Month: February 2026

Bob Baffert thrilled to win Santa Anita race honoring D. Wayne Lukas

It’s always special for Bob Baffert to win the Robert B. Lewis Stakes, since the race is named after the late owner of Silver Charm, one of the trainer’s six Kentucky Derby champions.

Winning the Lewis also is as familiar to Baffert as looking in the mirror and seeing white hair. Saturday’s victory by Plutarch was the eighth straight for Baffert in the $100,000 race for 3-year-olds, and his 14th in the race known until 2007 as the Santa Catalina Stakes.

What made Baffert a little emotional Saturday was his other victory, with Splendora in a $200,000 Grade 2 race that used to be known as the Santa Monica Stakes. The name was changed this year in honor of a friend and fellow Hall of Fame trainer who died last summer.

“When I saw that this race was renamed for D. Wayne Lukas, I wanted to win this one,” Baffert told reporters at Santa Anita. “I miss him. I miss talking to him. He would have loved this.”

It would be easy for anyone to love training or just watching Splendora, a 5-year-old daughter of Audible who won her fourth straight start and her first since last fall’s Breeders’ Cup Filly & Mare Sprint. The 2-5 favorite cruised to a 2¾-length victory over Me and Molly McGee in 1:22.09 for seven furlongs.

“She is such a good filly. She just gives me chills,” Baffert said. “She missed the break and got behind, but Juan [Hernandez] rode her with a lot of confidence.”

It was the eighth win in the race for Baffert, who now leads Lukas by two. Lukas’ last victory in the race came in 1996 with the Hall of Famer Serena’s Song, owned by Lewis and his wife, Beverly. It was the next year that Baffert and the Lewises combined to win their first Derby with Silver Charm.

Whether Baffert has another Derby winner in Plutarch won’t be known for 12 weeks, but the colt certainly has the bloodlines. Into Mischief has been the leading sire in North America (by earnings) for the last seven years, including Derby winners Authentic (for Baffert), Mandaloun and Sovereignty, while Plutarch’s dam, Stellar Wind, was the 3-year-old champion filly in 2015.

Plutarch, with Florent Geroux aboard, outruns Intrepid, with Hector I. Berrios aboard, to win the Robert B. Lewis Stakes

Plutarch, with Florent Geroux aboard, outruns Intrepid, with Hector I. Berrios aboard, to win the Grade 3 $100,000 Robert B. Lewis Stakes at Santa Anita Park on Saturday.

(Benoit Photo via Associated Press)

“This horse reminds me of Authentic,” Baffert said. “He keeps getting better every week. I don’t think distance will be a problem with him. This is very exciting. He’s legit.”

Plutarch lost his first four starts, including three in stakes races, before winning a maiden race on the final day of Del Mar’s fall meeting. That race and two others were on grass; Baffert said he did that because he wanted to get the colt in some races.

The surprise Saturday was how close Plutarch was to the lead, tracking the equally surprising pacesetter Intrepido through solid fractions of 47.65 for a half-mile and 1:11.35 for six furlongs. Baffert expected his 6-5 favorite, Desert Gate, to be on the lead, but the horse broke slowly and had to settle about a length and a half off the lead in the bunched field of seven.

Plutarch pushed ahead of Intrepido entering the stretch and the two dueled for most of the last quarter-mile, with Plutarch winning by three-quarters of a length in 1:37.02. He paid $10.20 as the co-third choice with the runner-up. Secured Freedom (3-1) edged Desert Gate for third.

“The longer the better,” said winning rider Florent Geroux, who just this week relocated to California from the Louisiana and Kentucky circuit. “He is a colt who has finally put it together this year. I watched some of his replays from last year and from what Bob told me, it looked like the horse was still a little bit green, trying to figure out what was going on during the race. But today, I felt he broke very alertly for me and put me in a great spot. When I asked him to move along the lane he responded really well.”

Intrepido defeated Desert Gate and Plutarch last October at Santa Anita in the Grade 1 American Pharoah, but finished a disappointing fifth later that month in the Breeders’ Cup Juvenile. Trainer Jeff Mullins said he was pleased with the bounce-back.

“I really didn’t expect him to be on the lead … but he breaks [fast] like that, you’ve got to go with it,” Mullins said. “To be off that long, I’m happy with his race.”

Plutarch earned 20 Kentucky Derby points, giving him 23, tied with Intrepido for third in the standings. Silent Tactic, who won Friday’s Southwest Stakes at Oaklawn in Arkansas, and Renegade, winner of the Sam F. Davis Stakes on Saturday at Tampa Bay Downs, lead with 25. It usually takes about 40 points to get into the Derby.

One of Baffert’s recent Lewis winners captured the Derby, though Medina Spirit (2021) later was disqualified. Newgate (2023) went on to win the Santa Anita Handicap as a 4-year-old, while Nysos (2024) and Citizen Bull (2025) ran one-two in last year’s Breeders’ Cup Dirt Mile.

The next race for 3-year-olds at Santa Anita is the San Felipe Stakes on March 7, followed by the Santa Anita Derby on April 4.

Notable

Three of the top four finishers from the Breeders’ Cup Juvenile Fillies make up three-quarters of the short field in Sunday’s featured Las Virgenes Stakes. Super Corredora, trained by John Sadler, won the Oct. 31 race at Del Mar and was named champion 2-year-old filly, with Baffert’s Explora second and Michael McCarthy’s Meaning fourth. Explora is the only one of the trio to race since; she won the Santa Ynez Stakes on Jan. 10. First post on Super Bowl Sunday is earlier than normal at 11 a.m.

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Dublin is a stag do capital

DUBLIN is known for great Guinness and cracking craic in the music-filled pubs of Temple Bar.

But what can you do if you’re not there for a boozy break with your mates and are instead travelling with your nine-year-old daughter?

The bridge over the River LiffeyCredit: Getty
The Oscar Wilde MemorialCredit: Ryan Parry
The Sun’s Ryan Parry and daughter Piper in Viking helmetsCredit: Ryan Parry

It turns out that the Irish capital is also ideal for families to have, as hometown heroes U2 sang, a Beautiful Day.

My daughter Piper and I had made the short hop by plane on a Friday afternoon, checked in at the basic, but clean and friendly, easyHotel Dublin City Centre and headed straight out for shopping time at landmark department store Arnotts, which dates back to 1895.

Refuelling beckoned, so we headed to The Woollen Mills, a renowned restaurant by the pretty Ha’penny Bridge over the River Liffey.

Great coffee, great steak and, according to Piper, great chicken wings.

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Mains are from £16.50 and I’d go back to try their fry-up brunch.

With a big sightseeing Saturday ahead, we had an early night and were raring to go the next morning.

Our Beautiful Day began at EPIC The Irish Emigration Museum, a short walk or tram ride east of the city centre.

It might sound a tad dull, but it’s one of the best museums I’ve been to and Piper loved it.

With tickets from £13, it’s a state-of-the-art experience that tells the story of the estimated 70million Irish-heritage people across the world.

It features 20 interactive galleries that bring to life their journeys overseas, past and present.





It turns out that the Irish capital is also ideal for families to have, as hometown heroes U2 sang, a Beautiful Day

Piper particularly loved the sports section, where she got to try out hurling, a fast and furious Gaelic team game similar to hockey.

And there were numerous touchscreen activities and quizzes.

Besides tackling the “passport” treasure hunt, we also loved the Notorious Irish exhibit, where Piper had to jump on to spots on the ground to answer questions about the likes of Wild West gunslinger Billy The Kid, Caribbean pirate Anne Bonny and bank robber and US Prohibition era gangster George “Machine Gun” Kelly.

Emigration history lesson not quite over, we crossed the road to The Jeanie Johnston Famine Ship, which tells the fascinating but dark story of the million-plus Irish people who fled the Great Famine of 1844-52.

Pillaging warriors

The replica ship moored on the Liffey gives an eerie insight into conditions on board and its role in the mass emigration, mostly to the US and Canada.

Next up, Norsemen. You might not associate Dublin with horned helmets and pillaging warriors, but they settled here in the 9th century.

And there’s no better way to find out more than with the Viking Splash Tour on board a World War Two amphibious DUKW vehicle.

You’re handed a Viking helmet as you board, and the guide had us passengers in stitches with a flurry of jokes.

They also encouraged us to shout frequent war cries at pedestrians as we took in Viking history and more modern sights, such as cathedrals and Georgian buildings.

We then plunged into the Grand Canal Basin to pass near the recording studios where U2 began their journey to megastardom. An unmissable tour at £30 per person.

And our discoveries were not over, as we joined excellent guide Gerry McGeough, of Pat Liddy’s Walking Tours of Dublin.

He took us round key sights such as the Oscar Wilde Memorial, the whimsical Giants Garden adventure playground, shopping heaven Grafton Street and the statue of fictional cockles and mussels seller Molly Malone, immortalised in the song that bears her name.





Our Beautiful Day began at EPIC The Irish Emigration Museum, a short walk or tram ride east of the city centre

After a fun-filled, action-packed day, there was time for a call at the fabled Bewley’s Cafe for the best hot chocolate money can buy, before flopping back at our hotel ahead of a morning flight home.

U2 may have had a global hit with I Still Haven’t Found What I’m Looking For, but Piper and I certainly discovered the superb city break we were seeking in dazzling Dublin.

And, yes, I did manage to find time for a quick pint of Guinness.

