News Desk

US and Ukrainian envoys say “productive and constructive” talks have taken place in Miami, but there still appears to be no major breakthrough in efforts to end Ukraine’s war with Russia.

Donald Trump’s special envoy, Steve Witkoff, issued a joint statement with the top Ukrainian negotiator, Rustem Umerov, after three days of meetings with European allies.

The pair said the meeting focused on aligning positions on a 20-point plan, a “multilateral security guarantee framework”, a “US Security guarantee framework for Ukraine” and an “economic & prosperity plan”.

Separate talks have been taking place in Miami between the US and the Russian envoy, Kirill Dmitriev.

“Our shared priority is to stop the killing, ensure guaranteed security, and create conditions for Ukraine’s recovery, stability, and long-term prosperity,” Witkoff and Umerov said in a statement.

The meetings are the latest step in weeks of diplomatic activity, sparked by the leaking of a 28-point US peace plan which shocked Ukraine and its European allies for appearing to favour Russia, which launched a full-scale invasion of Ukraine nearly four years ago.

Witkoff said representatives from Russia had met himself and other US officials in southern Florida, including Trump’s son-in-law Jared Kushner.

Witkoff said the meetings with Russian envoy Dmitriev were also “productive and constructive” and that “Russia remains fully committed to achieving peace in Ukraine”.

Trump has been pushing Ukraine and Russia to come to an agreement on ending the war, but so far the two countries have been unable to agree on major issues, including Moscow’s demand to keep land it has already seized.

US intelligence reports continue to warn that Russian President Vladimir Putin still wants to capture all of Ukraine and reclaim parts of Europe that belonged to the former Soviet empire, six sources familiar with US intelligence told the Reuters news agency.

This comes says after Putin told the BBC’s Steve Rosenberg that there will be no more wars after Ukraine, if Russia is treated with respect.

“There won’t be any operations if you treat us with respect, if you respect our interests just as we’ve always tried to respect yours,” he said.

Meanwhile, a Ukrainian drone attack damaged two vessels and two piers in Russia’s southern Krasnodar region, Russian officials said on Monday.

The damage led to a big fire, but Russian authorities say all crew were safely evacuated. Some reports say oil infrastructure was targeted.

Kevin Hart is almost impossible to avoid.

The stand-up comic turned actor has spent the past decade as one of Hollywood’s most bankable and visible stars, headlining megahits like the “Jumanji” films alongside a steady output of comedies and animated features, while still selling out arena tours and releasing hit Netflix comedy specials. Off-screen, his face turns up everywhere: pitching banking apps, tequila and energy drinks.

For a long time, that kind of omnipresence carried real security in Hollywood.

In the era of artificial intelligence, though, that guarantee has begun to erode. A quick Google search for “Kevin Hart AI” turns up unofficial versions of his voice, available with a few clicks.

A series on how the AI revolution is reshaping the creative foundations of Hollywood — from storytelling and performance to production, labor and power.

That helps explain why, one evening last month on the Fox lot, the head of Hart’s entertainment company, Hartbeat, was on an industry panel talking not about box office or release strategies but AI. Jeff Clanagan painted a picture of a landscape in which movie stardom is no longer protected by traditional channels, as attention splinters across platforms and audiences fragment. In that environment, AI can be both a risk and a lever.

“The most valuable resource right now is attention,” Clanagan told the audience of 150 studio executives, filmmakers, investors and technologists gathered at Hollywood X, an invitation-only event focused on responsible adoption of AI. “You’re competing for it everywhere — everybody is always on a second screen. That fragmentation is where the disruption is.”

Hollywood was built on the idea that a small number of stars could reliably command attention and turn it into leverage. As AI and algorithm-driven platforms reshape how attention is created and distributed, even the most recognizable names are newly exposed — not only to dilution but to the prospect of being replaced altogether.

Jeff Clanagan, right, president and chief distribution officer of Kevin Hart’s entertainment company, Hartbeat, speaking on a panel at last month’s Hollywood X event.

(Randall Michelson)

In parts of Asia, synthetic performers are no longer hypothetical. In Japan, the anime-style virtual pop star Hatsune Miku has sold out concerts and headlined festivals. In China, AI hosts run shopping streams on the video platform Douyin. And in the U.S., Lil Miquela, a computer-generated influencer created by the Los Angeles startup Brud, has amassed millions of followers and appeared in major fashion campaigns, including a Calvin Klein ad with Bella Hadid.

For studios, brands and producers, the appeal isn’t hard to see. A virtual performer doesn’t call in sick, miss a shoot or carry off-screen baggage. There’s no aging out of roles, no scheduling crunch. They don’t need trailers, negotiate contracts or arrive with riders, entourages and expense accounts in tow.

The old mythology was that a star might be discovered at Schwab’s lunch counter or in an audition room. Hollywood has always chased the “it factor.” What happens when the performer is, quite literally, an it?

That question came into sharp focus this fall with the appearance of Tilly Norwood, a photorealistic, AI-generated character that took the guise of a rising British actor, styled to read mid-20s and approachable — exactly the kind of star Hollywood is always looking for.

It landed in an industry already on edge. Hollywood was still reeling from strikes, layoffs and a prolonged contraction, with anxiety about AI simmering just below the surface. The response was immediate and visceral.

SAG-AFTRA warned that projects like Tilly risked relying on what the union called “stolen performances,” arguing that AI-generated actors draw on the work of real performers without consent or compensation, concerns that were central to the union’s 2023 strike. On a Variety podcast, Emily Blunt was shown an image of Tilly and paused. “No — are you serious? That’s an AI?” she said. “Good Lord, we’re screwed.”

SAG-AFTRA members march in one “Unity Picket” on strike day 111 at Walt Disney Studios in Burbank on Nov. 1, 2023.

(Myung J. Chun / Los Angeles Times)

Even some of Hollywood’s most tech-forward figures have drawn a line. On the press tour for his latest film, “Avatar: Fire and Ash,” James Cameron — the director who once warned of Skynet in “The Terminator” — called the idea of AI replacing actors “horrifying,” arguing that human performance would become increasingly “sacred.”

Yves Bergquist, an AI researcher who directs the AI in Media Project at the USC Entertainment Technology Center — a think tank supported by major studios and technology companies — expects AI to continue to encroach on territory once reserved solely for humans.

“Will we see AI movie stars?” Bergquist asks. “Probably.” But he draws a line between what the technology can generate and what audiences are willing to invest in emotionally.

“Prince writing his songs is a great story,” he says. “Pushing a button and making music is not. Very soon — it’s already starting — we’re going to have this us-versus-them mentality. These are the machines and we’re the humans. And we’re not the same.”

The actor that didn’t exist

“Are you allowed to speak to me from L.A.?” Eline van der Velden, the creator of Tilly Norwood, asks with a quick, nervous laugh on a video call from London — a nod to how radioactive the subject of synthetic performers has become.

The question isn’t entirely a joke. Three months ago, when Van der Velden presented her latest project at an industry conference in Zurich, it touched off one of Hollywood’s most heated debates yet over AI and performance, one that still hasn’t fully cooled.

Van der Velden, 39, came up as an actor before pivoting into production, eventually landing in London, where she founded Particle6, a digital production company known for short-form video work for broadcasters and major platforms. She was in Zurich to introduce its newest offshoot, Xicoia, an AI studio designed to build and manage original synthetic characters for entertainment, advertising and social media. “It’s not a talent agency — we’re making characters,” she says. “So it’s really like a Marvel universe studio in a way.”

Eline van der Velden, creator of the AI-constructed Tilly Norwood, at Web Summit 2025 in Lisbon, Portugal.

(Florencia Tan Jun/Sportsfile via Getty Images)

Tilly Norwood was meant to be the first and most visible example of that approach. Conceived as a recurring character with an unfolding story arc, Tilly was built to exist across short-form videos and scripted scenarios. As part of the Zurich presentation, Van der Velden screened a short satirical video titled “AI Commissioner,” introducing Tilly as a “100% AI-generated” actor — smiling on a red carpet and breaking down on a talk-show couch.

