Netflix

Take That are poised to dominate 2026 – and their fans have a lot to look forward to.

As well as their massive 17-date Circus Live stadium tour next spring, Gary Barlow, Howard Donald and Mark Owen are just 29 days away from dropping their huge Netflix documentary series.

And bosses at the streaming giant have kindly shared the first trailer for the three-parter, left, exclusively with me. It will be shared on YouTube and across social media today from 10am.

The series will go ahead without Jason and Robbie but fans will see them speaking in never-before-seen interviews and clips from their time in the band.

Insiders told me that nothing was off limits for Mark, Howard and Gary in the documentary, which will see them giving new interviews about the highlights and the heartaches of being part of Take That.

For the opening trailer, Netflix has pulled together some amazing archive footage of the group at the very start of their careers, with Gary heard saying: “Nothing beats being in a band.

A BIZZY YEAR

From romances to TV twists, the best and worst of another epic year in showbiz

HAPPY QUIZMAS

From celeb break-ups to bitter feuds, test your 2025 showbiz knowledge

“There’s strength, there’s a buzz.” Mark adds: “From the beginning, there was something within us that wanted to prove something.”

The cameras then cut to footage of the fivesome mucking about backstage, as Jason says: “We were tight among ourselves, like we were kings of the world.”

Elsewhere, a baby-faced Robbie walks into shot and looks at the camera as he says: “We all kiss before the show, in a butch way.”

Discussing the magnitude of what was to come — with Take That landing 20 Top Ten hits including 12 No1s — Howard adds: “I don’t think anything could prepare you for what we were about to take on in the Nineties.”

Netflix has billed the series, which is available to stream from January 27, as “the deeply personal and definitive story of Take That.”

A music insider told me: “Gary, Howard and Mark gave their all for this series.

“Take That was life-changing for all of them but, naturally, with the great highs came great lows.

“So much has been said and written about them, the documentary gives them the chance to say their piece — and no stone is left unturned.

“It really is a must-watch for their fans.”

I can’t wait.

Kim gives kids puppy love

Kim Kardashian pulled off the impossible this festive season – by getting all four of her kids to pose for a snap with her.

She filled her home with snow-covered trees before making North, Saint, Chicago and Psalm smile for the camera. Kim also posed with her mum Kris Jenner and a visiting Santa Claus.

And the kids had a lot to grin about after each were given a Pomeranian puppy, above.

But animal rights organisation PETA blasted Kim’s choice of gift.

Urging people to adopt, not shop, founder Ingrid Newkirk said: “It’s a shame Kim missed the chance to be a spokesperson for shelter pups and is being rightly slammed on social media.”

Tim’s Su-preme gift

Timothee Chalamet got a surprise from one of his heroes as he turned 30 on Saturday.

In a video shared online, Susan Boyle wore merch from the actor’s new movie Marty Supreme to sing Happy Birthday to him.

This month Timothee hailed the Scottish singing sensation, who found fame after dazzling on TV’s Britain’s Got Talent, as one of his greatest Brits, saying: “She dreamt bigger than all of us. Who wasn’t moved by that?”

He seemed chuffed by his special video as he celebrated his milestone.

Sharing it on Instagram, he wrote: “THANK U SUSAN!!!!!!!!”

A dream team for Dermot

Dermot Kennedy has teamed up with Noah Kahan to work on new music, which may well end up on the Irishman’s upcoming third album.

Dermot has been pals with the Stick Season singer for years, but he recently let slip that they have finally got together to record tracks.

In an exclusive interview, I asked Dermot if he had been in the studio with any other artists and he replied: “We did spend a day with Noah Kahan, which was lovely.

“I’ve been a fan of his for a long time.”

Last month, Outnumbered singer Dermot announced a huge UK and Europe arena tour, which will begin in May.

And he told how his sleep pattern became “extremely irregular” while working on his forthcoming album.

He said: “There were days where I might start at night and go until all hours.

“When the mood feels right, you do it.”

Lily Allen stocked up on Britney Spears-themed cigarette lighters from Pittsburgh-based artist Jegan Mones, on her recent US trip.

The Smile singer loved the products so much she later returned to the store to buy others emblazened with Paris Hilton and Lindsay Lohan.

Sounds like Lily is paying homage to fellow reformed party girls in her own way.

Adele is rolling in the dosh

Adele banked £158,000 a week last year, despite not having released an album since 2021.

Her pop empire is run by A Adkins Touring, Melted Stone and Melted Stone Publishing and new accounts filed over Christmas reveal she added £8.2 million to her business riches over the year in 2024.

But that doesn’t include earnings from her money-spinning ten-date residency in a purpose-built venue in Munich, or the final 32 dates of her Las Vegas residency, which ended in November last year.

Even at a modest £100 per seat, the Munich gigs would have raked in £75million in ticket sales alone.

And although her Vegas residency saw Adele, above, performing in a smaller venue, she will still have made millions.

There was a six-year gap between her last two records, so maybe there won’t be too much longer to wait before Adele pops up to say Hello once again.

Sam plays NYE safe

He’s had a cracking year with a new album and his biggest headline show yet but Sam Ryder won’t be opening the champagne on New Year’s Eve.

The singer is headlining the 40th annual London Parade on New Year’s Day, appearing in a line-up featuring 8,000 other performers, and he’s planning to play it safe in the run-up.

In an exclusive chat, he told me: “I love New Year’s, but love an early night more. Pre-gig prep like sleep and rest are super-important to me, so I’ll see in the New Year with friends, family and a few mocktails.”

The London Parade will be shown on London Live and on YouTube from 12pm.

Sam, right, continued: “We have an hour-long set so a decent amount of time to ring in the New Year in style.”

Next summer, Sam will take the lead in an 11-week run of Jesus Christ Superstar at the London Palladium – and is also penning tunes at his new home in Nashville.

He added: “We’ve got the busiest year coming up so I want to get into the most positive space.”

Wow, 2025 — in the race to dismantle civilization, you certainly outdid yourself. And it took some brilliant stand-ups this year to take our problems big and small and turn them into jokes that reminded us that what we’re going through isn’t so bad or at least offer solace that things could always be worse. The best comedy specials even found a way to bring humanity together. From arena-level acts to L.A.’s favorite local comics, these were our favorite comedy specials from 2025.

Frankie Quinones at Super Chief Art Gallery in Los Angeles.

(Ethan Benavidez/For The Times)

Frankie Quiñones, “Damn, That’s Crazy” (Hulu)

In his Hulu debut “Damn That’s Crazy,” comedy sketchmaster Frankie Quiñones, who earned viral fame for his Cholofit character, does all the heavy lifting as himself. And at certain points, he definitely gets heavy. Directed by Ali Wong, the special takes viewers on a journey of relationship baggage, pandemic-related sex addictions and unresolved family trauma over sexual abuse he endured when he was a child. Yet still — there are plenty of laughs along the way. It’s the type of thing that people will certainly label as brave, but only because it succeeds without trying to be. (Nate Jackson)

Andrew Schulz: LIFE. Andrew Schulz at the Beacon Theatre in New York, NY. Cr. Clifton Prescod/Netflix © 2025

(Clifton Prescod/Netflix)

Andrew Schulz, “Life” (Netflix)

It’s easy to be fooled into thinking Andrew Schulz is living his best life when he’s in the spotlight. But the stand-up comic and successful podcaster has been through his own share of problems too, like his and his wife’s efforts to have a baby. It was an ordeal that inspired a refreshingly honest core of his latest hour titled, simply, “Life,” which focused on struggles with conception, IVF and new fatherhood. Though 2025 was a year when his name was often linked to the manosphere led by Joe Rogan, Schulz’s special puts less effort into shock humor and any alt-right political agendas (though there is a touch of that here and there) as he leads with his personal story that shows a side to him as a parent that makes it not just funny, but also a compelling watch. (N.J.)

Our picks for this year’s best in arts and entertainment.

Sebastian Maniscalco, “It Ain’t Right” (Hulu)

In his seventh special, “It Ain’t Right,” Sebastian Maniscalco continues his streak as the Michael Jordan of disgruntled dad humor. As an arena-level act, the 51-year-old Chicago-bred comic still has the rubber-limbed athleticism and animated bravado that allows every one of his punchlines to be seen from space (or at least the cheap seats). But the over-the-top exaggeration he’s known for is always rooted in humility and shame — as with any good Italian. The infirmities of getting older are also a key source of laughter in this new hour, from the struggle of putting on socks, going to bed with sleep apnea or taking his family to the zoo. Like the title of the special, a lot of the stress Maniscalco continues to put up with as a superstar comic doesn’t seem right, but thankfully it’s still funny. (N.J.)

Bill Burr, “Drop Dead Years” (Hulu)

No one detonates a room with honesty and irritation quite like Bill Burr, and his latest, “Drop Dead Years,” shows the comedian in his fully evolved form. His rants remain forever epic as he talks about outlawing war, freedom of kids’ speech, social acceptance, (not) thinking positive and fake political empathy. He even turns inward, questioning his own need to be likable and empathetic. Burr may joke that he’s a broken man, but as fans would expect, he pieces it together beautifully in this special. (Ali Lerman)

Jordan Jensen, “Take Me With You” (Netflix)

Jordan Jensen’s comedy is hard to categorize, just like the rest of her. And while that’s generally how we like our funny people — layered, nuanced, tortured — it tends to wreak havoc on the actual lives of the comics themselves. Not quite fitting in a box (even though she definitely knows how to build one) has been Jensen’s shtick since birth. She grew up in upstate New York, raised in a heavy-construction family that included three lesbian moms and a dad who died when she was young. Because of that unconventional background, she says her level of hormone-fueled boy craziness mixed with her rugged ability to swing a hammer basically turned her into “a gay man.” Somewhere in her teens she entered a “fat mall goth” phase that she’s never left, even after becoming a popular comedian worthy of a Netflix special. Combining her inner Hot Topic teen with freak-flag feminism and alpha-male energy, her style makes not fitting in feel like one of the coolest things you can do — because it is. (N.J.)

Atsuko Okatsuka

(Mary Ellen Matthews / Disney)

Atsuko Okatsuka, “Father” (Hulu)

There were a lot of specials that came out this year, but only one featured a perfectly coiffed bowl haircut, because only Atsuko Okatsuka could pull it off. In her latest for Hulu, “Father,” Okatsuka makes a great case for codependency as she talks about living a tandem life with her husband Ryan, their choice not to have kids, the downside to having “a story,” and she also pulls back the pompoms on the dark side of cheerleading. Okatsuka’s movements are just as witty as her words, her energy is infectious, and “Father” is as refreshingly unpredictable as she is. (A.L.)

Gabriel Iglesias: Legend of Fluffy. Gabriel Iglesias at the Hard Rock Seminole in Fort Lauderdale, Florida. Cr. Clifton Prescod/Netflix © 2024

(Clifton Prescod/Netflix)

Gabriel Iglesias, “Legend of Fluffy” (Netflix)

In the pantheon of stand-up comedy’s living legends, few names carry more weight than Fluffy‘s. In “Legend of Fluffy,” which premiered on Netflix in January, the comedian born Gabriel Iglesias takes fans through a giant retrospective of his career in comedy while zooming in on certain aspects of life: dating as a newly single man, trying to age gracefully, and a robbery that happened at his former home in Long Beach. It’s the type of special that is loud (just like his Hawaiian shirts) but also contains a positive message about refusing to give up on your dreams even in the face of obstacles, doubt or a near-death experience on a private jet. (N.J.)

