Month: June 2026

RALEIGH, N.C. — Andrei Svechnikov scored twice and Sebastian Aho added a second-period goal in a breakout game for Carolina’s top-line performers, helping the Hurricanes beat the Vegas Golden Knights 4-2 on Thursday night to move one victory away from the Stanley Cup.

Captain Jordan Staal added his fifth goal in the series on a night when Carolina overcame multiple hiccups from these playoffs, from a shaky power play to being outplayed in the second period of this series.

And there had been the waiting game for Aho and Svechnikov — two roster mainstays in an eight-year postseason run — to find a better offensive groove.

It all came together in Game 5, with Svechnikov’s short putaway at the post on the power play giving Carolina a 4-1 lead midway through the third period. And unlike most multi-goal leads in what has been a wild and thrilling series, this one held up, with Brandon Bussi finishing with 22 saves in his second career postseason start.

That gave the Hurricanes a 3-2 lead in the best-of-seven series. Game 6 is Sunday night in Las Vegas, with the Hurricanes playing for the chance to hoist the Stanley Cup for the first time since coach Rod Brind’Amour captained them to the title in 2006.

It has been a tough series for Vegas goaltender Carter Hart.

(Karl B DeBlaker / AP)

Pavel Dorofeyev scored twice for Vegas, finding the net for the first time since Game 1 of the Western Conference Final sweep of Presidents’ Trophy winner Colorado. Carter Hart entered this one as the first goaltender in Stanley Cup Final history to give up at least four goals in each of the first four games, then did it again to continue a difficult series while finishing with 20 saves.

Vegas had twice before been in a 2-2 series in these playoffs, in the first round against Utah and the second round against the Ducks. Both times, the Golden Knights won Game 5 and then closed out the series in Game 6.

This time, they’ll have to win on home ice to force the series back to Carolina for a Game 7 on Wednesday night. And they’ll have to take two in a row against a Hurricanes team that hasn’t suffered consecutive losses since mid-January.

Vegas played much of the night without center William Karlsson, who was being checked out on the bench for an apparent upper-body injury. Karlsson skated to the tunnel midway through the second period and didn’t return.

June 11 (Asia Today) — A South Korean-operated liquefied natural gas carrier that had been stranded near the Strait of Hormuz because of the U.S.-Iran war has passed through the waterway, South Korea’s Foreign Ministry said Wednesday.

The vessel was headed to a third country, not South Korea, and eight South Korean crew members were aboard, officials said.

“One South Korean vessel has passed through the Strait of Hormuz and is sailing,” the Foreign Ministry said. “Consultations related to this passage were led by the foreign-chartered company.”

The ministry said it understood the ship was heading to its final destination in a third country.

A Foreign Ministry official said Seoul has repeatedly emphasized to Iran the need for the prompt and safe navigation of all vessels in the Strait of Hormuz, including South Korean ships. The official said the government is also continuing to communicate with related countries.

According to the Ministry of Oceans and Fisheries, one LNG carrier operated by a South Korean shipping company resumed operations and left the inner side of the strait as of 7 a.m. Wednesday.

As a result, the number of South Korean-operated ships waiting inside the strait fell from 25 to 24. The number of South Korean crew members in the area declined from 147 to 139.

Foreign Ministry officials said the South Korean vessels are anchored in safe areas near Qatar, the United Arab Emirates and other nearby waters, following guidance from the Oceans Ministry.

“The government’s top priority is the free and safe passage of South Korean vessels and crew members in the strait,” a Foreign Ministry official said. “We are carrying out diplomatic efforts through multiple channels regarding the remaining 24 vessels.”

The charterer of the ship that passed through the strait was identified as QatarEnergy, Qatar’s state-owned energy company, and the final destination was believed to be Pakistan.

The case differs from the earlier passage of the Universal Winner, a very large crude carrier operated by HMM, which left the strait after direct negotiations between the South Korean government and Iran. In the latest case, the charterer led the decision-making and consultations.

Diplomatic observers said the involvement of QatarEnergy as the charterer and Pakistan as the destination may have helped the vessel secure passage. Pakistan has maintained close communication with Iran over Middle East tensions, and consultations involving the Pakistani Navy and the charterer may have reduced safety concerns.

The passage was reportedly completed shortly before Iran announced a full closure of the Strait of Hormuz. Iran said Wednesday local time it would completely close the strait in response to U.S. airstrikes.

Diplomatic observers said South Korea is likely to prioritize safety for the remaining 24 vessels for the time being, rather than pushing for immediate passage, as risks in the strait have increased.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260612010004185

In a significant development, Airbus has announced that its H145 twin-engine light helicopter is being developed in an uncrewed version, the U145. The move continues and expands the manufacturer’s work in the uncrewed helicopter space and reflects similar developments around the globe — most notably, an uncrewed version of the UH-72 Lakota, which is the U.S. Army’s variant of the H145.

The U145 was officially revealed today, ahead of the ILA Berlin airshow, starting this week, during which a full-scale mock-up will be displayed. Airbus says it is planning a first flight of the U145 — with a safety pilot onboard — before the end of this year, and is aiming for entry into service at the beginning of the next decade. 

“With the U145, we are offering our customers an autonomous, uncrewed version of our H145 helicopter — combining the proven airframe, power and useful load of the H145 with the autonomy of a UAS,” said Matthieu Louvot, CEO of Airbus Helicopters, in a company media release. “To develop the U145 and its capabilities as a multi-mission UAS, we will be teaming up with leading autonomous mission partners to further expand the UAS ecosystem in Europe,” he added. 

The U145 will have a maximum takeoff weight of around 8,400 pounds, and is described as a “mission-agnostic solution for civil and military applications, primarily high-volume cargo supply.” Airbus has announced the payload will be up to 2,600 pounds. In comparison, the uncrewed version of the Lakota, the MQ-72C Lakota Connector, will carry a maximum payload of around 4,000 pounds, although this includes slung loads. With that in mind, the U145 and MQ-72C will likely end up offering very similar payload capacities.

The MQ-72C is expected to be able to cruise at speeds of 135 knots out to ranges of at least 350 nautical miles, according to the Airbus website.

Already at this stage, the company is pitching the U145 for specific military roles, including armed scouting and surveillance. Airbus is also planning to adapt the U145 as a “drone mothership” that will carry “launched effects,” on which the company is partnering with European missile house MBDA. A similar concept is currently being pitched by Sikorsky, with its uncrewed version of the Black Hawk helicopter, dubbed the U-Hawk, which is also intended to be able to fire dozens of launched effects such as surveillance and reconnaissance drones and loitering munitions.

Airbus also envisages the U145 operating in conjunction with conventional helicopters as part of crewed-uncrewed teaming. 

The U145 will offer full autonomy, Airbus says, being equipped with a specialized sensor suite and artificial intelligence. For an uncrewed logistics aircraft, the ability to autonomously navigate along a predetermined route using programmed waypoints would provide a practical foundation for autonomous operations. However, more advanced capabilities — such as dynamically adjusting flight paths and responding in real time to emerging threats or unexpected obstacles — would also be very valuable, especially when conducting resupply missions in contested or high-risk environments.

The U145 will have no physical cockpit, so it cannot be flown with human pilots onboard. Other significant changes include adaptations for cargo missions, including a clamshell nose door, a loading platform, and a dedicated cargo floor. The existing rear clamshell doors are retained, as are the cabin side doors. The same configuration has been adopted for the MQ-72C, and a pass-through cargo hold is a big advantage that other crewed helicopters in this class cannot match.

Other features of the new uncrewed helicopter will be carried directly over from the H145, more than 1,800 of which are currently in service.

These features include a powerplant of two Safran Arriel 2E engines equipped with a full-authority digital engine control (FADEC) and a fenestron tail rotor.