Other short videos featuring Tilly had already circulated online, including a montage placing her in familiar movie genres and a parody riffing on Sydney Sweeney’s controversial American Eagle jeans ad (“My genes are binary”). The “AI Commissioner” video itself had been posted on YouTube months earlier. By then, photorealistic synthetic characters were no longer novel and similar experiments were spreading online.

In Hollywood, it triggered an immediate backlash. Press accounts out of Zurich, amplified by Van der Velden’s remark that Tilly might soon be signed to an agent, collided with an industry already on edge about AI. Van der Velden was stunned at the intensity of the outcry: “Tilly was meant to be for entertainment,” she says. “It’s not to be taken too seriously. I think people have taken her way too seriously.”

Across the industry, working actors, already facing shrinking opportunities, recoiled at the idea of a fabricated performer potentially taking real jobs. Some called for a boycott of any agents who might take on Norwood. Speaking to The Times, SAG-AFTRA President Sean Astin demanded that the real-life actors used for AI modeling be compensated. “They need to know that it’s happening,” he said. “They need to give permission for it and they need to be bargained with.”

As the coverage ricocheted far beyond the trades and went global, the reaction escalated just as quickly. Asked when she knew Tilly had struck a nerve, Van der Velden answers matter-of-factly: “When I got the death threats. That’s when I was like, oh — this has taken a very different turn.”

Van der Velden understands why the idea of a synthetic performer unsettled people, especially in a business already raw from layoffs, strikes and contraction. “Tilly is showing what we can do with the tech at this moment in time, and that is frightening,” she says. But she argues that much of the backlash rests on fears that, in her view, haven’t yet materialized — at least not in the way people imagine them.

Tilly Norwood, an AI construct created by Particle6.

(Particle6)

“There’s a bad reputation around AI,” she says. “People try to swing all sorts of things at it, like, ‘Oh, it’s taking my job.’ Well, I don’t know of anyone whose acting job has actually been taken by AI. And Tilly certainly hasn’t taken anyone’s job.”

Union representatives argue that displacement is already occurring through subtler mechanisms: background roles increasingly filled by digital doubles, commercials replacing actors with synthetic performers and projects that never get greenlighted because AI offers a cheaper alternative. The impact shows up not in pink slips but in opportunities that vanish before auditions are ever held.

Even as the controversy grew, Van der Velden says she began hearing something else privately. Producers and executives reached out, curious about what Tilly could do, with several asking about placing the character in traditional film or television projects — offers she says she declined. “That’s not what Tilly was made for,” she says.

Van der Velden insists the character was never intended to replace actors, framing Tilly instead as part of a different creative lineage, closer to animation. “I was an actor myself — I absolutely love actors,” she says. “I love pointing a camera at a real actress. Please don’t stop casting actors. That’s not the aim of the game.”

With a background in musical theater and physics, Van der Velden spent her early career in Los Angeles acting, improvising at Upright Citizens Brigade and making YouTube sketches. An alter ego she created, Miss Holland — designed to make fun of rigid beauty standards — won an online comedy award and helped launch her career in the U.K., where she founded Particle6.

Tilly began as an exercise: Could Van der Velden design a virtual character who felt instantly familiar, the kind of approachable young woman audiences would naturally be drawn to? “It’s like building a Barbie doll,” she says, noting at one point she considered making Tilly half robot. “I had fun making her. It was a creative itch.”

She pushes back on the idea that synthetic characters are simply stitched together from parts of real people. “People think you take this actress’ eyes and nose and that actress’ mouth,” she says. “That’s not how it works at all.”

Over six months, a team of about 15 people at Particle6 worked on developing Tilly, generating more than 2,000 visual versions and testing nearly 200 names before selecting Tilly Norwood, one that fit what Van der Velden calls the “English rose” aesthetic they were looking for and wasn’t already taken. “It’s very human-led,” Van der Velden says, likening AI tools to a calculator for creatives. “You need taste. You need judgment. You still have to call the shots.”

Even as the technology advances, the uncanny valley remains a stubborn barrier. Van der Velden says Tilly has improved over the last six months, but only through sustained human steering. “It takes a lot of work to get it right,” she says.

That labor, she says, is what separates an emerging form of storytelling worth taking seriously from AI slop. “I’ve seen some genuinely amazing work coming out of AI filmmaking,” she says. “It’s a different art form but a real one.”

She sees Tilly less as a provocation than as a reflection. “She represents this moment of fear in our industry as a piece of art. But I would say to people: Don’t be fearful. We can’t wish AI away. It’s here. The question is, how do we use it positively?”

Her focus now is on what she calls Tilly’s “inside” — the personality, memory and backstory that give the character continuity over time. That interior life is being built with Particle6’s proprietary system, DeepFame, software designed to give the character memory and behavioral consistency from one appearance to the next.

“People ask me things like what her favorite food is,” Van der Velden says. “I’m not going to answer for Tilly. She has a voice of her own. I’d rather you ask her yourself — very soon.”

Hollywood fights back

While Van der Velden wishes the industry were less afraid of what AI might become, Alexandra Shannon is helping Hollywood arm itself for what’s already here.

As head of strategic development at Creative Artists Agency, one of the industry’s most powerful agencies, Shannon works with actors, filmmakers and estates trying to navigate what generative technology means for their work — and their identities.

The questions she hears tend to fall into two camps. “First is, how do I protect myself — my likeness, my voice, my work?” she says. “And then there’s the flip side: How do I engage with this, but do it safely?”

Those concerns led to the creation of the CAA Vault, a secure repository for approved digital scans of a client’s face and voice. Shannon describes it as a way to capture a likeness once, then allow performers to decide when and where it can be used — for example, in one shot created for one film. It doesn’t eliminate uncertainty, she says, but it gives talent something they’ve rarely had since AI companies entered the picture: control.

“There’s a legitimate way to work with them,” she adds. “Anything outside that isn’t authorized.”

Creative Artists Agency’s headquarters in Century City, where talent representatives are grappling with how to protect clients’ likenesses.

(Robert Gauthier / Los Angeles Times)

Those risks are no longer abstract. Unauthorized AI-generated images and videos resembling Scarlett Johansson have circulated online. Deepfake ads have falsely enlisted Tom Hanks to promote medical products. AI-generated images have placed Taylor Swift in fabricated scenarios she never endorsed. Once a likeness becomes live and responsive, Shannon says, control can erode quickly.

For all the panic around AI, Shannon rejects the idea that digital likeness will undercut human stars overnight. “It’s not about all of a sudden you can work with Brad Pitt and you can do it for a fraction of the cost,” Shannon says. “That is not where we see the market going.”

What CAA is intent on preserving, she says, isn’t just a face or a voice but the accumulated meaning of a career.

“For an individual artist, their body of work is built over years of creative decisions — what roles to take, what brands or companies to work with, and just as importantly, what roles not to do, what companies not to support,” she adds. “That body of work is a fundamental expression of who they are.”

Shannon doesn’t dispute that the tools are improving or that some AI-native personas will find an audience. But she believes their growth will sharpen, not weaken, what distinguishes human performance in the first place. “In a world where there’s this vast proliferation of AI-generated content, people will continue to crave live, shared, human-centered experiences,” she contends. “I think it’s only going to make those things more valuable.”

Not everyone is convinced the balance will tilt so neatly.

“The genie’s out of the bottle,” Christopher Travers says by phone from Atlanta, where he runs Travers Tech, advising companies and individual creators on generative video and digital-identity strategy. “There are now more than a million characters across all sorts of media, from VTubers to AI-generated performers.”

Travers got his start in generative AI with the backing of Mark Cuban, founding Virtual Humans in 2019, a startup focused on computer-generated performers and digital identities. These days, his journey would have been much easier. “It costs nearly nothing now,” he says. “And when cost drops, volume increases. There’s pressure on celebrities to keep up.”