Marc Maron, “Panicked” (HBO)

The L.A. comedy scene’s favorite curmudgeon is still finding the will to propel himself forward, hurtling over one existential crisis after another. Many of them come out in his latest HBO special, “Panicked,” where he zooms in on the indignities of not only growing old but finding ways to care for an aging dad whom he describes as “newly demented.” Between bits about being unlucky in love, we see flashes of pain held over from the death of his partner Lynn Shelton. But that vulnerability one might ordinarily save for therapy comes out in the form of genius, nonsensical segues to bits about rat poop under his house, Hitler’s fashion choices, the saving power of Taylor Swift and more from Maron’s endearing, hopelessly twisted psyche. (N.J.)

Nate Jackson

(Christina House/Los Angeles Times)

Nate Jackson, “Super Funny” (Netflix)

There’s a reason Nate Jackson’s debut Netflix special arrives during barbecue season. Perched on a stool under the spotlight at his shows, the comedian spends most of the evening delivering hospital-worthy third-degree burns to crowd members who want the smoke. Throughout his quick-witted hour of crowd work on “Super Funny,” Jackson finds a way to weave the stories of his random audience members together in a way that makes the whole show feel pre-planned. Meanwhile, even as Jackson is busy making fans the butt of his comedic freestyle, the person laughing the hardest in the crowd is usually the roastee. It’s the mark of good crowd work that’s not simply well done but, more important, done well. (N.J.)

Leanne Morgan, “Unspeakable Things” (Netflix)

Most comics are used to getting better with age but not necessarily bigger. Though she’s just turned 60 years old, one of comedian Leanne Morgan’s funniest jokes about herself is about just how big she’s gotten —not in terms of her career but her figure. It’s one of the first lines that escapes her mouth in her latest Netflix special, “Unspeakable Things.” But despite her jokes about not fitting into the typical Hollywood mold, it’s clear that Morgan’s life and career have certainly changed for the better since her hit 2023 Netflix debut, “I Am Every Woman.” As she grabbed the mic again for the streamer in 2025 — this time on a glitzy stage wearing a golden gown — her unvarnished style of storytelling shows us why she’s resonating with much of America. There’s just no substitute for a whip-smart Southern woman telling it like it is. (N.J.)

Iliza Shlesinger

(Marcus Ubungen / Los Angeles Times)

Iliza Shlesinger, “A Different Animal” (Prime Video)

Comedian Iliza Shlesinger takes the word “special” very seriously, and not just because she’s done a lot of them (seven). It’s because when she hits the stage, the goal is to leave a mark. In her latest, “A Different Animal,” Shlesinger dives into her evolution as a mother of two dealing with “mom brain” while proudly upholding her role as an elder millennial who can school Gen Z and Alpha newbies on what’s up with a mixture of wisdom, wit and wild animal noises. (N.J.)

Ralph Barbosa, “Planet Bosa” (Hulu)

Garnering nationwide buzz since his debut Netflix special “Cowabunga,” Ralph Barbosa has reached the top of his game in “Planet Bosa,” his latest hour on Hulu. Aside from getting more comfortable on stage, the 28-year-old exudes an energy in this new phase of his career that’s a welcome surprise from a guy whose packed schedule barely leaves time for sleep. The new special delves into his dating life, family woes as a young single dad and writing cleverly authentic jokes about the shocking ICE raids that have led to widespread detention and deportation of immigrants. (N.J.)

Jim Gaffigan, “Live From Old Forester” (YouTube)

Raise your glass to Jim Gaffigan for being THE pre-party for Thanksgiving with his latest offering, “Live From Old Forester: The Bourbon Set.” Dedicated to his love of the spirit, Gaffigan’s “passion project” is already at over 3 million views and is packed with bourbon history and facts, wacky bourbon names, and consumption stories that even someone who covets Fighting Cock over Blanton’s would connect with. And of course, between the mash bills and tasting notes, he still manages to slip in plenty of self-roasting. Gaffigan called this special “niche,” but the truth is, when he’s the symposiarch, “The Bourbon Set” is an oak barrel of straight-up laughs for the masses. (A.L.)

Steph Tolev

(Christina House/Los Angeles Times)

Steph Tolev, “Filth Queen” (Netflix)

Blunt, unapologetic, insanely funny and owning the crown of “Filth Queen,” Steph Tolev knocked it out of the smutty park with her first Netflix special. Produced by Bill Burr and filmed at the Paradise Rock Club in Boston, her show rips through bodily functions, dating gone wrong and, spoiler, the messy truths about women. Her energy is next level, her confidence is all I want for Christmas, and no matter your gender, or if you’re holding in gas or not, Tolev is giving everyone (except maybe your parents) permission to laugh at the good, the bad and the hairy. (A.L.)

Cristela Alonzo

(Allen J. Schaben / Los Angeles Times)

Cristela Alonzo, “Upper Classy”

In the third installment of the Texas comedian’s “Classy” trilogy (“Lower Classy” was in 2017, and “Middle Classy” in 2022), Alonzo definitely saved the most class for last. “Upper Classy,” her latest special, is by far her most vulnerable, which the comedian says is necessary, especially during this political moment when people like her are spoken about in the news, but not spoken to. She gives us her rags-to-riches story of growing up in an abandoned diner with her family, pairing that against her life now and enjoying the childhood she never had — and the ability to keep all her bills on autopay. After being taught to work hard in an immigrant household, Alonzo is learning how to live hard — and have fun — in her 40s (including taking swimming lessons). With her glow-up complete, Alonzo still makes it a point to rep her Mexican roots with pride. (N.J.)

Ali Siddiq, “Rugged” (YouTube)

Switching back and forth between high-energy and effortless cool, Ali Siddiq captivates as he shares (and acts out) insane family stories in “Rugged.” A master of storytelling, Siddiq talks about staying honest, teenagers and their antics, and getting mad about things that aren’t even happening, all while keeping each one of his bits hilarious to the end. Siddiq might not be the king in his own castle, but he’s certainly a king among comedians, and “Rugged” proved it this year. (Fun fact: Siddiq released two specials in 2025, the other being “My Two Sons,” which is equally as great and also on YouTube.) (A.L.)

Jim Norton, “Unconceivable” (YouTube)

Filmed at the Comedy Cellar in New York, Jim Norton’s newest hour, “Unconceivable,” explores everything from adjusting his life (and apartment) as a first-time husband to intimacy with his wife, Nikki, all while remaining brutally honest, dark and Norton to the core. Even listening to him explain the pressures and expectations that society places on strangers and their marriages — which should fully be serious — feels more like a comedy confessional rather than a set. He’s an industry veteran for good reason. His “Unconceivable” is as funny and as raw as it gets, proving once again that there’s no such thing as TMI when it’s delivered by the right comedian. (A.L.)

Jay Jurden, “Yes Ma’am” (Hulu)

In his first special, “Yes Ma’am, ”comedian and Mississippi native Jay Jurden burns verbal calories while showing the world why queer men from the South are often undefeated at being hilarious and relatable. Dependably lethal with his joke construction, Jurden’s every breath is laced with humor as he covers transphobia rules, emo rappers, traveling through blue dot cities, and fun stories with a dash of cuckoldry. His Southern background may have shaped his stories, but it’s Jurden’s hilarious and frank honesty that make “Yes Ma’am” a “hell yes, ma’am!” for 2025. And that million-dollar smile doesn’t hurt either. (A.L.)

Rosebud Baker

(Christina House/Los Angeles Times)

Rosebud Baker, “The Mother Lode” (Netflix)

Life-altering in the sincerest sense of the word, “The Mother Lode” comedically chronicles Rosebud Baker’s journey into motherhood, in real time. Skilled at mining laughs from life’s toughest situations and with her internal dumpster fire front and center, Baker goes from resisting parenthood to IVF, miscarriages, discussing parenting styles and questioning her own identity. Filmed and edited superbly with the same version of a joke, pre- and post-pregnancy, Baker truly did hit the mother lode giving birth to this special that now gets to live with its other mama, Netflix. (A.L.)

Ken Flores, “LOL Live With Ken Flores”

This year, the comedy world lost one of its biggest up-and-coming voices with the death of Ken Flores at age 28. Migrating from the Chicago stand-up scene to L.A., the loud comic made his presence known with raw, street-wise style, a diamond grill that made crowds smile before he even told a joke. Weight-related humor aside, Flores was undoubtedly one of the heavies in the local stand-up scene, and this half-hour comic assault is a time capsule of what could have been with this rising talent who left us too soon. (N.J.)

Bert Kreisher

(Robert Gauthier/Los Angeles Times)

Bert Kreischer, “Lucky” (Netflix)

Bert Kreischer resumes his shirtless razzle-dazzle and talent for hilarious, heartfelt storytelling in his special “Lucky,” inspired by his constant state of identifying the luck in his life. Most of that luck, let’s be honest, is actually the result of being married to his wife, LeAnn, who keeps him from going over the edge with his antics. If you’re into his brand of bare-chested misadventures, you will get plenty of that. But the heart of this latest hour doesn’t really show up until Kreischer’s moving tribute to his family’s dog, which will leave you laughing and crying right along with him. (N.J.)

Comedian CP, “Sunday After Six” (Veeps)

Chris Powell, a.k.a. Comedian CP, is a killer on the mic. Whether he’s hosting or headlining, comedy fans who’ve seen him perform know that his dragon-style delivery mixed with creative storytelling breathes fire onto any stage. His debut special, “Sunday After Six” puts all of his skills firmly on display in a way that will hopefully lead to our seeing more of him on the screen next year. (N.J.)

Trae Crowder, “Trash Daddy” (YouTube)

Don’t judge a comedian by his accent, especially if it’s Trae Crowder. Though the Tennessee-born comedian describes his voice as having more Southern twang than “a racist banjo,” it takes him less than two minutes onstage to show why he’s known as “the Liberal Redneck.” Whether it’s punchlines skewering white supremacists or viral video rants about the Trump era filmed from the front seat of his sun-damaged Jeep, Crowder’s brand of comedy is a mind-melting combination that never minces words about where he stands on major topics related to America. His latest special, “Trash Daddy” — released on YouTube via comedy platform 800 Pound Gorilla — swerves among jokes about politics, family and living life as a hick from the sticks while trying to raise California-bred children. (N.J.)

Phoebe Robinson, “I Don’t Want to Work Anymore” (YouTube)
Phoebe Robinson’s new comedy special dismantles girl-boss culture, questioning whether financial independence and constant achievement actually lead to women’s happiness. “I Don’t Want to Work Anymore” tackles modern dating, aging and the exhausting pressure to constantly create content. The 41-year-old comedian now prioritizes rest, boundaries and authentic work over relentless productivity and the need for external validation. (N.J.)

Tim Dillon, “I’m Your Mother” (Netflix)

Taped at the Comedy Mothership in Austin, Texas, “I’m Your Mother” is Tim Dillon doing what he does best, showering us with the confidence of a man who’s absolutely done pretending things make sense. From America’s never-ending identity crisis and celebrity worship to his own royal worship and to what parenting seems like from his view, he breaks down the world’s nonsense with the energy of someone who’s seen some s— and isn’t impressed. “I’m Your Mother” isn’t guidance, it’s a verbal smackdown wrapped in laughter that’s unremorseful and so well written, Tim Dillon is now our mother. (A.L.)

