daytime, at altitude, flying the same routes. That just makes me think you can’t equate the way that they’re flying with the way that we might fly. So I think there’s a lot of opportunity there for us to learn some things, but not throw the baby out with the bathwater.”

“This is something when I talk to young aviators about what we should take away from some of the decisions that are being made in terms of divesting aircraft out of the army and investing in [unmanned aerial systems] UAS,” Gill added. “We have to make changes, right? We have to see the world the way it is. I know we’re not done with rotorcraft like I told you. Everything that we’re flying right now is going to be on the ramp for a long time.”

Army aviation assets include UH-60 Black Hawks, CH-47 Chinooks, AH-64E Apaches and heavily modified MH-60M Black Hawk, MH-47G Chinook, and AH/MH-6R Little Bird helicopters. You can read more about the future of the 160th Special Operations Aviation Regiment’s (SOAR) aircraft in our recent story here. In the coming decade, the Bell MV-75 Valor tilt-rotor aircraft is slated to come online as well. More on that later in this story.

The fate of helicopters in Ukraine has hammered home the need for missions to be mapped out with excrutiating detail before launching, Brig. Gen. Philip C Baker, the Army’s aviation future capabilities director, told us.

“We’ve got to have that ability to have really good planning tools going into mission sets,” Baker explained. “And planning tools is really driven by our data integration across all of our combat systems, intel, maneuver, fires. So when you look at NGC2 [Next Generation Command and Control] that provides us an integrated data path to bring in as much of information early on to planning, so our crews, both manned and unmanned, can plan them out right mission sets so they understand enemy, they understand the electronic spectrum, they understand weather, they understand all that before they go in.”

In addition, “when you look at the battlefield data and the speed of data that passes around the battlefield, we’ve got to be able to have that inside of our operation cells, and we’ve got to have that inside of our aircraft. And so we’re doing a lot this year onboarding new communication capability onto platforms that will bring into our experiment in March, that brings in satellite-based communication, that brings in mesh networks onto platforms to be able to drive that data flow onto platforms inside of our operation cells.”

Having standoff munitions capabilities is also key, Baker posited, pointing to the Army’s developing launched effects effort, a broad term that the U.S. military currently uses to refer to uncrewed aerial systems configured for different missions, like reconnaissance or acting as loitering munitions, which can be fired from other aerial platforms, as well as ones on the ground or at sea. For the Army, one example of a longer-range weapon being fielded for Army helicopters is the Israeli-designed Spike-NLOS. It gives Apaches the ability to hit moving targets far away with exacting precision. Far longer-ranged launched effects will also become available, including those that can decoy, jam, and attack targets many dozens, or even hundreds of miles away.

“The role of launched effects is to provide that standoff capability, not like a Hellfire at eight kilometers, but multiple, multiple kilometers out, so we can make contact with the enemy early, understand what the enemy is doing, and then have an effect on the enemy,” Baker suggested. “So that’s really the role of launched effects.”

New and improved sensors will also help rotary-wing aircraft survive by making them better able to operate in a degraded visual environment, Baker added.

“As we bring new sensors onto the aircraft, we want to be able to truly operate in those environments that give us the highest capability and survivability,” Baker pointed out. “So during darkness hours, during dust, during, you know, the environment where we need we can operate not in daytime. So we’re bringing on sensor capability to our platforms that allow us to even enhance our ability to operate at night.”

Asked about what the right lessons from Ukraine are, especially for a potential fight against a peer adversary like China, Baker said they are “really tied to that standoff range. We know standoff is going to be critical to be able to stay outside of weapon engagement zones so we can operate kind of a sanctuary.”

The Army also wants “to rely on that data network to be able to pass information quickly so we can strike quickly and affect the enemy,” Baker added. 

Lessons learned from Ukraine are informing how the Army is developing the Valor, Brig. Gen. David Phillips, program executive officer of aviation, told TWZ.

“I would offer, from equipment perspective and a sustainment perspective, you can look at the equipment decisions that we’re making on MV-75 and tie them directly to these lessons learned, how we integrate launch effects, how we integrate networks, how we integrate the survivability on the platform, the survivability off board the platform, and just the aircraft survivability itself. I think we’re absolutely integrating those into our design efforts today, as we’re headed toward the critical design review that’s coming up in the spring.”

With many Russian helicopters being lost from attacks on their bases, Maj. Gen. Lori Robinson, Commanding General of Army Aviation and Missile Command, said it will be important to keep an eye on the skies.

“I think the right lesson is that everyone does have to look up,” Robinson told us. “And that includes your sustainment footprint on the ground. So we’re looking into how to make that mobile. We don’t have a mound of stuff on the ground. And then every soldier out there, whether you’re in the aircraft or you’re sustaining the aircraft on the ground, is going to have to be aware of what is above them.”

When it comes to thinking about lessons learned from Ukraine, Gill said one thing stands out. While crewed rotary wing aviation will be in the mix for years to come, uncrewed systems will ultimately be at the pointy tip of the spear.