Having watched countless virtual characters come and go, Travers wasn’t particularly impressed with Tilly Norwood herself. What mattered to him was the reaction.

“Tilly is maybe 1% of the story,” he says. “The other 99% is the worry and the fear. What it did was strike a chord. We all needed to have this conversation.”

What stardom looks like now

Few people have spent more time inside Hollywood’s old star-making system than mega-producer Jerry Bruckheimer, whose films like “Beverly Hills Cop,” “Top Gun” and “Pirates of the Caribbean” helped turn actors into global commodities.

Even amid the disruption reshaping Hollywood, he believes the industry still knows how to discover and elevate stars. “It’ll happen,” he told The Times earlier this year. “Timothée Chalamet is a star and Zendaya is a star. Glen Powell is becoming a star — we’re going to bring him up. Damson Idris is going to be a star. Now they have to be smart and make good choices on what they do. That’s up to them.”

Stellan Skarsgård as Luthen Rael in the series “Andor.”

(Des Willie / Lucasfilm Ltd.)

The industry may still know how to make stars, but keeping them there has become harder. Chalamet’s biggest box office successes, like “Wonka” and the “Dune” films, have arrived as part of franchises rather than as standalone vehicles. Powell’s latest film, last month’s remake of “The Running Man,” fell short of expectations.

Bruckheimer himself has been pragmatic about AI. During postproduction on his recent Brad Pitt–led Formula One drama, an AI-based voice-matching tool was briefly used to replicate Pitt’s voice when the actor was unavailable for looping, a demonstration of how AI can extend a star’s reach rather than replace them. “AI is only going to get more useful for people in our business,” he says.

If Hollywood has been having more difficulty launching fresh faces, it has become adept at keeping familiar ones on the screen. AI tools can smooth a face, rebuild a voice or extend a performance long after an actor might otherwise have aged out. Stardom no longer has to end with retirement — or even death.

Stellan Skarsgård, for one, is uneasy with the idea. In recent years, the veteran actor — a current Oscar front-runner for “Sentimental Value” — has been part of two of Hollywood’s most valuable franchises, playing Luthen Rael in the “Star Wars” series “Andor” and Baron Harkonnen in the “Dune” films, roles built to carry on through sequels and spinoffs.

Asked about the prospect of an AI version of himself playing those characters after he’s gone, the 75-year-old Skarsgård bristles. The question carries particular weight. Three years ago he suffered a stroke, an experience that forced a reckoning with his craft and sense of mortality.

“SAG has been very adamant — there was a strike about it,” Skarsgård says. “And I do hope it won’t be like that in the future, that it will be controlled and that money won’t have all the rights.” He pauses. “You should have rights as a person, to your own voice, your own personality.”

Those questions — about control, consent and what survives a person — moved from the abstract to the practical last month at Hollywood X on the Fox lot.

Onstage, Jeff Clanagan mentioned a documentary that Hartbeat, Kevin Hart’s entertainment company, is producing with the estate of comedian Bernie Mac, who died in 2008. Built around Mac’s own audiobook narration, the documentary will rely on authorized existing recordings, not newly generated performances, pairing traditional animation with AI-assisted imagery to visualize moments Mac had already described. Clanagan said the technology offered a faster, less expensive way to bring those scenes to life.

But that took some convincing. An Oscar-winning director attached to the project initially wanted to tell the story entirely through traditional animated reenactments. Clanagan said it took months of persuasion — including creating sample scenes to demonstrate the approach — before that resistance eased. “Once he saw it, he was converted, and now we’re doing a little bit of a hybrid,” he said.

That work, Clanagan added, has become part of the job, not just externally but inside Hartbeat as well. “Part of it is educating the talent community on what you can do and still be aligned,” he said, noting that much of the hesitation comes from fear stoked by headlines and unfamiliarity with the tools. “It’s about helping people understand the process. People are starting to believe.”

As the Hollywood X panel ended, attendees filed out of a theater named for Darryl F. Zanuck, one of the architects of the studio-era star system, then crossed the Fox lot toward a reception. Along the way, they passed by cavernous soundstages, some painted with towering murals: Marilyn Monroe in “The Seven Year Itch,” Julie Andrews in “The Sound of Music,” Bruce Willis in “Die Hard.” Faces from another era, still watching as the industry weighs what will endure.

Dec. 21 (UPI) — The U.S. Coast Guard is chasing down a third foreign oil tanker in the Caribbean, which refused to be boarded amid President Donald Trump‘s pressure campaign against Venezuela, reports said Sunday.

“The U.S. Coast Guard is in active pursuit of a sanctioned dark fleet vessel that is part of Venezuela’s illegal sanctions evasion,” an unnamed official told NBC News. “It is flying a false flag and under a judicial seizure order.”

The tanker Bella 1 was placed under U.S. sanctions in June 2024 under counterterrorism authorities, according to the Treasury Department, which said the vessel was part of a shipping network linked to Sa’id al-Jamal, a U.S.-designated Houthi financial facilitator.

Vessels in that network have been used to transport sanctioned oil, including Iranian crude, and the proceeds are directed to militant groups, U.S. officials have said in describing the basis for the sanctions.

Separately, U.S. officials said federal authorities obtained a seizure warrant from a magistrate judge authorizing them to take possession of the Bella 1, The New York Times reported. Officials cited Bella 1’s alleged prior involvement in the Iranian oil trade rather than any alleged links to Venezuela.

The ship was allegedly not flying a valid national flag when U.S. forces approached it, which would allow for it to be boarded at sea under international law. But the ship refused to be boarded and continued sailing, one official told The New York Times as another called it “an active pursuit.”

If seized, the Bella 1 would become the third tanker apprehended by U.S. authorities. On Saturday, the U.S. Coast Guard seized another tanker in international waters near Venezuela after Trump declared a blockade of Venezuela.

That tanker was flying a Panamanian flag and was carrying Venezuelan oil that it expected to sell in Asia, officials alleged.

Last Wednesday, a sanctioned oil tanker called The Skipper was also seized after it left a Venezuelan port. The ship was diverted to Texas and was allegedly flying the flag of Venezuela’s neighbor, Guyana, which said the ship is not among those registered there.

Death in Paradise star Don Warrington has been happily married to actress Mary Maddocks for many years with the couple sharing two children together

Death in Paradise is set to grace our television screens once more with a Christmas Special in just a few days, promising “even more heart” according to the BBC.

The beloved Death in Paradise Christmas cast makes their way back to Saint Marie for another year of holiday celebrations, though what begins as the ultimate office party quickly descends into darkness.

Broadcasting on December 28 at 8.30pm on BBC One, the BBC reveals: “The office Christmas party of a lifetime takes a dark turn when four co-workers wake up with the hangover from hell to find a stranger shot dead in the pool of their villa.

“DI Mervin Wilson and the team identify the murder weapon, but they’re left baffled after discovering that it was locked in a drawer when the shooting took place… thousands of miles away from the crime scene.”

Running for approximately 90 minutes, the festive episode promises the return of beloved characters, reports the Express.

Earlier this year, the 14th series concluded, leaving fans anxious about Don Warrington’s character Commissioner Selwyn Patterson.

After 14 years on the programme, the actor became a viewer favourite, making his departure in March all the more heartbreaking for audiences.

During the final series of Death in Paradise, Selwyn decided to leave Saint Marie following the loss of his Commissioner role, turning down the opportunity to reclaim his position when it was offered back to him.

Nevertheless, fans must wait patiently to see whether the Commissioner will make his comeback… particularly given his recent appearance in the Christmas special of Beyond Paradise. But who exactly is Don Warrington and what’s his marital status?

Don Warrington is happily married and has been for quite some time. The Death in Paradise actor is currently married to Mary Maddocks, with the couple enjoying many years of marital bliss.

Don prefers to keep his personal life private and away from the public eye, with their exact wedding date remaining a mystery, but it’s clear that his family life continues to thrive away from the limelight.

His wife Mary has herself graced several iconic productions including ITV’s Coronation Street as well as Doctor Who and Midsomer Murders.