Kathleen Madigan, “The Family Thread” (Prime Video)

Kathleen Madigan’s “The Family Thread” gifts us an hour built on the everyday chaos and wry Midwestern sensibility that define her comedy. From absurd family group texts to aging parents and small-town quirks that feel instantly recognizable, she never fails to turn the frustrations of life into sarcastically sharp punchlines. “The Family Thread” is a master class on why Madigan has kept people entertained for years with nothing more than honesty and outstanding storytelling. (A.L.)

Mike Vecchione, “Low Income White” (YouTube)

Making a second special funnier than the first is effortless for Mike Vecchione, and “Low Income White” serves as an even sharper follow-up to his debut special, “The Attractives,” both produced by Nate Bargatze. Vecchione’s deadpan style and constant misdirection are on full display as he talks about age gaps, magic doctors and the reality of marital vows, piling on joke after sarcastic joke. (A.L.)

Ian Edwards, “Untitled” (YouTube)

Ian Edwards fires off rapid-paced jokes throughout his latest special, “Untitled.” At the Comedy Store in La Jolla, Edwards’ comfort onstage (in a onesie, no less) is in plain view as he riffs on relationships, confusing albinos, problematic travel, rooting for the wrong side of current events, and the many layers of racism in green-bubble texts. “Untitled” is a straight shot into the mind of Ian Edwards, and if you’ve slept on this special, there’s still time to fix that. (A.L.)

Ryan Sickler, “Live & Alive” (YouTube)

Ryan Sickler turned thick blood into sweet wine this year with his new special “Live & Alive.” His trademark candor (and giggle) drives the hour as he plays tour guide through a traumatic hospital stay that nearly became his last — plenty of morbid humor to go around in this hour. His survival is his own setup and punchline as he pulls you into embarrassing bits at his own expense. And every twist and ridiculous turn leaves you grateful he’s still around to tell the story while being “Live & Alive.” (A.L.)

Chinedu Unaka, “LOL Live With Chinedu Unaka” (Hulu)

For over a decade, L.A.-bred comedian Chinedu Unaka’s passion-driven work as a special education teacher would become the day job that both funded his dream and gave him the tools to achieve it as he held the attention of kids with ADHD while making them learn while laughing. Coming at comedy from the lens of a charismatic instructor with a Nigerian American background, Unaka’s quick wit and dry humor about life, relationships and his immigrant parents are on full display in his latest special. (N.J.)

Cameron Esposito

(Christina House/Los Angeles Times)

Cameron Esposito, “4 Pills” (DropOut)

A lot of comedy specials are made for us to sit and laugh at a comedian’s funny thoughts. In her latest special, Cameron Esposito wants to take things a step further by giving you a look inside her brain. As a person diagnosed with bipolar disorder at age 40, her mind offers a lot to unpack. But the goal remains the same as any special: to laugh at something we feel like we’re not supposed to, only to realize we can relate to a person’s struggles more than we think. In her latest hour, “Four Pills,” Esposito has honed a fresh perspective on living with bipolar disorder that forced her to take her 20 years of stand-up to the next level by bringing fans into the deepest part of her world for the first time. (N.J.)

Samantha Hale, “Horror Nerd” (Apple TV/ Prime Video)

Only Samantha Hale, raised in Los Angeles on “Top Ramen and fear,” could make hair-raising terror this funny. Her long-running show, “Horror Nerd,” jumps from the Hollywood Improv stage to the screen as she nostalgically riffs on serial killers, the healing power of stabby movies, and turns genre obsessions, cult-classic fandom and online feedback into an unbroken chain of laugh-out-loud brilliance. No topic is too strange or scary as she turns her passions and life’s oddities into “Horror Nerd,” a must-watch for anyone who loves humor one (bloody) bite at a time. (A.L.)

Jiaoying Summers, “What Specie Are You?” (Hulu)

Jiaoying Summers is a single mom and a comedian, and somehow she killed it in her first stand-up hour, “What Specie Are You?” on Hulu. Summers swings from dating after divorce and discovering her identity as an immigrant, to choosing favorites between her kids and breaking down an “Asian hate system” that’s so deadpan it almost feels reasonable. Blaming her lack of a filter on her Chinese upbringing, she will have you dying laughing one minute and feeling personally attacked the next. And that works. (A.L.)

FORGET the Oscars, these are the gongs that matter: The Biz on Sunday Awards for 2025.

It’s been another epic year in showbiz, and today we look back at the best, and worst, of it.

From Katy Perry’s space voyage to Alan Carr winning The Celebrity Traitors, here is our round-up . . .

REUNION OF THE YEAR

WHEN Noel and Liam Gallagher walked out on stage together for the first time in 16 years, Oasis fans around the world breathed a huge sigh of relief.

The brothers finally put their long-running feud behind them and took us back to the Nineties with their Live ’25 Tour.

After 41 dates, spanning 13 countries on five continents, it is safe to say that their reunion will be talked about for years to come.

MR AND MRS

Adam Peaty and Holly Ramsay wed with his sister as bridesmaid amid feud

CHRISTMAS CRACKER

Rhian Sugden looks incredible in knickers and ‘naughty but nice’ crop top

Here’s hoping that 2026 holds even more for Oasis.

MOMENT OF THE YEAR

POP star Katy Perry proved she was out of this world when she soared 62 miles above Earth in April.

The American singer went into space on Amazon founder Jeff Bezos’ Blue Origin rocket with an all-female crew, and promised that a song inspired by the trip was on its way.

But critics branded her part in the mission “tone deaf” in light of the world’s economic struggles.

FALL OF THE YEAR

McFLY singer Danny Jones and Love Island beauty Maura Higgins certainly had a rocky start to 2025.

After both appeared in ITV’s I’m A Celebrity . . . Get Me Out Of Here! in 2024, they were spotted together at a Brit Awards after-party in March – and married guitarist Danny was filmed kissing single Maura.

Luckily for Danny, his loyal wife, model Georgia, later forgave him.

Hopefully he will be on his very best behaviour next year.

SPLIT OF THE YEAR

LILY ALLEN proved that revenge is a dish best served cold – following her split from Stranger Things star David Harbour.

The British pop star laid bare her marriage breakdown through 14 tracks on her album West End Girl, which was released in October.

Lily’s tell-all lyrics came after months of hints about her toxic split with American David last December, amid rumours she caught him cheating.

If the album is anything to go by, her West End Girl tour will be one to remember.

TV TWIST OF THE YEAR

THE Celebrity Traitors was the year’s biggest TV show – with 12million viewers tuning in to watch Alan Carr win.

The comedian became the standout star of the series after “murdering” his best mate Paloma Faith – and having the worst poker face at the round tables.

Alan will be forever remembered as the best and worst Traitor in BBC history.

COUPLE OF THE YEAR

TAYLOR SWIFT and Travis Kelce broke the internet in August when the announcement of their engagement scored 37million likes on Instagram.

In a joint post, US hitmaker Taylor was pictured surrounded by flowers, with her American football star boyfriend on one knee, and a cryptic caption quipped: “Your English teacher and your gym teacher are getting married.”

The couple, below, first sparked rumour of a romance when Taylor was spotted watching a Kansas City Chiefs game in 2023.

If the engagement is anything to go by, this is going to be the wedding of the century.

UNLIKELY NEW ROMANCE

HE is Britain’s most eligible pop star – so when Harry Styles stepped out with Catwoman Zoe Kravitz in Rome in August, fans went wild.

The As It Was singer was seen walking arm-in-arm with US actress Zoe through the streets of the Italian capital.

Could we see a diamond ring in the new year?

ARIANA GETS A GRANDE HOTEL

ARIANA GRANDE seems to be planning a Wicked time during her rumoured West End stint — including a £1million hotel stay.

I hear the US singer and actress, who is tipped to star in a revival of hit musical Sunday In The Park With George, has included accommodation at the 5H Mandarin Oriental among conditions for her potentially taking the role.

Penthouses at the Hyde Park hotel start from £40,000 a night.

The three-bedroom suite is almost 5,000sq ft, with a walk-in wardrobe and grandstand private terrace.

If the play runs for six weeks, Ariana’s hotel bill would run to more than £1million.

Fans believe she is set to star in a revival of Stephen Sondheim’s 1984 musical Sunday In The Park With George at London’s Barbican Centre in 2027.

If so, she would line up alongside Jonathan Bailey, who played her Wicked character Glinda’s love interest.

A source said: “Ariana wants to stay at the Mandarin when she stars in the play.

“She really appreciates her downtime when she is working on productions and is a huge fan of the hotel.

“Ariana loves London and believes that the Mandarin Oriental has the city’s best views.”

Meanwhile she is nominated for Best Supporting Actress in Wicked: For Good at the Golden Globes in January.

She will then start her The Eternal Sunshine Tour in June, in Oakland, California, to support her album of the same name.

Sounds like she deserves some five-star R&R.

GET READY FOR A HARRY NEW YEAR

HARRY STYLES has given his most telling clue yet that he is preparing for a comeback.

He put on his YouTube channel a clip from his final Love On Tour gig, in 2023 in Italy – and the post was cryptically titled, “Forever, forever”, with text declaring: “We belong together.” He is at the piano, sparkling in gold.

It comes amid rumours of a fourth solo album – and a stage return.

The former One Direction star released his last album, Harry’s House, in 2022.

Looks like 2026 will be his year.

WITH her steamy shower scenes and sexy outfits, you might assume the much-hyped Sydney Sweeney is the centre of attention in new thriller movie The Housemaid.

Instead, critics are raving about her older co-star Amanda Seyfried as the standout of the film that hit UK cinemas yesterday.

Mamma Mia! actress Amanda, 40, is tipped for an Oscar nod for The Testament Of Ann Lee, which is out in February and sees her play the founder of the Christian fundamentalist Shaker Movement in the 18th century.

But it is The Housemaid, based on the same-named bestselling 2022 novel by US author Freida McFadden, that will be putting bums on seats first.

In the sexy flick, Amanda plays deranged housewife Nina Winchester, who hires 28-year-old Sydney’s Millie Calloway to take care of domestic chores and her daughter.

But nothing is what it seems in this psychological potboiler as Amanda — also famed for 2004 teen movie Mean Girls, as a student who believes her breasts predict the weather — steals the show.

united front

Inside the Beckhams’ Christmas without Brooklyn as they ‘send message’ to son

wedding prep

Adam Peaty’s mum does U-turn on wedding vow as Holly Ramsay’s heads to venue

Revelling in the role, she teases: “It’s dark as s**t. But when you get opportunities like that — to go nuts, go anywhere — I’m so happy I can still do it.

“There were ample opportunities for me to play unhinged, and playing unhinged is delicious. I had so much fun.”

In The Housemaid trailer, the two co-stars appear to be at each other’s throats. There is shouting, screaming and knives are reached for.

But in real life, fellow Americans Amanda and Sydney became great pals while making and promoting the film.

‘She’s a sweetheart’

For a bit of fun together, they even took a lie-detector test for Vanity Fair magazine, with a very animated Amanda asking Sydney whether her breasts were real.

