Month: December 2025

Dec. 25 (Asia Today) — North Korea said it conducted a first test launch of a high-altitude long-range surface-to-air missile system under development, but a South Korean defense expert said the launch appeared to be a flight test because no interception footage was released.

North Korea’s Korean Central News Agency said the Missile Bureau carried out the test Wednesday to evaluate the system’s tactical and technical characteristics. The agency said the missile hit and destroyed a simulated high-altitude target at a range of 200 kilometers.

The Missile Bureau said the test was part of routine work by the bureau and its research institutes to advance the country’s air defense capabilities. State media said Kim Jong-un observed the launch and praised the results.

The missile was first shown publicly at an event marking the 80th anniversary of North Korea’s air force last month, according to the report.

Shin Jong-woo, secretary general of the Korea Defense and Security Forum, said North Korea claimed it intercepted a simulated target but did not release footage of the intercept. He said that suggests the test focused on flight performance and reflects an effort to develop a new surface-to-air missile as North Korea’s SA-5 long-range system ages.

South Korea’s Joint Chiefs of Staff said it detected the launch Wednesday but did not disclose it publicly at the time.

The Joint Chiefs of Staff said it had detected indications of a launch in advance and was prepared. It said that around 5 p.m. Wednesday it detected multiple projectiles believed to be surface-to-air missiles launched from the Sondok area in South Hamgyong Province toward the East Sea.

The Joint Chiefs of Staff said it is closely monitoring North Korea’s activities under the South Korea-United States combined defense posture and remains ready to respond to any provocation.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

A US judge has temporarily stopped the Trump administration from detaining British activist Imran Ahmed after he sued officials over an entry ban for alleged online censorship.

The founder of the Center for Countering Digital Hate is among five people denied US visas after the state department accused them of seeking to “coerce” tech platforms into censoring free speech.

The move brought a backlash from European leaders defending the work of organisations monitoring online content.

Mr Ahmed, a US permanent resident, had warned that being detained and possibly deported would tear him away from his American wife and child.

Praising the judge’s decision, he told BBC News he would not be “bullied”.

Secretary of State Marco Rubio had said online that the individuals were blocked over concerns that they had organised efforts to pressure US platforms to censor and “punish American viewpoints they oppose“.

Mr Ahmed filed a legal complaint on Wednesday against officials including Rubio and US Attorney General Pamela Bondi over the decision to have him sanctioned.

In court documents seen by the BBC, US District Judge Vernon S Broderick said on Thursday he had granted Mr Ahmed’s request for a temporary restraining order.

The judge also temporarily blocked the officials from detaining Mr Ahmed without the chance for his case to be heard.

The BBC has contacted the state department and White House for comment.

When approached by AFP news agency, a state department spokesperson was quoted as saying: “The Supreme Court and Congress have repeatedly made clear: the United States is under no obligation to allow foreign aliens to come to our country or reside here.”

Mr Ahmed said: “I will not be bullied away from my life’s work of fighting to keep children safe from social media’s harm and stopping antisemitism online.”

His lawyer, Roberta Kaplan, said the speed of the judge’s decision was telling.

“The federal government can’t deport a green card holder like Imran Ahmed, with a wife and young child who are American, simply because it doesn’t like what he has to say,” she said.

In 2023, Mr Ahmed’s centre was sued by Elon Musk’s social media company after it reported on a rise in hate speech on the platform since the billionaire’s takeover of the firm, now called X.

The case was dismissed but an appeal is pending.

WHAM! star George Michael has raked in almost £75million from beyond the grave — and is set to bank even more, accounts show.

The singer’s firm, Nobby’s Hobbies Holding Limited, has turned over £74.7million since he died aged 53 on Christmas Day 2016.

Royalties poured in after the band’s 1984 classic hit Last Christmas, which he wrote, was the festive No1 in both 2023 and 2024.

George’s estate earned £6.6million from the 2023 chart success alone.

Cash also came from the 2023 Netflix documentary Wham!.

The company’s latest accounts end in March 2024, meaning earnings from Christmas 2024 are yet to be included.

Read more on George Michael

SPRUCED UP

George Michael’s £10m mansion gets modern makeover after row with neighbours

Generous George

George Michael’s incredible generosity revealed after handing singer £50k

George left a £98million fortune when he died, mostly to his sisters.

We revealed earlier in the year how George Michael’s dilapidated £10m London mansion is showing signs of improvement after major renovation work.

A bitter row with neighbours over the chopping down of a number of historic trees hasn’t deterred the late star’s sister from updating the property.

George’s only living sibling, Yioda Panayiotou, was handed ownership of the property following the singer’s tragic death on Christmas Day 2016 at the age of 53. 

There was outrage when Yioda’s design team asked the local council to remove a number of trees and prune others at the front and rear of the property, which is in a conservation area. 

One residents association was furious that the works were also going to occur during the peak nesting season, which runs from March to July. 

England’s innings gets off to a horror start, as Australia take three early wickets to leave the visitors on 8-3 inside the first five overs on day one of the foruth Ashes Test in Melbourne.

FOLLOW LIVE: The Ashes fourth Test – day one

Available to UK users only.

Dec. 25 (Asia Today) — President Lee Jae-myung and first lady Kim Hye-kyung attended a Christmas service Thursday with about 130 worshippers at Haein Church in Incheon, the presidential office said.

Spokesperson Kim Nam-joon said in a written briefing that the visit was meant to reflect on the meaning of Christmas, offer a message of comfort and hope to the public beyond religion and reaffirm the value of social integration.

Kim said Lee met Pastor Lee Jun-mo and his wife, Pastor Kim Young-sun, upon arriving at the church and thanked them for the opportunity to share Christmas greetings there.

The pastors offered well-wishes and urged Lee to embrace vulnerable members of society, the spokesperson said.

Haein Church was founded in 1986 as what the presidential office described as a workers-funded “people’s church.” It is located in Gyeyang District, which was Lee’s constituency when he served as a lawmaker. The church is known for community projects supporting people including the homeless and victims of domestic violence, the presidential office said.

After the service, Lee and Kim had bibimbap with church members in the church dining hall, the spokesperson said. They later visited the Notre Dame Convent in Gyeyang District to exchange Christmas greetings.

Lee also attended a Christmas Mass Thursday afternoon at Myeongdong Cathedral in Seoul, which the presidential office said drew about 1,000 worshippers, including Archbishop Chung Soon-taek of Seoul.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Four members of the advocacy group Palestine Action have pledged this week to continue their hunger strike amid grave medical warnings and the hospitalisations of their fellow protesters.

The group’s members are being held in five prisons in the United Kingdom over alleged involvement in break-ins at a facility of the UK’s subsidiary of the Israeli defence firm Elbit Systems in Bristol and a Royal Air Force base in Oxfordshire. They are protesting for better conditions in prison, rights to a fair trial, and for the UK to change a July policy listing the movement as a “terror” group.

Palestine Action denies charges of “violent disorder” and others against the eight detainees. Relatives and loved ones told Al Jazeera of the members’ deteriorating health amid the hunger strikes, which have led to repeated hospital admissions. Lawyers representing the detainees have revealed plans to sue the government.

The case has brought international attention to the UK’s treatment of groups standing in solidarity with Palestinians amid Israel’s genocidal war in Gaza. Thousands of people have rallied in support of Palestine Action every week.

Hunger strikes have been used throughout history as an extreme, non-violent way of seeking justice. Their effectiveness often lies in the moral weight they place upon those in power.

Historical records trace hunger strikes back to ancient India and Ireland, where people would fast at the doorstep of an offender to publicly shame them. However, they have also proved powerful as political statements in the present day.

Here are some of the most famous hunger strikes in recent world history:

Irish Republican Movement hunger strikes

Some of the most significant hunger strikes in the 20th century occurred during the Irish revolutionary period, or the Troubles. The first wave was the 1920 Cork hunger strike, during the Irish War of Independence. Some 65 people suspected of being Republicans had been held without proper trial proceedings at the Cork County Gaol.

They began a hunger strike, demanding their release and asking to be treated as political prisoners rather than criminals. They were joined by Terence MacSwiney, the lord mayor of Cork, whose profile brought significant international attention to the independence cause. The British government attempted to break up the movement by transferring the prisoners to other locations, but their fasts continued. At least three prisoners died, including MacSwiney, after 74 days.

Later on, towards the end of the conflict and the signing of the Good Friday Agreement, imprisoned Irish Republicans protested against their internment and the withdrawal of political prisoner status that stripped them of certain rights: the right to wear civilian clothes, or to not be forced into labour.

They began the “dirty protest” in 1980, refusing to have a bath and covering walls in excrement. In 1981, scores of people refused to eat. The most prominent among them was Bobby Sands, an IRA member who was elected as a representative to the British Parliament while he was still in jail. Sands eventually starved to death, along with nine others, during that period, leading to widespread criticism of the Margaret Thatcher administration.

India’s Mohandas Karamchand Gandhi, who was later popularly known as Mahatma Gandhi, used hunger strikes as a tool of protest against the British colonial rulers several times. His fasts, referred to as Satyagraha, meaning holding on to truth in Hindi, were considered by the politician and activist not only as a political act but also a spiritual one.

Gandhi’s strikes sometimes lasted for days or weeks, during which he largely sipped water, sometimes with some lime juice. They achieved mixed results – sometimes, the British policy changed, but at other times, there were no improvements. Gandhi, however, philosophised in his many writings that the act was not a coercive one for him, but rather an attempt at personal atonement and to educate the public.

One of Gandhi’s most significant hunger strikes was in February 1943, after British authorities placed him under house arrest in Pune for starting the Quit India Movement back in August 1942. Gandhi protested against the mass arrests of Congress leaders and demanded the release of prisoners by refusing food for 21 days. It intensified public support for independence and prompted unrest around the country, as workers stayed away from work and people poured out into the streets in protest.

Another popular figure who used hunger strikes to protest against British rule in colonial India was Jatindra Nath Das, better known as Jatin Das. A member of the Hindustan Socialist Republican Association, Das refused food while in detention for 63 days starting from August 1929, in protest against the poor treatment of political prisoners. He died at the age of 24, and his funeral attracted more than 500,000 mourners.

