News Desk

Feb. 20 (Asia Today) — South Korea was the largest source of foreign visitors to Japan in January, filling a gap left by a sharp drop in Chinese tourism, according to official data released this week.

The Japan National Tourism Organization said 3,597,500 foreign travelers visited Japan in January, down 4.9% from a year earlier and marking the first year-over-year decline in four years following the COVID-19 pandemic.

South Korea accounted for 1,176,000 visitors, up 21.6% from a year earlier and representing 32.7% of all arrivals. It was the highest monthly total on record for a single country or region in January.

In contrast, Chinese visitors fell 60.7% to 385,300 from 980,250 a year earlier. The decline followed calls by the Chinese government urging restraint in travel to Japan. The drop extended a steep fall in December.

Visitors from Hong Kong also declined 17.9% to about 200,000, reducing the combined share of mainland China and Hong Kong to roughly 11% of total arrivals, compared with 20% to 30% in previous periods.

Other markets showed solid growth. Taiwan sent 694,500 visitors, up 17%, while the United States recorded 207,800 arrivals, up 13.8%. Australia contributed 160,700 visitors, up 14.6%. South Korea, Taiwan and Australia each posted record January figures.

Despite the slump in Chinese travel, 17 countries and regions set record January totals, helping to limit the overall decline. The tourism agency cited demand for winter sports and an increase in long-stay travelers as supporting factors.

Industry officials said group tours from China have been more heavily affected than individual travelers. The downturn followed remarks by Prime Minister Sanae Takaichi related to Taiwan, after which Beijing encouraged citizens to reconsider trips to Japan.

Tourism operators are seeking to reduce reliance on Chinese demand. A sake brewery in Niigata said Chinese visitors account for about 10% of its 7,000 annual foreign guests. On a recent tour, no Chinese participants were present.

Tourism Agency Commissioner Shigeki Murata said bookings from non-Chinese markets are maintaining levels seen during last year’s Lunar New Year holiday. Yusuke Miura, an economist at Nissei Research Institute, warned that prolonged travel restraint from China could pose risks and called for both businesses and the government to diversify by market.

China’s Spring Festival, which began Feb. 15, typically overlaps with Japan’s off-season for domestic travel, making Chinese tourists a key source of winter demand. Analysts are watching closely how the shortfall will affect hotels, restaurants and souvenir shops.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260220010006001

Pakistan says it has launched strikes on armed groups in Afghanistan after blaming recent suicide bombings, including attacks during the Muslim holy month of Ramadan, on fighters it says are operating from its neighbour’s territory.

Kabul has repeatedly denied allowing armed groups to use Afghan territory to stage attacks in Pakistan.

Afghanistan’s Ministry of Defence on Sunday said “dozens of innocent civilians, including women and children, were martyred and wounded” when strikes hit a school and homes in the eastern provinces of Nangarhar and Paktika.

Nangarhar police told the AFP news agency the bombardment started about midnight (19:30 GMT on Saturday) and hit three districts.

“Civilians were killed. In one house, there were 23 family members. Five wounded people were taken out,” police spokesperson Sayed Tayeeb Hammad said.

The Afghan Defence Ministry said it will “deliver an appropriate and calculated response” to the Pakistani strikes.

The two countries have been locked in an increasingly bitter dispute since the Taliban authorities retook control of Afghanistan in 2021.

Pakistani military action killed 70 Afghan civilians from October to December, according to the United Nations mission in Afghanistan.

Several rounds of negotiations followed an initial ceasefire brokered by Qatar and Turkiye, but they have failed to produce a lasting agreement.

Saudi Arabia intervened this month, mediating the release of three Pakistani soldiers captured by Afghanistan in October.

The deteriorating relationship has had repercussions for people in both countries with the land border largely closed for months.

KATE Hudson led the fashion pack in a glam corset dress at the Bafta Film Awards Nominees’ Party.

Anticipation is building for the prestigious awards ceremony – honouring the best British and foreign films of 2026 – which will air on the BBC tonight.

Previously, the Bafta 2026 nominations were revealed with Leonardo DiCaprio flick One Battle After Another leading the nominations in 14 categories.

Hollywood veteran Leo, 51, now shares an all-time Bafta record with the likes of movie legends Michael Caine, Daniel Day-Lewis and Laurence Olivier for seven Best Actor nominations.

However he has won the award just the once, for The Revenant in 2016. 

Yet while the stars get set for tonight’s proceedings, a swanky shindig at the National Portrait Gallery ramped up the anticipation last night.

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Song Sung Blue actress Kate oozed elegance in her trendy frock, which paired a black corset top with a flowing white skirt.

She left her blonde hair flowing over her shoulders and kept her make-up fresh, accessorising with statement silver earrings.

The beauty was seen posing with fellow actress Chase Infiniti, who she is pitted against in the Best Leading Actress category.

One Battle After Another screen star Chase opted for a delicate pink lace bodycon with long sleeve.

Ruffle detail around the waist and wrists added extra glam, and she finished off her look with silver high heels.

Hamnet’s Jessie Buckley and Bugonia’s Emma Stone are among others in the pair’s hotly contested category.

Meanwhile, Star Wars actor Warwick Davies flashed a huge smile as he stepped on the Red Carpet.

Wimbledon actress Kirsten Dunst cut a glam look in a longline black coat with matching handbag while her Fargo star husband Jesse Plemons wore a stylish grey blazer and matching trousers.

He is nominated for the Best Actor role for flick Bugonia.

Big Brother anchor AJ Odudu stood out for all the right reasons in a purple halterneck dress with a side split.

Marty Supreme actress Odessa A’zion, who is nominated for Best Supporting Actress, went for an all-black attire with striking yet sophisticated silver detail cuffs.

Garcia is the new world champion after a unanimous points decision victory against title holder.

Ryan Garcia has won the WBC welterweight title with a dominant unanimous decision over Mario Barrios.

Garcia dropped Barrios in the opening seconds on Saturday night in Las Vegas, Nevada, and controlled the fight with sharp combinations. The 27-year-old stayed patient after the early knockdown and turned more conservative late with a big lead.

The judges scored the fight 119-108, 120-107 and 118-109 for Garcia (25-2, 20 knockouts) of Victorville, California. The Associated Press news agency had it 119-109.

“It feels good to finally be a world champion,” Garcia said. “It’s something I’ve been dreaming of since I was seven years old.”

Garcia already has begun to turn to his future, looking at WBO super lightweight champion Shakur Stevenson and saying he wanted him next.

This was the second underwhelming bout in a row for Barrios (29-3-2, 18 KOs) of San Antonio, Texas, after he was fortunate to escape with a majority draw victory over Manny Pacquiao in July.

The win capped a turbulent stretch for Garcia, including a suspension, fines and other controversies.

In the co-main event, Gary Antuanne Russell kept his title against Andy Hiraoka.

After seven dynamic caps off the bench, 21-year-old back rower Henry Pollock finally gained a first Test start.

The idea was his energy would help avoid a repeat of last week when Scotland blitzed England in the opening 20 minutes.

“What do you do? Two weeks in a row conceding so many points in the first 15 minutes,” prop forward Ellis Genge told BBC Sport.

“Everyone has to take a look at themselves. No-one knows what the answer is right now or we would have sorted it out.

“It opened up scar tissue from last week – we have to be better at managing that period and stop turning the ball over.

“It’s brutal, professional sport because if you get 5% wrong it’s gone. We probably believed the hype from the first week too much. We can’t let the noise in now.

“We have let everyone down. Apologies for that but I promise we will make it better. We are going to go away and work as hard as we can to go away and rectify things.”

England found themselves deep in Ireland’s 22 on multiple occasions but lacked any clinical edge, making 14 handling errors in the game.

George Ford also missed touch with a penalty that could have put the hosts in a scoring position.

“As players, senior players and the leadership team we have to take responsibility for not starting the game right,” said Itoje.

“It was just our inaccuracy. We turned the ball over too much, and when we did get into positions to hurt Ireland we were not accurate and then gave ourselves a mountain to climb.”

GRAMMY-nominated salsa legend Willie Colón has died aged 75.

Heartbreaking tributes have poured in for the musical pioneer – with Bad Bunny calling the star “one of the legends who contributed to this beautiful and legendary genre”.

The iconic artist passed away on Saturday surrounded by loved ones, his manager confirmed.

Colón was a trombonist, composer, arranger, singer and social activist.

Over his decades-long career, he produced more than 40 albums that sold more than 30 million copies worldwide.

His manager Pietro Carlos said: “Today, we’ve lost an architect of the New York sound, a trombonist who made metal his banner and wrote eternal chapters in our musical history.

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“Willie didn’t just change salsa; he expanded it, politicized it, clothed it in urban chronicles, and took it to stages where it hadn’t been heard before.

“His trombone was the voice of the people, an echo of the Caribbean in New York, a bridge between cultures.”

He added: “Today we say goodbye to a master, but his legacy lives on.”

Meanwhile, Grammy-winner Bad Bunny said on Instagram: “Today, one of the legends who contributed to this beautiful and legendary genre passed away.”

The star continued: “So, on behalf of myself and Los Sobrinos, we wish Willie Colón peace.

