News Desk

Gray skies didn’t prevent L.A.’s arts community from getting fancy in support of the Hammer Museum’s annual Gala in the Garden. Adorned in fur coats, colorful sunglasses and patterned ties, artists and celebrities including Owen Wilson, Rufus Wainwright, Lauren Halsey and Catherine Opie joined to celebrate gala honorees Betye Saar and television writer and producer Darren Star.

The event highlighted how the Westwood-based museum inspires creatives and harnesses community for the city’s artists. Under pink and yellow lights, guests enjoyed cocktails while admiring the museum’s galleries. Guests, including Los Angles County Museum of Art Director and Chief Executive Michael Govan and the Hammer’s Director Emerita Ann Philbin, reunited with old friends and colleagues, making the event feel like a family affair.

All were unified in their admiration of the night’s guests of honor.

At 99, Saar is among L.A.’s most esteemed and accomplished living artists. Her career has spanned more than seven decades, with an early focus on rejecting white feminism and reclaiming the Black female body. Civil rights activist Angela Davis traced the start of the Black women’s movement to the creation of Saar’s 1972 assemblage piece, “The Liberation of Aunt Jemima.”

During onstage comments at the gala, Getty Research Institute presidential scholar Sandra Jackson-Dumont discussed the massive impact Saar has had on the art world.

“It measures in the artist who found their voice because you insisted that your voice mattered. It’s in the institutions that shifted because you demanded that they see us,” Jackson-Dumont said while introducing Saar to the stage. “You take what the world cast aside and breathe spirit into it, insisting that the overlooked can speak, that the discarded can testify, that the everyday can dream.”

Ann Philbin, from left, director emerita, Hammer Museum, Kohshin Finley and Lauren Halsey attend the Hammer Museum’s 2026 Gala in the Garden.

(Stefanie Keenan / Getty Images for Hammer Museum)

The event also served as an early celebration for Saar’s 100th birthday in July, with Jackson-Dumont calling her birthday “100 years of vision. 100 years of courage.”

“[It’s] not 100 years of working, of making art, but 100 years of living with eyes wide open, heart attuned, spirit unbound, we stand in awe,” Jackson-Dumont said.

Saar took to the stage amid a resounding standing ovation, and when she spoke, the crowd’s gaze remained intently on her. While Saar kept her remarks short, she talked about the importance of art in everyday life.

“So many people do not realize how important art is, how it affects everything we do. Even bad things, because you can take art and make it good,” Saar said. “I want to thank you for coming to this event because by you being here, it encourages a lot of other people who are not here to love art and to use art and to know how important art is in this foreign life.”

Netflix co-Chief Executive Ted Sarandos introduced Star, who created groundbreaking series including “Beverly Hills, 90210,” “Sex and the City,” “Younger” and “Emily in Paris,” which defined pop culture references for generations of television viewers.

Sarandos called it a “privilege” to work with Star, explaining that his work has an “enduring staying power” and that “there has never been a storyline that is too bats— crazy for Darren.”

“Darren is simply one of the most talented showrunners of his generation, with his finger on the pulse of pop culture for more than three decades,” Sarandos said. “He influences the clothes we wear, the way we cut our hair, the music we listen to and the dreams we dream.”

Star, who has long served on the Hammer’s board of directors, celebrated his honor by explaining what he loves about the museum, including its Alice Waters’ restaurant Lulu, and the environment the space provides for Los Angeles creatives.

The view from above the courtyard at the Hammer Museum’s 2026 Gala in the Garden, which honored artist Beye Saar and television writer and producer Darren Star.

(Charley Gallay / Getty Images for Hammer Museum)

“The Hammer creates a wonderful community. We come together because we all love art, love Los Angeles and love this museum,” Star said. “I’m grateful to be part of this family and the city’s extraordinary artistic life.”

The gala was the second under the leadership of Hammer Museum Director Zoë Ryan, who succeeded longtime director Ann Philbin in January 2025. Former Los Angeles City Council President Joel Wachs called Ryan a “true scholar, open-minded, unflappable.”

“I believe she is exactly the kind of strong leader this institution needs in these really difficult, complicated and turbulent times,” Wachs said during his opening remarks. “And if anyone can be counted upon, I believe it’s her that will vigorously defend against the grave dangers and vicious attacks on freedom of expression that both museums and universities currently face.”

During her speech Ryan said the Hammer is “cherished” by the Los Angeles community, and that she intends to keep providing a space for creatives in the city.

“At the heart of the Hammer is a deep commitment to giving space to artists, bold and experimental ideas, and supporting audiences as a catalyst for change through dialogue and exchange — all much needed in this country right now.”

May 3 (UPI) — Oil exports from the United States have increased by more than 30% the U.S.-Israeli war in Iran started and the Strait of Hormuz was blockaded in response.

The Port of Corpus Christie has overtaken the ports in Saudi Arabia and Iraq in the last few weeks as the two Persian Gulf ports have been cut off from the rest of the world since the Strait has been blockaded.

Over the past two months, the United States has sold more than 250 million barrels of oil to foreign buyers as exports have increased by 30%, from 3.9 million barrels per day in February to 5.2 million barrels per day in April, Bloomberg and CNBC reported.

Experts have warned, however, that domestic oil inventories are depleting stockpiles and there is a question of how long the country will be able to continue replacing oil on the market that is stuck in the Strait.

Although selling oil is good for business, oil producers are struggling to keep up with the demand and it is possible that selling so much could have an add-on effect of pushing gas prices for American consumers even higher than they have gone since the war started.

“Ships are coming to take our oil, but once significant volumes of are leaving the United States, it can be expected that balances will tighten,” Clayton Seigle, senior fellow at the Center for Strategic and International Studies, told Bloomberg.

“We are digging ourselves a hole in terms of spending down inventories,” he said.

Roughly 20% of global oil supplies pass through the Strait of Hormuz and Iran’s shutting of it has caused gas and fuel prices to skyrocket over the last two months, including massive effects on the airline industry, which has seen seen the price of jet fuel double since before the war.

Oil from the United States, Latin America and West Africa could for a short time be a substitute for Middle Eastern oil for countries in Asia, which has been hurt the most, but it is not ideal, Matt Smith, director of commodity research at Kpler, told CNBC.

“Asian markets are buying whatever they can get their hands on, so they’re taking a lot of light sweet [American] crude [oil],” Smith said, but their refineries are optimized for the heavier oil produced in the Middle East.

“It’a hole that can’t be plugged,” Smith told CNBC. “The answer has to be ensuring secure supply from the Middle East.”

[kicker]

Palestinian journalists in Gaza marked World Press Freedom Day by honouring colleagues killed and targeted by Israel, as the territory becomes the deadliest place ever recorded for media workers. Pope Leo XIV called for greater protection of reporters ‘pursuing the truth’, especially in war zones.

He’s been in work since leaving drama school a decade ago but Callum Woodhouse has had enough of ‘posh’ – and is ready to play a villain

He’s known for his roles as witty and warm-hearted Leslie Durrell in The Durrells and happy-go-lucky Tristan Farnham in All Creatures Great and Small.

But actor Callum Woodhouse is now delighted to have landed a “wildly different” role in new psychological drama The Fortune, in which he can “show a bit of versatility” as a baddie for the first time.

Callum, 32, told the Mirror: “The Durrells and All Creatures are two shows I am incredibly proud of and two characters I am incredibly proud of – but there is not much villainy, and in both I am playing posh characters.”

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Having grown-up in Stockton-on-Tees, Co Durham, he relished the chance to use his own voice to play dark and brooding Anthony Worrall. “In The Fortune, I’m speaking in my own northern accent for the first time, and I am essentially playing a villain,” he explained, adding that playing Tristan had become “a little routine” after doing it for so long.