Palestinian prisoners in Israeli prisons

Palestinians held, often without trial, in Israeli jails have long used hunger strikes as a form of protest. One of the most well-known figures is Khader Adnan, whose shocking death in May 2023 after an 86-day hunger strike drew global attention to the appalling treatment of Palestinians by the Israeli government.

Adnan, who was 45 when he starved to death at the Ayalon Prison, leaving behind nine children, had repeatedly been targeted by Israeli authorities since the early 2000s. The baker from the occupied West Bank had once been part of the Palestinian Islamic Jihad group as a spokesperson, although his wife later stated publicly that he had left the group and that he had never been involved in armed operations.

However, Adnan was arrested and held without trial multiple times, with some estimates stating that he spent a cumulative eight years in Israeli prisons. Adnan would often go on hunger strike during those detentions, protesting against what he said was usually a humiliating arrest and a detention without basis. In 2012, thousands in Gaza and the West Bank rallied in a non-partisan show of support after he went 66 days without food, the longest such strike in Palestinian history at the time. He was released days after the mass protests.

In February 2023, Adnan was once again arrested. He immediately began a hunger strike, refusing to eat, drink, or receive medical care. He was held for months, even as medical experts warned the Israeli government that he had lost significant muscle mass and had reached a point where eating would cause more damage than good. On the morning of May 2, Adnan was found dead in his cell, making him the first Palestinian prisoner to die in a hunger strike in three decades. Former Palestinian Information Minister Mustafa Barghouti described his death as an “assassination” by the Israeli government.

Hunger strikes at Guantanamo

Following the 2002 opening of the Guantanamo Bay detention camp of the United States in Cuba, where hundreds of “terror” suspects were held prisoners, often with no formal charges, they used hunger strikes in waves to protest against their detention. The camp is notorious for its inhumane conditions and prisoner torture. There were 15 detainees left by January 2025.

The secret nature of the prison prevented news of earlier hunger strikes from emerging. However, in 2005, US media reported mass hunger strikes by scores of detainees – at least 200 prisoners, or a third of the camp’s population.

Officials forcefully fed those whose health had severely deteriorated through nasal tubes. Others were cuffed daily, restrained, and force-fed. One detainee, Lakhdar Boumediene, later wrote that he went without a real meal for two years, but that he was forcefully fed twice a day: he was strapped down in a restraining chair that inmates called the “torture chair”, and a tube was inserted in his nose and another in his stomach. His lawyer also told reporters that his face was usually masked, and that when one side of his nose was broken one time, they stuck the tube in the other side, his lawyer said. Sometimes, the food got into his lungs.

Hunger strikes would continue intermittently through the years at Guantanamo. In 2013, another big wave of strikes began, with at least 106 of the remaining 166 detainees participating by July. Authorities force-fed 45 people at the time. One striker, Jihad Ahmed Mustafa Dhiab, filed for an injunction against the government to stop officials from force-feeding him, but a court in Washington, DC rejected his lawsuit.

Protests against apartheid South Africa

Black and Indian political prisoners held for years on Robben Island protested against their brutal conditions by going on a collective hunger strike in July 1966. The detainees, including Nelson Mandela, had been facing reduced food rations and were forced to work in a lime quarry, despite not being criminals. They were also angry at attempts to separate them along racial lines.

In his 1994 biography, Long Walk to Freedom, Mandela wrote that prison authorities began serving bigger rations, even accompanying the food with more vegetables and hunks of meat to try to break the strike. Prison wardens smiled as the prisoners rejected the food, he wrote, and the men were driven especially hard at the quarry. Many would collapse under the intensity of the work and the hunger, but the strikes continued.

A crucial plot twist began when prison wardens, whom Mandela and other political prisoners had taken extra care to befriend, began hunger strikes of their own, demanding better living conditions and food for themselves. Authorities were forced to immediately settle with the prison guards and, a day later, negotiate with the prisoners. The strike lasted about seven days.

Later, in May 2017, South Africans, including the then Deputy President Cyril Ramaphosa, who was imprisoned in a different facility during apartheid, supported hunger-striking Palestinian prisoners by participating in a collective one-day fast. At the time, late Robben Island veteran Sunny “King” Singh wrote in the South African paper Sunday Tribune that hunger strikes in the prison never lasted more than a week before things changed, and compared it with the protracted situation of Palestinian strikers.

“We were beaten by our captors but never experienced the type of abuse and torture that some of the Palestinian prisoners complain of,” he wrote. “It was rare that we were put in solitary confinement, but this seems commonplace in Israeli jails.”

2026 is shaping up to be a massive year for music fans, with huge names set to drop new albums and singles.

From Lana Del Rey adding a country twist to her latest tracks, to The Rolling Stones promising fresh rock anthems, there’s something for every taste.

Rising stars like Raye and Leigh-Anne will be making waves, while veterans including Paul McCartney, Van Morrison and Bruce Springsteen show no signs of hanging up the microphone.

With this and so much more on the way, here are our top picks for an exciting year ahead.

LANA DEL RAY 

FOLLOWING the likes of Beyonce and Post Malone, Del Rey is set to saddle up and add country nuances to her tenth studio album.  

Previously announced as Lasso and The Right Person Will Stay, expect Stove sooner rather than later in the new year.  

XMAS LEGEND GONE

Driving Home For Christmas singer Chris Rea dies aged 74

NEW TUNE

Legendary band’s unreleased track to be played publicly for first time since 1974

Singles Henry, Come On and Bluebird demonstrated her shift to Americana stylings. 

THE ROLLING STONES 

MICK JAGGER, Keith Richards and Ronnie Wood may be hanging up their touring boots, but it still promises to be a momentous year for rock’s great survivors.  

There was a huge 18-year gap between Hackney Diamonds (2023) and the Stones’ previous album of original songs, A Bigger Bang.  

But in late April, we can expect a new one, again produced by US live wire Andrew Watt. 

RAYE 

WE can expect the much-anticipated follow-up to Raye’s all-conquering, soul-bearing, Brits-winning My 21st Century Blues.

The R&B singer debuted two unreleased songs at this summer’s Glastonbury with one, Where Is My Husband!, becoming the lead single from the as-yet-unnamed album.

Her official site promises an early 2026 release date. 

FOO FIGHTERS 

A NEW album from Dave Grohl and Co is on the cards in 2026, their second since the sad passing of Taylor Hawkins.

With another new drummer, ex-Nine Inch Nails Ilan Rubin, announced in the summer, the first recorded music with him appeared in the shape of single Asking For A Friend.

Two massive UK shows at Liverpool’s Anfield Stadium are set for June. 

ROBBIE WILLIAMS 

INSPIRED by the mid-Nineties period after Robbie left Take That, Britpop is his 13th studio album. 

It begins with the, er, rocket-fuelled Rocket, which is graced with suitably heavy riffing from Black Sabbath’s Tony Iommi. 

Bearing in mind the recent exploits of Oasis, Blur, Pulp and Suede, why not this celebration by one of the era’s favourite singers?  

Out on February 6. 

CHARLIE XCX 

AFTER the Brat summer of 2024, the singer heads in another direction with her soundtrack album for Wuthering Heights.  

Out on February 13, same day as Emerald Fennell’s film version of Emily Bronte’s novel, it has already yielded singles House, with Velvet Underground legend John Cale, and Chains Of Love.

Charli says: “It couldn’t be more different from Brat.” 

PAUL McCARTNEY 

AS far as his epic music career is concerned, Macca will never “let it be”. 

The Beatles legend confirmed work on the follow-up to 2020’s excellent McCartney III.  

In the foreword to a memoir about his other band, Wings, he wrote: “Right now, I have 25 songs that I’m finishing . . . new songs that are interesting.”  

He’s also mentioned in despatches sessions in LA with Andrew Watt (Stones, Lady Gaga). 

THE FACES 

HERE’S a rock ’n’ roll reunion to savour. 

The band’s three survivors, Rod Stewart, Ronnie Wood and Kenney Jones, have been preparing their first album in more than 50 years. 

At least 11 songs have been recorded, which Jones says are “a mixture of stuff we never released but is worthy of releasing and some wonderful new stuff. Rod is writing the lyrics.” 

COURTNEY BARNETT 

THE Aussie rekindles her love of the electric guitar on her forthcoming fourth album.

After decamping to California, she’s been recording in Rancho De Luna, Joshua Tree, home of the legendary hard-rocking Desert Sessions.

First evidence of her labours is recent single Stay In Your Lane, complete with scuzzy bass lines and wonderfully deadpan vocals. 

VAN MORRISON 

HOT on the heels of his sublime return to form, Remembering Now, comes this love letter to the blues, Somebody Tried To Sell Me A Bridge.

Out on January 23, the 20-track album proves Van is still “The Man” at 80.

It includes Fats Domino’s Ain’t That A Shame, Blind Blake’s Delia’s Gone and features stellar 

guests – Buddy Guy and Taj Mahal among them. 

DANNY L HARLE 

AFTER stellar production duties with Dua Lipa, Caroline Polachek and Olly Alexander, Harle steps into the limelight with the genre-hopping Cerulean (released February 13).

“This is my debut album. This is the big one,” says the North Londoner.

Singles already released Starlight (ft PinkPantheress) and Azimuth (ft Polachek) offer much promise. 

BJORK 

THE Icelandic icon has given a strong hint of new material in the new year, her first since 2022’s Fossora. 

She’s involved in a huge exhibition in Reykjavik involving immersive audio and visual installations.

A social media post reveals that the third and last of these is “a new work based on music from her forthcoming album, currently in development.” 

LEIGH-ANNE 

THE impressive former Little Mix singer can finally do things her way when 

she releases her 15-track debut album as an independent solo artist. Following the singles Been A Minute, Burning Up and Dead And Gone, she delivers My Ego Told Me To in February.

Rooted in reggae and pop, it explores personal themes of family and empowerment. 

GORILLAZ 

MURDOC, Russel Hobbs, 2D and Noodle – the brainchildren of Damon Albarn and visual artist Jamie Hewlett – release The Mountain on March 20.

The ninth Gorillaz album brings Indian music to the fore but also finds room for guest appearances by Sparks, Gruff Rhys, Idles and Johnny Marr. Drummer Hobbs calls it “a journey of the soul – with beats.” 

BRUCE SPRINGSTEEN 

THIS was a year when The Boss gave us so much.