GO: DUBLIN

GETTING THERE: Ryanair flies from Bristol, Leeds Bradford, Nottingham and other UK airports to Dublin from £30 return.

See ryanair.com.

STAYING THERE: Rooms at the easyHotel Dublin City Centre start at £65 a night.

See easyhotel.com.

OUT & ABOUT: To get around, buy a Leap visitor card for hop-on, hop-off use of the plentiful trams and buses (leapcard.ie, from £7pp).

MORE INFO: Go to ireland.com.

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Polls open in second round of Portugal presidential election | Elections News

The far right’s score will be watched closely, with the vote being held as heavy storms continue to lash the country.

Polls have opened in the second round of Portugal’s elections, viewed as a high-stakes choice between the socialists and a resurgent far right.

Voting began at 9am local time (08:00 GMT) on Sunday for the presidential election, with 11 million voters at home and abroad eligible to cast their ballots.

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Voters are set to choose between the Socialist Party leader, Antonio Jose Seguro, and Andre Ventura, leader of the nationalist party Chega, which means “enough” in Portuguese.

Exit polls are expected by about 9pm local time (20:00 GMT).

Seguro, 63, secured 31.1 percent of the vote in the first round, while outspoken far-right leader Ventura won 23.5 percent.

While Ventura is almost certain to be beaten by Seguro, the far right’s score will be watched closely.

Sunday’s vote will decide who takes on the emblematic, but largely ceremonial, role of the president.

The vote is taking place as heavy storms continue to lash the country. Despite an improvement in the weather overnight from Saturday to Sunday, at least 14 of the most affected constituencies have postponed voting for nearly 32,000 people by one week.

The storms have killed at least five people, triggered flooding, and caused damage estimated at 4 billion euros ($4.7bn).

But Ventura’s call to postpone the whole vote has been rejected.

Prime Minister Luis Montenegro said the storms had caused a “devastating crisis” but that the threats to voting could be overcome.

The last presidential election went ahead five years ago despite the coronavirus pandemic, outgoing President Marcelo Rebelo de Sousa told Ventura on Friday.

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Nepo-baby spotted working at charity shop as she serves community service after pleading guilty to drink-driving

NEPO baby influencer Gabriella Bardsley has been spotted working at a charity shop in Cheshire as part of her community service assignment.

The 23-year-old daughter of Real Housewives of Cheshire star Tanya Bardsley was handed the court order after pleading guilty to drink-driving last summer.

Gabriella Bardsley has been spotted working at a charity shop in Cheshire as part of her community service assignmentCredit: Refer to source
Looking less than happy to be there, Gabriella was seen scrolling her phoneCredit: Refer to source
The nepo baby influencer donned a faux fur coat and leggings for the day of unpaid workCredit: Refer to source
Gabriella is the daughter of Real Housewives of Cheshire star Tanya BardsleyCredit: Instagram/thebardsleybunch

Gabriella admitted to being almost three-and-a-half times over the alcohol limit behind the wheel of her Audi A3.

Taking her good character into account, Crewe Magistrates’ Court court handed Gabriella an order to carry out 200 hours of unpaid work.

Now, she has been seen carrying out community service work in The Salvation Army charity shop in Wilmslow.

Donning leggings with a pair of Ugg shoes and a faux fur coat, Gabriella had her hair tied into a ponytail as she helped out.

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Looking less than happy to be there, she was snapped scrolling through her phone on the shop floor, before helping out by folding a pair of jeans.

In May, Gabriella was pulled over and instructed to take a road-side breath test while driving, which she refused.

She was then taken to a nearby police station and was found to have 122 micrograms of alcohol per 100 millilitres of breath – the UK legal limit being only 35 micrograms.

Crewe Magistrates’ Court was later told how she had approached the scene of a road traffic collision in Wilmslow and “attempted to drive through the police blockade”.

Charlie Hayward, prosecuting, said when officers approached her she was visibly intoxicated and “slurring her words” and “struggling” to stand on her feet.

However, her lawyer Gary Hughes told the court that she was of “hitherto good character” – which played a part in her sentencing of community service and a driving ban.

Gabriella’s stepdad is ex-Manchester United footballer Phil Bardsley.

The influencer appears on ITVX series The Bardsley Bunch alongside her famous parents and younger brothers Rocco, Renz and Ralphi.

Her stepdad Phil began his career at Man Utd before joining Sunderland in 2008.

He also played for the Scottish national team before hanging up his boots for good in 2023.

She was spotted working inside the Wilmslow Salvation Army charity shopCredit: Refer to source
Last May, she was breathalysed and found to be almost three-and-a-half times over the legal limit while driving her Audi through CheshireCredit: Instagram
Her previous good character meant that it was just a driving ban and the community service orderCredit: Refer to source
Gabriella has been handed an order of 200 hours unpaid workCredit: Refer to source
She was seen sitting by the till scrolling through her phone throughout the dayCredit: Refer to source

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Liverpool signing Jeremy Jacquet suffers injury playing for Rennes

Liverpool signing Jeremy Jacquet faces a spell on the sidelines after suffering a shoulder injury playing for Rennes.

The 20-year-old French defender, who agreed a £60m move to Anfield last week, is set to join at the end of the season.

He fell awkwardly in the second half of Rennes’ 3-1 Ligue 1 defeat at Lens on Saturday, when defender Abdelhamid Ait Boudlal also suffered a muscular injury.

Rennes manager Habib Beye said: “It’s definitely quite serious for both of them.”

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Somalia is the missing pillar of Red Sea and Gulf of Aden stability | Opinions

Global markets rarely reveal their vulnerabilities quietly. They do so when shipping lanes come under threat, energy prices surge, or supply chains fracture. Few regions illustrate this reality more starkly than the Red Sea and the Gulf of Aden, which are now among the world’s most contested maritime corridors. What unfolds along these waters no longer remains local. It shapes economic security across the Arab world and far beyond.

Yet, amid growing attention to this strategic corridor, one factor remains persistently underestimated: Somalia.

For decades, Somalia was viewed primarily through the lens of conflict and fragility. That narrative no longer reflects today’s reality. The country is undergoing a consequential transition, moving away from prolonged instability, rebuilding state institutions, and re-emerging as a sovereign actor with growing regional relevance. Situated at the intersection of the Arab world, Africa, the Red Sea, and the Gulf of Aden, Somalia is not peripheral to regional stability; it is central to it.

Geography alone explains much of this significance. With the longest coastline in mainland Africa, Somalia lies adjacent to the Bab al-Mandeb passage connecting the Red Sea to the Gulf of Aden and the wider Indian Ocean. A substantial share of global maritime trade and energy shipments passes through this corridor. Disruptions along Somalia’s coast, therefore, have immediate implications for shipping reliability, energy markets, and food security — issues of direct concern to Gulf states and Arab economies.

For the Arab world, Somalia should be understood not as distant terrain but as a front-line partner in regional security. Stability along Somalia’s coastline helps contain threats before they reach the Arabian Peninsula, whether in the form of violent extremism, illicit trafficking networks, piracy, or the entrenchment of hostile external military presences along Africa’s eastern flank.

Somalia is not attempting to build stability from scratch. Despite persistent challenges, tangible progress has been made. Federal governance structures are functioning. National security forces are undergoing professionalisation. Public financial management has improved. Diplomatically, Somalia has reasserted itself within the Arab League, the African Union, and multilateral forums. These gains continue to be built on daily and reflect a clear commitment to sovereign statehood, territorial unity, and partnership rather than dependency. Somalia today seeks strategic alignment grounded in mutual interest, not charity.

Somalia’s relevance also extends beyond security. Its membership in the East African Community integrates the country into one of the world’s fastest-growing population and consumer regions. East Africa’s rapid demographic expansion, urbanisation, and economic integration position Somalia as a natural bridge between Gulf capital and African growth markets.

There is a clear opportunity for Somalia to emerge as a logistics and transshipment gateway linking the Gulf, the Red Sea, East Africa and the Indian Ocean. With targeted investments in ports, transport corridors, and maritime security, Somalia can become a critical node in regional supply chains supporting trade diversification, food security, and economic resilience across the Arab world.

At the heart of Somalia’s potential is its dynamic population. More than 70 percent of Somalis are aged below 30. This generation is increasingly urban, digitally connected, and entrepreneurial. Somali traders and business networks already operate across Southern and Eastern Africa, spanning logistics, finance, retail, and services. A large and dynamic diaspora across the Gulf, Europe, North America, and Africa further amplifies this reach through remittances, investment, and transnational expertise.

None of these momentums, however, can be sustained without security. A capable, nationally legitimate Somali security sector is the foundation for durable stability, investment confidence, and regional integration.

For Gulf states and the wider Arab world, supporting Somalia’s security sector is therefore not an act of altruism. It is a strategic investment in a reliable stabilising partner. Effective Somali security institutions contribute directly to safeguarding Red Sea and Gulf of Aden maritime corridors, countering transnational terrorism before it reaches Arab shores, protecting emerging logistics infrastructure, and denying external actors opportunities to exploit governance vacuums. Such support must prioritise institution-building, Somali ownership, and long-term sustainability, not short-term fixes or proxy competition.

The stakes are rising. The Red Sea and the Gulf of Aden are entering a period of heightened strategic contestation. Fragmentation along their African coastline poses a direct risk to Arab collective security. Recent developments underscore this urgency.