“I’ve done seven years as Tristan and you find the character again immediately. Whereas coming up with Anthony, a nasty character from the north, I almost had to re-learn how to act in my own accent. Getting to flex those nasty muscles for acting, which I haven’t really done since drama school – it was a lot of fun playing someone so wildly different.”

Callum, whose dad was boss of an oil firm and mother a nurse, went to Stockton Sixth Form before completing a three-year drama course at the London Academy of Music and Dramatic Art. He landed the role in ITV’s The Durrells, in which Keeley Hawes played his mother, before he graduated in 2015. “It was a lovely feeling to be leaving knowing this amazing job was there,” he said afterwards. Believing acting to be a hard world to break into, his parents had encouraged him to keep his options open. “It was a bit of a losing battle, though,” he once admitted. “I’ve really honestly never had a Plan B. They have always wanted me to have as many ‘strings to my bow’ just in case it didn’t work out – but it was all or nothing, so thank God it’s worked out so far.”

The Fortune, expected to start on 5 next month, boasts a wealth of top talent including Poldark’s Eleanor Tomlinson and Harry Potter’s Matthew Lewis – who has also appeared in All Creatures Great and Small. They play a couple, Amanda and Jimmy, whose world is blown apart when she inherits a fortune from a man she’s neither met nor heard of before. The gripping series, due to air this summer, explores the notion of a person’s past not being what they think it is.

New Tricks favourite Denis Lawson plays Martin Worrall, the head of a family which is bound in past secrets – and Callum is his son, Anthony, often to be seen clutching a rifle (not unlike Leslie Durrell). Amanda’s life starts to disintegrate as she becomes embroiled in the world of the Worrall Family.

Other cast include The Thick of It’s Rebecca Front as Martin’s wife Fiona, Wild at Heart’s Stephen Hopkinson as farm worker Boots Maddison and Upstart Crow’s Paula Wilcox as Amanda’s mother Linda.

After playing Leslie Durrell for four series, it ended up being a role Callum found “quite upsetting” because, in real life, Lesie never achieved the success of his siblings. “It’s quite upsetting, because I grew really attached to Leslie, and I wanted him to succeed, and I wanted him to have good things happen to him.”

But he didn’t have the same problem as cheerful vet Tristan. “He always ended up managing to turn a negative into a positive – he was just so perpetually upbeat and happy. It was a very uplifting experience to play Tristan.”

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May 3 (UPI) — Iran said on Sunday that it is reviewing the United States’ response to its most recent peace proposal, a 14-point plan that was reviewed by President Donald Trump on Saturday night.

The response was delivered to Iranian negotiators on Sunday, Iranian state media outlets PressTV and Tasnim reported, with officials clarifying some reports on the plan they said have been incorrect.

The 14-point plan is entirely focused on bringing an end to the two-month-old conflict, with no provisions about nuclear materials or other weapons, Esmaeil Baghaei, spokesperson for Iran’s foreign ministry, said in an interview.

When asked about Iran’s new plan on Saturday, Trump expressed doubt that it would meet U.S. requirements but said that he would be reviewing its exact language last night.

“The plan we have presented is centered on ending the war,” Baghaei said. “There are absolutely no details regarding the country’s nuclear issues in this proposal.”

The basics of Iran’s proposal are focused on ending hostilities and then opening a 30-day period for intense negotiation of other issues, including the withdrawal of U.S. military forces from areas around the country, lifting the U.S. naval blockade and ending the war on all fronts, including in Lebanon, Tasnim reported.

But Baghaei said that reports of a suspension of nuclear activities or U.S.-Iran cooperation on clearing mines from the Strait of Hormuz are not true.

“These are among the things that I believe are fabricated by the imagination of some media outlets,” Baghaei said. “We are not currently engaged in any negotiations over the nuclear issue and decisions about the future will be made in due course.”

Iranian officials said that the U.S. proposal had included a two-month cease-fire, which Iran countered with a 30-day period to resolve issues and to actually end the war.

Secret Service agent at White House correspondents’ dinner was ‘definitively’ hit by suspect’s bullet, prosecutor says.

Authorities in the United States have said that the suspect accused of attempting to kill President Donald Trump was the one who shot a Secret Service agent at the White House correspondents’ dinner last month.

Officials initially did not provide details on how the agent – who was wearing a bulletproof vest – was injured. On Sunday, US Attorney Jeanine Pirro told CNN that investigators have confirmed that the agent was shot by the alleged gunman, Cole Tomas Allen.

“It is definitively his bullet. He hit at that Secret Service agent. He had every intention to kill him and anyone who got in his way, on his way to killing the president of the United States,” Pirro said.

“This was a premeditated, violent act, calculated to take down the president, and anyone who was in the line of fire.”

She added that a pellet that came from the suspect’s shotgun was “intertwined with the fiber” of the agent’s protective vest.

The determination could lead to additional legal charges against the 31-year-old suspect. It also rules out speculation that the agent may have been struck by so-called “friendly fire”.

The Justice Department announced three charges against Allen last week – attempting to assassinate Trump, the transportation of a firearm across states with intent to commit a felony and the discharge of a firearm during a crime of violence.

A sentence of life in prison faces anyone convicted of attempted assassination.

Last week, Acting Attorney General Todd Blanche said Allen had travelled via train from his home near Los Angeles to Chicago and then to Washington, DC.

He arrived in the US capital on April 24, the day before the dinner at the Washington Hilton hotel, and checked in.

According to Blanche, during the dinner, Allen approached a security checkpoint on the terrace of the hotel, one level above the ballroom where Trump was.

“He ran through the magnetometer holding a long gun. As he did so, US Secret Service personnel assigned to the checkpoint heard a loud gunshot,” Blanche said.

“One Secret Service officer was shot in the chest, but was wearing a ballistic vest that worked. This heroic officer, who was hit, fired five times at Allen, who was not shot, but fell to the ground and was promptly arrested.”

Officials have said Allen was carrying a shotgun, a semiautomatic pistol and three knives.

The shooting, considered to be the third assassination attempt against Trump since 2024, has shaken US politics. The White House has accused the US president’s Democratic rivals of inspiring political violence with their verbal attacks on the administration.

But Trump himself is known for personal attacks against opponents, and critics have accused him of using the shooting to censor his rivals.

Everyone wants to be “The Devil Wears Prada 2,” as the 20-year sequel strutted to an estimated $77 million in the U.S. and Canada in its opening weekend, highlighting the spending power of women moviegoers at the box office.

The film, which returned stars Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci, nudged out Lionsgate’s “Michael” for the domestic top spot at theaters this weekend. In its second outing, the Michael Jackson biopic brought in $54 million, upping its overall North American total to $183.8 million and its cumulative global haul to $423.9 million.

Worldwide, Walt Disney Co.-owned 20th Century Studios’ “The Devil Wears Prada 2” brought in $233.6 million, according to studio estimates. The theatrical revenue, both domestic and worldwide, edged studio expectations. Already, the film has brought in 72% of the total revenue that the original movie made ($326 million).

The 2006 original has become a cult classic, with lines like Streep’s infamous “that’s all” and Tucci’s “gird your loins” now millennial catchphrases. The popularity of that film has continued over time with repeat viewings on cable television and the Disney+ streaming service.

“Nostalgia is a big driving factor for movies like this,” Andrew Cripps, head of theatrical distribution for Walt Disney Studios, said. “It’s just one of those movies that got into the zeitgeist.”

The fashion-forward sequel had a production budget of about $100 million. The film notched a 77% approval rating on aggregator Rotten Tomatoes.

Women comprised the majority of the audience for “The Devil Wears Prada 2” this weekend, representing 71% of moviegoers, according to data from EntTelligence.

The strong showing for “The Devil Wears Prada 2” highlights the spending potential of female moviegoers, who have had few big movies aimed at them in the last few years.