The U145 is the next step in the manufacturer’s development of uncrewed helicopters. As such, it follows on from the smaller VSR700, a rotary-wing uncrewed air system which was derived from the crewed Cabri G2 light helicopter.

It is unclear what elements might be ported across from the MQ-72C, also called the Unmanned Logistics Connector (ULC), which is being developed separately by Airbus U.S. Space and Defense, together with its partners Shield AI, L3 Harris, and Parry Lab. Based on the U.S.-made UH-72B Lakota, the MQ-72C is similarly autonomous and is primarily aimed at the U.S. Marine Corps. You can read more about the MQ-72C in our previous coverage of the aircraft, here and here.

Airbus’s UH-72 Unmanned Logistics Connector Sets Its Sights On The USMC’s Future Fleet Requirements

In the context of the MQ-72C, we have previously looked at how this platform fits with the U.S. Marine Corps’ vision for future fleets of cargo-carrying drones. The Marines see uncrewed logistics ‘connectors’ in the air and down below as essential for supporting future expeditionary and distributed operations, especially in the context of a possible future high-end fight with China in the Pacific.

Other U.S. efforts in this space include optionally crewed and uncrewed versions of the larger H-60 Black Hawk series. The U-Hawk demonstrator, a fully uncrewed version of the Black Hawk helicopter, is intended to carry cargo and deliver launched effects and similarly features clamshell doors in the nose. At the heavier end of the scale, Boeing has said its future plans for the H-47 Chinook include creating a path toward an uncrewed version of the aircraft.

Introducing the S-70UAS™ U-Hawk™

However, these kinds of capabilities are increasingly being eyed by other services around the world, too.

With this in mind, Airbus is hoping to leverage the existing customer base for the H145, which has footprints on six continents. The H145 is already in service, or on order, with a growing number of international military operators for utility and light-attack missions. The uncrewed version maintains significant commonality, which will bring down support and maintenance costs.

At the same time, the U145 has obvious commercial applications. Airbus highlights its suitability for roles like disaster management and firefighting, although it would also be ideal for cargo conveyance, especially remote resupply work and logistics support to offshore platforms and remote areas on land, for example.

An Airbus spokesperson told Breaking Defense that the U145 has not been developed for any specific national or European acquisition.

Undoubtedly, there is growing recognition in Europe, in particular, that changes in the geopolitical landscape mean that the continent cannot necessarily rely on the United States to meet its defense needs. Developing the U145 in addition to the MQ-72C aligns with Europe’s ambition to strengthen its sovereign capabilities.

With the U145, Airbus is betting that autonomous rotorcraft will become an increasingly important part of military operations. By leveraging a proven helicopter platform, it should accelerate the transition to uncrewed operations, but the drone helicopter will be entering an increasingly competitive marketplace.

Contact the author: thomas@thewarzone.com

Ariana Grande was crystal clear in the White House’s comments section on TikTok.

The “We Can’t Be Friends” hitmaker didn’t mince words on Thursday when she commented on a White House TikTok: “Please do not ever use my music in relation to this barbaric, inhumane, heinous nonsense. F— ice,” she wrote in her comment.

The TikTok in question, posted by the White House on Tuesday, promoted the administration’s crackdown on immigration and featured Immigration and Customs Enforcement officers handcuffing various people to the tune of the Grammy-winner’s song “Bye.”

“Bye-bye 👋 President Trump has delivered the most secure border in history,” the caption on the video read. Grande’s comment has since been deleted or hidden from the video’s replies, and the sound on the TikTok has been disabled.

White House spokeswoman Abigail Jackson responded to Grande’s comment in an emailed statement to The Times, writing, “We’ll say this one last time: what’s actually barbaric, inhumane, and heinous are the criminal illegal aliens who have injured and murdered innocent American citizens.”

Grande joins a slew of prominent musicians and artists who have told the Trump administration to cease using their tunes to promote his agenda.

On the 2024 presidential campaign trail, Beyoncé endorsed former Vice President Kamala Harris, who used Queen Bey’s song “Freedom” as a rally anthem. When a spokesman for Trump used the same song in a social media post, the mega star’s team responded swiftly with a cease-and-desist.

During a 2024 Montana rally, Trump’s team played a video clip using “My Heart Will Go On,” the theme song from the 1997 film “Titanic.” Celine Dion’s management team and record label responded with a statement shooting down the song’s use: “In no way is this use authorized, and Celine Dion does not endorse this or any similar use. … And really, THAT song?”

And then, of course, when Trump used Bruce Springsteen’s “Born in the U.S.A.” on the 2016 campaign trail without the artist’s permission, the American rocker responded by endorsing Hillary Clinton and calling Trump a “moron.”

Add to the list Nancy Sinatra, who posted that Trump’s nod to Frank Sinatra’s song “My Way” was “sacrilege”; the Smiths’ former guitarist Johnny Marr, who said, “Consider this s— shut right down right now,” when the band’s song was used at a 2023 Trump rally; Sabrina Carpenter, who slammed the use of her song in a video, calling it “evil”; and many, many, many more.

The lord of the rings works behind a nondescript door in a Beverly Hills office building, not far from the UCLA campus where he once sold hair clips and trinkets from a folding table. Jason Arasheben was $28,000 in debt back then, running low on options. Now, eight of the past 11 NBA champions have worn his jewelry on their fingers.

Super Bowl winners have his rings, too — the Rams, Tampa Bay Buccaneers, Philadelphia Eagles and the Seattle Seahawks, whose players opened their ornate jewelry boxes at a private team party Thursday night to find the prize every NFL player covets.

The Seahawks ring, large as a child’s fist, is encrusted with 20 carats of white diamonds and blue sapphires. It’s a miniature Lumen Field, featuring the hawk-head logo and two Lombardi Trophies. The top lifts off and converts into a pendant. Inside is a cowhide segment of a game-used football. Twelve flags on the sides nod to the “12th Man” fan base; one is a secret button — push it and the arches pop out to reveal the words “World Champions.”

A look at the Seattle Seahawks’ Super Bowl ring celebrating their 2025 season championship.

(ONROPE studios; Jason Arasheben)

Even the box performs. Three tiny spotlights shine on the ring as it rotates on a mechanical platform. Each weighs about a third of a pound.

“It’s a memento to a certain period of time,” said Arasheben, who concedes the rings are closer to trophies than wearable jewelry. He competes for ring contracts with Tiffany & Co. and Jostens, both much larger operations. “It celebrates this time that these players and these fans will remember forever.”

His rings appraise for $50,000 to $250,000, though the market can push them higher. In 2024, Kobe Bryant’s 2000 Lakers ring sold at auction for $927,000, the highest price ever paid for an NBA title ring, topping Bill Russell’s 1957 ring at $705,000.

Beverly Hills jewler Jason Arasheben is

(Ric Tapia / For The Times)

NFL franchises typically order two or three times what NBA, NHL or MLB teams request — as many as 3,000 rings in four quality tiers. Lower-level employees might get cubic zirconia instead of diamonds. A limited number of fan versions are available at smaller scale and lower price. Arasheben always builds two extra into his contract so each of his sons can have one.

A career in luxury jewelry was never the plan. He grew up in Granada Hills and Calabasas; his Iranian father and Norwegian mother envisioned a doctor, lawyer or engineer. At UCLA, he found himself more interested in bars than books.

“I was $28,000 in debt because I enjoyed going out far too much, like every other college student,” he said.

One day he tagged along with a friend to the wholesale district downtown and had a flash of inspiration. She was buying plastic hair clips and silver trinkets by the dozen. He figured he could sell them to girls on campus.

He pitched the idea of a folding table to the university, which agreed when he offered to split the profits. He bought $400 worth of tchotchkes. One table became two, then six locations across Southern California campuses.

Then came the motherlode. He built acrylic display cases holding 30 to 40 pieces and drove from Agoura Hills to San Diego, stopping at every nail salon he could find, splitting the profits with owners who let him put a case on the counter. By his senior year, he had agreements with roughly 350 salons and was clearing $25,000 to $30,000 a month.

