News Desk

This story contains spoilers for the pilot of “Marshals.”

When the curtain came down on “Yellowstone” last year, Kayce Dutton had finally found his happily-ever-after.

The youngest son of wealthy rancher John Dutton (Kevin Costner) had secured a modest cabin in a mountainous region where he could reside in secluded peace with his beloved wife, Monica (Kelsey Asbille), and son, Tate (Brecken Merrill), far from the turbulent dysfunction of his family.

“Kayce found his little peace of heaven, getting everything he ever wanted and fought for,” said Luke Grimes, who plays the soft-spoken Dutton in “Yellowstone.”

Grimes reprises the role in CBS’ “Marshals,” which premiered Sunday. But in the new series, Kayce’s serenity has been brutally shattered, forcing him to find a new path forward after an unimaginable tragedy.

The drama is the first of several planned spinoffs of “Yellowstone,” which became TV’s hottest scripted series during its five-season run. And while some familiar faces return and events unfold against the magnificent backdrop of towering mountains and lush greenery, “Marshals” is definitely not “Yellowstone” 2.0.

Luke Grimes as Kayce Dutton in “Marshals,” which combines the gritty Western flavor of “Yellowstone” with the procedural genre.

(Sonja Flemming / CBS )

In “Marshals,” Kayce joins an elite squad of U.S. Marshals headed by his Navy SEAL teammate Pete Calvin (Logan Marshall-Green). The drama combines two distinct brands — the gritty Western flavor of “Yellowstone” with the procedural genre, a flagship of CBS’ prime-time slate.

During an interview at an exclusive club in downtown Los Angeles, Grimes expressed excitement about dusting off his cowboy hat and boots, though he admitted to having initial concerns about whether the project was a fit.

“I had never watched a procedural before, so I had to do some homework on what that was,” Grimes said hours before the gala premiere of “Marshals” at the Autry Museum of the American West in Griffith Park. “And I just couldn’t wrap my head around it at first. In the finale, Kayce had ridden off into the sunset. So I thought, ‘Let him be, let him go.’ ”

Those doubts eventually ebbed away.

“To be honest, there was a part of me that didn’t want to let Kayce go just yet,” Grimes said. “Saying goodbye to him was really hard, so the opportunity to keep this going was something I couldn’t pass up. We get to show his backstory and also this other side of him that we didn’t see in ‘Yellowstone.’ ”

But this Kayce is a man in crisis. “Yellowstone” devotees will likely be shocked by the “elephant in the room” — the revelation in the pilot episode that Monica has died of cancer. The couple’s sexy and loving chemistry was a key element in the series while also establishing Grimes as a heartthrob.

“I think fans will be upset — and they should be,” Grimes said as he looked downward. “Kayce is very upset. It’s the worst thing that could have happened to him. But as much as I’m really upset not to work with Kelsey, it’s a good idea for the show.”

He added, “His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce. A big part of the season is Kayce learning how to manage all these new things — new job, being a single father.”

“His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce,” said Luke Grimes about his character Kayce.

(Jay L. Clendenin / For The Times)

Executive producer and showrunner Spencer Hudnut (CBS’ “SEAL Team”) acknowledged in a separate interview that viewers may be stunned by the tragedy. “Real life intervenes for Kayce. Unfortunately it happens to so many of us.”

But he stressed that although Monica is physically gone, her presence will be heavily felt this season.

“She is guiding Kayce, and their relationship is moving forward,” Hudnut said. “His dealing with his inability to confront his grief is a big part of the season. It became clear that something horrible had to happen to put Kayce on a different path.”

As the development evolved, Grimes embraced the procedural concept: “This is a very different show and structure. This is an action show, very fast paced. I meet a lot of fans who say they really want to see Kayce go full Navy SEAL.”

Alumni from “Yellowstone” returning in “Marshals” include Gil Birmingham as tribal Chairman Thomas Rainwater and Mo Brings Plenty as his confidante Mo.

“Yellowstone” co-creator Taylor Sheridan, who had already spearheaded the prequels “1883” and “1923,” will further expand the “Yellowstone” universe later this month with “The Madison,” starring Michelle Pfeiffer and Kurt Russell, about a New York City family living in Montana’s Madison River territory. Later this year, Kelly Reilly and Cole Hauser will star in “Dutton Ranch,” reprising their respective “Yellowstone” roles as John Dutton’s volcanic daughter Beth Dutton and her husband, boss ranch hand Rip Wheeler.

Hudnut said fans of “Yellowstone” will recognize themes that were central to that series: “The cost and consequences of violence, man versus nature, man versus man.”

“We’re trying to tap into what people loved about ‘Yellowstone’ but to tell the story in a different framework,” he said. “The procedural brand is obviously very successful for CBS. And nothing has been bigger than ‘Yellowstone.’ So the challenge is, how do you marry those things?”

Taking on the lead role prompted Grimes to reflect on how “Yellowstone” transformed his life after co-starring roles in films like “American Sniper” and “Fifty Shades of Grey” and playing a vampire in the TV series “True Blood.”

“‘Yellowstone’ changed my life in many, many ways,” he said. “The biggest change is that I now live where we shot the show in Montana. The first time I went there, I would have never thought I would ever live there.

“I would come back to the city after shooting. But a little bit more each year, I felt more out of place here, and more peace and at home there. I’m a big nature person — I never was a big city person, but I had to be here to do what I wanted. But after the third season, my wife and I decided to move there. We wanted to start a family.”

The topic of a Kayce spinoff kept coming up during the filming of the finale, but “meanwhile we were having a baby, so that was the biggest thing on my plate.”

“‘Yellowstone’ changed my life in many, many ways,” said Luke Grimes.

(Jay L. Clendenin/For The Times)

Grimes was also dealing with the off-screen drama that impacted production due to logistical and creative differences between Costner and Sheridan. Costner, who was the show’s biggest attraction, exited after filming the first part of the final season. His character was killed off.

Asked about the backstage tension, Grimes said, “I just tried to do my job to the best of my ability, and not get caught up in all that. It was sort of frustrating, but I felt lucky to have a job.”

He recalled getting a call from Sheridan about the plans for a spinoff: “He said, ‘I think you should talk to the guy who is going to be the showrunner. I’m not telling you to do it, and I’m not telling you not to do it. But Spencer is great and he has some good ideas.’ ”

Hudnut said Kayce “was always my favorite character. Also, Luke is not Kayce. Kayce is an amazing character, but Luke is really thoughtful and smart. He is a true artist and has an artist’s soul, while Kayce is kicking down doors and terrorizing people. And Luke has such a great presence. He can do so much with just a look to the camera. He is a true leading man.”

In addition to starring in “Marshals,” Grimes is also an executive producer. He pitched the opening sequence — a flashback showing Kayce in the battlefield. He also performs the song that plays over the final scene, in which he visits his wife’s grave. The ballad is from Grimes’ self-titled country album which was released last year.

“Luke’s creative fingerprints are all over the pilot,” Hudnut said.

Grimes said he does not feel pressure about being the first follow-up from “Yellowstone” to premiere.

“We’re not trying to make the same show, so no matter what happens, its a win-win,” he said. “I had a blast doing it.”

Israel’s prime minister says strikes on Tehran will increase in the coming days, with US support, to do what Benjamin Netanyahu says he’s ‘hoped to do for 40 years’. Israel and the US killed Iran’s Supreme Leader on Saturday in a renewed war on Iran.

Just as we expected, B-2 Spirits have entered the air campaign against Iran last night. Flying global airpower missions from their home base in Whiteman, Missouri, America’s stealth bombers arrived over Iranian airspace in the early morning hours and targeted Iran’s missile caves. These facilities are built deep under mountains and are primarily used for storage, but some of them actually have the ability to launch ballistic missiles through fissures in their ceilings.

Yesterday, I wrote on X what was to come for the B-2 and the air war, stating:

B-2s will likely show up tonight, making direct attacks on key targets in a way no other platform can. Yes this could include MOPs, but also lots of JDAMs against less fortified targets. They can achieve massive effects in a single sortie. One B-2 can carry 80 500lb JDAMs. Entire airfield’s infrastructure gone on a single pass. They would not be employed until the night and they now have the benefit of highly degraded air defenses and disrupted command and control. This is when the air campaign will change.