“Much strength to his family.

“The inspiration of so many of these great musicians who left their mark on this earth will never die as long as there are talented young people like those here, keeping the music, salsa and all Caribbean rhythms alive.”

Colón’s cause of death has not been confirmed, but Saturday’s tragic news follows reports from last week claiming that the star had been hospitalised for respiratory problems, according to TMZ.

A pivotal architect of urban salsa music, Colón collaborated with a long list of fellow icons, including the Fania All Stars, David Byrne and Celia Cruz.

His critically acclaimed collaboration with Rubén Blades, Siembra, which touched on social issues in salsa, became one of the bestselling albums in the genre of all time.

The musician, born to Puerto Rican parents, was nominated for 10 Grammys and one Latin Grammy.

Colón was born in the Bronx, New York, before being raised by his grandmother and aunt, who from a young age nurtured him with traditional Puerto Rican music.

When he was 11 years old he ventured into the world of music, first playing the flute, then bugle, trumpet and finally trombone.

His interest in trombone was sparked after experiencing Barry Rogers playing it on Dolores, Mon Rivera’s song with Joe Cotto.

He recalled in 2011: “It sounded like an elephant, a lion … an animal.

“Something so different that, as soon as I heard it, I said to myself: ‘I want to play that instrument.’”

Colón’s main musical traits included the fusion of rhythms.

The genius harmonized jazz, rock, funk, soul and R&B with the old Latin school of Cuban son, cha-cha-cha, mambo and guaracha.

His style also encompassed traditional Puerto Rican sound including jíbara, bomba and plena music.

A passionate advocate for civil rights, he fought mostly in the US for the Latino community among others.

In 1991 he was awarded the Chubb fellowship from Yale University, a public service recognition also awarded to John F. Kennedy, Moshe Dayan, the Rev. Jesse Jackson and Ronald Reagan.

And he even served in politics – working as a special assistant to David Dinkins, New York’s first Black mayor, and an adviser to Mayor Michael Bloomberg.

Colón had his own stints running for public office too – but had little luck challenging the then-US Rep. Eliot Engel in the 1994 Democratic primary.

In 2001 he also came in third in the Democratic primary for New York’s public advocate.

The late star also appeared in films such – taking roles in Vigilante, The Last Fight, and It Could Happen to You.

On TV, he featured in Miami Vice and Demasiado Corazón.

The icon also appeared in Bad Bunny’s music video for NuevaYol.

Colón is survived by his wife and four sons.

Feb. 20 (Asia Today) — People Power Party leader Jang Dong-hyuk rejected calls to sever ties with former President Yoon Suk-yeol on Thursday, intensifying internal divisions within South Korea’s main conservative party ahead of local elections.

At a press conference at the National Assembly, Jang said Yoon’s life sentence in a first-instance ruling does not negate the principle of presumption of innocence.

“This is still a first trial,” he said. “The presumption of innocence must apply to everyone without exception.”

Jang dismissed demands from within the party to formally break with what critics call the “Yoon Again” faction. He argued that forces seeking to distance the party from Yoon are instead fueling division.

“Division is the worst form of incompetence,” he said. “Those who exploit the president’s name for their own interests, and those who use calls for severance to split the party, are the ones we must decisively cut ties with.”

His remarks appeared aimed at the pro-Han Dong-hoon faction and a group of younger lawmakers who had urged the leadership to declare a clear break from Yoon following Wednesday’s verdict.

Rep. Lee Sung-kwon criticized Jang’s stance, saying it showed a refusal to accept the judiciary’s decision. “By shifting responsibility for unconstitutional emergency rule onto others, he cannot call himself the leader of a conservative party before the people,” Lee said.

Seoul Mayor Oh Se-hoon also weighed in on social media, warning that politics centered on the slogan “Yoon Again” would fail to persuade centrist voters and younger generations.

Former party leader Han Dong-hoon issued a sharper rebuke, writing online that Jang was “merely a host for the Yoon faction” and calling for him to be removed to save the conservative movement.

The controversy has exposed differences within the party leadership. Floor leader Song Eon-seok said a day earlier that the party “deeply regrets” the guilty verdict against a former president it produced and apologized to the public, reaffirming that no one stands above the law.

A party official said views appear to be divided even between the party leader and the floor leader, complicating efforts to present a unified message.

With tensions rising, lawmakers are expected to convene a general meeting as early as next week to discuss the party’s direction. Observers warn that continued infighting could weigh on the party ahead of the June 3 local elections.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260220010006110

Police say the ex-Purdue University star died of a suspected self-inflicted gunshot wound in his hometown in Indiana.

Rondale Moore, the National Football League (NFL) receiver who suffered season-ending training camp knee injuries in each of the last two years after a standout college career at Purdue and a promising start with the Arizona Cardinals, was found dead on Saturday, authorities say.

Police said Moore, aged 25, died of a suspected self-inflicted gunshot wound. Moore was found dead in the garage of a property in his hometown of New Albany, police chief Todd Bailey said. The death remains under investigation.

Floyd County Coroner Matthew Tomlin confirmed Moore’s death. He said an autopsy would be conducted on Sunday.

After being traded to the Atlanta Falcons in 2024, Moore dislocated his right knee during training camp and never played for them. He signed with the Minnesota Vikings in 2025, but he injured his left knee while returning a punt in their first exhibition game and spent another full season on injured reserve. Moore was so distraught after immediately realising the seriousness of that injury that he slammed his hand down on a cart so hard the sound was audible throughout the stadium.

The Vikings said they had spoken with Moore’s family to offer condolences and support.

“I am devastated by the news of Rondale’s death. While Rondale had been a member of the Vikings for a short time, he was someone we came to know well and care about deeply,” coach Kevin O’Connell said in a statement distributed by the team.

“He was a humble, soft-spoken, and respectful young man who was proud of his Indiana roots. As a player, he was disciplined, dedicated and resilient despite facing adversity multiple times as injuries sidelined him throughout his career. We are all heartbroken by the fact he won’t continue to live out his NFL dream, and we won’t all have a chance to watch him flourish.”

In a statement, the Cardinals said they were “devastated and heartbroken”.

“Our thoughts and deepest condolences are with his family, friends, teammates, and everyone who loved him and had the privilege of knowing such a special person,” the team said in a social media post.

Moore grew up in New Albany, just across the Indiana border from Louisville, Kentucky, and was a first-team All-American as a freshman at Purdue in 2018.

Drafted in the second round by the Cardinals in 2021, Moore had 1,201 receiving yards and three touchdowns, plus 249 rushing yards and one score over three seasons. He served as their primary returner for kickoffs and punts as a rookie before injuries pushed him away from that role.

“Can’t even begin to fathom or process this,” former Cardinals teammate JJ Watt said on social media. “There’s just no way. Way too soon. Way too special. So much left to give. Rest in peace Rondale.”

Christopher Nolan gave him a noogie.

Denis Villeneuve wore his movie’s swag.

Elle Fanning looked into the future and saw him winning the Oscar.

Is there anyone out there who doesn’t love Timothée Chalamet? I mean, besides the old-timer Oscar voter who recently told me he doesn’t like the young man’s “shenanigans.”

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. Calico Mine Ride or Timber Mountain Log Ride? That’s a 1A / 1B ranking decision. It all depends if I’ve just eaten a slice of boysenberry pie.

Now … back to Timothée …

Did you catch any of the screenings during the American Cinematheque’s recent eight-film retrospective celebrating Chalamet’s career? Or perhaps you landed at the motion picture academy’s Samuel L. Goldwyn Theater on Monday when Chalamet was mobbed following a Q&A after a showing of “Marty Supreme” for guild voters.

If you witnessed a moment during this weeklong celebration — this Chalamania, if you will — you saw a young man whose talent as an actor is matched only by his genius at promotion.

You probably also came away knowing what has been a foregone conclusion since “Marty Supreme” opened in December: Chalamet is winning the Oscar for best actor.

And yet, there has been a lot of postulating that maybe one of the other nominated actors — Leonardo DiCaprio (“One Battle After Another”), Michael B. Jordan (“Sinners”), Ethan Hawke (“Blue Moon”) and Wagner Moura (“The Secret Agent”) — has a chance. You know … if things fall just the right way, there’s a path!

I get it. This year’s awards season has felt endless, and the Oscars are still more than three weeks away. Stories must be written, possibilities explored, no matter how remote.

But c’mon. Chalamet has this Oscar locked, just like “Hamnet” lead Jessie Buckley has owned the lead actress trophy since her movie premiered at Telluride in September. Admittedly, the lack of drama isn’t fun or exciting. Pine for an upset if you must, though it might be more fun to just surrender and celebrate Chalamet, a gifted actor and certified movie star who has stockpiled a remarkable body of work over the last decade.

This isn’t to say that you can’t make the case about who should win. DiCaprio continues to be one of our great comic actors and deserves attention just for the master class in phone acting he gives in “One Battle.” Moura carries “The Secret Agent” with an intense, brooding charisma that, one year shy of his 50th birthday, should push him to even greater recognition. Playing the desperate, despairing lyricist Lorenz Hart, Hawke empties his soul and his vocabulary, venting his way through the entirety of “Blue Moon.” And Jordan connects on the biggest swing of his career, playing twin brothers in “Sinners.”