“The Army made a decision to move toward unmanned capability,” he noted. “And so I think the lesson that I take from Ukraine and this nature of warfare is you lead with unmanned systems, right? So whether you want to create an effect, whether you want to create a diversion, whether you want to find something, and then you introduce people. When you need humans to do the things that humans are really good at doing,”

Contact the author: [email protected]

BRITNEY Spears’ ex-husband Kevin Federline claimed the singer drank alcohol during her pregnancy and did cocaine while breastfeeding.

Britney, 43, was married to dancer and actor Kevin, 47, from 2004 until 2007.

The former couple welcomed two sons together during their three-year marriage.

On October 21, Kevin is set to release a tell-all memoir titled You Thought You Knew.

In addition to his former wife, the book also covers Kevin’s journey to Hollywood and his big break.

According to The Hollywood Reporter, it features allegations including that Britney had drank wine during pregnancy.

Read more on Britney Spears

brit blasts back

Furious Britney Spears hits back at ‘gaslighting’ ex Kevin Federline

As well as this, Kevin claims that Britney did cocaine while their boys were young – leaving him concerned about their breastfeeding.

The Sun has contacted Britney’s reps for comment.

Kevin told The Hollywood Reporter: “Of course this concerned me.

“Anything that could possibly harm the child is concerning. So yeah, it was a bit shocking for me through some of those moments.

“But yes, that night at the record release party was really what set everything off. I realized that I needed to get into “protect my children” mode, is what happened.

“Like I said in the book, it’s not necessarily the extracurricular activities (i.e., drug use). I was concerned for my children.

“And eventually she filed for divorce. That was the actual breaking point in the marriage.”

Meanwhile, Britney has since clapped back at her ex-husband’s claims in a passionate social media post.

She shared to Instagram: “The constant gaslighting from my ex husband is extremely hurtful and exhausting.

“Relationships with teenage boys is complex. I have felt demoralized by this situation and have always asked and almost begged for them to be a part of my life.

“Sadly, they have always witnessed the lack of respect shown by their own father for me.

“They need to take responsibility for themselves.

“With one son only seeing me for 45 min in the past 5 years and the other with only 4 visits in the past 5 years. I have pride too.

“From now on I will let them know when I am available.

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“Trust me, those white lies in that book, they are going straight to the bank and I am the only one who genuinely gets hurt here.”

Britney was seen reuniting with her rarely-seen son Jayden back in June, with a picture showing the teen towering over her.

BREAKINGBREAKING,

Statement appears to signal about-face from US president, who previously backed Hamas’s crackdown on Gaza gangs.

United States President Donald Trump has threatened to break the ceasefire between Israel and Hamas if the Palestinian group continues to target gangs and alleged Israeli collaborators in Gaza.

“If Hamas continues to kill people in Gaza, which was not the Deal, we will have no choice but to go in and kill them,” Trump wrote in a social media post on Thursday. “Thank you for your attention to this matter!”

The statement appears to signal an about-face from Trump, who earlier this week expressed support for Hamas’s crackdown on gangs in the Palestinian territory.

“They did take out a couple of gangs that were very bad, very, very bad gangs,” Trump told reporters on Tuesday. “And they did take them out, and they killed a number of gang members. And that didn’t bother me much, to be honest with you. That’s OK.”

More to come…

From the air, it looks like a city erased. Entire neighbourhoods have vanished from the map two years since Israel’s relentless bombardment of Gaza began. What were once homes, schools, hospitals, factories and power plants have been reduced to debris and dust. Thousands of Palestinians are now returning to ruins or rubble in a place that has lost the very fabric of daily life.

Economists estimate the cost of rebuilding at tens of billions of dollars – far beyond the capacity of Gaza’s shattered economy.

What is behind the $20bn lifeline to Argentina?

Plus, the European Union invests $13bn in South Africa.

“Frankenstein” has haunted Guillermo del Toro since he was a kid who barely reached the Creature’s knees. Back in 2011, the writer-director was already tinkering with a version of the monster that resembled a blend of Iggy Pop and Boris Karloff with jagged sutures, gaunt wrinkles and a crushed nose. Since then, Del Toro has made changes. The 2025 model is played by Jacob Elordi, a 6-foot-5 actor often cast as the ideal human specimen in movies like “Saltburn” and who here howls to life with handsome features and rock star swagger. But your eyes keep staring at his pale, smooth seams. He doesn’t look hand-stitched — he looks a little like a modern android.

Of course he does. The decades have given Del Toro time to think about what truly scares him. It’s not monsters. He loves all disfigured nasties, be they swamp creatures, eyeball-less ogres or bolt-headed Hellboys. It’s tech bros, like the ones weaseling into Hollywood, who give their every innovation a sterile sheen.

“Frankenstein” is the director’s lifelong passion project: He doesn’t just want to make a “Frankenstein” but the “Frankenstein,” so he’s faithfully set his adaptation in the past. But he’s adjusted the wiring so that 1850s Europe reminds us of Silicon Valley. The result is the best movie of his career.

This Baron Victor Frankenstein (Oscar Isaac) is a short-sighted egomaniac who barks over his critics while jabbing the air with his fingers. “I fail to see why modesty is considered a virtue,” he says with a snort.

