News Desk

FREDDY Brazier has bravely opened up about his mental health struggles in a new TikTok video. 

The 21-year-old model and TV star, who is currently getting ready to welcome his first child, took to the social media platform today with a video sharing moments of his life over the past three years. 

Using an AI voiceover, Freddy made a number of startling claims, including alleging that he spent his 18th birthday “in a psychiatric ward” after “wanting to end it all” 

Videos connected to the clip include showing Freddy blowing smoke at the camera, walking the streets in a dressing gown, and mirror selfies of him looking thin. 

Text across the photo says he was “starving himself and replaced food with green” – a slang term used marijuana – and had deliberately crashed his car. 

Another photo shows his grandmother, Jackiey Budden, poking her tongue out at a store iselling wheels of “weed cheese”. 

PARENTS TO BE

Freddy Brazier loved-up with pregnant girlfriend as they pose on red carpet

COUCH SURFING

Freddy Brazier reveals he’s homeless as he counts down to  first child

He wrote on the picture: “Prioritised my relationship with my mum’s mum not knowing she has been lying to me for years!” – though didn’t clarify what he meant by the allegation.

However, the video then takes a positive turn, with photographs sharing he had started focusing on bettering himself once he realised “something needed to change”. 

As the video continues, new pics show him sharing pictures of salad, videos of boxing at the gym, surfing and attending events with his loved ones. 

“Something clicked in my head,” the text on the images read. “I needed to change.” 

Among the list of things he credits is a small circle of friends, getting out of London more, training at the gym, skincare and self-love. 

In the caption, Freddy wrote: “It’s been a bumpy journey and it’s still ongoing! HEALING IS THE NEW HIGH.” 

He added hashtags for “sobriety”, “addiction recovery” and “healing journey”. 

Freddy is the second son of Jade Goody, who died from cancer when he was just four years old, and Jeff Brazier. 

His older brother, Bobby, is now best known for his role on EastEnders. 

He has openly spoken in the past about his mental health, admitting in August he had spent time in a psychiatric facility and been to rehab. 

He’s also admitted to smoking marijuana as a teenager.

Earlier this year, he had a public fallout with his father, but they have since reconciled amid the news he is set to become a dad for the first time. 

He has since stepped out with girlfriend Holly, who showed off her baby bump at the Pride of Britain Awards. 

testing times

THIRD Strictly star suffers nasty injury that threatens place on the show

‘SHE’S CHANGED’

Lucy Letby’s shock reaction after barrister said ‘I know you’re innocent’

If you are affected by any of the issues raised in this article, please call the Samaritans for free on 116123.

The incoming NYC mayor says he still believes the US president is a fascist, two days after they had a friendly meeting.

New York City’s Mayor-elect Zohran Mamdani says he still believes United States President Donald Trump is a fascist, despite a surprisingly warm meeting between the two politically polarised men at the White House this week.

“That’s something that I’ve said in the past; I say it today,” Mamdani, a self-described democratic socialist, said about the Republican president in an interview aired on NBC News on Sunday.

Mamdani’s comments came two days after he met with Trump, setting aside months of mutual recriminations and promising to cooperate on the city’s future.

Trump, who grew up in New York, called Mamdani a “100% Communist Lunatic” in a social media post following the incoming mayor’s election victory, and Mamdani has said Trump was attacking democracy.

During their meeting, Trump, who had previously suggested the Ugandan-born New Yorker should be deported, even came to his rescue as the two addressed reporters at the White House.

When a journalist asked Mamdani if he continued to view Trump as a fascist, the president stepped in.

“That’s OK. You can just say it. That’s easier,” Trump told Mamdani. “It’s easier than explaining it. I don’t mind.”

Mamdani elaborated his stand further in the NBC interview.

“[What] I appreciated about the conversation that I had with the president was that we were not shy about the places of disagreement, about the politics that have brought us to this moment,” he said.

“I found the meeting that I had with the president a productive one and a meeting that came back again and again to the central themes of the campaign that we ran: the cost of housing, cost of childcare, the cost of groceries, the cost of utilities.”

After threatening to cut federal funding to the US’s biggest city and to send in the US National Guard, Trump praised Mamdani’s historic election win during their meeting, saying he could do a “great job”.

“We’ve just had a great … very productive meeting. We have one thing in common: we want this city of ours that we love to do very well,” he said later. “We are going to be helping him to make everybody’s dream come true: having a strong and very safe New York.”

Kevin Hassett, director of the National Economic Council, said on the CNN news programme State of the Union that Trump wants to work with everybody who cares about the future of the American people.

“We’re at times disagreeing about policies,” Hassett said, “but I think that the objective of making life better for everybody is something that a lot of people share on the Democratic and Republican side.”

The Gambia hosts Issa Tchiroma Bakary after Paul Biya, Cameroon’s leader for 43 years, wins yet another election.

Cameroon’s opposition leader Issa Tchiroma Bakary has fled to The Gambia “for the purpose of ensuring his safety” in the wake of the recent presidential election that returned longtime ruler Paul Biya to power amid deadly protests.

The Gambian government confirmed in a statement on Sunday that it was hosting Tchiroma “temporarily” in the country on “humanitarian grounds” while pursuing a “peaceful and diplomatic resolution” to post-electoral tensions in Cameroon.

The statement, posted on the Facebook page of the office of Gambian President Adama Barrow, said The Gambia was working with regional partners like Nigeria to “support a peaceful and negotiated outcome” following October’s disputed election.

Official election results showed 92-year-old Biya, the world’s oldest head of state, secured his eighth term in office with 53.7 percent of the vote, against 35.2 percent for Tchiroma, a former government minister leading the Cameroon National Salvation Front.

But Tchiroma, who claimed vote tampering, stated he was the election’s real winner. “This is not democracy, it is electoral theft, a constitutional coup as blatant as it is shameful,” he said at the time.

The opposition leader repeatedly urged supporters to protest against the official election outcome, urging them to stage “dead city” operations by closing shops and halting other public activities.

The Cameroonian government has confirmed that at least five people were killed during the protests, although the opposition and civil society groups claim the figures are much higher.

The government has said it plans to initiate legal proceedings against Tchiroma for his “repeated calls for insurrection.”