Despite the billion-dollar blockbuster that was “Barbie” in 2023, Hollywood has largely failed to consistently deliver big films targeted to women. That’s led multiple box office analysts and studio executives to note that the industry is leaving money on the table.

In the past, comparable titles to “The Devil Wears Prada 2” would have been 2008’s “Mamma Mia” or the “Sex in the City” film, but those kinds of movies are now few and far between.

More recent female-focused fare includes last year’s “Wicked: For Good” and Taylor Swift’s “The Official Release Party of a Showgirl,” though “Wicked” has the benefit of also having a longtime Broadway fanbase.

“There haven’t been enough movies for females,” Cripps said. “When you can give them a good movie, as long as the movie plays well and I think this one plays brilliantly, there’s a big audience out there.”

Universal Pictures, Nintendo and Illumination’s “The Super Mario Galaxy Movie” continued its run with a third place finish of $12.1 million at the box office this weekend, followed by Amazon MGM Studios’ “Project Hail Mary” in fourth and Neon’s horror flick “Hokum” in fifth, according to Comscore data.

Israeli forces have raided the city of Nablus in the occupied West Bank, firing live ammunition that killed a 26-year-old Palestinian man and wounded four others, including children. Dozens of people have suffered tear gas inhalation.

THEY say good things come to those who wait, so I have high expectations for Roger Sanchez’s first studio album in two decades.

And as he gears up to release the 13-track record, Spectrum, on June 5, the superstar DJ reveals he’s thrown fans a curveball after teaming up with Melanie C on his song I Don’t Wanna Know.

“That’s one I didn’t have on my dance card,” Roger tells me after popping into Bizarre HQ, where he takes his tea “milky, two sweeteners”.

“When the Spice Girls first came out, I always felt she was underrated. There was such a power in her voice and I didn’t feel in the Spice Girls she got her due for how powerful her voice is.

“She’s the bubbliest one of the group. She’s a powerhouse.

“I had this track and I was talking to my team about artists who people wouldn’t expect me to work with.

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“My manager was like, ‘How about the Spice Girls?’ and I said, ‘Well it’s got to be Mel C if we’re going to do it.’

“We sent the track that I had originally done to her team, and she loved it. And so she sent me back the song that she wrote. And I was like, let’s go.”

Sanchez has scored numerous hits in the European and World Charts with both his own music and the remixes he has created for an array of superstars including Diana Ross, Kylie Minogue, Daft Punk, Madonna, The Police, No Doubt and Maroon 5.

Like us, Roger is now waiting to hear Madonna’s new album Confessions On A Dancefloor: Part II after previously working with her on remixes of her songs.

“You don’t ever count Madonna out,” Roger explains.

“I know she’s been around for quite some time.

“And as somebody who’s been around for a minute myself, I can say creative forces like that are probably becoming a little more rare as time goes on, because of just the way things are done now.

“You just never count her out because she’s always brewing something

“And it’s always going to be something that moves the needle somehow.”

Just days after Roger drops Spectrum, he will head to his spiritual home in Ibiza to take up a residency at super club Pacha, after spending weeks in the UK finishing the record.

“I started forming where I wanted a body of work to go around 2020. Before we dove into the hell that was known as Covid.

“Coming out of that, the UK was one of the first markets to reopen so I started touring.

“I wound up spending a lot of time in London and I’ve got a flat in Shoreditch.

“The UK became a real central point for me. I connected with a lot of writers and artists here. This is a London album.”

Spectrum is packed with dance bangers including my favourites Midas Touch, Come My Way and How Do We Say Goodbye with Karen Harding, which will be the next single to be released.

And Roger is hoping to return to Glastonbury one day to play the record, after a killer headline set at NYC Downlow back in 2016.

“That was my first kind of performing experience at Glastonbury,” Roger explains.

“It felt like a 1989 rave in the UK. Very, very dark and very loud.

“And people weren’t on their phones. They really plugged into the moment.

“I’ve played a few times since. I did one for Glitterbox and I did another for Greenpeace in a tree.

“There’s a little door opening in the base, and you climb up a bloody ladder.

“You feel like you’re a hobbit. It felt a bit like Gandalf walking into Bilbo Baggins’ home.”

SPICE IT UP

MELANIE C teamed up with another special someone at the weekend – Spice Girls bandmate Mel B.

They sang Spice Up Your Life for the first time since the group’s 2019 tour at a concert in Leeds.

Mel C played the gig to celebrate the release of latest solo album Sweat, which is on course to go to No2 this Friday.

TENSIONS between Gordon Ramsey and Brooklyn Beckham were high back in February after the famous chef fired a warning shot to the wannabe over his feud with his parents.

Now it seems Gordon is coming for Brooklyn in business.

Gordon has trademarked Hotter Than Hell by Gordon Ramsay – the name given to the spicy relishes he uses in some of his restaurants.

But it appears he could be preparing to flog bottles of the sauce to customers and if he goes ahead with the venture, he will be competing with Brookylyn’s Cloud 23 hot sauce, which he launched back in 2024.

“If Gordon is launching his own sauce he’ll be going up against Brooklyn in that market,” an insider told me.

“Things will get spicy if they end up clashing over it.”

In February, Gordon told our newspaper he thought Brooklyn had got carried away by his marriage to Nicola Peltz.

Asked about how Posh and Becks were coping after their son’s acid-tongued Instagram statement about them, Gordon said: “Victoria is upset, and I know 24/7, seven days a week, just how much David loves Brooklyn.

“Brooklyn and I have messaged a little bit. Our relationship is solid. I love him.

“His heart is incredible. But it’s hard, isn’t it, when you’re infatuated?

“Love is blind. It’s easy to get up on that rollercoaster and get carried away. But it will come back.”

Awkward.

Moment in the sun

PROMISING British pop star Bellah Mae is having her moment in the sun after signing a record deal in the States.

The Birmingham-born singer posed on a lounger in a snap to promote her new single Salt And Sugar from her upcoming EP, Keep It Peachy, which will be out on May 29.

It’s the first release for Bellah, who is currently on tour across the US, with her new label Sony Nashville.

She told me: “I’ve been coming to Nashville to write since I was 19 years old and knew I wanted to eventually spend more time here from the first time I came over, so to be one of the first UK artists signing to Sony Nashville and be here is a lot of dreams all coming true.

“I wanna bridge the gap between the UK and US country-pop worlds and take over the space one song at a time… the British Hannah Montana!

“The new era is fun, flirty and confident.”

Shakira loves a Brazilian

SHAKIRA made history on Saturday as she played one of the highest attended concerts of all time.

More than 2million fans saw the Colombian superstar play a free gig at Copacabana Beach in Rio De Janeiro.

During the spectacular show, the She Wolf singer wore ten costumes, many of which were made by local designers – including a jumpsuit with Swarovski crystals in the pattern of the Brazilian flag.

More than 1,500 drones lit up the sky before Shakira took to the stage.

And the singer was later joined by Anitta to perform their new single, Choka Choka.

Shakira’s Las Mujeres Ya No Lloran Tour will come to Europe in September, where she will play 11 nights at the purpose-built Shakira Stadium in Madrid.

GRAHAM DRINKS IN EURO FUN

GRAHAM NORTON has told how he turns to drink to survive the madness of Eurovision.

The BBC star, who will be commentating on the song contest in Vienna on May 16, said the live final is such a slog, he needs a drink to get through it.

On Alan Carr’s Bottoms Up! podcast, Graham said former host Terry Wogan called him before his first ever contest in Moscow with some tips.

He said: “The only bit of advice he gave me was, ‘Don’t have a drink before song nine’.

“But I’m drinking whatever I can lay my hands on because it’s a long old stretch.”

Graham also admitted that refreshments are not easy to source at the venues, saying “normally, it’s smuggled in”.

But he knows better than to overdo it during the live show.