And Del Toro has written Victor an enabler: a deep-pocketed investor named Henrich Harlander (Christoph Waltz) who struts into Victor’s science lecture hunting for a whizkid to crack the code to immortality. With his gold-heeled shoes and a confidence that he’s too rich to die, Waltz’s wealthy arms dealer is a 19th century take on venture capitalists like Bryan Johnson and Peter Thiel who’ve been poking into the feasibility of pumping their veins with young blood.

“Don’t be a reasonable man,” Henrich advises Victor. The assumption is — and remains — that tycoons and geniuses deserve to run rampant. Great success demands an indifference to the rules. And if you’re wondering whether money or brains has more power, there’s a scene in which Henrich uses a chamber pot and smugly orders Victor to “flush that for me.”

Del Toro is wired into the outrage in Mary Shelley’s sly 1818 novel, a nightmarish satire about men who care only about yelling “first!” without asking what horrors come next. Centuries ago, she warned of man’s ill-considered rush to create artificial intelligence. Today, Dr. Frankenstein’s descendants keep promising that AI won’t destroy civilization while ignoring Shelley’s point, that the inventor is more dangerous than his monster.

Victor, a stunted man-child who drinks milk served by a sommelier, is frozen in the I’ll-show-him stage of growing up with an abusive father (Charles Dance) who whipped him when he got a wrong answer on his schoolwork. Victor’s name, we’re reminded, means “winner,” a symbol of the pressure he’s under to excel.

Isaac plays him with a pitchman’s exuberance that sags as the corners of his mouth wrench down in disappointment. He’s hacked how to make a disembodied head moan in agony. But having rarely felt affection, Victor doesn’t know how to generate that emotion at all. Worse, it hasn’t occurred to him to think past the triumph of his product launch, that his Creature can’t be readily unplugged. The only kind characters in the movie are a rural blind man (David Bradley) and the moth-like Mia Goth, double-cast as Victor’s mother, Claire, and his brother’s fiancee, Elizabeth. A convent girl with a creepy streak, Elizabeth sees beauty in biology, leaning over a corpse’s flayed back to appreciate the intricacy of its ventricles. But the more she studies Victor, the less impressed she gets.

Because Shelley came up with “Frankenstein” as an 18-year-old newlywed who’d just lost a baby, her message gets boiled down to gender: Women birth life, men mimic it. Really, the feminine strength of the book lies in its foxy, shifting narration that opens with a prologue from an Arctic explorer who’s gotten his sailors trapped in the ice, before transitioning to Victor’s story and then the Creature’s. Like a hostess who secretly loathes her guests, Shelley encourages her characters to flatter themselves and expose their braggadocio.

Del Toro has kept that tactic and he’s kept the book’s structure. But within that framework, he’s changed nearly everything else to make Victor more culpable. Unlike the 1931 film, there’s no Igor and no excuse of accidentally using the wrong brain. This Victor does his own dirty work and what goes wrong is his fault. Meanwhile, Del Toro amps up the action, starting the film off with a ghastly great sequence in which Elordi’s Creature punches a sailor so hard his spine snaps into a backward somersault.

“What manner of devil made him?” the Captain (Lars Mikkelsen) exclaims. Victor guiltily explains why he played God.

Being a futurist isn’t bad. Henrich, an early adopter of daguerreotype cameras, shoots photographs of women posing with skulls like he’s paving the way for Del Toro’s whole filmography. But pompous Henrich and Victor don’t appreciate that their accomplishments are built on other’s sacrifices. When the cinematographer Dan Laustsen pans across a battlefield of dead soldiers, it feels like a silent scream. Henrich made his fortune killing these men; now, Victor will salvage their body parts.

Del Toro delights in the kinetic gusto of the tale, the grotesquerie of cracking limbs and blood sloshing about Victor’s shoes. In the laboratory, dead leaves and buzzing flies whirl through the air as if to keep up with the inventor’s wild ambitions and Alexandre Desplat’s swirling orchestral score. The production design by Tamara Deverell is superb as are the costumes by Kate Hawley, who shrouds Goth in dramatic chiffon layers and dresses laced to highlight her vertebrae. (This movie loves bones as much as Sir Mix-A-Lot loved backs.)

As Victor rudely flings around torsos and limbs, it’s clear that he only values life if it’s branded with his name. So yes, of course, Elordi’s Creature looks good. He’s been assembled from the choicest bits of man flesh to show off the talent of his creator, not so different from Steve Jobs caressing samples of brushed aluminum. When Elordi’s Creature pleads for a companion, a sliver of sculpted abs peeking out from under five hulking layers of wool and fur, you expect half the audience’s hands to shoot up and volunteer.

Elordi has adopted one or two of Karloff’s mannerisms: the arms outstretched in search of warmth, the lurching walk. You can see that he’s a tad lopsided on the left side, presumably because Victor couldn’t find matching femurs. Mostly, he’s his own monster, neither the calculating serial murderer of the book nor Karloff’s reactive, animalistic killer, but a scapegoat who finally starts leveling his foes with bone-breaking efficiency.

Towering over Victor by almost a foot, Elordi’s Creature dwarfs his creator physically, morally and emotionally. There’s anguish in his eyes, and when Del Toro shows us the world through his perspective, humanity itself appears anti-life, a pestilence that destroys without hesitation.