Israel’s unilateral recognition of the northern Somali region of Somaliland, pursued outside international legal frameworks and without Somali consent, is widely viewed as an attempt to secure a military foothold along these strategic waters, risking the introduction of the Arab-Israeli conflict into the Gulf’s security environment.

Even more troubling are emerging narratives advocating the forced displacement of Palestinians from Gaza, with proposals to relocate them to Somaliland against their will. Such ideas, whether formally advanced or not, represent grave violations of international law and human dignity. Exporting the consequences of occupation and war onto African soil would not resolve conflict; it would multiply it.

For the Arab world, this should serve as a wake-up call. Allowing external actors to fragment sovereign states or instrumentalise fragile regions for unresolved conflicts carries long-term consequences. Somalia’s unity and stability, therefore, align squarely with core Arab strategic interests and with longstanding Arab positions on sovereignty, justice and self-determination.

Somalia is ready to be part of the solution. With calibrated strategic support, particularly in security sector development and logistics infrastructure, Somalia can emerge as a cornerstone of Red Sea and Gulf of Aden stability, a gateway to East Africa, and a long-term partner for the Arab world.

The question is no longer whether Somalia matters in the regional and global Red Sea and Gulf of Aden discussions and plans. It is whether the region will act on that reality before others do.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

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Overlooked European city dubbed the ‘diamond capital’ is home to one of the world’s coolest neighbourhoods

DID you know the world’s ‘diamond capital’ is just a train ride away from the UK?

The unlikely city of Antwerp is becoming the new capital of cool and not just because of its gemstone claim to fame.

Antwerp is often overlooked as a city break destinationCredit: Alamy
Antwerp Central Station is one of the most beautiful train stations in the worldCredit: Alamy

Often overlooked by its Belgium counterparts of Brussels and Bruge, Antwerp has more than 500 years for diamond trading history.

Currently handling around 80 per cent of the world’s rough diamonds, the diamond district itself has become a popular tourist spot with cafes and bars.

Yet the city is fast becoming the hot new weekend break destination.

Last year, Time Out named the neighbourhood of Borgerhout the second the coolest in the world.

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For attractions, there is Royal Museum of Fine Arts Antwerp (KMSKA), with live DJs and cocktail bars in summer, or the MoMu Fashion Museum.

Want to catch a show? The Quartier Latin is nicknamed the Theatre neighbourhood due to the sheer number of theatres and opera houses there are.

Make sure to get some famous frites as well as the famous Bolleke beer.

Or, go a bit higher class to one of the 16 Michelin-starred restaurants scattered throughout the city.

In the summer, head to Sint-Anneke beach on the river.

For one of the most unique stays, there is the Botanic Sanctuary Antwerp, in a former monastery and the city’s first five tar hotel.

Or there is August, just as beautiful and built in a former convent.

There are currently no direct flights from the UK to Antwerp – but instead can take the Eurostar via Brussels, taking just over three hours.

It’s worth the journey simply to go to Antwerp Centraal Station, which dates back to 1873.

The Sun’s Harry Corton recently visited the city.

Head to the river in the summer to cool downCredit: Alamy

He said: “Antwerp is a culture slap in the face with all the trappings of Amsterdam (yes, even a red light district!) but none of the tourist-trampled thoroughfares.

“A visit to the Cathedral of Our Lady, is essential. Take in the enormous marble turrets, ancient clock faces and magnificent stained-glass windows.

“Belgian beer culture is recognised by UNESCO as one of the great human wonders of the world and there are tons of places to sample the dizzying local delights.

“The best is Bier Central (De Keyserlei 25), where the 120-page ‘Beer Cyclodpedia’ offers over 100 different concoctions.”

Here are some of the cheapest places to fly to this year.

And here is how to spend the weekend in Europe’s cheapest city.

You can get to Antwerp via Brussels with EurostarCredit: Alamy

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Families ‘inconsolable’ in Gaza as Israel returns more unidentified bodies | Israel-Palestine conflict News

Palestinian medics say several of the 54 bodies were found to be mutilated and showed extensive signs of abuse.

Israel has returned dozens of Palestinian bodies and human remains to Gaza without providing any information about their identities or how they were killed, according to Palestinian medical officials.

The remains arrived at al-Shifa Hospital in Gaza City on Wednesday in plain white bags and are now being examined by forensic teams in an effort to identify them and provide answers to grieving families.

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“The bags carry the weight of lives lost. Now they’re undergoing examination, prolonging the grief of families desperate for closure,” Al Jazeera’s Ibrahim al-Khalili reported from al-Shifa Hospital on Saturday.

Palestinian medics say several bodies were mutilated.

“The International Committee of the Red Cross handed over 120 body bags containing 54 bodies as well as skull samples placed in 66 separate bags,” forensic official Omar Suleiman told Al Jazeera.

Previous exchanges of Palestinian prisoners’ bodies have revealed extensive signs of abuse, with many showing indications of torture, mutilation and execution.

In November, the rights group Physicians for Human Rights-Israel released a report saying at least 94 Palestinian detainees have died in Israeli custody, citing causes including torture, medical neglect, malnutrition and physical assault.

The group said the actual toll could be significantly higher.

‘Missing for 10 months’

For many Palestinians, the search for missing relatives has shifted from streets and rubble to computer screens and improvised identification centres.

At al-Shifa, Shadi al-Fayoumi scrolled through blurred and graphic images, hoping to spot anything recognisable that might tell him what happened to his brothers.

“My brothers have been missing for 10 months. They disappeared in the Tuffah neighbourhood,” al-Fayoumi, whose brothers remain missing, told Al Jazeera.

“I went to al-Shifa Medical Complex, where we were told there were bodies we could try to identify. However, the images were unclear and lacked discernible features. How are we expected to identify them under these conditions?”

According to al-Fayoumi, his brothers had gone in search of food and water during the peak of the famine last year but never returned.

“We contacted multiple institutions, but none was willing to help or provide reliable information,” al-Fayoumi added.

Al Jazeera’s al-Khalili said al-Fayoumi’s mother has been “inconsolable”.

“His brothers’ children are silent, unwilling to voice their worst fears. Israeli forces hand over the bodies of Palestinians with little regard for human dignity,” he added.

“There is no information on how they died or how long they were held, leaving Palestinians with not only their grief but unanswered questions.”

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‘I visited Cadbury World to see how much free chocolate I’d get’

Amber previously visited Cadbury World to see if she could bag much free chocolate. She documented her journey to the Birmingham attraction, and made a few discoveries

There’s nothing like indulging in a good bar of chocolate, and Cadbury has been a staple brand for many years, as it’s always bringing out new and exciting flavours. However, in a bid to have a totally sweet experience, one woman visited Cadbury World, in Birmingham, to see if she could bag some free chocolate.

Amber, who’s known as passporttpages on TikTok, often documents her travel adventures and local experiences, and she shared what it was like when she visited the famous chocolate factory. According to her, there are questions people sometimes have about visiting such as “what is there to do?” and perhaps, most importantly, “do you get any free chocolate?”, so she ventured off in search of some answers.

It’s not the first time someone has carried out such an experiment either. Back last year, another woman also went on a mission to try and find free sweet treats at the factory.

Alongside the video, Amber said: “Is Cadbury World still good without kids? We spent around two hours here and had a great time! If you’re looking for a family day out or a fun few hours out the house this is great.”

In the clip, Amber then continued to explain what happened when she visited the attraction back last year. She said: “There is a high possibility I’m going to be way too old for this, but we’re going to give it a go anyway.

“We’re giving Cadbury World a go as adults, so let’s see how it goes. The first thing that happens when you arrive is you’re given three free chocolate bars, so you can’t go wrong with that, and you can also buy a bag to put them in.

“It was £1.50 for a small one or £2.50 for a big one. So when you go inside, you go around a set route where you can see how chocolate was made years ago, all the old advertising and a few shows.

“My favourite bit was this one, where they give you a pot of melted chocolate and you can pick two toppings to put in it. I chose to put Oreo crumbs and white chocolate buttons in mine, and it was so good.”

Amber also explained there’s something called a “have a go” section, where you can do some chocolate drawings and have a go at tempering chocolate too. After this, she experienced a 4D cinema ride, which she noted was “better than she was expecting”.

She also said there’s a café with all sorts of treats available and there’s also a playground outside for kids. As well as this, she thought the gift shop was a “real treat”.

Amber headed straight to the chocolate section as “nearly all of it was discounted”. There were some bars that were “twice the size of her head”, and she also managed to snap up some limited edition goodies too.

According to her, it’s a great place to go for a day out, and she seemed to really enjoy her time there. Not to mention, she bagged a few freebies too.

The video has been watched more than 25,000 times since she posted it, and people were quick to comment too. They shared all sorts of thoughts about their personal experiences at Cadbury World.

One said: “Been to Cadbury World twice as kid, once when I was too small to remember it, and once when I was a bit older (maybe eight or nine) and seeing this has made me want to go back, looks really good.”

Another added: “I remember going and throwing up the whole way home cause we all ate so much chocolate, lol.”

A third suggested you used to get more free chocolate though, writing: “I swear when I used to go as a kid you got about a dozen free bars at the beginning. The shop at the end is pretty good to be fair, especially if you buy the bags of Mis Shapes.”

