Month: June 2026

The controversy around the Pride Night protest by three San Francisco Giants pitchers continues to grow.

Sen. Josh Hawley (R-Mo.) entered the fray Tuesday, demanding answers from Major League Baseball after it issued warnings to Landen Roupp, JT Brubaker and Ryan Walker about writing on their uniforms. The players added a Bible verse on their specialty caps for the night.

In a letter addressed to MLB commissioner Robert Manfred, the Republican senator also accused the league of “a pattern of discrimination … against baseball players who profess their Christian faith.”

“I write with grave concern over your reported decision to issue a formal warning to three Major League Baseball (MLB) players for publicly expressing their Christian faith,” Hawley says in his letter. “MLB has said this is a content-neutral policy and that MLB ‘respect[s] players’ right to free expression.’ But this is dubious, given that MLB is openly promoting a political viewpoint and possibly compelling adherence to that viewpoint.”

The Missouri senator referenced the league’s “sweeping, judicially manufactured exemption from the federal antitrust laws” as justification for his inquiries.

A number of other Republican politicians also called out MLB for its actions, including North Carolina Rep. Greg Murphy, Florida Atty. Gen. James Uthmeier and Texas Gov. Greg Abbott.

“Trump won we don’t have to do this anymore,” Vice President JD Vance wrote on social media.

The San Francisco Giants’ pride logo is displayed on the scoreboard at Oracle Park before its Pride Night game against the Chicago Cubs.

(Scott Marshall / Associated Press)

In Friday’s Pride Night game against the Chicago Cubs, Roupp, the Giants’ starting pitcher, wore a hat with “Gen 9:12-16” written alongside the rainbow “SF” logo. Relief pitchers Brubaker and Walker also added similar references to the Old Testament passage about rainbows being a “covenant between God and every living creature” on their caps. (Fellow Giants pitcher Sam Hentges chose to wear a cap with the team’s standard logo instead of the Pride Night version.)

“That’s just kind of something I believe in, and I stand firm in that,” Roupp told reporters after the game. “I’m thankful we live in a country where, you know, we have the freedom to believe what we want … and express what we want.

“The verse says … the rainbow is a symbol of God’s covenant to us, and us as believers to stand firm in that,” he added after confirming he never had previously inscribed it on his cap before. “There’s no hate at all. It’s just what I stand for and what I stand in. I believe in God, and that’s me.”

Rainbows have been associated with LGBTQ+ pride since the rainbow flag was introduced by activists and artists in San Francisco in the 1970s. The verse Roupp mentions often is cited by Christian conservatives in their effort to “reclaim” the rainbow’s symbolism. (Former Dodgers pitcher Clayton Kershaw added the same Bible verse to his Pride Night cap last season.)

Following the Pride Night actions of Roupp and his fellow Giants pitchers, the team’s fans, members of the LGBTQ+ community and allies expressed their hurt, anger and disappointment in the players and the organization. The Giants have a history of supporting the LGBTQ+ community and causes.

The MLB issued the players who added inscriptions to their caps a warning Monday for violating the league’s uniform policy.

“To be clear, this routine verbal warning not to wear the hat in future games is not disciplinary and had absolutely nothing to do with the content of the message,” MLB clarified in a widely reported follow-up statement issued Tuesday.

“We respect players’ right to free expression. However, writing of any kind, with any message, is prohibited per Major League Baseball’s Uniform Regulations which provides in part that, ‘(a) Player may not write, attach, affix, embroider or otherwise display nicknames or messages on apparel or playing equipment…’. We have given the same warning numerous times in the past to players for messages such as ‘Dad’, ‘Happy Mother’s Day, I Love Mom,’ and names of family members.”

A number of fans expressed anger and disappointment after the actions by pitchers for the Giants, a team with a history of supporting the LGBTQ+ community and causes.

(Scott Marshall / Associated Press)

The Giants have not addressed the fallout beyond their statement following the game Friday.

“The San Francisco Giants are proud to support Pride Night and the LGBTQ+ community. Baseball should be a place where everyone feels welcome, respected, and valued,” the statement provided to numerous outlets reads. “We also respect that individuals may make personal choices about participating in team activations. We understand that the choices by individual players has caused pain and anger to many in the LGBTQ+ community and we are sorry for that. Those choices do not change our organization’s commitment to inclusion, belonging, and creating a welcoming environment for all. We remain grateful to our fans, partners, employees, players and coaches who help make Pride Night a meaningful celebration.”

The team was among the first in professional sports to host an HIV/AIDS awareness game in the 1990s and the first MLB team to incorporate the Pride rainbow in its on-field uniforms for its Pride game in 2021.

California state Sen. Scott Wiener has continued to call out both the Giants and Republican politicians regarding the Pride Night protest and the aftermath.

“MAGA leaders like JD Vance and Josh Hawley are now glomming on and declaring an anti-LGBTQ culture war, in an attempt to bully MLB from enforcing its rules,” Wiener wrote in an lengthy post on social media, calling them out for their “Bigotry against LGBTQ people.”

“This isn’t an issue of religious freedom. People have a right to whatever religious beliefs they want — even if those beliefs dehumanize other people — but they don’t have a right to hijack their employer to promote those hateful beliefs at a job-related event.”

New Delhi, India – On a searing hot afternoon in a dense working class neighbourhood of the Indian capital, Shehnaz Bano sits on the dilapidated floor of her one-room home, deftly stitching pieces for a new leather jacket.

To make each piece – a sleeve, a front or back panel or a shoulder yoke – the 38-year-old mother of two teenage sons spends hours, but is paid a mere 100 rupees (about $1) for each piece.

“Imagine if I was a regular employee and I did the same work for the same hours, but on a factory floor. I would have been paid more, right?” Bano asked.

“Just because I work from home, I don’t get equal pay or rights.”

That is because Bano, like nearly 260 million others across the world, is a home-based worker (HBW) – people employed to produce goods or services in or near their homes. The HBWs are part of what is referred to as the global informal economy. Such a form of employment is characterised by low wages, denial of workers’ rights, lack of social security or established hours of work, or paid leave.

The HBWs are also a highly-feminised workforce, with nearly 57 percent being women, according to a 2024 estimate by Women in Informal Employment: Globalising and Organising (WIEGO), a United Kingdom-based global research organisation focused on improving conditions for the working poor, especially women, in the informal economy.

On this day 30 years ago, however, an effort was made to change the condition of the HBWs – with little success so far.

The International Labour Organisation (ILO), a United Nations’ body, during a conference at its headquarters in Geneva, Switzerland, adopted the landmark “Convention 177”, or the Home Work Convention on June 20, 1996, recognising HBWs at the same level as traditional wage earners.

It was the first comprehensive call to set an international standard for the HBWs. The convention called upon ILO members to adopt and implement policies that promote equality of treatment between HBWs and other wage earners.

Convention 177 officially came into force on April 22, 2000.

However, only 13 countries have ratified it so far and none from South Asia. That is despite Asia and the Asia-Pacific regions accounting for the largest concentration of HBWs, as well as being the hub of global fashion and manufacturing supply chains.

Renana Jhabvala was in the room in Geneva – along with hundreds of government and non-government delegates – when the home-based worker Convention was adopted.

As a member of the Self Employed Women’s Association (SEWA), a prominent Indian trade union of women workers, the 73-year-old activist was at the ILO’s International Labour Conference (ILC), and still remembers the exhilaration and optimism in the room.

“Discussions had gone on for nearly 21 days, but none of us knew whether the Convention would get adopted or not. We were all in a really big hall at the ILC… There was a majority in the final vote and the Convention got passed,” she told Al Jazeera.

But labour rights activists, experts and labour economists say a lack of recognition of the HBWs despite three decades of adopting the ILO convention has deepened structural inequalities among the workers, especially in a developing country like India.

According to them, the HBWs, especially women, remain largely “invisible” to the policymakers, while they are forced to work for inadequate wages under unsafe and exploitative working conditions.

“Convention 177 has been instrumental in recognising home work as ‘real work’ and home workers as workers entitled to labour rights,” Deepa Bharathi, a senior specialist of gender and non-discrimination at ILO’s Bangkok-based Decent Work Team, emailed Al Jazeera.

“In South Asia, home-based work is often embedded in complex subcontracting arrangements, making employment relationships difficult to identify and regulate. Challenges in labour inspection, gaps in data and the invisibility of home workers in policy frameworks have also slowed progress,” Bharathi said in response to a question on the low ratification of the Convention, particularly in South Asia.

With most home-based workers in the region being women, their work is often seen as an extension of household responsibility, Bharathi said. “This undervaluation, combined with broader gender inequalities, has been a significant barrier to ratification and implementation,” she added.

When asked about the ILO’s priorities for strengthening the Convention’s implementation, Bharathi said: “For women home-based workers in particular, the focus must remain on visibility, fair pay, social protection, safe working conditions, access to training and childcare and a stronger collective voice.”