There’s a pack of digital wolves that just looks silly. Otherwise, you trust how intensely Del Toro has doted upon every detail. I was flummoxed by a row of servants flanking young Victor (Christian Convery) who appeared to be wearing gauzy bags over their heads. What are those for? My theory is it’s a tribute to the veil Karloff sported during lunch breaks, so as not to frighten any pregnant secretaries on the Universal lot.

Eschewing mobs of pitchfork-wielding villagers, Del Toro focuses on Victor’s inability to parent his unholy son. And while the end stretch gets a bit too stiff and speechy, particularly with a line that Victor is the “true monster,” I loved the moment when the Creature, venting on behalf of all frustrated children however big they‘ve grown, growls, “The miracle is not that I should speak but that you would listen.”

This deservedly anticipated “Frankenstein” transforms that loneliness into stunning tableaux of Victor and his immortal Creature tethered together by their mutual self-loathing. One man’s heart never turned on. One can’t get his heart to turn off. Ours breaks.

Oct. 16 (UPI) — Ontario’s Premier Doug Ford said he received an assurance from Jeep maker Stellantis’ Canadian chief the company will keep its Canadian plant open for future manufacturing.

Ford said Wednesday that the company’s Brampton auto plant will continue running despite Tuesday’s revelation that Jeep Compass production will shift to an American facility.

“I want to keep the Brampton plant open, no matter what,” Ford said following talks with Stellantis Canada president Jeff Hines. “He’s given me his word, they are going to keep it open.”

Stellantis, the parent company of multiple auto brands including Jeep and Chrysler, announced this week plans to invest billions in the United States to reopen facilities and add roughly 5,000 U.S. jobs plants in Illinois, Ohio, Michigan and Indiana over the next four years.

In April, Stellantis put a hold on production of its new electric SUV at its Canadian plant on Williams Parkway in the wake of tax-like tariffs imposed by U.S. President Donald Trump.

It was set to move forward with production later this year.

“Our government will continue to use every tool we have, including through our $20 million investment in POWER Centers to support displaced workers, including through retraining to re-enter the workforce as quickly as possible,” Ford posted Wednesday on X.

On Tuesday, Ford spoke with Canada’s Stellantis chief who reportedly said the company is “going to postpone it for a year” and claimed Stellantis will “find a new model” to build at the Canadian site.

“They are going to see what products they are going to put in there,” said Ford.

Ford, the leader of Ontario’s Progressive Conservative Party, added plans exist to add a third shift to a Windsor plant to possibly transfer up to 3,000 or less workers.

A Stellantis spokesperson pointed to its 100-year history in Canada and said Britain’s fellow commonwealth nation was “very important” to Jeep’s parent owner.

“We have plans for Brampton and will share them upon further discussions with the Canadian government,” the company stated.

Meanwhile, Canada’s Industry Minister Melanie Joly reminded CEO Antonio Filosa in a letter that Stellantis made critical commitments to Canadians.

“While the current U.S. tariff environment is creating complex challenges, Stellantis has made important commitments to Canada and to its workforce,” Joly wrote.

Joly said if Stellantis chooses not “to respect its obligations,” the Canadian government would “act in the interests of all Canadians and hold the company to full account, and exercise all options, including legal.”

Israel says Hamas is failing to meet commitments under Trump’s Gaza ceasefire plan, while Hamas says Israel’s destruction makes recovering captives’ bodies nearly impossible. With 11,000 Palestinians also still under rubble, Al Jazeera’s Nour Odeh says tensions threaten the fragile truce.

Brenda Blethyn stars in the upcoming drama film Dragonfly, which has been described as “shocking” and “violent” by critics

The latest trailer for Brenda Blethyn‘s “shocking” drama Dragonfly has just dropped and it’s already proving a massive hit with audiences after scoring 93% on Rotten Tomatoes.

The film also features Andrea Riseborough and Jason Watkins, with the storyline centring around Coleen (Riseborough) who becomes horrified by the treatment her elderly neighbour Elsie (Blethyn) is enduring, prompting her to volunteer her assistance without charge.

Nevertheless, the synopsis suggests that Colleen’s motives might not be quite what they seem. As suspicions mount, a devastating incident triggers a brutal chain of events that could irreversibly transform both women’s existence.

The trailer opens with Elsie recognising that looking after someone is “a lot of hard work” after Colleen volunteers her assistance. Colleen insists that it’s what neighbours are “supposed to do”, but the trailer swiftly shifts into darker territory as Elsie looks petrified by a telephone ringing in her house, and Colleen’s true intentions come under scrutiny from Elsie’s son (Watkins).

“I’ve been hurting all my life, Elsie, to be honest,” Colleen confesses, as we witness her menacingly observing Elsie through a glass panel in her front door, reports Chronicle Live.

Following its debut at the Tribeca Film Festival earlier this year, Dragonfly currently boasts a 93% score on Rotten Tomatoes. In our critique, we called the film “a powerful and compelling drama that explores those that society shuns, building to an ending you won’t forget”.