Biya came to power in 1982 following the resignation of Cameroon’s first president and has ruled since, following a 2008 constitutional amendment that abolished term limits.

He has ruled the country with an iron fist, repressing all political opposition.

The Huntington has acquired a rare Civil War-era painting by American master Winslow Homer. “The Sutler’s Tent” was made in 1863 when Homer was traveling with the Union Army as an illustrator for Harper’s Weekly. The title refers to a type of transitory store that sold goods to soldiers when they were out in the field, and the canvas shows a soldier eating bread and cheese while another soldier rests beside him.

The acquisition is the Huntington’s first oil painting by Homer. The museum’s other holdings include his watercolor, “Indians Making Canoes (Montagnais Indians)” (1895), and several prints, including “The Life Line” (1887). The pieces show the artist’s journey from commercial illustrator to celebrated painter.

“The Sutler’s Tent” will be unveiled to the public on Dec. 7 in the Huntington’s Virginia Steele Scott Galleries of American Art. It was acquired through a partnership with the Ahmanson Foundation — which seeks to help boost the notable holdings of the museum — and marks the fifth major acquisition made through the program.

The gift is intended to honor the country’s upcoming semiquincentennial, and will anchor an ongoing reinstallation of the galleries as the Huntington seeks to expand the multicultural narrative of American art. It will also be integral to the Huntington’s “This Land Is …” initiative, which works to examine the country’s history through its metaphorical and literal landscapes as it approaches the 250th anniversary of its founding.

“The Sutler’s Tent” will be placed in conversation with works about the Civil War and Reconstruction, including Eastman Johnson’s “Sugaring Off” (1865), Jean-Baptiste Carpeaux’s “Why Born Enslaved? “(1868, cast 1872), and a signed copy of the Emancipation Proclamation.

“The Ahmanson Foundation’s partnership with The Huntington has allowed us to bring works of profound artistic and historical resonance into our collections and into public view,” said Huntington President Karen R. Lawrence, in a statement. “Winslow Homer’s ‘The Sutler’s Tent’ — a meditation on the experience of war — embodies our mission to connect art, history, and literature in ways that deepen understanding of the American story.”

The Huntington Library is known for its vast scholarly trove of Civil War ephemera. Its United States Military Telegraph archive includes ciphered communications between Abraham Lincoln and the Army command, and soldiers’ letters and diaries. It also holds the James E. Taylor Collection of scrapbooks documenting the war through photographs and newspaper clippings, and two of the most significant known Lincoln archives.

The art museum’s director, Christina Nielsen, said in a statement that the acquisition of “The Sutler’s Tent,” “deepens our representation of the Civil War era and expands the dialogue between our art and library collections. As we look toward the 250th anniversary of the United States, the painting invites reflection on a pivotal chapter in our nation’s history — one that continues to shape the American experience.”

I’m arts and culture writer Jessica Gelt, looking forward to taking a deep dive into all that can be learned about our present from our past. Here’s your arts and culture news for the week.

Dispatch: Pulitzer Prize-winning Times art critic Christopher Knight to retire

Times art critic Christopher Knight.

(Ricardo DeAratanha / Los Angeles Times)

After 45 years, 36 of them at The Times, art critic Christopher Knight is retiring from daily journalism. His final day at The Times is Nov. 28. In 2020, Knight won the Pulitzer Prize for criticism, and was also honored with a Lifetime Achievement Award for Art Journalism from the Dorothea and Leo Rabkin Foundation.

It’s impossible to overstate the loss Knight’s departure represents for the paper and Los Angeles, or what a tireless, generous, inspiring colleague he is. He possesses a quiet, encyclopedic knowledge of art, and in column after column he connected the dots of culture, history, folklore, civics and psychology in razor-sharp assessments of what a piece of art really means, or how a particular exhibition is poised to change the narrative around a longstanding or misguided idea. In short, he is everything a truly excellent critic should be.

He is also endlessly supportive of arts writers like me who look up to him — will always look up to him.

Thank you, Christopher, for all your words.

On our radar

Janai Brugger as Mimi and Oreste Cosimo as Rodolfo in L.A. Opera’s 2025 production of “La Bohème.”

(Cory Weaver)

La Bohème
Giacomo Puccini’s 1896 opera remains one of the most popular works in the Italian canon. Its doomed romanticism among struggling artists in 1830s Paris has a particular appeal to young people and became the inspiration for Jonathan Larson’s musical “Rent.” Lina González-Granados conducts the L.A. Opera orchestra. Brenna Corner directs this revival of the late Herbert Ross’ enduring production.
Saturday through Dec. 14. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org

Roberto González-Monjas conducts the L.A. Phil this weekend at Walt Disney Concert Hall.

(L.A. Phil)

Elgar’s Enigma
Roberto González-Monjas conducts the Los Angeles Philharmonic in a program featuring Erich Wolfgang Korngold’s “Themes and Variations, Op. 42,” Edwin Elgar’s “Enigma Variations, Op. 36,” and cellist Sheku Kanneh-Mason’s performance of the world premiere of an Edmund Finnis concerto. 
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Robert Therrien, “No title (plaster snowman),” 1982-98, plaster

(Douglas M. Parker Studio)

Robert Therrien: This Is a Story
A quintessential artist’s artist, internationally admired Los Angeles sculptor Robert Therrien (1947-2019) made eccentric objects in two and three dimensions that seem strangely familiar when they are wholly abstract, and strangely abstract when they are instantly recognizable as representations of known things — a tall pillar of giant dinner plates, for example, or a simple little snowman. Often the materials are unusual, like zinc over bronze, buffed plaster or tempera on silver, adding to the sense of mysterious specificity. With more than 120 works spanning five decades, this should be the most compelling museum solo show of the season.
— Christopher Knight
Saturday through April 5, 2026. The Broad, 221 S. Grand Ave., downtown L.A. thebroad.org

The week ahead: A curated calendar

FRIDAY
Fall of Freedom
In a unified act of creative resistance, hundreds of galleries, museums, libraries, comedy clubs, theaters, concert halls and individuals across the nation will host exhibitions, performances and public events, asserting the power of free expression to mount a response to escalating authoritarian threats and censorship in the U.S.
Friday and Saturday. There are dozens of local events in Southern California, please check the website for details. falloffreedom.com

¡Cómo el Grinch robó la Navidad!
The Old Globe Theatre will present two performances of the world premiere of a new version of the Dr. Seuss classic with your favorite songs in Spanish. And for the 28th year, the Old Globe will also be doing its traditional holiday musical of “Dr. Seuss’s How the Grinch Stole Christmas!” Nov. 21-28.
7 p.m. Friday; 10 a.m. Saturday. Old Globe Theatre, 1363 Old Globe Way, San Diego. theoldglobe.org

From “The Dying World” by Lauren Tsai.

