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Floyd Mayweather Jr. and Manny Pacquiao announce September rematch

Floyd Mayweather Jr. vs. Manny Pacquiao made boxing history in 2015. More than a decade later, the two legends are hoping to do it again.

The aging greats will have their rematch Sept. 19 live on Netflix in the first boxing match held at the Las Vegas Sphere.

Mayweather defeated Pacquiao by unanimous decision on May 2, 2015 in the “Fight of the Century” at the MGM Grand Garden Arena in Las Vegas. That fight generated 4.6 million pay-per-view buys and a live gate of $72 million, both of which are records.

It was a long-awaited matchup between two of the biggest names in the boxing world that ultimately earned Mayweather the World Boxing Council, World Boxing Assn. and World Boxing Organization welterweight titles.

“I already fought and beat Manny once,” Mayweather said in a statement released by Netflix. “This time will be the same result.”

The backdrop to this bout is a bit different. Mayweather (50-0, 27 KOs) will be 49 on Tuesday. He has retired and unretired multiple times but has not fought in a bout that counts since his 10-round technical knockout of UFC star Conor McGregor in 2017.

Although he still has an exhibition against Mike Tyson coming up this spring, Mayweather announced last week he is resuming his professional career.

Pacquiao, 47, is 62-9-2 (39 KOs) and fought for a belt last July, losing by majority draw to then-WBC welterweight champion Mario Barrios in an attempt to break his own record for oldest welterweight champion. Pacquiao was 40 when he defeated Keith Thurman for the title in 2019.

Pacquiao recently announced a a 10-round welterweight exhibition against former junior welterweight world champion Ruslan Provodnikov on April 18 at the Thomas and Mack Center in Las Vegas.

“Floyd and I gave the world what remains the biggest fight in boxing history,” Pacquiao said in a statement by Netflix. “The fans have waited long enough — they deserve this rematch, and it will be even bigger now that it will be streamed live globally on Netflix. I want Floyd to live with the one loss on his professional record and always remember who gave it to him.”

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Kate Moss leads the stars at Burberry’s London Fashion Week’s show as Romeo Beckham walks the runway

KATE Moss led the glamour at Burberry’s star-studded show, as she joined big names at London Fashion Week’s show-piece event.

The model, 52, turned heads in a black Burberry trench coat and shiny navy dress while showing off her endless legs in sheer black tights.

Kate Moss led the stars at the Burberry show during London Fashion WeekCredit: Getty
Romeo Beckham walked for the fashion labelCredit: PA
Liam Gallagher’s son Gene wore an anorak reminiscent of his dadCredit: Getty
Gene’s brother Lennon also attendedCredit: Getty

The supermodel was joined by Romeo Beckham, 23, who rocked a maroon bomber-style jacket paired with loose-fitting maroon corduroy trousers.

The exclusive show was also attended by Aston Villa forward Morgan Rogers, 23, Arsenal women’s team footballer Leah Williamson, 28, and actress Daisy Edgar-Jones, 27.

Liam Gallagher‘s sons Lennon and Gene Gallagher also made an appearance.

But it was Kate’s look that sent tongues wagging – with the star dominating headlines during fashion week with her glamorous looks.

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‘Temu Range Rover’ brand unveils new SUV fronted by Kate Moss’ doppelganger


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Kate Moss, 52, and lookalike daughter Lila, 23, strip to bikinis on beach break

Kate, was recently revealed to be locked in a planning row with her neighbours in a swanky Cotswolds village.

Concerns were raised by Kate over her neighbour’s plans to install a new garden.

She lives in a £2.5 million countryside mansion in Little Faringdon, Oxfordshire, where locals say they have been fighting with a sewage system that is no longer fit for purpose.

It is because of the sewage system that Kate has blocked her neighbours’ planned construction project.

According to reports, she fears the plans would increase pressure on the already struggling sewage system.

Arsenal women’s team footballer Leah Williamson wore a silver bomber jacketCredit: Getty
Aston Villa forward Morgan Rogers made an appearanceCredit: PA
Daisy Edgar-Jones looked chic in a black trenchCredit: PA

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Disney+ thriller Watching You rivals Netflix’s You but one key difference stands out

This Disney+ crime thriller is a must-watch for fans of Netflix’s You, with one standout difference that sets this stalker series apart from the rest.

With streaming services flooded with thrillers, crime, and mystery programmes, the storylines can occasionally feel repetitive and formulaic. There hasn’t been a riveting thriller that has captured the nation’s attention quite like Netflix’s You (2018).

However, Disney+ is venturing into this sinister realm with its new stalker thriller entitled Watching You (2025). The series delivers a nerve-wracking, gripping narrative packed with twists and shocking revelations. Audiences can anticipate intricate characters whose hidden truths gradually emerge, maintaining the tension throughout.

Yet, there’s one distinctive feature that distinguishes this programme and renders it essential viewing for thriller devotees.

What is Watching You about?

Protagonist Lina has a one-night stand, which is secretly filmed by a mystery person. However, Lina is engaged to someone else, meaning this one night of passion is an affair.

Lina is subsequently blackmailed by this enigmatic individual who appears to be monitoring her every action. Intent on exposing the stalker threatening her existence, she quickly discovers the peril may be considerably nearer than she ever suspected.

There’s murder and domestic violence in this thriller with layered characters. Whilst it may not feature the most twists and turns, the programme expertly keeps you on edge as secrets steadily emerge, given that no character is entirely blameless.

Similarities to Netflix’s You

Both programmes portray domestic violence, threats against women, stalking and murder. The villains in both shows conceal their true identity while manipulating women.

The only difference is that in Netflix’s You, stalker Joe is the main character and more charismatic than the villain in Watching You. Spoilers ahead.

However, both men are completely unhinged and will do anything to keep their secret whilst convincing themselves they are relentlessly, madly in love with the women they are obsessed with.

One reason you should watch

Watching You does a brilliant job of addressing domestic violence. Unlike Netflix’s You, this show is from the perspective and follows the actions of Lina. Though she is flawed, the show does not excuse what happened to her as a victim.

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Her fight against the abuser is fierce, intense and complicated, but it is well written and delivered. Netflix’s You has been criticised for the “romanticisation” of male violence against women, as seen from Refinery29, Our Wave, and feminists.co, but Watching You intensifies the feeling of danger and suspense.

Early ratings

Commenting on IMDB, one person said: “It’s a refreshing and paychpatic watch. All the characters are stupid and follow questionable and illogical choices. But haven’t we all been there? The series reminds me of ‘You’ to a certain degree.

“It’s the plot of stalking someone and manipulating them into loving you. That’s about it with the similarities. The acting could be better; there’s some nudity, which I am not appalled by, but sometimes it makes no sense. Anyway, it’s not vulgar or anything. All in all, it’s a good show. But judge for yourselves.”

Another viewer commented: “I was very entertained by the first 3 episodes. Steamy show, interesting relationship dynamics, good performances. Despite the plot being more than obvious, I enjoyed watching the story unravel.”

They continued: “After the fourth episode, the story started getting more and more ridiculous. Characters were making one stupid decision after another, and the final episode was a letdown, the way it ended. Was that even justice being served? I doubt so.

“Overall, it’s a nice show for a binge, easy to follow despite being predictable. The finale just wasn’t to my taste. It wouldn’t hurt you to watch it.”

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White Lotus star Alexandra Daddario splits from film producer husband after just three years as marriage ‘fizzles out’

ACTRESS Alexandra Daddario has split from her hubby after their marriage “fizzled out”.

The White Lotus star, 39, has a 15-month-old son with film producer Andrew Form, 57.

White Lotus star Alexandra Daddario has split from her husband
Alexandra filed for divorce from husband Andrew Form on Friday.Credit: Getty

New York court records show she filed for divorce on Friday.

Her rep said: “They have made the decision to end their marriage.

“The decision was made with love and respect.”

Insiders claimed their marriage started “hot and heavy” but cooled due to work schedules, eventually suffering a “consistent loss of love”.

A source said: “Alexandra and Andrew slowly grew apart.

Raising a child was a reason to carry on but they weren’t even doing that together often and their married life slowly disintegrated.”

Alexandra was nominated for an Emmy for her role in The White Lotus alongside Sydney Sweeney.

She has also appeared in Baywatch and True Detective.