There were some indications that B-2 movements were underway, including tanker sorties from the Azores that didn’t have a visible ‘customer.’

Prioritizing missile cave complexes as a target for America’s ‘silver bullet’ stealth bomber force is an obvious decision. As we have stated for years, destroying these complexes is challenging. They are made up of different chambers that can be sealed off from one another. So very complex weaponeering and a large quantity of specialized munitions would be needed to even attempt destroying them completely.

Iran military shows footage giving tour of underground ‘missile city’

On the other hand, these facilities have a massive vulnerability. You don’t need to destroy them to put the missiles and launchers stored inside totally out of action. You just need to seal them off and keep them sealed off during a conflict. This can be done by striking near the entrances to the fortified caverns. By keeping an eye on these openings using remote sensing after initial strikes, deciding if and when further strikes are needed can be done with high confidence, as efforts to open the entrances back up can be seen and responded to.

So, just by bottling these facilities up, you make the arsenals held within them useless. In addition, some of the entrances have rock formations that climb more gradually above them, meaning penetrators can actually burrow to a depth where the tunnels themselves exist, not just entrance areas. Striking here makes reopening the caverns even more challenging.

There is one complicating factor when trying to put these facilities out of action — some of them have apertures in their ceilings that allows ballistic missiles to be launched without them leaving the facility. Some even have automated rapid-loading systems to fire the missiles off quickly. This means that missiles can still be fired from them even if the entrances are temporarily sealed. The good news is that the overhead doors that protect the launch bays can be penetrated, and the bays themselves destroyed. This would specifically be a good job for the B-2.

By going after these cave complexes, scores of launchers and missiles can be taken off the table. That means fewer missiles to hunt for in the open, which is a very challenging and resource-consuming kind of interdiction mission, to say the least. As such, these installations would be among the highest priority of targets, along with Iranian command and control capabilities. There is currently a race on when it comes to the supply of missiles and counter-missile capabilities. As we have discussed at length, interceptor stocks are not in a good place. For every missile kept out of the fight, that is one (or more) less interceptors that does not need to be expended.

The B-2 has unique conventional weapons capabilities that have become famous. A single Spirit can carry 80 500-pound JDAMs that can all fly miles from their launch point and hit individual targets with exacting precision. A single pass from one B-2 over an airfield can destroy all of the base’s non-hardened infrastructure, for instance. But it’s the B-2’s bunker-busting capabilities that get the most attention.

The Massive Ordnance Penetrators (MOP) used to attack Fordow in June are the ultimate non-nuclear bunker buster. But these 30,000-pound weapons are very few in number, and only two can be carried by each B-2. Because of the compartmentalized nature of some of the missile caves, just how effective they would be at destroying the complexes is questionable. If intelligence existed that would allow for perfect weapons placement, it’s possible they would have been used.

More likely, the B-2s would have used more common bunker busters for this kind of mission. These include 2,000-pound-class BLU-109-warhead equipped GBU-31 Joint Direct Attack Munitions (JDAM). The BLU-109-equipped JDAMs are common across American combat aircraft, but the B-2 can carry 16 of them, not a couple like a fighter would, on a typical mission. The B-2’s arsenal may also now include new GBU-72 5,000-pound-class bunker busters, a bomb developed to bridge some of the gap between the BLU-109 and the MOP. A mix of these weapons can be carried in order to tailor the damage to different areas of a missile cave complex.

The smaller weapons would likely have been capable of collapsing runner entrances and destroying the missile launch apertures at the limited number of sites equipped with them.

Then there is another question some are bound to ask, why use a B-2? Why not a B-52 or B-1? The answer there is multi-fold, but the biggest driver in this regard is the B-2’s stealth capabilities. The airspace over Iran is not fully secured. There are still threats, some of which are novel to Iran, and others are road mobile and can pop up at any time. Taking every advantage — careful mission planning based on the latest intelligence, electronic warfare, and cyber support, and escorts that can take out counter-air threats in real time — is still a necessity. Also, the B-2 crews train for just this type of mission and likely have familiarity with the target sets in mind. So they will be used for direct bomber attacks for the foreseeable future.

As to why the B-2s flew such a long mission instead of operating from a forward location, the answer there is relatively clear. As we reported last week, the United Kingdom has not allowed the U.S. to launch strikes from its bases against Iran. This includes two locations that are fully equipped to sustain bomber operations and are relevant in proximity to the Iranian mission — RAF Fairford in the United Kingdom and Diego Garcia in the Indian Ocean. While the B-2 community has been training to launch limited operations from other forward locations in recent years, these locales are not equipped to sustain sorties. So, flying from home, at least at this point, was clearly the best option.

We will likely be seeing more of the B-2s in the coming days, especially as the air war moves from targeting immediate threats and focuses on destroying Iran’s nuclear infrastructure and its military industrial complex — especially the parts of it that develop and construct ballistic missiles and other standoff weaponry that threaten Israel and Iran’s neighbors.

UPDATE: 4:47 Eastern –

The U.K. government has more details about the revised level of support it is willing to provide the United States in its campaign directed against Iran. The United Kingdom is now offering the U.S. military use of its bases for strikes targeting Iranian missile sites. You can read more about why this became an issue in our story about the controversy here.

In a video shared on social media Sunday, British Prime Minister Keir Starmer said: “Our partners in the Gulf have asked us to do more to defend them, and it’s my duty to protect British lives.

“We have British jets in the air as part of coordinated defensive operations which have already successfully intercepted Iranian strikes.

“But the only way to stop the threat is to destroy the missiles at source — in their storage depots or the launchers which used to fire the missiles. The United States has requested permission to use British bases for that specific and limited defensive purpose.

“We have taken the decision to accept this request — to prevent Iran firing missiles across the region, killing innocent civilians, putting British lives at risk and hitting countries that have not been involved.”

Given Starmer’s new stance, it is possible we could see movements of B-2s and other bombers to either or both of the bases at the center of the controversy. As we have already noted, the U.S. has beefed up Diego Garcia with F-16 Fighting Falcons.

However, we don’t know the timeline for Operation Epic Fury. If it only lasts a few days, it is possible that the B-2s and other bombers could continue to fly from bases in the U.S. We just don’t know yet. 

A flight of four B-2 Spirit stealth bombers returning to Whiteman Air Force Base in Missouri after bombing Iran had to divert to Dyess Air Force Base in Texas. The aircraft — PETRO41, PETRO42, PETRO43 and PETRO44 — reportedly altered their course due to weather issues at Whiteman.

You can see some of the jets landing in the following video.

The Writers Guild of America West has canceled its awards ceremony scheduled to take place March 8 as its staff union members continue to strike, demanding higher pay and protections against artificial intelligence.

In a letter sent to members on Sunday, WGA West’s board of directors, including President Michele Mulroney, wrote, “The non-supervisory staff of the WGAW are currently on strike and the Guild would not ask our members or guests to cross a picket line to attend the awards show. The WGAW staff have a right to strike and our exceptional nominees and honorees deserve an uncomplicated celebration of their achievements.”

The New York ceremony, scheduled on the same day, is expected go forward while an alternative celebration for Los Angeles-based nominees will take place at a later date, according to the letter.

Comedian and actor Atsuko Okatsuka was set to host the L.A. show, while filmmaker James Cameron was to receive the WGA West Laurel Award.

WGA union staffers have been striking outside the guild’s Los Angeles headquarters on Fairfax Avenue since Feb. 17. The union alleged that management did not intend to reach an agreement on the pending contract. Further, it claimed that guild management had “surveilled workers for union activity, terminated union supporters, and engaged in bad faith surface bargaining.”

On Tuesday, the labor organization said that management had raised the specter of canceling the ceremony during a call about contraction negotiations.

“Make no mistake: this is an attempt by WGAW management to drive a wedge between WGSU and WGA membership when we should be building unity ahead of MBA [Minimum Basic Agreement] negotiations with the AMPTP [Alliance of Motion Picture and Television Producers],” wrote the staff union. “We urge Guild management to end this strike now,” the union wrote on Instagram.