After college, as a regular on the L.A. nightclub scene, Arasheben built relationships with professional athletes and celebrities. He would go home and sketch chain designs for players he’d met, knowing nothing about the jewelry industry.

“Finally, an NBA player said, ‘Why don’t you come to my hotel room tomorrow before we play the Lakers and bring all the jewelry you have? I’m going to buy something from you,’” said Arasheben, describing an encounter with the late Anthony Mason.

Problem was, he had no jewelry. He spent the night cutting pictures from magazines and downloading images to create a makeshift catalog, then promised Mason a custom $40,000 necklace. Mason put down $20,000.

Arasheben went downtown, knocked on doors and found somebody to make it for $37,000. A new business was born, growing by word of mouth. Eventually he had four employees and a small office downtown, outsourcing most of his work.

Through his friendship with Jim Buss, son of owner Jerry Buss, Arasheben landed the contract to make the Lakers’ 2009 championship ring. It was a mad scramble. He and his employees slept in sleeping bags on the factory floor the final two weeks of production.

“We delivered the very last player ring 20 minutes before the ceremony began,” he said. “The ring ceremony was on national television, and can you imagine if they had to announce the rings weren’t ready? My career would have been over before it started.”

He made the Lakers ring in 2010, too, and five years later — through relationships with several Golden State players — produced four championship rings for the Warriors.

Tom Brady saw LeBron James’ ring during the 2020 offseason and convinced the Buccaneers to go with Arasheben.

A lot of Arasheben’s rings have James Bond elements such as secret compartments or special elements. The top comes off the miniature SoFi Stadium on the Rams ring, for instance, and the field below is made of a melted-down patch of the actual artificial turf. The World Series ring of the Texas Rangers features a tiny circle of leather from a game-used baseball.

He first incorporated a special feature in the 2018 Warriors ring, when a star player objected to a blue face and wanted white, only weeks from delivery. Arasheben devised a mechanism allowing the face to switch colors.

Jason Arasheben poses with some of the sports championship rings he has crafted over the years.

(Ric Tapia / For The Times)

“We started getting a lot of championship ring contracts after that,” he said. “Because we took it to a new level and showed some ingenuity. We wanted to be innovative.”

Push a button on the Eagles’ ring and wings pop out on the sides. Arasheben came up with that idea while shopping for a Buzz Lightyear toy for his nephew.

Buzz, too, has wings that pop out.

“I thought, ‘I can do that for the Eagles, but with amazing gold and diamonds,’” he said.

He will put a proposal together to make the medals for the 2028 Olympic Games in Los Angeles. Then there’s the one that got away.

“We lost out on the L.A. Dodgers,” Arasheben said. “They went with a company based in Canada instead of the hometown team, which broke my heart. But you know, that’s part of the business. You take your lumps.

“But I’ll still pitch. Every year, I pitch.”

How does a football penalty become a story about survival? As Bosnia and Herzegovina prepare to face Canada in their 2026 World Cup opener, many eyes will be on Esmir Bajraktarevic. Born in the US, to a family affected by the Srebrenica genocide, his journey is about far more than just football.

Seoul court sentences former leader for sending military drones into North Korea.

South Korea’s ex-President Yoon Suk Yeol has been sentenced to 30 years in prison for sending military drones into North Korea, a move prosecutors argued was aimed at creating a pretext for his disastrous martial law declaration in 2024.

The drone flights, which Pyongyang said included the dropping of propaganda leaflets, triggered a spike in military tensions between the nations in October 2024.

Special prosecutors, who had sought a 30-year prison term for Yoon, said in April that the ex-leader’s effort to “fabricate wartime conditions” with the drones had undermined state security.

Yoon was “given 30 years in jail” for the charges involving the drones, a spokesperson for the Seoul Central District Court told the AFP news agency on Friday, without giving further details.

Yoon had denied wrongdoing.

The ruling adds to a series of judgements against the ousted conservative leader, once South Korea’s top prosecutor, whose martial law order plunged Asia’s fourth-largest economy into its deepest political turmoil in decades.

In February, a South Korean court sentenced Yoon to life in prison after finding him guilty of leading an insurrection linked to the martial law attempt.

He was removed from office last year after the Constitutional Court upheld his impeachment, triggering a snap election that was won by liberal President Lee Jae Myung.

Yoon’s lawyers said he neither ordered nor later approved the drone operation, which they said was unrelated to martial law and instead a response to months of North Korean launches across the border of balloons stuffed with rubbish.

Yoon, who is already in custody, can appeal Friday’s lower court ruling.

Drone flights remain a flashpoint in tensions between the two Koreas, which remain technically at war.

Lee expressed regret earlier this year after an investigation found government officials had sent drones into the nuclear-armed North Korea in January.

North Korean leader Kim Jong Un’s powerful sister called Lee’s statement “wise behaviour”, but hopes for a rapprochement faded after the diplomatically isolated nation returned to calling South Korea its “most hostile” enemy.

What to do after writing some of this century’s most devastating songs about the torment of breaking up? Write some of this century’s most devastating songs about the ecstasy of getting together.

With her first two albums — 2021’s Grammy-winning “Sour” and 2023’s triple-platinum “Guts” — Olivia Rodrigo proved herself to be perhaps the most gifted of the many chroniclers of Gen Z romance to emerge in Taylor Swift’s wake. She could convey the hot sting of betrayal, as in her smash debut single, “Drivers License”; she could channel the injustice of watching an ex somehow carry on, as in “Good 4 U”; she could deliver a sick burn like somebody handing out Halloween candy, as in “Get Him Back!” (Because it deserves remembering: “He had an ego and a temper and a wandering eye / He said he’s six-foot-two, and I’m like, ‘Dude, nice try.’”)

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Yet on her thrilling third LP, “You Seem Pretty Sad for a Girl So in Love,” Rodrigo, 23, turns to the pleasure that comes before the pain — and, in a feat very few in pop music are ever able to pull off, ends up with a number of first-flush-of-love songs as potent as any breakup tune.

She opens the album with “Drop Dead,” in which she compares a guy in line for the bathroom at a bar to an “angel on the walls of Versailles” — an early sign of how high the emotional ceiling is here. In “Stupid Song” she cycles through a series of metaphors to describe her lovesickness — she’s a car without a brake, she’s a heart made of melting wax — before finding a simpler but infinitely more vivid way of getting her point across: “You should feel how I feel when somebody says your name.” (Chills.)

“Maggots for Brains” is a song about how useless she becomes “when my baby goes away,” and let’s just take a second to savor the fact that Rodrigo is putting that title into the world less than four years after she was still a working Disney kid. The album’s next tune, “U + Me = <3,” is its high point: a euphoric promise of devotion that sounds like Sixpence None the Richer reborn as a Midwestern emo band. It’s got two young lovers carving their names into car seat leather, and it’s got a girl trying to impress her boyfriend’s older sister with her cynical humor and her taste in yacht rock.

More important, it’s got these lines of pure poetry: “They say modern love’s a cruel endeavor / And to that I say, F— it, whatever.” Kurt Cobain would be proud.

Working with her longtime producer, Dan Nigro, Rodrigo has expanded her stylistic palette to accommodate these new emotions; “You Seem Pretty Sad” pulls in chiming folk-rock and synthed-up new wave and even has a gorgeous wine-bar piano ballad, “Less,” that might put the scare in Rodrigo’s pal Laufey.

The cover of Olivia Rodrigo’s new album.

(Geffen Records)

The album is structured to trace the arc of a relationship, which means that the second half dips into the heartbreak we’re used to getting from Rodrigo. But she’s writing about familiar scenarios with new wisdom, drawing sophisticated conclusions about why people in love do the things they do (and don’t do the things they don’t).