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She and Form met by chance in New York before marrying in 2022.

Form’s movies include Friday the 13th, The Texas Chainsaw Massacre, Teenage Mutant Ninja Turtles, The Purge and A Quiet Place.

Alexandra slammed critics of her acting last year, saying: “Sometimes I’m lit poorly, but I’m not a bad actress.

“I got an Emmy nomination.”

Alexandra Daddario IN The White Lotus alongside Sydney SweeneyCredit: Alamy

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Prison sentences, betrayal and affair claims – everything Gordon Ramsay’s doc missed out

With Gordon Ramsay’s new Netflix docu-series accused of being a “sanitised” version of the celebrity chef’s family life, there are some key parts of his past that were completely missed out

Following the release of Being Gordon Ramsay on Netflix, the celebrity chef has been accused of portraying a ‘sanitised’ version of his life.

And although the six-parter mainly follows the opening of his ambitious 22 Bishopgate venture, the Hell’s Kitchen star does delve into parts of his past – including the “mess” he was born into, and his abusive father.

But there are some murkier elements of Gordon and his family’s history that were glossed over in the documentary. The docu-series is described by Netflix as “unflinchingly honest” – but some have criticised the absence of some major incidents from the Ramsays’ past.

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Prison sentences

The Ramsay family was rocked by a devastating betrayal in 2017, when it was revealed that certain members of Tana’s family had attempted to hack into multi-millionaire Gordon’s business accounts. Christopher Hutcheson, 77, and his sons, Adam and Christopher, admitted they had plotted to access his emails and finances almost 2000 times over a five-month period from October 2010 to March 2011.

It came after Tana’s dad was sacked as CEO of Gordon Ramsay Holdings Ltd, leading to a public fallout with his son-in-law. Between the three of them, they had managed to obtain information – including claims of a hair transplant and a fishing trip – which then later appeared in newspapers. After their crime was uncovered, Hutcheson Sr emailed his son saying: “Guess we have been rumbled. Bit late though..

Despite the family making up and Tana and Gordon not supporting the court case, the judge still deemed a prison sentence necessary. Tana’s dad was handed a six-month sentence, while Adam and Chris Jr. were each sentenced to four months suspended for two years.

Affair claims

It’s been widely reported that Sarah Symonds, claimed she was seeing Gordon for seven years, after meeting in 2001. Something he has always denied. Sarah, now 56, was was once dubbed a “professional mistress”, having had affairs with other married men, including politician Jeffrey Archer.

Sarah, who published the book Having an Affair? in 2007, ranted to the Daily Mail: “The title of the docu-series ‘Being Gordon Ramsay’ is totally fake – just like him.

“It’s misleading and disingenuous. A travesty in fact, as nothing about it was ‘Being Gordon’ at all.” She added the show is a “glossed over” version of Gordon, who she describes as a “bully, cheat, liar and serial philanderer”. Sarah said that the Netflix description of the show as “unflinchingly honest” makes her want to scream, adding that she is “trying to heal” from the trauma of her affair. Ramsay has denied ever having had an affair.

Ramsay’s brother

Gordon Ramsay was born in Glasgow, and lived on different council estates in the city, in Birmingham and in other areas of the UK. He does mention his younger brother Ronnie in the series, telling viewers when pressed that he is a heroin addict, but we don’t meet Ronnie.

He says: “We shared a bunk bed together. He’s 15 months younger than me, and he’s been an addict for the last four decades. I’ve gone to hell and back with him, and so I have a guilt complex. That could have been me. It could’ve been switched.”

Gordon has spoken more about Ronnie previously. It was revealed that back in 2007, he was arrested in Bali, after 100mg of heroin was reportedly found in his pocket, landing him a 10-month jail term. Speaking in the early 2000s to Waitrose Food Illustrated magazine, Gordon said: “I feel the pain, I feel it big time. I don’t think that my mum at 60 should still be putting up with it.

“It is hard dealing with Ronnie. He is a major responsibility. It is like having an 18-year-old to look after.” He also revealed, prior to the documentary, to the Mail that Ronnie had asked to perform at his daughter Holly’s wedding.

Gordon explained: “It was tough. It still pains me. He said: ‘Hey, have you got a music gig for the wedding? I’m free.’ I put down the phone and I said to Tana, ‘F**king hell, here we are in the house we sleep in and there’s my little brother still with two pit bulls in a council flat in Birmingham, busking.'”

Holly and Adam Peaty’s family feud

Gordon’s eldest daughter, Holly, and her new husband, Adam Peaty, were embroiled in a bitter family feud with the groom’s family in the lead-up to their wedding in December. The couple sensationally ended up uninviting all of Adam’s family, except for his sister Bethany, who was one of Holly’s bridesmaids.

The Netflix documentary makes no mention of the tension, although it does show scenes from the couples’ engagement party. According to Adam’s family, they were all cut from the show, despite being there to celebrate Adam’s proposal to Holly.

His mum, Caroline, and his cousin, Krystal, have claimed they were removed from scenes from Adam and Holly Ramsay’s engagement party. They reportedly made a number of touching speeches as part of the event, but these weren’t shown.

The pair vented on social media, with Krystal sharing a photo of her watching the engagement party scene on the doc. She said: “I was here in person, guess I didn’t make it on Netflix for my minute of fame.”

She sarcastically added: “How will I sleep at night?” And Adam’s mum Caroline shared a response in the comments section, asking: “Did they film my speech Krystal?”

She went on: ““I bet they didn’t because it was 100% full of love and positivity x.” Krystal replied: “I haven’t watched it all to be honest but no I haven’t see you and you look blurred out xx.”

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Eric Dane shares parting words in Netflix’s ‘Famous Last Words’

Eric Dane said he first shut down emotionally at just 7 years old, when navigating his father’s sudden death from a gunshot wound in a bathroom at his family’s home.

It wasn’t until his diagnosis with ALS decades later that the seasoned actor felt his own spirit return, Dane said in an interview released Friday on Netflix. The actor died Thursday at 53 following a public battle with the disease. The nearly hour-long interview, filmed in November, is part of the docuseries “Famous Last Words,” which features posthumous interviews with notable figures — the first centered on conservationist Jane Goodall and released two days after her death.

The actor spoke candidly about his debilitating disease, saying it “made me a little bit softer, a little bit more open.” The intimate conversation was conducted by television producer Brad Falchuk, who executive produces “Famous Last Words.”

“All I’m left with is me,” Dane said. “It’s kind of a f— up way of realizing that you were enough the whole time, when everything gets taken away and all you have left is this person.”

In the episode, Dane’s speech is noticeably slurred, and he sits in a motorized wheelchair while speaking to Falchuk. He’s thoughtful and responsive throughout as he reflects on his life and career, which spanned more than three decades.

“I didn’t think this was gonna be the end of the road for me. This was never part of the story I created for myself,” Dane said.

The actor described himself as a complainer during the interview, adding that he’s “always historically been the guy that would b— and moan on his way to doing anything, but my spirit has been surprisingly pretty buoyant throughout this journey.”

A final message to his daughters

Dane stared straight into the camera in the last few minutes of the Netflix special, his voice wavering when tears welled up in his eyes. He directed his parting words to his two daughters, Billie, 15, and Georgia, 14, sharing four lessons he’s learned from ALS.

“Billie and Georgia, you are my heart. You are my everything. Good night. I love you. Those are my last words,” Dane said.

Dane married Rebecca Gayheart, the mother of his children, in 2004 and the couple separated in 2017, though the divorce was never finalized. They maintained a friendship after their separation, though, and Dane said he had “never fallen in love with another woman as deeply as I fell in love with Rebecca.”

Dane said he spent most of his life “wallowing and worrying in self-pity, shame and doubt.” But with ALS, he was “forced to stay in the present,” he said, which he encouraged his daughters to do.

Two men sit across from each other in a dark room with wood paneling and back lighting.

Eric Dane, left, in conversation with Brad Falchuk on “Famous Last Words.”

(Courtesy of Netflix)

“I don’t want to be anywhere else. The past contains regrets. The future remains unknown, so you have to live now,” Dane said. “The present is all you have. Treasure it. Cherish every moment.”

Dane also encouraged his daughters to fall in love, not just with people, but with something “that makes you want to get up in the morning,” he said. For Dane, that love was acting, which “eventually got me through my darkest hours, my darkest days, my darkest year,” he said.