Meanwhile, a fourth also commented: “I used to love the small pots of chocolate they’d give in every room around.” One more also chimed in with: “Haven’t been in years, but I remember that pot of melting chocolate being insane!”

How much is it to visit Cadbury World?

There are different packages available but, according to the website, a standard ticket costs from £19 if you book in advance. It also details what treats you may find yourself receiving.

It states: “Each guest will receive a Cadbury chocolate bar at the start of the tour, and then in our Chocolate Making zone, each guest will receive a delicious pot of warm melted Cadbury Dairy Milk chocolate, plus a choice of two toppings from a selection of treats.

“Then, after our new Cadbury Chocolate Quest ride, each guest will also receive another Cadbury chocolate bar to enjoy. Please note that the gifting of chocolate and any other products is complimentary and may be withdrawn at any time at the discretion of Cadbury World.”



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Oscar nominations 2026: Full list of nominees

Sinners” has made Oscars history.

The 98th Academy Award nominations were announced Thursday and Ryan Coogler’s musical horror earned 16 overall nominations, breaking the record for the most nominations for a film previously held by “All about Eve” (1950), “Titanic” (1997) and “La La Land” (2016). “Sinners’” nominations include best picture, directing, original screenplay and individual acting nods for stars Michael B. Jordan, Wunmi Mosaku and Delroy Lindo.

Paul Thomas Anderson’s comedic political thriller “One Battle After Another” followed with 13 total nominations, which included nods for picture, directing, adapted screenplay and actors Leonardo DiCaprio, Teyana Taylor, Benicio Del Toro and Sean Penn.

Yorgos Lanthimos’ alien comedy “Bugonia,” Chloé Zhao’s tragic Shakespeare drama “Hamnet,” Joseph Kosinski’s racing drama “F1,” Guillermo del Toro’s gothic monster mash “Frankenstein,” Josh Safdie’s ping-pong picture “Marty Supreme,” Brazilian political thriller “The Secret Agent,” Norwegian family drama “Sentimental Value” and Clint Bentley’s lyrical period piece “Train Dreams” rounded out the nominees for best picture.

Performers from both “The Secret Agent” and “Sentimental Value” also earned acting nominations, making it another banner year for international features. Other top nominees include “Frankenstein,” “Marty Supreme” and “Sentimental Value,” which earned nine nods apiece.

Actors Danielle Brooks and Lewis Pullman announced the nominations at the academy’s Samuel Goldwyn Theater. See the full list of nominees below.

Best picture
Bugonia
F1
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
The Secret Agent
Sentimental Value
Sinners
Train Dreams

Actress in a leading role
Jessie Buckley, “Hamnet”
Rose Byrne, “If I Had Legs I’d Kick You
Kate Hudson, “Song Sung Blue”
Renate Reinsve, “Sentimental Value”
Emma Stone, “Bugonia”

Actor in a leading role
Timothée Chalamet, “Marty Supreme”
Leonardo DiCaprio, “One Battle After Another”
Ethan Hawke, “Blue Moon
Michael B. Jordan, “Sinners”
Wagner Moura, “The Secret Agent

Actress in a supporting role
Elle Fanning, “Sentimental Value”
Inga Ibsdotter Lilleaas, “Sentimental Value”
Amy Madigan, “Weapons”
Wunmi Mosaku, “Sinners”
Teyana Taylor, “One Battle After Another”

Actor in a supporting role
Benicio del Toro, “One Battle After Another”
Jacob Elordi, “Frankenstein”
Delroy Lindo, “Sinners”
Sean Penn, “One Battle After Another”
Stellan Skarsgård, “Sentimental Value”

Directing
Chloé Zhao, “Hamnet”
Josh Safdie, “Marty Supreme”
Paul Thomas Anderson, “One Battle After Another”
Joachim Trier, “Sentimental Value”
Ryan Coogler, “Sinners”

Adapted screenplay
“Bugonia,” Will Tracy
“Frankenstein,” Guillermo del Toro
“Hamnet,” Chloé Zhao and Maggie O’Farrell
“One Battle After Another,” Paul Thomas Anderson
“Train Dreams,” Clint Bentley and Greg Kwedar

Original screenplay
“Blue Moon,” Robert Kaplow
“It Was Just an Accident,” Jafar Panahi
“Marty Supreme,” Josh Safdie and Ronald Bronstein
“Sentimental Value,” Joachim Trier and Eskil Vogt
“Sinners,” Ryan Coogler

Documentary feature
The Alabama Solution
Come See Me in the Good Light
“Cutting Through Rocks”
“Mr. Nobody Against Putin”
The Perfect Neighbor

Documentary short
“All the Empty Rooms”
“Armed Only with a Camera: The Life and Death of Brent Renaud”
“Children No More: ‘Were and Are Gone’”
“The Devil Is Busy”
“Perfectly a Strangeness”

Animated feature
Arco
Elio
KPop Demon Hunters
Little Amélie or the Character of Rain
Zootopia 2

Animated short
“Butterfly”
“Forevergreen”
“The Girl Who Cried Pearls”
“Retirement Plan”
“The Three Sisters”

Cinematography
“Frankenstein,” Dan Laustsen
“Marty Supreme,” Darius Khondji
“One Battle After Another,” Michael Bauman
“Sinners,” Autumn Durald Arkapaw
“Train Dreams,” Adolpho Veloso

Costume design
“Avatar: Fire and Ash,” Deborah L. Scott
“Frankenstein,” Kate Hawley
“Hamnet,” Malgosia Turzanska
“Marty Supreme,” Miyako Bellizzi
“Sinners,” Ruth E. Carter

Film editing
“F1,” Stephen Mirrione
“Marty Supreme,” Ronald Bronstein and Josh Safdie
“One Battle After Another,” Andy Jurgensen
“Sentimental Value,” Olivier Bugge Coutté
“Sinners,” Michael P. Shawver

International feature
It Was Just an Accident” (France)
“The Secret Agent” (Brazil)
“Sentimental Value” (Norway)
Sirāt” (Spain)
The Voice of Hind Rajab” (Tunisia)

Live-action short
“Butcher’s Stain”
“A Friend of Dorothy”
“Jane Austen’s Period Drama”
“The Singers”
“Two People Exchanging Saliva”

Makeup and hairstyling
“Frankenstein,” Mike Hill, Jordan Samuel and Cliona Furey
“Kokuho,” Kyoko Toyokawa, Naomi Hibino and Tadashi Nishimatsu
“Sinners,” Ken Diaz, Mike Fontaine and Shunika Terry
The Smashing Machine,” Kazu Hiro, Glen Griffin and Bjoern Rehbein
“The Ugly Stepsister,” Thomas Foldberg and Anne Cathrine Sauerberg

Original score
“Bugonia,” Jerskin Fendrix
“Frankenstein,” Alexandre Desplat
“Hamnet,” Max Richter
“One Battle After Another,” Jonny Greenwood
“Sinners,” Ludwig Göransson

Original song
“Dear Me” from “Diane Warren: Relentless”
“Golden” from “KPop Demon Hunters”
“I Lied to You” from “Sinners”
“Sweet Dreams of Joy” from “Viva Verdi!”
“Train Dreams” from “Train Dreams”

Production design
“Frankenstein”
“Hamnet”
“Marty Supreme”
“One Battle After Another”
“Sinners”

Sound
“F1”
“Frankenstein”
“One Battle After Another”
“Sinners”
“Sirāt”

Visual Effects
Avatar: Fire and Ash
“F1”
Jurassic World Rebirth
The Lost Bus
“Sinners”

Casting
“Hamnet”
“Marty Supreme”
“One Battle After Another”
“The Secret Agent”
“Sinners”

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Falcons’ James Pearce arrested after domestic dispute with Rickea Jackson

Atlanta Falcons rookie star James Pearce Jr. was arrested near Miami on Saturday night after fleeing officers and then crashing his car following what police said was a domestic dispute with Sparks player Rickea Jackson.

Pearce, the first-round pick who led the Falcons in sacks and was third in NFL defensive rookie of the year voting, was booked into the Turner Guilford Knight Correctional Center after Doral police were summoned to investigate a reported domestic dispute between a man and a woman.

According to jail records, Pearce is facing charges of two counts of aggravated battery with a deadly weapon as well as aggravated stalking and fleeing or eluding police with lights or siren. Bond was not immediately set on all the charges.

The Falcons said in a statement they are aware of the arrest.

“We are aware of an incident involving James Pearce Jr. in Miami,” the Falcons said in a statement provided to the Associated Press. “We are in the process of gathering more information and will not have any further comment on an open legal matter at this time.”

WPLG TV in Miami reported Doral Police Chief Edwin Lopez confirmed the dispute was between Pearce and Jackson, a forward for the WNBA’s Sparks. Jackson was the No. 4 overall pick in the 2024 WNBA draft and averaged 14.7 points in 38 games, including 37 starts, in the 2025 season. Jackson played college basketball for Tennessee and Mississippi State.

Pearce, an edge rusher from Tennessee, was the No. 26 overall pick in the 2025 NFL draft as the Falcons emphasized the pass rush. Pearce had 10 1/2 sacks and his 45 quarterback pressures set a team record for a rookie. Pearce had 26 tackles and 16 quarterback hits. He forced a fumble and recovered a fumble while playing in all 17 games.

The Falcons finished 8-9, leading to the firings of coach Raheem Morris and general manager Terry Fontenot. The Falcons hired Kevin Stefanski as coach and Ian Cunningham as general manager.