(Josh White)

The Dying World
Lauren Tsai’s solo exhibition, an installation utilizing drawing, painting, sculpture, puppets and projected stop motion imagery, explores the liminal space between worlds: subject and object, fiction and maker. Final two nights.
6-10 p.m. Friday and Saturday. Hollywood Forever, the Cathedral Mausoleum Courtyard, 6000 Santa Monica Blvd. hollywoodforever.com

Amy Engelhardt in “Impact,” a solo one-act at the Fountain.

(Peter Serocki/peterserockivisuals.com)

Impact
Composer/lyricist/performer Amy Engelhardt’s one-act solo show (with musical accompaniment) probes the 1988 terrorist attack on Pan Am Flight 103 over Lockerbie, Scotland.
8 p.m. Friday and Saturday; 2 p.m. Sunday. The Fountain Theatre, 5060 Fountain Ave., Los Angeles. fountaintheatre.com

SATURDAY
Animal Instinct
Chinese American artist Kristen Liu-Wong’s solo exhibition of vibrant paintings with slightly macabre narratives highlights her varied influences from American folk art, the cartoons she watched as a kid, Japanese erotic art and an appreciation for architecture.
Opening reception, 7-11 p.m. Saturday; noon-6 p.m. Tuesday-Saturday, through Jan. 3, 2026. Corey Helford Gallery, 571 S. Anderson St., Los Angeles. coreyhelfordgallery.com

A Brahmsian Affair
The Los Angeles Chamber Orchestra presents a program featuring two sextets by Brahms, plus the world premiere of Julia Moss’ “(Please Don’t) Look Away.”
7:30 p.m. Saturday. Zipper Hall, 200 S. Grand Ave., downtown L.A.; 4 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. laco.org

Corita Day
Corita Art Center celebrates L.A.’s favorite artist/nun with an afternoon of art activities for all ages, live screen printing by Self Help Graphics, holiday shopping, food, music by KCRW, and a performance by Bob Baker Marionette Theater at 2 p.m. Visitors can also reserve spots from 11 a.m.-6 p.m. to see the exhibitions “Corita Kent: The Sorcery of Images” and “Irregularity: Corita and Immaculate Heart College’s Rule Breaking Designs.”
1-4 p.m. Marciano Art Foundation, 4357 Wilshire Blvd., L.A. marcianoartfoundation.org

Grief Bacon and Other Holiday Treats
Melanie Mayron and Sandra Tsing Loh deliver “old and new humor for trying times.” Part of the Odyssey’s “Thresholds of Invention” series.
8 p.m. Saturday. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

Tom Wesselman, “Bedroom Face,” 1977, color aquatint

(Palm Springs Art Museum)

Mapping the Female Body: Tom Wesselmann and Mickalene Thomas
An unexpected juxtaposition of two very different painters from the end of one century and the beginning of the next is set to consider dissimilar representations of the contemporary female nude. In the 1960s, the famous “Great American Nude” series by Tom Wesselmann (1931-2004) applied commercial advertising techniques to painterly traditions in Western art familiar since the Renaissance. Fifty years later, Mickalene Thomas applies commercial craft techniques to vibrant paintings of queer Black women — a subject previously absent from Western art history. Questions of gender, sexuality and their depictions are the exhibition’s focus.
— Christopher Knight
Through April 6, 2026. Palm Springs Art Museum, 101 Museum Drive. psmuseum.org

Venice Winter Fest
Chill out SoCal-style with artisan markets, hot cocoa, live music, festive bites and interactive winter-themed activities for all ages.
10 a.m.-6 p.m. 12257 Venice Blvd. thevenicefest.com

SUNDAY
Habsburg Harmonies: Haydn, Ligeti, and Brahms
Violinist Martin Beaver, flutist Demarre McGill, cellist Clive Greensmith and pianist Fabio Bidini team up for an evening rooted in Austro-Hungarian musical tradition.
4 p.m. Thayer Hall, 200 S. Grand Ave., downtown L.A. colburnschool.edu

TUESDAY
Dungeons & Dragons: The Twenty-Sided Tavern
Three adventurers need your help on an epic quest to save the world in this interactive fantasy inspired by the immensely popular role-playing game.
Through Jan. 4, 2026. The Montálban, 1615 Vine St., Hollywood. broadwayinhollywood.com

Culture news and the SoCal scene

The Palm Springs Art Museum, founded in 1938, has a small board of 22 trustees.

(Lance Gerber / Palm Springs Art Museum)

Speaking of Christopher Knight’s tremendous skills as a critic, did I mention he’s also a phenomenal reporter? In one of his final columns, Knight chronicles the many financial travails of the Palm Springs Art Museum based on internal documents obtained by The Times. “Recent developments have opened a Pandora’s box,” Knight writes of an accounting firm’s annual audit of the museum’s 2024 books. The audit revealed that there is a “reasonable possibility that [the museum’s] internal financial statements are significantly out of whack,” Knight wrote before detailing the fallout leading to a trustees revolt.

Knight also delighted us with a list of “22 essential works of art at the Huntington and the surprising stories behind them.” No one can highlight what should be considered essential viewing at a museum quite like Knight, who takes readers on a virtual tour of the storied San Marino museum and its exquisite holdings, including Sir Joshua Reynolds’ “Portrait of Samuel Johnson (‘Blinking Sam’),” which Knight writes was not favored by its famous subject.

Times theater critic Charles McNulty once again checks in on Broadway, this time with a review of Robert Icke’s “Oedipus,” a modern retelling of Sophocles’ “Oedipus the King.” McNulty notes that the play “must be the buzziest, if not the chicest, Broadway offering of the fall season.”