Sydney is now caught in a storm over her recent “great jeans” ad, as some claimed its pun on “genes” hinted at white supremacy.

But Donald Trump, hailed it “the hottest ad out there”.

There have also been online rumours of her having romances with co-stars including Housemaid actor Brandon Sklenar and Glen Powell, who Sydney got steamy with in 2023 rom com Anyone But You. None of it was true.

Amanda knows about falling for a co-star, having dated Dominic Cooper from 2008 film Mamma Mia! for three years before the British actor reportedly broke her heart.

But asked about all the hype around pin-up Sydney, she told Vanity Fair: “I don’t envy anything she’s going through.

“I’ve spent a lot of time with her, we just hit it off immediately. She’s a sweetheart. I did not have a moment like she’s having, ever.”

If Sydney ever wanted to know more about the ups and downs of fame, Amanda would be a great person to chat to.

People would run into me and kids would be like, ‘Hey, can you tell us what your boobs are thinking?’ I got that so often, but I didn’t mind it’

Amanda Seyfried

Her pharmacist dad Jack and mum Ann, an occupational therapist, brought her up on a college campus in Allentown, Pennsylvania.

At school, Amanda started modelling then, in her teens, broke into acting with roles in US soap operas As The World Turns and All My Children.

This led to the “liberation and freedom of living on my own in New York City”, as her career took off.

She says: “I was having so much fun — paid a thousand dollars a day and working, like, three times a week — for a 17-year-old.”

The dream seemed to be over when the TV work dried up, and she enrolled at college.

But then an audition for mega-hit Mean Girls, which starred Lindsay Lohan and Rachel McAdams, saved her career.

Amanda says: “I was just happy to be working — big cheque.”

But playing that student who believes her boobs have superpowers led to some pointed questions from admirers.

She recalls: “People would run into me and kids would be like, ‘Hey, can you tell us what your boobs are thinking?’ I got that so often, but I didn’t mind it. I did my job, good enough, I guess.”

Four years later, she got the lead role of Sophie in Abba-inspired smash-hit movie musical Mamma Mia!, alongside Meryl Streep.

Amanda says of the much sought-after part: “I can’t f***ing believe I got that role but it felt like something I should be doing, could be doing.”

She was on a roll as further box-office success followed, including 2009 comedy-horror Jennifer’s Body with Megan Fox, 2010 romantic drama Dear John with Channing Tatum, and 2012 hit Les Miserables.

But not all of her career choices turned out well. She passed on the role of green alien Gamora in 2014 superhero blockbuster Guardians Of The Galaxy, only for it to take nearly £600million worldwide and spawn a pair of sequels.

The part was played instead by Zoe Saldana. Amanda says: “The offer came in and I was like, ‘I should take this, right? But this is going to be Marvel’s first bomb and I do not want to be ruined for the rest of my life. Who the f is going to see a movie with a talking raccoon?’”

But her later decision to star in an off-Broadway play in New York called The Way We Get By in 2015 was to have a major impact on her personal life. Co-star Thomas Sadoski would become her husband two years later.

She says: “We met, we came very, very close, and then we started seeing each other a year later — and now we have kids [a daughter born in 2017 and son born in 2020].”

Amanda had never intended to be a mum because she feared it might ruin her career.

But she says: “If you’re lucky enough to accidentally get pregnant, which was me twice, I’m just like, thank God. I would have been, ‘I’m too busy’, ‘I’m gonna disappear from Hollywood and it’s gonna be hard to get back on track.’”

If you’re lucky enough to accidentally get pregnant, which was me twice, I’m just like, thank God. I would have been, ‘I’m too busy’, ‘I’m gonna disappear from Hollywood and it’s gonna be hard to get back on track.’

Amanda

In reality, after getting pregnant, Amanda took only a few months off and discovered she was being offered “mum” roles by casting directors.

She says: “There’s something that happens to you when you become a mother or a father.

“You know, when your life no longer matters as much and you can’t live for yourself any more.

“That sacrifice also is very enriching and the roles got better. But it was funny how fast that happened. They’re like, ‘She’s pregnant. Is she pregnant? Oh, she had a baby. Oh, yeah, no, she’s a mom. She’s a mom now.’

“But I did play one character where I was not a mom, since then.”

One mum she played was silent film star Marion Davies in Gary Oldman’s 2020 movie Mank, about alcoholic screenwriter Herman J. Mankiewicz railing against 1930s Hollywood society while completing the screenplay of 1941 movie classic Citizen Kane.

That led to a Best Supporting Actress Oscar nomination in 2021, which in turn secured a starring role in the Disney+ series The Dropout, for which she won an Emmy and Golden Globe.

‘Weird dance’

Amanda says: “Going to the Oscars, you’re like, ‘I’m just happy to be here’, honestly. But it brought me up the casting list. I got the offer for The Dropout the next day.”

But there were restrictions on playing real-life character Elizabeth Holmes in The Dropout because the medical fraudster was not convicted until January 2022.

The programme’s lawyers even advised against sex scenes.

Amanda says: “Every script went through a team of lawyers.

“We couldn’t say certain things, we couldn’t do certain things. We couldn’t show them making love, so we had that weird dance scene because that was their foreplay.”

Every script went through a team of lawyers. We couldn’t say certain things, we couldn’t do certain things. We couldn’t show them making love, so we had that weird dance scene because that was their foreplay

Amanda Seyfried

Fast-forward to now, and her title role in upcoming period drama The Testament Of Ann Lee, about the UK-born Shaker Movement being taken to the US by Manchester lass Ann in 1774.

It sees Amanda shake ecstatically as the ultra-puritanical sect, which avoided earthly pleasures such as sex, celebrated the Almighty.

Also known for their pacifism, the Shakers’ number peaked in the mid-19th century but then declined with industrialisation, with only one active community remaining today, in Maine. Amanda says of Ann: “Nobody could have sex because sex, she thought, was the root of all evil — the root of why she was in so much pain.

“She had got pregnant and lost her babies.

“The idea that taking sex away could make you closer to wholeness is kind of beautiful. I think she’s nuts and also very cool.”

But despite her impressive credits reel, Amanda still reckons she must battle to stay on the “list” of most-wanted actresses in Hollywood.

She says: “These f***ing lists. Every time I’m auditioning it’s like I fluctuate. I fall down the list, I go to the top of the second list or keep going back to the bottom of the first list, and it’s like, I’m lucky to be on the list at all.”

But after The Housemaid, she shouldn’t need to worry about being on that Tinseltown A-list.

EROTIC AND CAMP

THE HOUSEMAID (15) 131mins

★★★☆☆

By LINDA MARRIC

A GLOSSY, erotic thriller that is as hilariously camp as it is suspenseful.

Adapted from Freida McFadden’s smash-hit novel by director Paul Feig and screenwriter Rebecca Sonnenshine, Sydney Sweeney stars as Millie, a young woman fresh out of prison.

She takes a live-in maid job at the lavish home of wealthy couple Nina and Andrew Winchester (Amanda Seyfried and Brandon Sklenar).

What initially promises a fresh start for the young woman, quickly turns into something far stranger as Nina’s wildly erratic behaviour borders on the theatrical, while Andrew’s “perfect husband” routine grows increasingly unrealistic.

Feig, usually known for his work in comedy, brings an over-the-top energy to this adaptation that makes for a fun, if slightly ridiculous, ride.

While his shift into psychological drama feels a bit bumpy, the film’s knowingly silly vibe is exactly what makes it so entertaining.

But it struggles with its own shifting tone and at 131 minutes, the pacing sags and several twists are made a little too obvious.

Sweeney does her best with the script but it is Seyfried who ultimately comes out on top here, putting in a brilliantly unhinged performance as Nina.

The Housemaid may lack subtlety and genuine menace but no one can deny that it is a great deal of fun from start to finish.

ROSIE Huntington-Whiteley goes through a purple patch in lingerie from her Marks and Spencer range.

The 38-year-old, married to movie action hero Jason Statham, 58, also modelled a modest red set.

The ex-Victoria’s Secret model-turned-actress has worked with the high street giant since 2011.

Action film star partner Jason Statham, 57, popped the question in 2016, but she later said getting married was “not a priority”.

A source said: “Jason might be 20 years older than Rosie, but they are on the same page with each other in so many aspects of their lives.

“Their love for each other, and their children, is incredibly reassuring and something their friends look up to.”

JUST ROSIE

Rosie Huntington-Whiteley looks incredible as she strips off to lingerie

TIGHT WHITELEYS

Rosie Huntington-Whiteley sizzles in tight top and string bikini bottoms

The couple have been together since 2009, and they have two children aged seven and three.

Earlier in the year, the couple teamed up for their first photoshoot together.

They were promoting Italian fashion brand Falconeri.

Rosie said of the photoshoot: “It was relaxed and easy.

“We got to spend a day together, working with a team we love, in a place we love.

What more can you ask for?”

The series finale lands on Netflix in just a matter of days

*Warning: This article contains spoilers for Stranger Things Season 5.*

The second part of Stranger Things season five has finally dropped and with it came some major bombshells.

Following on from part one, which ended with Will (Noah Schnapp) discovering he had super powers, the three new episodes shed light on Henry’s (Jamie Campbell Bower) long-term plans.

It turns out the Upside Down isn’t an alternate dimension like the gang originally believed. It is actually a wormhole that was created during Dr Brenner’s experiments on Eleven (Millie Bobby Brown), and it connects Hawkins to another world called The Abyss.

Henry plans to use the children he has abducted to increase his powers so he can merge the Abyss, which the gang named after Dungeons and Dragons, with Hawkins. As far as we know, this other world is where the Mind Flayer and demogorgons are really from.

Episode 7 ended with Henry sitting around a table with all the children he has stolen and seemingly starting his master plan. So when can Netflix viewers dive back into the action?

Watch Stranger Things on Netflix for free with Sky

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more

from £15

Sky

Get the deal here

Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things.

When does Stranger Things season 5, episode 8 come out?

Stranger Things season five, episode eight (aka the series finale) is set to release on New Year’s Eve (December 31) for US audiences, and in the early hours of New Year’s Day for UK viewers.

If you’re keen to catch the episode as soon as it drops, it will be available to stream in the UK on Thursday, January 1st from 1am GMT.

How long is the Stranger Things finale?

The series finale has a huge runtime of 2 hours and 8 minutes. Co-creator Ross Duffer confirmed the final runtime ahead of volume two’s release and fans had mixed reactions.

Considering how much ground the show still has to cover, some viewers aren’t convinced two hours will be long enough. But we’ll have to hold on and see how it unfolds.

After almost a decade on our screens, Stranger Things will be coming to an end with this episode.

Stranger Things Season 5, Episode 8 comes out on January 1st.

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Netflix treated Bridgerton fans to the season four trailer on Christmas Day but viewers have noticed a major flaw

The trailer for Bridgerton Season 4 has finally dropped but fans are furious about two characters ‘missing’ from the teaser.

The beloved period drama is set to return to screens on January 29th with four episodes, with another four instalments set to release on February 26th.

Netflix unveiled a two-minute teaser for the upcoming season on Christmas Day, and it focuses on Benedict Bridgerton (Luke Thompson) and Sophie Baek’s (Yerin Ha) romance.

Based on Julia Quinn’s third book in the series, An Offer from a Gentleman, the trailer reveals the couple’s Cinderella-style meeting at the Bridgertons’ masquerade ball.