So why is Chalamet winning in a walk? It’s a process of elimination. DiCaprio and Jordan are out as “Sinners” and “One Battle After Another” are ensemble films. (Even with the dual roles, Jordan is only in half the movie.) Moura’s work in “The Secret Agent” is sublime, but the Oscars rarely reward subtle acting. (This is a category that has gone to Rami Malek in “Bohemian Rhapsody,” Brendan Fraser in “The Whale” and Joaquin Phoenix in “Joker” in recent years.) And Hawke’s nomination is but one of two for “Blue Moon.” Not enough. Even the execrable “The Whale” managed three.

Chalamet already won the Golden Globe for performance by a male actor in a motion picture musical or comedy for “Marty Supreme.” Our columnist predicts an Oscar is next.

(Allen J. Schaben / Los Angeles Times)

Meanwhile, Chalamet is Marty Supreme, the undeniably talented, relentless self-promoter careening toward his goals of fame and fortune with little regard to the damage he is inflicting on others. (That’s Marty, not Timothée.) Marty’s despicable, but also, as played by Chalamet, winningly charming.

No, you’re not supposed to like the guy, which, for voters who, say, blanched at supporting DiCaprio in “The Wolf of Wall Street,” might be a problem. But the academy has changed a lot since Scorsese’s wildly entertaining movie screened for academy members at the Goldwyn and an unnamed screenwriter, seeing Scorsese, DiCaprio, Jonah Hill and writer Terence Winter emerging from an elevator afterward, ran over to them and started screaming, “Shame on you!”

It’s true that not everyone embraces the anxiety-inducing cinema that is the brand of “Marty Supreme” co-writer and director Josh Safdie. Not everyone embraces Safdie himself, after a noisy tabloid story resurfaced allegations of a toxic work environment on the set of the 2017 film “Good Time,” which Safdie directed with his brother, Benny.

But that has nothing to do with Chalamet, who did not work on the movie, or his ferocious, frenetic work in “Marty Supreme.” The biggest knocks against Chalamet seem to be the unorthodox ways he goes about promoting his movie (and himself) and his age (he just turned 30). Historically, the lead actor Oscar goes to men with a few more miles on the odometer. Adrien Brody is the youngest winner, taking the trophy in 2003 for “The Pianist” when he was 29.

But, as noted earlier, things have changed since the film academy began greatly expanding its membership over the past decade. This new academy gave its best picture and three acting prizes to “Everything Everywhere All at Once,” a bonkers movie that embraced chaos, fingers made of hot dogs and sex toys used as weapons. The new academy just crowned indie auteur Sean Baker king of the world for “Anora,” a Cinderella story about a stripper and a Prince Charming who knows where to score the best ketamine in Vegas.

You think these voters are going to care that Chalamet hasn’t “paid his dues,” an idea that’s patently silly on its surface anyway as this is his third Oscar nomination? He’s the youngest actor to earn three Oscar nominations since Marlon Brando did it, at age 30, in 1954.

By the way, Brando won the Oscar that year for “On the Waterfront.”

Chalamet has got this.

Iranian President Masoud Pezeshkian says Tehran will not bow to US pressure over nuclear talks, after Donald Trump warned on Thursday that ‘bad things’ will happen if Iran fails to reach a deal within 15 days.

Paul Fischer showed “Jaws” to his daughter when she was 10. She wasn’t scared. In fact, she loved it so much that she dressed as Richard Dreyfuss’ Hooper for Halloween. To Fischer, who watched “Raiders of the Lost Ark” at age 4 (“I remember the melting heads but I don’t think I was traumatized”), it shows the staying power of some of the ’70s blockbusters.

“It’s the flip side of how these franchises became so massive and had such a long tail,” he said in a recent video call with The Times, discussing how each generation still finds “Star Wars,” “Raiders,” “E.T.,” “Jaws” and “The Godfather.” “They’ve created films that endured and that overshadow others.”

That is part of the impetus behind his new book, “The Last Kings of Hollywood: Coppola, Lucas, Spielberg—and the Battle for the Soul of American Cinema.” The book, Fischer’s third about film history, starts before the trio were “big mythical names” and instead were just a bunch of guys setting out to fulfill their dreams.

The narrative then follows their journeys from the late ’60s through the early ’80s, filling in the “ecosystem” the trio came up in and how they wanted to change the system to gain creative autonomy. Spielberg worked within the system, Coppola spent lavishly and even ostentatiously to build his own studio and Lucas found his independence through a quieter, more conservative and technology-driven route.

(Martin Scorsese, who was friends with the three and “the most interesting human being of that generation of filmmakers,” gets plenty of ink but was not a titular character, Fischer said, because he remained an outsider who just wanted to make movies, not change the system.)

“I’m not going to pretend I can tell you what was going on in their heads but I tried to make people feel like they were there when it happened,” Fischer said.

While none of the three men would be interviewed, Fischer had decades of quotes and conducted his own interviews with hundreds of people in the filmmakers’ orbits to get a fuller and more honest story. (He added that their representatives were uniformly helpful with fact-checking and providing photos. “There was never a door closed on me,” he said in an accidental reference to the final scene of “The Godfather.”)

Coppola, “who changed quite a bit, was the hardest one for me to pin down,” Fischer said. “There are layers of complexity to him and his willingness to treat the creative life as if it’s an experiment.” Blending that with his self-indulgent philandering and spending of money, he added, “you can change your mind about that guy every five minutes.”

During that era at least, Fischer said Lucas and Coppola seemed ”completely devoid of any self-awareness.” He chronicles how Coppola pressured Lucas to accept changes to his first feature, “THX 1138,” so the studio would release it while Lucas viewed that as Coppola pushing him to sell out. Meanwhile, Lucas was pushing Coppola to do a studio film for hire to keep his fledgling Zoetrope Studio afloat, making Coppola feel pressured to sell out. (That movie was “The Godfather,” so it worked out OK for Coppola.)

“They keep giving each other advice about how to do things and then betray that same advice when it applies themselves,” he said, although he added that he doesn’t “whip them for 300 pages for having giant egos,” and said it’s part of the recipe to be a visionary filmmaker, especially in the Hollywood studio system.

Ultimately, the book depicts Lucas as more of a sellout, acting like the studio suits he once detested as he pressures “The Empire Strikes Back” director Irvin Kershner to make changes, often based on budget and then focusing more on profitability as he conjured up characters like the Ewoks for “Return of the Jedi.” Fischer doesn’t believe Lucas would recognize that version of himself in the book. “He’s someone who lost his BS detector and has drunk his own Kool-Aid.”

In Fischer’s telling, the creative and business sides are interwoven and inseparable from each other and from the personal relationships — their friendships and rivalries with each other but also their relationships with those who worked for them or loved them.

“They were all able to do what they did because of wives or partners or friends or college classmates, who did a lot of the work without being household names,” he said. To fully tell the story, he devotes plenty of narrative space to Coppola’s wife Eleanor, and his most prominent mistress, Melissa Mathison, who later wrote “E.T.,” producer Kathleen Kennedy, who co-founded Amblin Entertainment with Spielberg, and Lucas’ wife, Marcia, who edited the first “Star Wars” trilogy (and Scorsese’s “Taxi Driver”).

“How did these guys break through? Well, they were middle-class white dudes and these women looked after some of this stuff they couldn’t,” Fischer said. “Those aren’t the only reasons these guys became who they did but without that, they probably [wouldn’t have].”

Fischer celebrates the three men’s vision and talents — he calls “The Godfather” “a perfect film” and says Spielberg “speaks the language of a camera better than anybody else”— but the book makes clear how often they got lucky or were saved from themselves.

If Coppola had spent his money more judiciously, he might not have done “The Godfather;” Lucas resisted hiring Harrison Ford to play Han Solo as well as Ford’s creative contributions; and if someone had bankrolled the first feature film Spielberg pitched before latching onto “Jaws” — “a sex comedy San Francisco Chinese laundry riff on Snow White” — it could have sunk his career.

Additionally, Lucas and Coppola’s friendship frayed when the latter snatched back the directing gig for a film he had long ago promised to his buddy. “But imagine George Lucas making some weird low-budget, ‘Battle of Algiers’ version of ‘Apocalypse Now’ in the back streets of Sacramento,” Fischer said. “That sounds pretty crappy. And we would have lost one of the great, novelistic experiential movies that we have.”

Lucas, meanwhile, dangled his idea for “Raiders of the Lost Ark” before Spielberg’s eyes, then told him that Philip Kaufman had dibs. “He’s a fine director but we would have lost something there too,” Fischer said. “There are these crossroads there but still there has got to be something special about these three or they couldn’t have had repeated successes like they did.”

Writing about their failures, foibles and frustrations did not lessen the hold that these three men and their movie magic have on Fischer. He recounts a story of his own connection to one film with undisguised delight and enthusiasm. After graduating film school at USC, he was producing a documentary (“Radioman”) in New York when he learned that “Indiana Jones and the Kingdom of the Crystal Skull” was doing some filming in Connecticut. “Obsessed,” he finagled his way onto the set and into a job. “All I did was turn off the air conditioning,” he said. “‘Roll camera,’ I flip it off. ‘Cut,’ I turn it on. I did that for four days. But when Harrison Ford walked by wearing that jacket, I was 5-years-old again. That was cool.”

