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A SINGER once branded as the ‘new Justin Bieber’ looked unrecognisable while recreating a hit dance – 13 years on.

The now 30-year-old star, who hails from Texas, rose to fame during the 2010s.

Austin Mahone was touted as the next Justin Bieber, with both having been discovered on YouTube.

In 2013, he entered the prestigious Billboard Top 100 with his single What About Love.

And now 13 years on, Austin recreated the song’s signature dance in a new video.

The dance saw Austin show off impressive footwork, while rolling back his shoulders.

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One person commented: “This is who they tried to pit against Justin Bieber.”

Another added: “This song went triple platinum in my house.”

While a third shared: “He still has the red microphone after all these years.”

In a 2013 interview with extratv, Austin addressed being compared to Justin Bieber.

He said: “It’s very flattering, he’s, you know, very successful and I hope to be as successful as him someday.

“I’d just love people to give me a chance and see me as my own artist, as Austin. That’s all I ask.”

His early successes include singles Say Somethin’ and Say You’re Just A Friend, the latter featuring Flo Rida.

In recent years, Austin has continued to release music across different genres.

However, he has yet to reach the heights of Canadian superstar Justin, now aged 32.

He signed with Pitbull’s Mr. 305 Inc in 2015 and released single Dirty Work earlier in that year.

With the song having entered Japan‘s Billboard Top 100, his debut studio album was released exclusively in the country.

His second album, A Lone Star Story – released in 2023 – marked a foray into country music.

In Austin’s personal life, his previous romances include fellow singers Camila Cabello and Becky G.

When CBS ended “The Late Show With Stephen Colbert” earlier this year, it also shuttered the program’s robust music offerings — a major blow for artists whose television platform was already dwindling.

Performing on late-night has historically been a unique avenue for musicians hoping to access new audiences — think of a rising Chappell Roan on “The Late Show” or even The Beatles on “The Ed Sullivan Show.” But when James Corden left CBS’ “The Late Late Show” in 2023, his program — and its coveted performance space — was never revived. NBC’s “Late Night With Seth Meyers” has cut back on live music, while ABC’s “Jimmy Kimmel Live!” reduced performances to twice a week. As it stands, only NBC’s “The Tonight Show Starring Jimmy Fallon” consistently books live performances.

Emerging artists still see incredible value in these performances — and are hopeful that nascent online programming will offer a new alternative.

Breaking through on late-night

March 3, 2014, was the day that changed everything for rock band Future Islands. The synth-pop group was a stalwart of America’s underground music scene due in no small part to charismatic frontman Samuel T. Herring and his idiosyncratic voice, somewhere between Tom Waits and Rammstein’s Till Lindemann. That day, they performed on “Late Show with David Letterman,” and the host was transfixed. “I’ll take all of that you got!” Letterman cheered, and the DIY band was cast into true virality.

“At the time that we played Letterman, we were in a transitory period for the band,” said bassist William Cashion. They’d signed to the larger indie label 4AD Records, hired management and were promised a late-night TV spot but never thought it would pan out. “Our team, they told us, ‘It’ll be good for your fans and your friends and family, but it’s not really going to move the needle. These things don’t really do what they used to,’” he recalls.

But that wasn’t the case.

“All the festivals that initially turned us down all of a sudden wanted us to come play. Everything kind of shifted after that moment,” he said. “It was definitely a huge turning point and gave the band much greater exposure.”

A dearth of late-night spots particularly affects independent acts — the kind that could really benefit from the exposure, just like Future Islands. Representatives for CBS, NBC and ABC did not return The Associated Press’ requests for comment.

Chloë Walsh, co-founder of publicity firm The Oriel, points to the music bookers behind the scenes. “Of course, they have to book all the biggest things in the world, but they also have things that they want to champion,” she says. Fewer slots means developing artists are competing with big names for dwindling opportunities.

But there are other avenues to discovery.