‘I cannot go out and work’

Bano lives in New Delhi’s Kapashera area, a settlement of mainly migrant workers on the city’s southwestern edge whose name literally translates to a “cotton settlement” in English. The area is known for its cotton and leather garment manufacturing units.

In its congested alleys lie buildings that rent out single room units to informal worker families. In one such room lives Bano with her sons and her husband who works as a lift operator in an upscale mall in Gurugram, a business district housing several Fortune 500 companies on the outskirts of New Delhi.

Bano epitomises the arc of a typical HBW in India. She began working as a beedi (a tiny, hand-rolled cigarette) roller in her village in neighbouring Uttar Pradesh state’s Azamgarh district. After marriage, she joined her husband in New Delhi and took to stitching leather jacket pieces from home.

The move from her rural employment as a beedi roller to a piece-rate worker in the city did not change her continuing precarious situation: long hours, irregular work, low wages and work that leaves her eyes strained and fingers aching.

She is paid barely one dollar for her work on each piece of a leather jacket that is sold in a foreign market for $200 or more – more than double Bano’s average monthly income. Moreover, to cut costs and maximise profit, the contractors often split such work among several workers.

“Only those who are in distress do this kind of work. We have rent, bills, grocery and school fees to pay. How much will my husband do alone?” Bano told Al Jazeera.

The HBWs fall into two categories: own account workers with direct access to markets and piece rate workers who are usually employed through intermediaries. Bano belongs to the latter, which is considered more vulnerable due to low and arbitrary piece rate payments.

In another corner of Kapashera, Sangeeta Devi, 30, puts the final touches – buttoning, repairing, finishing – before the garments she makes return to the factories.

She is doing all this inside an 8×8 foot (2.4m) room, where her family of six, including four schoolchildren sleep, eat, work and study. She cooks, cleans and even bathes in the same room.

“I cannot go out and work because then who will take care of my children?”

“On any given day, there are 100 pieces of clothing in this tiny room. Each time, I have to keep them aside while doing household chores,” the migrant worker from Bihar, one of India’s poorest states, told Al Jazeera.

Sangeeta Devi gets a dollar for every 100 garment pieces she completes.

“I really want to do a job where I can work easily from home, take care of my children and get paid well. I don’t know if that’s even possible,” she told Al Jazeera.

Her neighbour, Putul Devi, does similar work and earns about $20 a month.

“I have been cooking on firewood because of high fuel costs. And when it rains, I don’t know what to save from spoiling – the firewood or the cloth pieces that I bring home,” she told Al Jazeera.

Shalini Sinha, home-based work sector specialist at WIEGO, said female HBWs in India face “continued invisibility” even after three decades of recognition of their work.

“Home continues to be seen as a place of habitat and not as a place of work,” Sinha told Al Jazeera.

“There is also the broader issue of women’s economic work not being adequately recognised in labour discourse when it is done from home. It is often seen as an extension of her care work,” she added.

From an Indian perspective, said Sinha, there is an “urgent need for better statistics and a dedicated policy or law for home-based workers, which still does not exist”.

Elizabeth Khumallambam, who works for Community for Social Change and Development (CSCD), an NGO that works with women HBWs in Kapashera, said a social security code introduced in India in 2020 mentions HBWs, but “no one knows” how it will be implemented on the ground.

Introduced as part of India’s labour reform laws, the code consolidated nine social security-related laws into a single framework to ensure social security protection for all workers, including those in the unorganised sector.

“Frankly, for us the challenge begins at making workers understand the value of their own work. Many don’t consider this as work and so they do not think it needs due rights and protection,” Khumallambam told Al Jazeera.

Alakh N Sharma, a labour economist and director at New Delhi-based non-profit, the Institute for Human Development, said there is a “bias in the system”, due to which women’s work is being left behind in statistics and official counting.

According to him, technology-aided counting, probing questions and sensitivity among investigators, could help in addressing the statistical blind spot.

“Safety concerns, mobility constraints and social norms – all these factors stop women from joining formal workplace-based employment. But the single biggest reason is often care work responsibility, particularly childcare,” Sharma told Al Jazeera.

In 2022, Sandosh Kumar P, a Communist Party of India (CPI) parliamentarian moved a legislation aimed at the welfare of the BHWs, but the parliament did not take it up for discussion.

In December 2024, India’s ministry of labour and employment was again asked in parliament whether it has an official assessment of the HBWs, and if it was proposing to enact a law on them. It replied that the Code on Social Security 2020 provides social security to the unorganised workers, including the HBWs. It also said the government has created a national database of such workers.

Looking back at the 30 years since the historic recognition of HBWs, Jhabvala said she did not view such Conventions or laws from the lens of success or failure.

“It is like a weapon, a tool of change. If we want to fight, this option is available,” she said.

A landslide win, only two years ago – yet now British Prime Minister Keir Starmer is resisting calls to step down.

The return to parliament of Andy Burnham makes a leadership challenge more likely.

What’s gone wrong, so fast, for Starmer? And why is there so much turmoil at the top of British politics?

Presenter: Per Nyberg

Guests:

Peter Oborne – UK political commentator and associate editor of Middle East Eye – a digital news organisation

Jonathan Tonge – Professor of politics at the University of Liverpool and author of numerous books on British and Northern Irish politics

Peter Geoghegan – Editor of Democracy for Sale, an investigative news site in London

Unlike the movies, where directors get the glory, TV directors sit lower in the hierarchy, below creators, producers and actors. In most series, which might employ several over a season, they are interchangeable — which isn’t to say they aren’t valuable, transforming words on a page into a four-dimensional living thing. But a director hired to helm a pilot, as James Burrows, who died Friday at 85, was again and again — almost as a lucky charm — helps set the tone for the series. Jake Kasdan’s input was crucial to the feel (and philosophy) of “Freaks and Geeks,” as Hiro Murai’s was to “Atlanta” (and most recently “Widow’s Bay”). In some cases a director is a co-creator in all but title and union affiliation. A show might subsequently pass to later hands, but they’ll be honoring its established look and feel.

But Burrows was more than a little well known. If you sat through the opening credits of “Taxi,” whose pilot he directed along with 74 other episodes — and why wouldn’t you, with its pleasing Bob James theme and Checker Cab crossing the Queensboro Bridge — you would have seen his name for weeks on end. You might have noticed it on “Cheers,” which he co-created and for which he directed 236 episodes, or on “Will & Grace” (246 episodes), or “Frasier,” “The Big Bang Theory,” “3rd Rock From the Sun,” “Caroline in the City,” “Two and a Half Men,” “2 Broke Girls,” “The Neighborhood” or, just last year, “Mid-Century Modern” — all series whose pilots he directed. You might have caught it on episodes of “The Mary Tyler Moore Show,” “Phyllis,” “Rhoda” or “Laverne & Shirley,” until you began to think that maybe there was nobody else directing network multi-camera situation comedies, the most human of television formats and a specialty from which he rarely strayed.

And you might have seen him as himself this year in the third season of Lisa Kudrow’s “The Comeback,” as the man she enlists to save a television pilot from hacky AI jokes. “Surprising only comes from a group of writers huddled in a corner, beating themselves up to beat out a better joke,” he says.

“As director, I am there to help create the ensemble, to do everything I can to foster a community among the company, and to train a new set of actors to behave as a group and respect one another,” he wrote in his 2022 memoir, “Directed by James Burrows.” He famously took the cast of “Friends” to Las Vegas before the show premiered in order to foster bonds in a soon-to-be-impossible state of anonymity. “I guess I have a gift for creating families,” he told the New York Times in 2023.

But if “Friends” refers to the characters and the people who play them, it includes the audience too. Burrows’ talent was to midwife a real relationship between the viewer and the viewed, “You want to go where everybody knows your name,” runs the “Cheers” theme, and where you know everyone’s name. The families he excelled at creating were yours as well, and one watched knowing that these things happened in real time in real space, and that you could be in the room, if you made the effort. Tickets were available.

The son of Abe Burrows, who wrote or co-wrote the books for “Guys and Dolls,” “Can-Can” and “How to Succeed in Business Without Really Trying,” and co-created the radio comedy “Duffy’s Tavern” — set, like “Cheers,” in a bar, though the younger Burrows denied any influence — he’d been directing dinner theater when he had the idea to write to Mary Tyler Moore, whom he’d met on the set of a never-opened “Breakfast at Tiffany’s” musical. His stage experience (and his Yale School of Drama degree, presumably) proved eminently transferable to the proscenium reality of multi-camera situation comedy.