The actor, who was open about his struggles with addiction, had been sober for nine years before slipping back into drug and alcohol use during a writer’s strike that halted “Grey’s Anatomy” production in 2007.

Dane told his daughters they inherited his resilience and urged them to “fight with every ounce of your being, and with dignity.”

Dane added: “This disease is slowly taking my body, but it will never take my spirit.”

ALS diagnosis brought peace

Aside from throwing a few punches to people who “deserved it,” Dane said he had no crazy confessions to make as the interview came to a close.

“I’ve never murdered anyone, Brad,” the actor joked to Falchuk.

The actor assured he lived a life full of fun, whether healthy or unhealthy. His fruitful career took off with his role as Dr. Mark “McSteamy” Sloan in “Grey’s Anatomy.” The gig started as a one-time guest role but “ignited a fan hysteria so intense,” Falchuk said, that the show was rewritten to make Dane a leading man.

Dane further cemented his legacy when he portrayed Cal Jacobs in “Euphoria,” a complicated character who leads a double life, which Dane said he related to. “I know what it’s like to not have my inside match my outside,” he said, referencing his long-standing battle with drugs and alcohol addiction.

His ALS diagnosis freed him from a constant state of self-judgment, Dane said, and helped him realize that he was always “absolutely more than enough.”

“I hope I’ve demonstrated that you can face anything. You can face the end of your days, you can face hell, with dignity,” he said.

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‘Strip Law’ review: A crude courtroom comedy channeling Adult Swim

“Strip Law,” a new cartoon premiering Friday, finds Netflix in an Adult Swim state of mind, which is to say there was no thought of it being made for everybody. (Possibly including some of the people it was made for.) It’s rude, lewd, surreal in a banal sort of way, at times ridiculously violent — that is, the violence is ridiculous.

It was the cast that attracted me: Adam Scott, once more the schlemiel as leading man; Janelle James, sure of her own magnificence, not far from her character on “Abbott Elementary”; and Keith David, whose deep, sonorous voice is almost necessarily one of authority, turned to good or evil or in between as the script demands. James and David, especially, I could listen to for days.

Created by Cullen Crawford, (“The Late Show With Stephen Colbert,” “Star Trek: Lower Decks”), the series is centered on a failing Las Vegas law firm, headed by Scott’s Lincoln Gumb, with James as Sheila Flambé, “a magician and three-year all-county sex champion” he hires as his “co-counsel in charge of spectacle.” Niece Irene (Shannon Gisela), an iron-pumping 16-year-old, works as his investigator; she wears a blindfold labeled “Underage” whenever she’s required to be in a bar. Stephen Root plays his disbarred (later undisbarred — rebarred?) lawyer uncle, Glem Blorchman, the strangest of them all — “It’s 115 degrees out so I put marshmallows in gin,” is something he says as they gather to watch Christmas movies. And David plays Lincoln’s nemesis, Stevie Nichols, the very successful former partner of Lincoln’s late mother, upon whom the son remains perversely fixated.

Much of it is the sort of thing that will work or not work depending on your mood, but generally I prefer the small throwaway jokes to the big gross ones. There are self-reflexive meta gags about “hard-working cartoon writers” and “reappropriating out-of-date catchphrases.” There are many nods to “The Simpsons,” including “frosty chocolate milkshakes” and James L. Brooks’ Gracie Films logo. The final episode, of 10, takes place within the finale of a “Suits”-like legal dramedy. (“It’s against their nature to let something be sweet and fun and airy,” that firm’s bromantic lawyers say of Lincoln’s team. “They have to make it dark and strange and crass.”) And there are left-field references to Cocteau Twins and Bikini Kill, whose “original bass player” Glem claims to be. (“I don’t know what Bikini Kill is,” says Irene. “Neither did I, according to Kathleen Hanna,” says Glem.)

There are various oddball judges (nothing remotely legal happens in a courtroom); “local character” Lunch Meat, who turns up in many roles; a barman, Mr. O’Raviolo, who switches between exaggerated Irish and Italian accents in mid-sentence. Comedian George Wallace plays himself as the mayor of Las Vegas. A Halloween Christmas episode parodies “Miracle on 34th Street”; another takes off on Colton Burpo, the “boy who saw Heaven,” which includes a live-action trailer for a faith-based film featuring Tim Heidecker as a coke-snorting atheistic Lincoln. A virtual reality HR seminar is hosted by “a computerized amalgamation of all five personalities of the Rat Pack,” an immersive Autoverse, in which actors create situations that somehow amount to a driving test. There are the “Nevada-grown” Hot Dates, a sexualized version of the California Raisins; riots occur when the characters are redesigned to be more respectable (“They’re walking away from years of established canon,” laments Lincoln.)

The series felt a little off-putting at first, as if it were straining for effect, but gathered steam as it went on, either because the later episodes are weirder or better written, or because one just gets used to being in that world with those people. There is just enough character in the comedy to create stakes in the narrative; its misfit energy has fueled the screen’s bands of outsiders throughout the years. (“Even when you’re a disaster, you’re a disaster for the right people,” Irene tells Lincoln.) As to the famous fine line between stupid and clever, the stupidity and the cleverness are all but inextricable, and to the point.

The credits declare that the series is “proudly made by real, non-computer human beings,” which is pleasant to know, and in 100 years will still have been the best way to make cartoons, even if by then they are only made by and, for all we know, for machines. The thin-lined drawing style is standard for more or less realistic 21st-century adult TV animation, with perhaps a hint of comics artist Daniel Clowes laid on. But the characters are expressive, and the medium is used to unreal ends, which is, after all, what cartoons are good for.

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Bridgerton star lands role in ‘perfect’ rom-com fans have read ‘over and over’

An upcoming adaptation of a bestselling rom-com has landed a major Bridgerton star for the leading role

Bridgerton sensation Phoebe Dynevor has secured the leading role in Beach Read, the forthcoming film adaptation of Emily Henry’s chart-topping romantic novel.

First released in 2020, the story centres on two authors and former university competitors who cross paths again unexpectedly, embarking on a literary duel whilst vowing to resist any romantic entanglement.

Dynevor, celebrated for her portrayal of Daphne Bridgerton in Netflix’s smash-hit Regency drama’s debut season, will take on the part of romance writer January Andrews.

Within the narrative, January faces off against and ultimately develops feelings for Gus Everett, whose casting remains unannounced.

Devotees of Henry’s work have grounds for enthusiasm regarding the upcoming adaptation, as Yulin Kuang is at the helm. Kuang co-authored Netflix’s recent take on People We Meet on Vacation, featuring Emily Bader and Tom Blyth, reports the Express.

Kuang is also crafting the screenplay, with 20th Century Studios backing the project, ensuring audiences can expect a cinema release.

The complete film synopsis from Deadline states: “Beach Read is a romantic comedy following January Andrews, a successful romance novelist who struggles with grief and writer’s block after her father’s death and the discovery of secrets he’s long kept hidden.”

“While spending the summer in his Michigan beach house to prepare it for sale, she unexpectedly reconnects with Gus Everett, an author who was once her rival in college.

“Both creatively stuck, they agree to a writing challenge over the summer, swapping literary genres while promising that there will be no romance between them. Of course, you know what they say about the best-laid plans.”

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‘Dearest gentle reader’, as the fourth season of Bridgerton follows second son Benedict love story, there’s a way to watch this fairytale-like season for less.

Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan. This lets customers watch live and on-demand TV content without a satellite dish or aerial and includes the new season of Bridgerton.

Fans will no doubt be thrilled to witness January and Gus’s swoon-worthy romance translated to screen, as Henry’s original novel has garnered glowing reviews from both critics and readers alike over the years.

One five-star Amazon review gushed: “I’ve read this book at least six times now, and somehow, I love it more with each reread.”

They continued: “Everything about this story is perfect. It’s heartwarming, smart, and emotionally rich, but still manages to have me giggling, kicking my feet, and fully rooting for these two. This is such a comforting read I keep the audiobook on standby for whenever I have the chance to replay it.”

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Another reader enthused: “Together Gus and January have managed to chip away a piece of my heart to call their own. No romance book has had me screaming, crying, smiling and laughing as much as Beach Read.”