The union, made up of more than 100 employees who work in areas including legal, communications and residuals, was formed last spring and first authorized a strike in January with 82% of its members. Contract negotiations, which began in September, have focused on the use of artificial intelligence, pay raises and “basic protections” including grievance procedures.

The WGA has said that it offered “comprehensive proposals with numerous union protections and improvements to compensation and benefits.”

The ceremony’s cancellation, coming just weeks before the Academy Awards, casts a shadow over the upcoming contraction negotiations between the WGA and the Alliance of Motion Picture and Television Producers, which represents the studios and streamers.

In 2023, the WGA went on a strike lasting 148 days, the second-longest strike in the union’s history.

Times staff writer Cerys Davies contributed to this report.

Israelis filmed the moment an Iranian missile broke through Israel’s air defence systems to strike a target in West Jerusalem, in retaliation for Israel’s war on Iran.

The Lebanese armed group has not taken action against Israel or US assets since the attacks on Iran began on Saturday.

The Lebanese armed group Hezbollah has pledged to fulfil its duty in “confronting aggression” after attacks by Israel and the United States killed Iranian Supreme Leader Ayatollah Ali Khamenei.

In a statement on Sunday, the Iran-aligned group offered condolences for Khamenei, who was killed along with other Iranian leaders in a joint US-Israeli attack on Iran early on Saturday.

“That the criminal American and Zionist [Israeli] aggression targeted our guardian, our leader, the leader of the Nation, Imam Khamenei (may his soul be sanctified), along with a group of leaders, officials, and innocent sons of the Iranian people, represents the height of criminality,” the group said.

“We will fulfill our duty in confronting aggression, confident in Allah’s victory, guidance, and support… No matter how great the sacrifices, we will not abandon the field of honour and resistance, nor the confrontation against American tyranny and Zionist criminality, in defence of our land, our dignity, and our independent choices,” it added.

So far, Hezbollah, which operates as a largely independent armed force within Lebanon, has not taken action against Israel or US assets since the attacks began on Saturday.

Lebanese President Joseph Aoun said on Sunday that “the decision of war and peace rests solely with the Lebanese state”, after an emergency meeting of the country’s Higher Defence Council.

On Saturday, Lebanese Prime Minister Nawaf Salam said he would not accept anyone “dragging the country into adventures that threaten its security and unity”.

“In light of the serious developments unfolding in the region, I once again call on all Lebanese to act with wisdom and patriotism, placing Lebanon and the Lebanese people’s interests above any other consideration,” Salam said in a statement sent to the Reuters news agency.

Lebanon is continuing its attempts to recover after a yearlong war between Hezbollah and Israel that ended after the November 2024 ceasefire. However, Israel has continued to target Lebanon in violation of the agreement and has maintained several military outposts within Lebanese territory.

Thousands mourn in Beirut

On Sunday, Hezbollah organised a gathering of thousands of supporters in the capital, Beirut, to mourn Khamenei, as they chanted, “Death to America, death to Israel”.

Zainab al-Moussawi, a 23-year-old teacher, told the AFP news agency that the death of Khamenei was “very painful. It is a tragedy.”

“It felt just like the martyrdom of the Sayyed,” she added, referring to Israel’s killing of former Hezbollah leader Hassan Nasrallah in 2024.

Hezbollah also called on mosques to recite the Quran and organise other mourning ceremonies in different parts of the country where the group holds influence to mark Khamenei’s death.

CHEF Gordon Ramsay serves up some romance with his missus. 

Ramsay, 59, held hands with Tana, 51, and cuddled up for a kiss while out at the weekend.  

Their loved-up stroll in South West London comes after Gordon waded into the Beckham family feud.

He urged David’s estranged son Brooklyn to “remember where you came from” last month in an exclusive interview with The Sun. 

The Michelin-starred restauranteur said he loves the aspiring chef, 26, and has been in contact offering support.

He also spoke for the first time about that dance at Brooklyn’s 2022 wedding to Nicola Peltz – which he attended alongside wife Tana.

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Loyal Gordon, a long-time family friend, said: “It’s a very difficult situation.

“Victoria is upset, and I know 24/7, seven days a week, just how much David loves Brooklyn.

“Brooklyn and I have messaged a little bit, our relationship is solid. I love him – his heart is incredible.

While Brooklyn has blocked many of his relatives on Instagram, he and Gordon still follow one another.

The chef, who has almost 20million followers, has backed Brooklyn’s cooking endeavours where others were quick to mock.

He is also celebrating his new series Being Gordon Ramsay riding high in the Netflix charts. 

March 1 (UPI) — The Supreme Court will determine whether people who regularly smoke marijuana will be allowed to own guns.

In United States v. Hemani, which goes before the Supreme Court on Monday, the Trump administration will attempt to uphold their prosecution of Ali Danial Hemani, who lives in Texas.

In 2022, FBI officials found that Hemani, who is a dual citizen in the United States and Pakistan, owned a pistol while in possession of marijuana and cocaine.

When Hemani said that he engaged in marijuana use approximately every other day, he was indicted, facing up to 15 years behind bars, but the charge was dismissed.

The 1968 law he allegedly violated was meant to disarm people who used drugs.

An appeals court stated that there was not enough “tradition of gun regulation” to “support disarming a sober person based solely on past substance usage,” USA Today reported.

“I think what the court is being asked to decide, and I would imagine the reason it took the case, is to give some more guidance about what kinds of people can be disarmed without violating the Second Amendment,” said Joseph Blocher, one of the Duke Center for Firearms Law, CBS News reported.

Fundamentally, that’s what this case is about,” Blocher said.

United States President Donald Trump has pledged to continue the “righteous mission” against Iran, until “all objectives are achieved”, adding there will likely be more US troop deaths in the process.

Speaking in a video posted to his Truth Social account on Sunday, Trump again framed the war against Iran as a response to an existential threat to the US, saying that “an Iranian regime armed with long-range missiles and nuclear weapons would be a dire threat to every American”.

Trump and his top officials had repeatedly made similar statements in the run-up to Saturday’s attacks, which killed Iranian Supreme Leader Ayatollah Ali Khamenei and several high-ranking members of the country’s leadership.

However, they have to date presented no evidence to support that Iran was developing a long-range missile capable of hitting the US or was anywhere close to developing a nuclear weapon.

Tehran has long denied seeking such a weapon, with experts assessing that if it did seek nuclear weapons, the development would still be several years off. The US launched its attacks alongside Israel in the middle of ongoing US-Iran talks on its nuclear programme.

Trump also referenced the three US military personnel confirmed killed on Sunday amid Iran’s regional retaliation.

“As one nation, we grieve for the true American patriots who have made the ultimate sacrifice for our nation, even as we continue the righteous mission for which they gave their lives,” Trump said.

“And sadly, there will likely be more before it ends,” he said. “That’s the way it is – likely be more, but we’ll do everything possible where that won’t be the case.”

He added: “But America will avenge their deaths, and deliver the most punishing blow to the terrorists who have waged war against, basically, civilisation”.

No mention of diplomacy

The speech marked a stark contrast to several interviews Trump had given throughout the day, in which he appeared to float diplomatic off-ramps.

“They want to talk, and I have agreed to talk, so I will be talking to them,” Trump told the Atlantic magazine, referring to what the publication described as Iran’s “new leadership”.

“They should have given what was very practical and easy to do sooner. They waited too long,” he said.

A White House official confirmed to Al Jazeera that Trump was willing to engage with Iran’s new leaders.

Earlier on Sunday, Iran announced a three-member interim leadership council to run the government in the wake of Khamenei’s killing. It includes: President Masoud Pezeshkian; the chief justice of the Supreme Court, Gholam-Hossein Mohseni-Ejei; and a member of the Guardian Council, Ayatollah Alireza Arafi.

Trump acknowledged that some of the negotiators involved in the talks with the US had since been killed.

Some analysts have argued that Iran’s new leadership will likely be wary of engaging with the Trump administration, given its track record. The US also launched attacks alongside Israel during US-Iran negotiations in June last year.

The new leadership could instead pursue a protracted conflict that could be politically damaging for Trump, some experts have said.

“Most of those people are gone,” Trump told The Atlantic. “Some of the people we were dealing with are gone, because that was a big – that was a big hit.”