What Burrows shows share — the ones we remember, at least, out of many we don’t — is that they’re fundamentally joyful. They lack cynicism. They’re expressive of their times without being showily edgy. They walk a line between freshness and familiarity, which makes one want to return week after week. They may push an envelope — “Friends” was something new, after all — but subtly. We can assume, given his reputation and the fact that he could have retired on “Cheers” alone, that he liked what he did and did what he liked, and regard his choice of projects as a form of personal expression in itself, the basis of a body of work that has and will live on.

We’ll never know, of course, but it wouldn’t surprise me if Yoshinobu Yamamoto was relieved to lose the no-hitter in the ninth inning so that Mookie Betts wouldn’t have to bear the stigma of spoiling a perfect game. Yamamoto is a 100% class act.

Jay James
Pico Rivera

There’s only one MLB club that could possibly overcome all the Dodgers injuries in the first half of the season.

That team is in fact the Dodgers.

Fred Wallin
Westlake Village

I thought Bill Shaikin’s column on the Dodgers ruining baseball was good and provocative. For me, I do not believe the Dodgers are ruining baseball, but sports are much more fun and compelling to watch when they are competitive and each game means more.

It is easier to sustain competitiveness when one team or a few teams do not have a huge financial edge over other teams. I think the NFL, NBA, and NHL have been better at dealing with this issue than baseball.

Bill Francis
Pasadena

June 20 (UPI) — A train driver is dead and nine people are still in critical condition after two passenger trains collided in England.

About 80 people were injured in the crash Friday evening. As of Saturday morning, 28 were still hospitalized after a moving train crashed into a stopped train on the tracks in Bedford, England, north of London.

The National Union of Rail, Maritime and Transport Workers said it was “devastated to learn that a train driver and former RMT rep has tragically died,” The Times of London reported.

Eddie Dempsey, RMT general secretary, wrote on X: “The thoughts of RMT are with their family, friends, colleagues and the ASLEF trade union at this awful time.”

The trains collided in Bedford, one from Corby and the other from Nottingham en route to London St. Pancras.

One passenger told The Times that the scene was “carnage.”

“We had to walk through farmers’ fields to get to an A-road,” he said. “There is a huge emergency service presence and loads of air ambulances.”

Another unidentified passenger told the times that it looked like an explosion.

“The front carriage collided into the front of another one, and when I got up I saw all of the chairs everywhere and it felt like I’d been in a bomb explosion. When I got up I saw people with bloodied faces and people’s legs looked broken, and there was smoke everywhere,” the passenger said.

Passenger Pete Knapp added that he saw smoke in the cabin.

“There was a moment of being flung into the chair in front, and then I saw smoke. People were crying, screaming, people were so scared and confused,” Knapp said.

A helicopter arrived within about 5 or 10 minutes, he added. Emergency services had to cut through a hedge with shears to reach the area, and he said passengers were triaged into different groups based on their injuries.

“I was triaged by some paramedics and they said that I had a muscular damage to my back and the gouges on my shins, they hadn’t broken my legs so hopefully they will heal over time. I’m extremely grateful for that because so many people in that carriage I was in had their legs broken, and there was blood everywhere and people crying and screaming.”

Pakistan says talks between the United States and Iran which were postponed on Friday will begin in Switzerland on Sunday, as Tehran announced it was again closing the Strait of Hormuz because of continued Israeli attacks in Lebanon.

Iran’s foreign ministry spokesman, Esmail Baghaei, confirmed on Saturday that an Iranian delegation, including Parliament Speaker, Mohammad Bagher Ghalibaf, Foreign Minister, Abbas Araghchi and other senior officials, was heading to Switzerland.

In Washington, Vice President JD Vance confirmed that the top US negotiators Jared Kushner and Steve Witkoff were already in Switzerland working through technical details of anticipated negotiations on Iran’s nuclear programme.

Vance told Fox News that he expects to leave for Switzerland “sometime in the next couple of days” but acknowledged that “it’s always a delicate coordination dance.”

The planned meeting on Sunday will start technical-level negotiations towards a final US-Iran deal. That is after both sides signed a memorandum of understanding (MoU) earlier in the week declaring a permanent end to “military operations on all fronts”, including in Lebanon.

The MoU stipulates that a final deal should be reached within 60 days, “extendable with mutual consent”.

But even getting to the negotiating table following the MoU proved difficult. A round of talks originally planned for Friday was pushed back after Iran failed to send its delegation, as deadly Israeli strikes persisted in Lebanon.

Although Israel agreed to a renewed ceasefire with Hezbollah on Friday, its attacks in Lebanon continued into Saturday, killing at least 32 people, according to Lebanon’s civil defence and state media reports.

On Friday, Israeli attacks killed 83 people and wounded 141, Lebanon’s health ministry said.

Iran’s Islamic Revolutionary Guard Corps (IRGC) on Saturday announced it was re-imposing restrictions on the Strait of Hormuz over Israeli “crimes” in Lebanon and what it called a US violation of commitments to establish a ceasefire.

It warned ship crews not to approach the strategic waterway, saying their security would be at risk ⁠if they do.

Mohammad Mokhber, an adviser to Iran’s supreme leader, warned that the flow of energy in the Middle East would halt so long as the US-Iran agreement “remains only on paper”.

The US military said its forces were still operating in the “general area” of the Strait of Hormuz and “remain present and vigilant” to make sure “all aspects of the agreement with Iran are adhered to”. It said 55 commercial vessels had transited the strait on Saturday and that safe passage was still “intact”.

‘Things are moving backwards’

According to Pakistan’s foreign ministry, Pakistani and Qatari mediators will join the US-Iran talks on Sunday in the Swiss mountain resort of Burgenstock.

Reporting from there, Al Jazeera’s Osama bin Javaid said there has been a flurry of behind-the-scenes diplomatic activity ahead of the formal negotiations, with Qatar’s Prime Minister, Sheikh Mohammed bin Abdulrahman bin Jassim Al Thani, already holding meetings. Pakistan’s Foreign Minister, Ishaq Dar, has been holding talks in Egypt and Pakistan’s Interior Minister, Mohsin Naqvi, travelled to Iran.

Iranian foreign ministry spokesman Baghaei has signalled that progress may be scarce until Iran feels the US is living up to its end of the interim deal.

In comments broadcast by Iran’s IRIB, Baghaei said Iran “must naturally be very firm and serious in demanding fulfilment of obligations” considering the US’s past “failure to honour commitments”.

Al Jazeera’s James Bays, reporting from Burgenstock, said there are indications “things are moving backwards from when the MoU was signed”, citing Israel’s continued bombardment of southern Lebanon.

“The Iranians see this as a serious breach of the MoU,” he said. “Their first sanction was by not coming here. They have now utilised their best weapon by closing the Strait of Hormuz.

“Iran believes this tactic will help get things back on track with regard to southern Lebanon,” added Bays.

PARIS — There’s a present-day answer to the question that was posed in verse by the French medieval poet and street brawler François Villon: “Where are the snows of yesteryear?”

They’re right here, in high summer, on Paris’ oldest bridge, the Pont Neuf, where an enormous art installation, a trompe l’oeil inflatable snow-clad mountain range, has arisen over the river Seine.

Using about 200,000 square feet of printed fabric, Paris-born street artist JR has created “La Caverne du Pont Neuf.” It’s his version of and homage to the innovative work of groundbreaking environmental artists Christo and Jeanne-Claude.

They’re the fabled duo who first wrapped the arches of this same bridge in straw-colored fabric in 1985. Over the years, they also surrounded 11 islands in Florida’s Biscayne Bay with flamingo-pink cloth, hung saffron-colored fabric “gates” in New York’s Central Park, installed a “running fence” of billowing white material across nearly 25 miles of Sonoma and Marin counties and, in 1991, planted 3,100 yellow umbrellas, blooming like 20-foot-tall poppies, through the Tejon Pass north of L.A.

I interviewed Christo in 2011, and he was eloquent about how his and his wife’s work alters perceptions of nature, and about the deliberately transient character of the art itself. JR, an acolyte of their work, told me in an email that “an ephemeral artwork forces you to come now, and usually to come with other people. The visit becomes a shared moment … and this moment becomes a memory.”

In a city celebrated for artworks that have survived for centuries, this installation was very nearly too transient. A kooky hailstorm in late May, a heat wave in June, followed by ruthlessly ripping winds, delayed the opening by days. At last, beginning one midnight, the air pumps began and the work arose like a limestone-colored soufflé. It will be open around the clock until June 28.

Plus ça change, plus c’est la même chose. Back in 1985, Christo’s engineer on the Pont Neuf project, Ted Dougherty, pointed out that above 25 mph, “wind is not our friend.”

The piece works from two vantage points: from afar — visible from a lot of central Paris — and also from inside it, in the “cave” part. Pedestrians crossing the bridge pass through a fabricated interior, a cavern-like space printed in 3D realism and enhanced with a specially designed scent to evoke the dank, earthy aroma of humankind’s early habitations.