A final admirer declared: “Oh my word, I loved this book so much. I can’t stop recommending it to people, even my guy friends. I’m not sure how anyone can consider this anything but a masterpiece.”

Eager to be captivated by another brilliant Emily Henry adaptation? Stay tuned for further updates.

Beach Read does not currently have a release date.

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Highlights from our Feb. 19 issue

We’re in something like award season no man’s land right now: the whirlwind of the Oscar nominees luncheon is behind us, but most of the major precursors have yet to be handed out. Which leaves less for the pundits to chew on, perhaps, though it also means there’s finally some spare time to catch up on your reading.

I’m Matt Brennan, editor in chief of The Envelope. Let me be of some assistance.

Cover story: ‘Sentimental Value’

The Envelope 2.19 cover

(Christina House / For The Times)

After an entire award season’s worth of conversations about one of the top contenders, it’s rare to hear a new one this late in the game. But when I ran in “Sentimental Value” director Joachim Trier last week, he happily shared his point of view on an anecdote his editor, Olivier Bugge Coutté, recently shared with The Envelope about killing one of Trier’s darlings. “He was right,” Trier admitted with a half-rueful smile, after describing the elaborate aerial shot over a theater audience with which he originally intended to open the film.

Such candor is also a mark of contributor Bob Strauss’ interview with Trier and star Stellan Skarsgård about making the year’s most-nominated international feature, from their discussion of the stroke that permanently altered the actor’s process to bon mots about the film’s depiction of Netflix, demanding directors and more. I was most tickled by Skarsgård’s, um, unvarnished description of the small screen: “The narrative form of television is based on you not watching,” he tells Strauss. “It explains everything through dialogue so you can make pancakes at the same time.”

Digital cover: Kate Hudson

The Envelope digital cover featuring Kate Hudson

(Christina House / Los Angeles Times)

When contributor Amy Amatangelo sent me her pitch for a story on “Song Sung Blue,” it swiftly answered the question I want every pitch to answer: Why are you the right person to write this story?

“I am a lifelong Neil Diamond fan,” she wrote. “My dad loved him. I saw him in concert as a child. My dad and I danced to ‘Beautiful Noise’ at my wedding.”

So it was a no-brainer to set her up with this week’s digital cover star, nominated for playing one half of the film’s Neil Diamond tribute band. “Although she’s had a slew of successes in the interim,” Amatangelo writes of the 25 years since “Almost Famous,” “it can sometimes seem that we’ve underappreciated, and perhaps underestimated, Kate Hudson.”

‘Train Dreams’’ not-so-secret weapon

Oscar-nominated cinematographer Adolpho Veloso of "Train Dreams"

(Lauren Fleishman/For The Times)

Speaking of pitches, the most frequently suggested subject for coverage since the Oscar nominations (not-named-Chalamet-or-DiCaprio division) may be “Train Dreams” cinematographer Adolpho Veloso. Which already made the Brazilian’s wizardry one of the industry’s worst-kept secrets. Count contributor Emily Zemler’s profile among the final nails in the coffin.

“Capturing the enormous trees that would have existed in the early 20th century was a challenge,” she writes of the film, which spans the life of an itinerant logger in the Pacific Northwest. “The production went to protected parks, where they had to be cautious about not affecting the environment. ‘How do you shoot a movie where they’re supposed to be cutting those trees, but they cannot even get close to those trees?’ Veloso says. ‘It was almost like shooting stunts.’”

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YouTube’s Sidemen tease ‘insane’ new gameshow as fans urged to ‘start petition’

A Sidemen star has opened up about potentially launching a spin-off version of the group’s hit reality show, Inside

Sidemen star Ethan Payne has told fans to ‘start a petition’ as he teased a wild gameshow that would be open to the YouTube group’s viewers.

Best known as Behzinga, the 30-year-old co-founded the content creation group, which features KSI, Simon Minter, Vikram Singh Barn, Joshua Bradley, Harry Lewis, and Tobi Brown.

Along with their collective YouTube channels, the Sidemen also host a reality show called Inside, which was picked up by Netflix last year. The high-stakes series follows a group of influencers living under one roof and competing for a huge prize pot of up to £1 million. They face daily challenges and every decision can deduct money from the final cash prize.

While the show has traditionally featured famous faces, Ethan has confirmed that there is hope for a fresh series centred on everyday contestants.

He spoke to the Mirror ahead of the Formula E EVO Sessions, which took place last Sunday (February 16) at the Jeddah Corniche Circuit in Saudi Arabia.

The star competed against the world’s biggest content creators, getting behind the wheel of the cutting-edge GEN3 Evo race car. You can stream all the action now on Formula E’s YouTube channel.

When asked about opening up the Inside competition to their fanbase, Ethan said: “Me and JJ [KSI] have definitely said it would be insane to watch with people from the public.

“Because the amount of care for the prize money would be insane and I feel like you’d get a lot more drama. It might be too much drama.”

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The father-of-one continued: “I definitely think there’d be a bit more of a real edge to it and people’s decisions would definitely have way more of a knock-on [effect] throughout the whole thing.” He went on to joke: “Start a petition!”

Sidemen fans should probably get a petition rolling if they want the show to become a reality, though we have to warn that Ethan set the bar at 100,000 viewers co-signing the idea. But it should be an easy feat considering group collectively boasts over 100 million subscribers.

Inside is available to stream on Netflix and Formula E’s 2026 EVO Sessions are available to stream now on YouTube.

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Lady Gaga’s Mayhem Ball Tour concert film plans revealed as she enlists British director for streaming epic

POP superstar Lady Gaga is set to release a concert film about her record breaking Mayhem Ball.

The Sun can reveal the Abracadabra hitmaker, 39, has secretly enlisted British director Sam Wrench to help bring her vision to life.

Lady Gaga is filming a concert special in Los Angles this weekCredit: Getty

The special is set to be filmed over Lady Gaga’s four nights at the Kia Forum in Los Angeles this week.

While no release date is set, the film is expected to be released later this year after being snapped up by streaming bosses following a fierce bidding war.

Sam is no stranger to concert documentaries, having previously worked with Taylor Swift on her 2023 Eras Tour film.

Not only was the film released on Disney+ but it also was rolled out across cinemas – breaking box office records in the process.

Most recently Sam teamed up with Christina Aguilera for her festive special;  Christmas in Paris.

It’s not the first time Gaga and Sam have worked together.

They previously teamed up on Gaga’s 2024 Chromaica Ball HBO special which documented her 2022 stadium tour of the same name.

A source said: “Gaga has poured her heart and soul into The Mayhem Ball.

“She is so proud of everyone who has helped make the tour what it is and is keen to give it the full concert film treatment.

“Not only is it arguably her most elaborate show of all time, it’s also reminded the world that almost two decades into her career she is still at the top of her game.”

The insider added: “Gaga and Sam have a close working relationship so bringing him on board was a no brainer.

“The show will be filmed across her four dates in Los Angeles and is pencilled in for release late 2026.”

The Sun understands Sam is joining the creative team headed up by the superstar.

He will sit alongside Gaga’s fiance Michael Polansky, 42, and her choreographer Parris Goebel, 34, who are also helping creatively manage the project.

Michael is now an integral part of the Poker Face singer’s inner circle.

He was listed as an Executive Producer alongside Gaga on Mayhem – as well as landing a number of writing credits including on the record’s lead single Disease.

Gaga previously said: “Michael was in the studio every day with me.
“He oversaw the whole process of making the record, completing it, helping me shape the sound of the record creatively.

“It was an amazing thing to do with your partner, because when I start to doubt myself, there is nobody that’s going to call me on it better than he is”.

Kicking off in July last year, The Mayhem Ball is one of Gaga’s biggest ever tours, seeing her play 87 dates across four continents.

Last September and October Gaga played four sold out shows at London’s O2 before a further two dates at Manchester’s Co-op Live.

By the time she takes her final bow at Madison Square Garden in April, she will have played to over 1.3million fans.

The concert film comes off the back of an already packed 2026 for Gaga.

Despite only being weeks into the year the singer has already filmed a concert special for Apple Music, performed at the Grammys and the Super Bowl and wrapped up the Asian leg of The Mayhem Ball.

Next week she will go head to head with some of the biggest artists in the world at the 2026 Brit Awards.

