News Desk

Kilmar Abrego Garcia walked out of a US courthouse without being arrested by immigration authorities, relieving fears ICE may attempt to take him back into custody the day after he was released.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Even in a year like this one, during which there are numerous truly remarkable movies in the awards-season conversation worthy of ongoing consideration, it is easy to grow tired of talking about a tightening circle of titles.

Which is part of the reason why the announcement of the program for the 2026 Sundance Film Festival came right on time this week. New movies! This will be Sundance’s last edition in its longtime home in Park City, Utah, before moving on to Boulder, Colo., starting in 2027. Adding to the import and emotion of the event is that it will be the first festival since the recent death of Sundance figurehead Robert Redford.

A number of films from the 2025 festival are still part of the ongoing awards conversation. Just this week, both “Train Dreams” and “Sorry, Baby” received Golden Globe nominations — which I am relatively certain was not on the minds of those filmmakers when they had their world premieres at Sundance this past January.

Natalie Portman and Jenna Ortega in “The Gallerist” by Cathy Yan, an official selection of the 2026 Sundance Film Festival.

(Sundance Institute / MRC II Distribution Company L.P.)

Among the titles to look forward to for Sundance 2026 are Gregg Araki’s provocative “I Want Your Sex,” Cathy Yan’s satirical “The Gallerist,” Jay Duplass’ family story “See You When I See You,” Tamra Davis’ ’90s music doc “The Best Summer” and a profile on Courtney Love called “Antiheroine.”

Of course, there will also be many titles from relatively unknown filmmakers, and it is that promise of discovery that keeps us coming back to Sundance year after year.

As festival director Eugene Hernandez put it, “As much as we can talk about the legacy and history and the old timers — which I think will add an incredible aspect to the festival this year — we’re creating a festival that is also focused on the celebration of new voices. … For so many people, it will be brand new, no matter what.”

‘Home Alone’ 35th anniversary

Macaulay Culkin and Joe Pesci in the movie “Home Alone.”

(20th Century Fox)

On Saturday, the Academy Museum will have a 35th anniversary screening of “Home Alone” with star Macaulay Culkin and director Chris Columbus in-person. Written by John Hughes, the film is about a young boy (Culkin) accidentally left behind by his family at the holidays and how he comes to defend himself against two bumbling thieves (Joe Pesci and Daniel Stern).

The movie has become a beloved all-ages holiday classic and seeing it with an enthusiastic audience should be a treat. The event is already sold out, but standby tickets are available.

In his original review of the movie, Peter Rainer noted, “Macaulay Culkin has the kind of crack comic timing that’s missing in many an adult star and even when the script gets soppy, he doesn’t turn himself into a cutesy ball of gloppy goo. He is refreshingly abrasive throughout.”

‘Mustang’ 10th anniversary

An image from Deniz Gamze Ergüven’s Oscar-nominated 2015 film “Mustang.”

(Cohen Media Group)

On Sunday, the American Cinematheque at the Los Feliz 3 will host a 10th anniversary screening of French-Turkish filmmaker Deniz Gamze Ergüven’s feature debut “Mustang,” which was nominated for the Academy Award for international feature. Ergüven is scheduled to be there in person.

The film is the story of five teenage sisters living in an isolated village and yearning for a life of freedom. In her review, Katie Walsh wrote, “‘Mustang’ beautifully expresses the girls’ unbridled energy, a force that refuses to be locked up, controlled or repressed. It’s a moving portrait of sisterhood, a celebration of a fierce femininity and a damning indictment of patriarchal systems that seek to destroy and control this spirit.”

In an interview with me at the time of the film’s release, Ergüven described the performances by the five actresses — Elit Iscan, Günes Sensoy, Ilayda Akdogan, Doga Zeynep Doguslu and Tugba Sunguroglu — as “one character with five heads.”

Ergüven added, “From very early on I always said it’s a monster of femininity, with 10 arms and 10 legs. They are intertwined, they are extremely familiar with one another. Sometimes, I said, they react to one another’s bodies as if they are extensions of their own body.”

Points of interest

‘Danger: Diabolik’ and ‘Barbarella’ in 35mm

Jane Fonda and John Phillip Law in the 1968 movie “Barbarella,” directed by Roger Vadim.

(Silver Screen Collection / Getty Images)

The Secret Movie Club is going to have a groovy Euro holiday party on Saturday with 35mm screenings of both Roger Vadim’s 1968 “Barbarella” and Mario Bava’s 1968 “Danger: Diabolik” at the Million Dollar Theater. Attendees are encouraged to dress in their best psychedelic finery.

“Barbarella” is one of those movies that’s difficult to describe and best to just experience for yourself: a sci-fi sex satire starring Jane Fonda directed by her then-husband Roger Vadim and co-written by counterculture maverick Terry Southern. Based on a French comic, the film was shot in Italy and produced by Dino De Laurentiis.

In a 1967 profile of Fonda and Vadim in Rome, which includes Fonda driving a Ferrari through the streets of the city to get from the historic villa where they are staying to Cinecittà studio, Fonda said, “The main thing about this role is to keep her innocent. You see, Barbarella is not a vamp and her sexuality is not measured by the rules of our society. She is not being promiscuous but she follows the natural reaction of another type of upbringing. She isn’t a so-called ‘sexually liberated woman’ either. That would mean rebellion against something. She is different. She was born free.”

“Danger: Diabolik” stars John Philip Law (also in “Barbarella”) as a master thief. With a score by Ennio Morricone and directed with high style by Bava, best known for more lurid genre excursions, the film is the ’60s Euro-heist jaunt of your wildest imagination.

Elaine May’s ‘A New Leaf’

Elaine May and Walter Matthau in the movie “A New Leaf.”

(United Archives via Getty Images)

On Wednesday, the Academy Museum will show Elaine May’s 1971 debut feature as writer-director, “A New Leaf,” in the big David Geffen Theater. Selected by the writer’s branch of the Academy, the screening will feature screenwriter Karen McCullah, writer-producer Kirsten “Kiwi” Smith and writer-producer Katie Silberman in person to talk about the film and May’s ongoing influence.

Even though the film as we know it was taken away from May and isn’t her complete vision, “A New Leaf” is nevertheless a film of bold, confident energy. Walter Matthau plays a trust fund playboy who is fast running out of money. He hatches a scheme to find, marry and then murder a woman of means to continue to fund his lifestyle. Enter May as a botanist who is equal parts awkward and rich. Dark, funny and insightful, the film is a true gem.

Here’s hoping the recently renewed interest in May’s slim body of directorial work — she has so far made only four films — spurs a long-gestating new project rumored to be shooting soon into a reality.

Eric Rohmer’s ‘My Night at Maud’s’ and ‘A Tale of Winter’

Françoise Fabian and Jean-Louis Trintignant in Eric Rohmer’s “My Night at Maud’s.”

(Janus Films)

On Wednesday at the Aero, the American Cinematheque will have a double-bill from French filmmaker Eric Rohmer: 1969’s “My Night at Maud’s” and 1992’s “A Tale of Winter.”

“My Night at Maud’s,” a breakout international hit for Rohmer, was nominated for two Oscars, for foreign language film and original screenplay. A series of conversations among an interlocking cast of characters, the film helped set the template for dialogue-driven adult dramas that still hold sway.

In his April 1970 review, Charles Champlin wrote, “‘My Night at Maud’s’ argues that thee attractive and intelligent people sitting around arguing about the philosophy of Pascal constitutes a movie. I agree. Standing on my chair and waving noisemakers in the air I agree. … But whether or not one cares about the substance of the arguments, ‘My Night at Maud’s’ is a hugely pleasurable evening out because of the excellence of its performances and the convincing and captivatingly credibility of its three principals. It is an adult film which makes clear once and for all what randy juvenilia all other ‘adult’ films are. This one is, of course, in impeccable taste.”

“A Tale of Winter” is the second of what became Rohmer’s “Tales of the Four Seasons.” In reviewing the film, Kevin Thomas wrote, “The French respect the quirky workings of the human heart more than any other people and among the French filmmakers, the keenest observer may be Eric Rohmer, whose ‘A Tale of Winter’ finds him at his scintillating best, never wiser or funnier.”

Dec. 12 (UPI) — The National Trust for Historic Preservation has filed a lawsuit against the President Donald Trump administration to block construction of a ballroom on White House grounds.

The suit claims the ballroom construction is unlawful and asks the court to stop further construction until the plans go through a review process, as required by law.

Former White House attorney under presidents Bill Clinton and Barack Obama, Greg Craig, is representing the Trust. Defendants in the suit include the president, the National Park Service, the Department of the Interior, the General Services Administration and their leaders. The lawsuit was filed Friday in the U.S. District Court for the District of Columbia.