JR and Thomas Bangalter in “La Caverne du Pont Neuf” in Paris.

(Tara-Jay Bangalter)

JR intended it to be both. “From the start I designed two works in one. There is the silhouette — what you catch from the quais, from the bridges, from a boat on the Seine or simply walking past on your way somewhere else. That image belongs to everyone, including the people who never chose to look at art that day.”

And then, he said, “there is the inside, which is slower and more intimate, almost in the dark, hard to photograph.” That aspect is “a journey to cross the bridge, to go from darkness to light.”

When Christo and Jeanne-Claude wrapped the arches of the Pont Neuf more than 40 years ago, it took years of planning and permits to make it happen. “La Caverne du Pont Neuf” was a breeze by comparison.

JR, whose other vast outdoor works have delivered double-takes of humans’ scale and their architecture, told me that cities have come to understand “that public art brings people together and that the image travels around the world. Once Christo showed it could be done safely and beautifully, the conversation changed. It was much easier for me to have my project accepted, thanks to them. They also proved the economic positive impact to the cities they worked in. I believe there should be more large-scale, ambitious public art projects.”

It’s one thing to conceive of such a project and another altogether to make it happen — so much technology, compared to, say, mixing paints and choosing a paintbrush. But the science that “La Caverne” required “is the art, not an obstacle to it,” JR said.

“Trompe l’oeil turns adults back into children,” JR said.

(Elea Jeanne Schmitter)

All the canvas, the engineering, the meticulous assembly, the permits — “none of that is preparation for the work, it is the work. Christo taught me this. The process is visible, and even more after the storm we experienced a couple of days before opening to the public. Nature always reminds you who is in charge. When the wind tore the canvas before we opened, we took it down, re-sewed it, reinforced it,” all in full public view.

“Where I stay careful is in not letting the technology become the subject. The augmented reality by Snap’s AR Studio adds to the project, doesn’t take you away from it.”

That air should be JR’s vital collaborator — no complex and costly scaffolding for these magic mountains — is nothing new in Paris.

The first free flight of humans above the earth, on Nov. 21, 1783, sent aloft two men in a hot-air balloon crafted by the Montgolfier brothers from silk fancifully painted in blue and gold with figures of the zodiac. It wafted across Paris for about 25 minutes at about 3,000 feet. Ephemeral, yes — and unforgettable.

Artists and couturiers are fond of the whimsy of trompe l’oeil, the trick of the eye, the illusion of reality. I am a sucker for it, for fashion like that of clothing designer Elsa Schiaparelli. JR has used it often, as a massive-scale magical deception to make the Louvre Pyramid “disappear” into the old Louvre, and opening up an imaginary subterranean world below the Eiffel Tower.

“Trompe l’oeil turns adults back into children,” he told me. “You know it isn’t real, you know that ‘La Caverne du Pont-Neuf’ is not made of rock, that this is printed canvas. And yet your eye wants to believe it, and for a moment you let yourself. That gap between knowing and believing is where the play happens, and people love being inside that gap.”

Northampton director of rugby Phil Dowson told BBC Sport:

“We were outstanding throughout the season, it’s nice now to be able to put a full stop on it with a big tin cup and say ‘we were the best side in the league’.

“I think it looked like a final.

“That was a proper final where it was nip and tuck, there were opportunities, we got held up, they got held up.

“We maybe weren’t as clinical as we’d have liked to have been, and that can certainly change the pressure.

“But I thought at 60 minutes to go we felt in a good space and the messages that were coming back to the coaching group from how the players were talking to each other and connecting was very positive.

“You bring on people like Callum Chick and Fraser Dingwall, who have been there before, and the last 20 minuets we looked very strong.”

Departing Northampton captain George Furbank told BBC Sport:

“I said to the boys I don’t really know how to feel after the final whistle.

“It was a mix of relief, happiness, sadness, all merged into one.

“It was a different feeling to the last time we won it – I think we’re going to have a good few days to celebrate and it’ll all sink in.

Exeter director of rugby Rob Baxter told BBC Sport:

“The first thing you have to do in a final is congratulate the opposition because otherwise when you just talk about yourself – it just feels like you’re critiquing and criticising yourself, and thinking these are the things we could have done.

“We had them deep into the game, under pressure, scores behind, they’ve kind of stuck with what they do.

“I’ll look back and I’ll go ‘we must have been pretty good because we forced two tries out of kicks through’, one where for whatever reason we don’t get our comms quite right and we actually just bump the ball out of our own hands into their hands for one try, and then the last try where they slide it through and it’s almost on a pinpoint.

“You look and go ‘well, we forced Northampton to score 12 points with two relatively speculative kicks through, that’s a pretty pretty good performance from us’.”

Northampton: Furbank (c); Freeman, Litchfield, Hutchinson, Hendy; Smith, McParland; Iyogun, Langdon, Millar Mills; Coles, Prowse, Kemeny, Pearson, Pollock.

Replacements: Wright, Fischetti, Green, Van der Mescht, Lockett, Chick, Mitchell, Dingwall.

Yellow card: Kemeny (51)

Exeter: Woodburn; Feyi-Waboso, Slade, Ikitau, Ridl; Skinner, Varney; Sio, Norey, Iosefa-Scott; Jenkins (c), Zambonin, Hooper, Roots, Fisilau.

Replacements: Dweba, Burger, Tchumbadze, Tshiunza, Vintcent, James, Cairns, Haydon-Wood.

Yellow card: Jenkins (57)

Referee: Matthew Carley.

June 20 (UPI) — An Italian woman was killed, nine injured and more than 1,700 evacuated from a massive fire at a beachfront resort in the Dominican Republic Friday.

Francesca Valentino, 46, of Italy, died in the fire that broke out around 11 a.m. AST at the Viva Wyndham Dominicus Beach, a four-star resort in Bayahibe in the La Altagracia province, officials said. Three people were taken to medical facilities and six others were treated on site, Juan Manuel Mendez, head of the Dominican Republic’s Emergency Operations Center, said in a press conference.

No cause of the fire has been reported, but the Emergency Operations Center said a preliminary investigation found that portions of the resort’s buildings were made of cane roofs, which are combustible, and windy conditions contributed to the fire’s spread.

The Italian ambassador to the Dominican Republic met the dead woman’s husband at the hospital, the Italian news agency Ansa reported. There were about 285 Italian tourists staying at the resort or nearby, and the embassy in Santo Domingo was working to help them get new passports and arrange flights home.

Wyndham Hotels and Resorts franchises some 8,400 hotels worldwide.

“At this time, we are actively gathering the facts regarding the incident and coordinating with the appropriate authorities and on-site teams,” a spokesperson for Viva Resorts by Wyndham told CBS News. “As this process is ongoing, we will not be providing comment at this time.”

The Emergency Operations Center said in a statement that the about 1,690 guests at the resort were evacuated to other hotels and nearby housing facilities, CBS News reported. It also said that Viva Wyndham’s Dominicus Palace, which is nearby, was not damaged and was operating as normal.

In early June, hundreds of fans dressed to the nines were in attendance at a rock star’s sold-out show at New York’s Beacon Theatre. There was lace everywhere and leather too. Chains dangled from belt loops and wrists. Some attendees arrived with dyed crimson hair, others with orange or pink.

Sheer black outfits that looked pulled from the pages of a gothic romance novel were draped on bodies. If “The Rocky Horror Picture Show” had collided with a modern concert, it might have looked something like this.

Then a man took the stage. Was it Lestat de Lioncourt, the immortal vampire-cum-rock star, or was it actor Sam Reid?

Moments earlier, attendees had watched the first episode of AMC’s “The Vampire Lestat,” the rebranded third season of “Interview With the Vampire” that premiered earlier this month. This season adapts Anne Rice’s novel of the same name, which is told from the perspective of Lestat, played by Reid, and transforms him into a touring musician.

Now Reid, dressed in black with his chest partially exposed beneath an open jacket revealing a scar, stepped on stage and into the role of Lestat in front of the audience. As he moved across the stage, phones shot into the air. Fans screamed. People sang along to a slew of songs, and for a moment, the line between actor and character seemed to disappear.

At first glance, the assignment to turn Lestat into a rock star seemed straightforward. The vampire at the center of Rice’s beloved novels has flirted with music before. In 2002’s “Queen of the Damned,” he emerged as a leather-clad nu-metal frontman capable of commanding massive crowds. But bringing Lestat into the present introduced a different challenge. Rock music no longer occupies the same place in popular culture. Fame is fragmented. Audiences are skeptical of celebrity. Social media can build a star overnight and tear them down just as quickly.

Yet “The Vampire Lestat” asks viewers to believe something as audacious as a centuries-old vampire still being able to captivate people, launch a music career and inspire a movement. Reid thinks part of what drives the character is something surprisingly modern.