Miller is a freelance writer in Brooklyn who frequently writes about movies.

Feb. 21 (UPI) — Blizzard conditions are anticipated across a dozen states, from the Mid-Atlantic to New England, with coastal areas especially vulnerable amid a severe weather outlook.

Communities situated near the Atlantic Ocean’s shoreline are most vulnerable to severe winter weather. Some of the nation’s largest cities, including Philadelphia, New York and Boston, are located well within areas that could experience major winter storm conditions.

Those conditions include a blizzard caused by a powerful offshore low-pressure system that is producing high winds and heavy snowfall near its outer edges while centered off the Eastern Seaboard.

Blizzard warnings are in effect into Monday along coastal areas, from New Jersey and Delaware to the southern New England states.

New York City is subject to its first blizzard warning since 2017, and the city’s iconic Central Park could see its first snowfall total of more than 12 inches in at least five years.

Locations situated east of Interstate 95 and between Philadelphia and New York City are expected to see the most snowfall, which would make road travel dangerous.

Forecasters said at least a foot of snow could cover the ground in Philadelphia, New York City and Boston, along with other communities, and affect flights at airports in those locales and others that lie within the winter storm’s path.

Baltimore and other cities in the Mid-Atlantic are predicted to get several inches of snow, and a high potential for power outages exists anywhere affected by the winter storm system that packs winds capable of gusting to 40 mph and more.

The nor-easter’s strong winds also will increase the storm surge that could cause localized flooding in coastal areas from Delaware and New Jersey to southern New England throughout Sunday and into early Monday morning.

The low-pressure system was located off the coast of the Carolinas on Saturday afternoon and is projected to move to the northeast through Sunday, leaving heavy, wet snow and high winds in its wake.

Those who have flights scheduled should pay close attention to likely delays and cancellations that might affect their respective travel schedules.

But it is the coalescence of their personalities that amplifies all that sporting talent. And underpinning the team are two key things – total honesty and trust.

As McMillan puts it, “If one of us is in the wrong, the rest can say so”, while the more measured Mouat describes it as “knowing the different things to say to get the best out of each other”.

Individually, they are all very different.

Hype man McMillan is lively enough for all four of them; Hardie is the logic guy, an engineer by trade; Mouat is thoughtful, reflective and calm; Lammie is the quiet, reliable presence; and Waddell the experienced head in the background.

It might be labelled as ‘Team Mouat’ – as per the convention of naming a rink after its skip – but this is very much a collective. In fact, Mouat is keen to share the spotlight.

“Bruce is very different from a lot of skips,” explains BBC Sport pundit and 2022 gold medallist Vicky Wright. “A lot of them are clearly the leader but the GB team operates so well because they function on a level playing field.

“The dynamic they’ve got works because they all bring a different aspect to the table and they all respect that. That’s a massive part of why they’re so successful.”

It is instructive to see how comfortable they are in each other’s company and with the position in which they find themselves.

All five have been right in among it in Cortina these past couple of weeks, be it stopping for a chat in the street or in restaurants, meeting friends and relatives, watching other British athletes compete.

Or – in Mouat’s case – going pillowcase shopping and “spending far too much money” on the morning of the semi-final.

Even in the moments before the final, McMillan and Hardie were sharing a laugh with a journalist; Mouat was picking out familiar faces in the crowd for a smile and a wave, and Lammie and Waddell were casually studying the Canadians warming up.

This is their stage – but for how much longer?

Teddy Riley took to social media late Thursday to walk back earlier comments he’d made about wanting to work with the disgraced R&B singer R. Kelly.

In an interview with The Times published on Wednesday, the veteran producer and musician — widely known as the architect of the New Jack Swing sound that dominated Black pop in the late 1980s and early 1990s — said he’d “talked a few times” with Kelly, who’s serving a 30-year prison sentence after a jury convicted him of racketeering and sex trafficking charges, and that he’s “bringing in investors” to help release some portion of the 25 albums Kelly has said he’s recorded in prison.

“Everybody deserves a second chance,” Riley told The Times. “Everyone deserves to repent, and everyone gets forgiven by God when you come to him. People miss [Kelly’s] music. I’m the messenger to bring R&B back.”

Yet Thursday he appeared to changed course.

“As a producer, I’ve always been excited about the possibilities of music and creative collaboration,” he wrote in an Instagram post. “That excitement has defined my career. But I also understand that words carry weight, and I never want my passion for music to overshadow the very real pain that many people have experienced.

“If my comments caused hurt, I sincerely apologize,” he added. “That was never my intention. I take seriously the impact that abuse and misconduct have had on survivors and their families. Their experiences matter, and they deserve to be acknowledged with care and respect.”

Riley, whose long career has included collaborations with Michael Jackson, Bobby Brown and Keith Sweat, described his plan to work with Kelly as “a creative idea discussed in passing. It is not something that will move forward. Loving music and recognizing its cultural impact does not mean condoning harmful behavior, and I want to be clear about that.

“I have spent my life building a legacy rooted in innovation, integrity, and love for the art form. That remains my focus. I appreciate the dialogue, and I remain committed to moving forward with intention and accountability,” said Riley, who this month published a book, “Remember the Times,” about his life and work.

“Thank you to everyone who continues to support me, my memoir, and the journey,” he wrote on Instagram.

Bodies of five asylum seekers wash ashore in Libya as three others die in a separate incident off the coast of Greece.

Police in Libya have recovered the bodies of five asylum seekers that washed ashore near the capital, Tripoli, as authorities in Greece announced the deaths of three others in a separate incident off the coast of Crete.

The bodies in Libya were found on Saturday by residents of the coastal town of Qasr al-Akhyar, according to a police officer.

Hassan Al-Ghawil, head of investigations ⁠at the Qasr Al-Akhyar police station, told the Reuters news agency that the bodies were all of dark-skinned people. Two of them were women.

He said people in the area had reported seeing a child’s body wash ashore before the waves returned it to sea.

“We reported to the Red Crescent to ⁠recover the bodies,” said Ghawil. “The bodies we found are still intact, and we think there are more bodies ⁠to wash ashore.”

The tragedy came weeks after the International Organization for Migration said some fifty-three migrants, including ⁠two babies, were dead or missing after a rubber boat carrying 55 people capsized off the coast of Zuwara town in western Tripoli.

It also came as Greek authorities were responding to a separate incident in the eastern Mediterranean.

The Athens News Agency reported on Saturday that authorities had recovered three bodies and rescued at least 20 people after a wooden boat carrying migrants and asylum seekers capsized off the coast of Crete.

Most of the survivors were Egyptians and Sudanese people, the agency reported. They also included four minors.

According to the Greek public broadcaster ERT, the wooden boat capsized when passengers were trying to climb up the ladders during a rescue effort involving a commercial ship.

The search for survivors was continuing with four patrol boats, an aircraft, and two ships from the European border agency Frontex, a spokesperson for the Greek coastguard told the AFP news agency.

According to ERT, survivors said about 50 people had been on board the wooden boat.

A second boat carrying about 40 migrants and asylum seekers was spotted in the area, leading to another rescue operation.

Thousands of people attempt the perilous crossing from Libya to Europe over the Mediterranean every year. Libya has become a transit route for people fleeing conflict and poverty to Europe since the fall in 2011 of longtime ruler Muammar Gaddafi.

Last week, a ‌UN report said migrants in Libya, including young girls, are at risk of being killed, tortured, raped or put into domestic slavery, and called for ‌a ‌moratorium on the return of migrant boats to the country until human rights are ensured.

Many of the migrants and asylum seekers departing Libya seek to arrive in Crete, the gateway to the EU.

According to the United Nations High Commissioner for Refugees (UNHCR), more than 16,770 people seeking asylum in Europe arrived in Crete in 2025.

Faced with the surge in arrivals, the conservative Greek government suspended the processing of asylum applications for three months last summer, particularly for those arriving from Libya.

The UNHCR says 107 people died or went missing in Greek waters in 2025.

ERIC Dane’s girlfriend Janell Shirtcliff has broken her silence after his death.

The Grey’s Anatomy and Euphoria actor, 53, passed away after a courageous battle with amyotrophic lateral sclerosis (ALS).

Janell, 42, took to her Instagram story to share a sweet tribute to the late actor, posting several of their fond memories together.

The first photo she posted was one of Eric sitting under the shade of a palm tree, smiling down at her.

The next was a selfie of the couple outside posing by a set of stairs. In the snap, Eric dropped a kiss on Janell’s head.

Others showed Eric generally happy and enjoying spending time with Janell as well as friends and family.

Then the final memory is a reel showing Eric with Janell’s daughter, whose name has not been publicly revealed.

She’s attempting to direct the actor while taking photos of him.

She says: “I want you to look over there at Mom,” to which he happily agreed.

When Eric noticed Janell pointing her phone at them both he said: “Are you taking videos?”