In “The Cure,” which rides a strummed acoustic-guitar pattern that strongly recalls Smashing Pumpkins’ “Disarm,” she realizes a boyfriend can’t fix what’s broken inside her; “Begged” examines the limits of one partner’s willingness to look past the failings of the other. After hearing these songs, the happier ones at the beginning of the album reveal bits of shadow that Rodrigo has built into them to presage what’s to come — to presage what always comes.

It’s fitting, then, that Robert Smith of the Cure — perhaps pop’s most jubilant gloommeister — hovers over this LP like a patron saint: nodded to in “The Cure,” of course, but also “Drop Dead,” where Rodrigo name-checks the Cure’s classic “Just Like Heaven.” Smith himself turns up in “What’s Wrong With Me” for a duet with Rodrigo in which the two learn to accept that love, in the end, might be what kills them.

“My head is spinning and my stomach is sick,” they sing, and neither sounds like they’d have it any other way.

In 2017, Pierluigi Collina was appointed as Fifa’s new head of referees and it heralded a very different era.

Collina often takes about how decisions should serve as justice – for both teams.

Players should stay on the field unless they have done something which truly deserves a red card.

For instance, under his stewardship the law around denying a goalscoring opportunity (Dogso) when a penalty has been awarded have been hugely relaxed. It is now very difficult to get a red card.

So it should be no surprise that the 2018 and 2022 World Cups saw just the four red cards after he took over.

Refereeing at the start of a tournament often seem to sets the tone. Should we be drawing any conclusions from this match?

In his pre-tournament briefing, the Italian was focused on timewasting and general player behaviour.

There was no talk of a hard stands which should result in a huge spike in red cards.

Sometimes red cards are simply justified. Well, most of them anyway.

Sithole’s dismissal for fouling Brian Gutierrez was a simple decision for referee Wilton Sampaio.

The Mexico attacking midfielder was through on goal. Sithole may not have meant to bring him down, but he did. There was no doubt the South African had denied his opponent a clear goalscoring opportunity.

The second dismissal was much more controversial, given to Zwane on a video assistant referee review for violent conduct.

Zwane tussled with Roberto Alvarado, with the Mexican going to ground holding his head.

It looked like a coming together off the ball, but the referee was sent to the pitchside screen by the video assistant referee (VAR), Colombia’s Nicolas Gallo.

As Sampaio was shown the replays at the monitor it was difficult to make out what had happened.

Was there really a hand to the head? And if so, was it accidental or did he swing the arm?

When assessing violent conduct, the VARs are told to look for a clenched fist as a sign of aggression. This does not have to be present, but it is an indicator.

Zwane appeared to connect with an open hand to the side of Alvarado’s head, not with a closed hand.

It looks exceptionally harsh, and not the kind of clear and obvious decision VAR as introduced for.

Or maybe this is exactly the kind of thing Collina had told his referees and VARs to look out for, falling into the category of poor player behaviour.

Collina has brought in red cards for players who cover their mouths in confrontations, and those who leave the field in protest at a decision. He also wants goals disallowed for blocking on set-pieces.

Perhaps the actions of Zwane fall into this sort of category, a way for Collina to try to reduce the dark arts within the game.

Both Amnesty International and Oxfam released reports this week documenting a rise in state-backed Israeli settler violence across the occupied West Bank over the past three years. What’s driving the escalation? Al Jazeera’s Marah Rayan breaks it down.

“I’M still the same person as the 15-year-old me,” decides Blur guitarist Graham Coxon.

“Still a romantic idiot, still reasonably innocent — and I think that’s a healthy way to be,” he continues.

“I don’t want to be a cynical old bastard, so I’m lucky I still have a magical outlook on life.”

I’m talking to Coxon, 57, about his “lost” solo album, Castle Park, which is finally set to come blinking into the sunlight.

The product of sessions which took place in the winter of 2011, it is named after his teenage stomping ground in the centre of Colchester — an affirmation of that younger “same person” self.

In a wider sense, it serves as a nod to his Essex hometown — a city since 2022 — where he attended Stanway School, met Damon Albarn and where, in 1988, they formed Blur with Dave Rowntree and Alex James.

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It was there, too, that his band leader and clarinet-playing dad introduced him to music, namely, “the Bs — Beethoven and The Beatles”.

The album cover resembles a classic picture postcard, divided into quarters and depicting scenes from the park with its vast Norman castle and an ornate Victorian bandstand.

Coxon says: “There were a few occasions when me and a group of friends would stay in the park rather too long, get locked in and have to climb over the fence.

“I remember being slightly inebriated and dancing around the bandstand — and then, of course, there was the statue.”

He’s referring to the imposing bronze Angel Of Victory which stands atop the Colchester War Memorial at the southern entrance to Castle Park.

“I had some dangerous moments when I climbed up and gave that statue a kiss,” he admits. “I used to do it regularly — she was very beautiful.”

If that fearless act of youthful exuberance was an example of Coxon’s romantic nature, it’s clear that he carried it forward to the album that was shelved until now.

“It comes through,” he agrees, “even though there are songs about getting dumped.

“There’s a lot of processing my own romanticism on that album, but not in a heavy way.

“It’s reasonably light-hearted for the first half at least, even if it takes a tumble down to the most depressing song I’ve ever written [album closer All The Rage]. But that’s life, isn’t it?”

Looking back at ten tracks of “romance, break-ups, heartache and alienation”, he says: “When I was writing them, I was in a very problematic situation emotionally. Somehow, songs have a way of describing your situation more succinctly than whatever is going through your mind.”

In 2026, I’m happy to report that Coxon is in a much better place. It’s 10am when I’m connected via video call to the home he shares with partner and bandmate in The Waeve, Rose Elinor Dougall, and their daughter.

“You’ve got me before my brains kick in,” he warns me, but he soon warms to the task of talking about his music outside of Blur.

Aside from the imminent release of Castle Park, this year sees reissues of Coxon’s back catalogue, beginning with his debut album The Sky Is Too High (1998) and its follow-up, The Golden D (2000).

He’s also working on the third Waeve album with Rose, which he describes as “a lot less hard-edged” than 2024’s City Lights.

“It’s more floaty and summery,” he reveals, before reaffirming his romantic credentials.

“Lyrically, there’s a lot more affection. Rose and I go through life together and, sometimes, saying things in lyrics is the nicest way to show affection away from our normal hectic lives.”

But it is his “lost” Castle Park, with lyricism and songcraft as assured as anything in his solo repertoire, that we are focusing on. So, how come the album joined a legendary list that includes The Who’s Lifehouse and The Beach Boys’ Smile by lying dormant for years?

Coxon casts his mind back to 2011 when he headed to The Pool studios in Bermondsey with Ben Hillier, co-producer of Blur’s 2003 album Think Tank (made without Graham except for one track) and engineer on The Golden D.

He says: “It was really odd because I recorded 20 songs and ten of them became A&E [released in 2012], which was based around improvised bass lines.

“The other ten were weirdly different — more trad indie, jingle-jangly, with a bit of Sixties influence.”

Those songs, you may have guessed, were earmarked for Castle Park.

Speaking of parks, Coxon had form thanks to Parklife, Blur’s immortal hit with lyrics by Damon Albarn and music by the whole band, not to mention a vocal masterclass from Phil Daniels.

Despite a widely held belief, the song wasn’t inspired by Castle Park but, as Albarn once explained, by London’s Hyde Park where he used “to watch people and pigeons”.

It seems as if the Britpop icons’ 2012 reunion, which included a momentous Hyde Park show to mark the end of the Olympics, is the chief reason why Coxon’s next album didn’t appear.

That rapturously received performance led to Blur’s run of festival shows in 2013 and a new album in 2015, The Magic Whip.

Then Coxon moved on to mastermind soundtracks for Channel Four comedy drama The End Of The F***ing World as well as embarking on a sci-fi music/graphic novel project in 2021 called Superstate.