“No president is legally allowed to tear down portions of the White House without any review whatsoever — not President Trump, not President Biden, not anyone else,” the filing said. “And no president is legally allowed to construct a ballroom on public property without giving the public the opportunity to weigh in. President Trump’s efforts to do so should be immediately halted, and work on the ballroom project should be paused until the defendants complete the required reviews — reviews that should have taken place before the defendants demolished the East Wing, and before they began construction of the ballroom — and secure the necessary approvals.”

Trump initially said the project wouldn’t interfere with the building and would be “near it but not touching it.” But then the East Wing was demolished to make way for the ballroom project. The now-$300 million project is being funded by donors, Trump has said.

The National Trust said it sent a letter to the Park Service, the National Planning Commission and the Commission of Fine Arts in October asking them to stop the demolition and begin review procedures. But it didn’t get a response.

“Yet it appears the site preparation and preliminary construction of the proposed new ballroom is proceeding without any review by either commission or by Congress, and without the necessary approvals,” the suit said. “By evading this required review, the defendants are depriving the public of its right to be informed and its opportunity to comment on the defendants’ proposed plans for the ballroom project.”

White House press secretary Karoline Leavitt said in October that the president doesn’t need approval for demolition but only needs it for “vertical construction.”

White House spokesperson Davis Ingle said in a statement Friday: “President Trump has full legal authority to modernize, renovate, and beautify the White House — just like all of his predecessors did.”

Singer’s statement follows walkout by five countries after organisers cleared Israel to participate in next year’s contest.

Swiss Eurovision winner Nemo said they will return their 2024 victory trophy because Israel is being allowed to compete in the pop music competition.

The singer, who won the 2024 edition with operatic pop track, The Code, posted a video on Instagram showing them placing the trophy in a box to be sent back to the Geneva headquarters of the European Broadcasting Union (EBU).

“Eurovision says it stands for unity, for inclusion and dignity for all people,” Nemo said, adding that Israel’s participation amid its ongoing genocidal war on Gaza showed those ideals were at odds with organisers’ decisions.

The EBU, which organises Eurovision, cleared Israel last week to take part in next year’s event in Austria, prompting Spain, the Netherlands, Ireland, Slovenia and Iceland to announce they would be boycotting the contest.

“When entire countries withdraw, it should be clear that something is deeply wrong,” Nemo said on Thursday.

On Friday, contest director Martin Green said in a statement sent to The Associated Press that organisers were “saddened that Nemo wishes to return their trophy which they deservedly won in 2024”.

“We respect the deeply held views Nemo has expressed and they will always remain a valued part of the Eurovision Song Contest family,” he added.

Next year’s Eurovision is scheduled to take place in Austria’s capital, Vienna, after Austrian singer JJ won the 2025 contest in Basel, Switzerland. Traditionally, the winning country hosts the following year.

“This is not about individuals or artists. It’s about the fact that the contest was repeatedly used to soften the image of a state accused of severe wrongdoing, all while the EBU insists that this contest is non-political,” said Nemo.

“Live what you claim. If the values we celebrate on stage aren’t lived off stage, then even the most beautiful songs become meaningless,” they added.

Israel’s genocidal war on Gaza has killed at least 70,369 Palestinians, according to the territory’s health authorities.

The country’s military has continued to attack the enclave despite a ceasefire with Palestinian group Hamas reached back in October.

Taylor Swift’s Eras Tour ran from 2023 to 2024 and became a record breaking sensation

Taylor Swift’s highly anticipated new documentary, The End of an Era has finally landed on Disney Plus.

The six episode series, which will see two episodes released every week, gives an intimate look on the huge phenomenon that is the Eras Tour as it made headlines and excited fans around the world.

Disney teases: “In addition, the series features Gracie Abrams, Sabrina Carpenter, Travis Kelce, Ed Sheeran, and Florence Welch, along with her band, dancers, crew, and family members – offering never-before-seen insight into what it took to create a phenomenon.”

As well as the documentary, The Final Show also debuts today (December 12) which is the full concert film from the final show in Vancouver, featuring for the first ever time the entire set of The Tortured Poets Department.

As fans delve into the latest instalments of the brand new documentary, we have taken a look at some of the things that made the Eras Tour so huge.

Over 100 shows and 400 hours performed

The Eras tour ran from 2023 to 2024 meaning that Taylor and her crew performed a record breaking 149 shows.

Originally, the Eras Tour was announced back in 2022 with significantly less dates, but with such high demand, she added more to the diary and it quickly became a huge phenomenon.

The tour first kicked off in Arizona in March 2023 and came to an end in December 2024. In total, it is said the star spent over 480 hours on stage, which is the equivalent to just under three weeks.

As each show varied in length and was dependant on an array of things like the weather, each night was around three hours, making it a huge ambition that was successfully carried out.

According to reports, with 44 songs on her setlist, eventually increasing to 46 after her new album was released in 2024, Taylor also performed songs not on her setlist as part of a special acoustic performance.

The Eras Tour 100th show

Taylor’s 100th show was actually performed here in the UK, in Liverpool. Taking to Instagram, the star said: “So many dreamy memories from Liverpool!! We played our 100th show on The Eras Tour (which feels truly deranged to say because this show feels new to me every time we play it).”

She continued to thank everyone involved, adding the crowds were “expressive, generous and endlessly fun.”

What made the Eras Tour so popular?

The Eras Tour was a huge moment in Taylor’s career, celebrating all of the music through the decades, every era. Taylor took her music everywhere across the world, visiting over 20 countries.

It was a record breaking tour, bringing in over $2billion in sales making it the highest earning concert run. Taylor Swift Touring also confirmed over 10 billion people attended during the course of the tour.

And when it came to breaking records, reports suggest another record was broken when Ticketmaster sold the most tickets sold by an artist in a single day – many Swifties can remember the painstaking wait they endured for tickets.

There are many reasons the tour became a huge phenomenon, being timed post pandemic, but the main reason being it brought together fans of all ages, celebrating her entire career, being described as a huge cultural event.

Earthquake?

You may have seen reports at the time that Taylor Swift concerts generated seismic activity. In 2023 in Seattle, a seismologist said activity was recorded equivalent to a 2.3 magnitude earthquake.

Also in Edinburgh in 2024, reports suggest earthquake readings were again detected.

Friendship bracelets

Taylor Swift friendship bracelets are colourful, beaded bracelets that were made by fans for the Eras Tour, often traded in. Inspired by the song You’re On Your Own Kid, some fans ended up wearing dozens on their wrists, even hoping to give them to Taylor and her mum.

Food bank donations

While on tour, Taylor Swift donated to local food banks and charities when she visited a place.

According to ITV, the singer made a “generous donation” to around 1,400 food banks and community organisations in Edinburgh, Liverpool, Cardiff, and London.

Taylor Swift’s the End of an Era documentary is now available to stream on Disney Plus.

Athletics Integrity Unit Chair David Howman delivered the warning about the system’s inability to outsmart cheats.

The global fight against doping has “stalled”, with athletes evading detection systems that are failing to keep pace with increasingly sophisticated cheats, a leading anti-doping official has warned.

Athletics Integrity Unit (AIU) Chair David Howman had already delivered a stark assessment at last week’s World Conference on Doping in Sport, declaring that despite his organisation’s proven track record of identifying rule-breakers, they are “not catching enough of them”.

The number of international disciplinary cases brought by the AIU has increased from 62 in 2021 to 100 in 2024, according to the body’s annual reports, while national cases went up from 185 to 305.

“Let’s be honest and pragmatic … intentional dopers at elite level are evading detection. We are not effective enough nowadays in catching cheats,” said Howman, who previously spent 13 years as director general of the World Anti-Doping Agency.

Among the elite athletes banned or suspended this year was women’s marathon world record-holder Ruth Chepngetich after the Kenyan admitted to anti-doping rule violations.

Chepngetich was banned for three years, but her record will remain on the books as it was set before her positive test.

Others include the United States’s Olympic 100 metres silver and bronze medallist Fred Kerley, who was provisionally suspended in August for whereabouts failures, and world 100 metres silver medallist Marvin Bracy, who accepted a 45-month sanction for anti-doping rule violations last month.

Howman’s blunt admission highlighted a troubling reality for clean sport advocates. While education programmes help deter some potential cheats, he said they are powerless against the most determined rule-breakers at sport’s highest levels.

“We have great education programmes which help, but they don’t impact the intentional rule-breakers in elite sport,” Howman acknowledged.

The AIU chief warned that the system’s inability to outsmart the cheats is undermining public confidence in anti-doping efforts.