Attacks continue

In his speech on Sunday, Trump did not reference any diplomatic overtures, instead calling for regime change in Iran.

He again offered amnesty to Iranian Revolutionary Guard Corps (IRGC) members, the Iranian military and police who “lay down” their arms. If they do not, they will face “certain death”, he said.

He also again called on “Iranian patriots who yearn for freedom to seize this moment to be brave, be bold, be heroic, and take back your country”.

He appeared to reference his threats in January to strike Iran in response to the government’s crackdown on protesters.

“I made a promise to you, and I fulfilled that promise,” Trump said. “The rest will be up to you. We’ll be there to help”.

Trump spoke as fighting continued across the region.

The US command that oversees the Middle East (CENTCOM) announced the killing of the three members of the US military earlier on Sunday, but did not provide further details. It said five others were “seriously wounded” in the operation.

The US media has reported that those killed in Iranian strikes were based in Kuwait. Iran has also launched a barrage of attacks against Qatar, the United Arab Emirates, Saudi Arabia, Jordan, Bahrain, and Oman.

Meanwhile, at least 201 people have been killed in Iran, with 747 wounded, while at least nine have been killed and 121 wounded in Israel.

At least one person has been killed in Kuwait, three have been killed in the UAE, and two have been killed in Iraq since the escalation began.

Iran’s IRGC said earlier on Sunday that it had targeted the USS Abraham Lincoln aircraft carrier with four ballistic missiles, but a US official told Al Jazeera that no damage was caused.

Speaking in a separate Fox News interview on Sunday, Trump said that 48 “leaders” had been killed in Iran, although a full list of those killed has not been released. In a post on Truth Social, the US president said the US had “destroyed and sunk 9 Iranian Naval Ships, some of them relatively large and important”.

“In a different attack, we largely destroyed their Naval Headquarters,” he said.

In a post on X, CENTCOM said the IRGC “no longer has a headquarters”.

Iranian Minister of Foreign Affairs Abbas Araghchi, meanwhile, said Iran’s military command had been interrupted, with units acting in an “independent and somewhat isolated” way. He said they were operating “based on general instructions given to them in advance”.

Still, Araghchi told ABC News, “We see no limit for ourselves to defend our people, to protect our people.”

The Screen Actors Guild Awards have been rebranded to the Actor Awards this year. As awards shows undergo major changes, including introducing new categories and moving to new platforms, the only thing that is constant is the red carpet parade of fashion.

Following a breakout year, Teyana Taylor has ruled one red carpet after another this season. She turned heads at the Golden Globes in a custom Schiaparelli bustier gown (with a built-in bedazzled thong), then covered up from head to toe in a plum trench coat-inspired Burberry dress at the BAFTAs. Her co-star Chase Infiniti has also been a sartorial standout in several structured strapless gowns. Other leading ladies sure to steal the spotlight include Kate Hudson and Emma Stone. On the TV side, Jenna Ortega is among the stars who has made a splash in the last few years while veterans Keri Russell, Claire Danes and Michelle Williams continue to impress.

The Actor Awards, hosted by Kristen Bell for the third time, will stream at 5 p.m. on Netflix live from Shrine Auditorium in L.A.

Here’s the best fashion from the 2026 Actor Award, captured by The Times’ photo team.

READ MORE: Winners list | Full coverage

Kristen Bell

Kristen Bell is the hostess with the mostess at the Actor Awards.

(Myung J. Chun / Los Angeles Times)

Sheryl Lee Ralph

Sheryl Lee Ralph wows in a Saiid Kobeisy gown.

(Myung J. Chun / Los Angeles Times)

Dove Cameron

Dove Cameron goes for Gothic glamour in Monique Lhuillier.

(Myung J. Chun / Los Angeles Times)

Hannah Stocking

Social media influencer Hannah Stocking arrives at the Actor Awards.

(Myung J. Chun / Los Angeles Times)

Paige DeSorbo

We’re giggly over reality star and Actor Awards pre-show host Paige DeSorbo’s Marmar Halim gown.

(Christina House / Los Angeles Times)

“E! Live From the Red Carpet” host Erin Lim Rhodes stuns in red.

(Myung J. Chun / Los Angeles Times)

Footage from near the Strait of Hormuz shows a Palau-flagged oil tanker ablaze after what Oman’s maritime security centre said was a hit from an unidentified projectile. At least three ships have been struck in the area. More than 150 others have dropped anchor to avoid entering the strait.

The U.S. military has employed new Precision Strike Missile (PrSM) short-range ballistic missiles as part of ongoing operations against Iran. This looks to be the first combat use of the PrSM, which only began entering service roughly two years ago. The operational debut of the new missiles showcases the significantly greater range they offer compared to their predecessors, the Army Tactical Missile System (ATACMS), and much expanded target areas that American units can now hold at risk as a result.

Overnight, U.S. Central Command (CENTCOM) released a video montage of still pictures documenting the “first 24 hours of Operation Epic Fury.” This is the nickname American authorities have given to their component of ongoing U.S.-Israeli operations targeting Iran. Included in that montage, seen in the social media post below, is an image clearly showing the launch of a PrSM from a wheeled M142 High Mobility Artillery Rocket System (HIMARS) launcher.

Defense and security columnist Colby Badhwar looks to have been the first to spot the PrSM image in the CENTCOM montage. The new missile is distinctly different, especially when it comes to the shape and configuration of its tail fins, from ATACMS.

There is also a picture of an M142 loaded with what looks to be a two-cell ammunition ‘pod,’ which is also in line with PrSM. The M142, as well as the tracked M270 Multiple Launch Rocket System (MLRS), fires munitions from pods with standardized dimensions. ATACMS pods only contain a single missile. M142 and M270 launcher vehicles can also fire 227mm artillery rockets, including guided variants, all of which come in six-round pods.

Yesterday, CENTCOM also released a montage of video clips showing HIMARS launchers firing short-range ballistic missiles. That footage – which came along with the caption “The Iranian regime was warned. CENTCOM is now delivering swift and decisive action as directed.” – may also show at least one PrSM launch, as well as ATACMS being fired.

As already noted, PrSM offers a major boost in range over ATACMS. The baseline PrSM variant, also known as Increment 1, has demonstrated its ability to hit targets at least around 310 miles (500 kilometers) away. The U.S. Army, the service in charge of the PrSM program, has a stated goal to eventually stretch that out to around 400 miles (650 kilometers), if that has not already been achieved. The service is also working toward an even longer-range version able to fly out to at least 620 miles (1,000 kilometers), if not further.

The longest ranged variants of ATACMS can hit targets out to around 186 miles (300 kilometers).

Where PrSMs or ATACMS have been fired from during strikes on Iran as part of Operation Epic Fury is unclear. Regardless, PrSM offering roughly twice as much reach would substantially increase the total breadth of targets that could be held at risk from any location in the region.

In turn, this would allow U.S. forces to hit more targets where the unique benefits offered by ballistic missiles could be advantageous. Ballistic missiles, in general, fly at relatively high speeds, especially as they come down in the terminal phase of flight. This makes them especially well-suited for employment against time-sensitive targets, like Iranian missile launchers and air defense assets, which have been a focal point of strikes in the conflict so far, in general. Using short-range ballistic missiles to help neutralize air defense nodes, shore radar sites, and similar assets would have made particular sense in the opening stages of the conflict to help clear the way for follow-on strikes.

High speed also creates additional challenges for enemy air defenses attempting to engage them compared to other kinds of missiles, including some subsonic air-breathing cruise missiles. How fast ballistic missiles are going when they impact inherently enables ballistic missiles to burrow deeper into hardened targets, which are commonplace in Iran, as well.

Demonstrating PrSM in real combat against Iran could also send signals to other American opponents. The importance of PrSM’s extended reach is often discussed in the context of a potential high-end fight in the Pacific against China, where launch points, at least on land, are much more limited. An anti-ship version of PrSM, also referred to as Increment 2, which features an additional seeker and is capable of hitting moving targets, is also now under development. Another version of PrSM is also in the works that could dispense payloads consisting of kamikaze drones or small precision-guided bombs, as you can read more about here.