Given the quality of some of the songs, I’m amazed he can wait until number nine.

OLIVIA RODRIGO mocked Jake Paul as she hosted Saturday Night Live in the US.

Speaking about the boxer, who she starred with on the Disney show Bizaardvark a decade ago, Olivia said: “We’d always talk about our futures, me and Jake.

“I’d say, ‘I wanna create music that explores the complexities of girls my age’, and he’d say, ‘One day I wanna beat up old guys on Netflix’.”

LIAM AND NOEL NOT IN TUNE

LIAM GALLAGHER has admitted he’s in the dark when it comes to the new music his brother Noel has been writing – and whether it could be for Oasis.

Last month, Noel revealed he had been “in the studio, noodling away” on new tunes.

But when asked about it on X at the weekend, Liam was none the wiser.

He said: “I’ve not heard anything unless he’s doing a solo album, which would be a real shame, I mean really good.”

When someone else commented: “So he just doesn’t tell you his plans?” he replied: “Pretty much.”

Given how much Liam spouts off online, I can’t really blame Noel for keeping schtum.

Spotted looking chic

NICOLE SCHERZINGER is spotted in Kentucky – 4,000 miles away from her Pussycat Dolls bandmates back in London.

While Nicole looked chic in a polka dot dress as she sang the US national anthem at Saturday’s Kentucky Derby, Ashley Roberts and Kimberly Wyatt were busy going through their paces during rehearsals.

The Dolls, who are now a trio, kick off their reunion tour in California in a month’s time, before shows on this side of the Atlantic in September.

If their tour is anything like their shows back in the day, they will have a lot of dance moves to learn between now and then.

May 3 (UPI) — Two members of the U.S. Army were reported missing during a training event in Morocco on Sunday morning by the United States Africa Command.

The soldiers were participating in the U.S. military’s largest Africa-based exercise, African Lion, when the soldiers went missing on Saturday night during near the Cap Draa Training Area, which is near the city of Tan Tan, Morocco, AFRICOM said in a press release.

Military officials said their disappearance is unrelated to the exercise, but rather than they had gone on a hike near the training range and may have slipped off a cliff into the ocean, The New York Times reported.

“U.S., Moroccan and other assets from African Lion immediately initiated coordinated search and rescue operations, including ground, air and maritime assets,” AFRICOM said in the release.

“The incident remains under investigation and the search is on-going,” the command said.

The soldiers were discovered missing during a base-wide head-count around 9 p.m. local time, with helicopters searching throughout the night and various aircraft — including larger planes and drones — picking up the search on Sunday morning near the coast, CBS News reported.

African Lion is an annual joint military exercise that includes the U.S. military, NATO allies and African partner nations, and is hosted by Morocco, Ghana, Senegal and Tunisia, according to U.S. Army Europe and Africa.

This year’s event, scheduled to run from April 27 to May 8, includes 5,000 people from 40 countries.

SOPHIA Grace and Rosie were the viral child stars who went from their Essex bedrooms to rubbing shoulders with Hollywood’s finest – landing roles alongside the likes of Ariana Grande, appearing on the Ellen Show and even bagging their own movie.

But fast forward 15 years and the cousins have traded the bright lights of Tinseltown for very different lives back home in the UK, as The Sun lifts the lid on how they coped after they were no longer the cheeky youngsters the world fell in love with, and avoided the dreaded child star ‘curse’.

Sophia Grace, now 23, and Rosie, now 19, were cousins who rose to prominence by uploading videos from their Essex bedrooms to YouTube.

In 2011, it was a video of the duo, who were then eight and five, respectively, performing a cover of “Super Bass” by Nicki Minaj that caught the attention of US megastar Ellen DeGeneres.

She invited them to fly across to the US to appear as guests on her eponymous show, which led to a regular slot for the girls and exposure to fans across the pond, who fell in love with the tutu-wearing duo and their British charm.

The girls had their own segment on the show where they would chat with A-listers, from Justin Bieber to Hugh Grant and Taylor Swift. This then led to them bagging appearances on Nickelodeon show Sam and Cat, which featured Ariana Grande in the titular role, and their own movie by the channel, Sophia Grace & Rosie’s Royal Adventure.

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However, as Sophia Grace and Rosie got older, the high-flying opportunities also came to a halt, with the young women no longer as in demand as their younger selves once were.

A close friend of the cousins tells The Sun: “People don’t realise how intense it was back then for the girls. One minute Sophia and Rosie were just kids playing dress-up, and the next they were everywhere – on TV, interviews and cashing in on big brand deals. 

“It felt like the world couldn’t get enough of them. But that kind of spotlight doesn’t really grow with you, it stays frozen in time.

“I remember when things started to shift. It wasn’t dramatic, the calls just slowed down. Not because they weren’t talented, but because they weren’t those tiny girls in tutus that the world couldn’t help but fall in love with anymore. The industry loves a moment, it’s not always about the person behind it.”

Now, Sophia Grace is a doting mum-of-two and often shares mumfluencer content with her little ones to her Instagram page, which still boasts an impressive 1.5 million followers.

Whilst Rosie, who has just shy of one million followers, is an aspiring pop star and often shares music videos and new songs to her profile.

Despite the pair still successful online, that doesn’t mean it’s been an easy transition, as they navigated being shunned from Hollywood for simply growing up.

The friend said: “They had to go through that strange identity thing a lot of child stars face. Like, who am I if I’m not that version of me everyone fell in love with? It’s not just about losing jobs, it’s about outgrowing a character the whole world still expects you to be.

“There was definitely a period where it hurt. They’d worked so hard, and suddenly it felt like they had to prove themselves all over again, but as completely different people. That’s exhausting, especially when your past success kind of boxes you in.”

This had the girls thinking about what is next as they reinvented their careers, rather than remaining stuck.

“What people don’t see is how much strength it took for them to step back and rethink everything. They didn’t just cling to what used to work. They had to start asking bigger questions like what do we actually enjoy now? What kind of life do we want outside of all that?

“They’ve had to evolve and figure out who they are without the glitz glam and cameras. And I think that was harder than actually being famous in the first place.

“There’s something bittersweet about it. Now they’re building something quieter, more personal and it actually belongs fully to them this time.”

Child stars who have been catapulted to fame so young are famously at risk of falling victim to the “curse”, which has seen numerous celebrities fall off the wagon after earning their careers at such a young age.

From Drew Barrymore to Macaulay Culkin and Britney Spears, several stars have spoken out about their struggles with mental health, addiction, financial issues and more after being put under such pressure so young.

But Sophia Grace and Rosie have managed to successfully manage becoming household names so young whilst avoiding being plagued with the curse.

“People always expect a sad ending with child stars, like it’s inevitable that something will go wrong once the spotlight fades. But that was never going to be their story,” said the friend.

Explaining how they managed to remain grounded, they said that the pair have always been “normal and down to earth”, even when things were “unpredictable” in their careers.

“Sophia was always the one with that natural warmth. Even as a kid, she had this way of making people feel comfortable around her, what you saw was exactly what you got,” said our insider.

“Becoming a mum didn’t change her either, it’s been the making of her. She talks a lot about wanting to give her child stability, something consistent and safe, because she knows firsthand how unusual her own childhood was.

“What people see online is only a small window into their world – behind the scenes she’s very careful, and very protective of her family life. She’s also been smart financially, which people don’t expect. She made sure early on that she wasn’t just spending what she earned, she was thinking about the future. She’s got investments, savings and she’s financially fine for a very long time.”

And for Rosie, it seems that music was always the long-term plan.

“She stepped back, took time to grow up outside of the spotlight, build up her confidence and then came back to it on her own terms. That’s something I really admire about her. She’s spent years working on her voice, writing, figuring out what she actually wants to say as an artist instead of trying to recreate something from the past. 