“We’re kind of an anomaly in the way that our song and that performance took off,” says Cashion. “But we’ve seen other bands have TikTok viral hits and stuff like that.”

There are many examples of artists cracking the code online: Singer-songwriter Gigi Perez’s career was launched with the TikTok smash “Sailor Song,” as was Malcolm Todd’s with a few viral hits, landing him a major label deal with Columbia Records. Indie band Beach Bunny saw their punky-pop go viral with “Prom Queen” just ahead of the pandemic, leading to performances on Kimmel and Fallon.

Even legacy artists are experiencing second winds of music discovery: Weezer’s 2010s power-pop track “Go Away,” featuring Best Coast’s Bethany Cosentino, recently made the rounds on TikTok and became a top song for both on Spotify.

“It seems like a lot of different aspects of the album cycle have kind of been replaced with short-form content,” Beach Bunny singer Lili Trifilio explained. “And it is a bummer because late-night is a service to musicians in such a major way. You are helping people reach new fans.”

“And I think now a lot of the responsibility of advertising is falling on the artists to be their own late-night special on TikTok or whatever,” she continued. “I don’t think that these 30-second, one-minute self-made clips hold the same value.”

Internet creators reimagine traditional formats

“The media landscape is always changing. Sometimes that’s good for music and sometimes it’s bad for music,” says Walsh. “There’s a whole breed of young creators at the moment doing really interesting stuff. … Hopefully there will be more opportunities out there and we don’t have to rely on the networks.”

She points to “Track Star(asterisk),” the online music trivia series, which has begun hosting live performances, and to Julian Shapiro-Barnum of “Recess Therapy,” who has launched a late-night YouTube show, “Outside Tonight,” that features live performances.

Shapiro-Barnum says “Outside Tonight” was born out of necessity. “We know that the entertainment industry is hard to break into. And so, what’s been so cool about digital media is that it’s circumvented that,” he says.

“How can we do late night, but different?” was his approach. The show takes place outdoors, bypassing a traditional studio. The musical bookings also lean independent. Recent performers include rapper Erick the Architect, indie rock soloist Annie DiRusso and the multi-instrumentalist and experimentalist L’Rain.

“There was no version of the show that didn’t have music,” he says. “To me, it feels like a staple.”

Beach Bunny performed during the first “Outside Tonight” episode.

“It’s so cool to see people that are like movers and makers be like, ‘Hey, this is a gap I’m seeing. Late-night is being placed on the back burner. We need to revive this; I’m gonna figure it out,’” Trifilio said. “I hope that it inspires other people to step up.”

She sees it as part of a larger YouTube renaissance, shifting away from prioritizing short-form content.

“I think that people are yearning for some longer-format stuff,” she says.

The power for live performance is exposure — not sales

In traditional late-night TV spots, artists benefit from exposure — but that doesn’t necessarily mean a jump in sales. Ideally, that will also translate to these new media spaces.

“It’s a showcase for touring. And that’s really where artists make their money,” says Walsh. “People say, ‘It doesn’t really give you a bump if you’re on a late-night TV show.’ They’re looking at the sales, they’re not looking at a promoter in Minneapolis going, ‘Oh my god, I want that,’ or a radio playlist director saying, ‘Oh that was fantastic, we should add that.’”

“Every musical guest who’s come on ‘Outside Tonight,’ everyone in the crew, everyone in the audience, has not stopped listening,” says Shapiro-Barnum. “In real time, it spreads and creates all these fans. So, I have to imagine that happens online as well.”

But for many, landing a late-night TV performance is still the north star of a press run.

“For a lot of people — especially international artists that are coming to slog it out across the U.S. in some club shows they may not even be headlining — if you could get on ‘Jimmy Kimmel,’ it’s like we’ve cracked it,” says Walsh. “The whole thing was worth it. And that’s huge.”

Sherman writes for the Associated Press.