We still have more to learn about how PrSM (as well as ATACMS) is being employed as part of Operation Epic Fury. Whatever the case, America’s newest ballistic missile is now a combat-proven weapon, and its use against Iran puts a spotlight on the immense value its greater range, in particular, brings to the table.

Contact the author: joe@twz.com

WAYNE Rooney boozed until the early hours with two women at a Manchester hotel on Saturday during a pre-Brit Awards bash.

At one point, the former Manchester United and England striker struggled to keep his trousers up in the bar at a posh hotel.

Pictures and video obtained by The Sun show the dad of four, married to Coleen, relaxing in the Manchester venue in the early hours of Saturday.

It was full of celebrities ahead of Saturday night’s Brits ceremony in the city.

One surprised onlooker told The Sun: “People who noticed Wayne were saying, ‘What would Coleen think?’. She was nowhere to be seen.”

They added: “Wayne appeared to have been drinking. He seemed to have had a few.”

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It comes after he revealed last year that he had curbed his boozing after hitting the bottle too hard in his football career, and said he would be dead if it was not for the support of Coleen.

Rooney had been at the city centre hotel with pop star Calum Scott before he appeared to catch the attention of the two women. One was with her boyfriend.

The group also included a male pal of Rooney.

Witnesses said he looked “worse for wear” at 1.30am when he came out of a ­toilet and fumbled with his trousers.

One told The Sun: “Wayne couldn’t seem to get his trousers done up.

“At one moment, they almost dropped to the floor but he managed to save them.”

He then “kept pulling his trousers up, but then they’d fall down again”.

Rooney went on to spend almost two hours chatting to the two mystery ladies and knocking back drinks.

An onlooker said: “He seemed like he was ­having a laugh and joking around with the women.”

Rooney and one of the women eventually left the establishment, before getting into separate cars just after 3.25am.

One witness said: “He later left alone. He stood outside where there were quite a few people gathered and got into a car.

“Around eight minutes later, a taxi came and picked the woman up.

“People in the queue recognised it was him and were saying he didn’t seem to be in a great place.”

Wayne had been at a party with stars including I’m A Celebrity’s Shona McGarty and rapper Aitch prior to spending time with the women.

Shona shared a photograph of her posing with Wayne inside the bash on Instagram and wrote: “Just a little pre Brits party.”

The former EastEnders actress appeared in ITV’s I’m A Celeb jungle show with Wayne’s wife Coleen in 2024.

Rooney, now a BBC pundit on Match of the Day, has had a string of incidents involving other women over the years.

He admitted using sex workers before he married childhood ­sweetheart Coleen, who is mother to their four sons Kai, 16, Klay, 12, Kit, ten, and Cass, eight.

It was also reported that Wayne even had a threesome with two sex workers while Coleen was pregnant with Kai.

In 2017, he was arrested for drink-driving, with office worker Laura Simpson in the car, following a night out in Cheshire.

Rooney was hit with a driving ban.

Last September, he emotionally revealed that Coleen, 39, was helping him cut down on booze.

Rooney said: “I honestly believe if she weren’t there I’d be dead.

“I’ve made mistakes in the past which are well documented and whatever but I’m a little bit ­different at times and she keeps me on that path and she’s done it for 20-odd years.

“I wanted to go out and enjoy my time with my friends and have a night out. It got to a point where I went too far.

“That was a moment in my life where I was struggling massively with alcohol.

“I didn’t think I could turn to anyone. I didn’t really want to because I didn’t want to put that burden on anyone.”

Rooney, who is Man United’s all-time leading goalscorer, added of his wife: “She’s managed me because I needed managing.”

Speaking in 2023, Coleen admitted their relationship has at times been “hard”.

But she went on: “There’s always been love there so why give up on it?

“If the love’s still there, why not see if you can work it out?

“People haven’t seen that because we’ve done that behind closed doors and it’s been a battle at times, it’s been hard.

“People only see what’s in the Press, they don’t know what goes on in our life.”

She added: “It was out there, we’ve dealt with it, and we’re moving on.”

Yesterday, Coleen opened up about their marriage again in another interview.

Asked if her husband would think she was bossy, Coleen replied: “He would probably say that, but I would say he needs ­telling sometimes.”

She added: “You have your ups and downs, you have things that happen in life.

“But I think being together from a young age, we know each other inside and out.

“We’re a team. I wouldn’t say we’ve changed.

“I would say things around us have changed.”

Footage shows a huge fire reportedly ignited by an Iranian strike on a US naval facility at Bahrain’s Salman Port. The port houses the US Navy’s Central Command and Fifth Fleet.

The US military has confirmed at least three of its soldiers have been killed and five others injured in its war with Iran. US media reports the three were killed in Kuwait, but Al Jazeera’s Alan Fisher says the military will be hesitant to give more details.

SINNERS star Delroy Lindo said he appreciates the “love and support” he has received after the N-word was shouted while he was on stage at last week’s Baftas.

The 73-year-old actor and co-star Michael B Jordan were presenting an award when Tourette’s sufferer John Davidson involuntarily blurted out the racial slur.

Lindo addressed the controversy while on stage at the NAACP Image Awards in California on Saturday.

The British-born actor said: “We appreciate – I appreciate – all of the support and love we have been shown in the aftermath of what happened last weekend, it means a lot to us.

“It is an honour to be here amongst our people this evening, amongst so many people who have shown us such incredible support.

“And it’s a classic case of something that could’ve been very negative becoming very positive.

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“Thank you so much for the support.”

Lindo praised the ceremony as “a room where being fully seen is not rare, but it is expected”.

Campaigner John said he was “deeply mortified” by what happened.

Jordan and Lindo were acknowledged by actress Regina Hall as she presented the first award of the night.

Hall, best known for appearing in the Scary Movie franchise, said: “I just want to take a moment to the two kings who are in this audience and just send you so much love for your class.”

The 57th NAACP Image Awards were held in Pasadena and hosted by actor and comedian Deon Cole.

Cole took aim at the Bafta incident, joking: “If there are any white men out here in the audience with Tourette’s, I advise you to tell them they can read the room tonight.”

March 1 (UPI) — Some 22 people were killed amid anti-U.S. protests in Pakistan Sunday, following the U.S.-Israeli offensive Saturday that left 200 people dead.

In Karachi, at least 10 people were killed as they attempted to storm the U.S. Consulate, while two were killed in Islamabad and another 10 killed in Gilgit-Baltistan, the New York Times reported.

“When Iran is attacked, we feel our faith, our identity and our very existence are being targeted,” a student protestor in Karachi said, The Times reported.

The country’s supreme leader, Ayatollah Ali Khamenei was among the dead following the U.S. and Israeli attacks.

In response, protests are swelling across the region, including in Iraq and India.

“We must also ensure that those who are mourning in Jammu and Kashmir are allowed to grieve peacefully,” said the area’s chief minister Omar Abdullah, NDTV World reported. “The police and administration should exercise utmost restrain and refrain from using force or restrictive measures.”

Barron’s reported that protests against the U.S. are anticipated in North Africa, South Asia and across the Middle East.

The U.S.-Israeli airstrikes followed indirect negotiations between the United States and Iran regarding nuclear weapons on Thursday.

Iranian officials had said that additional talks were planned.

President Trump had previously increased military presence in the region and threatened escalation if no deal was reached.

Footage captured the moment an Iranian drone struck the US military’s Camp Buehring in northwestern Kuwait, impacting with an explosion and cloud of smoke.

HE FINALLY patched things up with brother Liam for the Oasis reunion last summer.

And it seems that Noel Gallagher is now closer than ever with his nephews Gene and Lennon — after teaching them how to party hard at Sony Music’s official Brit Awards after-party.

The Rock ’n’ Roll Star songwriter proved he was exactly that, as the last man standing at 3:45am yesterday at the do in Manchester’s amazing Soho House — despite knocking back endless bottles of Peroni until the bar stopped serving.

An onlooker said: “Noel and Liam’s sons are really close, and they hung out all night at the Sony bash.

“He might be in his fifties now but Noel still knows how to party and he put his nephews to shame with the amount of booze he could knock back.

“Noel was in really high spirits after getting the Songwriter Of The Year award and he had so many people coming up and congratulating him.

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“Gene and Lennon tried to keep up with Noel but they couldn’t, he out-partied them by a country mile.