He founded The Waeve with partner Rose and, of course, reunited with Blur for their 2023 album The Ballad Of Darren and a tour including two barnstorming nights at Wembley Stadium.

In other words, while Castle Park gathered dust, Coxon kept himself busy.

He says: “I’m really not sure what happened. Maybe it was lack of confidence. Maybe I thought these songs weren’t fashionable and who would give a s**t?”

Over the years, however, his theory didn’t stand up as fans would repeatedly ask him to release Castle Park. “They even knew the name of the album.”

The clamour heightened when Coxon broke out some of the songs during live shows.

These include opening track Billy Says, a spiky three-minute slice of mod-pop, which finds him channelling his heroes, The Kinks and The Jam.

He says: “Ray Davies is the best songwriter we ever had, followed closely by Paul McCartney, and The Jam was a huge band for me. I thought that being a Jam fan elevated me as a person.”

Other tracks to receive a live airing were Alright, with its pithy putdowns of a love rival, a playful duet with Lucy Parnell called There’s A Little House, and gorgeous acoustic guitar-led Easy.

Of all the Castle Park songs, there’s one which Coxon is most proud of, the poised, richly atmospheric Isn’t It Funny.

“It came to me in the dream,” he says. “I had the chords and half of the chorus, I heard some words — and then I woke up. I thought, ‘My gosh, I need to make a quick note of this.’”

Isn’t It Funny contains the lines: “The sun made black her hair and the river her eyes. She needs no man, no sea, nor heather. She’ll change your mind and slip away.”

By way of explanation, Coxon says: “I realise that there’s always been this elusive feminine spirit or a goddess of nature in my work.

“I don’t write songs about this entity for my own excitement. They just come out.”

Then there’s the sublime Mélodie Pour Christine, a lyric-free classical piece for harp and strings with Lucy Parnell’s vocals serving as another instrument.

“That piece was important to me,” he says. “I devoted it to a French friend of mine — a wonderful person who I loved very much and is no longer with us.”

Another song that hits the mark is bleak All The Rage, which, he says, “communicates one’s despondency around the creative life — and that has got even worse 15 years later!”

If most of Castle Park is filled with distinctly English sensibilities, American influences arrive with a cover of When You Find Out by short-lived Seventies punk-pop trio The Nerves.

“It’s a great song, even Blondie would go, ‘Hey, this is a good one’. I just made it slightly less than perfect,” laughs Coxon.

Then there’s “an attempt at soul” with Forget Today which finds him employing his considerable saxophone skills and Ben Hillier providing Hammond organ. (Worth noting that Coxon played sax on Parklife.)

Dripping Soul ventures into territory occupied by Ennio Morricone’s spaghetti western soundtracks, “so it’s not exclusively weird south-east of England s**t”.

“I love westerns, particularly Sergio Leone films. A Fistful Of Dollars and all that,” says Coxon.

In the song, he is peering “beyond the veil” at the “souls of those cowboys who came from a place where life is cheap and death is taken for granted”.

With its galloping guitars, Coxon realised he couldn’t turn Dripping Soul into “a hanging out in Camden sort of thing”.

But he does believe that the house he shares with Rose in London is populated by the souls of dead people.

“I don’t even believe in ghosts, but I’ve seen them,” he reports. “So that’s a bit of a quandary.”

Coxon says he still likes to talk to dear departed loved ones: His mum, Christine, drummer Graham Fox, the Irish journalist who first wrote about Blur, Leo Finlay, and the head of Food Records, Andy Ross.

“I don’t really see them as gone,” he says. “I can still talk to them — they may have disappeared but they’re still fully alive in my mind.”

With that said, we return to 1998 when all those people were still with us — to the making of Coxon’s debut solo album The Sky Is Too High.

It was an unvarnished, largely acoustic affair featuring his own artwork and, as he explains: “It was recorded through really good gear but approach was quite raw.”

Sandwiched between Blur’s self-titled fifth album and its follow-up, 13, “It was done in a bit of a hurry — I wasn’t f***ing about.”

The project had begun when a neighbour asked Coxon to write a couple of songs for a film about Victorian bare-knuckle fighter Tom Sayers — setting wheels in motion that are still spinning.

He says: “That request turned into an addiction to writing songs and releasing them.”

So, how did his solo endeavours affect his relationship with his Blur bandmates. “They didn’t talk about it,” replies Coxon, “Though I did once catch Damon singing R U Lonely? He said, ‘That’s quite a catchy little tune’.

“Attempting to develop as a songwriter when Damon Albarn is your best mate is hard work. I mean, he’d already written some bloody good songs by then.”

Released in 2000, Coxon’s second effort, The Golden D, is very different — heavier, more abrasive and driven by searing electric guitars.

The mood changes with the funky Oochy Woochy, which tapped into Coxon’s fascination with Nineties’ fusion of hip-hop and jazz — a style developed by American rapper Guru called Jazzmatazz.

He says: “I’ve always liked that skinny beat stuff with James Brown loops or similar. Stuff like Public Enemy and 3rd Bass. Oochy Woochy is not a mickey take but a go at that.”

With physical releases of Coxon’s other albums still to come this year, there’s plenty more scope to revisit his solo journey.

Then, in November, he’s hitting the road for a UK tour, bringing the songs back to life still further.

Looking back on his output, Coxon says: “I think it has had a lot to do with my development as a person.

“You know, that anxiety-ridden creative weirdo who puts all this stuff out there.

“I guess that’s why I like Castle Park coming out — because now there are no secrets. You’ve got it all.”

GRAHAM COXON

Castle Park

4.5 STARS

• Also released: The Sky Is Too High and The Golden D

Scotland midfielder Scott McTominay was not on the team bus as it arrived at their hotel in Boston after missing Thursday’s training session because of an upset stomach.

The Napoli player, who has been the Scots’ leading man in recent campaigns, was part of the group as they travelled from their base camp in Charlotte.

However, the 29-year-old made his own onward journey with a doctor in what is believed to be a precautionary measure.

Steve Clarke’s side get their first World Cup in 28 years under way when they face Haiti on Saturday evening (Sunday 02:00 BST) at Boston Stadium in Foxborough.

They will also face Morocco and Brazil in the group stage.

McTominay, who has scored 15 goals across 70 caps, found the net in Scotland’s convincing 4-0 win over Bolivia on Saturday.

Scotland fans, who have been flooding to Boston in huge numbers, will be anxious for an update from Clarke who is due to address the media on Friday.

Speaking at Thursday’s media conference, fellow midfielder Kenny McLean said of the situation: “Hopefully that doesn’t spread. Fingers crossed Scott will be fine. I’m sure he will be.

“I don’t need to speak too much on him, everyone knows how big he is.

“It’s a team effort and always will be, but when you have special, special players like that you want them to be available. I’m sure he will be.”

June 11 (Asia Today) — South Korea is facing widening gaps in both wealth and income, with young people and those without homes losing ground economically, Bank of Korea researchers said Wednesday.

The central bank’s research department made the assessment in a report titled “Household Polarization in the Korean Economy and Its Spillover Effects.” The report said South Korea is confronting a form of dual polarization as asset and income inequality expand at the same time.

According to the report, South Korea’s net wealth Gini coefficient fell to 0.584 in 2017 but has since risen, reaching 0.625 last year. A Gini coefficient closer to zero indicates greater equality, while a figure closer to one indicates greater inequality.

The report identified rising real estate prices as a key factor behind the widening asset gap. It said higher property prices have played a central role in explaining movements in wealth inequality.

The Bank of Korea researchers also said real estate assets are concentrated among older generations, making wealth inequality between generations more structural.

The conditions for young people to build assets have deteriorated, the report said. An increasing number of young people earn relatively high incomes but cannot enter the upper wealth bracket because they do not own real estate.