While she is unable to attend the ceremony due to playing a show in Texas on the same date, she is up for two of the biggest gongs of the night.

Gaga is nominated for International Artist of the Year and International Song of the Year thanks to her Bruno Mars collaboration Die With A Smile

It marks the first time in over a decade she has been nominated.

Lady Gaga’s Mayhem Tour is one of the biggest of her careerCredit: Getty
Lady Gaga is set to release the concert special later this yearCredit: Getty

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Mid AI scandal, Hollywood studios threaten ByteDance with legal action

After the fake video of Tom Cruise and Brad Pitt fighting went viral, a surge of AI-generated content from Seedance 2.0 flooded the internet.

Some fans were using the new AI video generator, backed by ByteDance, to refashion the finales for shows like “Game of Thrones” and “Stranger Things.” Others created battle scenes between iconic superheroes like Wolverine and Superman or between a Transformer and Godzilla.

As these Seedance videos amassed millions of views on social media, industry guilds like SAG-AFTRA and the Motion Picture Assn. have criticized the AI platform that was launched last week. Now, many major Hollywood studios are threatening to take legal action against ByteDance, the same Chinese parent that oversees TikTok.

Netflix, Warner Bros. Discovery, Paramount and Disney have all sent individual cease and desist letters, detailing the unauthorized reproduction of each of the studios’ copyrighted intellectual property.

Netflix and Warner Bros. Discovery were the latest studios to send cease and desists letter to ByteDance on Tuesday.

Netflix calls Seedance “a high-speed privacy engine” and says that they “will not stand by and watch ByteDance treat our valued IP as free, public domain clip art,” as stated in the letter. The streamer also cites the illegal use of sets derived from “Squid Game,” costumes from “Bridgerton” and character design from “KPop Demon Hunters.”

Warner Bros. Discovery looks to repurposed content, including characters from the “Harry Potter” and “Lord of the Rings” franchises, as well as superheroes like Batman, as “ blatant infringement” by ByteDance. The studio argues that it’s clear that their AI technology was trained on Warner Bros. copyrighted material “without authorization.”

“But the users are not the ones at the root cause of the infringement; they are merely building on the foundation of infringement already laid by ByteDance as Seedance comes pre-loaded with Warner Bros. Discovery’s copyrighted characters,” wrote the studios’ legal executive vice president Wayne Smith. “That was a deliberate design choice by ByteDance.”

Disney and Paramount were the first of the studios to call out ByteDance, sending their letters last Friday and Saturday. Disney accuses ByteDance of loading its Seedance service “with a pirated library of Disney’s copyrighted characters from Star Wars, Marvel, and other Disney franchises.”

“Over Disney’s well-publicized objections, ByteDance is hijacking Disney’s characters by reproducing, distributing, and creating derivative works featuring those characters. ByteDance’s virtual smash-and-grab of Disney’s IP is willful, pervasive, and totally unacceptable,” Disney’s attorney David Singer wrote, per Axios.

Paramount’s cease and desist letter was reviewed by The Times and makes similar assertions about ByteDance’s unapproved use of copyrighted material.

ByteDance has since pledged to implement more safeguards to protect copyrighted material in response to these letters.

“ByteDance respects intellectual property rights and we have heard the concerns regarding Seedance 2.0,” a company spokesperson said in a statement shared with CNBC. “We are taking steps to strengthen current safeguards as we work to prevent the unauthorized use of intellectual property and likeness by users.”

But with or without the safeguards, Dan Purcell, chief executive of Midnight Labs, an AI-powered company that specializes in IP protection for high-value entertainment, said these letters might be a bit of a delayed reaction from the studios.

“Once synthetic content is generated, it spreads instantly and at a massive scale. By the time lawyers engage, the damage is done,” said Purcell in a statement. “The only path forward is strict licensing, real-time enforcement, and consequences that actually hurt. Reactive letters won’t fix this. The industry needs to move at the speed of AI — not the speed of litigation.”

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‘Pulse-racing’ new Netflix series has fans ‘already hitting play’

A must-watch new documentary series has just hit Netflix and it’s a must-watch for foodies

Netflix has just released a compelling documentary series that follows a globally renowned TV chef as he tackles the most formidable challenge of his professional life.

The fresh six-part series launched today (Wednesday, 18th February) is essential viewing this week for food lovers.

Not only will it leave you salivating over Michelin Star-calibre cuisine but it also provides unprecedented access to one of Britain’s most cherished culinary icons.

Being Gordon Ramsay tracks the Kitchen Nightmares star’s latest audacious venture: launching five distinctive dining experiences atop 22 Bishopsgate, amongst London’s loftiest skyscrapers.

Throughout the thrilling behind-the-scenes look at the pioneering food and beverage enterprise, audiences will also discover Gordon’s domestic life with his wife Tana and their six children, reports the Express.

The London-based celebrity, who also maintains properties in Cornwall and Los Angeles, divides his time between treasured moments with his family and the gruelling demands of his career both domestically and internationally.

Admirers of the celebrated chef will experience poignant scenes as Gordon farewells his daughter Tilly to culinary school and reconnects with his youngest children following weeks of separation, alongside touching and frequently amusing exchanges with the chef and his wife as they playfully quarrel during the taxing new undertaking and reflect on their formative years together.

Netflix’s synopsis for the six-episode series guarantees a “pulse-racing” experience as “pressures mount” on the A-list chef.

Audiences will also be moved by his candid conversations about “fame and parental guilt” before Gordon “turns up the heat” in the nail-biting finale.

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The season 4 Bridgerton premiere was held in Paris last night

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‘Dearest gentle reader’, as the fourth season of Bridgerton follows second son Benedict love story, there’s a way to watch this fairytale-like season for less.

Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan. This lets customers watch live and on-demand TV content without a satellite dish or aerial and includes the new season of Bridgerton.

Within hours of its release, subscribers have already been championing Being Gordon Ramsay as they flock to watch the must-see new docuseries in their thousands.

One fan characterised the series as “Pressure. Passion. Perfection” on X, whilst another shared: “gordon ramsay chaos? i’m already hooked.”

Another posted: “Gordon going all-in on five restaurants at once with £20M of his own cash? This is gonna be absolute chaos… and I’m 100% here for it Already hitting play tonight.”

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“I will be there!” another user vowed, and someone else concurred: “Oh I will be sat!”

The series has also garnered favourable reviews from critics thus far, with The Telegraph labelling it “stressful” yet “surprisingly enjoyable”, adding it “puts the Beckhams to shame”.

Are you craving mouthwatering exclusive insight into the life of Britain’s leading chef? Netflix has certainly delivered this week.

Being Gordon Ramsay is available to stream on Netflix.

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Underrated sitcom ‘better than Malcolm in the Middle’ added to Netflix

All nine seasons now have a new streaming home making it easier for fans to rediscover

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An underrated sitcom that some claim is even ‘better than Malcolm in the Middle’ was just added to Netflix.

All seasons of The Middle are now available to stream on the platform from today (February 18). It actually shares a very similar premise and set up to the comedy series it is compared to but some find it superior if not as well recognised.

There’s no better time for fans to find out for themselves as The Middle finds a new streaming home, as we all wait for the upcoming revival of Malcom in the Middle coming later in the year.

According to the synopsis of The Middle, the series follows the Heck family. At the head of the clan is middle-age, middle-class, middle-America mom Frankie Heck who uses a sense of humour to try to steer her family through life’s ups and downs as she tackles her career goals.

Her unflappable husband, Mike, is a manager at the local quarry. Oldest son Axl is an obstinate young man; awkward daughter Sue cannot seem to find her niche, despite much enthusiasm in her attempts and youngest son Brick is an unusual child whose best friend is his backpack.

The cast is lead by sitcom legends including Patricia Heaton, who won two Emmys during her time as Debra Barone on Everybody Loves Raymond. She is joined by Neil Flynn, who plays her on screen husband and is recognisable as the Janitor on Scrubs.

A debate on Reddit discusses whether The Middle was a better show than Malcolm in the Middle with opinion fairly split. One replied simply: “I love both shows but The Middle is my favourite show.”

While someone else claimed: “Malcom In The Middle fell off around season 4, while The Middle had consistent, solid quality for the entirety of the show. They are also nothing alike, they are only similar in the fact they are both about a middle class family.”