She has also directed numerous theatrical productions ranging from musicals to dramas, and even took centre stage in the hit musical The Rocky Horror Show.

Don and Mary are parents to two children, Jacob and Archie, both carving out their own paths in the entertainment industry.

As a playwright and comedian, Archie has contributed to the creation of the 2023 thriller Gassed Up as well as the TV series Intergalactic, receiving full backing from his parents.

It was previously reported that Archie paid tribute to his parents, stating: “Both my parents are actors. My mum, Mary Maddocks, is an actress: she was in The Rocky Horror Show when it was in the West End and my dad is Don Warrington.

“The main thing I get from both of them is they understand the art of performance and the need to perform.”

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website

Death in Paradise Christmas special will air December 28 on BBC One.

Dec. 21 (UPI) — House Minority Leader Rep. Hakeem Jeffries, R-N.Y., said Sunday that he expects lawmakers to pass a bipartisan compromise on extending Affordable Care Act tax credits.

Jeffries said on ABC News’ “This Week” that lawmakers will pass a bi-partisan compromise to extend ACA tax credits extension in the House, potentially forcing Senate Republicans hand on health insurance subsidies for at least 22 million Americans who will face higher premiums in the new year.

Congress adjourned for Christmas without reaching a deal on extending on the tax credits, which Jeffries promised that House lawmakers will address in early January.

“That will put pressure on John Thune and Senate Republicans to actually do the right thing by the American people, pass a straightforward extension of the Affordable Care Act tax credits, so we can keep health care affordable for tens of millions of Americans who deserve to be able to go see a doctor when they need one,” Jeffries said.

Democrats have said if the two sides are unable to reach a deal on an extension, they will wield it against Republicans in next year’s midterm elections.

Rep. Pat Ryan, D-N.Y., has said access to affordable health care remains among the most pressing issues among voters.

“It’s just pathetic,” Ryan said. “The last time there was a major national Republican effort to repeal the ACA, we had an overwhelming wave where they got absolutely wiped out, and I think that’s likely what will happen here again.”

A handful of centrist Republicans in vulnerable congressional districts bypassed the authority of House Speaker Mike Johnson to team up with key Democrats to authorize a vote on a three-year tax credit extension when the House returns to Washington the week of Jan. 5.

Some Republican leaders have said they favor allowing Covid-era tax credits that made health care more affordable for millions of Americans to expire or be phased out over several years. Other members of the GOP, however, have said they favor extending the credits for longer.

By a vote of 51-48 Thursday, the Senate rejected a three year ACA extension with four Democrats joining the GOP to vote it down.

These are the key developments from day 1,397 of Russia’s war on Ukraine.

Here is where things stand on Monday, December 22:

Fighting

• A Russian attack on Ukraine’s Kharkiv region killed a 49-year-old man and a 42-year-old woman, according to Governor Oleh Syniehubov. The killings took place in the village of Izyum.
• Russian attacks also killed one person in Ukraine’s Donetsk region, and one person in the southeastern Zaporizhia region, local officials reported.
• Russian forces have shelled the Zaporizhia region nearly 5,000 times over the past week, wounding 60 people and damaging hundreds of buildings, according to Governor Ivan Fedorov.
• Overall, Russian forces have launched about 1,300 drones, nearly 1,200 guided aerial bombs, and nine missiles towards Ukraine over the past week, according to Ukrainian President Volodymyr Zelenskyy.
• Ukraine’s ombudsman, Dmytro Lubinets, accused Russian forces of “illegally” detaining about 50 residents of the village of Hrabovske in the Sumy region and “forcibly deporting” them to Russian territory.
• The Kyiv Independent, citing Ukrainian authorities, reported that wreckage from a Ukrainian drone attack on Russia damaged a pipeline in the Krasnodar Krai region.
• Russia’s Ministry of Defence said its forces shot down 29 Ukrainian drones in the past 24-hour period.
• The Russian Federal Security Service (FSB) claimed that Russian forces shot down 252 drones over the Russian-occupied Donbas region, using the “Donbas Dome electronic warfare system” over the past week, the TASS news agency reported.

Politics and diplomacy

• US envoys Steve Witkoff and Jared Kushner met with a Ukrainian delegation, led by senior official Rustem Umerov and European officials, as the US continued to host talks in Miami, Florida, on a prospective peace deal for Russia’s war on Ukraine for a third day on Sunday.
• Witkoff said in a post on X late on Sunday that the talks with the Ukrainians and Europeans had been “productive and constructive” and focused on a “shared strategic approach between Ukraine, the United States and Europe”.
• In a second post about two hours later, Witkoff said that the US had also had “productive and constructive meetings” with Russian envoy Kirill Dmitriev over the past two days.
• “Russia remains fully committed to achieving peace in Ukraine [and] highly values the efforts and support of the United States to resolve the Ukrainian conflict and re-establish global security,” Witkoff said.
• Earlier, Russian President Vladimir Putin’s top foreign policy aide, Yury Ushakov, said that changes made by European countries and Ukraine to the US’s proposals for an end to Russia’s war did not improve prospects for peace.
• “I am sure that the proposals that the Europeans and Ukrainians have made or are trying to make definitely do not improve the document and do not improve the possibility of achieving long-term peace,” Ushakov was quoted as saying by Russian news agencies.
• Kremlin spokesman Dmitry Peskov said the Russian president was ready to talk with his French counterpart, Emmanuel Macron, after the latter said Europe should reach out to Moscow to end the war.
• Macron’s office welcomed the Russian statement, saying: “It is welcome that the Kremlin has publicly agreed to this approach. We will decide in the coming days on the best way to proceed.”
• India’s Ministry of External Affairs said that “202 Indian nationals are believed to have been recruited into the Russian armed forces” during Russia’s war on Ukraine. It said Russian authorities had reported that 26 had been killed and seven were missing.
• Sweden’s customs service said on Sunday that Swedish authorities boarded a Russian freighter that anchored in Swedish waters on Friday after developing engine problems, to inspect the cargo. The owners of the vessel, the Adler, are on the European Union’s sanctions list, Martin Hoglund, spokesman at the customs authority, said.
• “Shortly after 0100 last night [00:00 GMT] we boarded the ship with support from the Swedish Coast Guard and the police service in order to make a customs inspection,” Hoglund said. “The inspection is still ongoing.”

HELEN Flanagan heaped praise on her mother as the row with her ex Scott Sinclair intensifies.

The Coronation Street star has been lashing out at her at the Bristol Rovers footballer after he missed their son Charlie’s nativity play to party at the Formula One in Abu Dhabi.

Helen split from her ex-fiancé in 2022 after 13 years together and they share three children Matilda, 10, Delilah, seven, and Charlie, four.

She is currently starring as The Wicked Queen in a production of Snow White in Liverpool and said her mum, Julia has practically raised her kids while she treads the boards.

Helen posted a photo of Julia to her Instagram stories cuddling up with Charlie.

“So grateful for my incredible mum who has looked after my children for really the past two months while I’ve been working,” she captioned the post.

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“The BEST grandma ever, so lucky to have you mum.”

Helen added: “All the school runs, all the activities, all the school work, all the washing. Love you.”

The star previously opened up to The Sun about the struggles of co-parenting with Scott and relying on her mum for help.

She said: “He lives like Somerset and I live in Lancashire. So we live so far away from each other, which is really difficult when you’ve got three young children.

“I hate calling it co-parenting because I don’t really feel like a co-parent to be honest with you anyway.”

The star is reliant on her mum and dad, who live 15 minutes away, to help with childcare duties, admitting she would “really struggle” without their help.

“I have my children for the rest of the time,” she said. “Which I would never want any other way. I work most days.

“Always back and forth, you know, from London, like a yo-yo as well. My mum’s incredible. She really helps me bring up my children really. I’m very lucky to have that support.”

Host nation Morocco overcome a spirited challenge by Africa Cup of Nations minnows Comoros to kick off the tournament.