The Hollywood Reporter penned: “Is this tonal swerve a little gimmicky? Probably, and the film will not be to everyone’s taste. But it is a skillfully rendered exercise in terror.”

ScreenAnarchy remarked: “While cinema in general still tends to romanticise loneliness, Dragonfly shows it for what it is: a routine series of everyday, excruciating experiences that always build up to something that tends to be horrific, more often than not.”

The Guardian lauded it as “a stark, fierce, wonderfully acted film”, while Culture Mix observed: “Dragonfly isn’t just a ‘slow burn’ psychological drama.

“This well-acted movie about two lonely people and home caregiving takes an extreme turn in the last 20 minutes to a shocking ending that’s sure to be divisive.”

Last year, Blethyn spoke candidly about securing the role in the film after wrapping up Vera, reminiscing at the British Film Institute: “I was home, I hadn’t even unpacked my bag, and my agent called me and said, ‘Oh, you’ve been offered a film.’ I said, ‘I don’t want to do a film. I haven’t unpacked yet.'”.

“She said, ‘Oh, it is with Andrea Riseborough.’ I said, ‘Oh, is it?’ And she said, ‘And it starts next week because somebody had dropped out and it’s written and directed by Paul Andrew Williams.'”.

“I said, ‘Oh, well, I better have a little read of it just to… but no, I’m not doing it, but I’ll have a read of it.’ And I liked it, so I did it.”

Dragonfly premiered at Tribeca Film Festival in June 2025. A cinema release date is yet to be announced

After days of cross-border fighting, Pakistan and Afghan Taliban authorities agreed a temporary ceasefire. The clashes have left dozens dead and injured. So, what’s behind the worst violence between the countries in years?

EMINEM’S reclusive ex-wife Kim Mathers showcased a new look after dying her hair pink as she stepped out near her home in Michigan.

Kim, 50, who had long blonde locks in the past, is seen in The U.S Sun’s exclusive photos with a cropped ‘do.

The rap superstar’s former wife, who has four children, is now heavily tattooed with sleeve designs down both of her arms after adopting a rocker look in recent years.

Her elaborate inkings include the word Artemis down her right arm, referencing the Greek goddess of the hunt, wild animals, and wilderness scenes.

Kim also has other dark inkings on her left arm and on her neck, many of which have an Alice in Wonderland theme, as she previously revealed she is a fan of the Lewis Carroll story.

She appeared in good health after a previous addiction battle and was seen smiling while wearing a black t-shirt with a colorful Nirvana design emblazoned on the front.

‘THANK YOU GOD!’

Eminem’s rarely-seen daughter reveals she’s pregnant with first child

my name is

Eminem’s daughter gives birth to first baby and reveals name with tribute to dad

Kim matched her cut-up tee with a pair of light jogging bottoms and a pair of black shades.

In 2023, she revealed to The U.S. Sun that she was clean and sober after undergoing a 45-day rehab stint after she was left heartbroken by the death of her beloved mom, Kathy Sluck.

Audio from a 911 call in July 2022 revealed one of Kim’s children found her “surrounded by blood and pills on her bathroom floor,” as she struggled to cope with her grief.

They broke the handle on the door and called for help, as desperate Kim begged them not to call the police after reportedly leaving notes for her family.

The mom-of-four was rushed to the hospital before being discharged, and later sought treatment for addiction at a center in Detroit, Michigan.

HEALTH BATTLE

A year later, she told The U.S. Sun: “It’s been hard, I lost my mom, my dad, and my sister [over the past 10 years].

“[But] I’m good. I’ve been clean since about October. I went to Jefferson House … for 45 days.”

Kim revealed she had previously been taking pills to try and sleep as she struggled with the loss, and her children had been “very supportive,” amid her mental health scare.

Despite her past drama with ex Eminem, real name Marshall Mathers, she added that he had also been checking in with her to make sure she was getting better.

Asked how often she sees the rapper, she joked: “Not often, but often enough.”

The two wed in 1999 but divorced in 2001.

Despite reconciling and marrying a second time in 2006, the union did not work out.

The pair have a daughter, Hailie Jade, 29, along with an adopted daughter, Alaina, 32, with Eminem.

Alaina’s mother, Dawn, who was Kim’s sister, died of a drug overdose in 2016 after years of addiction problems.

Kim is also mom to Stevie Laine, 22, who identifies as non-binary, and was also raised by the rapper, 52.

In recent years, she has been living with her rarely-seen son, Parker, who is believed to be in his teens.

Both Stevie and Parker are from different relationships since her divorce from the superstar.

BABY JOY

Following her health issues, Kim and Marshall reunited for Hailie’s wedding to her long-term partner, Evan McClintock.

Hailie and Evan then welcomed a baby, Kim and Marshall’s first grandchild, Elliot, in March this year.

Kim’s upbeat appearance this month comes as her adopted daughter, Alaina Scott, announced she is pregnant with her first child with her husband, Matt Moeller, whom she married in 2023.

Alaina shared the news on Instagram, as she attached a photograph of her surprising her spouse.

“THE BEST OF YOU + ME,” she wrote in October. “For months, I’ve carried a tiny heartbeat inside me, one that has already changed mine in every possible way.“

She continued, “There’s something indescribable about knowing there’s a little life growing, dreaming, and becoming, all while you go about your day, whispering prayers and hopes only they can hear.”