“Nobody cares that I exist, nobody cares that I’m not relevant,” Reid said of Lestat’s mindset entering the season. “It’s really fun to see him struggle with that and see him try to find his place in the world and not immediately get world domination.”

Making that fantasy feel believable required far more than putting Lestat in leather and handing him a microphone. To pull it off, the show’s creative team had to build a rock star from the ground up, crafting a visual identity, creating music that could stand on its own outside the series, and transforming Reid into a performer capable of owning a crowd rather than simply acting in front of one.

Sam Reid’s Lestat de Lioncourt crowd-surfs in “The Vampire Lestat.”

(Sophie Giraud / AMC)

“Dropping Lestat down into 2025 and making the decision for him to play rock ‘n’ roll was a really great dramatic switch because while there are many great rock bands that are alive and kicking right now, their hold of the cultural landscape is quite small,” showrunner Rolin Jones said. “You couldn’t think of a worse way to get your message out than going to be a rock star right now.”

That challenge became the foundation of the season.

Step 1: Making the music

A polished aesthetic, marketing and, in Lestat’s case, book buzz can only take a musician so far. It’s the music that had to make diehard fans believe he’s an artistic genius, or at least a star in the making.

That challenge landed with composer Daniel Hart long before a single script was finished. In an unusual twist, many of the songs that would eventually appear throughout the season were written before the writers’ room fully mapped out the story.

“There were so many unknowns when we started,” Hart said. To find a way in, Hart and Jones started with their familiar reference point: David Bowie.

“We settled, I think sort of obviously, on David Bowie as the launch pad for our Lestat,” Hart said. “The way that Bowie was so mercurial, and he was a chameleon. He reinvented himself throughout his career.”

Hart also looked to artists as varied as Kurt Cobain and Chappell Roan, while drawing inspiration from classical music, blues and the old-world sound Lestat would have absorbed over his long life. One early writers’ room exercise even involved breaking down the influences embedded within “Long Face,” the Bowie-coded first single released from Lestat’s fictional album.

“‘Long Face’ feels like a Bowie rip-off to Daniel Molloy [played by Eric Bogosian], and so then Lestat breaks the song down for him and goes into all the other influences that are in there,” Hart said. “ ‘Long Face,’ you could say, was in some way influenced by Bach, and then [he] talked about Willie Dixon, and how the blues had influenced Lestat when he was around the … 1920s and ‘30s.”

“He’s been alive for 250 years,” Hart continued. “He’s seen and heard a lot of music.”

The creative team never set out to replicate the hard-rock sound that defined “Queen of the Damned.” If anything, Jones felt trying to outdo that soundtrack would have been a losing battle.

In “The Vampire Lestat,” Sam Reid sings every song himself, including “Long Face,” “Butterscotch Bitch,” “Your Biggest Fan,” “All Fall Down” and “Black Licorice.”

(Sophie Giraud / AMC)

“I mean, that soundtrack is deservedly very famous,” Jones said. “And I think if we decided to out-Korn Korn, we were going to be in trouble.”

Instead, their Lestat was a musician still searching for his voice. Jones says the season begins in a more performative glam-rock space before gradually evolving into something more personal.

“We thought ‘70s Bowie is where we would start, and that we would musically make a journey with him as we went deeper and deeper,” he said. “He would put his band on one tour, what a normal band would do, over four albums. The music just keeps changing. And as he gets more and more vulnerable, the songs begin to change. They get more raw. They get more exposure, and the music style evolves.”

Reid sang every song himself, including “Long Face,” “Butterscotch Bitch,” “Your Biggest Fan,” “All Fall Down” and “Black Licorice.”

“The more bombastic, the more over-the-top songs — he doesn’t seem to like them by the end of this season,” Hart said. “The more introspective songs that come later on are more in his new wheelhouse.”

That journey also shaped how Reid approached the material. While audiences will ultimately see the songs unfold within the context of the show, Reid encountered many of them before he fully understood where Lestat’s story was heading.

“I think in the beginning, he’s coming from an artificial kind of construct,” Reid says. “As the show goes on, the music becomes more personal, and he becomes less interested in actually finding love through his audience and more about finding who he is as an individual and as an artist.”

When Jones first began adapting “The Vampire Lestat,” he briefly considered making the character the sort of arena-filling superstar audiences might expect, like a Beyoncé or Taylor Swift. But the more the writers discussed it, the less interesting that version felt.

“If we were gonna start chipping away at all the armor that Lestat had, one of the great repetitive ways of a tour is you just can’t seem to break a ceiling,” Jones said. “He’s a niche star. And I think that is part of the gas that fuels this little journey.”

Hart also had the impression that Lestat would be a massive star.

“But it became more apparent that [he might] not exactly have the kind of success that he wanted and desperately felt like he needed — that was a more interesting story to tell,” he said.

Step 2: Getting the rock star look

While the audience has to believe Lestat is a rock star, they also have to believe he’s someone with the look — and worth staring at.

Lex Wood, the show’s costume designer, said that the challenge began long before cameras rolled on Season 3. Jones first floated the idea of rock star Lestat while the team filmed Season 2 in Prague in 2023, giving Wood time to begin imagining what a nearly 300-year-old vampire might wear while reinventing himself as a singer. During a production trip to Paris, she started sourcing pieces and collecting references that would eventually make their way into this season years later.

“The main aim of building costumes for Lestat was to maintain an element of the unachievable,” says show costumer designer Lex Wood. “To emphasize that Lestat is untouchable.”

(Sophie Giraud / AMC)

Being fashionable wasn’t the only goal.

“The main aim of building costumes for Lestat was to maintain an element of the unachievable,” Wood said. “To emphasize that Lestat is untouchable. Hence, building specific costume build shapes and patterns that we adapted throughout the season.”

That idea guided nearly every aspect of the wardrobe. While the first two seasons often presented Lestat through structured tailoring and muted palettes, Season 3 arrives in a much louder world.

“A big thing really was that we wanted to push more color into the season in general,” Wood said.

Wood said the choice reflected where Lestat finds himself emotionally. No longer confined to drawing rooms and period silhouettes, he’s navigating celebrity, performance and self-reinvention. Leather remains. Black remains. But so do bursts of color, softer fabrics and strange patterns.

“We wanted to break Lestat free of the suiting,” Wood said. “Though we wanted to remain true to his roots in the 18th century, we also wanted Lestat’s pieces to feel slightly otherworldly at times.”

That meant weaving in elements of garments from the 18th century and making them feel contemporary. This could look like a very specific cut of a sleeve of a shirt that nods to that time.

Wood also studied the backstage photography of Mick Rock, pulling references of Bowie, Iggy Pop and Freddie Mercury. She blended that with punk-inspired designs from Vivienne Westwood and Jean Paul Gaultier. Goth icon Siouxsie Sioux also became an influence, particularly in the use of layering, texture and attitude.

Wood said the scattered references reflect a character actively trying to figure out who he wants to be.

“He’s investigating social media himself,” she said. “As he’s discovering his presence as a rock star. He’s investigating what it means to be a rock star.”

“He’s finding his persona,” she continued. “And trying on different personas.”

That idea extends all the way down to accessories, with Lestat’s jewelry blending old and new — a custom necklace created by a U.K. silversmith recalls one worn by Mercury during Queen’s early years, while rings featuring sculpted teeth serve as subtle reminders of his vampiric nature.

“We purposefully wanted some of his wardrobe to not be recognizable to any particular brand — at other times, we wanted to celebrate high-end fashion, to explore his playfulness and unpredictable character through his clothing,” Wood said.

Even the shoes became part of the transformation. One of Wood’s earliest conversations with Reid centered on abandoning the heeled footwear that helped define earlier versions of the character. This Lestat needed something heavier for a performer who could pace a stage.

“He wanted something that felt more grounded,” Wood said. “Something he could bounce around more in.”

Wood said the redesigned footwear altered Reid’s posture and movement, helping create a version of Lestat that she noted feels more volatile and more comfortable captivating a crowd than charming one.

Step 3: Becoming the rock star

For all the work that went into the costumes, music and scripts, none of it mattered unless the watchers believed the actor tying it all together.

Reid had already spent two seasons playing Lestat through other characters’ memories and perspectives. This time around required him to carry the character’s story through his own reflections. More importantly, he had to answer a deceptively difficult question: Why would anyone follow Lestat in the first place?

“It’s not fame that he’s after,” says Reid of his character in “The Vampire Lestat.” “Fame is totally temporary for a creature that lives forever.”

(Sophie Giraud / AMC)

The surface answer might be fame. The character launches a music career, records songs and steps into the spotlight. But Reid doesn’t think that’s what drives him.

“It’s not fame that he’s after,” Reid said. “Fame is totally temporary for a creature that lives forever.”

Reid sees Lestat as someone searching for validation.