Africa Cup of Nations (AFCON) hosts Morocco overcame a nervy start to beat the Comoros 2-0 in the tournament’s opening game on Sunday, after Brahim Diaz and substitute Ayoub El Kaabi scored second-half goals.

It was a far-from-convincing showing from the highly fancied Morocco, who are ⁠97 places above the small Indian Ocean island nation in the world rankings and had to toil hard for the ​points in the rain at Rabat’s Prince Moulay Abdellah Stadium.

Morocco squandered an early penalty and ‍were goalless at halftime, despite dominating possession, eventually breaking the deadlock in the 55th minute, when Noussair Mazraoui did well to keep the ball from going out of play before passing it square for Diaz to side-foot home.

El Kaabi scored a trademark bicycle kick goal ‍in the 74th ⁠minute, 10 minutes after coming on as a substitute, to ease the tension.

Morocco looked initially to be labouring under a heavy burden of expectation, and tiny Comoros comfortably held them at bay before the superior firepower of the hosts ensured victory.

The hosts could have been ahead as early as the 11th minute after a soft penalty was awarded for a challenge by Iyad Mohamed on Diaz. But Soufiane Rahimi hit the spot kick straight down the middle, striking the knee of goalkeeper Yannick Pandor and watching the ball loop away ​to safety.

But they eventually broke down the resistance, as Diaz got deserved rewards for ‌his continual probing and El Kaabi’s goal ensured a respectable scoreline.

Pandor made several other good stops to keep down the score in the closing stages as his teammates began to tire, although Comoros had a chance for an equaliser four minutes after Diaz’s goal, but Rafiki Said ‌shot straight at Morocco goalkeeper Yassine Bounou in their first chance of the match.

‘Difficult’ opening game

“The opening game is always difficult, but ‌we came good in the second half,” said Morocco coach Walid Regragui. ⁠

Morocco extended their record-breaking run of successive victories by a national team to 19. In October, they went past the previous best of 15, set by Spain from 2008-09.

There will be concern in the home camp, however, after captain Romain Saiss limped off after 18 minutes, with the centre ‌back leaving the field in tears. He spent the first half of the year sidelined by ankle surgery and only last month returned to the national side after a year’s absence.

Mali and Zambia meet on Monday in the next ‍Group A clash in Casablanca on the second day of the monthlong tournament. There are also two Group B matches as Angola meet South Africa in Marrakesh, and Mohamed Salah leads Egypt against Zimbabwe in Agadir.

Barca punish 10-man hosts Villarreal to win eighth consecutive La Liga game and move four points clear at the summit.

Barcelona wingers Raphinha and Lamine Yamal guided the Catalan giants four points clear at the top of La Liga with a 2-0 win at 10-man Villarreal.

Brazil international Raphinha won and converted an early penalty on Sunday before Villarreal’s Renato Veiga was sent off before half-time for a late lunge on teenager Yamal.

The 18-year-old slotted home Barca’s second midway through the second half, as Hansi Flick’s side restored their advantage on Real Madrid, who are second, and won an eighth consecutive league game.

Villarreal are fourth after Atletico Madrid moved ahead of them with a 3-0 win at Girona earlier on.

Flick launched into an impassioned defence of Raphinha on Saturday after he was not included in FIFA’s ‘The Best’ team of the year earlier in the week, and the winger quickly repaid his coach.

Raphinha produced an all-action display at Villarreal’s Estadio de la Ceramica, where the match was played instead of in Miami, after La Liga’s plans to take this game to the United States were scrapped in October.

Barca were poor defensively and struggled in their build-up play, but the quality of wingers Raphinha and Yamal and their goalkeeper Joan Garcia’s outstanding performance decided an entertaining encounter.

Jules Kounde blocked Villarreal striker Ayoze Perez’s shot before Raphinha drew a foul from Santi Comesana to win a penalty at the other end.

The winger dispatched it confidently and nearly added the second with a superb effort from distance, which crashed back off the bar.

Kounde deflected a cross into his own net as Villarreal fought back, but the goal was disallowed for offside in the build-up.

Barca stopper Joan Garcia saved from Tajon Buchanan after an Alejandro Balde mistake as Villarreal almost levelled.

The visitors’ job was made easier by Veiga’s needless red card for an ugly, late lunge on Yamal before the interval.

The champions got their second goal after a scramble in the box, with Frenkie de Jong teeing up Yamal to fire home after 63 minutes.

Joan Garcia made stunning saves to deny Rafa Marin and Georges Mikautadze to help Barca end 2026 with three points and a third clean sheet in their last three games across all competitions.

Kounde went off hurt before the end, potentially adding to Flick’s problems at the back following Andreas Christensen’s diagnosis with a partially torn knee ligament.

Barca finish the year in better shape than rivals Real Madrid, who beat Sevilla 2-0 on Saturday, but still have plenty of their own concerns to worry about.

Barcelona captain de Jong said his side had achieved their objective of finishing the year on top of the league and will rest before the league resumes in early January.

“Villarreal are very quick on the counter; they’ve got talented players up front. We could’ve managed to be a bit better… We have to organise ourselves a bit better,” he said.

“But I felt out there on the pitch that we were superior. Not necessarily comfortable, but I think we deserved to win.”

Villarreal captain Dani Parejo said he was pleased with how his team performed, apart from conceding the penalty.

“We had loads of really good chances; we could have been more than one goal up at halftime,” he said.

“It feels like everything is going against us at the moment; teams are scoring against us with not much, but we are pleased with the image we have shown, how we played with 10 men against a great team. We showed great attitude.”

James Ransone, a character actor who played an impulsive, drug-dealing dock worker in the iconic HBO series “The Wire” and later appeared in horror films “Sinister” and “It: Chapter Two,” died in Los Angeles on Friday. He was 46.

According to the L.A. County medical examiner’s office, Ransone died by suicide.

A native of Maryland, Ransone studied theater at the Carver Center for Arts and Technology in the Baltimore County community of Towson, before breaking into television a few years later.

Ransone appeared in several prominent horror films. He portrayed Max in “The Black Phone,” a film about a teen boy who is abducted by a serial killer. The movie was based on a short story written by Joe Hill — Stephen King’s son — and starred Ethan Hawke. Ransone reprised his role in the sequel, “Black Phone II.”

Ransone appeared in another horror film with Hawke, taking on the role of Deputy in “Sinister.” The movie centers around a writer who finds snuff films in his new house. Ransone also acted alongside Bill Hader, Jessica Chastain and Bill Skarsgård in the follow-up “It: Chapter Two,” playing Eddie Kaspbrak, one of several characters being tormented by killer clown Pennywise.

While promoting the film, he defended the horror genre against those who consider it a “throwaway” category.

“To those people I’ll say, ‘Tell that to William Friedkin or Stanley Kubrick,’” Ransone said in an interview with Anthem Magazine.

He also had roles in the shows “Generation Kill,” “Treme” and “Bosch.” His final TV appearance came in the a second-season episode of Peacock’s comedy crime show “Poker Face,” which aired in June.

But he will likely be remembered most for his turn as Ziggy Sobotka in “The Wire,” a dark and uncompromising drama — hailed as one of the best TV shows of all time — that explored various aspects of Baltimore and its institutions. Ransone appeared in all 12 episodes of the show’s second season, which focused on the decimation of the city’s docks.

He played the son of a dock union leader, whose scheming charisma got him into trouble with other low-level criminals — but also endeared him to some viewers. In one notable story arc, he bought a duck, which he paraded around with a diamond necklace; the bird later died because he fed it too much alcohol.

The critically acclaimed HBO series aired from 2002 to 2008 and starred Dominic West, Michael Kenneth Williams, John Doman, Idris Elba, Wood Harris, Lance Reddick, Wendell Pierce, Frankie Faison, Lawrence Gilliard Jr. and more.

In a statement released to the Baltimore Banner news site, “Wire” creator David Simon called Ransone’s death “grievous and awful.”