Another visit to the UK with the E Street Band followed by two significant raids on his archives – Tracks II with its SEVEN unreleased albums and an expanded Nebraska to coincide with the recent biopic.

Yet he told Rolling Stone: “I have a record finished. It’s a solo record  . . .  I imagine it will come out in ’26 some time.”  

MUMFORD & SONS 

THE trio of Marcus Mumford, Ben Lovett and Ted Deane have reunited with Taylor Swift associate, The National’s Aaron Dessner.

He has produced and co-writes Prizefighter.

Set for release on Feb 13, the band’s sixth studio album arrives less than a year after their UK No 1 fifth, Rushmere. Gracie Abrams, Chris Stapleton & Hozier guest. 

LUCINDA WILLIAMS 

BEARER of one of the most passionate voices in American music, Williams returns with World’s Gone Wrong on January 23.

She addresses head-on the divisions in her country while taking specific aim at the sandy-haired White House incumbent.

She duets with the mighty Mavis Staples on a cover of Bob Marley’s So Much Trouble In The World. 

THE DAMNED 

WHEN the punk pioneers’ founder member Brian James died earlier this year, the current line-up recorded a covers album celebrating the Sixties music loved by their fallen comrade.

Not Like Everybody Else is out on January 23.

Singer Dave Vanian turns There’s A Ghost In My House into a hoot and Captain Sensible takes the lead on Pink Floyd’s See Emily Play. 

The Lakers felt good about their starting lineup Thursday when Luka Doncic and Rui Hachimura returned from injury to restore their normal starting unit for only the seventh time this season.

But the good times didn’t last long. Coming out of halftime down 10 points to the Houston Rockets, the Lakers announced Austin Reaves wouldn’t play in the second half because of left calf soreness.

With another apparent setback for Reaves adding to the Lakers’ desperate search for continuity, the team put up another inconsistent performance on defense in a 119-96 loss to the Rockets at Crypto.com Arena.

The Lakers, who’ve lost three in a row for the first time this season, allowed the Rockets to shoot 53% from the field. Amen Thompson led the way with 26 points and Kevin Durant scored 25 as the Rockets out-rebounded the Lakers 48-25.

Reaves missed three games with a left calf strain before returning against Phoenix on Tuesday. He scored 17 points off the bench in the Lakers’ loss to the Suns.

Against the Rockets, Reaves started and played 15 minutes in the first half, scoring 12 points on five-for-eight shooting.

Reaves entered Thursday averaging 27.3 points per game, ranking him 11th in league scoring.

Doncic, who had been out with a lower left leg contusion, had 25 points and seven assists and LeBron James had 18 points. Hachimura (right groin injury management) didn’t score in his 28 minutes.

With so many players rotating through the lineup because of injuries, the Lakers have struggled to find solutions to their defensive issues.

They entered Thursday allowing 117.4 points per game, 19th most in the league. They were allowing the 26th highest field-goal percentage (48.4) and the highest three-point shooting percentage (40.1). They were next-to-last in rebounds, averaging 40.1 per game.

That was a real issue against the Rockets team that entered the game first in offensive rebounds (16.1).

And in this game, the Rockets got 17 offensive rebounds.

The Lakers didn’t have key role players Jaxson Hayes (left ankle soreness) and Gabe Vincent (lumbar back strain), adding to their woes.

“It’s the modern NBA where there’s injuries and then there’s not a lot of time to practice,” Lakers coach JJ Redick said. “So, when you have continuity, you can kind of capture what you’re trying to do and you feel comfortable and good about it.”

Poland’s defence minister said Russian aircraft was ‘escorted’ from area and did not pose immediate security threat.

Poland said its air force intercepted a “Russian reconnaissance aircraft” flying near the border of its airspace just hours after tracking suspected smuggling balloons coming from the direction of neighbouring Belarus.

“This morning, over the international waters of the Baltic Sea, Polish fighter jets intercepted, visually identified, and escorted a Russian reconnaissance aircraft flying near the border of Polish airspace from their area of responsibility,” the Operational Command of the Polish Armed Forces said in a post on X on Thursday.

Polish forces also tracked unknown “objects” flying in the direction of Poland from Belarus during the previous night, prompting Warsaw to temporarily close civilian airspace in the northeast of the country.

“After detailed analysis, it was determined that these were most likely smuggling balloons, moving in the direction and at the speed of the wind. Their flight was continuously monitored by our radar systems,” Operational Command said.

The post did not disclose any further details about the number or size of the balloons.

Polish Defence Minister Wladyslaw Kosiniak-Kamysz said on X that the incidents did not pose an immediate threat to Poland’s security, and he thanked the “nearly 20,000 of our soldiers who, during the Holidays, watch over our safety”.

“All provocations over the Baltic Sea and near the border with Belarus were under the full control of the Polish Army,” he said.

Translation: Another busy night for the operational services of the Polish Army. All provocations, both over the Baltic Sea and over the border with Belarus, were under full control. I thank nearly 20,000 of our soldiers who, during the Holidays, watch over our safety – and as can be seen – do so extremely effectively.

The Belarusian and Russian ‌embassies in Warsaw did not immediately respond ⁠to the Reuters news agency’s requests for comment.

Smuggler balloons from Belarus have repeatedly disrupted air traffic in neighbouring Lithuania, forcing airport closures. Lithuania says the balloons are sent by smugglers transporting cigarettes and ‌constitute a “hybrid attack” by Belarus, a close ally of Russia. Belarus has denied responsibility for the balloons.

The latest air alerts in Poland came three months after Poland and NATO forces shot down more than a dozen Russian drones as they flew over Polish airspace between September 9 and 10.

The event was the largest incursion of its kind on Polish airspace since Russia invaded Ukraine in February 2022.

Following the incident, NATO-member Poland called an emergency session of the United Nations Security Council to discuss the “blatant violation of the UN Charter principles and the customary law”.

Polish Foreign Minister Radoslaw Sikorski said at the time that Russia was testing how quickly NATO countries could respond to threats.

Bolsonaro’s operation addressed a painful double hernia; doctors anticipate five to seven days of hospitalisation.

Former Brazilian President Jair Bolsonaro, who is serving a prison sentence for an attempted coup, underwent a “successful” surgery for an inguinal hernia, his wife has said.

The 70-year-old former leader left prison on Wednesday for the first time since late November to undergo the procedure on Thursday at the DF Star Hospital in Brasilia.

“Successful surgery completed, without complications. Now we wait for him to wake up from anaesthesia,” his wife Michelle announced in an Instagram post.

Bolsonaro has been serving a 27-year term since November for an attempted coup. He was granted court permission to leave prison after federal police doctors confirmed that he needed the procedure.

Doctors say Bolsonaro’s double hernia causes him pain. The former leader, who was in power between 2019 and 2022, has gone through several other surgeries since he was stabbed in the abdomen during a campaign rally in 2018. He was also diagnosed with skin cancer recently.

Doctors for the far-right president from 2019 to 2022 anticipated that his hospitalisation would last between five and seven more days.

The surgery was to repair an inguinal hernia – a protrusion in the groin area due to a tear in the abdominal muscles.

“It is a complex surgery,” Dr Claudio Birolini said on Wednesday. “But it is a standardised … scheduled surgery, so we expect the procedure to be carried out without major complications.”

After the operation, doctors are to assess whether Bolsonaro can undergo an additional procedure: blockage of the phrenic nerve, which controls the diaphragm, for recurrent hiccups, Birolini said.

Brazil’s Supreme Court sentenced Bolsonaro to prison in September after he was found guilty of having led a scheme to prevent President Luiz Inacio Lula da Silva from taking office and to retain power.

Bolsonaro has maintained his innocence, declaring he was a victim of political persecution.

He has been confined to a small room with a minibar, air conditioning and a television at the federal police headquarters in Brasilia.

Succession

Early on Thursday, his eldest son, Senator Flavio Bolsonaro, told reporters before the surgery that his father had written a letter confirming he had appointed him as the Liberal Party’s presidential candidate in next year’s election. Flavio announced on December 5 that he would challenge Lula, who is seeking a fourth nonconsecutive term, as the party’s candidate.

The senator read the letter to journalists, and his office released a reproduction of it to the media.

“He represents the continuation of the path of prosperity that I began well before becoming president, as I believe we must restore the responsibility of leading Brazil with justice, resolve and loyalty to the aspirations of the Brazilian people,” Bolsonaro said in the handwritten letter, dated Thursday.

According to Flavio, the letter sought to clarify any “doubt” about his father’s support for his presidential bid.

“Many people say they had not heard it from his own mouth or had not seen a letter signed by him. I believe this clears up any shadow of doubt,” he said after reading the letter.

The former president and several of his allies were convicted by a panel of Supreme Court justices for attempting to overthrow Brazil’s democratic system following his 2022 election defeat.

You won’t see a movie with better music and worse dialogue this holiday season than the bizarrely charming “Song Sung Blue,” a biopic about a husband-and-wife Neil Diamond cover band who were a fleeting sensation in 1990s Milwaukee.

If that plot synopsis isn’t a hook, the soundtrack is packed with them, as stars Hugh Jackman and Kate Hudson belt over a dozen Diamond hits including “Forever in Blue Jeans,” “I Am…I Said,” and “Holly Holy.” Of course the couple they’re playing, Mike and Claire Sardina, a.k.a. Lightning & Thunder, also do “Sweet Caroline,” although they disagree over where it belongs in the set list. Mike prefers last, allowing them to showcase his idol’s range beforehand. Claire insists it come first after an incident when withholding it triggers a biker brawl.

Written and directed by Craig Brewer (“Hustle & Flow”), the movie is itself a cover of Greg Kohs’ 2008 documentary on the Sardinas, also titled “Song Sung Blue.” The original is a quirky little indie that reveals truth to be weirder than fiction. What happens to Mike and Claire is so outlandish that you’d roll your eyes if Brewer also included the facts that their real-life wedding climaxed with a concert for a thousand people at the Wisconsin State Fair and that the groomsmen wore tuxedo T-shirts.

Both films are love stories, even if the new version compresses Mike and Claire’s decade and a half marriage into two years. He’s a divorced auto mechanic and recovering alcoholic with a surly-but-sweet distant daughter named Angela (King Princess) and a bit of local renown. She’s a single mom to son Dayna (Hudson Hensley) and her own daughter, Rachel (Ella Anderson), when Mike struts into her life wearing lightning bolts on his jacket and tooth. His manager, Dave (Fisher Stevens), is also his dentist.