“Our ineffectiveness in dealing with those who are beating the rules is hurting the anti-doping movement’s credibility, with the resulting risk that our clean-sport message falls on deaf ears,” he said.

Howman also called for a fundamental shift from mere box-ticking compliance to supporting “ambitious anti-doping efforts” that could actually catch clever cheats.

“A renewed focus on scientific research with closer alignment between WADA and cutting-edge ADOs [anti-doping organisations] on research priorities and opportunities would be beneficial,” he added.

“The International Standards [of WADA] might be better scrutinised regularly to ensure they fully support investigative efforts to uncover doping.”

“It’s a chance to qualify. It is a chance to participate in a big event,” Fifa president Gianni Infantino declared in January 2017.

The Fifa Council had just unanimously voted to expand the World Cup to 48 teams. Nations who had never or rarely reached the finals were being given hope.

Infantino added: “Football is more than Europe and South America. Football is global.

“The football fever you have in a country that qualifies for the World Cup is the most powerful tool you can have, in those nine months before qualifying and the finals.”

Yet that “football fever” is falling a little flat after the ticket prices were released.

While the players will be there, the price of tickets could outstrip wages.

Take Haiti, one of the poorest countries in the world. The average wage in the Caribbean nation is around $147 (£110) a month.

The cheapest tickets for Haiti’s first game at the World Cup in 42 years, against Scotland, cost $180 (£135).

To attend all three matches – they also play Brazil and Morocco – would cost $625 (£467). That’s more than four months’ salary for the average Haitian, just to get into the ground.

It’s a similar story for Ghana, where the average monthly salary is around $254 (£190).

Ghana supporter Jojo Quansah told BBC World Service that fans would have to cancel their plans.

“It’s a bit of a disappointment for those who, for the last three-and-a-half years, have been trying to put some money away in the hope that they can have their first World Cup experience,” he said.

“Fifa themselves have gone ahead to increase the number of teams so a lot more smaller football nations will get a chance to have themselves and their fans represented.

“It’s been overshadowed by pricing those same fans out of a chance to watch their country play at the World Cup.

“I have a feeling that quite a number of people within the next couple of months, are going to drop out of that desire to be at the next World Cup. Sadly. So sadly.”

Other nations could see their fans priced out.

ICONIC rapper 50 Cent and actor Jason Momoa look totally different after undergoing major makeovers as part of their impending movie roles.

They have both undergone transformations for the movie Street Fighter which is due to be released in theatres next October.

The two will be among an ensemble cast helping to reboot the popular film franchise.

In his poster promo image, Jason has transformed into Blanka the beast and looks a million miles away from himself.

He can be seen with ginger hair and a scruffy beard as he takes on the character.

Meanwhile, 50 Cent adopts his birth name of Curtis Jackson for his movie credit.

Donning boxing gloves and a unique haircut, he will play Balrog, a boxer, in the flick.

Other members of the cast include actor Noah Centenio, Andrew Koji, Orville Peck and Cory Rhodes.

Paramount Pictures have already released a synopsis for the movie, teasing: “Set in 1993, estranged Street Fighters Ryu (Andrew Koji) and Ken Masters (Noah Centineo) are thrown back into combat when the mysterious Chun-Li (Callina Liang) recruits them for the next World Warrior Tournament: a brutal clash of fists, fate, and fury.

“But behind this battle royale lies a deadly conspiracy that forces them to face off against each other and the demons of their past.”

Street Fighter first launched as a popular video game that was first launched in 1987.

50 Cent previously revealed he had undergone an intense fitness regime in order to get himself ready for the movie role.

He wrote on TikTok three month ago alongside a video clip of him working out: “I don’t expect you to understand my level of discipline but watch it, it’s entertaining.”

50 Cent originally made his acting debut in the 2005 movie Get Rich or Die Tryin’.

He has since appeared in a plethora of hit movies and TV shows including Streets of Blood, Dead Man Running, Den Of Thieves and Power.

Dec. 12 (UPI) — The German Foreign Ministry said it summoned the Russian ambassador Friday after accusing Moscow’s military intelligence of a cyberattack on air traffic control and attempted election interference.

A spokesperson for the ministry said a hacker group behind the 2024 cyberattack likely has ties to GRU, Russia’s military intelligence.

“We can now clearly attribute the cyberattack against German Air Safety in August 2024 to the hacker collective APT28, also known as Fancy Bear,” the ministry said, according to Euronews.

The ministry also said it can be “definitively stated” that Russia attempted to interfere in February’s general elections in an attempt to undermine government institutions and processes.

A Russian propaganda group called Storm-1516 is accused of launching a targeted disinformation campaign to influence the election. The group allegedly spread misinformation about ballot manipulation, Green Party candidate Robert Habeck and now-Chancellor Friedrich Merz, the BBC reported.

“Russia is thus very specifically threatening our security,” the ministry added.

China’s heavyweight jet-powered Jiutian drone, said to have a maximum takeoff weight of around 17.6 tons (16 metric tons), has flown. A key mission for the design is expected to be acting as a mothership for swarms of smaller uncrewed aerial systems, as TWZ has explored in the past. It has also been shown previously armed with various air-to-surface and air-to-air munitions, and could perform a variety of other missions, including airborne signal relay and logistics.

The Jiutian’s manufacturer, the state-run Aviation Industry Corporation of China (AVIC), announced the drone’s first flight, which took place earlier today in Pucheng County in China’s central Shaanxi Province. The drone was first shown publicly at the 2024 Zhuhai Airshow, and it has also been referred to as the SS-UAV. What the “SS” stands for in that acronym remains unclear. The name Jiutian (also sometimes written Jiu Tian), or “The Ninth Heaven,” refers to the highest level of the heavens in traditional Chinese mythology, but is also commonly translated simply as “High Sky.”

Jiutian is some 53.6 feet (16.35 meters) long and has a wingspan of around 82 feet (25 meters), per AVIC. In addition to its maximum takeoff weight, the company says it has a maximum payload capacity of nearly 13,228 pounds (6,000 kilograms), a ferry range of approximately 4,349.5 miles (7,000 kilometers), and can stay aloft for up to 12 hours. The drone’s stated maximum operational ceiling is 49,212.5 feet (15,000 meters), and it can fly at speeds up to 378 knots and as low as 108 knots.

In terms of its general configuration, Jiutian has a high-mounted wing with a very minimal sweep and small winglets at the tips, as well as an H-shaped tail. It has a single jet engine mounted in a nacelle on top of the rear fuselage. Its tricycle landing gear includes main units that retract into sponsons under the wings. As TWZ has noted in the past, these features together give the drone the outward appearance of something of a mashup of the A-10 Warthog and OV-10 Bronco attack aircraft. There is also a resemblance to rugged De Havilland aircraft, with its landing gear looking especially tough, which could point to being able to operate out of rougher fields.

Jiutian is notably large compared to many other armed uncrewed aircraft designs currently on the market globally. For instance, the jet-powered Wing Loong-10 drone (also known as the WZ-10) in Chinese service now, produced by AVIC’s Chengdu Aircraft Industry Group (CAIG) subsidiary, has a maximum takeoff weight of around 3.5 tons (3,200 kilograms). CAIG’s Wing Loong 3 pusher-propeller-driven armed drone, the largest member of that design family to date, has a maximum takeoff weight of around six tons. As another point of comparison, the stated maximum takeoff weight of newer extended-range versions of the U.S. MQ-9 Reaper, which are also notably smaller overall, is just under six tons.

AVIC has described the Jiutian as a “general purpose” design capable of performing a wide range of missions, and its modular payload section has drawn particular attention since it was first unveiled. At the 2024 Zhuhai Airshow, that section had a Chinese phrase printed on the side reading “ascension of the beehive mission module,” according to a machine translation. It also said “Isomerism Hive Module” in English, which appeared to be a mistranslation. A term typically used in chemistry, isomerism refers to the potential existence of isomers, which are molecules or ions with identical molecular formula, but that differ in the physical and chemical arrangements of their atoms. AVIC subsequently confirmed that the intent was to communicate a drone swarm launch capability, according to Chinese state media.

As TWZ wrote last year:

“China’s interest in swarming capabilities and the ability to launch them from various platforms, including high-altitude balloons, is not new. For military purposes, swarms have a number of inherent benefits, including the ability to rapidly fan out across a broad area to carry out various missions depending on how they are configured, including intelligence, surveillance, and reconnaissance (ISR), electronic warfare, and kinetic strike. Individual drones in a swarm can also be equipped with different payloads to give the entire grouping a multi-mission capability. Large numbers of uncrewed aerial systems operating closely together also present significant challenges for defenders who could easily find themselves overwhelmed or otherwise confused about how to best respond to the incoming threats.”