Odum writes for the Associated Press. AP Sports Writer Maura Carey in Atlanta contributed to this report.

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Saudi Arabia slams ‘foreign interference’ in Sudan after deadly RSF attacks | Sudan war News

Riyadh condemns RSF’s ‘criminal’ attacks in Kordofan, blames foreign fighters and weapons for fuelling Sudan’s three-year conflict.

Saudi Arabia has reaffirmed its support for Sudan’s territorial unity and integrity, denouncing “criminal attacks” by the paramilitary Rapid Support Forces (RSF) in North and South Kordofan states that have killed dozens of people, including women and children.

In a statement on Saturday, the Saudi Ministry of Foreign Affairs condemned “foreign interference” by “some parties” in Sudan, including the “continued influx of illegal weapons, mercenaries and foreign fighters” for the continuation of the nearly three-year-old war.

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The statement did not specify the parties, though.

It came a day after the Sudan Doctors Network, a humanitarian group, said a drone attack by the RSF on a vehicle transporting displaced families in North Kordofan killed at least 24 people, including eight children.

The attack followed a series of drone raids on humanitarian aid convoys and fuel trucks across North Kordofan, including an assault on a World Food Programme convoy on Friday that killed at least one person.

Fighting between the RSF and Sudan’s army has intensified across Kordofan in recent months following the fall of el-Fasher to the paramilitary group in October. The nearly three-year-long conflict has killed an estimated 40,000 people and pushed more than 21 million — almost half of Sudan’s population — into acute food shortages.

The Saudi Ministry of Foreign Affairs said on Saturday the deadly RSF attacks “are completely unjustifiable and constitute flagrant violations of all humanitarian norms and relevant international agreements”.

The ministry demanded that “RSF immediately cease these violations and adhere to its moral and humanitarian obligation to ensure the delivery of relief aid to those in need in accordance with international humanitarian law” and a ceasefire deal agreed by the warring parties in Jeddah in 2023.

It added that “some parties” were fuelling the conflict by sending in weapons and fighters, despite “these parties’ claim of supporting a political solution” in Sudan.

The statement comes amid allegations by the Sudanese government that the United Arab Emirates has been arming and funding the RSF. Sudan filed a case against the UAE at the International Court of Justice last year, accusing it of “complicity in genocide” committed by the RSF against the Masalit community in West Darfur state.

The UAE has denied the allegations.

Separately, Saudi Arabia has also accused the UAE of backing the separatist Southern Transitional Council (STC) in Yemen. The STC, initially part of the Saudi-backed internationally recognised government of Yemen, launched a major offensive last December in the country’s Hadramout and al-Mahra provinces, seeking to establish a separate state.

The offensive resulted in a split in Yemen’s internationally-backed government, and prompted Saudi Arabia to launch deadly raids targeting the STC.

The UAE pulled out its troops from Yemen following the Saudi allegation, saying it supports Saudi Arabia’s security.

Saudi Arabia and the UAE were members of the Arab military coalition, formed to confront the Houthis, who took full control of the Yemeni capital, Sanaa, in 2015.

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Iran-US talks in Muscat bought time, not a deal | Opinions

The first round of Iran-US talks in Muscat produced no breakthrough. The next few weeks will determine whether they laid foundations or merely bought time before escalation.

When Iranian and American negotiators concluded several hours of talks in Muscat on February 6, publicly, neither side signalled any shift from its opening position. Iran insisted the discussions focus exclusively on the nuclear file. The United States arrived seeking a comprehensive framework that would also cover ballistic missiles, regional armed groups, and more broadly, issues Washington has raised publicly, including human rights concerns. Neither prevailed. Both agreed to meet again.

On the surface, this looks like a non-event. It was not.

The Muscat round was the first high-level diplomatic engagement between the two countries since the joint US-Israeli strikes on Iranian nuclear facilities in June 2025, an escalation that Iran later said killed more than 1,000 people and involved strikes on three nuclear sites. That the two sides returned to the same palace near Muscat’s airport where previous rounds were held in 2025, and agreed to return again is significant.

But continuation is not progress. The distance between what happened in Muscat and what a deal requires remains vast.

Diplomacy conducted under military escort

The most striking feature of the Muscat round was not what was said, but who sat in the room. The American delegation was led by Special Envoy Steve Witkoff and Jared Kushner, President Trump’s son-in-law. It also included, for the first time, Admiral Brad Cooper, the commander of US Central Command, in full dress uniform.

His presence at the negotiating table was not incidental. It was a signal. The USS Abraham Lincoln carrier strike group was operating in the Arabian Sea as the talks unfolded, and days earlier, US forces had shot down an Iranian drone that approached the carrier.

An Iranian diplomatic source told the Reuters news agency that Cooper’s presence “endangered” the talks. Another, quoted by Al-Araby TV, warned that “negotiations taking place under threat” could impose strategic costs rather than advance them. For Tehran, the message was unmistakable: This was diplomacy conducted in the shadow of force, not as an alternative to it.

Washington, for its part, sees this as leverage. President Trump, speaking on board Air Force One after the talks, described them as “very good” and said Iran wants a deal “very badly”, adding: “They know the consequences if they don’t. They don’t make a deal; the consequences are very steep.”

This is diplomacy framed as an ultimatum. It may create urgency. It is unlikely to create trust, and trust is what this process most desperately needs.

The structural problem

The US withdrew from the 2015 Joint Comprehensive Plan of Action (JCPOA) in 2018, despite international verification that Iran was meeting its obligations. That decision shattered Iranian confidence in the durability of US commitments. Tehran’s subsequent incremental breaches of the agreement, steadily increasing enrichment levels from 2019 onwards, weakened its credibility, in turn.

This mutual distrust is not a negotiating obstacle that can be resolved with creative diplomacy alone. It is the defining condition under which any agreement must be built. The US has the capacity to impose enormous economic and military costs on Iran. But power does not automatically produce compliance. For commitments to hold, Iran must believe concessions will bring relief rather than new demands. That belief has been badly damaged.

Consider the sequence of events surrounding the Muscat round itself. Hours after the talks concluded, the US State Department announced new sanctions targeting 14 shadow fleet vessels involved in transporting Iranian petroleum, alongside penalties on 15 entities and two individuals. The Treasury Department framed the action as part of the administration’s “maximum pressure” campaign. Whether preplanned or timed for effect, the message was clear: Washington intends to negotiate and squeeze simultaneously.

For Tehran, which has consistently demanded that sanctions relief be the starting point for progress, this sequencing confirms precisely the pattern it fears. Iranian Foreign Minister Abbas Araghchi identified this dynamic explicitly, telling Iranian state television that “the mistrust that has developed is a serious challenge facing the negotiations.”

What actually happened in Muscat

Beneath the competing narratives, the outlines of the substantive discussion have begun to emerge. Iran reportedly rejected a US demand for “zero enrichment”, a maximalist position it was never going to accept in a first meeting. The two sides instead discussed the dilution of Iran’s existing uranium stockpile, a more technical and potentially more productive avenue.

Meanwhile, Al Jazeera reported that diplomats from Egypt, Turkiye and Qatar had separately offered Iran a framework proposal: Halt enrichment for three years, transfer highly enriched uranium out of the country, and pledge not to initiate the use of ballistic missiles. Russia had reportedly signalled willingness to receive the uranium. Tehran has signalled both the enrichment halt and uranium transfer would be nonstarters.

Perhaps the most important development was the least visible. According to Axios, Witkoff and Kushner met directly with Araghchi during the talks, breaking from the strictly indirect format that Iran had demanded for most of last year’s rounds of negotiations. Iran had previously insisted on communicating with the US only through Omani intermediaries. Crossing that barrier, even partially, suggests both sides recognise the limits of indirect talks once bargaining becomes technical.

Oman’s framing was arguably the most honest assessment of the day. Foreign Minister Badr al-Busaidi described the talks as aimed at establishing “appropriate conditions for the resumption of diplomatic and technical negotiations”.

What the next few weeks will decide

Trump said a second round of talks would take place soon. Both sides indicated to Axios that further meetings were expected within days. The compressed timeline is notable. During last year’s rounds, weeks separated each session. The pace suggests Washington believes the diplomatic window is narrowing, and Tehran is at least willing to test that claim.

Several tests will show whether urgency produces substance or merely speed.

First, the scope question. The fundamental dispute over what the talks are about remains unresolved. Iran won the first procedural battle: The venue moved from Turkiye to Oman, regional observers were excluded, and Araghchi claims only nuclear issues were discussed. Secretary of State Marco Rubio said before the talks that the agenda needed to include “all those issues”. If the second round begins with the same fight over scope, it will signal that even the basics remain unsettled.

Second, Iran’s enrichment posture. Before the June 2025 war, Iran had been enriching uranium to 60 percent purity, a short technical step from weapons-grade. Tehran has said enrichment stopped following the strikes. But Iran has also conditioned International Atomic Energy Agency inspections of the bombed sites on new inspection arrangements, raising concerns among non-proliferation experts. Conversely, reports of enrichment resumption or acceleration would likely end the diplomatic track.