“There’s a lot of discipline there, and a kind of quiet confidence that people may have otherwise overlooked. She’s not chasing attention at all because she’s building something meaningful and long term.

“The thing that really stands out about both of them is that they never lost themselves in it. They had good people around them from early on, family who kept things steady and didn’t let the fame become everything. And they listened to that. They made choices that weren’t the flashiest, but they were the right ones for the lives they all wanted.”

The duo were also meticulously careful about money, our source says, despite having an influx of earnings so young.

“At the end of the day, they didn’t just grow out of being child stars, they grew into adults with lives that are  real and wonderful. And that’s something you can’t fake for likes.”

In this episode of Reframe, Varsha Gandikota-Nellutla, general coordinator of Progressive International, speaks with former Colombian Environment Minister Susana Muhamad about how Latin America should respond to the age of United States President Donald Trump. Muhamad argues that challenging a long history of imperial dominance begins with reclaiming sovereignty, particularly over natural resources like minerals and oil.

Muhamad is a Colombian politician and environmentalist who served as the minister of environment and sustainable development from 2022 to 2025.

The Department of Energy is seeking millions of dollars for work in part on a new bunker-busting nuclear weapon called the Nuclear Deterrent System-Air-delivered (NDS-A) in its latest budget request. At present, there is only one specialized air-delivered deep-penetrating weapon known to be in America’s nuclear stockpile, the B61-11 gravity bomb, and there have been discussions about a potential successor for decades now.

The Fiscal Year 2027 budget request for the Department of Energy, which was released last month, includes a new line under Weapons Activities for Future Programs. The Department is asking for $99.794 million in the next fiscal cycle to support those efforts.

“The Increase represents the start of one new Phase 6.X program, currently known as Phase 1 Nuclear Deterrent System-Air-delivered (NDS-A), as well as supporting production assessments for two new Rapid Capability Team (RCT) projects,” according to a public summary of what the Future Program funding would support.

The Department of Energy, in cooperation with the U.S. military, develops, produces, and sustains nuclear weapons, and uses a multi-phase rubric to categorize where they are in their respective life cycles. The Phase 6.X process is itself broken into several stages, spanning all the way from the definition of the basic concept of a weapon and its requirements through to full-scale production.

Where the NDS-A may already be in the process is unknown, but the mention of “Phase 1” here could point to Phase 6.1, which is the basic concept assessment stage. Beyond that it will be air-delivered, there are also no details currently available publicly about the weapon’s design, including whether it will be based on something already in the stockpile. It is also not known if it will be an unpowered bomb or a missile/rocket-assisted weapon of some kind. We will come back to this point later on.

“The Nuclear Deterrent System-Air-delivered will provide the President with additional nuclear options to defeat Hard and Deeply Buried Targets, ensuring that adversaries cannot place their most valued assets beyond the reach of America’s nuclear forces,” a spokesperson for the National Nuclear Security Administration (NNSA) told TWZ when asked for more information. “The program is moving aggressively, and further information will become publicly available when it is strategically beneficial to the United States.”

Within the Department of Energy, NNSA is specifically responsible for nuclear weapons-related activities.

As noted, at present, the B61-11 is the only air-delivered nuclear weapon in the U.S. stockpile today that is specifically designed to address this target set. The B61-11 is based on the earlier B61-7, but is substantially different in form and function. It has a heavily reinforced outer shell, possibly with a depleted uranium penetrating nose section, and a rocket booster at the rear to help it penetrate down into underground facilities. Sources differ on the maximum yield of the B61-11, but it is said to either be between 340 and 360 kilotons (identical to that of the B61-7) or to be closer to 400 kilotons. There are also reportedly fewer than 100 of these bombs in the stockpile.

You can learn more about the entire B61 family, the first versions of which entered service in the 1960s, here.

For a time, the newer B61-12 variant, which has a precision guidance package in a new tail kit, was considered as a potential successor to the B61-11. The B61-12 is also a dial-a-yield design with multiple yield settings, but the highest one is reportedly 50 kilotons. The logic was that improved accuracy would allow for more precise placement of the bomb, and, by extension, of its explosive force. This, in turn, would make up for its lack of deep-penetrating capability and more limited yield. The plan to supplant the B61-11 with the B61-12 was subsequently abandoned.

B61-12 Flight Test with F35-A Lightning II

More recently, a more powerful B61-13 variant, which features the same precision guidance tail kit as the B61-12, was developed explicitly to provide “the President with additional options against certain harder and large-area military targets.” This version is understood to have a maximum yield in line with the B61-7. However, the U.S. government has also previously said that the B61-13 is not intended as a direct replacement for the B61-11, according to the Federation of American Scientists (FAS).

The U.S. military also has B83-1 nuclear gravity bombs in the stockpile, which are of a completely different design from the B61 series and have a far more powerful megaton-class maximum yield. By virtue of that high yield, the B83-1 is also intended to be used against certain deeply buried and otherwise hardened facilities, as well as large-area targets.

In the early 2000s, NNSA, in cooperation with the U.S. Air Force, did explore the possibility of developing a B61-11-like bomb on the basis of the B83-1, as well as a new deep-penetrating version of the B61 itself. In 2005, Congress brought a halt to work on what was dubbed the Robust Nuclear Earth Penetrator (RNEP).

There have been hints since then, however, about possible revivals of the RNEP concept and/or other plans for a true successor to the B61-11.

What may be prompting the requirement for the NDS-A now is unknown. There are deeply-buried targets only a nuclear weapon can realistically destroy. The development of the B61-11 is understood to have been prompted heavily by one such facility in particular, Russia’s Kosvinsky Kamen bunker. Kosvinsky Kamen is a key node in the Russian nuclear command and control enterprise and was built under a mountain of the same name in the northern Urals. The nature of its location and design also means it could serve as a so-called “continuity of government” site for senior leadership to operate from before or after a nuclear strike or in response to some other major emergency.

However, the landscape of deeply-buried, hardened facilities that U.S. authorities would be interested in holding at risk has grown substantially in the past two decades since work, at least publicly, on RNEP came to an end.

The Russian and Chinese governments have been expanding on their already significant arrays of subterranean facilities. In China, this includes the construction of vast fields of new intercontinental ballistic missile (ICBM) silos, as well as work on a new underground command center outside of the capital, Beijing, just in recent years.

Other, smaller countries, like North Korea and Iran, have been investing in new underground and other hardened facilities, as well. This has been driven in many cases by concerns about the prospect of conventional strikes carried out by the U.S. military and others.

In the past year, the matter of Iran’s deeply buried nuclear facilities, and the limits of U.S. conventional options for prosecuting those targets, has been an especially hot-button issue. During Operation Midnight Hammer in June 2025, U.S. B-2 bombers struck Iranian nuclear sites at Fordow and Natanz with 30,000-pound-class GBU-57/B conventional bunker buster bombs. The outcome of that operation remains a subject of heated debate and is deeply intertwined with the justifications for U.S. and Israeli forces launching the latest campaign against Iran in February. U.S. officials are now at a crossroads with how to proceed with operations targeting Iran, which has now turned to a maritime blockade, at least for the time being, following the announcement of a ceasefire in April.

The video below is a montage of imagery from GBU-57/B MOP tests over the years.

GBU-57 MOP test

Broader concerns about just getting the B61-11 to its intended target in the future may also be a factor driving plans now for the new NDS-A nuclear bunker buster. Unpowered bunker buster bombs, nuclear or conventional, need to be released relatively close to their targets. The kinds of facilities that the B61-11 is intended to be employed against are deep inside hostile territory, behind layers of integrated air defenses. Major potential adversaries, as well as smaller nation states and even non-state actors, are only expected to expand the scale and scope of their defensive architectures in the coming years. With all this in mind, it is not surprising that the more survivable B-2 is currently the only platform certified to employ the B61-11, as well as the conventional MOP. It is more or less a given that both of those weapons will be integrated onto the forthcoming B-21 Raider for the same general reasons.