The report said the mobility that once allowed people with middle- to upper-level incomes to move into the top wealth group has weakened, undercutting the asset-building ladder for younger households.

Income inequality also shows signs of widening again. The disposable income Gini coefficient fell from 0.353 in 2016 to 0.323 in 2023 but rose slightly to 0.325 in 2024.

The report said income inequality, which had improved through redistribution policies, could widen again because of K-shaped growth across industries.

Researchers identified the gap between the information technology sector and non-IT industries as a driver of income polarization. In the IT sector, wages have risen sharply, led in part by bonuses, while wage growth has been limited in other industries.

The spread of artificial intelligence could further deepen income gaps, the report said. Researchers said AI technology, combined with advances in robotics, could replace jobs held by low-income workers and young people in the early stages of their careers.

A Bank of Korea survey on AI also found that people in lower income brackets were more likely to believe their jobs could be replaced by AI.

The impact of dual polarization is especially visible among young people. The share of people in their 20s and 30s among households in the bottom quintile for both net wealth and income rose from 7.9% in 2020 to 15.2% in 2025.

The report said this suggests young people without homes are increasingly being pushed into lower economic groups.

The Bank of Korea researchers warned that dual polarization could weaken productivity and consumer vitality across the economy.

An analysis using data from 120 countries found that when the share of wealth held by the top 10% rises by 1 percentage point, total factor productivity falls by 0.16% two years later.

In South Korea, the share of net wealth held by the top 10% increased from 43.0% in 2022 to 46.1% in 2025, up 3.1 percentage points. Researchers said widening wealth inequality could become a constraint on economic growth and productivity improvement.

The social costs could also increase. The report said widening wealth and income gaps may lower expectations for upward mobility, weaken work incentives and reduce social trust.

It also warned that high housing costs for young people could become a barrier to marriage and childbirth.

The researchers said redistribution policies focused mainly on income support are not enough to respond to dual polarization. They said South Korea needs to guide household assets, which are heavily concentrated in real estate, toward more productive sectors and expand opportunities to build productive assets.

The report also called for a more stable tax base in response to economic changes driven by technological development. It said institutions should be reviewed to ensure that the path from labor income to asset formation does not deteriorate further.

Researchers also said South Korea must strengthen new growth industries so the benefits of economic growth can spread more widely across the economy.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260611010004200

Wall Street and Asian markets rally on hopes for an end to the US-Israel war on Iran.

Stock markets have surged following US President Donald Trump’s announcement that he called off planned strikes against Iran and a peace deal with Tehran is imminent.

Wall Street’s benchmark S&P500 index finished nearly 1.8 percent higher on Thursday, ending a three-day streak of losses for the biggest single-day gain since April.

The tech-focused Nasdaq Composite jumped 2.5 percent, while the older, blue-chip Dow Jones Industrial Average gained about 1.9 percent.

The rally continued in the Asia Pacific on Friday, with markets in Japan, South Korea, Taiwan, Hong Kong, and Australia racking up gains.

South Korea’s Kospi, the best-performing major index this year, surged more than 8 percent in morning trading, while Japan’s benchmark Nikkei 225 rose as much as 4 percent.

Taiwan’s TAIEX gained about 2.4 percent, and Australia’s ASX 200 rose about 1.8 percent.

In Hong Kong, the Hang Seng Index was up more than 1 percent.

Brent crude, the primary international benchmark for oil prices, fell about 1 percent to below $89.50 a barrel on hopes for a return to normality in the Strait of Hormuz, which in peacetime carries about one-fifth of global energy supplies.

The market rebound came after Trump on Thursday suggested that a deal to end the war on Iran could be signed as soon as this weekend.

“We just made a great settlement of the war with Iran… subject to finalisation of documents,” Trump told reporters in the Oval Office of the White House.

Iran has not publicly confirmed Trump’s claims, but a Ministry of Foreign Affairs spokesman told reporters a memorandum of understanding with the US is “under consideration”.

“For the rally to be sustained, investors will want to not only see the actual deal being signed, but a complete reopening of the Strait of Hormuz,” Khoon Goh, head of Asia research for ANZ Bank, told Al Jazeera.

“Only then will we see the gains extend.”

Fabien Yip, a market analyst at the online broker IG Group in Sydney, Australia, said the rally reflected a “meaningful easing of geopolitical risk”, as well as anticipation over Friday’s market debut of SpaceX, set to be the largest of its kind in history.

“The broader read on today’s Asian follow-through is that dip-buying interest remains genuine,” Yip told Al Jazeera.

“That matters for how you characterise what’s happened over the past week.

“This looks less like a structural break in the bull market and more like a healthy reset after a rapid, near-straight-line advance, the kind of consolidation that can potentially extend a rally’s longevity.”

An EastEnders star is set for the exit less than a year after bursting onto the Albert Square cobbles, but they look to be heading out with a gripping story line

An EastEnders star is set to say goodbye to Walford following a shocking story line. After signing as a high-profile star on the BBC soap last year, Ronni Ancona is set to bow out of her role in dramatic fashion.

The comedian and impressionist set foot in Albert Square as Linda Carter’s old school friend Bea Pollard. She was first seen on screen in January, but now, less than a year later, her time is said to be up.

After being outed as a villain and a thief, Ronni’s character is ready to bow out in another shocking twist. A source said that the character shone but is now ready to leave.

Speaking to The Sun, the insider said: “She came in for a six month stint but there was talk of it being extended if everyone agreed. Sadly, that won’t be happening and Ronni will be leaving.”

A spokeswoman for EastEnders said: “As we previously announced, Ronni Ancona joined EastEnders for a short stint, which was then extended, for a very dramatic storyline which will unfold over the next few weeks”

Last month things came to blows for Bea. She had had been telling people how besotted she was with Ian Beale, unaware that just days before, he had passionately kissed Elaine after he won the local councillor elections.

While Bea had believed their love was blossoming, Ian clearly didn’t have the same thoughts – and made his feelings very clear.

After the local newspaper branded the duo Mr and Mrs Beale, he was fuming and thought that Bea may have been behind it, as she was a huge driving force in his campaigning.

Raging, Ian Billy and Honey’s to confront Bea. He fumed that she had been “overenthusiastic”, but she didn’t take the signals and explained she was excited for their future, attending fancy dinners and events as the partner of a local politician.

Bea later confirmed that, along with the libellous video she shared of Elaine, she had also purchased more social media followers for Ian in a bid to make him look “more popular”.

She told Ian: “”I do have feelings for you, Ian,” before adding that she didn’t want to jinx anything. But Ian rebuffed her offering and fired back: “I don’t have feelings for you.”

He then told her she lived in “cloud cuckoo land”, adding she was a “deluded, needy fantasist, trying to live her life through other people.”

Bea saw red and instantly marched Ian out of the flat. Grabbing him in an arm lock she then threw him on the street. But as time went on, Ian headed home to pack away his election campaign materials, including posters. But as he was doing so, he noticed something confusing – invoices made out to Susan Mitchell, Honey’s real name.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Thank you, Steve Hilton, for calling out President Trump for the liar he is.

Hilton on Tuesday addressed the president’s unfounded but vociferous claims that Democrats have massively cheated in our recent election.

“We’ve got teams standing by, we’ve got lawyers standing by, very focused on that,” Hilton told reporters, including my colleague Seema Mehta, outside the L.A. elections headquarters. “We don’t want to let anyone down, we don’t want to let anything slip away, and we’ve seen nothing.”

We’ve. Seen. Nothing.

How refreshing to have a MAGA insider repudiate the lies.

If only more RITOs (Republicans in Trump Only) would follow suit. But, alas, the conspiracies rage on, aided and abetted by L.A.’s own First Assistant U.S. Atty. Bill Essayli, who recently told right-wing commentator Glenn Beck (among others) that he expected his office to charge people in voter fraud cases in coming months.

“But we need a wide-scale audit of the California voter roll,” Essayli told Beck.