Cher Alvarez, who reprises her role at the Ahmanson, in “Paranormal Activity” at Chicago Shakespeare Theater.

(Kyle Flubacker)

Closer to home, McNulty reserved high praise for the spooky “Paranormal Activity,” now playing at the Ahmanson Theatre. “I caught myself wondering during the first act, ‘Is this the best staged production of the year?’,” McNulty writes of the show, which is based on the horror film franchise of the same name and just completed a run at Chicago Shakespeare Theater. Director Felix Barrett, playwright Levi Holloway and Tony Award-winning illusion designer Chris Fisher are “masters of misdirection,” McNulty concludes.

McNulty also wrote a news dispatch that Jessica Stone, “a Tony-nominated director (‘Kimberly Akimbo,’ ‘Water for Elephants’), has been named the new artistic director of La Jolla Playhouse, succeeding Christopher Ashley at the helm of one of the nation’s preeminent regional theaters.”

I had a great Zoom call with Shaina Taub about the inspiration behind her musical, “Suffs.” Taub is only the second woman, after Micki Grant, to star in a Broadway musical for which she also wrote the book, music and lyrics. The show is about the women’s suffrage movement leading up to the ratification of the 19th Amendment. It opened earlier this week at the Hollywood Pantages Theatre as part of the show’s inaugural national tour.

Daniel T. Gaitor-Lomack in his studio.

(Daniel Tyree Gaitor-Lomack / Night Gallery, Los Angeles. Photo by Tomasa Calvo.)

Interdisciplinary Los Angeles–based artist Daniel T. Gaitor-Lomack is staging a solo exhibition, “You Can Hate Me Now,” at Night Gallery. This marks the artist’s second solo show at the space. Much of the new work was informed by Gaitor-Lomack’s life in his MacArthur Park neighborhood. A rep for the gallery wrote in an email that Gaitor-Lomack describes the exhibition “as a kind of ceremony, a gathering of ideas and emotions that have been unfolding across his work over the past three years. Guided by intuition and lived experience, he continues to use found and everyday materials to reflect on the innumerable systems of the world around. The exhibition’s title, long held in his mind, frames the presentation as a meditation on anticipation, transformation, and resilience.” The show will be at Night Gallery through Feb. 14.

The Museum of Fine Arts, Boston, has made what it is calling the first-ever restitution of artwork to the descendants of an enslaved artist. The artist, David Drake, was born around 1800 in Edgefield, S.C. He is known for signing his vessels and inscribing them with poetic verses, including one that read, “I wonder where is all my relations.” Fifteen of Drake’s descendants recently traveled to Boston from various states for a ceremony during which MFA returned one of Drake’s stoneware jars to them, and purchased a second back. An L.A.-based attorney named George Fatheree represents Drake’s family and help shepherd the transaction. “This is a day we hoped and prayed for,” said Pauline Baker, the third great-granddaughter of Drake, in a news release. “To see it realized is almost overwhelming. On behalf of our family, we express our deepest gratitude to the Museum of Fine Arts for its courage and integrity. Most importantly, this ceremony restores not just his work, but his humanity.”

A Gustav Klimt painting, “Portrait of Elisabeth Lederer,” recently sold for $236.4 million, including fees, making it the most expensive modern work to be sold at auction. The 71-by-51-inch painting, created between 1914 and 1916, portrays the 20-year-old daughter of the Viennese art collectors who commissioned the work. The portrait was sold during a Sotheby’s auction in New York and was part of the private collection of cosmetics heir Leonard Lauder, who died in June. According to the Washington Post, a 19-minute bidding battle catapulted the painting “far beyond its $150 million estimate, with two bidders competing over the phone via their auction representatives.”

— Jessica Gelt

And last but not least

The unfettered, stand-up kindness of Keanu Reeves has become the stuff of legend thanks to legions of fans who faithfully recount the actor’s good deeds on social media. Most recently, Reeves penned a handwritten letter of gratitude to the FBI after it recovered a stolen Rolex watch used in “John Wick.”

Nov. 23 (UPI) — A group of 50 schoolchildren who were kidnapped from St. Mary’s School in Niger state Friday have escaped, the Christian Association of Nigeria reported Sunday. More than 250 people remain in captivity.

The students range in age from 15 to 18 and escaped between Friday and Saturday, the Most Reverend Bulus Dauwa Yohanna, chairman of CAN said Sunday.

Some of the students hid in bushes to escape their captors, Bloomberg reported. Local farmers helped the children escape, according to Daniel Atori a St. Mary’s schools spokesperson.

School abductions have become more frequent in Nigeria, Africa’s most populous country, and symbolic of growing insecurity and fear in the region, led by armed gangs targeting schools and demanding ransom for captured students.

The latest round of kidnappings has prompted international concern, and focused scrutiny on broader issues such as government-backed security, access to education and the vulnerability of communities in northern Nigeria.

The latest incident happened as the world’s political and religious leaders, as well as top entertainment personalities, have spoken out against the lack of safety for children in the region, including President Donald Trump, Pope Leo XIV and hip hop artist Nicki Minaj.

In the latest incident, gunmen entered the boarding school early on Friday and took 315 people — 303 students and 12 teachers and staff, remain captive, CAN reported.

The St. Mary’s incident was the second mass kidnapping in the past week, which has increased scrutiny on Nigerian President Bola Tinubu to better police the issue and offer better security for school children.

Africa’s first-ever Group of 20 (G20) summit – and the first boycotted by a prominent member – has wrapped up.

Host South Africa hailed it as a success, as a declaration was agreed covering a wide range of issues.

But what’s next for the G20?

Presenter: Imran Khan

Guests:

Thembisa Fakude – Director of Africa Asia Dialogues (Afrasid) in Johannesburg

Richard Weitz – Senior non-resident associate fellow at the NATO Defense College in Washington, DC

Omar Ashour – Professor of strategic studies and international security at the Doha Institute for Graduate Studies

Kelly Brook celebrated her 46th birthday on Sunday – but had seemingly forgotten about it until Jack Osbourne reminded her during a conversation on I’m A Celebrity

I’m A Celebrity star Kelly Brook was surprised to find out it was her birthday today after a date mix-up while in the Australian jungle.