“Not for the vampire that he is, but for the human being that he was,” he said. “He’s been pretty heavily rejected. From Louis through the book, and then his mother knows exactly how to string him along, when to give him love and when to take it away. So he’s really looking for validation and going into an audience space is where he first experienced that.”

While developing the season, Reid says he became increasingly interested in the gap between the public version of Lestat and the person underneath it.

“His whole life has been performance,” Reid said. “His whole life has been a lot of adversity, and the way that he kind of climbs out of that is to build a construct that he can perform and operate in. It makes a lot of sense for him to do this rock star persona. Through this season you start to see him realize that the music and the art can allow him to access himself as opposed to it just being a performance.”

“He’s trying to discover his sound as a musician,” Reid continued. “But he’s also trying to discover who he is.”

Throughout the season, viewers see a musician struggling to connect.

“Why can’t I sell out 5,000 seats?” Jones says, describing the character’s mindset. “I used to be able to walk into a room and everyone would love me.”

For Jones, that’s ultimately what makes Lestat feel like a contemporary artist. Sure, he may be an immortal vampire, but he’s navigating the same questions that confront plenty of artists: How much of yourself to reveal? How much should one perform? Can admiration ever substitute for genuine connection?

By the time the season reaches its conclusion, Lestat is still larger than life. But he’s also a more complicated performer forced to reckon with the distance between being seen and understood. Jones said none of this would be possible without Reid in the role.

“I think his performance in Season 3 is one of the 10 greatest American TV performances of all time,” Jones says. “I’d put him right next to Carroll O’Connor, Walter White [played by Bryan Cranston] and James Gandolfini.”

“And I’d look at all of them and say, ‘You guys didn’t sing.’ ”

Armagh made a storming start in Killarney with Joe McElroy going close to an early goal, but his shot landed the wrong side of the post.

Paul Geaney got the first point of the game for the hosts, but Armagh’s incisive play paid dividends as they rattled off the next four scores to move ahead.

They were soon pegged back however, through a combination of their own wastefulness and some David Clifford brilliance.

The Orchard County hit four wides in a row before Kerry and David Clifford, who had been quiet up until the 12-minute mark, sparked into life as, on his 50th championship appearance, he fired low into the far corner for his 26th goal after latching onto a fine pass from Dylan Geaney.

He followed that up with another score before momentum swayed back in the favour of Armagh through points from Ross McQuillan and Jason Duffy.

The end-to-end nature of the absorbing contest continued as Clifford notched another point and Dylan Geaney added three, including a two-pointer, to move Kerry ahead.

A close-range free from Conor Turbitt and a score from Oisin Conaty brought Armagh back within a point, but not for long as a two-pointer from David Clifford increased Kerry’s lead back out to three.

Armagh then suffered a hammer blow on the stroke of half-time as they conceded a second goal as a result of some poor game management.

As Kieran McGeeney’s side pushed for a late point before the hooter, Jarly Og Burns surrendered possession cheaply and, with Ethan Rafferty out of his net, Paul Geaney collected a long pass and stroked the ball into an empty net to give the Kingdom a six-point lead at the break.

June 20 (UPI) — After a day of jabs on social media, President Donald Trump and Italian Prime Minister Giorgia Meloni are continuing to duke it out online.

On Friday, Italy’s foreign minister canceled a trip to the United States after Trump said that Meloni had “begged” for a photo with him at the G7 Summit in France last week. Meloni shot back with, “Neither I nor Italy ever beg.”

On Saturday morning, Trump posted on Truth Social: Italian Prime Minister Giorgia Meloni asked, over and over, for a picture with me during the G-7 meeting in France. She is doing poorly in Italy with her level of popularity, possibly because she turned down the United States of America, a Country that truly loves and protects Italy, when it came to denying Iran from obtaining or developing a Nuclear Weapon (But so did NATO, for that matter!). She wouldn’t even let us use Italy’s landing strips or runways, a great logistical inconvenience, and this despite the fact the U.S. contributes hundreds of Billions of Dollars a year to protect Italy, and other “so-called” NATO Allies. Now, after the United States defeated Iran militarily, she wants to be friends again in order to get her ‘numbers up.’ No thanks!!!”

Meloni responded on Instagram in English.

“President Trump, these constant, unprovoked attacks are senseless. As for my popularity, being your friend certainly has not helped it, nor does it depend on my relationship with you. My popularity depends on my ability to defend Italy’s national interest, and that is exactly what I have always done,” the prime minister wrote.

“That is also what I did regarding the American military bases in Italy. Their use is governed by agreements that we have always respected, and that cannot be violated as long as I’m prime minister. Italy remains a sovereign nation.

“In any case, my popularity is none of your concern. I suggest you focus on yours,” Meloni said.

Under the post, she wrote in Italian, “My response to Donald Trump’s latest post concerning me. But I will not revisit the subject, because I still believe in Western unity and do not believe this is a spectacle worthy of our task.”

Meloni, a conservative politician, has befriended Trump since he took office for his second term. She was the only European leader to attend Trump’s inauguration last year.

Begona Gomez is accused of using her position as the prime minister’s wife ⁠to secure work contracts.

The wife of Spain’s Prime Minister Pedro Sanchez has been barred from travelling abroad as she prepares to face trial on corruption charges.

Investigating judge Juan Carlos Peinado issued the ruling on Saturday, ordering Sanchez’s wife, Begona Gomez, to hand in her passport and appear in front of court twice per month until a verdict is issued. She is charged with embezzlement, influence peddling, corruption in business dealings and misappropriation of funds.

Gomez has consistently denied any wrongdoing in the case, which stems from a complaint filed by an anticorruption group with far-right ties. It focuses on the creation and management of a chair at Madrid’s Complutense University that was co-directed by Gomez, as well as the alleged use of public resources and personal connections to advance private interests.

Sanchez has dismissed the allegations against his wife as an attempt by the right wing to undermine his government. Sanchez’s Socialist Party has said Gomez is innocent and subject to a years-long campaign of political persecution

No date has yet been set for the politically explosive trial.

The case is one of several corruption investigations involving Sanchez’s allies that are approaching trial or already before the courts, increasing pressure on the prime minister.

Several close allies, including the Socialist Party’s number three ⁠and Sanchez’s former transport minister, are under investigation in cases involving alleged ⁠kickbacks linked to public works, oil ⁠and gas contracts, and the procurement of masks during the pandemic. They deny wrongdoing.

Separately, Spain’s High Court said it was investigating former ‌Prime Minister Jose Luis Rodriguez Zapatero over allegations he led a network that profited from lobbying public authorities ‌on ‌behalf of third parties, including airline Plus Ultra. He denies the claims.

Sanchez, who has not been named in any of the cases, has rejected opposition calls to step down and call early elections.

PARIS — A founder of global gaming company Ubisoft, maker of “Assassin’s Creed,” was killed in a plane crash in western France, authorities said Saturday.

Claude Guillemot, co-founder of the company and president of the Guillemot Foundation, died in an accident, Ubisoft said in a statement to the Associated Press. It did not elaborate.

A Cessna plane carrying Guillemot and one other person crashed Friday evening in a field just before landing at La Baule Airport on the Atlantic coast, a La Baule airport official said. The official spoke on condition of anonymity because they were not authorized to be publicly named.

Local media said both people aboard were killed.

Guillemot and four brothers founded Ubisoft in 1986. In addition to the popular “Assassin’s Creed” franchise, Ubisoft’s games include “Just Dance,” and the “Rayman” and Tom Clancy game franchises.

Charlton writes for the Associated Press.

Several senior executives sold shares in American Express, Dell, Lowe’s, Take-Two Interactive, and Broadcom, while directors and executives at Broadcom, Taiwan Semiconductor Manufacturing, SoFi Technologies, Abbott Laboratories, and MercadoLibre made purchases, potentially signaling varied insider sentiment across these companies.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, with an assist from Noah Goldberg and Melissa Gomez, giving you the latest on city and county government.

It’s long been the Holy Grail for the reform crowd that tracks L.A. city government: expanding the size of the City Council.

The idea of giving L.A. more council members was endorsed by the city’s redistricting commission in 2021. Two years later, the concept was debated at length by a council committee focused on reform. After that panel failed to reach a decision, the idea was assigned to the city’s Charter Reform Commission, which endorsed the change, saying the council should have 25 members, up from 15.

Yet even after that five-year journey, the council voted Wednesday to push a proposed ballot measure on that topic off to the future, sending the idea to a new reform committee for more deliberations.

So what happened this time around?

For one thing, the 13-member citizens commission that recommended the idea didn’t offer a lot of specifics on how the change would work.

The commission recommended 10 additional council members, a move that would cause each district to shed more than 100,000 residents, leaving each member with about 159,000 constituents.

But it never explained whether that decrease should be accompanied by a similar reduction in a council member’s salary, now nearly $245,000 a year.