That being said, as TWZ regularly highlights, stealth aircraft are not invisible or invulnerable. This reality is part of the argument for the planned integration of the new nuclear-tipped AGM-181 Long Range Stand Off (LRSO) air-launched cruise missile onto the B-21, as well as the venerable and non-stealthy B-52. LRSO will also just extend the B-21’s reach, with that aircraft already expected to be an extremely long-range platform. This all raises the possibility of the NDS-A being a powered design offering some degree of standoff capability.

As an aside here, powered designs have also been part of the discussions about potential conventional successors to the MOP. A follow-on to the GBU-57/B, the Next Generation Penetrator (NGP), is now in development, but it is unclear whether or not that will be a powered weapon. Still, when it comes to the NDS-A, it seems more likely that it will be a traditional bomb that adapts elements of existing designs, including the B61-11, -12, and -13.

Whether or not the NDS-A effort reaches fruition also remains to be seen. The previous RNEP effort prompted significant criticism, including from members of Congress, in part because of concerns about what steps it might prompt other countries to take in response. At the same time, there has been a change in tenor in U.S. nuclear policy in recent years, driven by other global developments, especially efforts by the Chinese to rapidly and substantially expand their stockpile.

There is also a question of affordability. The U.S. military is already in the midst of a major modernization push across all three legs of America’s nuclear deterrence triad that is set to cost hundreds of billions of dollars in the coming decades. This could impact support for funding another ‘new’ nuclear weapon, even if it is derived from an existing design.

More definitely remains to be learned about the NDS-A program and the design of that weapon. What is clear is that the Department of Energy is requesting funding to kick off at least the initial development of a new air-delivered nuclear bunker buster that could succeed the B61-11.

UPDATE: 5:27 PM EST –

It has been brought to our attention that some additional details about the NDS-A effort have been tucked away in U.S. budget requests in recent years.

In its Fiscal Year 2025 budget, the Air Force asked for, and ultimately received just over $39 million for work on NDS-A, but under a budget line titled “Hard and Deeply Buried Target Defeat System (HDBTDS) Prototyping.”

“The Air-delivered Nuclear Delivery System (NDS-A) is a new start project to address a capability gap identified in the 2022 Nuclear Posture Review (NPR). A congressionally directed study based on the NPR led to endorsement of the Deputy’s Management Action Group (DMAG) and initiation of this project,” according to the 2025 Fiscal Year budget documents. “The Air Force will work with the Department of Energy’s (DOE) National Nuclear Security Administration (NNSA) and its National Laboratories to develop a prototype NDS-A system to demonstrate the capability to close this gap in the near term.”

“Early development will include Model and Simulation (M&S) analysis of several nuclear explosive package (NEP) options to refine the proposed NEP,” the budget documents add. “Ground tests may include wind tunnel, static ejection, vibration and thermal, cable pull-down, and sled tests. Flight tests will be performed by USAF F-15E developmental flight test aircraft, with final prototype demonstrations flown on B-2 aircraft.”

The video below shows flight testing of the B61-12 using a U.S. Air Force F-15E Strike Eagle.

B61-12 full-weapon system demonstration at Tonopah Test Range

In the Air Force’s proposed 2026 Fiscal Year budget, the line item was renamed “Nuclear Delivery Systems Prototyping,” but references to NDS-A by name were also omitted. A nearly $18 million year-over-year increase in requested funding (from roughly $39 million to almost $57 million) was attributed “to greater emphasis on prototype design after completion of Modeling and Simulation of mission effectiveness of design space options; increased procurement and development of components; the initiation of subsystem and test unit assembly; and the initiation of ground tests of the Prototype Weapon Assemblies.”

The Fiscal Year 2025 and 2026 budget documents do not provide any details about the design of the weapon or say what aircraft it will be integrated onto operationally.

More details about the current state of the Air Force side of this program are likely contained in the service’s 2027 Fiscal Year budget request documents. However, at the time of writing this update, they are inaccessible online.

Contact the author: joe@twz.com

As artificial intelligence becomes more embedded in film production, the Academy of Motion Picture Arts and Sciences is drawing a clearer line around it.

In new rules announced Friday for next year’s 99th Academy Awards, the academy said screenplays must be “human-authored” to be eligible for awards consideration, and that only performances “demonstrably performed by humans with their consent” will qualify for acting prizes. The group also reserved the right to request additional information about how AI tools were used in a film and the extent of human involvement.

The academy’s Board of Governors reviews its rules annually.This year’s revisions arrive as the industry continues to grapple with how AI tools are reshaping the creative process — and how institutions like the Oscars should reward that work, if at all.

The new changes build on guidance introduced a year ago, when the academy said that the use of AI would “neither help nor harm” a film’s chances of receiving a nomination, while emphasizing that voters should consider “the degree to which a human was at the heart of the creative authorship.” At the time, the organization stopped short of requiring formal disclosure of AI use, even as the technology became a flash point across Hollywood.

Taken together, the updated language suggests an effort to more clearly define the boundaries of authorship at a moment when tools such as voice cloning, digital doubles and AI-assisted writing are becoming more common in film production. The emergence of synthetic performers such as Tilly Norwood reflects how quickly those questions have moved from theoretical to practical.

In announcing the new rules, the academy framed the changes as part of an effort to reflect the current state of filmmaking, while maintaining what it called a “commitment to honoring human authorship and artistry.”

Beyond the AI provisions, academy leaders approved several structural changes across different categories.

In acting, performers may now receive multiple nominations in the same category if their performances rank among the top vote-getters, aligning the category with other branches.

The international feature film category also saw a notable shift. In addition to the traditional submission process through individual countries, non-English-language films can now qualify by winning top prizes at select major festivals, including Cannes, Berlin and Sundance. The award will be credited to the film itself, with the director accepting on behalf of the creative team, rather than to a submitting country or region.

Other changes — including updates to voting procedures in categories such as cinematography, visual effects and makeup and hairstyling — were largely technical in nature.

The new rules will take effect with next year’s Oscars, scheduled for March 14, 2027.

Ukrainian President Volodymyr Zelenskyy’s artistic skills have earned him the reputation of a public relations genius acknowledged by both friends and foes. United States President Donald Trump, who has openly attacked him in public, famously called the Ukrainian leader “the greatest salesman on Earth”. A much more sympathetic voice, New York Times columnist David French, has recently portrayed Zelenskyy as “the new leader of free world”.

But Zelenskyy’s PR genius can do very little when it comes to changing the dynamics of the battlefield in the Russia-Ukraine war. In recent weeks, his administration and allies have tried hard to create the impression that the war might be approaching a turning point. But realities on the ground tell a different story.

For example, there were official claims that in February, Ukraine made more territorial gains than Russia did. Some pro-Ukrainian war monitoring platforms have supported these claims while others have not. It is important to note  these calculations can be tricky given that along the frontline there is an extensive grey zone in which control is unclear. The advances themselves are measured in 150-200 square kilometres per month. In other words, methodology can be manipulated in order to produce the desired conclusion: that Ukraine is gaining ground.

In reality, there is nothing at all that suggests a significant change in the battlefield dynamics that have been in place for at least two years now.

More importantly, Russian troops are currently besieging a number of industrial cities in the north of the Donetsk region. Their advances all along the northern border, in particular, are extending the active front line by hundreds of kilometres, which is making Ukraine’s personnel shortages even more acute.

Four years into the war, the Ukrainian army has had to resort to brutal campaigns to enforce mandatory conscription, pulling young men off the streets of towns and villages. Meanwhile, Russia is still able to lure volunteers by offering lavish compensation.