YouTubers Alex and Emma bought a six-room house with an attic in Sicily for £35,000, but they noticed an issue when they considered the cost of doing the necessary renovations

A British couple who bought a cheap Italian property noticed a major issue with the property that they hadn’t considered.

There’s been a growing trend of foreigners snapping up cheap houses in Italy, sometimes for as little as £1. The idea is that decaying and dilapidated buildings are bought, often by international buyers, to replace ageing and shrinking local populations.

The problem is that there is often a catch with the properties, and this is something that British YouTubers Alex and Emma noticed when they paid £35,000 for a six-room house in Sicily.

After buying the property two years ago, the couple, who post on their channel Travel Beans, decided to do up the building. But they have now put those plans on hold as they fear it will cost them a lot more money than they originally bargained for.

They originally intended to spend £45,000 on the renovations, but now fear the total cost of the project could exceed £100,000 (including the initial house purchase) after a word of warning from their friends Sara and Luca.

Alex joked: “The worst thing that could happen – people who know more than us peed on our dreams.”

Emma then added: “Is this becoming a money pit? Could the money be better spent elsewhere? Sara and Luca told us that it (the money they were quoted for renovations) could even double. As they have no much more experience than us it would be ridiculous not to listen to their warning.

“The question is at this point in our life where do we want the next £50,000 or £60,000 to go.”

They plan to renovate the roof terrace, which has views overlooking the Mediterranean, as well as putting in a second bathroom and doing some other odd bits and pieces.

Alex and Emma are also concerned that putting money into their Italian home could get in the way of one of their big dreams – ultimately buying a home back in the UK.

They are wondering whether their Sicily dream is competing with their desire to buy property in the UK as Emma said: “Every pound spent on the Sicily house delay our UK dream.

The digital nomads, who have two children, initially chose Sicily because it “represents freedom from the conventional way of living.

Emma said: “Sicily wasn’t a completely random purchase for us. It’s what we’ve been doing our whole adult life. Finding unconventional ways of living, prioritising freedom, and not needing a tonne of money to do it.

Alex added: “Sicily was the next logical step to have a base in Europe now that we’ve got a family. It was an affordable asset that improved our life.”

With their eldest child set to start school in just over a year, and they concede that this will be the last opportunity to travel in a straightforward way for while.

A HUGE US influencer has revealed her husband’s face “caught on fire” during a BBQ, and has left him with “second-degree burns”.

Rebecca Zamolo, 41, left her followers concerned after she shared the horror accident that left Matthew Yoakum, 46, badly injured.

The social media star shared a slew of photos which included how her husband’s face looked after it had been burned.

Posting the pics on Instagram, the mum-of-two penned: “For those who don’t know, Matt’s face caught on fire at our BBQ and it gave him ‘2nd degree superficial burns’.

“It was hours before our flight to Hawaii to celebrate his birthday so he has been healing here. (He still wanted to go).

“It was a scary incident for all of us, and a reminder how precious life is.

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“Thank you to everyone that has reached out and friends that are in the medical field and put him on a good path to heal.

“He’s extremely lucky as it could have been a lot worse, but we are taking it day by day. We love you Matt.”

Rebecca’s followers immediately rushed to share their concern, with one writing: “Omg. That is horrible. So happy he’s okay.”

While another added: “Sending love & prayers.”

A third worried fan wrote: “This is awful! Get well soon Matt!”

Rebecca is a huge influencer, with 3.3million followers on Instagram and over 30million on YouTube.

The star is known for her family orientated content, which often includes Matt and their two kids, Zadie and Xander.

STRICTLY star Saffron Barker has broken down in tears as she opened up on her sad split from her model ex for the first time.

The 26-year-old called it quits with Josh Miln last week as they unfollowed each other on Instagram.

Saffron and Josh were together for two years and lived in Dubai after she packed up her life in Brighton to be with him.

But now, the YouTuber has spoken out for the first time since the split was revealed.