The model turned 46 on Sunday but had seemingly forgotten about her special day. As celebrities gathered around the campfire for their morning meeting, Jack Osbourne was emotional as he said he had “a good cry” with Eddie Kadi when he realised Saturday marked four months since his legendary father, Ozzy Osbourne, passed away.

“Yesterday was a bit of a delicate day for me…I was doing okay, and then I realised it was the four months since my dad died,” Jack said. “Had a good cry with Eddie…but ultimately I’m happy, I’m really happy I’m here.” Campmates showed their support for Jack, as Angry Ginge told him: “Men cry too.”

READ MORE: Kelly Brook’s housekeeper hits back at I’m A Celeb ‘bully’ claims

The conversation then moved to a lighter topic – birthdays – as Kelly exclaimed: “Oh my god! It’s my birthday tomorrow.” However, after she revealed her birthday was on November 23, Jack was quick to point out: “It’s the 23rd today.”

The pair then went through the days together, which is when Kelly realised: “It’s my birthday.” Fellow celebrities then cheered and celebrated with her as Kelly joked: “I honestly thought it was tomorrow!

“Jack even had to figure out when my birthday was, is there nothing this guy can’t do?! How am I gonna navigate life without him!” It comes after Jack’s sister, Kelly Osbourne, accused his campmate, Kelly, of being a “bully” after she said he had pushed his way into taking over preparing the campmate’s dinner of eel.

On the ITV show earlier this week, Jack offered to help Kelly after seeing she was gagging and retching over the smell while preparing the meal.

But despite accepting, Kelly later told the camera she felt Jack had “elbowed” his way into taking over the cooking for camp. Jack’s elder sister then took to her Instagram Stories to say: “Kelly Brook… I don’t think I like you. Elbowing out of the way to get to the fish… you’re so performative, with all the gagging and the over‑dramatics. You bring out my big‑sister vibes where I want to attack you because I feel like you’re a bit of a bully.”

After Kelly’s stepdad described the accusations as “a load of rubbish”, her former housekeeper Gemma Daniels also spoke out in defence of the former model. Gemma, who worked at the star’s £1million Kent farmhouse – which she sold in 2023 – for nearly a decade, said I’m A Celeb is painting the star in a wrong way.

Speaking out on TikTok, Gemma, who described herself as “just a girl from a council estate”, said: “In the nine years that I’ve known Kelly Brook, I’ve never felt the need to stick up for her more than I do now.” She described Kelly as “a really lovely down-to-earth woman” who always treated her well.

I’m A Celebrity…Get Me Out Of Here! airs nightly at 9pm on ITV1, STV, ITVX & STV Player.

Follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Brazil’s former president, convicted of a foiled coup, is under arrest after taking a soldering iron to the monitoring device.

Former Brazilian President Jair Bolsonaro has told a judge that “hallucinations” provoked by a change in his medication led him to tamper with his angle tag while under house arrest for an attempted coup.

In a custody hearing on Sunday following his detention the previous day over the incident, the far-right former leader told a Supreme Court judge that he experienced a medicine-induced “paranoia” that led him to take a soldering iron to the device.

“[Bolsonaro] said he had ‘hallucinations’ that there was some wiretap in the ankle monitoring, so he tried to uncover it,” said Assistant Judge Luciana Sorrentino in a court document published shortly after the online hearing with the former president.

Bolsonaro was under house arrest while appealing his conviction for a botched military coup after his 2022 election loss, but had been taken into custody on Saturday after police reports he had attempted to violate the ankle tag rendered him a potential flight risk.

Supreme Court Justice Alexandre de Moraes ordered the arrest hours after receiving information at 12:08am [03:08 GMT] on Saturday that the tag had been violated.

Bolsonaro denied he was trying to escape, telling Sorrentino that a mix of medicines prescribed by different doctors had led to the episode. He said he began taking one of them only four days before his detention on Saturday morning.

“The witness stated that, around midnight, he tampered with the ankle bracelet, then ‘came to his senses’ and stopped using the soldering iron, at which point he informed the officers in charge of his custody,” the court document said.

Sunday’s meeting was procedural in nature, but provided an opportunity for Bolsonaro’s lawyers to argue that the former president should remain under house arrest due to poor health. De Moraes has previously rejected similar requests.

A panel of Brazil’s Supreme Court ruled in September that Bolsonaro tried to stage a coup and keep the presidency after his defeat by Luiz Inacio Lula da Silva in 2022, sentencing him to 27 years and three months in prison.

On Monday, the same panel will vote on the pre-emptive arrest order.

President Lula made his first comments about his predecessor’s jailing at a meeting of the Group of 20 (G20) bloc of nations in South Africa. “The court ruled, that’s decided. Everyone knows what he did,” Lula told journalists.

Transport Secretary Heidi Alexander has denied leaks ahead of the Budget have damaged the economy, following criticism the speculation has “caused paralysis among businesses and consumers”.

Recent months have been dominated by media reports about which taxes could increase, with multiple potential measures floated by the government.

Former Bank of England chief economist Andy Haldane told the BBC’s Sunday with Laura Kuenssberg programme this was “the single biggest reason why [economic] growth has flatlined”.

In response, Alexander said there was always speculation in the run-up to Budgets but the chancellor had been clear about her priorities.

Chancellor Rachel Reeves is widely expected to increase taxes in her Budget on Wednesday to help fill a multibillion-pound gap in her spending plans.

Ministers had given strong indications the government was planning to increase income tax rates.

Anonymous briefings to the media from government sources had also suggested Reeves was considering the move – which would have been a clear breach of Labour’s election promise not to raise “the basic, higher or additional rates of income tax”.

However, last week government sources said Reeves had decided against this after better-than-expected economic forecasts.

Governments sometimes choose to leak aspects of their Budget plans to the media, either to test public reaction or prepare the ground for measures so they do not come as a shock to financial markets or voters.

Haldane branded the months of speculation about potential Budget measures a “fiscal fandango”.

“That’s been costly for the economy,” he told the programme.

“It’s caused paralysis among businesses and consumers.”

He said the Budget process was “too lengthy, too leaky, with real costs”.