“It’s cute,” Janell replied back, and then they both laughed.

Eric revealed he had been diagnosed with ALS in April of last year.

It’s a rare condition that causes progressive muscle weakness over time, and it has no cure.

In the final months before his death he was confined to a wheelchair and he missed some media appearances.

When Eric passed, he was reportedly surrounded by loved ones including his daughters Billie and Georgia and his wife Rebecca Gayheart.

Eric and Rebecca were set to get divorced but Rebecca withdrew her divorce filing upon discovering Eric’s ALS diagnosis, and he continued dating Janell.

Eric and Rebecca tied the know in 2004 and stayed married until 2018 when Rebecca filed for divorce.

After years had passed the divorce proceedings hadn’t moved forward, and seven years later upon hearing Eric’s diagnosis Rebecca dismissed the paperwork.

Eric played the role of Cal Jacobs in the popular program Euphoria.

Cal is the father of Nate Jacobs, played by actor Jacob Elordi.

He played Dr. Mark Sloan during his time on Grey’s Anatomy.

President Donald Trump has said he will raise global tariffs on imported goods to 15 percent after the United States Supreme Court struck down his previous trade measures.

The president announced his decision on Saturday, revising an earlier decision to impose a new 10 percent worldwide tariff after the Supreme Court ruling, which triggered immediate concern and responses from governments and markets.

The US top court’s ruling and Trump’s new tariffs have left countries grappling with the legal and economic fallout, raising questions about ongoing agreements, tariff reductions, and the legality of past duties.

Governments are now evaluating how the new levy will affect key industries, investment plans, and trade negotiations, while analysts warn that uncertainty could persist until legal and trade frameworks are clarified.

South Korea

In South Korea, one of the US’s closest allies, the presidential office, Blue House, has released a statement, saying the government will review the trade deal and make decisions in the national interest, casting a question mark over the agreement signed in November last year, which lowered tariffs from 25 to 15 percent in exchange for $350bn in cash and investments from South Korea in the US.

“For major South Korean companies in chemicals, pharmaceuticals, and semiconductors, the Supreme Court ruling has been positive: Even if Trump introduces the new 10 percent tariffs under Section 122, they would still pay a lower rate,” said Jack Barton, an Al Jazeera correspondent in Seoul.

“However, exporters of automobiles, more than half of which go to the US, remain subject to the 25 percent tariff, and steel exports are still hit with 50 percent duties under Section 232, which was not affected by the ruling.”

The South Korean government is expected to move cautiously. Exports account for 85 percent of South Korea’s gross domestic product, with the US as the second-largest market.

“Officials have indicated that rapid changes could jeopardise major agreements, including a recent multibillion-dollar shipbuilding deal with the US and other investments,” said Barton.

“While no definitive policy statement has been made yet, the Blue House has said that the trade deal will be under careful review and changes are likely.”

India

India has faced some of the highest US tariffs under Trump’s previous use of emergency trade powers. The president first imposed a 25 percent levy on Indian imports and later added another 25 percent on the country’s purchases of Russian oil, bringing the total to 50 percent.

Earlier this month, the US and India reached a framework trade deal. Trump said Prime Minister Narendra Modi agreed to stop buying Russian oil and that US tariffs would be lowered to 18 percent for India’s top exports to the US, including clothing, pharmaceuticals, precious stones, and textiles. Meanwhile, India said it will eliminate or reduce tariffs on all US industrial goods and a range of agricultural products.

According to political economist MK Venu, founding editor of Indian publication, The Wire, “Critics have argued New Delhi should have waited for the US Supreme Court decision before finalising the interim trade deal and even trade analysts previously connected with the government have maintained it would have been wiser to wait for the court verdict.”

Venu added that Trump was eager to finalise the trade deal, which includes a commitment to buy $500bn worth of new imports in defence, energy, and artificial intelligence (AI) from the US over the next five years.

While India, he said, welcomed the reduction of tariffs to 18 percent and the removal of penal duties on Russian imports, uncertainty remains over negotiations, as the Supreme Court ruling affects the legal basis of past tariffs.

“The Indian trade delegation is likely to wait for the final outcome of the Supreme Court verdict before proceeding with further negotiations, and countries around the world are expected to follow the court’s ruling rather than rush into trade agreements under legislation deemed unconstitutional,” he said.

China

China has reacted in a muted way to the Supreme Court ruling, with much of the country still on the Lunar New Year break.

Al Jazeera’s Rob McBride, reporting from Beijing, said, “The Chinese embassy in Washington has issued a blanket statement, noting that trade wars benefit nobody, and that the decision is likely to be broadly welcomed in China, which has long been a primary target of Trump’s tariff policies.”

Since last April, he said, China has faced multiple layers of tariffs, including 10 percent on chemicals used in fentanyl production exported to the US and 100 percent on electric vehicles.

Analysts have estimated that the overall tariff level, about 36 percent, could now fall to about 21 percent, providing some relief to an economy already under strain from the COVID-19 pandemic, a prolonged property market crisis, and declining exports.

Shipments from China to the US have reportedly fallen by roughly a fifth over the past year.

“Beijing has sought to offset losses in the US market by strengthening trade ties with Southeast Asian nations and pursuing agreements with the European Union,” McBride said.

“The Supreme Court ruling may also create a more favourable atmosphere ahead of a planned state visit by Trump in early April, when he is expected to meet President Xi Jinping, potentially opening space for a reset in relations between the world’s two largest economies.”

Canada

Canada has welcomed the US Supreme Court’s decision but has pointed out that there are still some challenges ahead.

Regional leaders across the country, including those of British Columbia and Ontario, have signalled that the ruling is a positive step, according to Al Jazeera’s Ian Wood, reporting from Toronto.

However, Minister for Canada-US trade Dominic LeBlanc has said that significant work remains, as Section 232 tariffs on steel, aluminium, softwood lumber, and automobiles have remained in place.

Meanwhile, Ontario’s Premier Doug Ford has added that while optimism has grown, tension has persisted over what Donald Trump will do next, Wood said.

Mexico

Mexico’s president, Claudia Sheinbaum, said her government would be carefully reviewing the Supreme Court’s decision to assess its scope and the extent to which Mexico might be affected.

“The reality is that despite all we’ve heard over the last year about tariffs or the threat of tariffs, Mexico has actually ended up in quite a privileged, even competitive position, especially when compared to other countries,” said Al Jazeera’s Julia Gliano, reporting from Mexico City.

“We have to remember Mexico is the US’s largest trading partner, and the two countries, along with Canada, share a vast trading agreement that shields most products from the so-called reciprocal tariffs that President Trump announced.

“There were also punitive tariffs related to fentanyl and illegal immigration along the US border, which Mexico had managed to suspend while negotiations continued on those matters. Now the tariffs that Mexico has been subjected to on steel, aluminium, and car parts are not affected by today’s decision.”

So, the government here in Mexico, she said, is now standing by to see what the Trump administration comes up with next as it reels from today’s decision by the Supreme Court.

France

French President Emmanuel Macron hailed “the existence of checks and balances in democracies” after the Supreme Court’s decision, telling reporters at an event in the capital that his country wanted to continue exporting “under the fairest rules possible and not be subject to unilateral decisions”.

The country’s finance minister, Nicolas Forissier, told UK newspaper The Financial Times that the EU has the tools to hit back at the US over its tariff policy, suggesting a more combative approach.

Germany

German Chancellor Friedrich Merz said he expected the tariff burden on his country’s economy to be lower after the US Supreme Court ruling, raising the prospect of German companies recouping billions in refunds.

Flagging an upcoming visit to Washington, Merz told Germany’s ARD broadcaster that he would present a “coordinated European position” on the matter, pointing out that tariff policy is determined by the European Union rather than individual member states.

Finance Minister Lars Klingbeil said Europe was strengthening its independence and sovereignty, building new trade relationships worldwide and concluding free trade agreements.

Limits of Trump’s tariff powers

A senior legal scholar told Al Jazeera that the US Supreme Court ruling marks a key moment in the legal battle over Trump’s tariffs, focusing on constitutional limits rather than economics.

Frank Bowman, professor emeritus at the University of Missouri School of Law, told Al Jazeera that the court has for the first time confronted what he called Trump’s broader challenge to the rule of law.

“This is a ruling that is important in several respects. The first, more broadly, is that this is the first time in the last year that the Supreme Court has stepped in and attempted to do something about Donald Trump’s generalised attack on the rule of law in the United States.

“And make no mistake, although tariffs certainly are about economics, what Trump has done over the last year is essentially to defy the law. And the Supreme Court happily decided that they had had enough and that they would say no. So, they’re not ruling on economic policy. They made a decision that the president simply exceeded his constitutional authority.”

These are the key developments from day 1,459 of Russia’s war on Ukraine.