Either way, most fans agree that The Middle is worth streaming on its own merit. With some critics even agreeing that it is ‘one of TV’s most underrated comedies’.

As one fan agreed: “An underrated show of brilliance. The Middle is a superb show that has sadly never really gained the wider acclaim it deserves, though it has a very loyal fan base, and that’s just as important. This show wouldn’t have lasted half as long if it wasn’t for the casting of the kids, who steal episodes with their portrayals. We have seen them grow up, and it’s been a joy.”

While one fan added: “What I love about this show is that it’s not just any easy shallow cheap written comedy show. There are a lot of gags and ‘inside’ jokes that return throughout the series, which I like because it shows the writers put effort into it, and make the show funnier watching it as a regular, it’s great!

“Also, they are not a picture perfect family what a lot of shows are about, but at the heart of it all they do love each other, this feels more ‘real’. From my point of view this show is very underrated, I highly recommend it!”

Someone else actually claimed another sitcom was the reason it was so overlooked. They said: “This show should have been much bigger than it was. It was definitely overshadowed by Modern Family.”

The Middle is streaming on Netflix and ITVX. For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

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What happened to Miss J from America’s Next Top Model?

What happened to Miss J from America’s Next Top Model? – The Mirror


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‘Masterpiece’ thriller flies up Netflix chart as fans call it ‘underrated’

A prequel to one of the most acclaimed sci-fi films of all time has just been added to Netflix and fans are already eating it up

A sci-fi film directed by Ridley Scott that’s been praised by fans as a “masterpiece” is available to stream now in the UK. Prometheus (2012) is the fifth instalment in the iconic Alien franchise, and follows scientists who uncover startling clues that humanity may have been created by an ancient alien race, and journey to a remote world to investigate.

However, in their quest to solve the mystery they stumble upon a terrifying discovery that could spell the end of the human race. The psychological thriller boasts an all-star ensemble cast, including Noomi Rapace, Michael Fassbender, Guy Pearce, Idris Elba, Logan Marshall-Green, and Charlize Theron.

The film acts as a prequel to the first film in the franchise, Alien (1979) which was also helmed by Scott, and generated a number of successful sequels directed by Hollywood titans including James Cameron and David Fincher, as well as a cross-over franchise, Alien vs. Predator.

Mere hours after its release on the platform and it has already reached the number two spot on Netflix’s top 10 films.

One fan, writing on Rotten Tomatoes, called Prometheus a “masterpiece”. “This movie expands the Alien world and lore,” they added.

“The acting is top notch. The sci-fi horror element is incredible. Very existential. Watch it with commentary,” reports the Express.

Another described simply as the “Best movie of all time”.

Not everyone was impressed by the prequel, with one writing whilst Prometheus “looks phenomenal” its “strong visuals cannot hide weak writing”.

“The dialogue feels stiff and unnatural, making it hard to connect with the characters.”

Another commented: “It’s frustrating how amazing this film could’ve been. Solid cast, beautifully shot, original story. Scott should’ve either made a film about our creators or an Alien prequel; instead the two elements get too muddled together and neither gets full service.”

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However, others believed it matched the high benchmark established by the franchise’s stronger entries.

One remarked: “This was a perfectly cast movie. It gave excellent insight into the origins of the Alien lore. Excellently tied in with the existing movies. Not too many Aliens ripping people apart but plenty of action. Truly a great movie.”

Another rejected criticism of the picture, claiming it’s “gripping, thought provoking, visually stunning and entertaining from start to finish”.

A third branded it an “incredible and impactful film that deserves to be seen multiple times”.

Get Netflix free with Sky for Bridgerton Season 4

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The season 4 Bridgerton premiere was held in Paris last night

from £15

Sky

Get the deal here

‘Dearest gentle reader’, as the fourth season of Bridgerton follows second son Benedict love story, there’s a way to watch this fairytale-like season for less.

Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan. This lets customers watch live and on-demand TV content without a satellite dish or aerial and includes the new season of Bridgerton.

A fourth described it as “massively underrated in the Alienverse”, boasting a “strong script, amazing cast”, and visual effects that are “on point”.

The film carries a 15 certificate and features strong violence, gore, alongside threat and horror – so viewer discretion is recommended.

Prometheus arrived on Netflix in the UK on Monday (February 16). It’s also accessible to stream on Disney+, and available to rent or purchase on various platforms, including Apple TV, Amazon Prime Video, and Sky Store.

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Warner Bros. reopens bidding process, allowing Paramount to make its case

Warner Bros. Discovery is cracking open the door to allow spurned bidder, Paramount Skydance, to make its case — but Warner’s board still maintains its preference for Netflix’s competing proposal.

Warner’s move to reopen talks comes after weeks of pressure from Paramount, which submitted an enhanced offer to buy Warner last week. Paramount’s willingness to increase its offer late in the auction attracted the attention of some Warner investors.

On Tuesday, Warner Bros. Discovery responded with a letter to Paramount Chairman David Ellison and others on Paramount’s board, giving the group seven days to “clarify your proposal.”

“We seek your best and final proposal,” Warner board members wrote. Warner set a Feb. 23 deadline for Paramount to comply.

The closely watched sale of the century-old Warner Bros., known for “Batman,” “The Big Bang Theory,” “Casablanca,” and HBO, the home of “Game of Thrones” and “Succession,” is expected to reshape Hollywood.

The flurry of activity comes as Warner Bros. Discovery and Netflix are seeking to enter the home stretch of the auction. Warner separately issued its proxy and set a special March 20 meeting of its shareholders to decide the company’s fate.

Warner Bros. Discovery is recommending that its stockholders approve the $82.7-billion Netflix deal.

“We continue to believe the Netflix merger is in the best interests of WBD shareholders due to the tremendous value it provides, our clear path to achieve regulatory approval and the transaction’s protections for shareholders against downside risk,” Warner Chairman Samuel A. Di Piazza, Jr., said in a Tuesday statement.

Still, the maneuver essentially reopens the talks.

Warner Bros. is creating an opportunity for Paramount to sway Warner board members, which could perhaps prompt Netflix to raise its $27.75 a share offer for Warner’s Burbank-based studios, vast library of programming, HBO and streaming service HBO Max.

Netflix is not interested in buying Warner Bros. Discovery’s basic cable channels, including CNN, TBS, HGTV and Animal Planet, which are set to be spun off to a stand-alone company later this year.

In contrast, Paramount wants to buy the entire company and has offered more than $30 a share.

Last week, Paramount sweetened its bid for Warner, adding a $2.8-billion “break fee” that Warner would have to pay Netflix if the company pulled the plug on that deal. Paramount also said it would pay Warner investors a “ticking fee” of 25 cents a share for every quarter after Jan. 1 that the deal does not close.

“While we have tried to be as constructive as possible in formulating these solutions, several of these items would benefit from collaborative discussion to finalize,” Paramount said last week as it angled for a chance to make its case. “We will work with you to refine these solutions to ensure they address any and all of your concerns.”

Netflix agreed to give Warner Bros. Discovery a temporary waiver from its merger agreement to allow Warner Bros. Discovery to reengage with Paramount, which lost the bidding war on Dec. 4.

“We granted WBD a narrow seven-day waiver of certain obligations under our merger agreement to allow them to engage with PSKY to fully and finally resolve this matter,” Netflix said Tuesday in a statement. “This does not change the fact that we have the only signed, board-recommended
agreement with WBD, and ours is the only certain path to delivering value to WBD’s stockholders.”

Netflix has matching rights for any improved Paramount offer. The company renewed its confidence in its deal and its prospect to win regulatory approval.

“PSKY has repeatedly mischaracterized the regulatory review process by suggesting its proposal will sail through, misleading WBD stockholders about the real risk of their regulatory challenges around the world,” Netflix said in its statement. “WBD stockholders should not be misled into thinking that PSKY has an easier or faster path to regulatory approval – it does not.”

Warner Bros. Discovery acknowledged that Paramount’s recent modification “addresses some of the concerns that WBD had identified several months ago,” according to the letter to Paramount.

But Warner Bros. Discovery added Paramount’s offer “still contains many of the unfavorable terms and conditions that were in the draft agreements … and twice unanimously rejected by our Board,” Warner Bros. Discovery said.

Warner’s board told Paramount it will “welcome the opportunity to engage” during the seven-day negotiation period.