Sophie is shown working as a maid and envying members of high society who get to attend endless parties. So she disguises herself as a ‘lady’ and attends the ball.

However, she must return home at midnight.

Benedict bumps into her and asks for a dance and later tells her: “You are perhaps the most intriguing person I’ve ever met.”

But the couple are separated when Sophie runs home, leaving only her glove behind. Benedict then goes on a mission to find the owner of the glove, hoping he can spark a real connection with her.

Throughout the trailer, viewers see various members of the Bridgerton family including Colin (Luke Newton) and Francesca (Hannah Dodd). However, fans are furious that Anthony (Jonathan Bailey) and his wife Kate (Simone Ashley) are excluded from the teaser.

Get Netflix free with Sky

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more

from £15

Sky

Get the deal here

Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.

Taking to X, formerly Twitter, one penned: “Clearly we understand Kathony [Kate and Anthony] had their season… but it truly doesn’t make sense that the VISCOUNT and VISCOUNTESS Bridgerton, the literal HEADS of the household are nowhere to be seen Imao.”

Someone else chimed in with: “Are you aware large parts of this season are at the home of the Viscount and Viscountess? Where are they?”

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website

While a third agreed: “The absurdity of this production writing Kate and Anthony out of Part 1 yet being too cheap to relocate the Bridgertons to a new residence so you have everyone & their mothers hosting balls and living it up at K & A’s house while the viscount & viscountess are nowhere to be seen.”

Yet another unimpressed viewer wrote: “Another Polin [Penelope and Colin] scene in carriage but ZERO seconds of Kanthony,” and a final viewer quipped: “Kate and Anthony going on their eighth honeymoon so that others can live in their house (masterminds behind this show).”

Bailey and Ashley will be in the new season, but it’s unclear how much screen time they will each have. If season three is anything to go by, they may only appear in a few episodes.

Bridgerton season four part one premieres on Thursday, January 29 on Netflix

Netflix’s mega-hit Stranger Things first hit our screens back in 2016 and now, its fifth and final season is underway with the last ever episode dropping on December 31

Stranger Things’ final season is well underway, a decade after the residents of Hawkins first hit our screens and became a global phenomenon. The Netflix series begins in the small fictional Indiana town in November of 1983, with a cast of beloved characters played by talented actors at varying levels of their careers – and one casting choice has been lauded by fans.

The children at the front of the show were complete unknowns when they first donned 80s gear, accessories and dialogue, hooking viewers with nostalgia and intrigue back in 2016. They were joined by screen icons though, with Winona Ryder as Joyce Byers drawing in many viewers.

Ryder’s performance as the perpetually stressed, chain-smoking mother who refuses to listen to authorities when her son, Will, goes missing in the very first episode added a sense of heart and strength to the show.

The actor’s star power also helped attract viewers to the first season. Ryder shot to fame in a string of quirky, misfit-type roles in the 80s and early 90s, before taking on more dramatic and period roles too.

She’s been critically acclaimed for her acting prowess and has even bagged two Academy Award nominations.

Stranger Things fans have praised the casting choice, with one taking to Reddit to declare: “Winona Ryder being cast as Joyce Byers is one of the greatest casting decisions of all time. I couldn’t picture anybody else in this role.”

In the comments section, people were keen to share their thoughts. One Reddit user said: “I just rewatched season 1 a couple weeks ago and I was just blown away. I think her acting in that season is amazing!

“You see things differently during a re-watch and her acting really struck me and I don’t think I fully appreciated the first time around.”

Another asked: “Where is her Emmy for this role?!”

A third shared: “Winona is my favourite actress. People forget she was HUGE in the late 80s and 90s. I had been hoping for her to have a comeback for years and years and she is wonderful as Joyce Byers.”

A fourth said: “It was so smart to cast her because I didn’t know anything about the show. Just that this new show was coming out on Netflix and Winona Ryder was gonna be in it and I will watch anything with Winona and then it became one of my favourite shows ever.”

Someone else said: “Such a great comeback role for her.”

Another said: “I’ve always been a huge fan.”

One fan shared: “IMO [in my opinion] Season 1 NO ONE could top her acting. Millie was #2 for me…”

Reflecting on other casting choices, another said: “They also did great with casting her boys. They genuinely look like they could be related to her.”

And another added: “The casting of the whole show is brilliant and also is the yardstick for child actors as far as I’m concerned.

“A lot of movies or shows prioritise looks over the actual acting talent of the kids, but these kids can act.”

WHAM! star George Michael has raked in almost £75million from beyond the grave — and is set to bank even more, accounts show.

The singer’s firm, Nobby’s Hobbies Holding Limited, has turned over £74.7million since he died aged 53 on Christmas Day 2016.

Royalties poured in after the band’s 1984 classic hit Last Christmas, which he wrote, was the festive No1 in both 2023 and 2024.

George’s estate earned £6.6million from the 2023 chart success alone.

Cash also came from the 2023 Netflix documentary Wham!.

The company’s latest accounts end in March 2024, meaning earnings from Christmas 2024 are yet to be included.

Read more on George Michael

SPRUCED UP

George Michael’s £10m mansion gets modern makeover after row with neighbours

Generous George

George Michael’s incredible generosity revealed after handing singer £50k

George left a £98million fortune when he died, mostly to his sisters.

We revealed earlier in the year how George Michael’s dilapidated £10m London mansion is showing signs of improvement after major renovation work.

A bitter row with neighbours over the chopping down of a number of historic trees hasn’t deterred the late star’s sister from updating the property.

George’s only living sibling, Yioda Panayiotou, was handed ownership of the property following the singer’s tragic death on Christmas Day 2016 at the age of 53. 

There was outrage when Yioda’s design team asked the local council to remove a number of trees and prune others at the front and rear of the property, which is in a conservation area. 

One residents association was furious that the works were also going to occur during the peak nesting season, which runs from March to July. 

Netflix is currently streaming a ‘bittersweet’ documentary tracking the tumultuous life of a beloved musician

Netflix viewers have been encouraged to watch a ‘bittersweet’ documentary that tells ‘one of the saddest stories ever’.

Avicii: I’m Tim chronicles the life of late DJ Avicii, real name Tim Bergling, charting his meteoric rise to stardom before his heart-breaking death by suicide in 2018.

Avicii narrates the film from his perspective and offers insight into his life away from the stage. The documentary also features previously unseen material from the Swedish artist’s life and conversations with his collaborators, including Coldplay’s Chris Martin.

The Stockholm-born sensation ruled the EDM world during the 2010s with number-one anthems like Wake Me Up and Levels. However, he battled health and substance abuse issues away from the spotlight, reports the Daily Record.

Audiences were moved by the film at the time of its release, with many urging others to tune in. On X, formerly Twitter, one excited supporter declared: “AVICII’S LAST SHOW AND HIS DOCUMENTARY ARE ON NETFLIX RUUUUUUN.”

Someone else commented: “I have just finished watching ‘I’m Tim’ the new Avicii documentary on Netflix. It was very nicely put together and helps show the true genius and character of Tim Bergling. I recommend checking it out” whilst a third shared: “Avicii doc on Netflix… A must-watch.”

Another viewer lauded the film, saying: “This Avicii I’m Tim documentary that was just released on Netflix was absolutely incredible.”

Some reflected on the DJ’s personal battles, with one X user stating: “Avicii’s documentary on Netflix is one of the saddest stories I have ever watched.”

Music fans also took to Reddit to commend the documentary, with one admitting: “I really enjoyed the ‘I’m Tim’ documentary. Very well done.

“And to watch the last show after that was…bittersweet. Sad that Tim just wanted to make music and the success of his music became too much for him.”

The film quickly climbed Netflix’s charts when it premiered in December 2024, and it was released alongside a concert special of his final performance in Ibiza, titled Avicii: My Last Show.

The gig took place on 28 August 2016, at the renowned party hotspot, Ushuaïa Hotel. Despite 2016 marking his final live performance, Avicii continued to produce music for another two years before tragically ending his own life in April 2018.

Avicii – I’m Tim and Avicii: My Last Show are streaming now on Netflix. For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

In the UK and Ireland, Samaritans can be contacted on freephone 116 123, or email jo@samaritans.org or jo@samaritans.ie.

Fans of the show have been given a ‘Christmas Eve gift’ from the streaming service

Netflix has given fans of its beloved romcom Emily in Paris an early Christmas present just days after the release of the eagerly-awaited fifth season.

In a post to its official social media accounts, Netflix shared a video featuring Lucien Laviscount, who plays Alfie Peterson on the show, dressed in a brown trench coat and holding a number of large white placards while standing in a road. It captioned the clip: “Lucien Laviscount has a Christmas Eve gift for you.”

In a nod to classic Christmas film Love Actually’s placard scene, the star then looks directly into the camera as he reveals what each card says, with every single one bearing a handwritten message.

“Hey beautiful. Can you stop scrolling for a second?” the first reads, as Lucien waves to viewers before revealing a second that says: “Please read everything I’m about to show you in a British accent.”

“The holidays bring lots of feelings. This is your sign to exhale,” reads the third. The message continues: “You are my favorite gift this year. Your smile sparkles brighter than the Eiffel Tower and your lips are made to be under a mistletoe.”

The subsequent cards continue: “Aside from your beauty you are an incredible soul, an incredible mother/daughter/sister/best friend. Your optimism is infectious. It even makes me blush.

“I am proud of you and love how you show up for yourself. You deserve all the love that you abundantly give. happy holidays, I love you.”

Fans were quick to react to the surprise clip, with one commenting: “This is such a charming holiday surprise and definitely the best reason to stop scrolling today.”

A second fan agreed, adding: “A very on-brand Christmas Eve surprise from Lucien Laviscount, consider this gift happily received,” while a third gushed: “Cheers, Lucien – feeling the holiday warmth now.”

Despite being Emily Cooper’s (Lily Collins) love interest in past seasons of Emily in Paris, Alfie was shown pursuing a connection with her best friend Mindy Chen (Ashley Park) in the latest series which released on December 18.

However, Mindy’s reluctance to go public with their situationship causes the duo to go their separate ways. The synopsis for Season 5 reads: “Now the head of Agence Grateau Rome, Emily faces professional and romantic challenges as she adapts to life in a new city. But just as everything falls into place, a work idea backfires, and the fallout cascades into heartbreak and career setbacks.”

Emily in Paris Season 5 is now streaming on Netflix

Described as ‘haunting’ and ‘disturbing’ the 12-episode show is certainly not for the faint of heart

A supernatural horror series on Netflix is winning rave reviews from viewers who are hailing it as ‘perfect’ and ‘disturbing’ – and it boasts a rare 100 per cent Rotten Tomatoes rating.

The Summer Hikaru Died centres around a town still recovering from the disappearance of a young schoolboy, Hikaru (Shuichiro Umeda), who vanishes for a week into a forbidden forest in the mountains. When he returns, it becomes apparent to his best friend Yoshiki (Chiaki Kobayashi) that he has come back fundamentally changed – but by what?

As per Netflix’s synopsis: “Two best friends living in a rural Japanese village: Yoshiki and Hikaru. Growing up together, they were inseparable… until the day Hikaru came back from the mountains, and was no longer himself. Something has taken over Hikaru’s body, memories, feelings… and everything they know begins to unravel.”