“Even Noel’s daughter Anais gave up trying and left at 3am — Noel just carried on drinking bottles of Peroni.

“When Noel left, it was amazing he could walk straight.

“But he is a proper rocker and showed all those young ones right up.

“When Gene finally decided he wanted to try and one-up his uncle, he went to the bar and was told they’d stopped serving.

“He tried three times to be served and was in a huff when he was told no.

“To be fair it was almost 4am — and he should have just kept up with Noel when he had the chance.”

Noel’s hedonism clearly rubbed off on the other stars at Sony’s bash, which was the best of all the star-studded after-parties, thanks to its stellar guest list.

Brits host Jack Whitehall told me earlier this month that he would be having an early night because his fiancée Roxy Horner and their toddler daughter were coming to Manchester to be with him.

But he ended up partying into the early hours of yesterday morning.

I spotted him holding court with a group of his mates upstairs near grime star Skepta, with Jack finally heading back to his hotel at 3am.

Hopefully he had some Nurofen stashed in a bag because I think yesterday could have been blighted by one almighty hangover — and a very excitable toddler.

LIAM GALLAGHER praised his brother from home as Noel collected his award.

He posted on X: “All hail the greatest songwriter this country has ever seen since Lennon and McCartney.”

He also showed his support for former foe Robbie Williams’ tribute to Ozzy Osbourne, writing: “He was unreal”.

Liam also revealed why he didn’t go to the event at Co-op Live. He told a fan: “I was scared… Of all those cool folks in 1 room, they make me nervous.”

Olivia’s up fur a party

OLIVIA DEAN had good reason to smile as she headed to an after-party following her incredible four wins.

The singer scooped Artist and Pop Act, plus Album and Single of the Year for her record The Art Of Loving and her Sam Fender collaboration, Rein Me In.

Olivia wrapped up in a fur coat which covered her sparkly minidress – but didn’t hide her legs from the northern chill.

She did opt to wear sunglasses too, but at that time of night, they certainly weren’t needed.

LILY GIVES DO COLD SHOULDER

LILY ALLEN pulled out of attending the Brits as she’s desperately trying to recover in time for the launch of her first tour in seven years.

She was up for three gongs – although she was pipped to the post for all three by Olivia Dean – and had been due to travel to Manchester on Saturday morning.

But Lily made the last-minute decision not to attend after battling a brutal cold last week.

She launches her Lily Allen: Performs West End Girl tour in Glasgow this evening and has been trying to conserve energy.

Last Tuesday, she told fans she had been in bed for two days because she was “so sick” and hadn’t been able to rehearse.

When she did get back to practising, she said she had lost the lower register of her voice.

There are very high expectations for the tour, as every date sold out on the day they became available.

So a night of partying probably wouldn’t have done her any favours.

ALEX WARREN performed Ordinary at the ceremony but it’s his new single Fever Dream which is climbing the charts.

The American, who was accompanied by James Blunt on piano at the show, released the track on Friday and it’s on course to be his second No1.

But Ordinary is also rising – up four places to No15 in the midweek charts.

Jade throws shade

JADE THIRLWALL’s feud with Noel Gallagher started at the Brits five years ago.

Following Little Mix’s win for British Group, he said they were “not in the same league as Oasis.”

And she made her feelings towards him clear when Noel was accepting his Songwriter Of The Year gong at this year’s awards – by swiftly exiting the room.

She chose that exact moment to head backstage as she prepared to present the International Artist of the Year award to Rosalia.

Back in 2021, Jade hit back at Noel’s comments and said: “We are the most successful girl group in the country – but he’s not even the most successful performer in his family.”

Something tells me she isn’t praying for another Oasis tour.

JOEL: NOT GRIM UP NORTH

WOLF ALICE drummer Joel Amey told me he’s pleased the Brits came to Manchester.

The North West city will host the ceremony for the next two years and, speaking backstage, and despite being a Londoner, Joel think it is a great move.

He said: “Not everything being in London is a good thing. Manchester has an incredible band culture, it has an incredible heart – it’s nice not to be in the same place all the time.

“As Londoners, we get so much there and people get a jaded – we need more of this feeling around the country. The Mercury Awards were in Newcastle and everyone got behind it, we need more of it.”

Of next year’s ceremony, Joel has a suggestion for the Global Icon award.

He added: “I would love to see Andre 3000 get it. I love him, everything Outkast has done is amazing and he has been doing this for ever.

“He was ahead of his time and we can see how influential he is now.”

STYLES HAS SPA QUALITY

HARRY STYLES kept things gentle at the Brits, having first kicked off the day at a top health spa in nearby Warrington.

The Aperture singer was seen getting a sweat on at the Park Royal Hotel, where one guest told me: “It was about 10.30am and Harry walked into the gym and started working out.

“I had to do a double take and other people clocked him, but no one bothered him. It was all very low key, you would never have known he is one of the biggest stars on the planet. It felt so surreal.”

Harry was very much man of the night at the Co-op Live Arena, but after his incredible opening performance, he didn’t go wild.

Despite having a table, Harry never left his backstage area and once the show had ended, he headed to Sony’s after-party for a quick 30-minute appearance.

A source said: “Harry was keen to be seen supporting Sony and the Brits but also is aware his tour kicks off on Friday at the Co-op Live Arena back in Manchester.

“It was a very low-key weekend for him, he left the party after half an hour.”

One person who was happy to let her hair down after performing though was Dua Lipa.

She hot-footed it to Warner Music’s official after-party alongside her family, who were taken to Manchester by her record label on the cool British Pullman Train, specially hired by the label for the weekend.

Dua made a beeline for the dancefloor with a gaggle of about ten pals before taking some time out for a cheeky ciggie in the smoking area.

Keen not to let her night end there, the Houdini singer was whisked across town to attend Sony’s after-party.

There she hung out with Mark Ronson and drank picantes until the early hours.

Mark so dashing

MARK RONSON delivered one of the most memorable sets of the night.

He played a medley of his hits and was joined on stage by Dua Lipa, and US rapper Ghostface Killah.

But the producer made a mad dash to the Manchester airport in the early hours and only just made his flight home to New York.

Following his Outstanding Contribution To Music win and stellar performance, he celebrated at Sony Music’s party at Soho House and took to the decks until 2am.

But he was forced to make a desperate plea for help after his hour-long DJ slot ended and no one had turned up to take over.

Mark, who was supported by Dua on the dancefloor, told the crowd: “I’m having a lot of fun but I have to catch a flight in two hours so can the other DJ please report to the booth.”

I’m told he made it to the airport by the skin of his teeth, and arrived safely back in the chilly Big Apple.

It’s a good thing he’s used to exceptionally late nights.

AFTER picking up two awards, Sam Fender was in the mood to party – but he shunned the posh dos for a backstage booze-up.

“Sam and his mates loaded up on cans of lager and stayed in the Co-op Arena,” one of my backstage moles explained.

“The stage was being dismantled and all the parties were open but Sam decided to hang around. He was on a massive high and was singing and laughing with his mates as they went to the artists’ green room to crack open some tinnies.”

Never change, Sam.

Samson hits 97 not out, West Indian bowling flounders in Kolkata as India set up World Cup semifinal against England.

Sanju Samson produced one of the calmest innings under the pressure of a run chase to send India into the semifinals of the T20 World Cup with a five-wicket win over the West Indies in Kolkata.

Samson, who returned to the Indian playing XI in the previous match after being overlooked for the three games prior to it, remained not out on 97 as India pulled off an impressive win in front of a packed Eden Gardens crowd on Sunday.

The wicketkeeper-batter was the only Indian player to score more than 30 runs as the defending champions faced the Maroons in a winner-takes-all Super Eight game.

In the process, Samson recorded the highest score by an Indian in a T20 World Cup run chase, going past Virat Kohli’s 82 against Australia in 2016 and Pakistan in 2022.

The cohosts will now face England in the second semifinal in Mumbai on Thursday, while New Zealand and South Africa will meet in the first last-four match on Wednesday in Kolkata.

Samson’s cool demeanour in the face of a high target and an expectant home crowd laid the foundation of India’s chase after they lost star batter Abhishek Sharma in the third over.