Alaina added, “I’ve never felt more grateful for this gift and to grow our family, something we’ve wanted for so long.

“Thank you God for this blessing. Baby M, we can’t wait to meet you, little one.”

Alaina shared a slew of photos of her surprising Matt with the news.

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She can be seen leading him blindfolded into a room with gold balloons spelling out the words “BABY M”.

Matt then took the blindfold off and was presented with a shoebox with a pair of baby Nike sneakers inside and a positive pregnancy test.

We got an up-close look at General Atomics’ Mojave, which is working as a lead-in for Gray Eagle STOL at the Association of the U.S. Army’s major symposium outside of Washington, D.C. this week. Gray Eagle STOL will bring a vast array of capabilities and future adaptability into a package that can takeoff from short, rough fields and even amphibious assault ships. You can read all about Gray Eagle STOL in our recent feature here.

From the show floor, Chris MacFarland, vice president of Army Strategic Development from General Atomics Aeronautical Systems Inc. (GA-ASI), gives us the full walk-around tour of the aircraft and what it will bring to the table.

Check it out in the video below:

Contact the editor: [email protected]

Authors, readers and publishing industry experts lament the underrepresentation of Hispanic stories in the mainstream world of books, but have found new ways to elevate the literature and resolve misunderstandings.

“The stories now are more diverse than they were ten years ago,” said Carmen Alvarez, a book influencer on Instagram and TikTok.

Some publishers, independent bookstores and book influencers are pushing past the perception of monolithic experience by making Hispanic stories more visible and discoverable for book lovers.

The rise of online book retailers and limited marketing budgets for stories about people of color have been major hurdles for increasing that representation, despite annual celebrations of Hispanic Heritage Month from Sept. 15 to Oct. 15 in the U.S. There’s been a push for ethnically authentic stories about Latinos, beyond the immigrant experience.

“I feel like we are getting away from the immigration story, the struggle story,” said Alvarez, who is best known as “tomesandtextiles” on bookstagram and booktok, the Instagram and TikTok social media communities. “I feel like my content is to push back against the lack of representation.”

Latinos in the publishing industry

Latinos currently make up roughly 20% of the U.S. population, according to Census data.

However, the National Hispanic Media Coalition estimates Latinos only represent 8% of employees in publishing, according to its Latino Representation in Publishing Coalition created in 2023.

Brenda Castillo, NHMC president and CEO, said the coalition works directly with publishing houses to highlight Latino voices and promote their existing Latino employees.

The publishing houses “are the ones that have the power to make the changes,” Castillo said.

Some Hispanic authors are creating spaces for their work to find interested readers. Award-winning children authors Mayra Cuevas and Alex Villasante co-founded a book festival and storytellers conference in 2024 to showcase writers and illustrators from their communities.

“We were very intentional in creating programming around upleveling craft and professional development,” Cuevas said. “And giving attendees access to the publishing industry, and most importantly, creating a space for community connection and belonging.”

Villasante said the festival and conference allowed them to sustain themselves within the publishing industry, while giving others a road map for success in an industry that isn’t always looking to mass produce their work.

“We are not getting the representation of ourselves,” Villasante said. “I believe that is changing, but it is a slow change so we have to continue to push for that change.”

Breaking into the mainstream

New York Times bestselling author Silvia Moreno-Garcia, a Mexican-Canadian novelist known for the novels “Mexican Gothic” and “The Daughter of Doctor Moreau,” is one of few Hispanic authors that has been able to break to mainstream. But she said it wasn’t easy.

Moreno-Garcia recalled one of her first publisher rejections: The editor complimented the quality of the story but said it would not sell because it was set in Mexico.

“There are systems built within publishing that make it very difficult to achieve the regular distributions that other books naturally have built into them,” Moreno-Garcia said. “There is sometimes resistance to sharing some of these books.”

Cynthia Pelayo, an award-winning author and poet, said the marketing campaign is often the difference maker in terms of a book’s success. Authors of color are often left wanting more promotional support from their publishers, she said.

“I’ve seen exceptional Latino novels that have not received nearly the amount of marketing, publicity that some of their white colleagues have received,” Pelayo said. “What happens in that situation (is) their books get put somewhere else in the bookstore when these white colleagues, their books will get put in the front.”

Hispanic Heritage Month, however, helps bring some attention to Hispanic authors, she added.

Independent bookstores

Independent bookstores remain persistent in elevating Hispanic stories. A 2024 report by the American Booksellers Association found that 60 of the 323 new independent bookstores were owned by people of color. According to Latinx in Publishing, a network of publishing industry professionals, there are 46 Hispanic-owned bookstores in the U.S.

Online book retailer Bookshop.org has highlighted Hispanic books and provided discounts for readers during Hispanic Heritage Month. A representative for the site, Ellington McKenzie, said the site has been able to provide financial support for about 70 Latino bookstores.

“People are always looking to support those minority owned bookstores which we are happy to be the liaison between them,” McKenzie said.