Speaking in a video shared on the streaming platform, she said: “As you guys know, I came to New York. I came here nearly six weeks ago now, I came here for an acting school.

“When I first came to New York, Josh and I were still together. However, since being here, our relationship has ended.”

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She continued: “Obviously we were together for nearly two years but we also pretty much lived with each other for two years.

“And anyone that has lived with a partner will know when you live with someone it feels like you’ve been with them a lifetime.”

Saffron got teary-eyed as she confessed she was “hurting” and told fans she wouldn’t be detailing what went on between the pair.

“It’s very fresh it’s very new. I’ve cried way too much already. I really don’t want to cry again,” admitted Saffron.

“If this relationship and all my relationships have taught me anything it’s probably just that I need to really focus on self love and focus on myself and do things that are going to make me happy.”

The social media star then wiped the falling tears from her eyes as she thanked her near 2.5 million YouTube followers for their support.

She sobbed as she said she felt “really loved” amid their shock split.

Saffron ended the clip on a positive note as she plastered on a smile and admitted it was “just one of those things.”

The formerly loved-up couple featured on each other’s socials nearly everyday.

They did everything together as they embraced their new adventure over 3,000 miles away from her family and friends.

Saffron is now living the single life in New York and looks happier than ever as she picked up acting again after putting her dream on hold.

Josh has so far stayed silent amid their break up.

NBCUniversal’s Peacock is stretching its wings by joining the subscription YouTube Premium service — a significant boost for the streaming platform that has struggled to find its niche in the increasingly crowded landscape.

NBCUniversal and YouTube on Monday announced the multi-year partnership. Beginning early next year, Peacock will be available as part of YouTube Premium’s U.S. subscription bundle, which also includes ad-free videos and music.

The pact represents Peacock’s largest wholesale distribution agreement to date, one that will introduce the service into millions of new homes.

On Friday, NBCUniversal owner Comcast disclosed the service had finally reached profitability in the second quarter after billions of dollars of investment.

The important benchmark comes as Comcast prepares to spin off NBCUniversal entertainment and news media businesses into a separate company. Peacock, which launched in 2020, grew its paid subscribers by 4% to 48 million in the second quarter, compared to the first quarter.

Comcast has long tried to make Peacock an asset for its Xfinity broadband and cable TV subscribers, but recently began to expand its partnerships in recognition that consumers were getting overloaded with pricey choices.

As part of the agreement, NBCUniversal’s linear television channels will remain on the YouTube TV service.

“This partnership brings NBCUniversal’s world-class content and iconic franchises to YouTube’s unmatched scale and global platforms,” Mike Cavanagh, NBCUniversal’s chief, said in a statement. “We’re excited to deepen our relationship with YouTube through a collaboration that reflects our strategy of partnering with industry leaders to drive sustained growth for NBCUniversal.”

The deal will give YouTube, owned by Google, a bevy of sports, including NFL football, NBA basketball, soccer and Major League Baseball.

“We’re incredibly excited to expand our partnership with NBCUniversal to redefine what a modern entertainment subscription can be for consumers,” YouTube Chief Executive Neal Mohan said in the statement. “YouTube Premium brings your favorite creators, artists and cultural moments together uninterrupted, and now, we’re pairing that ultimate viewing experience with Peacock’s expansive lineup of live sports.”

Need to know

The YouTube family vlogger is the subject of shocking documentary The Devil in the Family: The Fall of Ruby Franke, which aired on BBC Two last night.