As Yoshiki grapples with the grief of his losing his best friend while maintaining a friendship with the shell of him, he finds himself losing grip of his emotions and questioning if he’s truly safe with Hikaru in his life.

Love horror? Sign up for our free TV, film and streaming newsletter Scream Society so you never miss a new release

The 12-part anime series blends horror with a coming-of-age tale, and many have praised its LGBTQ+ undertones. It is based on a comic of the same name by manga creator Mokumokuren.

At time of writing the Japanese language show has an impressive 100 per cent critics’ score while viewers awarded it a strong 87 per cent, with plenty of praise for the animation style.

One glowing review praising its director read: “Ryohei Takeshita’s direction is something to behold. His masterful orchestration of perspective, textures, and spatial composition is reminiscent of Twin Peaks in its gift for making the ordinary feel faintly poisoned.”

“The Summer Hikaru Died is the perfect series for horror fans to experience a haunting, heartfelt reminder that anime still has the power to surprise, disturb, and move viewers,” another show fan penned, while a third added: “Each episode leaves you with a constant feeling of unease, which doesn’t rely too heavily on jump scares but instead focuses on building tension.”

Tentative anime watchers were reassured by one viewer, who gushed: “This is the most interesting animated series I’ve ever seen. It’s use of animation is so fun and unique, working perfectly in tandem with the surreal plot. The whole tone of the show is spectacular.”

The Summer Hikaru Died is now streaming on Netflix

The limited series is one to binge-watch this Christmas period

For those seeking a break from traditional festive TV, Netflix is currently streaming a tense crime drama that had viewers hooked from the very first scene.

The Glass Dome (or Glaskupan) originally dropped in April and quickly climbed the streaming giant’s most-watched charts, but it may have slipped under your radar.

Set in a small Swedish community, the six-part show follows criminologist Leijla as she sets out to investigate the vanishing of a local girl, in the same town she was once held captive.

The search brings up difficult feelings for Leijla, who still hasn’t discovered the truth behind her own kidnapping. While it sounds like a simple whodunnit drama, the limited series is packed with plot twists that most viewers won’t see coming.

Swedish actress Léonie Vincent leads the show as accomplished career woman Leijla. Viewers first meet the main character while she is working in the United States, before she receives a concerning phone call begging her to return to Sweden.

She’s joined by fellow Stockholm-born actor Johan Hedenberg as her adoptive father Valter, who is also keen to uncover the truth.

A glowing IMDb review from the time of release said: “From the very beginning, it pulls you in with its intense atmosphere and never lets go.

“The plot is packed with brutal and unexpected twists that hit you when you least expect them, and the tension only escalates with each episode.”

The same fan added: “Just when you think you’ve figured it out, everything changes again. It’s unpredictable, addictive, and full of surprises right up to the final scene. If you enjoy clever, suspenseful storytelling, this series is a hidden gem you shouldn’t miss.”

Get Netflix free with Sky

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more

from £15

Sky

Get the deal here

Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.

Someone else raved: “One of those rare thrillers that hooks you from the very first scene. The storyline is well crafted — just when you think you’ve figured out who’s behind the crime, the plot twists and makes you question everything again.

“It’s a true whodunnit that keeps your brain ticking till the very end.”

While another impressed viewer raved on X, formerly Twitter: “Just binged Glaskupan (The Glass Dome) on Netflix and wow, this Nordic thriller had me on edge! Perfect mix of suspense and mystery, after True Detective, Mind Hunter, The Chestnut Man, This one got me. 7/10, Highly recommend!”

Another X user shared: “Y’all… ‘The Glass Dome’ on Netflix was completely wild to me. I swear I didn’t expect that twist. I did not see that s*** coming,” while a third described it as “mind blowing”.

The Glass Dome is streaming now on Netflix

Christmas is a time for the whole family, including the very youngest members of the household.

With Christmas Day just hours away, families are on the hunt for festive films that cater to all ages.

A flurry of new Christmas movies have recently hit the screens, from Netflix‘s Champagne Problems and My Secret Santa to Prime Video‘s Oh. What Fun.

However, these might not be the most suitable picks for the younger audience. So, here’s a guide to where you can catch some of the top-notch Christmas films for children.

Christmas films for children and toddlers

The Snowman

The 1980s classic fantasy animation, The Snowman, is an iconic and charming viewing experience for the entire family.

The Snowman spins the story of a young lad who crafts a snowman that springs to life while everyone else is fast asleep, whisking him off on an extraordinary journey.

Adding to the thrill is the fact that the narrative is introduced by none other than the late glam rock legend David Bowie.

The Snowman is available on Channel 4.

Mickey Mouse’s Once Upon A Christmas

Mickey Mouse also has his own holiday film with Once Upon A Christmas, a compilation-style movie featuring three separate tales about love, kinship and the spirit of giving.

This animated Disney gem stars Minnie Mouse, Donald Duck, Goofy, Daisy Duck, Pluto, and naturally, Mickey Mouse himself.

Mickey’s Once Upon A Christmas is available to watch on Disney+.

A Charlie Brown Christmas

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

A Charlie Brown Christmas may be celebrating its 60th anniversary this year, but it remains a timeless classic for good reason.

Disheartened by the commercialisation of the holiday season, Charlie embarks on a quest to uncover the true essence of Christmas by directing his school’s nativity.

Through this venture, he discovers that Christmas isn’t about material possessions but love and the celebration of Jesus Christ’s birth.

A Charlie Brown Christmas is available on Apple TV.

Arthur Christmas

Featuring the voices of James McAvoy and Bill Nighy, Arthur Christmas centres around Santa Claus’ well-meaning but bumbling grandson, Arthur.

Upon realising that Santa has overlooked delivering a present to a little girl on Christmas Eve, Arthur embarks on a frantic last-minute quest to ensure it reaches her before daybreak.

Arthur Christmas is available for rent or purchase on Prime Video, or for streaming via Sky Go or NOW.

Klaus

Another contemporary Christmas family favourite is Klaus, which explores the origin story of Santa Claus.

After spoilt postman Jesper is banished to the desolate town of Smeerensburg, he teams up with reclusive woodsman Klaus to distribute toys, igniting community spirit and a cherished new tradition.

Klaus can be streamed on Netflix.

The Polar Express

Voiced by the legendary actor Tom Hanks, The Polar Express follows a young lad who, doubting the magic of Christmas, embarks on an enchanting train journey to the North Pole.

During his voyage, he forms new friendships and experiences the true essence of Christmas.

The Polar Express is available for rent or purchase on Prime Video, or for streaming via Sky Go or NOW.

The Muppet Christmas Carol

Often hailed as one of the greatest Christmas films ever, the 1990s flick The Muppets Christmas Carol holds a special place in many hearts.

Featuring Kermit the Frog, Miss Piggy, Gonzo, Rizzo and the rest of the Muppets crew, these endearing puppets breathe life into Charles Dickens’ timeless story, A Christmas Carol.

At the centre of this yuletide film is none other than actor Michael Caine, portraying the curmudgeonly Ebenezer Scrooge.

The Muppet Christmas Carol can be viewed on Disney+.

THEY were the sweet child actors who made us laugh and cry in our favourite festive films.

But since their big breaks in Christmas movies, few have bagged big parts and many traded fame for ‘normal’ jobs away from our screens.

While the flicks boosted the careers of Matilda star Mara Wilson, whose first role was in A Miracle on 34th Street, and Game of Thrones actor Thomas Brodie-Sangster, who first appeared in Love Actually, not everyone experienced such luck. 

The Holiday star Miffy Englefield told us she was forced out of acting for good because she ‘looked older’ than her years.

And another big name, who starred alongside Arnold Schwarzenegger, Natalie Portman and Ewan McGregor, had quit the profession following a “full-blown psychotic breakdown”.

It can be a tough industry that sees some like high-flying star Thomas, who recently returned to his Love Actually role for a Google Pixel ad, rise to international acclaim while others end up in the depths of despair. 

NOT SO GROTT-O

We’re at Butlin’s for Xmas Day… how it rates with fireworks, panto & turkey

DEADLY GIFTS

Dangers of fake Christmas toys exposed including Labubus with host of hazards

From Christmas gigs to jail for car chases, we explore what became of the kids in your favourite Christmas flicks. 

Nativity! – Sydney Isitt-Ager

In the 2009 film, child actress Sydney Isitt-Ager played little Sadie in Mr Madden’s class.

The film follows Mr Madden – played by Martin Freeman – as he fibs to his class his Nativity performance has been picked up by a Hollywood bigwig. 

Sydney – who is the daughter of Nativity! writer and director Debbie Isitt – starred in all three of the movies.

She went in to study at a theatre college in Epsom, Surrey and bagged her first role as a grown up in a Netflix Christmas film in 2022. 

She played Miss Nerris in the film Christmas On Mistletoe Farm – also starring Nativity! co-star Ashley Jensen.

Sydney, now 26, also appeared in Nativity the Musical, on stage, saying: “Did someone say full circle moment?” 

Most recently she starred in the stage musical Military Wives, directed by her mum.

Elf – Daniel Tay

The child actor starred opposite Will Ferrell in 2003 Christmas flick Elf. 

In the movie, Daniel was just 12 when he played Buddy’s half brother Michael. 

Instead of pursuing a career in Hollywood, the brainbox went to study Economics at prestigious US college Yale. 

Now 34, he also studied Chinese and coaches students taking their SATs while writing on the side. 

The Santa Clause – Eric Lloyd 

Eric played adorable Charlie Calvin in all three of the Santa Clause movies with Tim Allen. 

Aged just eight when he was cast in the role, he finished up the series in 2002 as a teen. 

But now aged 39, he still works in showbiz but opts for a behind the scenes role.

He got into sound engineering and opened his own production studios in Glendale, California. 

In 2022, he revived his role to appear in The Santa Clauses, a TV special based off the films, alongside Allen.

Bizarrely, his film co-star David Krumholtz made a WWE Raw appearance.

Bad Santa – Brett Kelly

As dorky Thurman Merman, Brett Kelly had his first role in Bad Santa and its sequel. 

He went on to have roles in Paul Feig’s Unaccompanied Minors in 2006 and Adrien Brody film High School before studying business in Canada.

But in 2016, he chose to gain 50lbs to bring back his role as Thurman in Bad Santa 2.

He said: “The pain came after. It took about four months to put on and then I’d say about twice that to take it all off.”

For the last four years, the 32-year-old been starring in Canadian legal drama Family Law where he plays paralegal Cecil Patterson. 

Jingle all the Way – Jake Lloyd

The 1996 film was Jake Lloyd’s first Hollywood role – starring as Arnold Schwarznegger’s son Jamie in the holiday romp.

His biggest role came in 1999 when the ten-year-old was cast by George Lucas as Anakin Skywalker in Star Wars: The Phantom Menace. 

In 2001, he quit the industry after bullies targeted him over his role in the Sith vs Jedi epic.

He told The Sun at the time: “My entire school life was really a living hell.”

In 2015, Jake was arrested after a car chase and was held for 10 months while awaiting trial.

He was then diagnosed with schizophrenia and transferred to a psychiatric facility in 2023, where he completed to 18-month inpatient stay. 

Jake, now 36, said he needed to hit “rock bottom” to help him accept his diagnosis, medication and the need to “honestly take part in treatment”.