Voter rolls are a huge refrain in conspiracy theories and the subject of numerous (mostly unsucessful) lawsuits by Trump‘s Department of Justice. Trump is demanding that the federal government “audit” the voter rolls to ensure ballots go only to legal voters, which is one of those scary and ill-conceived ideas that sounds reasonable on the surface.

Trump’s lawyers, some of whom made careers out of civil lawsuits around voter conspiracy allegations before being appointed to office, claim untold thousands of ballots are sent out erroneously, then somehow, via Democrats, land in the hands of undocumented immigrants and others who use them to vote illegally.

It is nonsense, but also now government-backed nonsense.

“It certainly is a new level of danger that the people who spent unlimited amounts of time and money trying to prove that the 2020 election was stolen are now leading and staffing the Department of Justice,” Eileen O’Connor told me. She’s a senior counsel at the Brennan Center’s Voting Rights and Elections Program, a nonpartisan effort to protect democracy.

“There have just been people who have spent every waking moment of their lives, practically for decades now, searching for all of this voter fraud that they claim is happening and not finding it,” O’Connor said. “And they’re still failing to find it.”

So what’s the deal with voter rolls? Are they really the dark heart of a Democratic scam to rig elections? Or is the scam that Trump and MAGA are attempting to use the boring and bureaucratic nature of voting rolls to do the very thing they claim to be fighting — undermine of free and fair elections?

What the heck is a voter roll?

Voter rolls are the lists of eligible voters kept by each state.

States run elections, because, well, the Constitution. But that structure is also a good idea because states keep closer track of who is a legal resident and where they are than the federal government.

Those like O’Connor who care about democracy and fair elections point out federal meddling with an “audit” of these lists is vastly overstepping federal power — and likely will knock of numerous voters who have a right to cast a ballot.

Part of that is because voter rolls are “loose,” according to Chris Fowler, a professor of geography and demographics at Penn State who specializes in voting rights. Most states have laws that strive to be inclusive and are slow to remove people from the lists, precisely because we want as many people to vote as we can get.

Some people in California are added when they get a driver’s license. Some people move and ask the postal service to update their voter registration. Some people register once, move dozens of times and never think to tell their secretary of state.

Some people die. Some people get married and change their name. Some people don’t vote for 10 years, then do. You get the idea. Life happens, and updating voter registration is rarely our first thought.

And yes, there are cases of folks illegally getting onto voter rolls, such as one Essayli recently pointed to in which a signature gatherer was paying folks on Skid Row to register to vote. The key there being register, not actually vote.

One-off cases like this should be and are prosecuted, but the inclusive nature of the rolls is by design, not a flaw.

“They’re imperfect,” Fowler said.

Why not audit?

Fowler added, though, if someone wants to make a big stink about fraud without any actual evidence, that inaccuracy is the perfect sleight of hand. To the average person, it sounds bad that we can’t keep a clean list of eligible voters.

But here’s what the conspiracy folks leave out: Being on the voter roll doesn’t automatically mean a vote will be counted or even that a ballot will be sent. It’s just the starting point of everyone who might be invited to the party.

There are numerous safeguards, such as signature verification, that cast ballots go through before the vote is considered legitimate. When there is doubt, the vote is “cured,” which is an unnecessarily convoluted way of saying local election officials may go as far as tracking down the actual voter and making sure they are legit. Yes, if there is a question, actual people contact an actual voter. If they can’t get in contact, the vote is usually set aside.

The MAGA demand to audit voter rolls ignores all this reality and is instead based on the false idea that voter rolls translate directly into counted votes.

The game MAGA is running with voter roll audits is that it was never about election integrity. It’s about suppressing the vote of Black people, brown people, young people and others who tend to vote Democratic and also tend to have more unsettled lives that would lead them to have inaccurate information, such as conflicting addresses, on the voter rolls.

Federal audits would, instead of protecting elections, allow a conspiracy theory to be weaponized into a way to keep legal voters from casting their ballot. Call it the new Jim Crow — a disingenuous way to suppress certain votes all gussied up as safety.

But the effort creates a win-win for Trump. If his Department of Justice is successful in getting state voter rolls — which it has been in more than a dozen states that have voluntarily turned them over — they can demand as many names as they want be removed.

The federal government has not said what criteria it will use to “clean” these rolls, who will be in charge, how the information will be used or kept, or how people will even know they’ve been knocked off until they try to vote. There is even concern the information gathered from audits will be used for other purposes, such as immigration enforcement or surveillance activities.

And for the many states such as California who are fighting the demand in courts — the DOJ lost its California case and has appealed to the 9th U.S. Circuit Court of Appeals — MAGA is simply screaming that the mere fact of protecting these lists from federal interference is proof that we’re covering up this vast conspiracy.

“It is part of laying the groundwork to just be able to say either we have all these voter rolls and we’ve analyzed them and they’re full of errors, or to be able to say, ‘Oh, you didn’t hand over the voter rolls. What are you hiding?’ O’Connor said.

None of that is actually good for elections, or democracy. That’s the real scam with voter roll audits.

They are a Trumped-up attempt to make us doubt a system that is working just as designed, imperfectly and inclusively, protecting democracy while encouraging legal voters to participate.

What else you should be reading

The must-read: Trump Previews Fall Strategy With Baseless Claims of California Vote Fraud
The deep dive: Spencer Pratt could have been a real contender. His greatest enemy was himself
The L.A. Times Special: Why the L.A. mayoral runoff is about to be a ‘knife fight’

Stay Golden,
Anita Chabria

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Rubio, who also had spells as assistant manager at Crystal Palace and West Ham, felt Jimenez fully deserved such a moment after what he has been through.

“After his head injury it took a bit of time to get back into the career,” said Rubio.

“There were not just medical concerns, but also would he be the same killer in front of goal? His application is tremendous, he is a lovely guy, his family are beautiful and very supportive and that has helped him.

“He is a very family person. He is a big player but never acts like one and he is very humble and I’m delighted for him.

“It was life-threatening injury and I felt scared for him. At that moment he was doing so well, he was at the top of his career and it was very difficult.”

But Jimenez’s determination has led to him scoring 68 Premier League goals in 233 appearances. Even now, he still needs to wear a reinforced headband to protect himself from further injury.

“Having known him I could see why he has been able to get back on to the pitch [after the injury] and get back into his form,” added Rubio. “He is a fighter. I worked with him in his last year at Wolves. There were doubts, even with himself, that he was going to get back into it and that last year at Wolves was a challenging year for him.

“But there were no doubts for me personally, I always knew he would get back into it. I’ve worked with many top professionals and you can see he has the resilience and has a lovely family supporting him.

“Everyone there [at Wolves] loved him, the whole club wanted him to do well and the whole club was invested for him to get back so it was very emotional, not only because of his career, but also because he is such a loving character.

“He was so invested in the club, the city and his family felt like it was home, that’s why I feel they will be delighted to be going back there.”

But, before Jimenez will be back in the West Midlands, he has further chances to score more World Cup goals in his home country, with Mexico already in a strong position to advance into the knockout rounds.

June 11 (Asia Today) — South Korea needs to reform its electricity market to respond to surging power demand from artificial intelligence and the expansion of renewable energy, the Korea Chamber of Commerce and Industry said Wednesday.

The chamber said the current power market structure is not enough to support private investment or the growth of new energy businesses, including energy storage systems and virtual power plants.

The business group raised the issue during a seminar in Seoul co-hosted with the Korean Resource Economics Association. Participants discussed ways to reform the electricity market and promote new energy businesses as AI adoption and renewable power generation expand.

“As the power industry shifts from a centralized structure to a distributed and digital-based system, various new businesses are emerging,” said Cho Hong-jong, president of the Korean Resource Economics Association and a professor at Dankook University. “To make the energy transition a reality, it is necessary to build a competitive system based on market principles.”