What happened to Ruby Franke? Everything you need to know

1. The Devil in the Family: The Fall of Ruby Franke aired on BBC Two last night, examining the disturbing case of the disgraced parenting influencer.
2. Franke launched her YouTube channel 8 Passengers in 2015, sharing controversial parenting advice that “began to raise eyebrows among her fans, leading to complaints and calls to police”.
3. The full extent of her abuse came to light when her malnourished 12-year-old son escaped through a window and fled to neighbours desperately seeking food and water. Police records revealed the boy had lacerations on his wrists and ankles consistent with having been bound with rope.
4. Franke had partnered with family counsellor Jodi Hildebrandt, who believed the children were “evil and possessed by demons”. Both the 12-year-old and his nine-year-old sister were held captive in Hildebrandt’s Utah home.
5. Both women were arrested in August 2023 and convicted of four counts of aggravated child abuse. They each received sentences of four to 30 years and are currently incarcerated at Utah State Correctional Facility. Franke’s initial parole hearing is scheduled for December 2026.
6. In November 2023, Franke’s husband Kevin Franke filed for divorce following over a year of separation. Following Franke’s conviction, her children were placed in protective custody, but her ex-husband has now been granted full custody and he has since remarried.

READ THE FULL STORY: Where is Ruby Franke now?

With temperatures growing ever higher as the sun continues to bake Britain, skin experts and the car industry are combining to issue important health advice for motorists

Millions of Brits are unknowingly putting themselves at risk of sunburn every time they get behind the wheel.

New research has found that 47% of motorists take no precautions against UV exposure despite an estimated 14million experiencing sunburn while travelling by car. Around one in three (31%) said they didn’t even realise it was possible to get sunburnt inside a vehicle, according to the survey by Autotrader and the British Skin Foundation.

While modern windscreens block the vast majority of UVB radiation, many side windows can still allow significant levels of UVA rays into the vehicle. Dr Zainab Laftah, consultant dermatologist and spokesperson for the British Skin Foundation, said: “A common misconception is that being inside a vehicle provides complete protection from the sun.

“In reality, both short periods of intense UV exposure and repeated exposure over time contribute to an increased risk of skin cancer. While standard car windscreens block most UVB radiation, the amount of UVA that enters a vehicle varies depending on the type, thickness and tint of the glass.

“This means a significant amount of UVA can still penetrate vehicle windows, contributing to cumulative skin damage, premature skin ageing, pigmentation changes and an increased risk of skin cancer over time.”

While UVB rays are those primarily responsible for sunburn, UVA rays can cause deep skin damage and heighten the risk of skin cancer. Dr Laftah’s warning comes as demand for open-top motoring rises with the temperature. During the May heatwave, searches for convertibles on Autotrader increased by 8 per cent week-on-week, with models including the Porsche 911, Mazda MX-5 and Mercedes-Benz SL among the most-viewed vehicles on the platform.

She said that those driving convertibles need to be even more wary – and take care they know how long they are spending in the sun. “Many drivers also underestimate how long they’re exposed during everyday journeys, particularly on longer drives or when sitting in traffic,” she said.

“For drivers of convertibles and other open-top vehicles, the risk is even greater because the face, scalp, neck, arms and hands are exposed to direct sunlight for prolonged periods.”

The stark warning follows separate British Skin Foundation research from 2025 which found that a third of Brits had already been sunburnt by early summer. The same proportion (31%) admitted they simply “couldn’t be bothered” to wear sunscreen in sunny weather.

Rory Reid, YouTube director at Autotrader, continued: “Nothing beats driving with the roof down on a sunny day, and every time the weather improves, we see demand for convertibles climb. What many people don’t realise is that spending time behind the wheel can expose them to harmful UV rays, even inside the car.

“Whether you’re driving to work, heading off on holiday or simply enjoying the sunshine, applying sunscreen should be as much a part of your journey as checking your tyre pressures, topping up your screen wash or making sure you’ve got water in the car.”

To browse the UK’s widest choice of new and used cars, including convertibles, visit here.

How to stay safe behind the wheel

• Apply a broad-spectrum sunscreen with SPF30 or higher to all exposed skin at least 15 minutes before setting off, paying particular attention to often-forgotten areas including the ears, neck, scalp, hands and forearms.
• Reapply sunscreen during longer journeys, particularly if you’re spending extended periods behind the wheel.
• Consider UV-filtering window films if you drive frequently or spend long periods in the car.
• If driving a convertible or other open-top vehicle, keep the roof up during peak UV hours (12pm–2pm) where possible, wear protective clothing and ensure all exposed skin is covered with high-factor sunscreen.
• Wear UV-protective sunglasses to protect both your eyes and the delicate skin around them.