Paramount has been pursuing the prized assets since last September.

“Every step of the way, we have provided PSKY with clear direction on the deficiencies in their offers and opportunities to address them,” Warner Chief Executive David Zaslav said in a statement. “We are engaging with PSKY now to determine whether they can deliver an actionable, binding proposal that provides superior value and certainty for WBD shareholders.”

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‘Gorgeous’ romance drama based on ‘perfect’ novel coming to Netflix

This BBC Three drama based on Sally Rooney’s bestselling novel is coming to Netflix soon

A beloved BBC drama adapted from a bestselling novel that readers have described as “perfect” is arriving on Netflix by the end of this week.

Boasting a stellar cast of familiar faces from the UK, Ireland and the USA, the eight-part series originally debuted in 2022.

Adapted from Sally Rooney’s debut novel, Conversations With Friends didn’t quite achieve the cultural phenomenon status of its BBC predecessor, Normal People, which captivated audiences during the Covid-19 lockdown of 2020.

Nevertheless, despite garnering mixed reviews upon release, there are numerous fans who believe the drama about two young best friends who become entangled with an older, successful couple has aged remarkably well and merits viewing.

Alison Oliver (Wuthering Heights) and Sasha Lane (Loki) portray Frances and Bobbi, alongside Sex Education’s Jemima Kirke and Hamnet’s Joe Alwyn as Melissa and Nick, whose lives grow increasingly intertwined, reports the Express.

One five-star review on Goodreads praised the novel as “stupidly good” and “perfect from start to finish”.

Another user concurred, describing the novel as a “perfect representation of life: it’s messy and unpredictable, and we are all just trying to find our footing”.

The live-action adaptation for BBC Three and Hulu is praised as a faithful portrayal of the novel’s events and themes, meaning Normal People fans are certainly in for a treat if they choose to dive in or revisit the series several years after its release. It will be landing on Netflix in its entirety this Sunday, 22nd February.

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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Bridgerton.

One viewer remarked upon its release: “Conversations With Friends the TV adaptation is a phenomenal success and I loved every moment of it. I may even re-watch.”

Meanwhile, an IMDb user described the series as “perfect”, hinting the television adaptation might even eclipse the original novel: “These are the kind of shows I love that don’t come around often. The actors were so interesting, different, and artistic. The backdrop of Dublin with its slightly melancholic and gritty feel captured me straight away.

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“I read the book some while ago, which I really enjoyed but the storyline didn’t overly stay with me. The show brought the story to life with its intelligent conversation, character flaws and nuances.

“I found the filming to be sparing and gorgeous- it created this nostalgic feeling. Such a simple storyline with no in-your-face twist or shocking reveal. It’s more human, subtle and visceral. I haven’t watched Normal People yet but this has made me look forward to watching it.”

Conversations With Friends is available to stream on Netflix from Sunday, 22nd February.

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Ardal O’Hanlon lands role in new Netflix series Death in Paradise fans will love

Ardal O’Hanlon is famed for Father Ted, My Hero, and, of course, Death in Paradise as DI Jack Mooney

Teaser clip ahead of new Death in Paradise series

Netflix fans have been “hooked” by this “hilarious” new series which quietly stars a Death in Paradise icon.

Since leaving his days at Saint Marie behind as the lovable DI Jack Mooney, Irish star Ardal O’Hanlon has featured in Derry Girls, The Woman in the Wall, Extraordinary and Sherlock and Daughter, just to name a few.

Now, BBC Death in Paradise fans have stumbled upon his latest venture with Netflix’s newly released Irish comedy-drama How to Get to Heaven from Belfast.

Released last week, the eight-part comedy revolves around friends Saoirse (played by Roisin Gallagher), Robyn (Sinead Keenan) and Dara (Caoilfhionn Dunne) who learn that their troubled friend Greta (Natasha O’Keefe) has mysteriously died.

O’Hanlon is behind the wacky and upbeat Seamus, the manager of the local seaside hotel where the three women stay as they investigate their friend’s death.

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The season 4 Bridgerton premiere was held in Paris last night

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Get the deal here

‘Dearest gentle reader’, as the fourth season of Bridgerton follows second son Benedict love story, there’s a way to watch this fairytale-like season for less.

Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan. This lets customers watch live and on-demand TV content without a satellite dish or aerial and includes the new season of Bridgerton.

Netflix fans haven’t been able to stop singing O’Hanlon’s praises with one fan describing him as an “absolute icon” in How to Get to Heaven from Belfast.

Another said: “Loved him on Death in Paradise. He was my favourite”, while a third labelled the star as “absolutely superb”.

O’Hanlon headed up Death in Paradise for three years as DI Jack Mooney before he chose to leave Saint Marie and return to London with his daughter Siobhan Mooney (Grace Stone).

He finally came to the realisation that he had been running away from grief after losing his wife so Jack chose to finally face up to reality and start over again.

Death in Paradise went on to replace O’Hanlon with Ralf Little as DI Neville Parker, followed by the latest detective Mervin Wilson, portrayed by actor Don Gilet.

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

How to Get to Heaven from Belfast is currently the number one watch on Netflix with the comedic thriller brought to life by the creative team behind the hit series Derry Girls.

Creator Lisa McGee told Tudum: “This is the show I’ve always wanted to make; a mash‑up of my two favourite genres, mystery and comedy.

“We want to keep you guessing and keep you laughing. I can’t wait for you to meet Saoirse, Robyn and Dara, and go on this wild, weird adventure with them – an Irish odyssey – full of twists, turns, and arguments about eyelash extensions.”

How to Get to Heaven from Belfast is available to watch on Netflix.

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Stranger Things star Maya Hawke marries boyfriend on Valentine’s Day watched by Netflix co-stars and famous parents

STRANGER Things star Maya Hawke has married her long-term boyfriend in a surprise wedding on Valentine’s Day.

The actress, 27, tied the knot with musician Christian Lee Hutson in New York City on Saturday.

Maya Hawke and Christian Lee Hutson tied the knot on Valentine’s DayCredit: Getty
Her fellow Stranger Things co-stars were also in attendanceCredit: Getty
The actress was friends with Christian years before things turned romanticCredit: Getty

Maya’s famous Hollywood star parents, Ethan Hawke and Uma Thurman were among the famous faces in attendance.

Her Stranger Things co-stars Finn Wolfhard, Natalia Dyer, Joe Keery, Sadie Sink, Caleb McLaughlin, Gaten Matarazzo, Gaten Matarazzo and Charlie Heaton attended the big day.

Photos showed Maya looking stunning in a classic sleeveless white gown paired with a veil over her head and a long trail.

Maya wore her hair in a chic updo and completed her look with subtle makeup.

Her father appeared full of pride as he walked alongside his daughter on the streets of New York while holding her bouquet of flowers.

Other snaps showed the happy couple taking photos outside the venue, while Maya’s bridal team helped rearrange her dress.

Maya and singer Christian were first romantically linked in 2023.

The pair frequently worked together on music projects. and even collaborated on Maya’s second studio album Chaos Angel in 2024.

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Maya also appeared on Christian’s album Paradise Pop. 10 and joined him for a few stops on tour early 2025.

“Christian has been so encouraging to me as a musician, helping me to make the transition from a being a poet in a band to sort of being a musician,” Maya told Variety in June 2024.

In 2023, Maya and Christian were first spotted sharing a kiss in New York City.

They were seen strolling through the city and stopped at a jewellery store.

The couple went on to make their relationship red carpet official on April 2025, at the opening night of Broadway’s John Proctor Is the Villain.

Maya attended the event in support of her co-star Sadie Sink, who was starring in the play.

The pair were good friends for four years before they took things to the next level.

Maya previously said she ‘cannot recommend dating a friend enough’.

“It’s the best,” she said.

“They know you, they understand that you are a person and a human being who has dated other people … not just a piece of paper for them to project their image of a perfect girlfriend onto.”

Maya previously said she ‘cannot recommend dating a friend enough’Credit: Getty
Maya’s mum is Hollywood actress Uma ThurmanCredit: Getty Images – Getty
Her dad is US film star Ethan HawkeCredit: Getty

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Full list of winners: 2026 Film Independent Spirit Awards

In a smoothly run show peppered with sharp humor but, for the most part, a dearth of pointed political commentary — save for one unscripted expression of anti-ICE sentiment from “The White Lotus” star Natasha Rothwell — the 2026 Film Independent Spirit Awards celebrated its 41st edition on Sunday in Hollywood.