“He committed not only to the work but to the camaraderie that turns every good film production into something familial and caring,” said the statement by Simon, who also cast Ransone in “Generation Kill” and “Treme.”

In an interview on MSNBC after the release of the movie “Sinister 2,” Ransone said he was proud of the work he had done on “The Wire” but called it a “real double-edged sword” in that people would forever typecast him as Ziggy. He described himself as a horror film fan and spoke of how working with filmmakers such as Simon, Sean Baker and Spike Lee had opened his eyes to many social inequities.

It wasn’t immediately clear whether Ransone was living in L.A. at the time of his death. A man with his name is listed on the California secretary of state’s website as living in the 700 block of North Martel Avenue, in the Fairfax neighborhood.

LAPD spokesperson Officer Norma Eisenman said that around 2 p.m. Friday a police squad responded to a 911 call about an undetermined death at that location. Inside, she said, officers found a white male who appeared to have taken his own life.

Because foul play isn’t suspected, the case is being handled by the medical examiner’s office, Eisenman said, adding that she could not confirm that the man was Ransone or provide other details about the 911 call.

TMZ reported that Ransone was a married father of two, and wife Jamie McPhee posted a fundraiser for the National Alliance on Mental Illness (NAMI) in her social media profile.

In recent years, Ransone came out as a sexual abuse survivor and also spoke openly about his struggles with addiction.

In 2016, he told Interview Magazine that he had gotten sober at age 27 “after being on heroin for five years.”

“People think I got sober working on the ‘Generation Kill.’ I didn’t. I sobered up six or seven months before that,” he told the publication. “I remember going to Africa and I was going to be there for almost a year. I was number two on the call sheet and I was like, ‘I think somebody made a mistake. This is too much responsibility for me.’”

Ransone in 2021 disclosed that he had been sexually abused by a former tutor at his childhood home in Phoenix, Md. over a six-month span in 1992, according to the Baltimore Banner. He revealed the allegations on Instagram, where he shared a lengthy note that he had sent his alleged abuser, the Banner reported. A police investigation was later launched into the allegations but closed without any charges being filed.

Dec. 21 (UPI) — The Powerball jackpot has climbed to $1.6 billion after no one claimed the winning ticket following Saturday’s drawing.

There have been 45 consecutive drawings with no grand-prize winner.

The new jackpot is the fourth largest in the game’s history, and the fifth biggest among all U.S. lottery jackpots, Powerball said.

Saturday’s was the second consecutive drawing with a jackpot in excess of $1 billion that produced no winner.

The last Powerball winner claimed $1.787 billion in September. There have been 45 consecutive winnerless drawings since.

Powerball winners have the choice between taking an annual payout, or a lump-sum prize. If someone wins Monday’s drawing, they will have the option of receiving a $1.6 billion annuitized payment, or a $735.5 million one-time prize.

There was no grand prize winner Saturday, but 112 ticket holders claimed a $50,000 payout, and 22 claimed $150,000 each.

Tickets sold in California, Florida, Iowa, Massachusetts, Michigan, New Hampshire and Ohio each won $1 million.

A winner of the Double Play drawing in New Jersey claimed a $500,000 prize, Powerball said.

The odds of winning the grand prize jackpot are one in 292.2 million, according to Powerball, though they are better for smaller prizes, which can range to as low as $4. Tickets are $2 each.

Drawings are held at 10:59 p.m. EST every Monday, Wednesday and Saturday.

Tensions are growing in Bangladesh after the killing of a student leader of last year’s uprising that ousted Prime Minister Sheikh Hasina.

Elections for a new government are due in February.

So, how volatile is the political situation?

Presenter: Dareen Abughaida

Guests:

Taqbir Huda – human rights lawyer and Clarendon Scholar at Oxford University

Asif Shahan – professor of development studies at the University of Dhaka

Fahmida Khatun – executive director at the Centre for Policy Dialogue in Bangladesh

Jimmy Kimmel, the US chat show host, has recorded Channel 4’s 2025 Alternative Christmas Message, during which the 58-year-old star has lauded a “really great year”

US chat show host Jimmy Kimmel has said it has been a “great year” from “a fascism perspective” in his Christmas address.

The presenter, 58, was chosen to deliver Channel 4’s 2025 Christmas Message, an alternative to the monarch’s annual televised address on December 25. Jimmy, who was taken off air by Donald Trump earlier this year, is expected to say: “From a fascism perspective, this has been a really great year.”

The comedian was suspended indefinitely in September following comments he made on ABC’s Jimmy Kimmel Live! after the murder of right-wing activist Charlie Kirk, an ally of the US President. Staff were reportedly “shocked” when the programme was yanked off air minutes before it was due to broadcast.

But Jimmy’s fans expressed their outrage at Mr Trump’s decision, and the programmne was swiftly reinstated. Some of Hollywood’s biggest stars and political figures towards the US administration for infringing on their freedom of speech and free press.

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In the Christmas Day address, Jimmy, born in Brooklyn, New York City, will continue by reflecting on the events of the past year, sharing his own personal experiences and insights after being at the centre of one of the stories that shocked the US and its foundational democratic values.

A Channel 4 spokesperson said: “Donald Trump’s return to the White House and wide-ranging impact on the world has been the story of 2025 and it would be hard to think of a better person to address it than Jimmy Kimmel, who has found himself on the front line of America’s battle over free speech.”

The channel’s annual broadcast, which first aired in 1993, aims to bring viewers a message about that year’s events. Kimmel’s address follows on from previous messages delivered by a wide range of presenters, including comedian Chris McCausland who addressed ableism last year after becoming the first blind person to win Strictly Come Dancing.

He playfully said: “Discrimination is never a good thing. Well, I mean sometimes I suppose. Many, many years ago before I got into comedy, I applied to be a spy for MI5. I got down to the last 30 out of 3,000 applicants. The top 1 per cent of potential spies that this country had to offer before they decided no, a blind spy wasn’t what they were looking for but, you know, I think they had a point. I think sometimes discrimination can be vital for the safety of the nation, but usually, we can do better.”

Other presenters have included former president of Iran Mahmoud Ahmadinejad, actor and TV presenter Sir Stephen Fry, whistleblower Edward Snowden, former speaker of the House of Commons John Bercow, and actor Danny Dyer. The Alternative Christmas Message will air on Channel 4 at 5.45pm on Christmas Day.

Gaza’s Ministry of Health has appealed for increased drug, medical consumables and laboratory supplies, warning of severe shortages after more than two years of Israel’s genocidal war against the Palestinian people in Gaza and a crippling blockade.

The ministry said on Sunday that the shortages were making it difficult to provide diagnostic and treatment services.

Doctors in the war-ravaged Palestinian territory have long warned that they are struggling to save lives because Israel is not allowing the most essential medical supplies in. During Israel’s genocidal war, which has spanned more than two years, nearly all of Gaza’s hospitals and healthcare facilities were attacked, with at least 125 health facilities damaged, including 34 hospitals.

“The number of items completely out of stock on the essential medicines list has reached 321, representing a 52 percent shortage,” the Health Ministry said in a statement.

“The number of items completely out of stock on the medical consumables list has reached 710, representing a 71 percent shortage. The shortage rate for laboratory tests and blood bank supplies has reached 59 percent,” it added.

The most critical drug shortages are in emergency services, particularly life-saving intravenous solutions, intravenous antibiotics, and pain killers, the ministry said.

The shortage in emergency and intensive care services is potentially depriving 200,000 patients of emergency care, 100,000 patients of surgical services, and 700 patients of intensive care, it added.

The ministry cited additional shortages in kidney, oncology, open-heart surgery, and orthopedic supplies, among others.

“Given these alarming figures, and with the continued reduction by the occupation of the number of medical trucks entering Gaza to less than 30 percent of the monthly need, and with the insufficient quantity of supplies available, the Ministry of Health urgently appeals to all relevant parties to fully assume their responsibilities in implementing emergency interventions,” it said.