“The War Zone previously laid out a case for giving exactly this kind of drone swarm launch capability to reconfigured P-8 Poseidon maritime patrol planes, which you can read more about here. Drones launching other drones offers a way to push these capabilities further forward while reducing the risk to crewed platforms.”

Having a platform capable of delivering a swarm of drones within hundreds of miles of a particular area would offer huge advantages, especially for attacking ships at sea, island outposts, and other distributed or dispersed target sets. Even the most modern warships in service in the United States and elsewhere today notably lack any real ability to defend against a high-volume attack of this kind. This is something TWZ previously highlighted in a detailed case for arming U.S. Navy warships with their own swarms of drones to bolster their defensive and offensive capabilities, which you can find here.

As mentioned, Jiutian has been displayed in the past with four pylons under each wing loaded with various munitions, as well. This has included PL-12 radar-guided air-to-air missiles, TL-17 land-attack cruise missiles (an export variant of the KD-88), and precision-guided bombs.

Jiutian has a sensor turret under its nose of the kind typically fitted with a mix of electro-optical and infrared cameras. It could also contain a laser designator for employing munitions using that type of guidance.

The drone also has a dome on top of the nose in line with a beyond-line-of-sight communications array and a nose radome. The latter has pointed to at least provisions for the installation of a radar. That could be used to help spot and target aerial threats using weapons like the PL-12, as well as for other targeting purposes, and just to assist with navigation and provide additional situational awareness. Jiutian could use air-to-air weapons for self-defense or to actively hunt flying targets.

The modular payload section is large enough to serve a host of other potential purposes, as well. It could accommodate additional sensors, such as a side-looking airborne radar (SLAR), as well as electronic warfare suites and communication arrays. Jiutian’s ability to fly high and for extended periods at relatively low speeds could make it a particularly ideal platform for more general surveillance and reconnaissance, as well as acting as an airborne communications node. China’s People’s Liberation Army (PLA) had already been expanding its fleet of high-altitude, long-endurance drones and increasingly employing them on routine surveillance and reconnaissance missions, over land or water, around its borders. Many of those existing designs can also carry air-to-surface munitions, but with nowhere near the same capacity as the Jiutian.

AVIC itself has highlighted how Jiutian’s internal space could be utilized for carrying cargo, and it could be a relevant addition for providing logistics support to far-flung locales. The PLA has pronounced needs in this regard with an ever-growing array of remote and austere operating locations, such as its highly strategic island outposts in the South China Sea and its bases spread across the Himalayan Plateau along its disputed border with India. As mentioned earlier, the Jiutian’s landing gear could point to its ability to perform any of its missions while forward-deployed at sites with more limited infrastructure to perform.

Uncrewed platforms could also offer cost benefits compared to traditional crewed cargo aircraft for conducting routine resupply operations to those areas, where the latter may not even be able to operate at all. At the same time, this all seems likely to be at most a secondary mission set for the Jiutian. AVIC and other Chinese aviation firms have already been developing a growing array of larger drones expressly designed primarily for logistics roles.

AVIC and the PLA have also been heavily touting Jiutian’s potential to perform various non-military missions. “Its modular payload system enables roles ranging from precise deliveries of heavy cargo to remote regions, to emergency communication and disaster relief, to geographic surveying and resource mapping,” according to a post today from the China Military Bugle account on X, an official mouthpiece for China’s armed forces.

A large unmanned aerial vehicle (#UAV), named “Jiutian,” completed its maiden flight on December 11, 2025, according to the Aviation Industry Corporation of China (#AVIC).

The domestically developed general-purpose drone, measuring 16.35 meters in length and 25 meters in… pic.twitter.com/LwUHyNaEp6

— China Military Bugle (@ChinaMilBugle) December 11, 2025

More broadly, Jiutian is reflective of China’s increasingly dominant position in the uncrewed aviation space globally. AVIC and other firms in China have been steadily unveiling new designs, large and small, in recent years, and getting many of them at least to first flight. Just this year, TWZ has been the first to report on the emergence of multiple new Chinese uncrewed aircraft with flying wing-type designs, an area of development that has become particularly pronounced in the country. Just last month, the PLA announced that it had put its first flying wing uncrewed combat air vehicle (UCAV), the GJ-11, into operational service, as you can read more about here. There has been a notable surge in Chinese military aviation developments, in general, since last year, which also includes the emergence of significant new crewed types, such as the J-36 and J-XDS stealth fighters.

It’s worth pointing out that AVIC’s heavy focus on non-military missions for Jiutian underscores the significant overlap between the military and commercial ends of China’s aerospace industry, as well as the role that ostensibly civilian research institutions often play. This is something TWZ routinely highlights. These kinds of dual-purpose relationships are also prevalent in the country outside of the aviation realm.

When it comes to the Jiutian design, specifically, more insights into its capabilities and expected roles may now begin to emerge as the drone is now in flight testing.

Contact the author: joe@twz.com

Kathy Kanjo, the director and CEO of the Museum of Contemporary Art San Diego, has been named the new director of the UC Irvine Langson Orange County Museum of Art. The news comes a little more than two months after UC Irvine announced it had acquired Orange County Museum of Art in a merger that created the new institution.

At that time, a rep for UCI said the hope was to announce a new director in the new year, so Kanjo’s appointment comes ahead of schedule. Kanjo has been at MCASD since 2016. Prior to that, she served as director of the University Art Museum at UC Santa Barbara.

When I first wrote about the merger, UC Irvine confirmed that it was taking over OCMA’s assets, employees and debt. A rep for UC Irvine declined to comment on a number, writing in an email that the budget for the new museum will come from university operating funds.

Kanjo inherits responsibility for a substantial collection of more than 9,000 artworks, including UC Irvine’s Gerald Buck Collection of more than 3,200 paintings, sculptures and works on paper by some of the state’s most important artists, including David Hockney and Ed Ruscha.

“The newly merged collection is both anticipated and underknown,” wrote Kanjo in an email. “I am eager to unveil and contextualize the artistic legacies of the Irvine, Buck, and OCMA collections from a particularly California point of view. Collected over time and together at last, these objects are an asset to be shared generously and supported by scholarly research. The constellation that is the UC Irvine Langson Museum offers a portrait of our state’s innovative artistic impulses.”

Kanjo also said the new museum would get a significant boost from UC Irvine’s research strength and commitment to public service.

“We will create rigorous and welcoming exhibitions that resonate with our region’s diverse audiences, young and old,” she wrote.

Despite the great fanfare of its opening in 2022, OCMA — with its 53,000-square-foot, $98-million Morphosis-designed building on the eastern edge of the Segerstrom Center for the Arts campus — never seemed fully realized. Problems were hinted at — but never explained — in April when CEO Heidi Zuckerman announced her intention to step down.

Meanwhile UC Irvine had been planning to construct a museum for its collection for quite some time. That, too, never really got off the ground. If there were ever a time to build consensus around a new mandate for the merged organizations, that time is now. Kanjo has a vision for the future that appears to center scholarship.

“I want to clarify the core identity of the collection and find connections back to campus and into the community,” she wrote. “The post is appealing because of its connection to UC Irvine, a leading research university, and the opportunity to work with the students within the Claire Trevor School of the Arts and all of the campus resources. The potential to foster innovation by working in a cross-disciplinary/cross-campus way is strong.”

I’m arts and culture writer Jessica Gelt, planning a drive to Orange County in the new year. Here’s your arts and culture news for the week.

On our radar

Broadway star Ben Platt will perform 10 shows at the Ahmanson starting Friday.

(Rob Kim / Getty Images)

Ben Platt: Live at the Ahmanson
The award-winning star of stage and screen hits town for 10 shows where he’ll sing his greatest hits and Broadway favorites. And where Platt goes, his big-time friends follow, so expect some great surprise guests each night.
8 p.m. Friday-Saturday and Dec. 19-20; 3 and 8 p.m. Sunday and Dec. 21; 7:30 p.m. Wednesday-Thursday. Ahmanson Theatre, 135 N. Grand Ave., downtown L.A. centertheatregroup.org

“Holiday Legends” is this year’s seasonal performance by the Gay Men’s Chorus of Los Angeles.

(Gay Men’s Chorus of Los Angeles)

Holiday Legends
The Gay Men’s Chorus of Los Angeles’ annual celebration pays homage to the greats, including Mariah Carey, Irving Berlin and Johnny Mathis, plus traditional choral classics, pop Christmas anthems and Hanukkah favorites.
8 p.m. Saturday. 3 p.m. Sunday. Saban Theatre, 8440 Wilshire Blvd., Beverly Hills gmcla.org

The Huntington in San Marino.