The 31-year-old from southern India then took control of the innings, hitting regular boundaries in his 50-ball knock. Samson’s 97 not out came off 12 fours and four sixes.

While he enjoyed brief support from India’s top and middle order batters, none crossed the 20-run mark until Tilak Varma scored 27 off 15 balls in a 42-run partnership with Samson.

India’s captain Suryakumar Yadav (18) and Hardik Pandya (17) were the other contributors to the total, which was sealed with two boundaries off Samson’s bat in the last over.

West Indian pacers Shamar Joseph and Jason Holder picked up two wickets apiece as their teammates struggled to control the flow of runs off Samson’s bat.

Earlier, a 68-run opening partnership between captain Shai Hope and Roston Chase gave the West Indies a swift start to their innings.

Chase, who scored 40 off 25 balls, was the more aggressive of the two openers as he made the most of his dropped catch by Abhishek Sharma to take on Axar Patel and Jasprit Bumrah in the first six overs.

Hope was dismissed for 32 after a sluggish innings and replaced by in-form batter Shimron Hetmyer.

The cricket tournament’s fifth-ranked leading run-scorer sped his way to 27 off 12 balls before falling caught behind to Bumrah.

India looked to be in control soon after as the West Indies were reduced to 119-4 in the 15th over. But a strong finish from Rovman Powell and Jason Holder took the 2012 and 2016 champions to 195.

Powell was unbeaten on 34 and Holder on 37 off 22 balls as they looked to put the pre-tournament favourites under pressure in front of a packed Eden Gardens.

Bumrah was the pick of the Indian bowlers with two crucial wickets off his four overs.

Pandya and Varun Chakravarthy picked up the other two West Indian wickets.

Arsenal won their set-piece battle with 10-man Chelsea as Jurrien Timber sealed the Premier League leaders’ crucial 2-1 victory over their London rivals.

Mikel Arteta’s side struck twice from corners and also conceded from the same route in a match on Sunday that underlined the increasing importance of set-pieces in the Premier League.

William Saliba’s first goal since December 2024 put Arsenal ahead in the first half at the Emirates Stadium.

Piero Hincapie’s own goal drew Chelsea level from one of Reece James’ deadly corners just before the break.

But Timber won a priceless three points for Arsenal with his second-half header before Chelsea winger Pedro Neto was sent off for a second booking.

The Gunners’ second successive league win reestablished their five-point lead over second-placed Manchester City, who have a game in hand and had closed the gap with a 1-0 victory at Leeds on Saturday.

After enduring scathing criticism of their mentality during a recent wobble that breathed new life into the title race, Arsenal have got back on track just in time as they followed last weekend’s 4-1 rout of Tottenham with a far more tense triumph.

Arsenal travel to Brighton on Wednesday with nine games left in their bid to win a first English title since 2004.

The Gunners, through to the League Cup final, the Champions League last 16 and the FA Cup fifth round, have just one top-flight match left against sides currently in the top six – a potentially decisive trip to Manchester City on April 18.

Chelsea’s third consecutive game without a win was a blow to their bid to qualify for next season’s Champions League.

They dropped to sixth place after losing to Arsenal for the third time in Liam Rosenior’s brief reign.

Robert Sanchez nearly gifted Arsenal an early goal when the Chelsea goalkeeper stumbled under pressure from Viktor Gyokeres, but he managed a last-ditch clearance to avert the danger.

When Sanchez gave the ball away with another nervous clearance, Rosenior held his head in frustration.

Arteta preyed on Chelsea’s weakness at the back to take the lead with one of set-piece coach Nicolas Jover’s trademark routines in the 21st minute.

Gabriel Magalhaes towered above Reece James and Joao Pedro to nod Bukayo Saka’s corner into the six-yard box, where Saliba’s goal-bound header deflected in off Chelsea’s Mamadou Sarr.

Chelsea have conceded eight goals from set-pieces in Rosenior’s first 13 matches and four of those have been against Arsenal.

But the Blues got their revenge on the stroke of half-time.

Arsenal were given a warning when James’ corner hit Declan Rice’s shoulder, forcing David Raya to make a superb save.

But they did not learn the lesson and from the resulting corner, James’ in-swinger was headed into his own net by Hincapie.

Arsenal remained vulnerable from James’ corners and Joao Pedro should have done better than head straight at Raya before nodding wide from another of the Chelsea captain’s teasing set-pieces.

Those misses proved costly for Chelsea as Arsenal once again showed their own set-piece prowess in the 66th minute.

Timber made a perfectly timed run to head home from Rice’s corner, with Chelsea’s furious appeals for a foul on Sanchez failing to get the goal overturned.

It was the 16th league goal scored from a corner by the Gunners this season and their jubilant fans celebrated by chanting “set-piece again, ole, ole”.

Neto, booked for protesting in the aftermath of Timber’s goal, rashly took out his frustration on Gabriel Martinelli, chopping down the Arsenal winger to earn his marching orders in the 70th minute.

Arsenal still needed a brilliant stoppage-time save from Raya to deny Alejandro Garnacho before they could celebrate.

Timber said it Arsenal should “enjoy” the thrilling title race.

“We have to enjoy it. It is a privilege to be standing here with my teammates fighting for this title. It is a beautiful place,” he said.

“There are nine games to go, but we have to go game by game. Hopefully, there will be something beautiful at the end of it.”

James, meanwhile, admitted that Chelsea are receiving too many red cards due to ill discipline.

“We have spoken. It has come up a number of times. Every time, it is someone different. We need to review it internally,” the Chelsea captain said.

“Of course, it is a problem. We are playing in the toughest league in the world. 11 vs 11 [players] is tough. 10 vs 11 is even harder, no matter who you’re playing.”

Earlier on Sunday, Manchester United climbed up to third place in the Premier League with a 2-1 win against Crystal Palace.

Benjamin Sesko’s seventh goal in eight games sealed the win at Old Trafford that moved United above Aston Villa on goal difference.

“It feels like a big result,” said United captain Bruno Fernandes, who scored from the penalty spot.

At the other end of the table, Tottenham’s winless run extended to 10 games after a 2-1 loss at Fulham – leaving them mired in a fight to avoid relegation.

Nottingham Forest also failed to pull further away from the drop zone after a 2-1 loss at Brighton.

It starts with the exclamation point, right there in the title. “The Bride!” is a wild, willfully over-the-top double-barreled reinvigoration of 1935’s “Bride of Frankenstein” that is always doing something a little extra in telling its unpredictable story of identity and the reclamation of the self.

“I probably can’t definitively explain it,” says writer-director Maggie Gyllenhaal about that punctuation. “I think I first just put it there and wondered when someone was going to tell me to take it away. And nobody ever did.”

Set in a dreamscape 1930s — imagine a steampunk-meets-art-deco version of “Bonnie and Clyde” — the film features a title performance by Jessie Buckley in three roles, sometimes in conversation with each other. First, there’s Ida, a Chicago party girl who is killed when she becomes an inconvenience to powerful men. Then there’s “Frankenstein” author Mary Shelley, taking possession of another person’s body and voice.

Finally, there’s the Bride herself, the rebellious, reanimated corpse of Ida brought back to life as a companion to a creature here known as Frank (Christian Bale). The duo sets off on a lovers-on-the-run-style crime spree that captures national attention.

On a February Los Angeles morning, Gyllenhaal moves briskly across the lobby of a low-key-chic hotel, barely breaking stride to ask that, instead of a discreet celeb-friendly indoor corner table, perhaps our interview could take place on an outdoor patio. She would like to take in a bit more California sunshine before returning home to wintry Brooklyn.

Dressed in a baggy suit that is both sharp and casual, Gyllenhaal doesn’t come across as particularly fussy but, rather, as someone certain of what she wants, even if what she wants is to explore the messiness of uncertainty, pushing the edges for herself and her collaborators.

Jessie Buckley in the movie “The Bride!”

(Warner Bros. Pictures)

Take, for example, that exclamation point. What might at first seem a bit of preciousness, and which even Gyllenhaal initially makes seem a bit of a throwaway, reveals itself to have a much deeper meaning.