Here is where things stand on Sunday, February 22:

Fighting

• A Russian drone attack on Ukraine’s northeastern Sumy region killed four people, including a 17-year-old boy, while another attack on the southeastern Zaporizhia region killed a 77-year-old man, according to Ukrainian authorities.
• Russian attacks on Ukraine’s Odesa region wounded two people and caused damage to homes, cars and an energy facility, officials said. Another Russian attack on the Dnipropetrovsk region wounded a 77-year-old man.
• In the Donetsk region, Russian shelling wounded four people in 18 attacks throughout the day, Governor Vadym Filashkin wrote on Telegram. Authorities evacuated 562 people, including 244 children, from front-line settlements.
• Russian forces also hit the facility of US snack food company Mondelez in Sumy, sparking a reaction from Ukrainian Minister of Foreign Affairs Andrii Sybiha, who wrote on X that Russia was “targeting American business interests in Europe”.
• “Moscow cannot speak of economic dialogue with the United States while attacking US-owned production facilities,” Sybiha added.
• In the front-line Kherson region, Russian shelling wounded two police officers and one civilian, Ukraine’s National Police wrote on Telegram. Three apartment buildings, 18 homes, a hospital and numerous public buildings sustained damage.
• Ukrainian President Volodymyr Zelenskyy claimed that Ukrainian security forces “neutralised Russian mercenaries preparing assassination attempts” against “high-profile” figures, including military personnel, intelligence officers and journalists.
• Moscow’s ⁠forces ⁠took control of the village of ⁠Karpivka in Ukraine’s eastern Donetsk ⁠region, the Russian RIA state news agency reported on Saturday, citing ‌the Ministry of Defence.
• A Ukrainian drone attack on Russia’s Belgorod region wounded a man and a three-year-old child, according to the Russian TASS news.
• The Ukrainian General Staff said Ukraine’s home-produced “Flamingo” cruise missiles hit a Russian ballistic missile plant in the Udmurtia region, as well as a gas plant in the Samara region.

Politics and diplomacy

• Zelenskyy held discussions with NATO Secretary-General Mark Rutte on the next round of trilateral negotiations with the US and Russia, as well as Ukraine’s energy situation. He said on X that “in many areas, our views align”.
• Zelenskyy said in his evening address that “we continue working every day… so that the next round of negotiations can deliver results for Ukraine, results for peace”.The Ukrainian leader said he was closely coordinating with European partners so that the European Union is “involved in all processes and grows only stronger”.
• Demonstrators in Washington, DC, Paris, and Prague rallied in support of Ukraine ahead of the fourth anniversary of Russia’s full-scale invasion on February 24.
• Zelenskyy awarded Ukraine’s civilian award, the Order of Princess Olga, to Paris Mayor Anne Hidalgo in the Ukrainian capital. Hidalgo’s visit marked her sixth trip to Kyiv since the start of the war.
• Sybiha, the Ukrainian foreign minister, condemned Russia’s alleged ongoing recruitment of Kenyans and other Africans into Moscow’s war, writing that it “evokes the worst memories of colonial attitudes from the past” and warning Africans against signing contracts with Russian recruiters.
• Ukraine enforced new sanctions against the captains of vessels allegedly transporting Russian oil, a list that Zelenskyy said totalled 225 people.

Energy

• Slovak Prime Minister Robert Fico threatened to stop providing emergency electricity supplies to Ukraine unless Kyiv resumed Russian oil transit to Slovakia over Ukrainian territory, through the Druzhba pipeline. Hungary said it would block a 90 billion euro ($106bn) EU loan for Ukraine for the same reason.
• Shipments of Russian oil to Hungary and Slovakia have been cut ⁠off since January 27, when Kyiv says a Russian drone strike hit pipeline equipment in Western Ukraine. Slovakia and Hungary say Ukraine is to blame for the prolonged outage.
• The Ukrainian Ministry of Foreign Affairs said it “rejects and condemns” Hungary and Slovakia’s statements and that the “provocative, irresponsible ultimatums threaten the energy security of the entire region”.
• Polish Prime Minister Donald Tusk criticised Hungary’s move on X, writing, “Guess who’s happy”, in an apparent reference to Russia.

Military aid

• The Czech Republic transferred 200 reconnaissance drones to five Ukrainian brigades, equipment worth about $800,000, Ukraine’s Interfax news agency reported.
• Former UK Prime Minister Boris Johnson said in an interview with the BBC that the United Kingdom and the EU should send “peaceful ground forces” to “show our support for a free, independent Ukraine”.

Embattled Hollywood mogul Casey Wasserman, who is facing mounting pressure to resign from his position at the helm of the 2028 L.A. Olympics, also holds another important cultural appointment on the Los Angeles County Museum of Art’s board of trustees.

Wasserman, 51, joined LACMA’s board in 2004 when he was 30, two years after he founded his eponymous talent and marketing agency. Just last week, Wasserman announced he would sell his agency after racy emails between himself and convicted sex trafficker and Jeffrey Epstein associate, Ghislaine Maxwell, emerged at part of the Justice Department’s latest release of millions of documents related to the Epstein files.

Wasserman, the grandson of legendary studio exec Lew Wasserman, arrived at LACMA as part of a wave of relatively young additions to a notoriously older board. His addition also heralded the dawning of an era in which LACMA actively sought to strengthen its connections with the entertainment world. In 2011, LACMA launched its glitzy Art + Film Gala, an annual party co-chaired by Leonardo DiCaprio that serves as a melting pot for A-list celebrities and art world stars.

“There was an understanding — the message was there needed to be a change in the board,” museum director Michael Govan told The Times in a 2015 interview. “The board was in extreme need of refreshment.”

Now that Wasserman’s leadership in other roles is being questioned , will his relationship with LACMA follow? LACMA did not respond to a request for comment. Although the board generally meets a few times a year, it may not be an issue that has come to the fore as of yet.

Thus far, LA28 has stood by Wasserman, noting in a recent statement that his emails with Maxwell were sent years “before Mr. Wasserman or the public knew of Epstein and Maxwell’s deplorable crimes … This was his single interaction with Epstein.”

“The Executive Committee of the Board has determined that based on these facts, as well as the strong leadership he has exhibited over the past ten years, Mr. Wasserman should continue to lead LA28 and deliver a safe and successful Games,” LA28 wrote.

L.A. Mayor Karen Bass said in a recent CNN interview that she believed Wasserman should step down, and that it is “unfortunate” that Olympic organizers remained in support of him.

In a memo to staff at his talent agency, Wasserman wrote that he was “heartbroken that my brief contact with them 23 years ago has caused you, this company, and its clients so much hardship over the past days and weeks.”

I’m arts editor Jessica Gelt with this week’s arts and culture news.

The week ahead: A curated calendar

FRIDAY

The cast of “Cinderella: A Salsa Fairy Tale.”

(South Coast Repertory)

Cinderella: A Salsa Fairy Tale
The classic fairy tale moves to the basketball court in this hip-hop fueled musical adaptation for young audiences with a book and lyrics by Karen Zacarías and music by Deborah Wicks La Puma. Directed by Sara Guerrero.
Through March 8. South Coast Repertory, Julianne Argyros Stage, 655 Town Center Dr., Costa Mesa. scr.org

Dear Little Friend: Impressions of Galka Scheyer
The exhibition from the German-born art dealer’s collection includes portraits and ephemera, featuring such artists as Maynard Dixon, Peter Krasnow, Beatrice Wood and Edward Weston, as well as gifts from the Blue Four artsist, whose work Scheyer championed: Alexei Jawlensky, Lyonel Feininger, Paul Klee and Vassily Kandinsky.
Thursday-Monday, through July 20. Norton Simon Museum, 411 West Colorado Blvd., Pasadena. nortonsimon.org

The Industry LAB 2026
The innovative opera company partners with REDCAT for this series featuring new works: a shared program of Guillermo E. Brown’s “The Instrument, Romance, Bee Boy” and Carmina Escobar’s “Our Voice Is Not at the End of Anything” (8 p.m. Tuesday-Wednesday; 8 p.m. Friday and Saturday; 3 p.m. Saturday-Sunday); and Matana Roberts’ “spiral resonance: a study in the abstract,” an immersive sound and moving image installation exhibition (noon-6 p.m., daily through March 1) with solo activation performances in the space by Patrick Shiroishi (8 p.m. Tuesday); Ryan Sawyer (8 p.m. Wednesday); Roberts (8 p.m. Feb. 27); Kyp Malone (8 p.m. Feb. 28); and Judith Berkson (3 p.m. March 1).
Through March 1, 2026 REDCAT, 631 W. 2nd St., downtown L.A. redcat.org

Wallace Berman/Bruce Conner
A pair of solo exhibitions highlighting extraordinary mark-making: “It Don’t Mean a Thing (If It Ain’t Got That Swing)” salutes the centennial of post-war counter-culture artist Berman with a rare showing of his large-scale photographic collages; “Inkblots and Felt Tip Drawings” focuses on an often overlooked aspect of multimedia artist Conner’s work. A selection of Conner’s experimental films are being exhibited at Marciano Art Foundation (see below).
Tuesday-Saturday, through April 25. Michael Kohn Gallery, 1227 North Highland Ave. kohngallery.com

Missa Solemnis
Gustavo Dudamel and the Los Angeles Philharmonic are joined by more than 100 voices from the Cor de Cambra of the Palau de la Música Catalana and Orfeó Català of Barcelona for this Beethoven mass that is rarely performed due to its ambitious scale.
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Jon Serl: As One, As Many
Starting in vaudeville before moving to California and working as a Hollywood voice actor and gardener, Serl became a painter following World War II with a long, expressive career illustrated in this retrospective. Fittingly, the artist had his first museum exhibition in 1981 at the Newport Harbor Art Museum (now UC Irvine Langson Orange County Museum of Art).
Through June 7. UC Irvine Langson/Orange County Museum of Art, 3333 Avenue of the Arts, Costa Mesa. ocma.art

Marco Perego
“The Being” is a solo exhibition featuring video, installations and drawings by Italian-born artist.
Through April. Jeffrey Deitch, 7000 Santa Monica Blvd., Los Angeles. deitch.com

Christina Kirk and Norbert Leo Butz, seated, with the cast of “The Recipe.”