(Allen J. Schaben/Los Angeles Times)

Stories from the Library: From Brontë to Butler
This series highlights the literary side of the Huntington and its world-class library. In the newest exhibition, journals, letters, photographs and personal items provide a behind-the-scenes look at two centuries of women writers bookended by Charlotte Brontë and Octavia E. Butler.
Through June 15. The Huntington, 1151 Oxford Road, San Marino. huntington.org

The week ahead: A curated calendar

FRIDAY
Holiday Soirée & Cabaret
Fountain Theatre celebrates the season with a live announcement of its 2026 season, a cabaret performance from Imani Branch & Friends, plus, a raffle and reception. There will also be two separate performances of the cabaret.
Soirée and cabaret: 7 p.m. Friday. Cabaret: 7 p.m. Saturday; 2 p.m. Sunday. Fountain Theatre, 5060 Fountain Ave. FountainTheatre.com

Violinist Renaud Capuçon.

(Los Angeles Philharmonic)

Mozart & Sibelius
Violinist Renaud Capuçon joins conductor Gustavo Gimeno and the L.A. Phil for a program that combines “Mozartian elegance with brooding Nordic drama.”
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Santasia
The long-running holiday spectacle featuring broad comedy, musical parodies and old school claymation returns to L.A. for a 26th year.
Through Dec. 27. Whitefire Theatre, 13500 Ventura Blvd., Sherman Oaks. santasia.com

SATURDAY

Laurel Halo performs Saturday at the Nimoy.

(Norrel Blair)

Laurel Halo
Currently based in L.A., the musician combines ambient, drone, jazz and modern sensibilities in new works for piano and electronics in a preview of her forthcoming album.
8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu

Sound + Source
Art meets music as DJs Novena Carmel, Francesca Harding and KCRW music director Ale Cohen provide a site-specific soundtrack to the exhibition “Corita Kent: The Sorcery of Images.”
11 a.m.-6 p.m. Marciano Art Foundation, 4357 Wilshire Blvd. marcianoartfoundation.org

Pacific Jazz Orchestra
The 40-piece hybrid big band and string ensemble, led by Chris Walden, presents its “Holiday Jazz Spectacular,” featuring vocalists Aloe Blacc, Sy Smith and Brenna Whitacre.
8 p.m. Alex Theatre, 216 N. Brand Blvd., Glendale. pacificjazz.org

Holiday Family Faire
Theatricum Botanicum’s annual daylong winter wonderland featuring performances, food and drink and a marketplace; followed by “It’s a Wonderful Life: A Live Radio Play,” by Joe Landry, and starring Beau Bridges, Wendie Malick, Joe Mantegna and Rory O’Malley.
11 a.m. Family Faire; 5 p.m. “It’s a Wonderful Life.” Will Geer Theatricum Botanicum, 1419 Topanga Canyon Blvd, Topanga. theatricum.com

SUNDAY

The band Emily’s Sassy Lime in Olympia, Wash., circa 1995.

(Emily’s Sassy Lime)

Artist Talk
Emily Ryan, Amy Yao and Wendy Yao of the ‘90s Orange County riot grrrl band Emily’s Sassy Lime join artist-activist-musician Kathleen Hanna of the band Bikini Kill for a discussion of adolescence, creativity and community. The talk is part of the museum’s “2025 California Biennial: Desperate, Scared, But Social,” which closes Jan. 4.
2 p.m. UC Irvine Langson Museum/Orange County Museum of Art, 3333 Avenue of the Arts, Costa Mesa. ocma.art

English Cathedral Christmas
The Los Angeles Master Chorale brings the magic of Canterbury Cathedral downtown, reveling in the grand tradition of British choral works from the 16th century to the present..
7 p.m Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. lamasterchorale.org

TUESDAY
Aron Kallay
In “Midcentury/Modern,” the pianist performs works from world premieres by Michael Frazier, Zanaida Stewart Robles and Brandon Rolle, along with 20th century works by Grażyna Bacewicz and Sergei Prokofiev in a program presented by Piano Spheres.
8 p.m. Thayer Hall at the Colburn School, 200 S. Grand Ave., downtown L.A. pianospheres.org

WEDNESDAY
BOTH: A Hard Day’s Silent Night
Open Fist Theatre Company’s annual holiday charity concert benefiting Heart of Los Angeles, an organization that helps kids in underserved communities, infuses the music of the Beatles with Gospel flair to tell the Christmas story.
8 p.m. Wednesday-Friday; 3:30 and 9 p.m. Saturday; 3:30 and 7 p.m. Sunday. Atwater Village Theatre, 3269 Casitas Ave. openfist.org

Elaine May and Walter Matthau star in “A New Leaf,” which screens at the Academy Museum on Wednesday.

(Film Publicity Archive/United Archives via Getty Images)

A New Leaf
Elaine May made Hollywood history with this 1971 screwball noir as the first woman to write, direct and star in her own feature film. Walter Matthau co-stars as a playboy who has burned through his own fortune so plans to marry and murder May’s kooky heiress to get hers.
7:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

Culture news and the SoCal scene

Architect Frank Gehry in his Playa Vista office in 2015.

(Ricardo DeAratanha / Los Angeles Times)

The world is mourning the death of legendary architect Frank Gehry, who died last Friday at age 96. Times classical music critic Mark Swed wrote a beautiful appreciation about how Gehry used his buildings — Walt Disney Concert Hall in particular — to transform music. I made a video appreciation that tried to encapsulate Gehry’s best work, and his deep connection to his adopted hometown, and L.A. Times contributor Sam Lubell compiled a list, with photographs, of Gehry’s finest buildings in L.A., and around the world. Deputy managing editor Shelby Grad wrote about the importance of the Gehry-designed Danzinger studio.

This week also marked the release of The Times best-of-2025 lists. These include Swed’s selection of the best of L.A.’s classical music performances; Times theater critic Charles McNulty’s pick of the best theatrical works;
and former (sob!) Times art critic Christopher Knight’s 10 best art shows at SoCal museums.

Swed also wrote a story that came out of a recent trip to Tokyo about Carl Stone, an L.A. based composer from the Japanese capital, who uses his laptop to record environmental sounds and transform them into sonic sculptures. “Stone’s iPad, with its open sonic complexity, created a sense of space, a roomy aural soundscape in which jazz and butoh became elements not egos, not larger than life, just more life, the merrier,” writes Swed.

McNulty wrote an interesting essay about characters breaking the fourth wall and how it can galvanize an audience. “Breaking the fourth wall is a tried-and-true method of calling an audience to attention. But a new breed of dramatist, writing in an age of overlapping calamities — environmental, political, economic, technological and moral — is retooling an old playwriting device to do more than inject urgency and immediacy in the theatrical experience,” McNulty writes.

I spent time in Palm Springs over the Thanksgiving break to cover the grand reopening of the Palm Springs Plaza Theatre, which recently underwent a $34-million restoration. To celebrate, it hosted an intimate show featuring actor, singer, songwriter Cynthia Erivo.

I also had the pleasure of sitting down for an interview with Broadway actor Ben Platt in advance of his 10-day residency at the Ahmanson Theatre. We bonded over being anxious people, and he shared that he keeps his anxiety in check through live performance.

Cameron Watson is the new artistic director of Skylight Theatre Company.

(David Zaugh)

Cameron Watson has been named Skylight Theatre Company’s new artistic director, beginning Jan. 1. He will replace Gary Grossman, who is stepping down after four decades at the helm of the Los Feliz-based theater, during which time he turned the company into one of the most respected small theaters in the city. “Cameron’s passion, his theatrical vision and his ability to lead, listen, nurture and mentor make him the perfect fit for Skylight,” Grossman said in a statement.

Earlier this week, philanthropist MacKenzie Scott gave $20 million to the Japanese American National Museum — the largest single gift in the organization’s history. Scott, the former wife of Amazon founder Jeff Bezos, also gave the museum $10 million in 2021.

Hamza Walker, the Brick executive director who is behind the critically acclaimed “Monuments” exhibit at the Brick and MOCA, has been honored with the 2026 Audrey Irmas Award for Curatorial Excellence, given by the Bard College Center for Curatorial Studies. “Hamza’s three decades of curatorial practice have brought forward voices and perspectives that challenge dominant narratives, create dialogue, and have left a lasting imprint on the field,” said Tom Eccles, executive director of the Center for Curatorial Studies, in a statement.

Sherman Oaks resident Kate Stermer won the National Portrait Gallery’s 2025 Teen Portrait Competition, alongside Matilda Myers of Towson, Md. The annual competition is open to teens ages 13 to 17, and the museum says it received more than 1,100 entries from 48 states, Guam, Puerto Rico and Washington, D.C. We here at Essential Arts are proud of you, Kate!