Third, the military environment. The US naval build-up in the Arabian Sea is not decorative. The drone shootdown near the Abraham Lincoln and Iran’s attempted interception of a US-flagged vessel in the Strait of Hormuz in the days before the talks show how quickly signalling can slide into miscalculation. Whether the carrier group is reinforced, maintained or gradually drawn down in the coming weeks will reveal more about Washington’s assessment of diplomacy than any press statement.

Fourth, the sanctions rhythm. The same-day announcement of shadow fleet sanctions establishes a pattern. If Washington continues to layer new economic penalties between rounds of talks, Tehran will treat it as evidence that diplomacy is performance rather than process.

Fifth, backchannel activity. The most consequential diplomacy over the next few weeks may not occur in formal settings. Oman, Qatar, Egypt and Turkiye have been working behind the scenes to sustain dialogue. If those intermediary contacts remain active, space for de-escalation persists. If they fall silent, the margin for error narrows.

A managed deadlock is not a strategy

The most probable short-term outcome remains neither breakthrough nor war, but a managed deadlock in which both sides maintain maximal public positions while avoiding steps that would make future talks impossible. In practice, this is a pause sustained by caution rather than a settlement anchored in confidence.

For the broader region, the distinction matters urgently. Gulf states have no interest in becoming staging grounds for escalation. Public statements across the region have consistently emphasised de-escalation, restraint and conflict avoidance. But regional actors can facilitate, host and encourage; they cannot impose terms on either Washington or Tehran.

The Muscat talks did not fail. Neither did they succeed. They established that a channel exists, that both sides are willing to use it, and that direct contact between senior officials is possible.

But a channel is not a plan. The absence of war is not the presence of a deal. The period between Muscat and whatever comes next is a window in which miscalculation remains close to the surface, sustained only by the assumption that both sides are reading each other’s signals correctly.

The next round of talks will not produce an agreement. But it may show whether the two sides are building a floor beneath the standoff or simply postponing the moment when that floor gives way.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

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The biggest surprises and snubs of the 2026 Oscar nominations

Oscar nominations landed Thursday morning and you’d really have to be a curmudgeon to complain, what with the year’s two best films, “One Battle After Another” and “Sinners,” hauling in the most nods. One of these movies is going to win best picture (probably “One Battle”), continuing a nice little streak of top-shelf winners. “Oppenheimer” to “Anora” to “One Battle After Another”? That’s the best run since the early ’90s when “The Silence of the Lambs,” “Unforgiven” and “Schindler’s List” prevailed.

Of course, not everyone is celebrating this morning. “Wicked: For Good”? The complete disrespectation! The latest “Avatar” sequel? More ash than fire.

The Oscars cap their nominees at five per category (with the exception of best picture), leading, invariably, to some surprises and omissions — some egregious, some understandable. For alliteration and search engine optimization, we’ll call these “snubs,” though you’d have to be a true narcissist, say somebody who’d threaten to invade a country because he felt scorned over not winning a prize, to really take it personally.

Fortunately, Hollywood is free of ego, leaving us just to rationally contemplate the academy’s choices and examine the snubs and surprises of the nominations for the 98th Academy Awards, which will be presented on March 15.

Cynthia Erivo, left, and Ariana Grande in "Wicked: For Good."

Cynthia Erivo, left, and Ariana Grande in “Wicked: For Good.”

(Giles Keyte/Universal Pictures/Giles Keyte / Universal Pictures)

SNUB: “Wicked: For Good” (picture)
The first “Wicked” earned 10 nominations last year, going on to win two Oscars. Surely, the sequel would be popular too. But the box office was down (more than $200 million globally), the reviews were mostly meh, and academy members took note. Duplicating the first movie’s Oscar haul was going to be a challenge, as some voters would naturally resist rewarding something they had just honored a year ago. And the material posed its own challenges, as the musical’s second act isn’t as fun or focused. But to go from 10 nominations to being completely shut out? What a difference a year makes.

SURPRISE: “F1” (picture)
There’s a demographic in the motion picture academy affectionately known as “steak-eaters,” men in the autumn of their years who appreciate a good Dad Movie centered on old(ish) guys who most definitely know best. With membership broadening, this demo has lost a bit of its influence over the years. But the dudes can take a victory lap today, celebrating the nomination of Joseph Kosinski’s swaggering, vroom-vroom sports movie.

SNUB: “Avatar: Fire and Ash” (picture)
The third “Avatar” movie has grossed $1.3 billion worldwide, which is impressive, though still about $1 billion behind 2022’s “Avatar: The Way of Water.” That movie, like the first one, was nominated for best picture. But “Fire and Ash” couldn’t even manage a nod from the Producers Guild, a group that operates from a bigger-the-better mentality. There’s a feeling of fatigue about the franchise, with even creator James Cameron giving the distinct impression that he’s ready to move on. Here’s another signal that it’s time.

SNUB: “It Was Just an Accident” (picture)
The warning signs were there. Jafar Panahi’s searing (and often funny) social critique of authoritarianism did not fare well on the Oscar or BAFTA early lists. But with the current political climate and the alarming events transpiring in Panahi’s native Iran, it still felt like it’d make the best picture cut. Its absence feels like a big miss or, less charitably, a dereliction of duty.

Stellan Skarsgård, left, and Elle Fanning in a scene from director Joachim Trier's "Sentimental Value."

Stellan Skarsgård, left, and Elle Fanning in a scene from director Joachim Trier’s “Sentimental Value.”

(Kasper Tuxen/Neon)

SURPRISE: Joachim Trier, “Sentimental Value” (director)
Trier seemed to be slipping down the ranks of contenders, but voters no doubt appreciated his film’s salty view of Hollywood as well as the way “Sentimental Value” subtly shifted between past and present, hope and hurt. Trier also earned an original screenplay nomination, repeating the success he enjoyed with his last movie, “The Worst Person in the World,” also starring Renate Reinsve.

SNUB: Guillermo del Toro, “Frankenstein” (director)
Scorsese stumped for him, as did David Fincher, George Lucas and Jason Reitman. “It’s a remarkable work,” Scorsese said during a Q&A with Del Toro. “It stays with you. I dreamed of it.” The affable, movie-loving Del Toro has won many fans inside and outside the industry over the years, along with Oscars for directing and producing the 2017 best picture winner “The Shape of Water” and for “Pinocchio,” the enchanting 2022 movie that snagged animated feature. “Frankenstein” isn’t his best work, but Del Toro did snag a Directors Guild nod. And “Frankenstein” itself earned 9 Oscar nominations. The directors branch, though, went with Trier.

SNUB: Jafar Panahi, “It Was Just an Accident” (director)
Panahi has had quite the year: He won the Palme d’Or at Cannes in May and was sentenced in December to one year in prison for “propaganda activities” related to his work. Both speak to the effectiveness of “It Was Just an Accident,” a withering critique of the cruelty and corruption of an authoritarian regime. Panahi did receive his first Oscar nomination, an original screenplay nod.

SURPRISE: Kate Hudson, “Song Sung Blue” (lead actress)
Hudson’s winning turn in this sincere heart-warmer about a husband-wife Neil Diamond tribute act gave the actor her first nomination since her spectacular arrival a quarter-century ago in “Almost Famous.” “Song Sung Blue” had its own lane in this race, appealing to voters starved for the kind of sincere adult drama that studios once routinely made. And Hudson had a number of famous friends — Demi Moore, Reba McEntire and, of course, her mom, Goldie Hawn — hosting screenings and singing her praises. Maybe even singing some Neil Diamond songs. Who can resist? Not voters.

Chase Infiniti in "One Battle After Another."

Chase Infiniti in “One Battle After Another.”

(Warner Bros. Pictures)

SNUB: Chase Infiniti, “One Battle After Another” (lead actress)
Infiniti’s placement in the lead category, clearing the decks in supporting for co-star Teyana Taylor, raised a few eyebrows. She’s only in the movie for about half an hour, and though her character drives the action and ends the movie in spectacular fashion, that wasn’t enough in a category flush with weightier work.

SNUB: Amanda Seyfried, “The Testament of Ann Lee” (lead actress)
For true believers in Seyfried’s frenzied work in Mona Fastvold’s story of devotion and delusion, it’s hard to shake this one off.

SNUB: Cynthia Erivo, “Wicked: For Good” (lead actress)
Here’s the rub: The second half of “Wicked” no longer centers Erivo’s Elphaba. When she’s on the screen — and not wearing that sex cardigan — she’s still great, masterfully conveying Elphaba’s vulnerability and sadness. But in a competitive lead actress category, Erivo simply didn’t have the screen time to convince voters to give her an encore nomination.

SURPRISE: Delroy Lindo, “Sinners” (supporting actor) Lindo finally earned his first Oscar nomination, riding the wave of “Sinners’” record haul. His portrayal of the world-weary Mississippi bluesman Delta Slim was central to the movie’s exploration of life in the Jim Crow South and included a powerful monologue that told the story of the lynching of a fellow musician. The movie wouldn’t have been as special without it.

Paul Mescal in "Hamnet."

Paul Mescal in “Hamnet.”

(Agata Grzybowska / Focus Features)

SNUB: Paul Mescal, “Hamnet” (supporting actor) He played Shakespeare, but voters weren’t in love. How sharper than a serpent’s tooth it is to have a thankless audience.