Joo Sung-kwan, a professor at Korea University, said South Korea’s current electricity market has structural limits because wholesale prices are set a day before electricity is supplied, based mainly on fuel costs.

“This creates significant rigidity because real-time supply and demand conditions cannot be flexibly reflected in prices,” Joo said.

Joo said the market needs pricing signals that respond to supply and demand. Prices should rise when electricity supply is tight to encourage lower consumption and fall when supply is sufficient to promote use, he said.

For new energy businesses to secure profitability and increase investment, Joo said South Korea should move from the current day-ahead market to a real-time market. He also called for a price-bidding system in which power generators and electricity retailers submit bid prices.

Panelists also said South Korea needs a market environment and regulatory system that can attract private investment.

Lee Seo-jin, a professor at Hongik University, said tailored compensation systems for new energy businesses and a predictable policy environment are more important than simple market opening.

Huh Yoon-ji, a professor at Dankook University, said wholesale price normalization and retail electricity rate reform must proceed together to secure economic viability. She also called for independent governance to supervise the electricity market.

Industry officials said the pace of reform should accelerate.

Lee Hyo-seop, vice president of Encored, said his company is preparing a virtual power plant business using AI-based forecasting technology, but uncertainty over the schedule for electricity market reform is making business development difficult.

Yeom Sung-oh, Seoul representative of Gurin Energy, said power supply flexibility and sustainability will be crucial in the AI era. He called for preemptive institutional support covering power grids, energy storage systems and data centers.

The Korea Chamber of Commerce and Industry said private-sector energy businesses are essential to address rising electricity demand from AI and the growing variability of renewable energy.

“Companies need a more predictable electricity market so they can invest in high-cost new technologies,” said Kim Min-seok, head of the chamber’s Green Energy Center. “Institutional foundations, including regulatory innovation and a supportive market environment, must be established.”

“To secure competitiveness in power infrastructure in the AI era, discussion on electricity market reform can no longer be delayed,” Kim said.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260611010003798

With President Donald Trump proclaiming his desire to take Iran’s Kharg Island — whether he actually means it or not – we reached out to some former military commanders to get a sense of what it would take to seize and hold it and how telegraphing such a move could impact operations. The island, as we have noted in the past, is Iran’s main center of oil exportation, and a U.S. seizure would have tremendous military and economic impacts. An attempt to take it by force and hold it, as we have highlighted in prior reporting, would be an extremely risky operation, by all accounts.

Trump’s latest statements about taking Kharg Island came in the wake of the most intense round of tit-for-tat attacks between the U.S. and Iran since the ceasefire went into effect April 8. The U.S. launched waves of strikes across Iran, including firing what Trump said was 49 Tomahawk land attack cruise missiles at Iranian targets. In response, Iran launched missiles and drones at U.S. bases in Kuwait, Jordan and Bahrain.

Meanwhile, Iran claimed it shut the Strait of Hormuz completely after the new round of kinetic action while U.S. Central Command (CENTCOM) insisted it remains “open for transit.”

However, in the wake of yesterday’s back-and-forth strikes, Trump proclaimed his desire to seize Iran’s vital oil infrastructure, including Kharg Island.

“At some point in the not too distant future, we will be taking Kharg Island, and other oil infrastructure points, and assume total control of their Oil and Gas Markets, much like we have with Venezuela, which is working out brilliantly for both Venezuela and the United States of America,” Trump said on Truth Social.

A short while later, the president modified those remarks in an interview with Fox News.

“I don’t know that America has the stomach for it, to be honest with you,” Trump later told the network. “You’d make a fortune, but I don’t know that America has the stomach, I think they’d like to see us come home.”

Located about 20 miles from the Iranian coastline, Kharg Island presents a daunting challenge, leaving troops trying to take it under threat from Iran’s remaining arsenal of ballistic and cruise missiles, drones, rocket artillery, and fast boats that can launch swarming attacks on ships, fire missiles, and lay mines. This is something we were among the first to point out, before the possibility of invading the island became a nation news story.

“It seems unusual that we would announce an intention to seize Kharg Island in advance,” retired Army Gen. Joseph Votel, former leader of U.S. Central Command, told us. “Military commanders always want to preserve the principle of surprise in any operation – it helps reduce risk and often times gives us the tactical edge.”

“In this case the president did not announce any specific details – which can preserve some operational flexibility,” Votel noted. “It may also be a part of a more elaborate communications strategy that is focused on getting the regime to understand they are running out of options and that we can and will do whatever we need to, militarily, to support diplomatic efforts and bring the conflict to a conclusion.”

“Seizing Kharg Island is a significant undertaking,” added Votel, now a Distinguished Military Fellow at the Middle East Institute. “Not only will it involve ground troops to actually control the terrain – but also tactical delivery means, air cover, a strike campaign to set the conditions and then all the resources to protect this force while they are on the Island. In addition – the force has to be sustained meaning we have to have a way to get them supplies, engineering capabilities, life support, evacuate casualties, and if necessary reinforce them with additional force.”

All these actions would be taken close enough to the Iranian coast to “potentially subject [assault forces] to missile and drone attacks,” the former CENTCOM commander noted. “Not impossible, but certainly not insignificant either.”

When we first spoke to Votel about this issue in March when stories first bubbled up about Trump threatening Kharg Island, he told us that “a battalion sized force of Marines or soldiers could probably do that. So you’re probably looking at 800 to 1,000 troops, kind of size, maybe a little bit smaller, probably not much larger than that.”

Plans for the US military to try and capture the island “have been drawn up for months but continuously shelved because the operation was considered too risky,” a senior Pentagon official and two administration officials told CNN.

Speaking to us on Thursday, Chris Miller, who served as acting Defense Secretary at the end of Trump’s first administration, said it would take considerably more troops for such an operation than Votel first suggested.

“I would expect it would take an infantry brigade at a minimum,” said Miller, referring to a unit of between 3,000 to 5,000 troops. “I’d prefer two brigades and a lot of mobile air defense to protect from Shaheds and plenty of barrier material to make bunkers when artillery starts dropping in. Plus, obviously, significant air power to hit time-sensitive Iranian targets like artillery and missile batteries.”

“It’s completely doable by our combat forces in the region, ” added Miller, now founder and CEO of FPF Defense, a startup building a low-cost Shahed drone interceptor. “This is exactly the type of operation they are designed and optimized for. It’s not that heavy of a lift for them.”

Holding the island, if taken, won’t be easy, however, Miller posited. 

“The logistics would be challenging for us because it will be difficult to get resupply ships in under the Iranian defensive shield,” he explained. “And aerial resupply will be contested as well.”

Miller said he was not concerned that Trump told the world he wants Kharg Island.

“My assessment is the Iranian regime continues to misunderstand President Trump,” Miller said of his former boss. “I suspect the Iranians have already prepared for such an eventuality.”

Former Army Maj. Gen. Pat Donahoe, who retired in 2022 as commanding general of the U.S. Army Maneuver Center of Excellence and Fort Benning in Columbus, said asking how Kharg Island can be taken “is the wrong question.”

“It’s not taking it, it’s holding it over time and enduring the slow bleed of casualties that comes with holding it,” noted Donahoe, now chief operating officer at Columbus State University in Columbus, Georgia.

“It’s Khe Sanh,” explained Donahoe, a reference to one of the longest and bloodiest battles of the Vietnam War, where about 6,000 Marines and their South Vietnamese counterparts held out at a base along the Laotian border against 20,000 North Vietnamese troops for nearly 80 days. 

“Sure we can grab it, but it puts us in range of all their stuff,” Donahoe said. “And we have to resupply it etc. It’s dumb.”

The U.S. struck military targets on the island during Epic Fury, but Trump has stated he ordered all the oil infrastructure to be left untouched. Since the ceasefire, Iran has been preparing for a possible U.S. operation to take control of Kharg Island, CNN noted today.