— Jessica Gelt

And last but not least

The Times this week released its annual list of the 101 best restaurants in Los Angeles. I plan to go to every one. Well, maybe, like 20. It could get expensive.

Who: Liverpool vs Brighton
What: English Premier League
Where: Anfield in Liverpool, United Kingdom
When: Saturday, December 9, at 3pm (15:00)
How to follow: We’ll have all the buildup on Al Jazeera Sport from 12:00 GMT in advance of our text commentary stream.

All eyes will be on the Liverpool team sheet when it is released at roughly the same time the bus carrying the squad will arrive at Anfield for the Brighton match on Saturday.

Speculation is rife that the Premier League match could be Mohamed Salah’s last for the defending champions, following the public fallout with the club.

The Reds, and their beleaguered manager Arne Slot, will hope the focus is very much on the football and turning around a form book that has seen the Merseyside club fall to 10th in the table.

Al Jazeera Sport takes a closer look at a game that will be the focus of the Saturday agenda in the English top flight, and beyond.

What is the latest on Salah’s future at Liverpool?

Salah has not started a game for Liverpool since the 4-1 defeat at PSV Eindhoven in the UEFA Champions League on November 26.

The Egyptian forward was benched for the following three Premier League games and, following fierce criticism of the club’s treatment of him, was then dropped from the squad that travelled to Italy to face Inter Milan on Tuesday – a game the Reds won 1-0.

Speculation has mounted surrounding a move to the Saudi Pro League since Salah’s outburst following last Saturday’s 3-3 draw at Leeds United, when the 33-year-old claimed he had been “thrown under the bus” for their recent woes on the field.

Liverpool manager Arne Slot said on Friday morning that he would speak with Salah to decide whether the forward would return to the match-day squad for the Brighton game.

The eyes and ears of the world, and in particular in Saudi Arabia, will be on the Anfield club for news of the team and the squad before kickoff against Brighton on Saturday.

What has Liverpool’s form been in the Premier League this season?

The Reds have lost six of their games in the Premier League this season – part of a run that saw them lose nine of 12 games in all competitions.

The struggling title holders have taken five points from their last three league games, however, starting with a 2-0 win at West Ham – the first game of Salah’s exile from the starting lineup.

The last two matches, though, have seen the Reds held to a 1-1 home draw by newly promoted Sunderland, before the draw at Leeds that led to Salah’s outburst.

What has Brighton’s form been in the Premier League this season?

Brighton’s solid season sees them sit two places above Liverpool on goal difference.

A win for either side could result in them climbing as high as fourth.

One league win in five to begin the season left the Seagulls sitting slightly perilously, but a run of only two defeats in 11 in the English top flight followed, with six wins in that time.

That form had expectations flying high on the south coast before two home games, but a 4-3 defeat by Aston Villa was followed by a 1-1 draw with West Ham in their last match.

We go again. pic.twitter.com/2tFFXx1Bh9

— Premier League (@premierleague) December 12, 2025

What happened the last time Liverpool played Brighton?

Brighton were 3-2 winners in a Premier League fixture on May 19, in the last encounter between the sides.

Liverpool twice took the lead in the first half of the game at Amex Stadium through Harvey Elliott and Dominik Szoboszlai.

Yasin Ayari’s 31st-minute goal kept the Seagulls in the game at the break before Kaoru Mitoma and Jack Hinshelwood, who netted five minutes from time, turned the game around in the second period.

What happened in the corresponding fixture between Liverpool and Brighton last season?

Liverpool were 2-1 winners in the preceding match at Anfield last season, but were forced to come from behind after Ferdi Kadioglu gave the away team the lead in the 14th minute.

The Seagulls held the lead until the 70th minute, when Cody Gakpo and Mohamed Salah scored twice in three minutes to set up the win.

Head-to-head

This is the 44th meeting between the sides, with Liverpool winning 23 of those encounters and Brighton emerging victorious on 8 occasions.

The fixture dates back to 1907 and an FA Cup tie at Anfield, where Brighton secured a 1-1 draw. Liverpool made no mistake in the reply, however, winning 3-0 on the south coast.

Brighton would have to wait a further six games for their first win against Liverpool, a 3-1 victory in the old second division of English football (now known as the Championship).

Liverpool team news

There is a question mark over Alexander Isak’s status for Saturday, with Slot saying the forward picked up a knock in the first half against Inter Milan, and that he will be evaluated on Friday before they decide whether or not he can start.

Slot is pleased with how Isak and Hugo Ekitike have played together, saying their partnership will continue to improve.

“The more they play together, the more they will adapt to each other and the better they will cooperate,” Slot said. “I saw promising things from the both of them, it’s only the second time they’ve played together. We will see more of them playing together in the future.”

Slot will have Federico Chiesa available on Saturday after he recovered from illness, while Wataru Endo and Cody Gakpo are expected to be out for a “few weeks”.

Brighton team news

Stefanos Tzimas, Solly March, Adam Webster are all absent with knee injuries, while James Milner is also out for several months with a muscle problem.

Kaoru Mitoma will have a fitness test as he attempts a comeback from an ankle problem which has kept him out since September.

Yasin Ayari and Tom Watson could both return from knocks, but both are still being monitored at this stage.

Predicted Liverpool starting lineup:

Alisson; Gomez, Konate, van Dijk, Kerkez; Jones, Gravenberch, Mac Allister; Szoboszlai, Isak, Wirtz

Predicted Brighton starting lineup:

Verbruggen; Wieffer, Dunk, van Hecke, Kadioglu; Baleba, Ayari; Minteh, Rutter, De Cuyper; Welbeck

The star died in hospital at the age of 77, his colleagues confirmed on TV.

Sunrise star Dr Keith Suter has died in hospital at the age of 77 this year, it has been confirmed.

The broadcaster’s death was announced by hosts Samantha Armytage, Natalie Barr, and Matt ‘Shirvo’ Shirvington as they delivered an emotional tribute to him live on air.

They revealed that the former Foreign Affairs Editor, who held three doctorates and chaired numerous international bodies, “passed away peacefully in hospital”.

The sad news was delivered by Nat, 57, and Shirvo, 47, on Sunrise early Friday morning (December 12). They opened the programme saying: “Before we heard the news, we just wanted to pay a quick tribute to a close friend and member of this Sunrise, Dr Keith Suter, who passed away peacefully in hospital this week.

“Keith has been part of the Sunrise and Seven family for so many years, the most brilliant mind, a calm and trusted voice on some of the most complex stories, and a joy to work with behind the scenes as well.

“He helped explain wars, elections, and global crisis upon crisis, but he always did it with measure so people felt safe, and this morning our thoughts are with his beautiful family.”

Samantha, 49, who previously co-hosted Sunrise from 2013 to 2021 with fellow presenter David ‘Kochie’ Koch, also posted a moving tribute to the late broadcaster on Instagram, reports the Express.

Posting a picture of the Australian expert in his element whilst presenting on the breakfast programme, she wrote: “Very sad to hear of the passing of Dr Keith Suter overnight. He was a wonderful man.

“He guided us through many of the biggest world issues of our time – with grace and humour. You could talk to him all day, and often during breaking news, we did. RIP Dr Keith.”

Meanwhile, Nat and Shirvo shared on air that viewers had already begun sending their condolences to Suter’s family, with one observer noting that the presenter “made complicated world politics comprehensible and will be sorely missed.”

Nat reflected: “World affairs is complicated, and I think a lot of people, you kind of almost feel like you pretend you know what it is about, but we got to ask him really basic questions and boy, did he explain it all to us.”

Shirvo added: “He spoke to the people, didn’t he? And he was a beautiful man with such a lovely manner. And I tell you what, he always dressed so, so well as well.”

Nat responded with a chuckle: “I know. We are really going to miss him… Our sincere condolences to his family, he will be sorely missed.”

Suter was renowned for his extensive career with Seven, where he educated Australian audiences about international affairs and simplified intricate geopolitical matters. He also served as a futurist and strategic planning adviser, boasting three doctorates from Sydney.

The broadcaster specialised in international law of guerrilla warfare, the social and economic impacts of the arms race, and strategic planning scenarios. His groundbreaking work in this arena caught significant attention.

The Australian Government presented him with its Peace Medal in 1986, and he later received recognition as Rostrum’s Communicator of the Year in 1995.

During the 2019 Queen’s Birthday Honours, he was appointed a Member of the Order of Australia for “significant service to international relations, and to the Uniting Church of Australia.”