(Rich Soublet II/La Jolla Playhouse)

The Recipe
Christina Kirk and Norbert Leo Butz star as Julia and Paul Child in the world premiere of Claudia Shear’s play about the world-famous chef. Directed by Lisa Petersen.
Through March 22. La Jolla Playhouse, 2910 La Jolla Village Dr. lajollaplayhouse.org

Puppet Up! – Uncensored
Created by Brian Henson and directed by Patrick Bristow, this irreverent, ever-changing show features the Miskreant puppets plus classic Jim Henson sketches unseen by live audiences for decades.
7 p.m. Friday and Saturday; 5 p.m. Sunday; 7 p.m. Feb. 27-28; 5 p.m. March 1. The Montalbán, 1615 Vine St., Hollywood. puppetup.com

SATURDAY
Kyreeana Breelin Alexander
The interdisciplinary artist performs “We Cool,” a solo autobiographical coming-of-age story fueled by rhythm and movement.
8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu

Judith F. Baca
With “The Great Wall Of Los Angeles: The 1970’s — A Decade Of Defiance And Dreams,” the artist’s organization SPARC (Social and Public Art Resource Center) exhibits the latest complete segment in the monumental work’s expansion.
Opening reception, 6-8 p.m.; through April 4. Jeffrey Deitch, 925 N. Orange Dr. deitch.com

Bruce Conner, “Crossroads,” 1976. 35mm, black/white, sound, 37 min. Digitally Restored, 2013.

(The Conner Family Trust/Michael Kohn Gallery)

Bruce Conner
“Recording Angel” brings together seven of the artist’s experimental films, composed of found, scavenged and original footage, and re-cut using his influential rapid-fire editing techniques.
Through July 18. Marciano Art Foundation, 4357 Wilshire Blvd., Los Angeles. marcianoartfoundation.org

Patti LuPone
The Broadway star marks the 25th anniversary of her concert “Matters of the Heart,” which ran on Broadway and London’s West End and toured the globe.
7:30 p.m. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org

John Snow
The bassist and his band explore “The Poetry in Music” through works by John Coltrane, Joni Mitchell, Patti Smith, Langston Hughes, Hoagy Carmichael, Bob Dylan and others.
8 p.m. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

Tap Fest: Listen to This!
Dancers Derick Grant, Sam Weber and Josette Wiggan join the Colburn’s tap faculty and students for a program exploring the concept of the Tap Artist as both a dancer and musician.
7 p.m. Colburn School, Thayer Hall, 200 S. Grand Ave., downtown L.A. colburnschool.edu

SUNDAY
Zhanna Kadyrova
A collaboration with Kyiv to LA, an ongoing project supporting Ukrainian artists through a Los Angeles-based residency, and the Thomas Mann House, the solo exhibition “Sliced Realities” explores the artist’s anti-war practice and coincides with the four-year anniversary of Russia’s full-scale invasion of Ukraine.
Sunday-Feb. 28. Thomas Mann House (1550 N San Remo Drive, Pacific Palisades. vatmh.org

Museums Free-For-All
An Southland tradition in which Southern California arts and cultural institutions open their doors for free general admission. Participants include the Academy Museum of Motion Pictures, the Autry Museum of the American West, The Broad, California African American Museum, the Getty Center and the Getty Villa, UCLA Hammer Museum, LACMA, MOCA, Skirball Cultural Center and many, many more. At some locations, tickets are limited and reservations may be required.
All-day Sunday. See complete list of participating institutions at socalmuseums.net/free

Queen Elisabeth Music Chapel
Colburn Conservatory of Music welcomes the Belgian conservatory and its master-in-residence, cellist Gary Hoffman, for a joint performance of Fauré’s “Piano Quintet No. 1” and Messiaen’s “Quartet for the End of Time.”
3 p.m. Colburn School, Thayer Hall, 200 S. Grand Ave., downtown L.A. colburnschool.edu

Sueño Perro
This film Installation by Alejandro G. Iñárritu both marks the 25th anniversary of his debut “Amores Perros” and serves as a “resurrection” using projections of never-before-seen fragments from that film’s production.
Through July 26. Los Angeles County Museum of Art, BCAM, Level 1, 5905 Wilshire Blvd. lacma.org

We Hold These Truths: A Celebration of Black History Month Over 100 Years
The contributions of Black Americans to the cause of democracy over the years are recognized in this collaboration of performers from across artistic mediums. Featured artists include actor Phil Morris, composer Tamar-kali, dancer Ishaun Jackson-Moaney, the West Angeles COGIC Victory Dance Company, opera baritone Derrick Lawrence and promising talent out of the USC Thornton School of Music, opera mezzo-soprano and producer Raehann Bryce-Davis, poet Alyesha Wise and arts scholar and activist Derrell Acon.
3 p.m. Nocturne Theatre, 324 N. Orange St., Glendale. eventbrite.com

TUESDAY
Flashback Fun
Six Disney classics return to the big screen: “Muppet Treasure Island” (Tuesday); “The Aristocats” (Wednesday); “Dumbo” (Thursday); “The Rescuers” (Feb. 27); “Bolt” (Feb. 28); and “Oliver and Company” (March 1).
The El Capitan Theatre, 6838 Hollywood Blvd. elcapitantheatre.com

Filmmaker Jafar Panahi at the Toronto International Film Festival last September.

(Kate Dockeray/For The Times)

It Was Just an Accident: Live Read
Film Independent presents writer-director Jafar Panahi’s “incisive drama,” winner of the Palme d’Or at Cannes in 2025 and nominated for international feature film and original screenplay at this year‘s Academy Awards, to the Wallis stage read by a new cast.
7:30 p.m. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

Haegue Yang
“Star-Crossed Rendezvous” pairs two of the Korean-born, Berlin-based artist’s large-scale installations employing utilitarian objects. The first, “Sol LeWitt Upside Down — K123456, Expanded 1078 Times, Doubled and Mirrored” (2015) is a monochromatic installation inspired by the cube structures of the American conceptual artist. Across the gallery, “Star-Crossed Rendezvous after Yun” (2024) is an homage to composer and political dissident Isang Yun (1917–95). Synchronized to Yun’s “Double Concerto” (1977), an array of moving lights animate vibrant geometric structures to create an ever-changing, multisensory experience. The L.A. Philharmonic will perform Yun’s piece on March 10 at Walt Disney Concert Hall, with a pre-concert viewing of the installation at MOCA Grand.
Through Aug 2. Museum of Contemporary Art, 250 S. Grand Ave., downtown L.A. moca.org

WEDNESDAY
L.A. Art Week
It happens every February. Thousands of artists, collectors, curators and gallerists descend on the city, swelling an already vibrant local scene with a global reach into a week of discovery, creative adventure and fashion flamboyance. The Big Kahuna, of course, is Frieze Los Angeles (Thursday-March 1. frieze.com), a fair with a primarily contemporary focus, approximately 100 galleries, installations and pop-ups restaurants from around L.A.; Butter Fine Art Fair (Thursday-March 1. Hollywood Park, 1237 District Drive, Inglewood. butterartfair.com) features artists representing the African diaspora; Enzo (Wednesday-Saturday. 1634 W. Temple St. enzolosangeles.com) presents nine New York City galleries in an Echo Park warehouse; Felix Art Fair (Wednesday-March 1. Hollywood Roosevelt, 7000 Hollywood Blvd. felixfair.com) showcases exhibitors from around the world in a classic Hollywood setting; the cheekily-named The Other Art Fair Los Angeles (Thursday-March 1. 3Labs, 8461 Warner Dr., Culver City. theotherartfair.com) promises “the bizarre, unexpected, and never normal” with work from 160 independent artists; Post-Fair (Thursday-Feb. 28. 1248 5th St., Santa Monica. post-fair.com) is a dealer-led event in a historic Santa Monica Post Office building; and Start Up Art Fair (Friday-March 1. The Kinney Venice Beach, 737 Washington Blvd. startup-art.com) brings together 150 independent artists, collectors, curators and art professionals. It’s mostly next weekend but we wanted to give you a heads-up. Be sure to watch for Times reporter Malia Mendez’s upcoming preview. Happy art hunting and people watching.