AMERICAN streamer MrBeast has married his stunning fiancée in a week-long bash on Richard Branson’s private island retreat.

Top YouTube creator MrBeast, whose real name is Jimmy Donaldson, has tied the knot with Thea Booysen.

After dating for four years, Jimmy and Thea got said ‘I do’ on Richard Branson‘s ultra-luxury Necker Island resort.

“I found MrsBeast. And it was the best day of my life,” he announced on Instagram, alongside a sweet snap of them on their wedding day.

Fans rushed to the comments to congratulate the newlyweds, with one person writing: “All the best for your newly married life and congratulations both of you.”

Another then wrote: “Really happy for you guys, may god keep you together forever.”

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The couple’s wedding was attended by 70 loved ones, as per reports.

Their lavish wedding kicked off on July 14, with the festivities going on for a week at the stunning 74-acre private island in the Caribbean.

The couple first met when MrBeast was visiting South Africa, Thea’s home country.

Both Jimmy and Thea are gamers and content creators, though she was quite shocked by how down-to-earth he was.

Speaking to People, Thea said: “When I met him, I was quite surprised how down-to-earth he was, and also how intelligent he was.

“I thought YouTubers were just sort of a persona, but when I met him, I was quite surprised to see that he’s actually a nice guy. He wasn’t sitting there with an ego.”

MrBeast’s YouTube channel has over 500m followers, and his Instagram page is nearing 90m followers.

The 28-year-old content creator was born in Wichita, Kansas, but is now based in North Carolina.

He first joined YouTube in 2012 when he was just 13.

He began by uploading videos of video game playthroughs and net worth estimates of fellow YouTubers.

MrBeast has now scaled his massive YouTube stunts into a global, multiproduct production studio. 

Under Beast Industries, he oversees a media empire, food lines (Feastables and Lunchly), analytical tool Viewstats, and licensing deals. 

TV presenter and content creator Jordon Cox said the ‘secret’ could help holidaymakers save hundreds

Holidymakers could ‘save hundreds’ on their next hotel booking using a ‘secret’ booking trick. The advice was shared by Jordon Cox, an ITV presenter and content creator, known as the ‘Coupon King.’

Posting on YouTube and Facebook, the deals expert shared a tip for anyone making a hotel booking. He explained how people can save hundreds by taking advantage of the ‘free cancellation’ policy often found on bookings if they find the same booking at a lower price closer to the date.

While it won’t always apply, Jordon said he’s saved £400 in the past using the trick – and shared exactly when he would check back to look for offers. Jordon claimed: “Hotels don’t want you to know this hack.”

In his caption, he explained: “If you book a hotel stay which includes ‘Free Cancellation’ – you could use this as a trick to save you money. Even after you’ve booked, check back at the website you booked through to see if prices change.

“If the price drops, you can cancel your original booking, get your money back, and rebook at the cheaper price! It’s worth having a look at prices around two months, two weeks and five days before you travel (although check when your last day for free cancellation is. Most are up to about 48 hours before).

“I once got £400 off a week’s hotel stay by using this trick. So it could pay a lot to check! It won’t work every time, but set a reminder in your phone, and spend a few minutes to potentially save £100s!”

Sharing another tip in the comment section, Jordon added: “Works on Car Hire too! Always worth a look – set some reminders!” The post delighted social media users, gaining over 20k views and hundreds of likes.

Commenting under the video, a viewer said: “That’s a decent tip tbf.” A second comment claimed: “And that’s why hotels don’t offer cancellation for long.”

Someone else replied: “Recommend doing it the other way round. Make a new booking at the lower price, THEN cancel the original. Much safer in case someone else books.”