Chawa Magaña, the owner of Palabras Bilingual Bookstore in Phoenix, said she was inspired to open the store because of what she felt was a lack of diversity and representation in the books that are taught in Arizona schools.

“Growing up, I didn’t experience a lot of diversity in literature in schools.” Magaña said. “I wasn’t seeing myself in the stories that I was reading.”

Of the books for sale at Palabras Bilingual, between 30% to 40% of the books are Latino stories, she said.

Magaña said having heard people say they have never seen that much representation in a bookstore has made her cry.

“What has been the most fulfilling to me is able to see how it impacts other people’s lives,” she said. “What motivates me is seeing other people get inspired to do things, seeing people moved when they see the store itself having diverse books.”

Figueroa writes for the Associated Press.

Despite a ceasefire deal with Israel, Palestinians across the devastated Gaza Strip continue to go hungry as food supplies remain critically low and aid fails to reach those who need it most.

As per the ceasefire agreement, Israel was supposed to allow 600 humanitarian aid trucks into Gaza per day. However, Israel has since reduced the limit to 300 trucks per day, citing delays in retrieving bodies of Israeli captives buried under the rubble by Israeli attacks.

According to the UN2720 Monitoring and Tracking Dashboard, which monitors humanitarian aid being offloaded, collected, delivered and intercepted on its way into Gaza, from October 10-16, only 216 trucks have reached their intended destinations inside Gaza.

According to truck drivers, aid deliveries are facing significant delays, with Israeli inspections taking much longer than expected.

‘Palestinians want food’

While some food aid has trickled in over the past few days, medical equipment, therapeutic nutrition and medicines are still in extremely short supply, despite being desperately needed by the most impoverished, particularly malnourished children.

Reporting from Deir el-Balah, in central Gaza, Al Jazeera’s Hind Khoudary said some commercial trucks have entered Gaza over the past few days, but most Palestinians do not have the ability to buy any of the items they are bringing in as they have spent all of their savings in the past two years.

So far, what has arrived in the trucks includes “wheat, rice, sugar, oil, fuel and cooking gas”, she said.

While food distribution points are expected to open for parcels and other humanitarian aid, people in Gaza have yet to receive them. “Palestinians want food, they want shelter, they want medicine,” Khoudary said.

She added that even 600 trucks a day would be insufficient to meet the needs of Gaza’s entire population.

Food ‘is not a bargaining chip’

The UN humanitarian chief, Tom Fletcher, has urged Israel to open more border crossings for humanitarian aid.

“We need more crossings open and a genuine, practical, problem-solving approach to removing remaining obstacles. Throughout this crisis, we have insisted that withholding aid from civilians is not a bargaining chip. Facilitation of aid is a legal obligation,” Fletcher said.

Since the ceasefire began, 137 World Food Programme trucks have entered Gaza as of October 14, delivering supplies to bakeries and supporting nutrition and food distribution programmes.

With the ceasefire in effect, WFP is now scaling up.

🔹137 trucks have already entered #Gaza — supporting bakeries, nutrition, and food distributions.

🔹170,000+ MT of food ready to move, enough to feed 2M people.

The goal: flood Gaza with food, fast. The ceasefire must hold. pic.twitter.com/AjKBu8rap7

— World Food Programme (@WFP) October 14, 2025

Israeli authorities continue to block UNRWA

The United Nations Relief and Works Agency (UNRWA) – the primary and largest organisation providing aid to Palestinians – has faced significant restrictions imposed by Israel.

The agency, which was responsible for delivering food, medical care, education and emergency assistance, says it has enough food aid in warehouses in Jordan and Egypt to supply the people in Gaza for three months.

This includes food parcels for 1.1 million people and flour for 2.1 million, and shelter supplies sufficient for up to 1.3 million individuals.

However, despite the ceasefire, Israeli authorities are continuing to block them from entering.

UNRWA has enough food outside #Gaza to supply people there for three months, amid desperate need. Our teams stand ready to deliver it.

But despite the #ceasefire, the Israeli Authorities’ block on UNRWA bringing any supplies into Gaza still continues after over 7 months.

Let us… pic.twitter.com/O3fwK70d5V

— UNRWA (@UNRWA) October 16, 2025

Malnutrition among children

As of October 12, at least 463 people, including 157 children, have died from starvation amid Israel’s blockade of the Gaza Strip. Nearly one in four children suffers from severe acute malnutrition.

After prolonged starvation, food must be reintroduced carefully under medical supervision to avoid re-feeding syndrome, a potentially fatal condition in which sudden intake of nutrients causes dangerous shifts in electrolytes, affecting the heart, nerves and muscles. A larger supply of nutritional aid, given safely, could dramatically save lives.

According to the United Nations Office for the Coordination of Humanitarian Affairs (OCHA), 90 percent of children in Gaza less than two years of age consume fewer than two food groups each day, which doesn’t include protein-rich foods.

At least 290,000 children between the ages of six months and 5 years, and 150,000 pregnant and breastfeeding women require feeding and micronutrient supplies.

In addition to this, there are an estimated 132,000 cases of children less than the age of five, and 55,000 pregnant and breastfeeding women projected to be suffering from acute malnutrition by June 2026, if immediate food aid isn’t made available.