THURSDAY
Beethoven and Ortiz with Dudamel
Gustavo Dudamel and the L.A. Phil are joined by Grupo Corpa and the L.A. Master Chorale for this charged program pairing Beethoven’s “Seventh Symphony” with Gabriela Ortiz’s ballet “Revolución diamantina (Glitter Revolution).”
8 p.m. Thursday and Feb. 27; 2 p.m. Feb. 28-March 1. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Norbert Leo Butz
The Broadway star and two-time Tony Award winner (currently performing in “The Recipe” at La Jolla Playhouse, above) will perform excerpts from his signature roles, original compositions from his four solo records and covers from Tom Waits, Elton John and Bruce Springsteen.
7 p.m. Thursday-Feb. 28. Segerstrom Center for the Arts, Samueli Theater, 300 Town Center Dr., Costa Mesa. scfta.org

Arts anywhere

Something to read, something to hear and something to watch wherever you are.

The Art Book: Mini Format

(Phaidon Press)

The Art Book
What’s it like to hold art history in the palm of your hand? Find out with the new Mini edition of this beloved text celebrated for bringing art appreciation to the masses. First introduced in 1994, the updated edition of this A-Z survey features more than 600 artists from medieval times to the present. It’s far from stuffy, including overlooked and contemporary figures including Berenice Abbott, Romare Bearden, Guerrilla Girls and more; plus Takashi Murakami and Wolfgang Tillmans, who The Times happened to interview recently and have L.A. shows (see below). Phaidon Press: 592 pp., $20. phaidon.com

Yunchan Lim

(IMG Artists)

Goldberg Variations Live at Carnegie Hall, New York, 2025
Recorded fewer than 30 blocks form where Glenn Gould laid down his own landmark recording of Johann Sebastian Bach’s masterpiece, pianist Yunchan Lim’s new album has been topping the classical charts since its release earlier this month. If you missed his performance of the Variations at Disney Hall last October (or if even if you didn’t), this is a must listen. Decca Records: $8-38. Available on vinyl, CD and digital download. deccarecordsus.com

An image from Frederick Wiseman’s ‘Titicut Follies.’

(courtesy of Zipporah Films)

Frederick Wiseman
The filmmaker, who died Monday at 96, was a master storyteller and craftsman who mainly inhabited the nonfiction realm of the documentary. His perceptive explorations of public and cultural institutions was unparalleled and he was honored with an honorary Academy Award in 2016. If you would like to revisit Wiseman’s work or want an exhaustive introduction, check out the Frederick Wiseman Essential Films Collection at kanopy.com. Virtually every film he ever made is available and all you need is a public library card (an apt requirement!). His final film, “Menus-Plaisirs Les Troisgros” from 2023, can be viewed via the PBS Passport membership portal.

— Kevin Crust

Culture news and the SoCal scene

A detail of miniature “sportraits” during a preview of award-winning animator and visual-effects artist Lyndon J. Barrois’ exhibit, “Futbol Is Life” at LACMA.

(Allen J. Schaben/Los Angeles Times)

The Los Angeles County Museum of Art is staging a new show in honor of the FIFA World Cup, coming to L.A. and other cities this summer. Created by artist Lyndon J. Barrois Sr., “Fútbol Is Life” “depicts some of the most iconic plays and political moments in the 95-year history” of the event with “‘humble’ gum wrappers,” writes The Times’ Jasmine Mendez.

Jefferson Mays in “Amadeus” at Pasadena Playhouse.

(Jeff Lorch)

A new take on Peter Shaffer’s “Amadeus” premiered at Pasadena Playhouse last week, and it may be the Tony Award-winning regional theater’s most lavish production to date. I got a behind-the-scenes tour of the theater’s amazing on-site scene shop to write about what it took to put the set, lighting and costumes together; and Times theater critic Charles McNulty attended opening night. Director Darko Tresnjak, writes McNulty in his review, “treats the play as though it were a tragedy wearing the mask of comedy. He doesn’t resist the melodrama that’s inherent in the material, but he refuses to overindulge it. This production hasn’t convinced me that ‘Amadeus’ is a world classic… But I doubt I’ll have the opportunity to see a better revival in my lifetime.”

McNulty also caught a performance of “Sylvia Sylvia Sylvia,” Beth Hyland‘s new play that recently had its world premiere at the Geffen Playhouse, and explores the lives of married writers living in the Boston apartment once occupied by the poet Sylvia Plath and her husband Ted Hughes. “World premieres are risky, and the writing for this one hasn’t yet settled. The play’s split focus, moving between 1958 and the present, is a sign of conceptual ambition. But Hyland struggles to find the pacing and rhythm of her complicated vision,” McNulty writes.

Meanwhile, “Here Lies Love,” David Byrne’s disco musical about the Ferdinand Marcos regime arrived at the Mark Taper Forum in a show directed by Center Theatre Group’s artistic director Snehal Desai. The Times’ Malia Mendez sat down with members of the all-Filipino cast to discuss the ways the show’s exploration of the perils of authoritarianism dovetail with the modern political moment.

Japanese artist Takashi Murakami sits in front of his painting at Perrotin Gallery on Feb. 13, 2026 in Mid City in Los Angeles, Calif.

(Ariana Drehsler/For The Times)

I had the opportunity for a one-on-one chat with artist Takashi Murakami about his solo show at Perrotin, Los Angeles, which features 24 new canvases that explore the connection between the ancient Japanese art of ukiyo-e and Impressionism. A trip to Monet’s gardens in Giverny, France, cemented Murakami’s idea for the paintings.

Contributor Steve Appleford wrote a thoughtful profile on German photographer Wolfgang Tillmans, who is currently staging his ninth Los Angeles exhibition at Regen Projects. “In 2000 Tillmans became the first photographer and first non-British artist to win the prestigious Turner Award. Tate Britain staged his mid-career retrospective in 2003 and the Hammer Museum in Westwood mounted his first major U.S. retrospective that same year, which traveled to Chicago’s Museum of Contemporary Art and the Hirshhorn Museum and Sculpture Garden in Washington, D.C.,” Appleford writes.

A sketch from architect Paul R. Williams’ archive at The Getty Center.

(Juliana Yamada/Los Angeles Times)

Paul Williams, the first Black architect licensed west of the Mississippi, is the focus of a series of upcoming shows to be staged from August through July 2027 at the Getty, LACMA and USC Fisher Museum of Art. Throughout the course of his six-decade career Williams designed more than 3,000 projects, including for clients such as Frank Sinatra, Lucille Ball and the Beverly Hills Hotel. The exhibitions will feature architectural drawings, photographs, plans and memorabilia, some of which have never been on view to the public before.

Los Angeles Master Chorale announced Artistic Director Grant Gershon’s 25th anniversary season featuring work by Brahms, Bruckner, Arvo Pärt, Bach, Morten Lauridsen and Orlando di Lasso. Guest artists will include the National Chorus of Korea, composer Eric Whitacre, violinist Anne Akiko Meyers, Baroque ensemble Le Concert d’Astrée and theater director Peter Sellars. Subscriptions are available now, and single tickets will go on sale June 1.

The nonprofit arts organization, Los Angeles Nomadic Division (LAND), announced the four artists chosen to receive its 2026 Mohn LAND Grants. They are Shana Hoehn, Angela Anh Nguyen, Harrison Kinnane Smith and Adam Thompson. Winners receive a $5,000 award as well as $5,000 in production funds to use towards a new work commission.

— Jessica Gelt

And last but not least

Washington National Opera is moving on from the beleaguered Kennedy Center, and has announced new venues and dates for its upcoming production of “West Side Story.” The show will be performed at the Lyric Baltimore on May 8, 9, 10; and at the Music Center at Strathmore, May 14, 15.

Feb. 21 (UPI) — Britain announced it has made a deal with four NATO allies to launch an initiative that would see the five nations manufacture low-cost drones to protect Europe.

The European Group of Five (E5) — Britain, France, Germany, Italy and Poland — announced on Friday that they will launch the Low-Cost Effectors & Autonomous Platforms initiative, or LEAP, which is “inspired by Ukraine’s battlefield innovation,” the British government said in a press release.

The purpose of the program is to jointly develop low-cost autonomous drones that the North Atlantic Treaty Organization can use to counter Russian provocation in the airspace above NATO-allied nations, Politico reported.

The first focus of LEAP, according to British officials, will be the development of a new surface-to-air weapon that is lightweight and affordable in order to defend against Russia’s drone and missile threats.

“European security is at a pivotal moment,” Luke Pollard, Britian’s Minister for Defense Readiness and Industry, said after the E5 meeting. “The U.K. and our E5 partners are stepping up — investing together in the next generation of air defense and autonomous systems to strengthen NATO’s shield and keep our people safe.”

Over the course of the last year, Russian fighter jets have violated NATO partner’s airspace, including fighter jets over Estonia and drones over Poland, which the E5 countries said has spurred their new plans.

At a meeting Friday in Krakow, Poland, the E5 members met to with NATO Deputy Secretary General Radmila Shekerinska to discuss the plans, which she said would be beneficial for Ukraine, which she said needs its allies to step up their support, as well as for all member nations of NATO in Europe.

Britain noted Friday that the new drone initiative comes as it also works with its European allies to develop long-range precision weapons and hypersonic weapons, with plans to spend more than $500 million on those initiatives just this year.

“The stronger each ally becomes, the stronger NATO will be,” Shekerinska said.