SNUB: Ariana Grande, “Wicked: For Good” (supporting actress)
Grande functioned as a co-lead in the first “Wicked,” winning a supporting actress nomination last year, and took center stage in the sequel. But her Oscar fortunes waned as “Wicked: For Good” couldn’t replicate the spell the original cast on audiences. It’s possible too that, good as she is at light comedy, some voters didn’t buy Glinda’s transformation after spending nearly the entire movie betraying Elphaba at every turn. With friends like her, who needs enemies?

SURPRISE: Elle Fanning, “Sentimental Value” (supporting actress)
SAG-AFTRA voters ignored the cast of “Sentimental Value” for the Actor Awards, but the ensemble came back in a big way with the academy. Fanning, playing an A-list American actress navigating the strained family dynamics of the auteur who hired her for his comeback, joined Reinsve, Inga Ibsdotter Lilleaas and Stellan Skarsgård among the nominees.

SNUB: Odessa A’zion, “Marty Supreme” (supporting actress)
A’zion’s chances at a nomination seemed to rise along with the success of “Marty Supreme.” She picked up an Actor Award nomination earlier this month for playing Rachel, the film’s chaos-creating schemer. Oh well. Maybe we’ll see her at the Emmys later this year for her tumultuous turn as a Gen Z influencer in “I Love LA.”

SNUB: “No Other Choice” (international feature)
Oscar voters have been resistant to Park Chan-wook in the past, ignoring the likes of “Decision to Leave” and “The Handmaiden.” But “No Other Choice,” a humane — and darkly comic — look at ugly things people can do when desperate felt like a potential breakthrough. Park will have to wait … again.

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Six Nations 2026: Same old story for sorry Wales against England

France arrive in Cardiff next Sunday with Wales searching for a first Six Nations home win in four years.

The calamitous state of Welsh rugby means the WRU are struggling to sell out their three home games this year, with thousands of tickets still available for next weekend.

Tandy hopes Wales will receive the usual home backing.

“The fans have been amazing support for the team,” said Tandy.

“We know what it means to the boys to play in the Principality Stadium and the fans give them huge belief.”

Whether the Wales head coach will make changes remains to be seen as he balances reacting to an underwhelming display and the need to develop a settled side.

He says there would be no “knee-jerk reaction” and full-back Louis Rees-Zammit appears to have done enough to keep the number 15 jersey.

The former NFL triallist was making his first Six Nations appearance for almost three years and is settling into a new position after switching from the wing.

After a shaky start where he had an early kick charged down, Rees-Zammit settled down and produced one searing second-half break.

“He did well in his first start at 15 in a while for us,” said Tandy.

“In Test match rugby, there’s not much space but I thought he adapted with the aerial battles.

“He’s a big man and lit the game up in moments. It’s looking how we can get more of those moments.”

So maybe one thing for Welsh fans hold onto. There is currently not much more.

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Hegseth: Pentagon to end Harvard partnership over ‘woke’ ideology

Feb. 7 (UPI) — Secretary of Defense Pete Hegseth announced that the Pentagon would end its academic partnership with Harvard University over what he called a “woke” institution that is not welcoming to the U.S. military.

In a video posted on Friday to X, Hegseth said the Department of Defense would end its partnership and work with the private university — which dates to before the American Revolution — over its alleged “wokeness.”

The move, according to a statement from the Pentagon, is “because attendance at the school no longer meets the needs of the [Department of Defense] or the military services.”

Calling the decision “long overdue,” Hegseth said that all professional military education, fellowships and certificate programs at Harvard will be formally ended starting with the 2026-2027 school year.

Members of the military who are already attending classes there, however, will be permitted to finish their courses of study, the Pentagon said.

Noting that the U.S. military has had “an important and often positive relationship” with the university for more than 250 years, Hegseth said that “Harvard is no longer a welcoming institution to military personnel or the right place to develop them.”

“Too many of our officers came back looking too much like Harvard — heads full of globalist and radical ideologies that do not improve our fighting ranks,” he said, adding that “the school has become a factory for woke ideology and a breeding ground for anti-American radicals.”

Hegseth alleged that Harvard research programs work with the Chinese Communist Party, university leadership has encouraged celebrations of Hamas and allowed attacks on Jewish students, and that the university “promotes discrimination based on race.”

Harvard University has been involved in some way with the U.S. military in an official capacity since 1775 when George Washington used the university as a military base, according to The Harvard Gazette.

Washington basing about 1,000 soldiers in Harvard Yard followed Harvard students and faculty who had “given their lives for the burgeoning nation” in war efforts for 150 years preceding the Revolutionary War, the university said.

Since President Donald Trump was inaugurated back into office in January 2025, Harvard has been one of several universities to draw his administration’s ire.

This has included everything from protests against the war between Israel and Hamas, academic programs and federal investments it deemed waste and their introduction of diversity, equity and inclusion (DEI) programs to improve student and faculty life.

Hegseth noted in the statement about Harvard that DOD plans to evaluate all existing graduate education programs for active-duty members of the military at all Ivy League and other universities.

“The goal is to determine whether or not they actually deliver cost-effective strategic education for future senior leaders when compared to, say, public universities or our military graduate programs,” he said.

Attorney General Pam Bondi speaks during a press conference at the Department of Justice Headquarters on Friday. Justice Department officials have announced that the FBI has arrested Zubayr al-Bakoush, a suspect in the 2012 attack on the U.S. Embassy in Benghazi, Libya, that killed four Americans. Photo by Bonnie Cash/UPI | License Photo

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Why western Sicily is Italy’s emerging arts hub | Sicily holidays

From the ostentatious baroque square of Quattro Canti all the way up to the Teatro Massimo, Palermo’s Via Maqueda is thick with tourists. Pomegranate juice sellers are setting up pyramids of fruit on their carts at gaps in the crowd and waiters are trying to reel in passersby with happy hour prices for Aperol spritzes. Amid the noise and movement, it’s easy to walk straight past number 206, whose arched doorway features a stone cross stained black with dirt – a clue to the building’s former use.

Convento dei Crociferi was abandoned for 30 years, until Sicilian power couple Andrea Bartoli and Florinda Saievi took over and transformed it into Palermo’s newest arts space, the Museum of World Cities, due to open at the end of February. Inside, a cloister with high, scalloped porticoes frames a verdant courtyard filled with palms and banana trees. Bartoli comes to meet me and enthusiastically pumps my hand before leading me up to the grand, marble-floored rooms on the first floor, which have been given over to a rather self-referential exhibition on urban change.

“Cities change because people make them change,” Bartoli tells me. This is the ethos behind their organisation Farm Cultural Park, which has rehabilitated four different urban sites across western Sicily, starting with the city of Favara in 2010. The former sulphur mining town suffered rapid depopulation when its mines closed after the second world war, and many buildings across the historical centre were abandoned by owners who emigrated abroad.

Bartoli and Saievi decided to transform a warren of empty, crumbling palazzos into a colourful casbah of art studios, exhibition spaces and hipster cafes. It had the effect of reviving the town, making it a destination for holidaymakers. One oft-repeated statistic is that before Bartoli and Saievi came along, there was only one six-room hotel in Favara – now the town has 600 tourist beds.

“What happened in Favara was a miracle. But you can’t just put art in a place and hope it solves all of the problems,” says Bartoli pragmatically. “Contemporary art can’t change Sicily. It can’t improve the healthcare system or education.” But it can be used as a tool to draw in visitors, generate employment and, potentially, lure back residents. Farm Cultural Park, along with other art foundations, gallery owners and artists, has seized on a moment of opportunity. Sicily’s depopulation crisis is occurring in tandem with a resurgence in the island’s cultural scene, and vacant churches, prisons and convents are being snapped up.

A huge stainless steel star – Stella d’ingresso al Belice by Pietro Consagra – welcomes visitors to Gibellina Nuova. Photograph: Fabrizio Robba/Alamy

Close to Palermo harbour, another arts organisation, Fondazione RIV, has transformed the cavernous, dark interior of the deconsecrated San Mamiliano church into a contemporary art exhibition, plunging the church’s ornate frescoes and tapestries into darkness to better spotlight the artworks on display. Nearby, in the heart of the Vucciria district, Cristina Giarnecchia and Adriano La Licata have turned an unused storage space and former warehouse into All, a studio, exhibition venue and incubator for contemporary artists and curators.

The same creative energy can be found outside Palermo. Gibellina, the next stop on my contemporary art tour of western Sicily, has been an art hotspot for decades, but is only now getting wider recognition. Art is present even as you enter the town – in fact, you drive right through it. An enormous star, Stella d’ingresso al Belice by Pietro Consagra, built out of stainless steel, straddles the dual carriageway.

Gibellina was built from scratch after the original town was razed by an earthquake in 1968, and the then-mayor, Ludovico Corrao, invited artists and architects to reimagine the city, weaving art into the town’s fabric. His audacious post-disaster reconstruction plan turned Gibellina into a carousel of experimental postmodern buildings, sculptures and mosaics.

“The founding principle of Gibellina is that artists would live here and work with the community to create works of art they would then leave behind,” explains Ludovico Corrao’s daughter, Antonella Corrao, who runs local arts organisation Fondazione Orestiadi alongside her sister. “Gibellina has never been a place where art is commodified.”

In recognition of its heritage, the national government has just designated Gibellina the country’s first Italian Capital of Contemporary Art, hoping it will breathe life back into a town that has mostly dropped off the tourist map.