This is a script that shows and tells. If Mike jokes that Dave deserves a free oil change for missing out on a $10 commission, then you better believe the movie will cut to him under the car doing the job. Every character blurts out exactly what they want with the gusto of belting out ba-ba-baaaah at a certain Neil Diamond chorus.

“I gotta be Neil but I gotta be me too,” Mike says urgently. A couple scenes later, Hudson’s Claire turns to Rachel and pleads, “I just want to sing and feel happy and be loved!” Likewise, as soon as their kids are thrust together on an awkward playdate, the girls get stoned, trauma-bonding about their unstable parents, a cute and corny moment that ensures the audience knows the risks if Lightning & Thunder are forced to hang up their spangles.

The twosome are backed by a tour booker, Tom (Jim Belushi), who dreams of getting them a residency in Vegas, and a motley crew of fellow mimics including a Buddy Holly (Michael Imperioli) and a James Brown (Mustafa Shakir). Shyaporn Theerakulstit, Chacha Tahng and Faye Tamasa have some nice moments as Thai restaurateurs who welcome the Sardinas’ family into their own. Often though, you find yourself watching Anderson as the anxious Rachel who seems most in tune with reality. Can her mom and stepdad’s fantasies of fame actually pay their rent?

There’s a spoiler in the trailer that I recommend avoiding if you can. The argument for it must have been that no one wants to see a musical about two Midwesterners in rhinestones unless something bad happens to them. Most rock biopics have a similar rise-and-fall-and-rise arc; it’s a cliché that works, like plugging “Sweet Caroline” into a bar’s jukebox. But what gives “Song Sung Blue” a wonky kind of depth is that there’s only so high Mike and Claire can rise. When the real-life couple was fired from a steady booking, the club owner justified his actions by saying, “Especially being in Neil Diamond impersonation, your limits are Neil Diamond.”

Fans will counter that the songwriter’s gifts are so ceaseless that younger generations might not even connect each hit with his name. Bopping along to the movie feels like being at a pub trivia night where the answer is always Neil Diamond: That’s right, he also wrote The Monkees’ “I’m a Believer.” Begrudgingly, you half-buy into one of the script’s more ludicrous set-ups, that Lightning & Thunder will play their biggest show on the night Diamond is headlining at another venue in town. The greater metro population of Milwaukee is just shy of one and half million people. Sure, why not.

Grinding plot gears aside, the duo’s actual biggest gig is pretty awesome: In 1995, Eddie Vedder invited Lightning & Thunder to open for Pearl Jam. (“What’s a Pearl Jam?” Mike asks.) The quirky mash-up of sequins and flannel gets reenacted here, but this would be a richer movie if it explored why a Seattle grunge band rocketing toward mega-stardom would whisk this act along for the ride. Appreciation for Diamond’s lyrical craft? Respect for the Sardinas’ genuine talents? Or just kitsch?

That Lightning & Thunder peaked when Gen Xers were ascendant makes you yearn for Brewer to grapple with how much of their fan base was ironic. That question, along with Diamond’s ear worms, won’t stop wriggling in my brain. The closest answer I’ve found is in a “Simpsons” episode from around the same time where Homer takes the stage at a cartoon version of Lollapalooza. (“He’s cool,” a pierced punk says with a snort. A buddy asks if he’s being sarcastic, and the kid collapses like a hot air balloon: “I don’t even know anymore.”)

“Song Sung Blue” couldn’t be less cool. But the Sardinas were completely sincere and Jackman and Hudson honor their innocence by playing them straight. (Brewer, however, can’t resist a pratfall where Mike trips singing “Cracklin’ Rosie” in his skivvies.) Jackman looks and sounds so much like Diamond that the concert scenes feel like top-fleet karaoke, and Hudson more than holds her own, even as her Claire is tasked to stare at her husband with starry eyes that sparkle as much as her silver makeup.

Hudson encourages the audience to use Claire’s stubborn buoyancy and perky accent as a life raft when Lightning & Thunder are deluged by extremely bad luck. But the beat Hudson gets exactly right comes in a scene where you’re certain this klutzy melodrama is going to force her to sob. Instead, she refuses. She smiles, and that’s the detail that breaks your heart.

So I cried for her. Then I groaned some more and while I didn’t need an encore, I left the theater humming.

These are the key developments from day 1,401 of Russia’s war on Ukraine.

Here is where things stand on Friday, December 26:

Fighting

• Officials in Russia’s Krasnodar region reported a huge fire following a Ukrainian drone strike on two storage tanks holding oil products in the southern Russian port of Temryuk. The blaze spread across roughly 2,000 square metres (some 21,500 square feet).
• Long-range Ukrainian drones targeted oil storage facilities at Temryuk port, as well as a gas processing plant in Russia’s Orenburg region, Ukraine’s SBU security service said.
• Ukraine’s General Staff said its military also struck the Novoshakhtinsk oil refinery in Russia’s Rostov region using Storm Shadow missiles, triggering several explosions.
• The General Staff described the Russian refinery as a major supplier of oil products in southern Russia that supports Moscow’s military operations in Ukraine.
• Russia’s Ministry of Defence announced that its forces had taken control of the settlement of Sviato-Pokrovske in eastern Ukraine’s Donetsk region, according to reports from Russian state news agencies.

Regional security

• Poland sent fighter jets to intercept a Russian reconnaissance aircraft flying near its airspace over the Baltic Sea and said dozens of objects entered Polish airspace from Belarus overnight, warning the incidents during the holiday season may signal a provocation.
• Russia’s Ministry of Foreign Affairs accused the United States of encouraging what it called “piracy” in the Caribbean and Pacific Ocean by blockading Venezuela, while expressing hope that US President Donald Trump’s pragmatism could prevent further escalation.
• Moscow also reiterated its support for Venezuelan President Nicolas Maduro’s government and its efforts to safeguard national sovereignty amid threats by the US to remove Maduro from power.

Peace talks

• Ukrainian President Volodymyr Zelenskyy said he spoke with Donald Trump’s special envoy Steve Witkoff and son-in-law, Jared Kushner, for about an hour on how to end the war with Russia and “how to bring the real peace closer”.

• “Of course, there is still work to be done on sensitive issues,” the Ukrainian leader said. “But together with the American team, we understand how to put all of this in place. The weeks ahead may also be intensive. Thank you, America!”

• Russia believes negotiations with the US to end the war in Ukraine are making gradual progress, Russian Foreign Ministry spokeswoman Maria Zakharova said. She described the talks as slow-moving but advancing steadily.

Politics and diplomacy

• Kremlin spokesman Dmitry Peskov said President Vladimir Putin had sent the US president a Christmas greeting along with a congratulatory message.
•  Russia said it had put forward a proposal to France concerning Laurent Vinatier, a French researcher imprisoned under Russia’s foreign agent laws, adding that the next steps in the Frenchman’s case now rest with Paris.

Sanctions

• Russia’s target of producing 100 million tonnes of liquefied natural gas annually has been pushed back by several years due to international sanctions, the country’s Deputy Prime Minister Alexander Novak said in comments aired on state television.

Waymo hopes to have its driverless taxis on the streets of London full-time in the very near future. During December trials, Waymo shared an image on social media showing one of its self-driving Jaguar I-Pace cars crossing the famous Abbey Road zebra crossing

Driverless cars are often seen in big Hollywood sci-fi productions. And when they do, it’s to portray dystopian fantasies. But it seems the future is almost here. Plans are taking shape to make them an everyday reality on London’s roads.

England’s capital has been picked by American robotaxi operator Waymo as the first European city to operate its driverless cabs, a decision that has caused a lot of chatter and a fair amount of concern. The company hopes to gain permission from Transport for London to start autonomous rides next year, it has been reported, while Uber also has its eyes on running a similar UK service in the future.

At the beginning of December tests were carried out on London’s streets. Waymo shared an image on social media showing one of its self-driving Jaguar I-Pace cars crossing the famous Abbey Road zebra crossing.

Many will likely be wondering how the service works. Some may be a little unnerved at the prospect of being a passenger in a vehicle without a human at the helm.

I am something of a veteran of Waymo journeys, having been to San Francisco twice in the last year, alongside a trip to Los Angeles, where the taxis have been commonplace since 2024. I have a little intel on what to expect ahead of your first London trip in a driverless taxi…for those brave enough to give it a try.

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In San Fran, a fleet of around 1,000, rather glam, substantially tech-modified Jaguar I-Pace cars carries passengers around the Bay Area. They launched after a period of heavy testing, during which they were manned by a Waymo technician present inside while they got up to speed.

Fresh from nearby Silicon Valley, all you have to do is fire up an app, order and car, and you’re soon zig-zagging down Lombard Street without having to make small talk with your driver. After you’ve ordered your ride, the Waymo Jag waits in a zone near your location with your initials showing on the car’s rooftop antenna. You can modify the colour scheme of your initials, should you so wish.

Within range, the app on your phone acts as an automatic unlocker for your robotaxi, although you can also press a button to unlock using the app. The same applies for opening the boot. Initially, I wondered whether the latter was off-limits and packed with all kinds of macguffins, making the whole Tomorrow’s World experience possible – but no, it is just an ordinary, sizable space to store luggage.

Inside, tranquil music, akin to the background babble you’d find in a spa treatment room, welcomes riders. It seems designed to put any nervous first-timers at ease. Don’t worry, within a few trips, you’ll have your Spotify hooked up with no driver judgment as you belt out your favourite songs. Travelling from Fisherman’s Wharf to Oracle Park, the home of the San Francisco Giants baseball team, I got stuck into lots of 1980s synth.

Of course, the whole set-up is surreal. At times, it looks a bit like the car has been taken over by Captain Scarlet’s invisible baddies, the Mysterons, but it is an environment that you get used to surprisingly quickly. Particularly if you are sitting behind the ‘driver’ seat, as you are really none the wiser that the human is missing. It’s hard to ignore the intrigued pedestrians having a little peek in through the windows when you stop at traffic lights.

Regarding the terms and conditions, passengers must be over 18. All journeys are videoed and a support team is on the other end, available at any point – should you need them. According to Waymo, this is the only time that what is said in the cars can be heard by the support team.