Muslims are protesting across India against arrests, raids and home demolitions over the phrase ‘I love Muhammad’. Al Jazeera’s Yashraj Sharma explains what happened and why religious expression is increasingly under threat under Prime Minister Modi’s government.

Keri Russell has been a recognisable face on TV screens since the 90s – and she has a famous partner

Netflix’s The Diplomat is back with a third season, featuring Kate Wyler (portrayed by Keri Russell) in an unexpected new role.

Keri Russell, a 49 year old American actress, has been celebrated for her television roles since the 90s.

Born and raised in California, she has an older brother and a younger sister, and due to her father’s job as a Nissan Motors executive, the family moved around frequently.

In 1999, she bagged a Golden Globe Award for her performance in the drama Felicity, and has received four additional nominations for her roles in The Americans and The Diplomat.

In recognition of her contributions to television, she was honoured with a star on the Hollywood Walk of Fame in 2017.

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One of her earliest roles was at the tender age of 15, when she featured in the Disney Channel’s revival of The Mickey Mouse Club.

Her dancing skills, honed during her middle school and high school years, helped her secure a spot on the show.

She was a regular cast member from 1991 to 1994, and during this period, she made her film debut in Honey, I Blew Up the Kid.

From 2013 to 2018, she starred opposite Matthew Rhys in the series The Americans, where he played her character’s husband.

The on-screen couple became real-life partners during this period.

Who is Keri Russell’s famous partner?

The Diplomat star was previously married to Shane Deary, a Brooklyn-based contractor whom she met through mutual friends.

They tied the knot in 2007 and have two children – a son and a daughter.

The pair parted ways in 2014 and since then, she’s been romantically linked with Welsh actor Matthew Rhys, famed for his roles in Brothers and Sisters and Perry Mason.

They share a son and despite affectionately referring to each other as husband and wife, they haven’t tied the knot.

The duo have voiced their eagerness to collaborate professionally once more, with Russell suggesting to People that her partner could “totally” join the cast of The Diplomat.

“I think that would probably be more in his court,” she added, indicating their mutual desire to work together again.

“But he’s pretty busy doing a million other things. He’s got, like, five other jobs or something,” she quipped.

The Diplomat airs on Netflix

The proposal, which forms part of the ‘European Drone Defence Initiative’, is one of several flagship EU projects to prepare the bloc for a potential attack from Moscow.

The European Commission is in discussions to adopt a new counter-drone initiative to protect European Union airspace from Russian violations, as it seeks to strengthen border security with its own advanced drone technology after a string of drone incursions were reported in a host of EU and NATO member countries over the past month.

The proposal, which was included in a defence policy “roadmap” presented on Thursday, will aim for the new anti-drone capabilities to reach initial capacity by the end of next year and become fully operational by the end of 2027, according to a draft of the document.

It will then be presented to EU foreign affairs chief Kaja Kallas, European Commission Executive Vice President for Security Henna Virkkunen, and European Commissioner for Defence Andrius Kubilius.

European Commission President Ursula von der Leyen said last month that it was time for Europe to build a “drone wall” to protect its eastern flank, hours after some 20 Russian drones reportedly entered the airspace of EU and NATO member Poland.

The concept has since morphed into a broader “European Drone Defence Initiative” including a continent-wide web of anti-drone systems in an effort to win support from EU capitals.

The drone initiative is one of several flagship EU projects aiming to prepare the bloc for a potential attack from Russia as its more than three-year-long war in Ukraine grinds on.

In the meantime, as a counterpoint, Russia’s federal security chief said on Thursday that Moscow has no doubt about NATO’s security services’ involvement in incidents with alleged Russian drones over EU territory, Russian news agency RIA Novosti cited him as saying.

Following the drone incursion into Poland, other incidents were reported at airports and military installations in several other countries further west, including Denmark, Estonia and Germany, although there has not been confirmation that the drones were sent by the Kremlin.

For its part, NATO has launched a new mission and beefed up forces on its eastern border, but it is playing catch-up as it tries to tap Ukraine’s experience and get to grips with the drone threat from Moscow.

NATO Secretary-General Mark Rutte said on Wednesday that NATO was now “testing integrated systems that will help us detect, track and neutralise aerial threats” for use on the bloc’s eastern flank.

Ukrainian officials say Russia’s incursions into other countries’ airspace are deliberate.

“Putin just keeps escalating, expanding his war, and testing the West,” Andrii Sybiha, Ukraine’s foreign minister, said last month after the drones were spotted in Poland.

Other NATO allies have also claimed the incursions were deliberate.

However, experts in drone warfare say it is still possible that the incursions were not deliberate.

Russia has denied deliberately attacking any of the European countries, instead accusing them of making false allegations to cause tensions.

While Brussels wants to have the drone project fully up and running by the end of 2027, there is scepticism from some EU countries and fears that the bloc is treading on NATO’s toes.

“We are not doubling the work that NATO is doing; actually, we are complementing each other,” said Kallas.

Hackers took over the PA system at Harrisburg International Airport in Pennsylvania, broadcasting a pro-Palestine message and insults against the leaders of the US and Israel. Similar incidents were reported at three Canadian airports on the same day.