Haldane acknowledged this “pantomime” had also happened under previous governments, adding that the “budgetary process has been degraded over many years”.

Challenged over whether the leaks had damaged the economy, Alexander told the programme: “People always speculate in advance of a Budget and we have always said ‘wait until the Budget’.”

Defending the government’s approach, she said the Budget process had taken place “on shifting sands”, with a downgrade to productivity forecasts and “a very challenging global economic environment”.

The Conservatives have called for an investigation into pre-Budget leaks, saying they have “real world consequences including for financial markets”.

In a letter to the Treasury’s most senior civil servant, shadow chancellor Mel Stride said: “Either ministers have approved the widespread briefing of confidential information surrounding the Budget, or serious unauthorised leaks have occurred within your department.”

The chancellor is expected to set out a range of smaller tax rises in her Budget, after backing away from increasing income tax rates.

However, the government has not ruled out extending the freeze on income tax thresholds – the level people start paying tax or have to pay higher rates.

The freeze means any pay rise would see people paying more tax, with more people dragged into a higher tax band, or having to pay tax on their income for the first time.

Reeves has also said there will be a focus on cutting the cost-of-living, with the government announcing that rail fares in England will be frozen next year for the first time in decades.

Other priorities set out by the chancellor include reducing NHS waiting lists and the national debt.

Meanwhile, she is also expected to scrap the two-child benefit cap, a limit that means parents can only claim universal credit or tax credits for their first two children.

There has been pressure from Labour MPs to remove the cap, which was introduced under the Conservatives – a move that could cost more than £3bn, according to estimates by the Institute for Fiscal Studies think tank.

While she refused to confirm the cap would be scrapped, Alexander said tackling child poverty was “in the DNA of the Labour Party”.

“One of the defining elements of this government for me is about what we can do to ensure that children’s chances in life aren’t determined by the size of their parents’ bank balance,” she added.

The Conservatives have argued against removing the cap, with Stride telling the BBC it was “a matter of fairness” that parents who are on benefits should have to make the same choices about whether they can afford a bigger family as those who are not.

The shadow chancellor told Kuenssberg: “The big choice at this Budget now is does the chancellor have the backbone to control government spending, particularly in the area of welfare where some of those costs are spiralling out of control, take those tough choices and therefore not have to start putting up taxes again in areas that are going to damage the economy.”

However, Green Party leader Zack Polanski said scrapping the cap would be a “victory” and it was “outrageous that it’s taken the Labour government so long to do it”.

He called for the government to “tax the rich”, rather than hit “people out of work or working people who are working really hard while their wages aren’t going up”.

John McDonnell, the former Labour Shadow Chancellor, said he hoped Reeves would announce a “redistributive Budget”.

“That does mean that the heaviest weight should fall on the broadest shoulders,” he told The Westminster Hour on BBC Radio 4.

“That means tax rises for the wealthiest and for the corporations, and for those who are making massive profits at the moment.”

Asked about divisions within Labour, McDonnell said: “What people want is, they want a sense of direction.”

He said Labour has a “massive majority”.

“We can do what we want in terms of getting stuff through Parliament,” he said.

“Yet we seem to be hindered by a lack of direction and some elements of competence as well.”

TO the deafening screams of 60,000 fans in Sao Paulo, Brazil, Noel and Liam Gallagher took their final bow on the last night of their epic, 41-date Oasis reunion tour last night.

And now all us fans are talking about is what will come next for the brothers — with rumblings about possible shows at the Etihad Stadium, Manchester and Knebworth, Herts, along with ­whispers about a new greatest hits album.

Noel had previously put a record together featuring Oasis classics and B-sides from the band’s four albums released between 2000 and 2009.

But Liam put paid to his plans for the release, with Noel later admitting in 2023: “He wouldn’t have it in the end — I don’t know why.

“I gave up f***ing arguing.”

Insiders said reprising this project is among plans being floated behind the scenes.

OASIS FLARE-UP

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“This tour has gone better than anyone could have imagined,” my source tells me.

“Noel and Liam will both be taking a long break to compute the magnitude of this tour.

“Being back together on stage has been incredible for both of them, and to have guitarist ­Bonehead back with them for the last shows has been nothing short of phenomenal.

“They’re aware of what their fans want and know the demand would be there if they did decide to put out a new greatest hits album — or to play more shows.”

So far, five separate music insiders have told me about the proposed Etihad residency next summer, along with a slew of shows at Knebworth.

Offers have also been made to Oasis to play Coachella in the US and Benicassim in Spain.

My insider added: “Steven Knight’s film from behind the scenes of the tour will give fans something to look forward to while they wait for Noel and Liam to decide what is coming up next.

“The offers are theirs for the taking.”

Those close to the pair insist there are no plans on the table right now.

But given how quickly the ­initial reunion came to pass, I’d put nothing past Noel and Liam.

The latter is definitely keen to keep the momentum, posting on X last week: “We need to sit down and discuss these things.

“If it was all up to me then you know we’d be touring till the day we die as it’s the best thing in the world but unfortunately it’s not.”

Noel, you know what you have to do.

SZA AND SHABS’ SWEET MUSIC

HER two studio albums have been packed with songs about love, loss and everything in between, so I’m sure SZA will have plenty to write about on her next record, as she is dating again.

The Kill Bill singer, who headlined Glastonbury last year, is believed to be secretly seeing Shaboozey, who is best known for his No3 hit A Bar Song (Tipsy) which soared up the charts last summer.

While she previously dated rapper Drake, Shaboozey was linked to model Emily Ratajkowski last year.

And now they have grown close and are constantly liking each other’s posts on social media.

They attended a GQ Men of the Year party together in Los Angeles earlier this month, but made sure to maintain their distance, in a bid to keep their romance quiet.

However, they’ve both got eager fanbases who are over the moon about the prospect of these two becoming an item.

One thing’s for sure: if they make a song together, it will be fantastic.

KATY’S LIMB AND A STAIR

KATY PERRY prompted a few stairs from people as she fooled about on an escalator.

The singer did practically everything but stand politely to one side as she performed the splits both the right way up and upside down.

She then appeared to take a snooze on the handrail in snaps taken on the set of the video to her latest single Bandaids.