“That’s one of the reasons why [council expansion] is slated for further study,” Councilmember Bob Blumenfield said in an interview. “While the commission might have had a nice discussion and a negotiation among themselves, what we need to have in front of us to vote responsibly is context and information.”

A councilmember’s pay could be a major sticking point for voters during a campaign over council expansion — especially if an opposition campaign arose to defeat it.

Blumenfield said the commission failed to vet other issues, including the number of council aides needed for each district if a district is smaller.

Councilmember Tim McOsker expressed a similar view.

“I think there were gaps in what the commission proposed — substantive gaps,” he said.

Backers of council expansion have argued that an increase in the number of districts would make the council more responsive and more diverse. Opponents said bigger does not necessarily mean better representation.

Raymond Meza, who chaired the Charter Reform Commission, acknowledged that pay, staffing and the cost of each council office didn’t come up during his panel’s deliberations. Those questions should have fallen to the council, which reviews and approves the city budget each year, he said.

“They would need to figure this out through the budget process, like they figure out most other things in the city,” he said.

Meza said he believes that, in the end, council members didn’t want to dilute their own power. Former City Councilmember Mike Bonin offered a similar take, saying elected officials generally don’t want to risk changing the system that got them into office.

“They are in power because of the way the system is structured,” said Bonin, who now runs the Pat Brown Institute for Public Affairs at Cal State LA.

Before sidelining the expansion proposal, Council President Marqueece Harris-Dawson said a larger council would shift the balance of power at City Hall, giving the mayor greater authority and the council less of it.

In the end, none of these delays may end up mattering. No one at City Hall expected council expansion to happen until 2032 anyway, since the change would require a new round of redistricting — the process of drawing new boundaries for each council district. Redistricting won’t happen until after the release of results from the 2030 U.S. Census.

In other words, there’s still time for voters to act.

What happened to the City Hall misconduct measure?

Here’s another proposal that got shunted to the sidelines during the council’s eight-hour marathon meeting: what to do about city elected officials who are charged with serious crimes.

Charter reform was, in part, a reaction to a string of corruption scandals. Among them: three sitting council members who were charged with felonies between 2020 and 2023.

In each case, council members had to decide whether to use their power, spelled out in the City Charter, to suspend colleagues accused of wrongdoing — stripping away their duties until their criminal cases were resolved.

The council moved swiftly to suspend then-Councilmember Jose Huizar in 2020, taking action the day he was arrested, before he even pleaded “not guilty” to racketeering and other charges. The council suspended then-Councilmember Mark Ridley-Thomas in 2021 after a lengthy floor debate, with some saying he was being denied his due process rights. (Ridley-Thomas, who was found guilty of seven felonies, is fighting his conviction.)

A few years later, the council decided not to suspend Councilmember Curren Price, allowing him to step off of his council committees but preserving his other council duties as he contests charges of embezzlement, perjury and conflict-of-interest violations.

Although the case is still ongoing, Price is back on various city committees.

Each of those cases put the council in a bind. Voting in favor of suspension can mean depriving a council member’s constituents of representation. It also runs counter to the idea that a colleague is innocent until proven guilty.

Voting against suspension has its own set of dangers, such as undermining trust in city government. It could also allow an elected official accused of wrongdoing to continue taking part in decisions about contracts, real estate development and other matters where the potential for corruption exists.

Under the current system, a council member can be suspended with just eight votes. Harris-Dawson, who supported the suspension of Huizar but opposed it for Ridley-Thomas, said early on that he wanted the Charter Reform Commission to look at the process for disciplining elected officials accused of wrongdoing.

The Charter Reform Commission offered its answer two months ago, recommending that the council retain the power to suspend, but only with a three-fourths vote — 12 out of 15. That safeguard was meant to guard against potential abuses of power, said Meza, the former commission chair.

The council declined to put that idea on the ballot, saying it needs more study.

Asked about that decision, Harris-Dawson said he has long had serious problems with the idea that “one set of elected officials could suspend another set of elected officials.” He suggested that a third party in another branch of government — not the council — determine whether a member merits suspension.

Under that arrangement, the council could initiate the process but leave it to a judge or other party to make the final call, he said.

“I personally think that we have checks and balances in government that should be respected,” Harris-Dawson said.

A last-minute union threat

One ballot proposal that did survive this week’s gauntlet of votes was a plan to increase, not decrease, the council’s power. That proposal, backed by Councilmember Hugo Soto–Martínez, would give the council the authority to set policy at the Los Angeles Police Department.

But even that proposal may be in danger, thanks to a dispute that has erupted between the city’s labor negotiators and the Los Angeles Police Protective League, the union representing rank-and-file officers.

Union leadership said this week that the league was not formally asked by management to meet and confer over various charter proposals dealing with the LAPD, including the one focused on policy. That step is legally required before such measures can be sent to voters, the union said.

City Administrative Officer Matt Szabo, the city’s chief labor negotiator, told council members on Monday that his office sent three emails to various employee units asking if they wanted to confer over the charter changes. He said his office received no response from the police union.

A day later, after learning of Szabo’s remarks, the league fired back.

In a letter to council members, the union said it only received emails about charter reform that had nothing to do with policing. Those emails did not constitute a formal invitation to meet and confer about potential changes at the LAPD, the union said.

The city “did not follow the law and did not formally contact us,” union President Ricky Mendoza said in a statement.

The council voted to draft the change in LAPD policy making, pending a confidential report from the city attorney on whether the city first has to bargain with the police union. Council members cast that vote even after the union demanded that they suspend any further consideration of the proposal for the Nov. 3 ballot.

If the city attorney concludes that the LAPD ballot proposal does not require further talks, the Police Protective League will file a lawsuit to protect its members’ legal rights, union officials said.

On Wednesday, Szabo said the proposal to give the council power over LAPD policy decisions doesn’t require collective bargaining.

The proposal to give council say over policy at the LAPD wasn’t the only one focused on that department. Another measure discussed by the council would have given the police chief power to terminate alleged problem officers.

The council sent it to a committee for more study. The union said that proposal also would have required a meet and confer process.

State of play

— CITY CHARTER GRAB BAG: As noted earlier, the council voted to draft an assortment of charter amendments for the Nov. 3 ballot, including one to allow the council to give noncitizen residents the right to vote in local elections. The council also ordered up a measure doubling the amount of money allocated for the Department of Recreation and Parks, discarding an alternative plan that would have increased it by 50%. Other measures would switch the city to a two-year budget process and require a five-year plan for maintaining and upgrading city infrastructure.

— KNOWING ME, KNOWING ULA: Looking to boost apartment construction, the council backed a surprise plan to rewrite Measure ULA, the tax on high-end property sales passed by voters in 2022 and sometimes called the mansion tax. The council voted 9-5 to instruct the city’s lawyers to draft a measure exempting apartment buildings sold within 10 years of construction from having to pay the tax. Another vote will be needed to get it on the ballot.

— ZOO STORY: Membership at the Los Angeles Zoo has fallen by 23% over the past year, dropping from 36,914 in April 2025 to 28,440 in February, according to a report issued by the Los Angeles County civil grand jury. That report urged the city to create a new public-private partnership to run the facility, saying such a move will be critical for the zoo’s long-term survival.

— SHERIFF SUBPOENAS: L.A. County’s Civilian Oversight Commission is suing the Sheriff’s Department, asking a judge to order the release of records on three use-of-force incidents involving its deputies. The commission issued three subpoenas to the agency in February 2025, but according to the suit, the department has declined to fully comply.

— UNION DUES AND DON’TS: A former high-level officer with L.A.’s firefighter union has been accused of stealing more than $82,000 from a charity for injured firefighters to pay for his online gambling, his mortgage and other personal expenses. Adam Walker, former secretary of United Firefighters of Los Angeles City Local 112, was charged with one count each of grand theft and forgery, prosecutors announced Wednesday.

— DOG DISASTER: The Los Angeles Police Department is facing a public outcry after its officers shot and killed the dog of a woman celebrating the New York Knicks’ NBA championship in Canoga Park. Video on social media showed the dog’s owner sobbing and hugging her dog, who was wearing a Knicks T-shirt, as several LAPD officers stood nearby.

— BASS WEIGHS IN: The Canoga Park incident prompted Mayor Karen Bass to issue a statement promising a thorough and transparent investigation into the death of Jameson, the dog killed by the LAPD. “Every life lost to violence is a tragedy, and we know that the devastating loss of Jameson will be felt by his family forever,” she said. “I have spoken directly to the Chief to ensure a full investigation and accountability for any wrongdoing.”