From my experience, Waymo tended to be cheaper than Uber. This may be a low introductory price to get users interested, or just because the firm doesn’t have to pay a person’s wages.

When travelling, seatbelts must be worn like always, while cigarettes, vapes or drugs of any kind are banned. Consuming alcohol as you take to the roads in a passenger seat is also not allowed.

In terms of Waymo’s coming to the UK, given the immaculate interiors of their US equivalents, you do wonder what state you might find them in at the end of Friday and Saturday evenings spent picking up people on nights out. Leftover kebabs and other such booze-related delights may well come into play when the human driver is away.

There will undoubtedly be pushback from the huge number of taxi drivers whose livelihoods will be impacted by the launch. This is no small matter. There’s no denying the way the system – which functions using sensors, mapping, and an in-built computer – is very impressive; it doesn’t mean the road experience is perfect.

During one of my drives, I had to exit my taxi to politely usher a dog out of the way while a seemingly puzzled, stationary Waymo vehicle attempted to make contact with its call center. Although there’s still time to teach a new dog a trick or two before it’s unleashed on the streets of London.

What Waymo says

Regarding any possible cleanliness issues, a Waymo spokesperson said: “Cabin checks are performed at the end of the ride, and if a vehicle is deemed not fit for service, it is sent back to one of our depot facilities for inspection by on-site personnel.”

And, regarding obstacles in the road, like the dog example listed above in the article, Waymo vehicles have a ‘fleet response team’ that provides support. A Waymo spokesperson explained: “Much like phone-a-friend, when the Waymo vehicle encounters a particular situation on the road, the autonomous driver can reach out to a human fleet response agent for additional information to contextualise its environment.

“The Waymo Driver does not rely solely on the inputs it receives from the fleet response agent, and it is in control of the vehicle at all times. As the Waymo Driver waits for input from the fleet response, and even after receiving it, the Waymo Driver continues to use available information to inform its decisions. This is important because, given the dynamic conditions on the road, the environment around the car can change, which either remedies the situation or influences how the Waymo Driver should proceed. In fact, the vast majority of such situations are resolved, without assistance, by the Waymo Driver.”

You can find out more about how the Waymo remote support system works on the company website..

This was not the Christmas that Mariela Gomez would have imagined a year ago.

Or the one that thousands of other Venezuelan immigrants in the United States would have thought. But Donald Trump returned to the White House in January and quickly ended their US dream.

Gomez found herself spending the holiday in northern Venezuela for the first time in eight years. She dressed up, cooked, got her son a scooter and smiled for her in-laws. Hard as she tried, though, she could not ignore the main challenges facing returning migrants: unemployment and poverty.

“We had a modest dinner, not quite what we’d hoped for, but at least we had food on the table,” Gomez said of the lasagne-like dish she shared with her partner and in-laws instead of the traditional Christmas dish of stuffed corn dough hallacas. “Making hallacas here is a bit expensive, and since we’re unemployed, we couldn’t afford to make them.”

Gomez, her two sons and her partner returned to the city of Maracay on October 27 after crossing the US-Mexico border to Texas, where they were quickly swept up by US Border Patrol amid the Trump administration’s crackdown on immigration. They were deported to Mexico, from where they began the dangerous journey back to Venezuela.

They crossed Central America by bus, but once in Panama, the family could not afford to continue to Colombia via boat in the Caribbean. Instead, they took the cheaper route along the Pacific’s choppy waters, sitting on top of sloshing petrol tanks in a cargo boat for several hours and then transferring to a fast boat until reaching a jungled area of Colombia. They spent about two weeks there until they were wired money to make it to the border with Venezuela.

Gomez was among the more than 7.7 million Venezuelans who left their home country in the last decade, when its economy came undone as a result of a drop in oil prices, corruption and mismanagement. She lived in Colombia and Peru for years before setting her sights on the US with hopes of building a new life.

Steady deportations

Trump’s second term has dashed the hopes of many like Gomez.

As of September, more than 14,000 migrants, mostly from Venezuela, had returned to South America since Trump moved to limit migration to the US, according to figures from Colombia, Panama and Costa Rica. In addition, Venezuelans were steadily deported to their home country this year after President Nicolas Maduro, under pressure from the White House, did away with his longstanding policy of not accepting deportees from the US.

Immigrants arrived regularly at the airport outside the capital, Caracas, on flights operated by a US government contractor or Venezuela’s state-owned airline. More than 13,000 migrants returned this year on the chartered flights.

Gomez’s return to Venezuela also allowed her to see the now 20-year-old daughter she left behind when she fled the country’s complex crisis. They talked and drank beer during the holiday, knowing it might be the last time they shared a drink for a while – Gomez’s daughter will migrate to Brazil next month.

Gomez is hoping to make hallacas for New Year’s Eve and is also hoping for a job. But her prayers for next year are mostly for good health.

“I ask God for many things, first and foremost life and health, so we can continue enjoying our family,” she said.

To rebel is to defy. It is to understand that the world as it is can and should be better.

So it’s no surprise rebels were everywhere on our movie screens in 2025. Filmmakers in the U.S. and abroad depicted the lengths to which people will go to stand up against the bland (and at times violent) vision of conformity they see around them. It’s a theme that comes through most organically in these films’ costume designs.

In “Wicked: For Good,” for instance, Cynthia Erivo’s Elphaba Thropp stands apart from the glossy superficiality of the Emerald City. Paul Tazewell, an Oscar winner earlier this year for the first “Wicked,” once again wrapped Elphaba’s defiant spirit in the very fabric of her costumes. As she fights for animal rights and defies the authority of that fraud of a Wizard, the titular witch dons dresses and capes (and, yes, even a knitted cardigan that had the internet abuzz) that ground her in that land “made of dirt and rock and loam” she sings about.

Cynthia Erivo as Elphaba in “Wicked: For Good.”

(Giles Keyte / Universal Pictures)

Not that all rebels choose to stand out. In Paul Thomas Anderson’s politically urgent thriller “One Battle After Another” — costumed by four-time Oscar winner Colleen Atwood — members of the French 75 revolutionary group know better than to draw attention to themselves.

“Take Deandra [played by Regina Hall], for instance, who’s always lived off the grid,” Atwood tells The Envelope. “They have lives, but they are still somewhere on the wanted list, and some weirdo can suddenly know who they are. So they really have to blend in. They have to be not noticeable. That was a big goal with everybody’s costume in the movie, all the French 75 costumes — and Leo as well.”

That’s why DiCaprio spends much of the film in a red bathrobe, making him both incredibly hard to miss and also decidedly ordinary-looking. “Would you wear it the whole time?” Atwood remembers asking herself: “Would he get rid of it? And Paul goes, ‘Why would you take off your clothes if you’re running?’”

Leonardo DiCaprio, left, and Benicio Del Toro in “One Battle After Another.”

(Warner Bros. Pictures)

Atwood’s choice to put Benicio Del Toro in a gi and a turtleneck was similarly driven by this approach: These are all people who move through the world wanting to disrupt the system without making such disruption all that conspicuous. Here we may also add the off-the-rack suits Teddy and Don (Jesse Plemons and Aiden Delbis) wear in “Bugonia” to face their kidnapped CEO; the beret-and-turtleneck-wearing revolutionary (Richard Ayoade) in “The Phoenician Scheme”; and the stylish, delightfully unbuttoned shirts Wagner Moura wears throughout “The Secret Agent.”

Not all instances of rebellion are so obviously political. Take Harry Lighton’s deliciously kinky dom-com “Pillion,” which finds shy young Colin (Harry Melling) entering into a BDSM relationship with an enigmatic biker called Ray (Alexander Skarsgård).

“Ray’s an anomaly; he’s the rebel, you can’t place him,” costume designer Grace Snell says. When we first meet him, he is wearing a striking white leather biking outfit: “I wanted him to be like a light at night on this bike and a shiny toy for Colin.”

Harry Melling, left, and Alexander Skarsgård in “Pillion.”

(Festival de Cannes)

The leather and kink gear that Skarsgård, Melling and the rest of the “Pillion” cast wear allowed Snell to give audiences the Tom of Finland fantasy Lighton’s film clearly demands. Yet the film is about a quieter rebellion.

“Colin’s kind of testing his boundaries and understanding who he is as a gay man, and exploring what that means for him,” Snell says. It’s why he spends much of the film in uniform, as a traffic warden, as a member of a barbershop quartet, and later as the new member of Ray’s biker gang.

“Pillion” is about self-fashioning at its most elemental: how gear and uniforms, roles and positions, can help you bloom into yourself; how in losing yourself in another you can find who you want to be.

Blending such a lesson in ways political and personal is Bill Condon’s “Kiss of the Spider Woman,” also costumed by Atwood. The musical is framed by the tension between Valentin (Diego Luna), a righteous revolutionary, and Molina (Tonatiuh), a gay hairdresser, who share a prison cell under Argentina’s military regime.

Diego Luna and Jennifer Lopez in “Kiss of the Spider Woman.”

(Roadside Attractions)

Along with designer Christine L. Cantella, Atwood aimed to honor the history the film was depicting and the message it embodies. “Not only is it set in a revolutionary time, but it’s also about two people opening each other’s eyes to the world,” Atwood says, “in a way that is such a great message for today.”

Atwood and Cantella had to balance the dingy reality of the prison — where Molina finds modest beauty in his silk robes — and the movie musical he loses himself in — where Jennifer Lopez’s Aurora is dressed like a silver-screen siren throughout. Lopez’s big number, where she dons an ode to the all-white ensemble Chita Rivera wore in the original Broadway show, including a fedora to match, is all about the lure of escapist Hollywood fantasy: “Turn off the lights and turn on your mind,” she sings.

As the ending of the musical attests, there may be a way to do both, to be politically engaged and still enjoy the beauty of the world around you. For, as these varied films attest, a rebel doesn’t just voice their discontent at the status quo. They wear it proudly.

Reporting from Sacramento — Gov. Gavin Newsom’s lifelong struggle with dyslexia makes his proposal to screen little kids for developmental disorders a personal mission.

California’s new governor wasn’t diagnosed with the reading disability until he was in the fifth grade.