“It wasn’t that it was careless,” Gyllenhaal says with a calm focus. “If you are Ida or Mary Shelley or many women in the world and you’ve been sort of tamped down and silenced and not able to express everything it is that you wanted or needed to express, it’s like if you’ve had your hand on a geyser. When the geyser finally breaks, it’s going to break with a whole lot of extra energy. And maybe that’s where the exclamation point comes from.”

“The Bride!” is the second feature film as writer and director for Gyllenhaal, 48, following 2021’s “The Lost Daughter.” That movie, a bracing examination of the psychological toll of motherhood, would go on to wide acclaim and awards recognition, including Oscar nominations for actors Buckley and Olivia Colman, as well as for Gyllenhaal’s screenplay (an adaptation of the 2006 novel by Elena Ferrante). Prior to that, Gyllenhaal had been known for emotionally fearless performances in films such as “Secretary,” “The Dark Knight” and “Crazy Heart,” for which she received a supporting actress Oscar nomination.

Deciding how to follow up “The Lost Daughter” wasn’t easy. Gyllenhaal says she went to a party and saw someone with a tattoo on their forearm of Elsa Lancaster‘s intense gaze from “Bride of Frankenstein.” Taken with the image, Gyllenhaal checked out the movie and was surprised to discover Lancaster’s iconic character was only in it for a few minutes. After reading the original novel of “Frankenstein,” she started to wonder whether Mary Shelley had other things on her mind at the time of her debut novel.

“I just had this fantasy,” she says with a slightly conspiratorial air. “I’m not speaking for Mary Shelley, but there must have been some other, naughtier, wilder, more dangerous things that Mary Shelley wanted to say that weren’t said in ‘Frankenstein.’ What else might she have wanted to express?”

Christian Bale and Jessie Buckley in the movie “The Bride!”

(Warner Bros. Pictures)

And so Gyllenhaal set about writing, with her “Lost Daughter” star in mind for the lead, though she initially didn’t tell Buckley. One of Gyllenhaal’s biggest learning curves in directing “The Lost Daughter” was figuring out how to speak to each actor individually to get the most out of them.

“With Jessie, I just spoke to her like I speak to myself,” Gyllenhaal said. “No translation needed.”

Reached via email, the “Hamnet” star evokes a Frida Kahlo painting to convey their closeness.

“We share two beating hearts,” Buckley says. “Maggie has absolutely been instrumental to waking me up to a part of myself I needed to know — and I think vice versa. We share a similar language and curiosity.”

Moving from the intimate scale of “The Lost Daughter” to the expanded scope of “The Bride!” was exciting for them both.

“I loved seeing her in a bigger sandpit,” Buckley says. “From ‘The Lost Daughter’ it was clear that Maggie had something to say as an artist. But where do we grow? What’s the scarier place? What are the questions we might whisper to ourselves? And what happens if we put those whispers into the ether?”

Gyllenhaal’s new film is unafraid to risk being too much. One extravagant party turns into a musical sequence that finds Bale’s creature singing and dancing to “Puttin’ on the Ritz” — a wink to a whole other self-aware frame of reference and Mel Brooks’ satirical 1974 “Young Frankenstein.”

“Sometimes it was too much too much — that’s the line I was trying to walk,” Gyllenhaal says. “I think so many women are told that we’re too much, over and over again, from the moment we get here. And so I’m used to that.

“But I think that scene is sort of about that. It’s about a kind of explosion of life and humanity. So much of the movie is about these people who cannot fit into their box. This is where they celebrate their bigness, their too-muchness, their monstrousness. That’s the monster mash: ‘I am who I am.’”

“Sometimes it was too much too much — that’s the line I was trying to walk,” Gyllenhaal says. “I think so many women are told that we’re too much, over and over again, from the moment we get here. And so I’m used to that.”

(David Urbanke / For The Times)

Making a purposefully idiosyncratic retelling of a classic tale came with its own challenges. “The Bride!” was originally scheduled to be released by Warner Bros. last fall, on the date that would eventually go to “One Battle After Another.” When a rescheduled March 2026 opening was announced, there were reports — “Beware ‘reports,’ ” Gyllenhaal tells me, wryly — of behind-the-scenes clashes between the director and the studio.

Gyllenhaal doesn’t deny that, to find the final version of the movie, she worked closely with Pam Abdy, who, along with Mike De Luca, is co-chair and co-chief executive of Warner Bros. Motion Picture Group. This time the stakes were higher, the filmmaker says, and being left to her own devices, as she had been on “The Lost Daughter,” wasn’t always the best solution.

“If I make a big, hot roller coaster of a movie and remain totally honest in what I’m trying to explore and think about inside it, will people respond? That was my question,” she says. “And then I cut it in a way that was entirely my expression. And I have to say in particular, Pam, who was my point person on this and also has become a friend, she really took me to task on that and said, ‘You want many people to respond and understand this. You have to clarify here and here.’ ”

Though Gyllenhaal admits there were moments of “friction” and that Abdy “has a slightly different agenda than I do,” she now sees the merit in the process. “Something really alive was born, and I think the movie is better for the work that she and I did together,” Gyllenhaal says. “I know that’s an unusual thing to say. I know that you have lots of people saying like, ‘Ah, the studio f— my movie up.’ That is not my experience. It’s really not.”

In a phone interview, Abdy says, “Listen, she tasks me with challenging her, and I task her with challenging us. We’re all in the service of making the best movie we can possibly make for the audience. And we, privately, all of us — studios, directors, filmmakers — we go through a process. It’s unfortunate that certain people choose to assume they know what’s happening in those rooms. But they don’t.”

Abdy describes their collaboration as a healthy and normal one. “You test the movie, you get information, you make adjustments,” she says. “And we needed the time and space to do that.”

Maggie Gyllenhaal, right, on set with Jessie Buckley and Christian Bale while making “The Bride!”

(Warner Bros. Pictures)

The courage Gyllenhaal once exhibited as a performer now seems to be serving her as a filmmaker. The last feature Gyllenhaal appeared in as an actor was 2018’s “The Kindergarten Teacher,” playing an overzealous mentor to a young poetry prodigy. She also appeared in three seasons of the HBO series “The Deuce” from 2017 to 2019, in which she played an adult film performer struggling to move behind the camera into directing.

As to whether she will return to acting, Gyllenhaal says, “I don’t know. I really prefer directing. This is a better job for me.”

Better how? “I felt as an actress, to be honest, like I always would hit up against a wall of how much I was able to participate or express,” she says. “And I thought for a long time, OK, this is the gig, and what I have to do is learn how to protect self-expression, even if that means I just need a tiny bit of space around me where I have the real estate to do what I need to do as an actress.

“And then when I moved into writing and directing, I didn’t have to play that game anymore,” she says. “And also I could create an environment where nobody had to play that game. Anyone could explore and express the things that were interesting to them. It was ultimately up to me to decide if I wanted to use them or not. So why not let people explore and surprise me?”

Gyllenhaal’s “The Bride!” may catch the same current wave of pop-inflected Gothic-style romances as Emerald Fennell’s “Wuthering Heights” and Guillermo del Toro’s “Frankenstein.” A catchphrase that emerges in the film is “brain attack,” the Bride becoming a folk hero to women around the country who emulate her distinctive look: Jean Harlow by way of Courtney Love with an inky smear of makeup across the face.

There is something intuitively catchy about brain attack, even if it’s also a little bewildering.

Gyllenhaal remembers an “aspect of terror” about stepping into a bigger studio release. “So do most things that require that you really grow and learn in order to do them. But I’m interested in terror and so I guess I was playing around with the idea of heart attack, panic attack. And I think in order to really do that, some brain attacks are required.”

Gyllenhaal tells me how a few days earlier she had been wearing a hat with the phrase on it while reading by the hotel pool and three 20-something women, maybe a little day drunk, began asking her about it. Two of them seemed puzzled by the phrase, struggling to parse out its meaning, while the third instinctively got it. She just knew. So Gyllenhaal gave her the hat.

“I guess ‘brain attack’ is a phrase you might have to feel,” Gyllenhaal offers, her mouth widening into a smile.

So too, perhaps, with Gyllenhaal’s telling of “The Bride!” with its visions of reckless abandon and personal reclamation — exclamation point and all. It will become a movie waiting for those who need it.