He chaired multiple organisations, including the International Humanitarian Law Committee of the Australian Red Cross and the International Commission of Jurists (NSW). Additionally, he held positions as director of studies at the International Law Association (Australia Branch) and managing director of the Global Directions think tank.

The telly veteran featured across numerous programmes on both wireless and television discussing politics and international matters, holding the position of Foreign Affairs Editor for Channel Seven for an extended period.

Dec. 12 (UPI) — Thai Prime Minister Anutin Charnvirakul dissolved parliament on Friday, triggering fresh elections just three months after his minority government replaced a government headed by Paetongtarn Shinawatra.

In King Maha Vajiralongkorn’s decree approving the move, Anutin blamed recent deadly border clashes with Thailand’s northern neighbor Cambodia among other issues his administration has struggled to overcome.

The Thai Pride Party leader was elected by lawmakers in September with the backing of the People’s Party, which lent its support on condition that he dissolve the House of Representatives within four months.

However, facing a no-confidence vote after the People’s Party withdrew its backing amid a dispute over constitutional reform, Anutin brought the date forward.

“The appropriate solution is to dissolve parliament, which is a way to return political power to the people,” he said.

Anutin will stay on as caretaker prime minister, albeit with severely limited powers, until the elections, which by law must be held within 60 days.

His administration has been under fire over cross-border fighting with Cambodian forces that has killed at least 20 people and forced hundreds of thousands to flee and for failures in dealing with severe flooding in the south of the country in November in which more than 170 died.

“The government had executed every means in public administration to quickly resolve the urgent issues overwhelming the country… but running the country requires stability,” Anutin wrote in Friday’s decree.

“As a minority government, together with troubling domestic political circumstances, it has been unable to carry out public administration continuously, effectively and with stability.”

Shinawatra, Anutin’s predecessor, was removed from office in August after Thailand’s Constitutional Court found she had broken ethics rules in a phone call to a former Cambodian Prime Minister Hun Sen.

The fall of the government, the third in two years, threatens to exacerbate a deepening political, security and economic crisis, with the economy slowing sharply in the third quarter, posting annualized GDP growth of just 1.2%.

Anutin insisted the dissolution of parliament would have no impact on the country’s military operations on the border with Cambodia after fighting re-erupted Monday, threatening to unravel an already fragile cease-fire brokered by U.S. President Donald Trump in July.

Trump was scheduled to hold phone calls with Anutin and Cambodian Prime Minister Hun Manet on Friday evening to try to get the truce back on track.

Analysts warned that internal Thai politics could complicate that effort with the increasingly tough position being signaled by Anutin’s party on the territorial dispute.

“We see a risk of the conflict persisting into 2026 if the Thai government [of Anutin] judges that adopting a harder line could bolster its political standing ahead of the likely early-2026 elections,” Oxford Economics leader economist Alexandra Hermann told CNBC.

Congolese refugees have recounted harrowing scenes of death and family separation as they fled intensified fighting in the eastern Democratic Republic of the Congo (DRC), where Rwanda-backed M23 rebels captured a strategic city despite a recent United States-brokered peace agreement.

M23 has cemented control over Uvira, a key lakeside city in DRC’s South Kivu province that it seized on Wednesday, despite a peace accord that President Donald Trump had called “historic” when signed in Washington just one week earlier.

Al Jazeera, which is the first international broadcaster to gain access to the city since M23’s takeover, saw residents tentatively returning home after days of violence, amid a heavy presence of rebel fighters on Friday.

The day before, M23 fighters combed the streets to flush out remaining Congolese forces and allied militias – known as “Wazalendo” – after taking over key parts of the city.

Meanwhile, at Nyarushishi refugee camp in Rwanda’s Rusizi district, Akilimali Mirindi told the AFP news agency she fled South Kivu with just three of her 10 children after bombs destroyed her home near the border.

“I don’t know what happened to the other seven, or their father,” the 40-year-old said, describing corpses scattered along escape routes as about 1,000 people reached the camp following renewed clashes this month.

Regional officials said more than 413 civilians have been killed since fighting escalated in early December, with women and children among the dead.

The offensive has displaced about 200,000 people, and threatens to drag neighbouring Burundi deeper into a conflict that has already uprooted more than seven million across eastern DRC, according to United Nations figures.

Uvira sits on Lake Tanganyika’s northern shore, directly across from Burundi’s largest city, and serves as South Kivu’s interim government headquarters after M23 seized the provincial capital, Bukavu, in February.

Al Jazeera correspondent Alain Uaykani, who gained access to the city on Friday, reported a tenuous calm and the heavy presence of M23 soldiers but described harrowing scenes on the journey there.

“Here in Uvira, we have seen different groups of the Red Cross with their equipment, collecting bodies, and conducting burials across the road,” Uaykani said.

He added that the Al Jazeera crew saw abandoned military trucks destroyed along the road to Uvira, and the remains of people who were killed.

Residents who fled Uvira told AFP of bombardment from multiple directions as M23 fighters battled Congolese forces and their Burundian allies around the port city.

“Bombs were raining down on us from different directions,” Thomas Mutabazi, 67, told AFP at the refugee camp. “We had to leave our families and our fields.”

‘Even children were dying’

Refugee Jeanette Bendereza had already escaped to Burundi once this year during an earlier M23 push in February, only to return to DRC when authorities said peace had been restored. “We found M23 in charge,” she said.

When violence erupted again, she ran with four children as “bombs started falling from Burundian fighters”, losing her phone and contact with her husband in the chaos.

Another refugee, Olinabangi Kayibanda, witnessed a pregnant neighbour killed alongside her two children when their house was bombed. “Even children were dying, so we decided to flee,” the 56-year-old told an AFP reporter.

M23 spokesperson Lawrence Kanyuka announced on Wednesday that Uvira had been “fully liberated” and urged residents to return home.

Fighting had already resumed even as Trump last week hosted Congolese President Felix Tshisekedi and his Rwandan counterpart Paul Kagame at a widely attended signing ceremony.

The December 4 Washington agreement obliged Rwanda to cease supporting armed groups, though the M23 was not party to those negotiations and is instead involved in separate Qatar-mediated talks with Kinshasa.

DRC’s government accused Rwanda of deploying special forces and foreign mercenaries to Uvira “in clear violation” of both the Washington and earlier Doha agreements.

The US embassy in Kinshasa urged Rwandan forces to withdraw, while Congolese Foreign Minister Therese Kayikwamba Wagner called for Washington to impose sanctions, saying condemnation alone was insufficient.

Rwanda denies backing M23 and blames Congolese and Burundian forces for ceasefire violations.

In a statement on Thursday, President Kagame claimed that more than 20,000 Burundian soldiers were operating across multiple Congolese locations and accused them of shelling civilians in Minembwe.

UN Secretary-General Antonio Guterres warned the escalation “increases the risk of a broader regional conflagration” and called for an immediate cessation of hostilities.

WICKED: For Good, the blockbuster musical sequel, recorded the second-biggest box office opening weekend of 2025, amassing £170million worldwide.

Google Trends data shows interest in the film surged ahead of its
release on November 21 before dropping sharply in the weeks that followed.

Searches for the film climbed steadily through October, peaking in November as hype around Ariana Grande and Cynthia Erivo reached its highest point.

The days just before the film’s release recorded the strongest search activity, with Google Trends showing a clear spike as fans hunted for new clips, early reviews and last-minute tickets.

But the data also reveals what happened once the spoiler-free rush was over. By the beginning of December, searches for “Wicked: For Good” had begun to fall fast.

The decline suggests the film’s online buzz was already settling, even though it launched during peak cinema-going season and arrived with one of the biggest fanbases in modern musical history.

Within the data, Google Trends shows that interest wasn’t just limited to the leads.

Bethany Weaver, a standout supporting cast member, saw a spike in searches immediately after release, indicating that audiences were curious about her role and keen to learn more about the rising star.

Fans flocked online to read interviews, explore her career and performance, giving Weaver her own moment in the spotlight.

The film’s soundtrack proved equally magnetic.

Searches for “Wicked songs” surged following the premiere, as viewers streamed iconic numbers, from soaring duets to emotional solos.

According to Google Trends, the soundtrack maintained high interest for several days after the release, showing that the music continued to engage fans even as searches for the film itself tapered off.

When the first Wicked movie hit UK cinemas in November 2024, its Google Trends curve showed a longer-lasting surge, with searches remaining elevated for weeks after release.

That film not only dominated box office charts in 2024, but also sparked a renewed and sustained interest in the stage musical and soundtrack.

Wicked: For Good, however, has dropped off much quicker.

While interest shot up immediately before and at the time of release, search volumes for the film itself had plunged by early December, indicating fans were moving on.