“I got screened late,” Newsom, 51, told me. “I bounced around to five schools in seven years because I didn’t get the support. My mom kept trying different schools, looking for support. Back then, they didn’t know what this stuff was.

“I’d fallen behind, literally behind, and when that happens you tend to act accordingly. Finally someone diagnosed it. That allowed me to get support and self-confidence.”

Whatever guidance young Newsom got obviously worked. He graduated from Santa Clara University, created a successful wine and hospitality business, was twice elected San Francisco mayor, became lieutenant governor and then California’s 40^th governor.

Anyone who watched Newsom’s recent inaugural speech on the Capitol steps saw him reading flawlessly off the teleprompter. He didn’t miss a beat even when his 2-year-old son, Dutch, leaped into his arms and stayed there.

In his $209-billion state budget proposal, Newsom asked the Legislature for roughly $100 million to fund developmental and health screenings for infants and toddlers in low-income families.

That’s a little-noticed slice of Newsom’s $1.8-billion proposed package of programs aimed at expanding early education and childcare for the poor.

More from George Skelton »

I asked the governor if the developmental screenings were inspired by his struggles with dyslexia.

“Deeply so — 100%,” he replied. “It’s very personal for me.

“If you get those screens early, you can not only change a person’s life, you can save taxpayers a lot in the process.”

That’s because certain developmental disorders can lead to serious medical ailments that often require tax dollars to treat. At worst, they can lead to criminal behavior.

“I found out [about dyslexia] when I was in the fifth grade,” Newsom says. “My mother struggled with whether to tell me about it. She didn’t want me to have an excuse. She wanted me to work hard.”

Newsom says at least one — maybe two — of his four children has dyslexia.

“It is deeply painful not just for the kids, but for the parents watching them struggle,” he says.

“Unless you get the screening, the rest of your life you struggle.” But with trained help, a child can work around the disorder, he adds, and “later in life you find other strengths.”

The biggest chunk of Newsom’s package to help kids from poor families — and their parents — is his proposal to offer all-day kindergarten. Now, 22% of school districts provide only part-day kindergarten, a costly burden on working parents who must pay for expensive childcare after school.

Newsom also wants to provide full-day pre-kindergarten for all 4-year-olds from low-income families. He’d like to eventually include 3-year-olds.

Coverage of California politics »

“Most of the brain development work is done by the time you’re 4,” the governor says. “Getting 3-year-olds in [class] is the game-changer.”

OK, that’s a great idea. But why not provide pre-kindergarten classes for all kids, regardless of family income? The middle class gets shunted aside again.

There’s a reason why Social Security and Medicare — and K-12 public schools — are so popular everywhere. They’re not means tested. No one is rejected because of income.

Newsom asked the Legislature for $10 million to draw “a road map” to universal pre-kindergarten for every 3- and 4-year-old, regardless of family income. But liberal lawmakers would need to be persuaded to provide preschool for the upper middle class and wealthy.

“The consensus in the Legislature is that it’s not our goal to serve kids whose parents have the means to afford their own,” Assembly Speaker Anthony Rendon (D-Paramount) told me last month.

But full-time day care is unaffordable for many middle-class parents. It costs as much or more than tuition at the University of California — $1,000 a month and up.

The governor and legislators say there isn’t enough money for universal pre-kindergarten, not even with a projected budget surplus of around $21 billion.

“And even if we had all the resources in the world,” Newsom says, “we’re not prepared to spend that appropriately. We couldn’t even lease the facilities, couldn’t train the workforce. It’s not just about access. It’s about quality access.”

Assemblyman Kevin McCarty (D-Sacramento), who chairs the budget subcommittee on education finance, says it would cost $4 billion annually to include all 4-year-olds in pre-kindergarten. He has introduced legislation to cover poor children. He estimates that would cost $1.5 billion.

“I’d like nothing more than to afford it for all kids,” McCarty says. “But we have other priorities. We can start with the families who need it the most — where we get the biggest bang for the buck.

“Upper-middle-class families will pay for it on their own. And some of the middle-class families will just miss out.”

Senate Budget Committee Chairwoman Holly J. Mitchell (D-Los Angeles), who once ran one of the largest child development organizations in the country, Crystal Stairs, says, “If I had a magic wand, I absolutely would” provide early childhood education for everyone. “But we don’t even have enough money to pay for the lowest-income kids.”

Somehow they’ll find enough money for the poor kids and should — and make sure they’re screened for developmental disorders.

Famous people, including Steven Spielberg, Walt Disney, Leonardo da Vinci, Tom Cruise and Albert Einstein, have battled dyslexia.

California’s governor is the latest role model for youngsters struggling with the affliction.

george.skelton@latimes.com

Follow @LATimesSkelton on Twitter

Two former USC football players and another man pleaded guilty to lesser charges Tuesday and were sentenced to 15 years in prison for a series of robberies and beatings last April.

Superior Court Judge David Perez accepted the plea-bargain offered by Danette Meyers, a Los Angeles County deputy district attorney.

The players, Howard McCowan, 19, of Carson and Marcel Brown, 20, of San Diego, were redshirt freshmen last year and expected to play pivotal roles in USC’s football program. Brown’s childhood friend, Garylan Coleman, 19, of San Diego, also was sentenced.

The plea-bargains were accepted shortly before the jury trial was to begin in Santa Monica Municipal Court. The compromise involved reducing a kidnapping charge, which carries a life sentence, to simple kidnapping, a felony with a 15-year maximum.

The defendants also were charged with assault and robbery for incidents April 23 in which Donald Christal, James Van Adler, Norm St. Landau and Lester Lawless were attacked and robbed in Westwood and Redondo Beach. In most of the attacks, the victims’ automatic teller machine cards were taken.

Brown and Coleman, who were charged with the kidnapping, are also being tried in San Diego on assault and robbery charges. McCowan had no other arrests.

If convicted by the jury, they might have received 20 years in state prison, said Michael Brush, McCowan’s lawyer.

In accepting the reduced sentence, Brown broke down in court, telling Perez, “We’re not murders or nothing. (We get) just a couple of minutes to decide on 15 years.”

Brown and Coleman, who was planning to play baseball at Southwestern College in Chula Vista before his arrest, were ready to accept the deal Monday. McCowan balked because the prosecution’s case against him was not as strong as those against the others.

But McCowan changed his mind after Perez ruled Monday that written confessions by Brown and Coleman could be used as evidence by the prosecution.

McCowan is a former standout at Carson High, walked over to his mother, Thelma, who was sitting nearby. He gave her his dark blue blazer, tie, dress shirt and dress shoes. He hugged her, his sister and a friend before returning to enter a guilty plea.

He and the others could be paroled within six or seven years, Brush said.

Thelma McCowan blamed USC officials for her son’s fate, saying that Howard had asked to move away from Brown, but was told he had to stay in the dormitory.

“I know the boys are 19 years old and are considered grown, but they’re not grown,” she said.

“They don’t need baby-sitters following them around, but they do need a little attention and advice once in a while.

“When they come and ask to move, someone should come and ask them why, what’s wrong. But they don’t do that.”

William E. Davis III, Brown’s lawyer, said USC offered no support for the players once they were arrested. Davis, the brother of Anthony Davis, a former USC star running back, said he represented athletes in the past. He said he took the case because Brown had no family support and the school was not willing to do anything.

Israel has carried out the biggest land grab in the occupied West Bank since the signing of the Oslo Accords more than three decades ago.

Its right-wing government has accelerated the confiscation of Palestinian land to build new settlements, which are illegal under international law.

At the same time, Israeli settler attacks are increasing and intensifying.

For many Palestinians, this means all hopes of peace are dashed and, with them, the prospects of an independent state.

So what are Israel’s plans in the West Bank? And what are the implications of its policies?

Presenter:

Dareen Abughaida

Guests:

Xavier Abu Eid – political analyst and former adviser to the PLO negotiation team

Daniel Levy – president of the US/Middle East Project and a former Israeli negotiator

Yariv Oppenheimer – Israeli human rights activist and board member of the Peace Now advocacy group

Comments come days after PM Kamil Idris presented a plan to end the country’s nearly three-year war.

A senior official in Sudan’s Transitional Sovereignty Council (TSC) has ruled out any negotiations with the paramilitary Rapid Support Forces (RSF) as fighting continues to devastate the country.

“There is no truce and no negotiation with an occupier, and that the just peace that Sudan desires will be achieved through the roadmap and vision of its people and government,” Malik Agar Ayyir, deputy chairman of TSC, said in a statement on Thursday posted by the Ministry of Culture, Media and Tourism.

Speaking to ministers and state officials in Port Sudan, the eastern city where the government is based, he dismissed the narrative that the war is aimed at achieving “democracy”. Instead, he described the war as a “conflict over resources and a desire to change Sudan’s demographics” and emphasised an opportunity to strengthen national unity.

This comes days after Sudan’s Prime Minister Kamil Idris presented a plan to end the country’s nearly three-year war before the United Nations Security Council.

Consistent with the Sudanese army and the government’s position, the plan stipulates that RSF fighters must withdraw from vast areas of land that they have taken by force in the western and central parts of Sudan.

They would then have to be placed in camps and disarmed, before those who are not implicated in war crimes can be reintegrated into society.

The RSF has repeatedly rejected the idea of giving up territory, with Al-Basha Tibiq, a top adviser to commander Mohamed Hamdan “Hemedti” Dagalo, describing it as “closer to fantasy than to politics”.

RSF reports gains

The war, which has forcibly displaced about 14 million people, shows no signs of stopping as the RSF consolidates its hold over captured territory and expands attacks.

RSF fighters have continued to commit mass killings, systematic sexual violence, and the burying and burning of bodies in Darfur to cover up the evidence of war crimes over the past several months, according to international aid agencies working on the ground.

The humanitarian situation on the ground has only turned more disastrous after the capture of el-Fasher, capital of North Darfur state, in October.

The RSF announced on Thursday that its forces established control over the Abu Qumra region in North Darfur.

They “have continued their successful advancement to the Um Buru area, where they have completely liberated these areas”, the group claimed in a statement.

Despite the mounting evidence of widespread atrocities committed in western Sudan, the RSF claimed that the primary duty of its fighters is to “protect civilians and end the presence of remnants of armed pockets and mercenary movements”.

The group also released footage of its armed fighters, who claimed they were making advances towards el-Obeid, a strategic city in North Kordofan state.