Love Actually – Thomas Brodie-Sangster

Thomas was 13 when he starred as Sam who seeks advice from his stepdad Daniel (Liam Neeson) after falling for a classmate.

The London-born actor went on to star in Nanny McPhee and The Maze Runner movies, as well as playing Paul McCartney in the John Lennon biopic Nowhere Boy.

He starred as Jojen Reed in two seasons of Game of Thrones and, more recently, he has appeared in the historical TV drama Wolf Hall: The Mirror and the Light.

In June 2024, Thomas, now 35 married actress Tallulah Riley at Anstey village church in Hertfordshire.

Tallulah, who starred in the 2007 movie St. Trinian’s, previously wed Tesla mogul Elon Musk, twice.

They first married in 2010, divorcing two years later, before tying the knot a second time in 2013 and splitting in 2014.

Deck the Halls – Alia Shawkat

She may be better known for playing Maeby Funke in Arrested Development but one of Alia’s first roles was in Deck the Halls. 

She starred as Matthew Broderick’s daughter Madison in the festive flick back in 2006. 

Since, she has had roles in Broad City, sells paintings and provided vocals for band Fake Problems in 2010.

This year, Alia, now 36, notched up eight acting credits on IMDB – including runaway hit Severance, starring Adam Scott, Lego Marvel Avengers and Poker Face.

But in 2019 and 2020, there were rumours she was dating Brad Pitt after the pair were repeatedly spotted together. 

But Shawkat laughed off the story, telling the New Yorker they were just friends.

She added: “It was so weird. Now it’s like a weird dream, where I’m, like, ‘Did that happen?’

“He was, like, ‘I’m sorry. It happens. If you hang out with me, it happens.’ He had no awareness of it at all.”

If you’re unimpressed with this year’s Christmas TV offerings, you can find a huge range of beloved festive classics on your favourite streaming services

Another Christmas is finally here and the season is all about family, food and festive traditions.

However, there will undoubtedly come a moment when parents and kids alike will be so stuffed with turkey, trimmings and Christmas pudding that they won’t be able to move from the sofa.

That’s why it’s important to have several hours of entertainment lined up, especially if the idea of board games or a long walk is too exhausting to contemplate.

While TV channels have a wide range of festive treats in store, viewers who don’t fancy yet another Strictly Come Dancing Christmas special or have already watched the Gavin and Stacey finale 100 times this year might prefer to revisit some of their favourite holiday films instead.

Let’s take a look at some highlights from the vast array of Christmas classics available to stream on the top streaming platforms, from Netflix and Prime Video to Sky and Disney+.

Netflix

Streaming giant Netflix has fast become one of the leading producers of guilty pleasure Christmas rom-coms that are incredibly easy to watch if you’re still digesting your second and third helpings of pigs in blankets.

Stand-outs include The Princess Switch trilogy, Hot Frosty, A Castle For Christmas and A Merry Little Ex-Mas. Plus, don’t forget about Lindsay Lohan’s Christmas comebacks, Our Little Secret and Falling For Christmas, and Virgin River star Alexandra Breckenridge’s recent Mrs Doubtfire-inspired hit, My Secret Santa.

Watch Bridgerton on Netflix for free with Sky

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more

from £15

Sky

Get the deal here

Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Bridgerton.

For those looking for something a bit more nostalgic, Netflix has several familiar favourites, too. Iconic Christmas rom-coms The Holiday and Love Actually are both available, as is How the Grinch Stole Christmas, both the live-action version with Jim Carrey and the 2018 animated film voiced by Benedict Cumberbatch. Animation fans also can’t go wrong with Netflix’s delightful original film, Klaus.

Those looking for something a little more high-octane should check out the Christmas thriller Carry-On, with Taron Edgerton and Jason Bateman, and, finally, Netflix is also carrying The Holdovers, a heartwarming drama that was only just released in 2023 but has already become a classic.

Get Disney+ for 24p a day

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more

Disney+ has announced that it will up its annual subscription by 10% on September 30. Until then, shoppers can still lock into its £89.90 annual plan, which works out less than 30p a day.

Disney+

Although Netflix has streaming services beat when it comes to Christmas originals, Disney+ might just have the best selection of familiar favourites.

The Holiday is also available here, as is the live-action Grinch, plus both versions of the delightful Miracle on 34th Street and the entire Santa Clause trilogy starring Tim Allen as a reluctant Saint Nick.

Here you can also find The Nightmare Before Christmas, for viewers who are still disappointed Halloween is over, the iconic action thriller Die Hard, starring Bruce Willis, and, of course, The Muppet Christmas Carol, starring Michael Caine as Ebenezer Scrooge alongside Kermit the Frog, Miss Piggy and Gonzo the Great as Charles Dickens.

Disney+ also features both Home Alone and Home Alone 2: Lost in New York, which are guaranteed to entertain the whole family.

Sky TV with Top Cashback

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more

From £15 a month

Top Cashback / Sky

See the cashback

Sign up to Top Cashback to earn up to £105 cashback on new Sky TV bundles.

Sky/NOW

Several films already mentioned are also available to stream via Sky Cinema with anyone with a Sky or NOW subscription. These include The Holiday, Love Actually and the animated Grinch.

Fans will also be able to find festive comedies such as Will Ferrell’s iconic Elf, animated classic The Polar Express and one of the UK’s best animated Christmas films, Arthur Christmas.

Some older titles are also available on Sky and NOW, such as the beloved musical White Christmas, starring Bing Crosby, the chaotic Christmas creature feature Gremlins and the delightful fantasy film It’s A Wonderful Life, with James Stewart.

Get 30 days of Prime Video totally free

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more

£8.99

£0

Amazon

Buy Now on Amazon

Shoppers can get 30 days’ free access to binge watchable TV like Fallout season 2 by signing up with Amazon Prime. Just remember to cancel at the end and you won’t be charged.

Prime Video

Amazon’s Prime Video service’s Christmas catalogue features the aforementioned Love Actually and The Holiday, so streamers have no excuses not to revisit these romantic holiday treats this year!

Also in their selection is It’s A Wonderful Life, as well as the 1980s classic A Christmas Story, the charming family film about little Ralphie Parker’s (played by Peter Billingsley) mission to receive a Red Ryder Carbine Action 200-shot Range Model air rifle under the tree.

Fans should also definitely check out Love the Coopers for an early appearance from Hollywood A-lister Timothée Chalamet, as well as the late screen legend Diane Keaton, and Prime’s recent festive original Oh. What. Fun starring Michelle Pfeiffer as a flustered mum who snaps during the holidays is also well worth a watch.

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

Netflix and Paramount are locked in an epic tug-of-war for HBO and Warner Bros. — the historic film factory behind Batman, Harry Potter, Scooby-Doo, “Casablanca” and “The Matrix.”

Warner Bros. Discovery awarded the prize to Netflix, prompting Paramount to mount a hostile takeover bid valued at $108 billion for all of the Warner assets, which also include CNN, TBS, HGTV and TLC. The Larry Ellison-backed media company, run by his son David Ellison, has asked Warner shareholders to sell their shares to Paramount.

Warner Bros.’ sale has become the industry’s game of thrones.

The streaming king, Netflix, hopes to buy a chunk of the company — HBO, HBO Max, Warner Bros. film and TV studios and the 110-acre lot in Burbank — through its $82.7-billion deal. Not included are Warner’s basic cable channels, which are set to be spun off into a separate, publicly-traded company called Discovery Global.

Both deals would fundamentally reorder Hollywood and raise antitrust concerns. Netflix would boast more than 400 million subscribers worldwide, furthering its market dominance. And Paramount’s takeover would combine two major film studios and two leading news organizations, CNN and CBS News, under Ellison family control.

Here’s a look at how we got here:

The year was 1923, and thousands of people a month were flooding into Los Angeles in hopes of finding a job in the nascent film business.

Many planned to start as background actors, dreaming they’d be discovered by a director and finally get their big break. These behind-the-scenes actors would wander from studio lot to studio lot, lining up in hopes of being cast.

But the chaos of aspiring actors searching for jobs eventually became too much. Even silent screen star Mary Pickford took to warning wide-eyed newcomers that they should save enough money to survive for five years before coming out to Hollywood.

Out of calls to create safeguards around this fledgling business, and more order around background acting opportunities, emerged the Central Casting Corp.

Central Casting — now so eponymous that its name has become a cultural phrase — celebrated its 100th anniversary earlier this month.

I recently spoke with Mark Goldstein, president and chief executive of the Burbank-based company, to talk about changes in the industry, including the threat of artificial intelligence, runaway production and the role of a background actor in 2025.

Goldstein acknowledged the tough environment for background performers, also commonly known as extras, who populate restaurants, parks and other film and TV scenes to make the environment seem more realistic — all without saying a word.

After the lows of the pandemic, and then the explosion of content during the peak TV era, one of the main challenges for Central Casting’s members is just finding new roles, he said.

“There’s been a little bit of a pullback in production over the last year,” said Goldstein, who serves as president and CEO of Central Casting as well as production finance and management tools firm Entertainment Partners, which owns the agency. “It’s really just constantly finding the right roles for people.”

In Southern California, of course, jobs have been more scarce as production has flowed to other states and countries offering steeper film incentives.

Then there is the advent of computer-generated imagery, which has lessened the need for massive crowd scenes that were once standard.

“Before [CGI] technology, we may fill up an arena, like we may fill a 5,000-person shoot or a 10,000-person shoot,” Goldstein said.

Remember the long lines for casting calls?

No more.

More recently AI has been a key concern for background actors, though Goldstein said he doesn’t think the new digital tools and the rise of synthetic characters will eliminate the need for background actors.

“There’s a lot of conversation [about] is it human or technology? And we kind of view it as human and technology,” he said. “The consumer wants believability, and so there’ll be situations where it’s really important to have the human role involved, but there may be other situations where AI and technology can be helpful.”

He added: “We have legendary people that started their career because they wanted to follow their dream to become an actor in Hollywood,” he said, ticking off the names of famous alumni such as Clark Gable, Carole Lombard, Eva Longoria, Will Ferrell and Brad Pitt. “And we don’t see that changing.”

Despite the challenges, aspiring actors still register with Central Casting every day, Goldstein said. The company has 200,000 background actors in its database, with more than 20,000 new names added a year. About 3,000 are placed in roles each day, the company says.

One of those is Jaylee Maruk, 38, who signed up with Central Casting in 2009 and has worked steadily ever since.

Maruk works often on “Grey’s Anatomy” and has credits on Hulu’s “Paradise” and Apple TV’s “Shrinking.” She once stood in for Greta Lee in Apple TV‘s “The Morning Show.”

“What I love about doing background is it really gives a solid foundation about what it’s like to be on set and what the expectations are,” Maruk said.

But she worries about her future, especially with the rise of AI and the migration of production.

“Productions will pack up and leave,” she said. “They’ll go somewhere cheaper, and it’s becoming harder and harder for us. That’s really the biggest concern, trying to entice and support productions staying here.”

Towns in far-off countries like Hungary and Turkey can be made to look just like places in America, she says. And they can cast local residents instead of U.S.-based performers like Maruk. After all, background actors don’t have speaking roles, so not speaking English isn’t a problem.

“We want our work to be here,” said the Lake Balboa resident. “Our families are here, our lives are here.”