Only specific elements of the sequel, such as its soundtrack and cast members, continue to draw attention.

Where the original Wicked enjoyed a sustained afterlife, Wicked: For Good’s buzz seems to have been more short-lived.

Strong at first, the trend is declining, even as fragments of interest survive around music and memory‑making moments.

What does that say about the movie’s success? And how would a third film fare…?

Rescuers pulled bodies from under the rubble of a collapsed house in Gaza’s Beit Lahiya after heavy rain and winds brought the heavily damaged building crumbling to the ground. At least 12 people have died over the last 24 hours as Storm Byron inflicts further damage on the remnants of Israel’s genocide war.

Domino effect

Chile has nearly 15.8 million registered voters, and this year, for the first time since 2012, all of them are required by law to vote in the presidential race.

Kast is believed to have the upper hand in Sunday’s run-off.

Though he came in second place during the first round of voting in November, he is expected to sweep up additional support from conservative candidates who did not make the cut-off for the second vote.

But some voters expressed scepticism about the emphasis on crime in this year’s race.

Daniela Ocaranza, a mother who lives in a low-income neighbourhood in Santiago, considers the heightened focus on crime to be a ploy.

She volunteers at an organisation that fights for affordable housing, and she thinks politicians are leveraging the uptick in crime to convince the voters to put more resources into security.

“Crime has increased,” Ocaranza acknowledged. “But this happens in all countries.”

She said the media is partly to blame in raising fears. It shows “you the same crime 30 times a day — morning, noon and night — so the perception is that there is more”.

“But there are many other things that are more important,” Ocaranza stressed, pointing to issues like education, healthcare and pensions. They are areas that she sees best addressed by Jara, whom she will be voting for on Sunday.

For his part, Johnson said politicians draw up hardline policies to appease residents who want urgent action taken.

But he noted that research has shown punitive measures don’t typically produce results. In the meantime, he warned that the outsized fears about crime can have real-world ramifications.

“Today, there are fewer people consuming art, going out to see theatre, going out to restaurants. So it doesn’t just limit someone’s quality of life but also economic development,” Johnson said.

“Fear is extremely harmful. It might even be more hurtful than the actual crime.”

“H Is for Hawk” is for the birds. And such majestic creatures they are, holding their own opposite the magnificent Claire Foy (“All of Us Strangers”).

The film, directed by Philippa Lowthorpe and based on Helen Macdonald’s memoir, centers on Foy’s character Helen, devastated by the sudden loss of her father (played by Brendan Gleeson). In her grief, she turns to a childhood interest, falconry, and buys a goshawk. The wilder the bird, the tamer the name; Helen calls her Mabel.

Producer Dede Gardner and Lowthorpe had worked with Foy before (in “Women Talking” and “The Crown,” respectively) and agreed she’d be perfect as Helen. But Mabel was another story entirely.

Lowthorpe tapped Lloyd and Rose Buck, married bird specialists who had worked for decades on natural history documentaries with the likes of David Attenborough. Since they were conveniently located not far from her home in Bristol, England, the three got together to figure out how to make the film work.

Five birds were needed to play the character of Mabel at different points; the main two would have to be raised and trained by the couple long before filming began. Sisters Mabel 1 and Mabel 2 had the bulk of the work. “They’re from the same clutch, but they’re like chalk and cheese in character,” says Lloyd. “Mabel 2 is much shier and has more wildness in her,” so she was used in the nervous bird scenes early on. Mabel 1 was used to fly to and from Foy’s glove, and for much of the action depicting Helen cohabiting with Mabel in her house.

Jess, on loan from a friend in Scotland with a falconry center, was accustomed to people, so she was featured in Mabel’s calmest moments. Juha, the only male and much smaller than the females, was seen only in high aerial shots. And Lottie starred in the hunting scenes, traveling up to 45 miles an hour through the woods to capture her prey.

Before filming was set to begin, Foy visited the Bucks for two weeks of intensive falconry training. “That was a crucial moment for the whole project, because unless they’ve taken to Claire and she’s taken to them, I don’t think it could ever have worked,” Lloyd says. “But because she was so amazing, it works. She’s interested, clever, intelligent, but above all she’s just a lovely person, and that’s what they see. You can’t fool them, they’re not silly; they can see if someone’s pretending to like them but they don’t really.”

Foy was delighted to work with the birds and with the Bucks. “They’re incredibly kind people,” she says. “They’re so tender and so beautiful with their birds, and therefore they are with other human beings as well. But also they just threw me in. At the end of the first day I was with Lottie hunting, letting her release off my arm. Learning with the birds was the last piece of the puzzle of Helen and the experience I was going to have, so it became a really profound experience.”

“Claire put her heart and soul into that training,” Lowthorpe says. “She has great physical instincts as well as emotional instincts.”

Everything on set revolved around the hawks’ well-being. Filming took place between October and January, to avoid molting season. Everyone in the crew wore drab, dark colors, because that’s what the birds were used to. Microphones were hidden because the birds didn’t like booms, and most of the crew hid upstairs; even Lowthorpe hid behind a piece of furniture with her monitor. Lloyd or Rose would either hood or remove the scene’s Mabel, and give the all-clear, before the crew could reappear to work between takes.

“I told Charlotte Bruus Christensen, our fantastic DP, we should just film everything,” Lowthorpe recalls. “If you pin it you might kill the flavor of danger or surprise. Claire was so in tune in those scenes, she was able to react in an improvisational way, and she would be in her character at all times during those long, long takes. Like I was capturing the hawks, I was capturing Claire, allowing her to move wherever she wanted.”

“It wasn’t like having another actor who had another agenda or actions or a perspective that they wanted to get across in the scene,” Foy says. “I was along for the ride with these animals.”

When Helen takes Mabel for her first walk around the house, she talks gently to her. “This is my kitchen,” she says. Mabel flaps her wings wildly. “It’s not that bad.” The bird poops. “Oh, thanks very much.”

Mabel becomes both salvation and addiction to Helen. “To feel that alive, chasing a goshawk as it’s hunting, you’re part of this extraordinary experience, which feels spiritual and meaningful,” Foy explains. “I do think that we try to avoid the ugliness of grief at all costs, like that’s something you’re supposed to do alone in a cupboard that isn’t witnessed. We just are so afraid of that expression of it. The journey with Mabel is the most vivid expression of that experience.”

Back home in London, Foy says she intends to visit the Mabels. “Whenever you drive on the motorway in the U.K., you’ve birds of prey everywhere, and now I can identify them,” she says. “I see them everywhere I go. There’s an owl out the back of my house. I feel like I’m constantly looking upwards now.”

Dec. 12 (UPI) — A federal judge in New York sentenced Do Kwon, the former CEO of blockchain and cryptocurrency company Terraform Labs, to 15 years in prison for a scheme that cost victims billions of dollars.

The 34-year-old South Korean native received a higher sentence than defense lawyers and even prosecutors sought — five years and 12 years, respectively, The New York Times reported. Prosecutors agreed to let Kwon serve the second half of his sentence in South Korea.

U.S. District Judge Paul A. Engelmayer for the Southern District of New York said he went with the 15-year sentence because Kwon’s crimes represented “fraud on an epic, generational scale.” He also ordered Kwon to pay more than $19 million in proceeds from the scheme.

The judgment was handed down in court Thursday, some four months after Kwon pleaded guilty to one count of conspiring to commit commodities fraud, securities fraud and wire fraud as well as one count of committing wire fraud. Authorities arrested Kwon in Montenegro after he led them on an 18-month manhunt, The Guardian reported.

“Do Kwon devised elaborate schemes to mislead investors and inflate the value of Terraform’s cryptocurrencies for his own benefit,” U.S. Attorney Jay Clayton said Thursday in a news release.

“When his crimes caught up to him, Kwon embarked on a deceptive public relations campaign to cover up his fraud, laundered the proceeds of his illegal schemes and sought to purchase political protection in foreign countries to evade criminal prosecution.”

Federal prosecutors said Terraform, under Kwon, offered a unique blockchain that issued stablecoins under a distinct protocol that it falsely claimed would maintain a fixed value even when market conditions fluctuated. He told investors the company’s stablecoin, UST, could always be exchanged for $1 of its blockchain’s native LUNA token.

Kwon received investments from several firms across the globe to buy or lend Terraform’s cryptocurrencies built on the company’s blockchain. The market value of all UST and LUNA surpassed $50 billion by spring 2022.

Prosecutors said, though, that much of that growth was due to Kwon’s falsifications about Terraform’s technology, causing the two cryptocurrencies to collapse in value and losing investors $40 billion. Kwon hid the losses through a fraudulent audit.