Ukrainian officials have also claimed that Russia is losing more troops than it is able to recruit based on dubious casualty data. Zelenskyy, in particular, has stated the Russians suffered the highest number of monthly casualties in March this year – 35,000. But his statement contradicted his own Ministry of Defence, which claimed that the highest Russian monthly losses crossed 48,000 in January 2025, with an average monthly rate of roughly 35,000 throughout 2025.

Zelenskyy’s chief of staff, former military intelligence chief Kyrylo Budanov, also contradicted this narrative that Russia is having major difficulty with deploying personnel. He acknowledged in a recent interview that the collapse of the Russian mobilisation effort was not forthcoming.

It should be noted that Ukraine is waging a successful drone campaign to damage Russian oil facilities. But it is doubtful that it could change anything beyond providing dramatic footage of oil tanks on fire for TV networks to broadcast.

In April, Russian oil revenues surged to $9bn, thanks to the US-Israel war on Iran. The windfall Russia got in a month is equivalent to 10 percent of the loan Ukraine is to receive from the European Union over the next two years to help fund its war effort.

It cannot be denied that Russia has sustained major economic losses due to the war, and Russian President Vladimir Putin has acknowledged as much. But the Russian economy displays much the same downturn as other European economies, also affected by wars in Ukraine and Iran.

Russia’s gross domestic product (GDP) per capita adjusted for purchasing power parity (an indicator reflecting living standards) currently exceeds that of less affluent EU countries, such as Romania and Greece, according to the IMF charts. The same indicator for Ukraine is on par with Mongolia and Egypt, while the country’s critical infrastructure lies in ruins and millions of Ukrainians have fled the country, most of them for good.

With Ukraine’s prospects bleaker than ever, pro-Ukrainian audiences jump on every news from Russia, which they hope may signify “cracks in the regime”. Last month, an Instagram video by Russian influencer Victoria Bonya made Western headlines for its daring criticism of government policies. There may be frustration in Russia, but the regime is far from approaching a downfall.

This narrative, however, serves to distract Ukrainian and EU citizens from the painful truth that the war is heading towards a deadlock at best and Ukraine’s collapse at worst. Zelenskyy may have received a lifeline with the $90bn euro loan, but his and his allies’ lack of vision and winning strategy is staggering.

The reality has already begun to kick in. German Chancellor Friedrich Merz recently suggested that Ukraine would have to concede some of its territory to Russia to end the war but get a faster track to EU membership in exchange. The EU’s defence chief, Andrius Kubilius, has gone further by claiming that NATO membership for Ukraine was out of the question and EU membership was going to be a “complicated process”. Instead, he proposed a military union of Ukraine and other European countries – an idea that Moscow will reject, interpreting it as NATO through the back door.

What these contradictory statements manifest is that the main bargain over the contours of peace is currently going not so much between Zelenskyy and Putin, but between Zelenskyy and his Western, primarily European, allies.

As Budanov recently claimed, the positions of Kyiv and Moscow can be moved closer to what is realistically attainable in peace talks. But Zelenskyy needs to show at least some kind of gain for Ukraine when a very unpalatable version of a peace treaty is finally signed. Ideally, that gain would be EU membership or real security guarantees, but as Merz and Kubilius’s statements suggest, the chances of attaining either are slim.

The frustration among Ukrainians is already palpable. The head of the Ukrainian parliament’s fiscal committee, Danylo Hetmantsev, said European officials should stop seeing Ukrainians as “a tool for solving someone’s geopolitical tasks” or as a “human shield”. They have no right to define Ukraine’s destiny, he insisted.

But Zelenskyy, who is dogged by a large-scale investigation into corruption involving his immediate entourage, seems to hold no cards to play against Russia or his Western allies. The status quo in which he retains the position of a war leader serves him well, but it is increasingly becoming untenable.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

DAVID Beckham has shrugged off estranged son Brooklyn’s snub once again after celebrating his birthday with family. 

The former footballer, who has turned 51, enjoyed his day being ‘blessed’ and ‘spoiled’ by loved ones, despite being dealt another blow from Brooklyn and his daughter-in-law Nicola Peltz.

Taking to his Instagram, David shared two sweet snaps of him as a child and him present day smiling as he blew out his birthday candles. 

He added the caption: “I feel very lucky & blessed to have had a very special day today being spoilt by my wife, kids , family and friends from the moment I opened my eyes till now.

“And I just want to say thank you and I love you all so much @victoriabeckham & my beautiful family thank you (heart emoji).”

On the star’s birthday, David was met with a barrage of birthday shoutouts from the Beckham clan.

READ MORE ON THE BECKHAMS

bday bust up

Brooklyn Beckham snubs David’s birthday as Cruz’s girl brands him ‘best dad’

GOLDEN BOY

David Beckham poses in tiny speedos as Victoria shares gushing birthday tribute

Former Spice Girl Victoria led the birthday shoutouts for her husband and gushed over him by sharing a series of unseen private snaps including David on a boat in only a pair of tiny red shorts.

In the caption, the fashion designer penned: “You are our world, our everything. We love you so much!!!

“Happy birthday to the best husband, daddy, son, brother, and friend.”

Brooklyn’s brothers, Romeo and Cruz, also praised their dad by sharing photos of their younger selves with David. 

Cruz wished his father a happy birthday with Romeo penning the message: “Happy birthday dad love u so much. Thank u for everything you do.”

Eldest son Brooklyn chose to remain silent for the second year in a row, which comes as no surprise considering he and wife Nicola’s major fallout with the rest of his family.

Earlier this year Brooklyn had launched a nuclear attack on his family stating that he did “not want to reconcile” with his them, and accused his parents of “controlling” the narrative.

Last month Victoria broke her silence on her long-running feud with Brooklyn.

Speaking to The Wall Street Journal magazine, Victoria did not refer to Brooklyn by name when asked about the rift but discussed how she had only ever tried to “protect and love our children”.

The Spice Girls star said: “I think that we’ve always—we love our children so much. 

“We’ve always tried to be the best parents that we can be. And you know, we’ve been in the public eye for more than 30 years right now, and all we’ve ever tried to do is protect our children and love our children.

“And you know, that’s all I really want to say about it.”

May 1 (UPI) — South Korea’s Financial Supervisory Service (FSS) reportedly decided Thursday to suspend the business operations of Lotte Card for 4 1/2 months over a data breach.

The financial watchdog is also reported to have finalized the disciplinary measure, including a $3.4 million penalty and a reprimand warning for its former CEO Cho Jwa-jin.

The FSS declined to confirm the reports, while Lotte Card acknowledged it.

“Imposing a business suspension over a hacking case would be an unprecedented level of sanction,” Lotte Card said in a statement.

“As follow-up procedures remain, including a resolution by the Financial Services Commission (FSC), we will fully explain our position regarding the severity of the punishment, as well as our post-incident response efforts,” it added.

Nearly 3 million Lotte Card customers had their personal information compromised last year. The state-run Personal Information Protection Commission has already imposed a $64 million fine on the firm over the incident.

Following the FSS decision, the FSC is expected to make the final call in the coming months.

In 2019, South Korea’s leading private equity company, MBK Partners, teamed up with Woori Bank to acquire a 79.8% stake in Lotte Card for about $1 billion. MBK took 59.8%, and Woori held the remaining 20%.

MBK Partners sought to sell its stake in Lotte Card in 2023 but failed to find a buyer, and a similar effort last year also yielded limited results.

Lotte Card is not publicly listed.

The pope urged the rememberance of journalists who lost their lives pursuing the truth, particularly in conflict areas.

Pope Leo has marked World Press Freedom Day ⁠by condemning ⁠violations of media freedom around the world and paying tribute to journalists killed while reporting in ⁠conflict zones.

At the end of his weekly Sunday prayer in a sunny Saint Peter’s Square at the Vatican, the pontiff ⁠said the day highlighted both the importance of independent journalism and the growing threats faced by reporters.