The ceremony has long served as a counterpoint to the Oscars: looser, more unpredictable, typically mounted in a beach tent by the Santa Monica Pier. For over three decades, it was held the Saturday afternoon right before the Academy Awards.

But this year, due to coastal planning for the 2028 Los Angeles Olympics, the Spirit Awards relocated to the Hollywood Palladium (where they were last held in 1994), a venue decked out in the show’s signature blue and pink signage and decor — a pivot that proved effective.

“We don’t have a permit,” cracked host Ego Nwodim, riffing on scrappy independent tactics in her monologue. Her athletic hosting duties had her doing everything from cornering attending celebs such as Kirsten Dunst and Jesse Plemons via a “sexual tension cam” to picking up her falafel order at the main entrance on Sunset Boulevard.

Last year’s event played more like a coronation for a widely favored front-runner, Sean Baker‘s “Anora.” That film would go on to sweep at the Oscars a little over a week later. The mood today was more tenuous, the industry crowd mulling in the lobby with cocktails, discussing the tail end of awards season and the controversy coming out of the Berlin Film Festival concerning politically cautious juror statements.

The movies that would be honored here, by contrast, were bolder than the Spirits usually go, resulting in a truly independent raft of winners. Rose Byrne won the lead actor prize (the Spirits have gone gender-neutral since 2022) for her commanding, ruinous turn in “If I Legs I’d Kick You.” Accepting the award, Byrne half-joked, “This character of Linda really could only exist in an independent film — she’s fierce and she’s gracious and she’s a middle-aged woman.”

Other awardees included the subtly wrought academia drama “Sorry, Baby,” honored for director Eva Victor‘s screenplay and its supporting actor Naomi Ackie; the star-stalking thriller “Lurker,” which took both the first feature and first screenplay awards; and Brazil’s “The Secret Agent,” claiming the prize for international film.

The afternoon’s big winner was “Train Dreams,” the little movie that could, one that emerged 13 months ago at Sundance 2025 and is now proving itself to be one of Netflix’s sturdiest Oscar contenders. It took prizes for best feature, director and cinematography, the kind of haul that suggests real momentum.

A complete list of today’s Spirit winners

FILM CATEGORIES

Best Feature
“Train Dreams” (Netflix)
Producers: Michael Heimler, Will Janowitz, Marissa McMahon, Ashley Schlaifer, Teddy Schwarzman

Director
Clint Bentley, “Train Dreams” (Netflix)

Screenplay
Eva Victor, “Sorry, Baby” (A24)

First Feature
“Lurker” (Mubi)
Director: Alex Russell
Producers: Galen Core, Archie Madekwe, Marc Marrie, Charlie McDowell, Francesco Melzi D’Eril, Duncan Montgomery, Alex Orlovsky, Olmo Schnabel, Jack Selby

First Screenplay
Alex Russell, “Lurker” (Mubi)

John Cassavetes Award
For the best feature made under $1,000,000
“Esta Isla (This Island)”
Writers/Directors/Producers: Cristian Carretero, Lorraine Jones Molina
Writer: Kisha Tikina Burgos

Breakthrough Performance
Kayo Martin, “The Plague” (Independent Film Company)

Supporting Performance
Naomi Ackie, “Sorry, Baby” (A24)

Lead Performance
Rose Byrne, “If I Had Legs I’d Kick You” (A24)

Robert Altman Award
For a film’s director, casting director and ensemble cast
“The Long Walk” (Lionsgate)
Director: Francis Lawrence
Casting Director: Rich Delia
Ensemble Cast: Judy Greer, Mark Hamill, Cooper Hoffman, David Jonsson, Tut Nyuot, Joshua Odjick, Charlie Plummer, Ben Wang, Garrett Wareing

Cinematography
Adolpho Veloso, “Train Dreams” (Netflix)

Editing
Sofía Subercaseaux, “The Testament of Ann Lee” (Searchlight Pictures)

International Film
“The Secret Agent” (Neon)
Director: Kleber Mendonça Filho

Documentary
“The Perfect Neighbor” (Netflix)
Director/Producer: Geeta Gandbhir
Producers: Sam Bisbee, Nikon Kwantu, Alisa Payne

Someone to Watch
Given to a talented filmmaker not yet widely recognized
Tatti Ribeiro, “Valentina”

Truer Than Fiction
Given to an emerging director of nonfiction features
Rajee Samarasinghe, “Your Touch Makes Others Invisible”

Producers Award
For an emerging producer of quality independent films with limited resources
Tony Yang

TELEVISION CATEGORIES

New Scripted Series
“Adolescence” (Netflix)
Creators/Executive Producers: Jack Thorne, Stephen Graham
Executive Producers: Philip Barantini, Brad Pitt, Dede Gardner, Jeremy Kleiner, Nina Wolarsky, Hannah Walters, Mark Herbert, Emily Feller
Co-Executive Producers: Carina Sposato, Niall Shamma, Peter Balm

New Non-Scripted or Documentary Series
“Pee-wee as Himself” (HBO Max)
Executive Producers: Matt Wolf, Emma Tillinger Koskoff, Ronald Bronstein, Eli Bush, Benny Safdie, Josh Safdie, Paul Reubens, Candace Tomarken, Kyle Martin, Nancy Abraham, Lisa Heller, Sara Rodriguez

Breakthrough Performance in a New Scripted Series
Owen Cooper, “Adolescence” (Netflix)

Supporting Performance in a New Scripted Series
Erin Doherty, “Adolescence” (Netflix)

Lead Performance in a New Scripted Series
Stephen Graham, “Adolescence” (Netflix)

Ensemble Cast in a New Scripted Series
“Chief of War” (Apple TV)
Ensemble Cast: Charlie Brumbly, Luciane Buchanan, Cliff Curtis, Brandon Finn, Moses Goods, Te Ao o Hinepehinga, Benjamin Hoetjes, Siua Ikale’o, Keala Kahuanui-Paleka, Mainei Kinimaka, Kaina Makua, Jason Momoa, Temuera Morrison, Te Kohe Tuhaka, James Udom

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As streaming globalizes, Disney+ and Sky ink a new deal in the U.K.

Disney has struck a multiyear deal with the United Kingdom’s leading entertainment aggregator, Sky.

The agreement announced Wednesday will fully incorporate Disney+ streaming content into Sky’s platform. Disney+ Standard with Ads will be included in eligible Sky TV packages starting next month. The deal also introduces a new linear movie channel for Sky’s paid-TV network called Disney Cinema.

It’s the first time U.K. subscribers will have access to Disney+, HBO Max, Netflix and Hayu (a reality TV streaming service) all in one subscription under the Sky brand. The subscription costs around £24 a month (roughly $33).

“We’ve grown Disney+ in the U.K. into our largest market across Europe over the past six years, and Sky is the perfect partner for our next wave of growth in the U.K. and Ireland,” said Karl Holmes, Disney+ general manager. “This agreement gives millions of Sky customers a simple, seamless way to enjoy all the great stories that Disney+ offers, and opens up a substantial new audience for content creators and advertisers.”

As part of Disney’s move to expand its reach in the U.K., Sky customers will be able to access the studio’s classic films like “Lilo & Stitch,” Marvel movies and well-loved TV shows like “Grey’s Anatomy” and “The Simpsons.”

The partnership is the latest in Disney’s effort to further globalize its streaming service. The company previously reached deals with Germany’s ZDF, Spain’s Atresmedia and Saudi media conglomerate MBC Group and UAE firm Anghami, so its content will be available in countries across the Middle East.

Disney+ isn’t the only streamer attempting to expand its global reach. In recent months, Netflix inked a deal with French broadcaster TF1, which will launch this summer. HBO Max also planted a flag in Germany and Italy — a move previously blocked by Sky.

Under the new leadership of recently appointed chief executive Josh D’Amaro, it’s expected that Disney will continue to invest in local language content and increase international subscriptions. After recording billions of dollars in losses, Disney’s streaming services, which include Hulu and ESPN+, reached profitability in 2024. The company said it hopes to reach 10% operating margins in its entertainment streaming business.

Times staff writer Samantha Masunaga contributed to this report.

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