Katy, whose shoelace is seen getting stuck in the moving staircase in the promo, wrote on Instagram: “Doing all the things your mom said not to do on the escalator but also: myth-busting a childhood fear. You’re welcome.”

Myths busted or not, I think I’ll stick to using them as intended.

DENISE: I’LL SLAYYY TOP TEN

DESPITE five No1 albums, THE 1975 have never topped the singles chart.

Now frontman Matty Healy’s mum, actress Denise Welch, is aiming to rub their noses in it by trying for the Christmas No1.

Yes, you did read that right. Today she has surprised the nation with an unexpected festive hyperpop single titled Slayyy Bells.

Described as “part carol, part club classic”, the song is being released in collaboration with choccy brand Celebrations.

Loose Women star Denise, above, said: “I love Christmas, but sometimes I want to shake things up a bit.

“We don’t always have to have turkey, or do charades.

“We can celebrate this special holiday our way. This remix, apart from being cool, catchy and a sure-fire hit, is all about having fun.

testing times

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“So stay in your PJs, have your dinner at night if you like, and dance around the tree with a Celebrations box on your head.

“Once you’ve eaten them, that is.”

Nov. 23 (UPI) — South African President Cyril Ramaphosa brought the G20 summit in Johannesburg to a close Saturday, and rejected a proposal by the United States for him to pass control for next year’s meeting in Florida to a junior U.S. embassy official.

Ramaphosa depicted the two-day summit as a win for multilateralism but said it was marred by a U.S. boycott. The United States has repeatedly accused South Africa, without proof, of discriminating against white-minority Afrikaners

“We’ve met in the face of significant challenges and demonstrated our ability to come together, even in times of great difficulty, to pursue a better world,” Ramaphosa said in his closing remarks.

As he closed the conference, Ramaphosa said “We shall see each other again next year” in the United States. It was his only mention of the United States during the summit.

White House spokesperson Anna Kelly accused Ramaphosa of “refusing to facilitate a smooth transition of the G20 presidency.”

“This, coupled with South Africa’s push to issue a G20 leaders’ declaration, despite consistent and robust U.S. objections, underscored the fact that they have weaponized their G20 presidency to undermine the G20’s founding principles,” Kelly said.

As part of the conference Saturday, the G20 declared a need to address climate change and achieve “gender equality” among participating countries.

While not making any specific reference to President Donald Trump and the United States during the G20 summit, references were made to his administration’s withdrawal from the Paris climate agreement on the first day of his second term and its undoing of policies aimed at eliminating sexism, racism and homophobia.

South Africa offered to provide an equivalent junior diplomat to hand over the G20 presidency to the United States at his foreign ministry. Country officials said it would breach protocol for Ramaphosa to pass the torch to a U.S. acting ambassador.

China, Russia and Mexico were also no-shows at the Johannesburg G20.

Chinese President Xi Jinping has routinely delegated attendance at such events to Chinese Premier Li Qiang. Russian President Vladimir Putin is wanted by the international court and Mexican President Claudia Scheinbaum was not in attendance.

The 2026 G20 summit is scheduled to be held at the Trump National Doral Miami golf resort, which is owned by the Trump Organization.

Boeing, Saab, and BAE Systems have teamed up to offer the T-7A Red Hawk advanced jet trainer to the United Kingdom’s Royal Air Force. With a plan to build the jets in the United Kingdom, the partnership aims to deliver a successor to the Royal Air Force’s current fleet of BAE Systems Hawks from 2030. Saab was already deeply involved with the T-7A as an original partner to Boeing.

The three companies announced today that they had signed a letter of intent to work together on the British requirement for a new advanced jet trainer. The proposal puts the T-7A — developed for the U.S. Air Force — at the center of a training system that will employ synthetic training alongside live flying.

Synthetic work is an increasingly important part of flying training, with the latest training systems offering a blend of live, virtual, and constructive (LVC) elements. This approach reduces costs while allowing students to practice tactics and capabilities that would otherwise be impossible using an exclusively live environment, as you can read more about here.

The proposal is pitching the training system to prepare pilots for fourth-, fifth-, and sixth-generation fighters — the Royal Air Force’s Typhoon, F-35, and forthcoming Tempest, respectively.

“The strong partnership between Boeing and Saab developed the T-7 to be the world’s best solution for future pilot training,” said Lars Tossman, head of Saab’s Aeronautics Business Area. “By working with BAE Systems, Saab believes the U.K. can gain a worthy successor to the Hawk that is the right choice for pilots for decades to come.”

If selected for the Royal Air Force requirement, the T-7As will undergo final assembly in the United Kingdom, in an effort led by BAE Systems. This would ensure the company remains involved in the production of jet trainers in the future, after the Hawk production line ended in 2020.

If chosen as the Royal Air Force’s next jet trainer, the T-7A would replace the Hawk T2, which is due to be retired by 2040. It would almost certainly also be the frontrunner to replace the service’s aging Hawk T1s, which continue to serve with the Red Arrows aerobatic display team, and are set to do so until withdrawn around 2030.

The partnership is also looking to use the same approach to “support future international pilot training opportunities,” which could help the T-7A secure export orders that have so far proven elusive.

“Our new collaboration with Boeing and Saab will enable us to present a compelling offer to the U.K. Royal Air Force and our global customers, leveraging the latest tech innovation in training systems and a world-class jet trainer aircraft,” said Simon Barnes, the group managing director of BAE Systems’ Air sector. “We’re committed to ensuring this solution offers the best overall outcome for the nation to support the U.K.’s combat air readiness and deliver economic benefit.”

The requirement for a new advanced jet trainer was set out in the U.K.’s 2025 Strategic Defense Review.

This document stated that the Hawk T1 and Hawk T2 “should be replaced with a cost-effective fast jet trainer. The current flying training arrangements for fast jets must be urgently revised to optimize capacity, building in maximum use of contractors and provision for training overseas students.”

U.K. military flying training is undertaken in three phases. Phase one involves initial recruitment and selection and basic military training, and is carried out within individual service commands. Phase two is known as the Military Flying Training System (MFTS), part of which is overseen by a private contractor, Ascent Flight Training Management. This phase takes pilots from introductory instruction and progresses them into specialized streams, including fast jet and rotary.