“Today we celebrate World Press Freedom Day … unfortunately, this right is often violated, sometimes in blatant ‌ways, sometimes in more hidden forms,” he said.

World Press Freedom Day, ⁠sponsored by the UN cultural agency UNESCO is intended to show support for media organisations that come under ⁠pressure or censorship. It is also an opportunity to commemorate journalists who have been killed at work.

The Roman Catholic leader urged the faithful to remember journalists and reporters who have lost their lives pursuing the truth, particularly in conflict areas.

“We remember the many journalists and reporters who have been victims of war and violence,” ⁠the pope said.

A report last month by the Watson Institute for International and Public Affairs’ Costs of War project found that Israel’s war on Gaza was the deadliest conflict for media workers ever recorded, with Israeli forces having killed 232 Palestinian journalists since October 2023.

More journalists have been killed in Gaza than in both world wars, the Vietnam War, the wars in Yugoslavia, and the United States war in Afghanistan combined, the report found.

In past speeches, the ⁠leader of the Catholic Church has described journalism as a pillar of society and democracy, and information as a public good that must be safeguarded ‌and defended.

The pontiff has often thanked reporters for sharing the truth, saying that doing their job could never be ‌considered ‌a crime, and frequently calling for the release of journalists who have been unfairly detained or prosecuted.

Last week, the leading Paris-based press freedom NGO, Reporters Sans Frontières (RSF), or Reporters Without Borders, found that freedom of the press around the world has fallen to its lowest level in a quarter of a century.

For the first time since RSF started producing the index in 2002, it said more than half of the world’s countries fall into the “difficult” or “very serious” categories for press freedom – “a clear sign that journalism is increasingly criminalised worldwide”.

In 1995, when the L.A. Metro system was in its most nascent stage, Ken Karagozian — then an amateur photographer in an Owens Valley, Calif., workshop — found his way underground to document the subterranean marriage between downtown L.A. and Westlake through Metro’s Red Line, now called the B Line.

From that came a feature in Life magazine, but more importantly, a driving principle: Karagozian believed that the construction workers, engineers and electricians who were subject to the whims of a city indecisive on the subway project were deserving of intimate documentation. The invisible many who built the pyramids and New York’s skyline never got that chance, he said, but the people who contributed to the historically controversial Metro D Line from Koreatown to Westwood would, if he had a say.

“When I did take photography workshops, they always said, ‘Do a project close to your home,’” Karagozian said on a call from his Agoura Hills residence. “I wrote a letter to [L.A. Metro], which said, ‘How can I get permission to photograph?’”

Days before the fires ravaged L.A. in 2025, Altadena-based historian and author India Mandelkern had a phone call with Karagozian, who was interested in collaborating on a project about the D Line. After publishing a book on the art and politics of street lighting in Los Angeles, Mandelkern worked on the L.A. Metro blog, soliciting interviews from Angelenos who seemed desperate for a line to the Westside.

A Karagozian photo shows a group of workers during the Section 2 breakthrough during the underground construction of the Metro D Line.

(Ken Karagozian)

A photo by Karagozian shows sunlight filtering underground into the Wilshire/Fairfax site during construction.

(Ken Karagozian)

After Mandelkern connected with Karagozian, their project had solid form: a photo book, titled “Wilshire Subway: The Making of the D Line Subway Extension,” about the history, conflict and people behind the scenes and underground ahead of the May 8 opening of the subway expansion along Wilshire Boulevard. (New stations will be added at Wilshire/La Brea, Wilshire/Fairfax and Wilshire/La Cienega. In the future, stations in Beverly Hills, Century City and Westwood will open.)

A related photo exhibition, “Wilshire Subway: Photographed by Ken Karagozian,” is on view through May 14 at the 1301PE art gallery on Wilshire Boulevard.

This week, we chatted more with Karagozian and Mandelkern about their project.

After writing a book about the social history of street lighting, what brought you underground?

Mandelkern: Well, a couple different reasons. First, I was very interested in Metro just because I had worked there as the blog editor, and in that role, I got to explore so many different stories. I thought Wilshire Boulevard was one of the most interesting places, the stories of this rail-building ambition that persisted for so many different years, and what that says about Angelenos. Second, I think that we talk about L.A. as a horizontal city, and that’s certainly true. If you go somewhere like Tokyo, you instantly see that this is what a vertical city is, but I wanted to bring a little bit of that to L.A. There is so much history buried beneath the ground that we seem to forget, and once you start tunneling, you realize that it’s always been there and it hasn’t disappeared. It’s just pushed beneath us.

In support of their new project, writer India Mendelkern, left, and photographer Ken Karagozian appear at the Los Angeles Times Festival of Books in April.

(Ken Karagozian)

Of all the people you spoke to for this book, which one most influenced the way you understood what the D Line could provide for the city?

Karagozian: This was a joint venture between three contractors, and they each had their specialty. It was Skanska, Traylor [Bros.] and Shea. With Traylor, they were brothers and they were doing the tunneling. Richard McLane [chief mechanical engineer of Traylor Bros.] was very helpful in telling me a little bit about the history of Wilshire Boulevard and facts of tunneling. … All these different contractors impacted the project in some way.

Mandelkern: I always say Ken is one of the best construction photographers out there, but his specialty is really people. When I interviewed some of these individual workers, a whole different story came to light, and I realized that many of these workers came to L.A., started at the bottom of the totem pole, and through working on the subway have risen through the ranks, gotten promotions, become leaders, and their kids now work in construction. … It’s just so amazing that so many of these individuals are doing all this work behind the scenes that creates infrastructure that connects all of us.

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1. Carpenter Jenna Dorough poses for a portrait by Karagozian during the underground construction of the Metro D Line. 2. A concrete supervisor photographed by Karagozian at the La Cienega Boulevard station. (Ken Karagozian)

There are many portraits in the book of the builders who created the D Line. India referred to the short lifespans of the workers compared to the marvelous structures they craft: Was it intentional that you documented most of the D Line’s visual history through the people who built it?

Karagozian: When I go down underground and after the stations are completed, to me, it’s the people that built it that should tell the story. I didn’t just want to get a shot of them from behind. I really like to photograph their faces. … When I photographed the workers from the Red Line, some of these workers from the middle ’90s are still working on the Purple Line. I’ve known them for years, and now their children are working in construction; it becomes a family issue. … Going down and photographing the tunnels with that lighting in that perspective, it’s always been so interesting.

Mandelkern: That just reminded me of one of the quotes in the book from John Yen, who is the VP of operations at Skanska. He said, “In construction, we work ourselves out of a job.” I always found it really interesting that, as we build, the whole point is to kind of disappear. It reminded me of one of my favorite quotes in the essay, when James [Rojas] writes [that] when the stations are open, they’ll be shiny and new, but that will kind of erase all the memories and all the work of the people who’ve been doing this for all this time. This book really became a way to sort of remember all of these different people that have been working on these projects for decades and decades, even if they’re not really remembered in the official record.

As the D Line prepares to open, does it somehow feel like the end of a journey?

Mandelkern: This just [started] so many other things for me. Afterwards, I decided I really want to learn about the geology of L.A., and I found an interest in paleontology, too. I hope with any book that it just gets people curious, and it gets them to start asking questions. I think that “Wilshire Subway” does accomplish that. L.A. is just this bowl with all these different salad layers, and as we penetrate down, we learn more and more about our history.

Karagozian: It does a little bit. With May 8 being the grand opening, and as the stations are complete and they’re testing the trains underground, it almost feels like it’s graduation time. Time to celebrate the journey of going through high school, college, whatever. I am still continuing to photograph the [Purple Line extension], which is Rodeo or Beverly [Hills] station … Now it’s just the accomplishment of celebrating all the work that I’ve put into this project and going down almost once a week and photographing the process for so many years.