Despite a United States-backed ceasefire that took effect on October 10, Israel continues to violate its agreement with Hamas by failing to allow in the agreed quantities of medical aid trucks, deepening what the Gaza Health Ministry has described as a critical and ongoing health emergency.

Amid the shortages of medical supplies, 1,500 children are awaiting the opening of border crossings to travel and receive treatment outside Gaza.

Zaher Al Waheidi, the head of the Information Unit at Gaza’s Health Ministry, said on Sunday that 1,200 patients, including 155 children, have died after being unable to be evacuated from Gaza for medical treatment.

Palestinian detainees released

Meanwhile, six Palestinian detainees released from Israeli detention arrived at Al-Aqsa Martyrs Hospital in Deir el-Balah on Sunday for medical treatment, according to medical sources. A correspondent for the Anadolu news agency said the men were transferred via the International Committee of the Red Cross (ICRC).

Rights groups say Israel had detained the men without clear legal procedures. The ICRC says it has not been granted access to Palestinians held in Israeli detention since October 2023, warning that international humanitarian law requires humane treatment and family contact.

The releases are part of sporadic Israeli actions involving Gaza detainees held for months. Many former prisoners report malnutrition and injuries from abuse.

About 1,700 detainees were released in October under the ceasefire deal, but more than 10,000 Palestinians – including women and children – remain in Israeli prisons, where rights groups report widespread abuse, starvation and medical neglect.

Elsewhere in the enclave, Gaza’s Civil Defence said it rescued five people, including a child and two women, who were trapped under the collapsed roof of their house in Sheikh Radwan, northwest of Gaza City.

The roof collapse killed four people, according to Gaza’s Ministry of Interior and National Security.

At least 18 people have been killed due to the collapse of 46 buildings in Gaza since the ceasefire came into effect, according to the ministry.

More than 70,000 Palestinians, mostly women and children, have been killed, and more than 171,000 others have been wounded in attacks in Israel’s war on Gaza since October 2023.

The US Coast Guard is in “active pursuit” of another vessel in international waters near Venezuela as tensions in the region continue to escalate.

US authorities have already seized two oil tankers this month – one of them on Saturday.

Sunday’s pursuit related to a “sanctioned dark fleet vessel that is part of Venezuela’s illegal sanctions evasion”, a US official said. “It is flying a false flag and under a judicial seizure order.”

Washington has accused Venezuela of using oil money to fund drug-related crime, while Venezuela has described the tanker seizures as “theft and kidnapping”.

US President Donald Trump last week ordered a “blockade” of sanctioned oil tankers entering and leaving the country.

Venezuela – home to the world largest proven oil reserves – has accused the Trump administration of trying to steal its resources.

US authorities have not yet officially confirmed Sunday’s pursuit, and the exact location and name of the tanker involved is not yet known.

As of last week, more than 30 of the 80 ships in Venezuelan waters or approaching the country were under US sanctions, according to data compiled by TankerTrackers.com.

Saturday’s seizure saw a Panamanian-flagged tanker boarded by a specialised tactical team in international waters.

That ship is not on the US Treasury’s list of sanctioned vessels, but the US has said it was carrying “sanctioned PDVSA oil”. In the past five years the ship also sailed under the flags of Greece and Liberia, according to records seen by BBC Verify.

“These acts will not go unpunished,” the Venezuelan government said in response to Saturday’s incident. It added that it intended to file a complaint with the United Nations Security Council and “other multilateral agencies and the governments of the world”.

Venezuela is highly dependent on revenues from its oil exports to finance its government spending.

In recent weeks, the US has built up its military presence in the Caribbean Sea and has carried out deadly strikes on alleged Venezuelan drug-smuggling boats, killing around 100 people.

Sanctions also were placed on some of President Maduro’s relatives and on businesses associated with what the US calls his illegitimate regime.

Secretary of State Marco Rubio told reporters on Friday: “It is clear that the current status quo with the Venezuelan regime is intolerable for the United States.”

He added that the goal of the Trump administration is to change that dynamic.

His comments were criticised by Venezuela’s foreign minister who accused Rubio dragging the US down the path of “regime changes”.

It has provided no public evidence that these vessels were carrying drugs, and the military has come under increasing scrutiny from Congress over the strikes.

The Trump administration has accused Venezuelan President Nicolás Maduro of leading a designated-terrorist organisation called Cartel de los Soles, which he denies.

AN unreleased track by rock legends Queen that “no one has ever heard” will be played publicly for the first time today.

Guitarist Sir Brian May, 78, will broadcast Not For Sale (Polar Bear) on radio station Planet Rock.

It was originally recorded during the sessions for the band’s 1974 album, Queen II, but did not make the final cut.

This remastered version will feature in the 2026 re­release of the album.

While a “bootleg” version of the song by May’s pre-Queen band Smile may already have circulated, he says “no one” has heard this version.

It will be played during Sir Brian’s Planet Rock Christmas Special at 6pm — featuring his favourite seasonal tracks.

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He said: “It’s a song that goes back a very long way, but to my knowledge no one has ever heard this version.

“It’s a work in progress and will appear on the forthcoming rebuild of the Queen II album.

“But I’m sneaking this into my Planet Rock special because I’m fascinated to know what people think about it.”     

Formed in the 1970s, Queen was made up of guitarist Sir Brian, drummer Roger Taylor, late frontman Freddie Mercury and bassist John Deacon.

The group has since had six UK number one singles and 10 UK number one albums with some of their best known songs including Bohemian Rhapsody, Killer Queen, Crazy Little Thing Called Love, and We Are The Champions.

Dec. 21 (UPI) — Seven days after a mass shooting devastated Bondi Beach, Australians gathered on Sunday for a national day of reflection.

The commemorations come as Prime Minister Anthony Albanese faces intense public scrutiny and has ordered an urgent investigation into the nation’s intelligence and police frameworks.

The tragedy, which claimed 15 lives during a Hanukkah seaside event, is the deadliest mass shooting Australia has seen in nearly three decades.

Authorities have officially classified the massacre — which killed a 10-year-old girl, a British rabbi and a Holocaust survivor, among others — as a terrorist act aimed at the Jewish community.

As the clock struck 6:47 p.m., marking the exact moment the first shots rang out the previous Sunday, a minute of silence was observed. Mourners at Bondi Beach and across the country stood in unison to honor the fallen, according to the BBC.

The atmosphere in Sydney was one of high alert, NBC News reported, with a massive security detail involving rooftop snipers and water patrols.

The Sydney Opera House also paid tribute, illuminating its iconic sails with candle projections to mark the day of mourning.

Despite the somber occasion, Albanese met a hostile reception, NBC News reported. Sections of the crowd booed the prime minister upon his arrival, a sign of the growing friction between the government and the grieving Jewish community.

The BBC also reported that one protester shouted, “Blood on your hands,” while security personnel had to intercept an individual attempting to approach the prime minister.

In an acknowledgment of the criticism, Albanese said during the observation that he accepts his share of responsibility as the nation’s leader.

Addressing the crowd, David Ossip, president of the New South Wales Jewish Board of Deputies, delivered a eulogy.

“Like the grass here at Bondi was stained with blood, so, too, has our nation been stained,” Ossip said, per NBC News. “We have landed up in a dark place.”

Ossip also shared a message of resilience from Ahmed al-Ahmed, a Syrian-Australian shop owner who was injured while heroically disarming one of the gunmen.

From his hospital bed, al-Ahmed’s message to the mourners was, “The Lord is close to the broken-hearted. Today I stand with you, my brothers and sisters.”

Unlike Albanese, New South Wales Premier Chris Minns was met with applause, the BBC reported.

Minns offered a blunt apology for the state’s inability to prevent the shooting, stating, “The government’s highest duty is to protect its citizens. And we did not do that one week ago.”

He further warned that the tragedy exposed a “deep vein of antisemitic hate” that the country must now confront.

After the ceremony, the federal government pivoted toward legislative action.

Albanese announced a comprehensive review of federal intelligence and law enforcement to determine if current powers are sufficient for the modern security landscape. He characterized the “ISIS-inspired” attack as proof of a shifting threat environment.