— OFFICE FIRE: A fire broke out at a building in Pacific Palisades where former mayoral candidate Spencer Pratt maintained an office for his crystals company. Pratt, whose home burned in the 2025 Palisades fire, called the latest blaze “very suspicious.” The fire department said it’s investigating.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to address homelessness went to a stretch of Silver Lake Boulevard that passes under the 101 Freeway. That area is represented by Soto-Martínez.
• On the docket next week: The council meets Wednesday to take up the massive 4th & Central project, which calls for offices, retail space and nearly 1,600 units of housing on a 7.6-acre site in downtown.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Tampa Bay Rays center fielder Cedric Mullins crashed chest first into the blue padding of the wall as he made one last-ditch effort to save his team from a Dodgers home run. His glove, though, came up empty.

Not even a leaping Mullins, one of baseball’s veteran home-run robbers, could stop Freddie Freeman from doing what the Dodgers first baseman does best: hitting clutch home runs.

Freeman’s two-run home run in the sixth inning Wednesday, set up by Andy Pages’ double an at-bat earlier, lifted the Dodgers to a 5-4 win that allowed them to maintain a season-high nine-game lead over their closest National League West rival, the San Diego Padres (38-35). For the Dodgers (48-27), it was their sixth sweep of the season — all while surviving a shaky start on the mound by the usually unshakable Shohei Ohtani.

“He’s like a lot of our guys — when they feel good, they get their rest, production follows,” Dodgers manager Dave Roberts said of Freeman. “He’s been good for quite some time.”

If Ohtani’s left knee inflammation was bothering the four-time MVP, it didn’t seem to pose that great of a threat as he pitched the first four innings, and he pinch-hit in the sixth inning for Miguel Rojas, who had started at designated hitter.

Tampa Bay (41-30) eventually broke through in the fifth inning, scoring four runs on small-ball hits that found just enough grass. No particular pitch seemed particularly off for Ohtani, though the Rays connected more on his four-seam fastball that inning than the others. A bleeding blister that opened up didn’t help either.

“The stuff was good,” Roberts said. “The sweeper wasn’t as lights out, swing and miss as we’ve seen. He still always finds a way to manage innings and make pitches when he needs to, but yeah, I mean, I think that he was still kind of working through some delivery stuff with the knee.”

A handful of unlucky plays in the fifth left the Dodgers vulnerable. Take Mullins’ single to Freeman. Mullins hit the ball hard enough that Freeman, more than a handful of steps away from first base, wouldn’t be able to make the play unassisted. Ohtani tried his hardest to match Mullins’ speed but couldn’t.

“There was a little confusion with the Shohei inning, as far as you know, Freddie going to second, then Shohei thinking that, so giving them an extra out there,” Roberts said.

After a five-hit inning, Ohtani escaped on a bunt that went to Tommy Edman — playing third base in his return from the injured list — who threw to first for the third out. Ohtani’s ERA, after he surrendered a season-worst four earned runs, rose to 1.47 but still is second only to Milwaukee’s Jacob Misiorowski among pitchers with at least 70 innings.

Shohei Ohtani gave up a season-worst four earned runs in the fifth inning Wednesday.

(Ronaldo Bolanos / Los Angeles Times)

“I felt good overall,” Ohtani said through interpreter Will Ireton. “It’s just really that inning, that fifth inning, that I wasn’t really too pleased. But aside from that, the stuff was good and felt pretty good overall.”

Rays starter Shane McClanahan also ran into trouble in the fourth inning. Alex Call singled in Mookie Betts for the first run, then stole second base. Call sprinted home on an Alex Freeland single, his helmet popping off and skidding a couple of feet into the grass as he crossed home.

McClanahan left the game with the bases loaded after the left-hander walked Edman — his only time reaching base in an 0-for-3 day — before Pages ended the inning by lining out softly to short against Casey Legumina.

The Dodgers came up short in another bases-loaded opportunity the next inning, squandering a chance to take the lead. Kyle Tucker pushed one run across on a bases-loaded walk. Yet, with no outs, the next three batters — Call, Dalton Rushing and Freeland — went down in order. The Dodgers finished with 11 runners left on base, which nearly cost them.

Alex Vesia put the potential tying run on base with a walk and spent most of his ninth-inning outing with Tampa Bay’s Austin Slater on second. The Dodgers intentionally walked Yandy Díaz with two outs to face Jonathan Aranda, who earned a walk. With the bases loaded, Vesia struck out Mullins swinging to end the game. It capped a stretch of nine scoreless innings by the bullpen in this series after the unit struggled during the team’s recent trip.

“I put myself into that mess,” Vesia said with a small smile while shaking his head. “Rush and I were just — I was leaning on him, to be honest. He had some good words of encouragement during a couple meetings. Just trust my stuff. I felt like I was nibbling around the edge. Overall, I’ll take it. It was a good win for all of us.”

Injury updates

Teoscar Hernández, out with a hamstring injury, is scheduled to take live batting practice Thursday. A simulated game is also in the works for the 33-year-old outfielder before a rehab game early next week, Roberts said.

Will Smith is unlikely to be reinstated Friday when he is eligible to come off the injured list. The Dodgers still are trying to figure out ways to make sure he doesn’t regress once the catcher comes back from a neck injury. He did a full workout Tuesday.

“I don’t want to put a say on when he’s going to play,” Roberts said. “But each day is getting better.”

Iran has said it remains committed to implementing the MoU signed with the United States. However, Tehran warned that it would take reciprocal measures if Washington fails to honour its obligations under the agreement.

More than 80 people received treatment after the crash and 28 remain in hospital.

At least nine people remain in critical condition after two passenger trains crashed into each other and killed one driver near Bedford, about 56 miles (90km) north of London.

British Transport Police said on Saturday that more than 80 people had received hospital treatment on Friday night after the trains collided.

“As of this morning, 28 remain in hospital, and nine are in a critical condition,” Chief Constable Lucy D’Orsi said.

She added that “specialist investigators from British Transport Police are working with colleagues at the Rail Accident Investigation Branch (RAIB) to gather the facts and determine what has happened”.

Moreover, Transport Secretary Heidi Alexander said that it was “too early to speculate” on the cause of the crash, and promised that “a thorough investigation … to ensure that lessons are learnt” would be launched.

Friday’s crash involved two London-bound trains on the same track, according to East Midlands Railway (EMR), which operates both services.

On Friday, police confirmed that the driver of one of the trains had died at the scene.

In a statement from Buckingham Palace, King Charles said he was “greatly saddened” by the incident and sent “his thoughts and sympathies” to the dead driver’s family and to those injured.

The East of England Ambulance Service said on Saturday that 11 people sustained “very serious” injuries, while a further 32 suffered serious wounds and 56 others had minor injuries.

EMR’s managing director, Will Rogers, also called the crash “a profoundly sad day for the railway community”.

“We are deeply saddened that our driver has tragically died, and a number of other people have suffered injuries,” he said, speaking at the scene alongside other officials.

He added that EMR was “fully supporting” the RAIB probe.

More than 20 ambulances, specialist hazardous area rescue teams and six air ambulances were dispatched to the scene of Friday’s crash.

While the investigation continues, officials have not said whether signalling issues played a role in the incident.

KATIE Price has made a cryptic post about the hardship couples who are meant to be together sometimes face.

The TV star, 48, took to Instagram to share a quote for her followers and left it standing alone with no extra input on her story.

The quote reads: “Sometimes the two people who are truly meant for each other will face the hardest battles.”

Upon clicking on the post the quote expands to share more detail, continuing to say: “Not because they are wrong for each other. But because the world will test everything real.

“Love like that doesn’t come easy. It’s built through pain. Distance. Misunderstandings. Growth.

“But if they can hold on through the chaos. If they choose each other over and over again. They’ll find something most people only dream of.

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“A love that didn’t just survive the storm. But became unbreakable because of it.”

The post comes shortly after Katie’s husband Lee Andrews was released from Dubai’s Al Awir prison.

After being accused of spying Lee claimed he was captured at gunpoint and ‘slapped around’ before Katie managed to save him.

He then praised his wife for her help in getting British authorities involved in his release.

Posting a video of himself on social media, Lee said: “Hi everyone, this is Lee. I’ve been missing now for several weeks. I can tell you I’m now safe and healthy and with my wife.

“I was taken close to the Hatta-Oman border by men at gunpoint and then I was captured by men with assault rifles.

“They did slap me around a little bit, little s***s, and I was hand-tied, shackled and also had a hood over my head.

“From there I was taken to a black site and I had no use of my phone and from what I know it was an extended arm of the National Guard and that’s all I can reveal at the moment.

“I have signed disclaimers now with state security and from there I was put into the system.

“At no point have I faced anything to do with fraud allegations or any criminal activities such as that.

“So thank you to Katie for making such a noise where the UAE actually listened and let me go.”

However, UAE officials debunked his claims he was in jail for spying and confirmed he has spent the past four weeks behind bars on suspicion of fraud.

Katie appeared to accept his story, sharing Lee’s video on Instagram saying: “My husband is back. I love you.”