From a design shop in Valencia with “murderous” dolls to a studio in Dublin to the Coachella Valley Music and Arts Festival, our photographers have been everywhere this year. They’ve captured key figures in the worlds of music, film and television in somber moments, moments of levity and everything in between. They share behind-the-scenes anecdotes about the shoots and reveal how they got “the” shot.

Britt Lower, Adam Scott and Dichen Lachman (above)

By Jason Armond in Los Angeles

When I received this assignment, my goal was to create a photo that not only mirrored the show’s dystopian surrealness but also captured the intricate relationship triangle between Britt Lower, Adam Scott and Dichen Lachman’s characters.

Initially, it took a little time for everyone on set to see my vision, but once I shared a test image, everyone understood and was excited to collaborate. The entire shoot lasted around eight minutes, but that brief window was all we needed.

After publication, the images quickly went viral. Many viewers assumed the photos were AI-generated or composited, but every detail was achieved in camera.

At the end of the shoot, someone from Lower’s team accidentally stepped on the mirror, shattering it. Someone joked about bad luck, but thankfully, this superstition did not come true, and a few months later, Lower won the lead actress in a drama series Emmy for her role in “Severance.”

Richard Kind

By Christina House at Sunset Gower Studios in Hollywood

Richard is one of a kind — no pun intended. He was singing and joking with us, telling stories. We were set up outside under the beating sun and he was wearing a vest with a wool coat, so we were trying to work quickly! I always love seeing behind the scenes of how films are made. I decided to pull back and include the lights and my assistant Jonathan’s hands to give it that working set feel.

Cynthia Erivo

By Jason Armond in Los Angeles

Cynthia Erivo’s portrait session took place in a studio near Beverly Hills, where she had recently finished recording her latest album. My initial plan was to photograph her seated beside a vintage piano, but she had a different vision. This is why I always prepare at least three setup options for entertainment portraits. I quickly adapted and moved to my next setup, which featured a striking geometric wooden wall in the studio. As I adjusted the lighting, I noticed her stunning wardrobe with two waist-high slits that revealed her tattoos. At that moment, I understood her preference for standing, as it allowed her to express her style and personality fully. I adjusted the lighting to complement Erivo’s sultry and confident presence. Her choice to stand brought a dynamic quality to the image. The resulting image speaks for itself; Erivo brought the scene to life and needed almost no direction. I simply pressed the camera’s shutter button.

Bella Ramsey

By Bexx Francois at the London in West Hollywood

Rather than chasing an expression, I was interested in stillness and repetition; how a simple gesture could feel amplified when echoed across a frame. I wanted Bella’s profile to be both the anchor and the rhythm of the image. She was immediately open to leaning into something more abstract. It was a real-time compositional gamble, guided by instinct and trust. We made several variations, but it was her side profile that ultimately struck the strongest balance between classic portraiture and interpretation.

Lee Jung-jae and Hwang Dong-hyuk

By Justin Jun Lee at the “Squid Game Experience” in New York

From the moment I walked in, I felt completely immersed in the design of the space. It truly felt like I was stepping onto an actual film set from one of the “Squid Game” challenges. The iconic giant doll Young-hee from the “Red Light, Green Light” game immediately stood out to me. My goal was for the images to carry a sense of tension and intensity that mirrors the tone of the show, and I believe that came through in the mood, expressions and presence of both Lee Jung-jae and Hwang Dong-hyuk.

Yungblud

By Hon Wing Chiu at the Hollywood Palladium

(Hon Wing Chiu / For The Times)

I was limited to photographing only the first three songs at the Hollywood Palladium, so I chose to shoot two songs up close and save the last one for a gamble from the back of the crowd. Most of the time I could barely see past the fans, but I hoped the final song would give me something unexpected.

When Yungblud hit the stage, the whole room exploded. The lights were changing every second, and he never stopped moving — running, jumping, connecting with the crowd like the stage could barely contain him. The fans were screaming, reaching, completely locked into the moment. I captured what I could up front, then switched lenses and waited for one last chance.

During that final song, everything suddenly came together. Yungblud stepped right to the very edge of the stage, almost close enough for the fans to touch him. Their hands shot into the air, trying to reach him, and he threw his arm upward with full force, like he was lifting the whole room with him. For a split second, the lights, the crowd and his energy aligned perfectly. I hit the shutter, hoping I caught it.

It wasn’t the peak of the entire concert, but it was the peak of the moment I was allowed to shoot — and it became the image I had been chasing all night.

Olivia Cooke and Robin Wright

By Jennifer McCord in London

I’d only seen the trailer for “The Girlfriend” at the time of the shoot but knew I wanted something that contained the idea of untrustworthy narrators that seemed to be threaded throughout.

Paul Thomas Anderson

By Christina House at the Aster in Hollywood

I had been made aware that PTA does not love being photographed. I had worked with him once before so I knew he was really nice but a bit camera shy. When he finished up his interview with columnist Glenn Whipp, he came to meet me in the neighboring hotel room where I had a chair positioned next to a window. I shared my idea on framing the image; I was shooting it from the bedroom closet to give some depth and he liked it. We took a few frames, talked about our dogs (his dog is trained to bring him his L.A. Times newspaper every morning) and he apologized for being difficult on his way out, to which I immediately replied that he was the complete opposite of that.

Fernanda Torres (‘I’m Still Here’)

By Annie Noelker in Los Angeles

I remember her just being so classy, elegant and lovely. Her whole team was so kind and we shot out on the balcony of the hotel room for maybe 10 minutes. It was effortless and such a satisfying collaborative experience.

Adrien Morot, Kathy Tse and M3GAN dolls

By Carlin Stiehl in Valencia

It’s always a treat when you step into the creative world of a mastermind, especially when it comes to the magic behind our favorite films. You might expect that seeing the process up close would spoil the mystique, like a magician revealing their tricks, but in the case of Adrien and Kathy, it only deepened the sense of wonder. The “M3GAN” dolls were so lifelike, and the real sell wasn’t their eyes that draw you in, but the skin. The dolls’ lifelike texture and softness, and the rows of faces on worktables waiting to be painted, created a diabolical scene out of a skin-harvesting, flesh-mask horror film. Yet the insanity was where the true genius hid, because in many ways, I could believe it was real. Hence, the inspiration for the photo: a take on the quintessential family-style portrait — the ones you kind of cringe at when you walk into someone’s home, radiating manufactured happiness. The dolls were like their children so I thought, let’s get the kids together with Mom and Dad and show how beautiful their doted-on children are for our guests.

Saagar Shaikh and Asif Ali

By Bexx Francois on the Disney Studios lot in Burbank

I came in with a loose mood board, a few traditional pose ideas alongside some comedic “scenarios” that had a 50/50 chance of making it to my memory cards. Their Hulu series “Deli Boys” was a comedy after all, maybe they’d be down to lean into play. When Saagar and Asif arrived, I showed them my wish list. Instant cosign. Once we nailed the first “scenario,” pure improv took over, with Asif and Sagaar seamlessly falling into the mock-conflict of their on-screen characters; hence, Asif being hoisted 3 feet in the air. By the time we called wrap, everyone was in tears.

Dan Brown

By Cheryl Senter in Rye Beach, N.H.

Two things: I always follow my gut and never wear pink. A few days before the assignment I had this gut feeling that I wanted a portrait of the bestselling author with a wall of mirrors. The day of the assignment I decided to wear a hot pink shirt I had picked up at a thrift store instead of my black-on-black attire. At Dan’s house I spent an hour with his assistant scoping out a few locations — no wall of mirrors. Before I left I asked Dan if he had a wall of mirrors. Dan smiled and led me to a very tiny circular bathroom that had a tall, curved pocket door made of copper. It was a tight space with the door shut. My pink shirt came in handy. I could easily see if I was in any of the mirrors. At one point Dan looked at me and started laughing as I tried to make myself wafer thin. Then I started laughing. Dan’s assistant waiting outside asked softly, “Is everything OK?”

Penn Badgley

By Matt Seidel in Los Angeles

This was a classic celebrity shoot: Our scheduled 30 minutes collapsed into seven so we had to move fast. I shook Penn’s hand and told him I had two goals: Get the shot and get him back on schedule. There was no time to over-direct so I gave him one piece of character direction and let him run. I didn’t want Joe Goldberg from the TV series “You.” I didn’t want Penn Badgley, sexy serial killer. I wanted the real Penn Badgley saying goodbye, closing a chapter, integrating the shadow of the role and stepping into the light of what’s next.

Spike Lee

By Victoria Will in New York

Nothing says Brooklyn like Spike Lee, so it made sense to photograph him where he is most recognized, in Fort Greene near his well-known office. The relationship between Spike and Brooklyn is longstanding and reciprocal, shaped by history, presence and place. That familiarity was evident as nearly every pedestrian waved or said hello, many greeting him like an old friend. And there wasn’t one person that he did not acknowledge. True class.

Sombr

By Evelyn Freja at Pier 17 in New York

The photo was taken on an empty construction floor of the pier where he had a concert that night. I remember it was a very quick session right before he went on because he had gotten a cold and was trying to save his energy to perform. Despite his health, he (and his entire team) was so kind and gracious, which made the shoot go easy. I decided to light the warehouse with a red light to lend the energy of his music to this shoot and a very moody light for Sombr to reflect the ambience of his songs.

Elle Fanning

By Christina House at the Toronto International Film Festival

I had photographed Elle a few years back. She’s a sweetheart and so good at posing so she doesn’t need a lot of direction. For this particular photo, it was taken at our portrait studio at the Toronto International Film Festival. It’s a fast-paced flow of folks coming in and out for portraits, an organized chaos at times, but you would never know that by the calm on her face. She’s a pro.

Lena Dunham and Megan Stalter

By the Tyler Twins in New York

The playlist was ‘90s (Alanis Morissette, the Cranberries, Jewel), and the vibe was easy and celebratory. Megan and Lena have a genuine chemistry and were both very relaxed in front of the camera. Our shared ties to Ohio made for good conversation. It truly felt like we were shooting friends.