Additionally, the government has committed to a massive national gun buyback initiative, the scale of which has not been seen since the 1996 Port Arthur massacre.

Fireworks lit the stage and the audience roared as pop star Nicki Minaj walked out hand-in-hand with Erika Kirk Sunday in a surprise appearance at Turning Point USA’s annual convention in Phoenix.

“I love this woman; she is an amazing woman,” said Kirk, the widow of Charlie Kirk, who headed the right-wing student organization until he was killed in September. “Words are words, but I know her heart.”

Minaj, who has surprised some fans in recent months by embracing the MAGA movement, praised President Trump and mocked California Gov. Gavin Newsom.

“I have the utmost respect and admiration for our president,” Minaj said. “I don’t know if he even knows this but he has given so many people hope that there is a chance to beat the bad guys and to win and to do it with your head held high.”

Minaj then read some of her former social media posts mocking Newsom, calling him “Newscum” and “Gavie-poo.”

“Imagine being the guy running on wanting to see trans kids, haha, not even a trans adult would run on that,” she said. “Normal adults wake up and think they want to see healthy, safe, happy kids — not Gav.”

Minaj then urged boys to “be boys.”

“There is nothing wrong with being a boy,” she said. “How about that? How powerful is that? How profound is that? Boys will be boys and there is nothing wrong with that.”

Minaj praised Turning Point USA, saying the organization is encouraging youth to connect with God.

“There has been a lack of that in our media, in our everyday conversations,” she said. “Christians have been being persecuted right here in our country in different ways.”

Minaj drew attention from the Trump administration in November, when she publicly backed the president’s assertions that Christians face persecution in Nigeria, a claim the Nigerian government has disputed.

The country has seen a wave of recent mass abductions, as it suffers from multiple interlinked security concerns.

Nigerian authorities have secured the release of 130 kidnapped schoolchildren taken by gunmen from a Catholic school in November, according to a presidential spokesman, after 100 were freed earlier this month.

“Another 130 Abducted Niger State Pupils Released, None Left In Captivity,” Sunday Dare said in a post on X on Sunday.

In late November, hundreds of students and staff were kidnapped from St Mary’s co-educational boarding school in north-central Niger State.

The attack came amid a wave of mass abductions reminiscent of the 2014 Boko Haram kidnapping of schoolgirls in the town of Chibok.

The West African country suffers from multiple interlinked security concerns, from armed groups in the northeast to armed “bandit” gangs in the northwest.

The exact number of children taken from St Mary’s has been unclear throughout the ordeal.

Initially, the Christian Association of Nigeria (CAN) said that 315 students and staff were unaccounted for after the attack in the rural hamlet of Papiri.

About 50 of them escaped immediately afterwards, and on December 7, the government secured the release of about 100 people.

That would leave about 165 thought to be still in captivity before Sunday’s announcement that 130 were rescued.

However, a UN source told the AFP news agency that all those taken appeared to have been released, as dozens thought to have been kidnapped had managed to run off during the attack and make their way home.

The accounting has been complicated because the children’s homes are scattered across swaths of rural Nigeria, sometimes requiring three or four hours of travel by motorbike to reach their remote villages, the source said.

The source told the AFP that “the remaining set of girls/secondary school students will be taken to Minna”, the capital of Niger State, on Monday.

“We’ll have to still do final verification,” Daniel Atori, a spokesman for CAN in Niger State, told the AFP.

Mass kidnappings

It has not been made public who seized the children from their boarding school, or how the government secured their release.

Kidnappings for ransom are a common way for criminals and armed groups to make quick cash in Nigeria.

But a spate of mass abductions in November put an uncomfortable spotlight on the country’s already grim security situation.

Assailants kidnapped two dozen Muslim schoolgirls, 38 church worshippers, and a bride and her bridesmaids, with farmers, women and children also taken hostage.

The kidnappings also come as Nigeria faces a diplomatic offensive from the United States, where President Donald Trump has alleged that there have been mass killings of Christians in Nigeria that amounted to a “genocide”, and he threatened military intervention.

Nigeria’s government and independent analysts reject that framing, which has long been used by the Christian right in the US and Europe.

One of the first mass kidnappings that drew international attention was in 2014, when nearly 300 girls were seized from their boarding school in the northeastern town of Chibok by the Boko Haram armed group.

A decade later, Nigeria’s kidnap-for-ransom crisis has “consolidated into a structured, profit-seeking industry” that raised some $1.66m between July 2024 and June 2025, according to a recent report by SBM Intelligence, a Lagos-based consultancy.

Royal Variety Performance viewers were left stunned to see Westlife on stage at the ITV special, claiming the Irish boyband hadn’t aged a day

Royal Variety Performance viewers were left gobsmacked to see Westlife take the stage, insisting they hadn’t aged a day.

The ITV spectacular made its return this evening, with presenter Jason Manford welcoming an array of acts including Jessie J, Paddington The Musical and Sir Stephen Fry.

During the early stages of the programme, Irish boyband Westlife delivered a medley of their biggest anthems, sending fans into raptures.

One gushed: “Westlife haven’t aged in 25 years,” whilst another declared: “The gorgeous Westlife fellas!”

A third person raved: “Westlife still the finest boy group,” while someone else exclaimed: “3 ‘Benjamin Buttons’ right there! Looking incredible boys! ! !”, reports Wales Online.

Another spectator remarked: “Well those Westlife lads are looking and sounding as good as they always did.”

Yet another agreed: “These boys from Westlife literally look the same.”

The performance saw Shane Filan, Nicky Byrne and Kian Egan take to the stage. The Irish band formed in 1998, consisting of the three bandmates as well as Mark Feehily.

Brian McFadden was also a member of the band before he left to pursue a solo career in 2004. Westlife disbanded in 2012, but later reunited in 2018.

Mark has not joined the band in recent performances, with the group launching an upcoming world tour and releasing four songs this year.

He recently shared the health setbacks he’s faced, including a pneumonia diagnosis in 2022.

In June, Mark’s absence from Westlife’s shows was announced as part of their anniversary plans. The band said in a statement: “Sadly, Mark will be unable to join the celebrations. We hope he can join us back on stage when he is ready and able. He sends his love and positivity to you all as always.

“The four of us can’t quite believe its been 25 years. We could only have dreamt of the continued love and loyalty you have consistently shown us around the world.

“We are so lucky to have all of you with us and we can’t wait to celebrate together! Happy 25th To Us All! Love, Kian, Mark, Nicky and Shane x.”

Last year, Mark had announced a temporary departure from the band, ahead of their first American tour.

He said: “Hello and much love to you all! It’s Mark here.. Most of you are aware that I have had some health challenges over the past while.

“It actually all started 3.5 years ago in August 2020 when I had surgery. Within a few days of this surgery I was in severe pain and was rushed into A&E.

“I eventually ended that awful day in ICU (Intensive Care Unit) where I was informed that due to a complication with the surgery, I had developed severe ‘Sepsis‘, a life-threatening infection that would require immediate emergency surgery to rectify the problem and basically save my life.”

He went on: “It was physically and mentally a very difficult time, not to mention traumatic having to spend so long in ICU.

“In late 2021, I became very ill in Newcastle before a concert and ended up back in A&E, this time being told I had pneumonia. I was told I had to go straight home to recover and regrettably miss the rest of the concerts that December.”

He continued by explaining other surgeries he required, saying he “tried my best to soldier on” for fans, but “the physical demands of the concerts and extensive travel were proving too much for me”.

After developing a “incisional hernia” and requiring his fourth major surgery, Mark confirmed his temporary hiatus from the band, saying: “It is with the upmost level of regret that I must now temporarily stand down from all Westlife touring until a time ote: that I have had the chance to fully recover from the turbulent journey I have been through as an individual.

“Believe me, I wish things could be different! I would like to thank you so very much for your support and understanding of me and my health over the past few years.”

The Royal Variety Performance is airing on ITV1.

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