A sun sculpture by artist Mimmo Rotella in Gibellina, and a concrete tower with colourful
wings by architect Alessandro Mendini.
Photograph: Abaca Press/Alamy

An old civic centre designed by Nanda Vigo has been emptied of debris after decades of disuse and repurposed for residencies for visiting artists, dance troupes and performers. Graffiti has been scrubbed from Francesco Venezia’s roofless, postmodern spiral Giardino Segreto I-II. Torre Civica, a concrete tower with colourful wings designed by architect Alessandro Mendini, was originally fitted with speakers that played regional folk songs several times a day. In 2026, the tower will once again play music.

When I asked Antonella whether the Capital of Contemporary Art designation was the culmination of her father’s vision for Gibellina, she was moved to tears, describing it not as an end point, but a new beginning for the town: “This is how a dream becomes reality – with art truly becoming an economic driver for the region.”

I was reluctant to move on from Gibellina, as even after several days of wandering I still hadn’t seen every artwork or postmodern building in the town, but I wanted to go further south, to check out where this drive for urban revitalisation had begun.

My partner and I stayed at Sciabica Suite in Favara in the heart of Farm Cultural Park, a pocket of quiet luxury inside the riddle of the casbah. We were there on a blustery, rainy night in late November, so couldn’t take advantage of our beautiful suite’s roof terrace and hot tub, but were perfectly placed to explore the exhibitions just outside our front door. Favara is a good place to base yourself – from there, you can hop over to Agrigento’s Valley of the Temples or visit one of Farm Cultural Park’s newest additions, the former San Vito prison.

Part of Museum of World Cities, Palermo’s newest arts space, is due to open this month. Photograph: Catherine Bennett

It was a monastery before it was a prison, and its different uses are layered through the building like geological strata: pinched, austere monks’ quarters with thick stone walls made ideal solitary cells, and now one-room art installations. Many local mafiosi served time in this prison until it closed in 1996, and the cells are like time capsules: walls are still decorated with football scores, pages from pornography magazines, and a poster of Robbie Williams sporting impressive sideburns.

I explored the exhibitions with Lorena Caruana, a local architect who works with Farm Cultural Park, and we walked around the prison’s perimeter as the sun set, watching murmurations of swallows ribbon through the sky. “There’s so much collective memory associated with this place,” she explained. “We don’t want to paint over it. The idea is not to transform the space entirely.”

It is a noble goal: art helping to revitalise Sicily’s ghost towns and deserted urban spaces without replacing or stifling the history of the place; the present sitting happily alongside the past.

Accommodation was provided by B&B Carella in Palermo (doubles from €80) and Sciabica Suite in Favara (suite from €110)



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Dear Tomorrow: Inside Japan’s loneliness crisis | Documentary

Struggling with loneliness, people in Japan use an online chat service for mental health support and social connection.

Loneliness is a growing epidemic worldwide, but in Japan, it has become particularly severe as the pressures of modern life increasingly isolate individuals from their communities.

A Place for You is a mental health hotline where dedicated volunteers provide critical support to thousands in need every day. Two people who are struggling to find meaning in their lives turn to the online chat service as they seek connection. As they become aware of their need for human bonds, they embark on a journey of healing and renewal.

Dear Tomorrow is a documentary film by Kaspar Astrup Schroder.

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‘Timeless classic’ hailed as the ‘best musical of all time’ now streaming

An “addictive” musical set more than 70 years ago is now free to watch at the click of a button.

Musical fanatics can now stream a film that’s been dubbed “absolutely amazing”, and it’s not the beloved Dirty Dancing.

The charismatic 1980s romantic comedy, Dirty Dancing, starring Patrick Swayze and Jennifer Grey, will be broadcast tonight, Sunday, February 8, at 6.55pm on ITV2.

But if you’ve had your fill of Baby and her watermelon, there’s another classic musical available to stream for free.

This 1950s-set musical has been hailed as a “true classic”, with one fan declaring it as “one of those films that I can watch over and over – and I do.”

Another concurred: “An absolute classic. The songs are addicting- hate they don’t make movies like this anymore”, while a third enthused: “This film will always remain as one of my all time favourites!”

The iconic 1978 film Grease tells the tale of high school sweethearts, bad boy Danny Zuko (John Travolta) and wholesome Sandy Olsson (Olivia Newton-John), who fall head over heels during a summer romance.

However, their love story hits a snag when they realise they attend the same school and face social pressures from the T-Birds and the Pink Ladies.

With unforgettable tunes like You’re the One That I Want, Hopelessly Devoted To You, Summer Nights and Grease Lightnin’, it’s no surprise that the original soundtrack is one of the best-selling albums of all time, shifting more than 30 million copies worldwide.

The iconic film Grease, starring Saturday Night Fever’s John Travolta as Danny and the late Australian star of Xanadu, Olivia Newton-John, is now available to stream for free on ITVX.

Fans have been effusive in their praise for the classic movie. One viewer took to IMDb to gush: “Absolutely amazing.”

They continued: “It’s no wonder that the Grease soundtrack is the best selling musical soundtrack ever. (It sure is brilliant.) Grease really is the word. It’s fantastic. 10/10.”

Another fan agreed, stating: “Grease, of course, is based on the Broadway play and is a superb film version”.

A third viewer hailed the cast as “superb”, while another enthused: “Grease is a timeless classic that will have you singing and dancing by the end of the movie.”

Grease can be streamed on ITVX.

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Trent Perry and Tyler Bilodeau lead UCLA to win over Washington

Trent Perry scored 23 points, including clutch free throws down the stretch, Tyler Bilodeau overcame foul trouble to score 19, Donovan Dent had 17 points and 10 assists and Eric Dailey Jr. scored 14 as UCLA held off Washington 77-73 Saturday night in a Big Ten clash at Pauley Pavilion.

Ahead of a pivotal Midwest trip to No. 2 Michigan and No. 10 Michigan State starting on Valentine’s Day, the Bruins wrapped up their three-game homestand on a positive note after splitting the first two, a one-point, double-overtime loss to Indiana followed by a 22-point blowout of Rutgers in which five players scored in double digits.

The Bruins (17-7, 9-4) struggled against Washington much as they did in the teams’ first meeting Dec. 3 in Seattle, when they escaped with an 82-80 victory thanks to 25 points (including six three-pointers) by Skyy Clark, who has sat out the past 10 games with a hamstring injury.

A winner in 10 of its last 14 games, UCLA will not host its next game until a Feb. 21 matchup with fifth-ranked Illinois.

Wesley Yates III scored 12 of the Huskies’ first 16 points as they built an eight-point lead in the first eight minutes. The Bruins pulled ahead 25-23 on Perry’s three pointer with 6:15 left in the half that capped a 9-0 run, but Washington carried a 34-30 lead to the locker room — the first time UCLA trailed at halftime since its loss at Ohio State on Jan. 17.

Bilodeau, who scored only four points in the first 20 minutes, hit a three pointer 10 seconds into the second half and added another to tie the score at 38. Dent stole the ball at midcourt and drove for a layup to put UCLA in front 47-45 with 13:43 remaining and the Bruins gradually increased the lead while holding the Huskies without a field goal for nearly five minutes.

Washington crept to within 60-58 with 5:39 left on a layup by Yates before Bilodeau’s basket and free throw restored a five-point cushion at the 4:40 mark. Dent’s driving layup made it 67-60 with 1:33 left and the Bruins improved to 13-3 when winning the turnover battle.

Yates finished with 21 points and Hannes Steinbach added 13 for the Huskies (12-12, 4-9), who cut their deficit to two on a layup and free throw by Yates with 23 seconds left. Dailey got fouled and made both shots to make it 75-71 with 21 ticks left. After a layup by Yates with 11 seconds left, Perry sank two free throws to ice the victory four seconds later.

The Bruins were 23 of 29 at the foul line and remain on pace to break the school single-season record for best free throw percentage (75.6) set in 1978-79.

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Alleged arsonists damage Italian rail cables as Winter Olympics start

Ilia Malinin of United States slides across the ice during the Men’s Singles Figure Skating Team Event in Milan, Italy, after several fires damaged Italian rail lines on Saturday morning. Photo by Richard Ellis/UPI | License Photo

Feb. 7 (UPI) — Several fires damaged Italy’s northern rail line on the first day of the Winter Olympic Games in what investigators are calling acts of sabotage by arsonists.

Local authorities said three separate fires damaged railroad infrastructure and disrupted travel along the Bologna and Venice rail lines, causing travel delays of up to 2.5 hours on Saturday morning.

Rail service to Venice also was disrupted, and another fire was reported along tracks leading to the coastal city of Pesaro.

Italian railway officials ruled out any technical problems or accidents as the cause of the fires and damage and are treating them as deliberate acts of sabotage.

Investigators found an explosive device and severed cables, which officials for Italy’s Ministry of Transport described as “serious sabotage” that is similar to damage done to French rail lines during the Paris Summer Olympics in 2024.

“These actions of unprecedented seriousness do not in any way tarnish Italy’s image in the world, an image that the Games will make even more compelling and positive,” Matteo Salvini, deputy prime minister and transport minister, told the BBC.

No one has claimed responsibility for the damage that briefly stopped rail service on Bologna’s high-speed line, which was running again by the afternoon.

The rail line is among several that enable spectators to visit various events that are held in an area spanning hundreds of miles in northern Italy’s Alps and Dolomite mountains.

Transportation and anti-terrorism law enforcement teams also are investigating the matter.

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