Finally, phase three involves pilots training on specific frontline aircraft such as Typhoon or F-35 within an Operational Conversion Unit (OCU).

As part of phase two, the Royal Air Force operates 28 Hawk T2 jets that train both its own and Royal Navy fast-jet pilots at RAF Valley in Wales, before they progress to an OCU.

While the ‘second-generation’ Hawk T2 only entered service in 2009, the Hawk T1, now used exclusively by the Red Arrows, is much older, having first entered service in 1976.

Other contenders to replace the Royal Air Force Hawk include the TF-50, a version of the Korea Aerospace Industries T-50 offered by Lockheed Martin. At the Defense and Security Equipment International (DSEI) exhibition held in London in September of this year, Lockheed Martin displayed a model of the TF-50 in Red Arrows colors.

Competition is also likely to be provided by the Leonardo M-346 and the Turkish Aerospace Hürjet. At one point, BAE Systems had been seen as a possible partner for Leonardo in the British advanced jet trainer bid.

Meanwhile, British aerospace startup Aeralis is offering a clean-sheet modular jet trainer, which it plans to build in Scotland. While Aeralis has yet to win any orders for its products, it has been provided with funding from the Royal Air Force’s Rapid Capabilities Office. The service’s Chief of the Air Staff has also said in the past that the company’s approach was something the RAF was “very interested in.”

That the Hawk T2 needs replacement has been clear for some time now, with the relatively young fleet already suffering from well-documented availability issues, which have had an adverse effect on the training pipeline.

In 2022, a fault was reported within the Hawk T2’s Adour powerplant, reducing the planned design life of each engine from 4,000 to 1,700 hours, leading to an average of just eight serviceable aircraft being made available each day throughout fiscal years 2022 and 2023.

In 2023, the entire Hawk T2 fleet was temporarily grounded after an engine-related incident on the runway.

Among others, these issues have resulted in a need to train British pilots overseas to make up the shortfall, at a considerable cost. This has included buying training slots in Italy, Qatar, and with the Euro-NATO Joint Jet Pilot Training Program (ENJJPT) in the United States.

Meanwhile, an update on the T-7A’s progress was provided by Steve Parker, president and CEO of Boeing Defense, Space and Security, at a pre-show media roundtable ahead of the 2025 Dubai Airshow in the United Arab Emirates that TWZ attended.

Parker identified “really good performance this year” for the T-7A, which should see the first operational example delivered to the U.S. Air Force at Randolph Air Force Base, Texas, next month. Parker added: “We’ve got the first ground-based training simulators already stationed at the base and operational, and the program is doing well in its flight test; we are really seeing some good progress there.”

“We’re about 78 percent through test points at Edwards Air Force Base, so making good progress,” including having started high-angle-of-attack testing, Parker added. “The feedback from the United States Air Force has been great, both the testers as well as folks who’ve flown it from the Air Force […] We think it’s going to be a game-changer. Once we get it into the air with our main user, it’s going to sell itself.”

However, full entry into service is now not expected until 2027, a delay of over four years. Earlier this year, we reported on information that emerged about serious and potentially dangerous deficiencies with the emergency ejection system on the T-7A. This followed environmental testing of the aircraft, which also exposed new problems. More generally, the U.S. Air Force has been working with Boeing to fix or otherwise mitigate a host of issues with the T-7A, which, as well as delays, prompted a shakeup of the overall plans for the program. You can read more about what has been disclosed in the past about T-7A testing in this previous TWZ feature.

When asked about export prospects for the T-7A, Bernd Peters, vice president of business development and strategy for Boeing Defense, Space and Security, confirmed that the current focus is on delivering the 351 jets on order for the U.S. Air Force. However, he noted that “customers around the world are watching and seeing the program and the potential that it has, particularly when you think about the [Middle East] region.”

Peters said that Boeing is “definitely having conversations” with potential T-7A customers in the Middle East and identified what he said was “significant potential” for the trainer with “just about any operator that flies an F-15, an F-16, or an F-35 around the world.”

“We do think that there is a significant opportunity, particularly as we begin to ramp up deliveries to the United States Air Force and some of those other nations begin to think through how they want to recapitalize their trainer fleet and close the gap on pilot shortage,” Peters added.

Other export prospects could lie in a light fighter development of the T-7A, something that we have discussed in detail in the past. Previously, the U.S. Air Force looked at the possibility of an ‘F-7’ light fighter variant or derivative of the Red Hawk as one option to supplant at least a portion of its F-16C/D fleet. Some kind of missionized or light combat aircraft version of the T-7A could fare better when offered for export.

While details of the partnership between Boeing, Saab, and BAE Systems were not provided at the pre-show media roundtable, Peters also said that Europe was earmarked for T-7A sales, especially in the 2030 to 2035 timeframe. “Europe is one where I view that there’s a significant opportunity for us to be able to address not just existing Hawk fleets, but other fleets that might be out there,” Peters said.

As to the question of whether Boeing’s manufacturing capacity will be able to cover aircraft for both the U.S. Air Force and potential export customers, Parker struck an optimistic note.

Pointing to the company’s full-size determinant assembly (FSDA) approach, which reduces build time by moving drilling to the component fabrication process, making it more controlled and efficient, Parker said it would be possible to “scale up to very large volumes” for the T-7A.

“We’re going to go well above, potentially 100 aircraft a year, and we’ll be able to scale that up further if we need to go there,” Parker said. “Right now, we’ve got good capacity that will satisfy the United States Air Force, as well as other customers, right through into the early 2030s without having to put any more capital sort of into the system for that.”

A version of the T-7 is also in the running for the U.S. Navy’s Undergraduate Jet Training System (UJTS) competition, which seeks to replace the aging T-45 Goshawk — a type that was also developed from the BAE Systems Hawk.

Of course, should the United Kingdom choose the T-7A to replace its Hawks, the prospect of an additional final assembly line would allow production to be ramped up even further, to help fulfill more export orders.

For now, however, the U.K. government hasn’t allocated funds for its new advanced jet trainer, but with the Red Arrows’ Hawks requiring a successor by 2030, time for a decision is fast running out.

Contact the author: thomas@thewarzone.com