Domhnall Gleeson

Jennifer McCord in Dublin

This was shot in a studio in Dublin (studio shoots for assignments always feel super rare!) with just me, Domhnall and his makeup artist Lucy. We played the latest Fontaines D.C. album and the shoot was super chill and lovely. I’m always appreciative when an actor is up for being collaborative and trying different things — this was one of the last shots we took. The rest of the images feel quite energetic, so it was nice to also get this more intimate-feeling frame at the end.

Karol G

By Bexx Francois in El Segundo

When time with an artist is limited, anxiety threatens to grab the wheel. But once Karol G walked on set, everything went quiet. And delicate. She had such a kindness about her. And an effortless beauty. I was inspired by classic Irving Penn; using walls to guide the eyes toward the center. We used a V-flat as our “set.” Even with a wind blower only 6 feet away throwing gusts of drama in her direction, Karol remained in command of her space and performance. And still connected where and how needed — with piercing intention.

Benson Boone and Brian May

By Allen J. Schaben at the Coachella Valley Music and Arts Festival

Shooting Benson Boone’s trademark leaping acrobatics at his Coachella debut this year gave me the chance to bridge the gap between musical generations. The performance of “Bohemian Rhapsody” was made even more significant by the presence of Queen’s legendary guitarist, Brian May. My challenge was positioning myself to capture the moment while navigating a sea of spectators’ heads, hands, arms and cellphones. I dropped to a low angle to create a fan’s perspective, capture the height of his leap and ensure both artists were in the frame. Then it happened — somewhere between a cymbal crash and a guitar wail. Boone sprinted onto the piano and launched into the air above May, and in a split second, it was over. Moments like this are what make my job rewarding, and this performance by Boone and May will live on as a legendary one in my memory.

Marianne Jean-Baptiste and Mike Leigh (‘Hard Truths’)

By Christina House at Shutters on the Beach in Santa Monica

Marianne and Mike had such lovely chemistry together. They were chatty so I thought I’d give them an action to follow and this is where we landed. This was taken in a hotel boardroom with a seamless backdrop.

Mariska Hargitay

By Victoria Will in New York

I’ve had the good fortune of photographing Mariska Hargitay many times over the years, which brings a level of trust and collaboration. She gives both generously. On this occasion, she was as she always is: grounded, confident and present, with an easy sense of humor.

Wesley Schultz and Jeremiah Fraites of the Lumineers

By Robert Gauthier at the Sunset Marquis in West Hollywood

The Lumineers was a memorable shoot for me. To make this photo I crawled into a thicket of ferns at the Sunset Marquis Hotel. As I crouched behind a rippling fountain, stretching and contorting my body to attain the correct angle, I began to wonder, “Do the Lumineers think I’m some kind of a lunatic?”

Luis Guzmán, Jenna Ortega and Catherine Zeta-Jones

By Jennifer McCord in London

I’m such a big fan of “Wednesday” as a show and of all three of these actors, so this was truly a joy. As always with these assignments, we had limited time but thankfully we were shooting at the wonderful Raffles in London and Luis, Catherine and Jenna were so wonderful.

Mark Hoppus of Blink-182

By Robert Gauthier in Los Angeles

Mark Hoppus’ home is a photographer’s dream. A Midcentury Modern with interesting angles, surfaces, colors and light. He was patient and willing to pose wherever I found inspiration. We settled on a few places, including beneath a skylight that streamed natural light into a hallway. It’s a simple image. One might say it was just another one of all the small things.

Stephen Graham

By Sophia Spring in London

This was shot in a little makeshift studio I set up in a boardroom at Netflix HQ in London. We were capturing these portraits of Stephen ahead of the release of “Adolescence.” At the time all I knew about the show was the vague story outline of Stephen’s character as the father of a boy arrested for murder, and so I was keen that the portraits channel the visceral and complex tone of the show. After a quick hello I explained to Stephen what I was after, and for the next 20 minutes he proved why he is the world-class actor we know him as — he brought such an intensity and commitment to our short shoot. I was thrilled to see his well-deserved Emmy win a few months later.

True Whitaker

By Christina House at the London Hotel in West Hollywood

True is a warm and friendly human. She greeted me and my assistant with a hug. I could tell she was feeling a little under the weather that day but she didn’t ask for any special treatment, and kindly and happily took direction. It was a pleasure to meet the “I Love LA” star. I used window light to keep a soft yet moody feel.

Jessie Murph

By Annie Noelker in Los Angeles

We shot Jessie at NeueHouse Venice Beach (rest in peace) and there was this skylight in the backroom, where the sun cast this magnificent glow. The time of day was just perfect and oh so lucky. I had Jessie stand in the glow and look up, with just a little reflector under her chin and we captured this beautiful, still moment of reflection and calm before the insane year the singer-songwriter has had.

Danielle Brooks

By Bexx Francois in Los Angeles

I had just flown in from New York, where only days earlier I was sitting in a movie theater with my nephews, ages 6 and 11, watching “Minecraft” and enjoying their faces light up from the screen. In 2022, I saw Danielle Brooks in the Broadway revival of “The Piano Lesson,” a performance that had me on my feet in applause. And now my nephews were being introduced to her talent in a different context. When the assignment to photograph the actress landed in my inbox soon after, it was an instant yes. Unbeknownst to her, I was quietly geeking out behind the camera. I wanted to capture her in the same bliss she gave my nephews in that theater together.

Laverne Cox and George Wallace

By the Tyler Twins in New York

Laverne Cox arrived fully prepared in vintage Thierry Mugler. We bonded over a shared love of fashion history; she’s an expert! George Wallace, her onscreen father in the Prime Video comedy “Clean Slate,” brought a warmth that was easy to capture. Their father-daughter dynamic unfolded naturally, with Laverne playfully striking poses around him.

Tonatiuh

By Christina House at Hollenbeck Park in Los Angeles

This was a meaningful place for him since he grew up in the area. He seemed at ease and I sensed it felt good to return to a place he called home during what I can imagine is a very busy and surreal time for him — promoting the movie “Kiss of the Spider Woman” with Jennifer Lopez. Grounding yourself is so important. There’s a pond at the center of the park. We headed in that direction and made a few frames with this beautiful, natural sunlight. He mentioned that the scar on the left side of his face is not something he is ashamed of so he was comfortable being photographed on that side.

Laurence Fishburne

By Jason Armond in Los Angeles

When I photographed Laurence Fishburne for his role in the spy thriller “The Amateur,” I approached the session with a storyteller’s mindset. Even in my celebrity portraiture, I aim to capture a narrative. For this shoot, I chose dramatic lighting to reflect the suspenseful tone of the film. Fishburne had recently suffered a broken toe, so he needed to remain seated throughout most of the session. What could have been a limitation became a creative opportunity. I concentrated on close-up portraits, letting Fishburne’s intense expressions and moments of exuberant laughter bring the images to life.

Fujii Kaze

By Jason Armond in El Segundo

During awards season, I photograph many celebrities each week, which challenges me to find new and creative approaches for every session. For me, the key to transforming the ordinary into something extraordinary is always staying open to inspiration wherever it appears. My shoot with J-pop star Fujii Kaze at the L.A. Times offices embodied this idea. On my way to the studio, I noticed a stack of black chairs in the hallway and instantly recognized their potential. Those unassuming chairs became the backdrop for a striking, environmental portrait. Following my instincts allowed me to create something truly unique.

Michael Koman and Greg Daniels

By Jason Armond in El Segundo

When I was assigned to photograph Michael Koman and Greg Daniels, the creators of “The Paper,” I knew I wanted the images to capture the quirkiness of their show. Early on, I decided to build a set entirely out of newspapers. Since our shoot was at the L.A. Times offices, I gathered piles of old papers and envisioned Michael and Greg in a flurry of pages, an energetic and playful nod to their show’s spirit. The idea worked beautifully.

After the session, I led Koman and Daniels on a brief tour of the newsroom. Daniels eagerly asked about every detail of the newsroom’s daily operations and how each area was used. His sincere curiosity stood out, revealing his dedication to his craft.

Before Koman and Daniels left, I jokingly offered my services as a show consultant. I have yet to receive a callback, so for now, I am more than happy to continue my work at the L.A. Times.

Billy Crudup

By Bexx Francois in Los Angeles

We arrived at the Netflix offices and started making our way to our shoot location. Out the corner of my eye, I noticed this teddy bear chair in one of the waiting rooms we were passing by. Its design was charismatic and made me smile. I instantly requested it be brought to set. We tried one to two traditional chairs in its stead before committing to its playfulness. If it made us smile during test shots, hopefully it would do the same once “Jay Kelly” star Billy Crudup arrived on set. And indeed, it did. We spent the most time joking and capturing candid moments with Billy comfortably leaning into that furry hug. It produced one of my favorite photos from our time together.

Cyndi Lauper

By Larsen&Talbert at Jack Studios in New York

From the very beginning, it felt more like a collaboration than an assignment.

Once we knew what she’d be wearing, we gathered around the rolls of seamless paper together, weighing color options like painters choosing a palette. Blue immediately stood out. We agreed, started setting up and everything was moving smoothly — until a few minutes later when Cyndi Lauper came running back into the room.

“We can’t do blue!” she said, laughing. “My hair is blue today.”

She was absolutely right.

Without hesitation, we pivoted to our second choice: orange. Against her blue hair and bold, pink doll-head suit, the orange backdrop crackled with energy — it was perfect.

Some subjects need a lot of coaxing and direction. Not Cyndi. She knows exactly how to move, how to hold a pose and how to communicate with a camera. She doesn’t wait to be told what to do — she gives you something. Our job was simply to stay sharp and ready, capturing whatever magic she sent our way.

It was effortless, intuitive and joyful — the kind of shoot that reminds you why collaboration matters, and why icons become icons in the first place.

Jinkx Monsoon and BenDeLaCreme

By Dutch Doscher at Blonde Studios in New York

When I got the assignment, I was immediately excited and had this image in my head of placing them inside a colorful candy cane circus. I had no idea how I was going to pull that off until Broderson Backdrops came through with the perfect 25-by-25-foot backdrop. I showed the idea to their publicist and got an immediate, enthusiastic yes. From there, the gold outfits came into focus and everything started to click.

They were incredibly easygoing and completely comfortable playing to the camera. You can sometimes wonder if a duo like that is more of a work relationship, but once you’re in the room with them, it’s clear it’s a deep friendship. That connection made the shoot feel effortless, and I think that’s what ultimately comes through in the photograph.