Last year, I got a glimpse into the world of background acting when I covered the annual Los Angeles Union Background Actors Awards. Though tongue-in-cheek at times — the awards themselves are called Blurries — the ceremony and winners’ speeches also highlighted these actors’ key roles in Hollywood.

I met background actors who had done the job for years, including one who got his first role as a 12-year-old in “Hello, Dolly!” Many talked about the difficulty of the last few years and the desire for respect for their professional work. Some were full-time background actors; others did the work part time. All were passionate about what they did.

“It really is just preparedness and luck, as they say,” Maruk said. “And also just having a lot of motivation and resilience.”

Stuff We Wrote

Film shoots

Number of the week

James Cameron’s “Avatar: Fire and Ash” brought in $89 million in the U.S. and Canada during its opening weekend. Globally, the film made $346 million, with big hauls in China and France.

That opening total came in at the lower end of box office analysts’ expectations and is also less than the massive opening weekend for its predecessor film, 2022’s “Avatar: The Way of Water,” which grossed $134 million in its domestic debut. But “Avatar” films tend to build momentum at the box office over subsequent weekends, so the Na’vi aren’t vanquished yet.

In addition to “Avatar,” this past weekend also saw strong performances from Angel Studios’ animated “David,” as well as Lionsgate’s thriller “The Housemaid,” pushing the year-to-date domestic box office total a slim 1% above the same time period last year. That’s helpful for theaters but doesn’t bode well for the box office’s overall performance this year.

Finally …

My colleague Josh Rottenberg looks at what movie stardom will mean in an age of AI. In that story, he has an interview with the creator of Tilly Norwood, the AI-generated character that recently sparked a furious debate in Hollywood about the role of synthetics in film and TV.

The drama has landed on Netflix and is currently on the streaming giant’s Top 10 chart.

A recent drama featuring one of Downton Abbey‘s most familiar faces has made its way to Netflix, and it’s certainly stirred up mixed feelings.

The suspenseful thriller, Captivated, also known as Too Good To Be True, hails from 2024 and currently holds a middling 5.6/10 rating on IMDb.

The plot centres around Rachel, a single mum and cleaner, who is offered an improved job by a wealthy businessman. However, as she becomes more entangled in his affairs, her suspicions about his intentions grow.

Allen Leech, fondly remembered for his portrayal of Tom Branson in Downton Abbey, stars as Elliott Fielding, while EastEnders legend Kara Tointon takes on the role of Rachel Connor.

Despite its initial airing on Channel 5 last year, the series has gained renewed interest after being added to Netflix UK, where it now ranks third on the streaming behemoth’s Top 10 chart.

While some viewers have clearly enjoyed the show, others have taken to IMDb to caution potential watchers “not to waste their time” on the thriller, reports the Express.

“An utter waste of time,” ane disgruntled viewer lamented, adding: “Just finished this series, of which all 4 episodes can be seen on My5. It gets steadily worse with each episode with a paper thin and entirely predictable plot.”

Another echoed the sentiment, advising: “Don’t waste your time like I did. I kept thinking it would get better. It absolutely does not.”

A third chimed in with their critique, branding it “predictable and unconvincing,” and describing it as “a disappointing crime miniseries”.

Another viewer chimed in: “As usual with this type of drama, this started off OK and went downhill rapidly. It is very predictable and some of it makes no sense at all.”

Get Netflix free with Sky

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more

from £15

Sky

Get the deal here

Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.

Yet not everyone shared such a dim view, with some fans finding merit in the programme, one describing it as “strangely entertaining”.

“I’ve read some scathing reviews about this show, and whilst I don’t think it’s great, I still think it’s watchable,” reasoned another viewer.

A third defended it as “not as bad as ratings suggest”, adding: “This is a little predictable but is easy to watch and does have a storyline.”

Another supporter urged: “Despite the low rating and some negative reviews it’s surprisingly good. So don’t be fooled.”

One enthusiastic fan encouraged patience: “The first episode was good just persevere with it as the series does get better. It’s little predictable but a good watch ! Too Good To Be true is intense and thrilling to watch!!”

Those curious to form their own opinion can stream Captivated on Netflix and Channel 5 in the UK, or BritBox in the US.

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

Billionaire Larry Ellison has stepped up, agreeing to personally guarantee part of Paramount’s bid for rival Warner Bros. Discovery.

Ellison’s personal guarantee of $40.4 billion in equity, disclosed Monday, ups the ante in the acrimonious auction for Warner Bros. movie and TV studios, HBO, CNN and Food Network.

Ellison, whose son David Ellison is chief executive of Paramount, agreed not to revoke the Ellison family trust or adversely transfer its assets while the transaction is pending. Paramount’s $30-a-share offer remains unchanged.

Warner Bros. Discovery’s board this month awarded the prize to Netflix. The board rejected Paramount’s $108.4-billion deal, largely over concerns about the perceived shakiness of Paramount’s financing.

Paramount shifted gears and launched a hostile takeover, appealing directly to Warner shareholders, offering them $30 a share.

“We amended this Offer to address Warner Bros. stated concerns regarding the Prior Proposal and the December 8 Offer,” Paramount said in a Monday Securities & Exchange Commission filing. “Mr. Larry Ellison is providing a personal guarantee of the Ellison Trust’s $40.4 billion funding obligation.”

The Ellison family acquired the controlling stake in Paramount in August. The family launched their pursuit of Warner Bros. in September but Warner’s board unanimously rejected six Paramount proposals.

Paramount started with a $19 a share bid for the entire company. Netflix has offered $27.75 a share and only wants the Burbank studios, HBO and the HBO Max streaming service. Paramount executives have held meetings with Warner investors in New York, where they echoed the proposal they’d submitted in the closing hours of last week’s auction.

On Monday, Paramount also agreed to increase the termination fee to $5.8 billion from $5 billion, matching the one that Netflix offered.

Warner Bros. board voted unanimously to accept Netflix’s $72-billion offer, citing Netflix’s stronger financial position, the board has said.

Three Middle Eastern sovereign wealth funds representing royal families in Saudi Arabia, Qatar and Abu Dhabi have agreed to provide $24 billion of the $40.4-billion equity component that Ellison is backing.

The Ellison family has agreed to cover $11.8-billion of that. Initially, Paramount’s bid included the private equity firm of Jared Kushner, Trump’s son-in-law, but Kushner withdrew his firm last week.

Paramount confirmed that the Ellison family trust owns about 1.16 billion shares of Oracle common stock and that all material liabilities are publicly disclosed.

“In an effort to address Warner Bros.’s amorphous need for ‘flexibility’ in interim operations, Paramount’s revised proposed merger agreement offers further improved flexibility to Warner Bros. on debt refinancing transactions, representations and interim operating covenants,” Paramount said in its statement.

Paramount has been aggressively pursuing Warner Bros. for months.

David Ellison was stunned earlier this month when the Warner Bros. board agreed to a deal with Netflix for $82.7 billion for the streaming and studio assets.

Paramount subsequently launched its hostile takeover offer in a direct appeal to shareholders. Warner Bros. board urged shareholders to reject Paramount’s offer, which includes $54 billion in debt commitments, deeming it “inferior” and “inadequate.” The board singled out what it viewed as uncertain financing and the risk implicit in a revocable trust that could cause Paramount to terminate the deal at any time.

Paramount, controlled by the Ellisons, is competing with the most valuable entertainment company in the world to acquire Warner Bros.

Executives from both Paramount and Netflix have argued that they would be the best owners and utilize the Warner Bros. library to boost their streaming operations.

In its letter to shareholders and a detailed 94-page regulatory filing last week, Warner Bros. hammered away at risks in the Paramount offer, including what the company described as the Ellison family’s failure to adequately backstop their equity commitment.

The equity is supported by “an unknown and opaque revocable trust,” the board said. The documents Paramount provided “contain gaps, loopholes and limitations that put you, our shareholders, and our company at risk.”

Netflix also announced Monday that it has refinanced part of a $59 billion bridge loan with cheaper and longer-term debt.

Bloomberg contributed to this report.

THERE are plenty of iconic travel moments in Christmas movies from the romantic airport chases to snowy train journeys.

But there’s one that trumps them all, and that’s Kate McCallister’s mission to get from Paris to Chicago in the Christmas classic, Home Alone.

Kate’s commitment to reuniting with her son, sees her boarding planes from the French capital to Dallas and Scranton before hitching a memorable ride home in a van.

And mum’s epic dash to rescue Kevin has been declared the most iconic travel moment in a festive movie, according to research by Skyscanner.

The Home Alone sequel landed in second place with a poll of 2,000 adults enjoying the scene where Kevin sprints through the airport before accidentally boarding a plane to New York, alone.

And who can forget Love Actually where Sam charges through departures to stop Joanna flying to the US? Well, that came in third spot.

JOLLY DAY

Our expert picks for unmissable UK staycation trips to banish post-summer blues

STREET SMARTS

I visit New York 6 times a year – my expert budget guide including £1 pizzas

Laura Lindsay, travel trends and destination expert for Skyscanner, which commissioned the research and has also created a map plotting some of these iconic routes, said: “What’s a Christmas film without a good airport scene?”

“Festive travel is a huge part of people’s lives during the holiday season, whether it’s travelling home to be reunited with family and friends or heading off for a festive break.”

Christmas movies are even inspiring travellers for their next break, with 23 per cent booking a trip to a destination after seeing it as a festive backdrop on the big screen.

The Big Apple, aka New York City, comes top of the list of destinations that people book after seeing it on TV.

This is quickly followed up by London and Paris.

Edinburgh and Vienna also ranked among the cities most associated with Christmas movies.

New York City also led the list of destinations people would feature in a festive flick if they were the writer and was the place they’d most like to spend the holiday season abroad.

Half of those who have seen a city in a movie claim the real-life sets look more appealing to visit when decked out for Christmas compared with other times of the year.

And 77 per cent said watching Christmas films helps them feel more festive, according to the OnePoll.com data.

Laura Lindsay, from Skyscanner, added: “It’s no surprise New York is the go-to destination when thinking about blockbusters set in December.”

She added that ‘set-jetting’ is becoming hugely popular with tourists wanting to ‘step into the settings and shoes of their beloved movie characters’.

For more on TV show, here are five filming locations in the UK you can visit with movie tours and quaint villages.

And here are five train journeys to make this Christmas to see filming locations from Love Actually to The Holiday.

Here are the top 10 most iconic travel moments in festive movies…

1.   Home Alone
Kate McCallister’s journey back from Paris to Chicago, via other airports.

2.   Home Alone 2
The dash through the airport where Kevin boards a flight to New York.

3.   Love Actually
Sam runs through Heathrow airport to catch Joanna before she flies off.

4.   Polar Express
The final journey dropping the kids home.

5.   Elf
Buddy’s whimsical journey from the North Pole to Manhattan.

6.   White Christmas
Nostalgic train ride to snowy Vermont.

7.   The Holiday
Amanda travelling from LA to Surrey and Iris going the other way.

8.   Die Hard 2
John McClane’s wife Holly finally touching down at Dulles Airport.

9.   The Flight Before Christmas
The flight is diverted due to a sudden snowstorm.

10.  A Castle for Christmas
Sophie’s journey from Edinburgh Airport to Dun Dunbar Castle.