MoneySavingExpert also shares similar advice for holidaymakers. On a webpage sharing tips for cheap hotel bookings, the consumer website advises: “You can also save by cancelling if the price drops after you’ve booked. To do this, simply cancel the original booking, then rebook at the cheaper price. Often this can work with the site you booked with.

“Most booking sites and hotel websites give you a non-refundable and a free cancellation option for each room type. Non-refundable rooms tend to be cheaper, so you’ll need to weigh up if paying more for free cancellation is worth it.”

TENNESSEE Thresher has hit back at a mum-shamer who demanded she ‘take action’ after her daughter was ‘screaming’ on a flight.

The influencer, 25, shares a 16-month-old daughter with YouTube star Danny Aarons.

And after travelling abroad last week, Tenessee received a message from a fellow passenger on the same flight about her daughter’s behaviour.

The passenger wrote: “Hi, I was on your flight today in seat 20c the man in a psg top and foyer brown 6ft male. I just wanted to say ur child disturbed my sleep a lot and wanted to bring it to your attention. Hopefully the appropriate actions take place to prevent this next time.” [sic]

In another message days later, the passenger dubbed Tennessee and Aaron’s daughter “completely out of order” and said they were expecting an apology video from both the couple and their toddler.

They ended the message by telling Tennessee they would be unfollowing her on Instagram.

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Sharing the messages, which she didn’t reply to, to her Instagram Stories, Tennessee publicly hit back.

“The world is full of freaks, I wish she screamed a bit louder for you,” she wrote over the screenshot.

Tennessee is best known for being a model and influencer, boasting 1.2 million followers on Instagram.

While Danny is a YouTuber and Twitch streamer.

The couple started dating after appearing on Locked In – the YouTube version of Big Brother – in 2023.

The couple revealed their engagement in January last year, just months after announcing their pregnancy.

Social media star Danny got down on one knee in the Maldives during an incredibly romantic meal on the beach.

They have kept family life since welcoming their little girl fairly private and don’t show her face online.

Ricky Gervais today marked the 25th anniversary of the hit BBC sitcom with a countdown of his favourite 25 David Brent moments.

Ricky Gervais has crowned David Brent’s dance his favourite moment of The Office – but admitted it could have left him needing hospital treatment.

The co-creator of the show, along with Stephen Merchant, has marked the 25th anniversary of the hit BBC sitcom with a countdown of his favourite 25 David Brent moments.

In a specially curated retrospective on his YouTube channel Gervais had a training role play scene, Brent’s song Freelove Freeway and the dance by Brent as his top three.

Speaking about the crazy dance and how the scene was made, Gervais revealed: “It probably is the most famous single thing I’ve ever done, and when we had to do that, that’s three takes cut together, the first time they laughed, the second time I laughed, and then the third one we got to the end, and and then just cut it together in the edit using people looking like bewildered, but it sort of looked like one take.

“I sort of knew the type of thing I was gonna do. It’s totally improvised, obviously. I quite like the fact that it looked nearly real. Some of them looked a bit like dance moves, and I can’t believe how low I got when I did the crab, I couldn’t do that now.”

And anymore takes might have been dangerous. He added: “I remember after I filmed it, I was sat in a corner on a chair and they were fanning me.

“I was, I think I was the blobbiest I’ve ever been. I think I was like 14 stone, no muscles to speak of, just a blob, and you know, there was a small chance of heart failure.

“So, I think people were genuinely worried the way I was breathing afterwards. Tom Cruise jumps off buildings. Do I want to do a little dance? I’ll have go. It would f***ing kill me now. I’m glad I recorded it to show I did it once.”

The Gervais special is not the only celebration of the show, as the BBC also aired a programme called Remember… The Office.

On the second show Martin Freeman and Mackenzie Crook reflected on their time on the TV show. The pair spoke about how some of the scenes features small bits of improvisation which helped make them even more magical.

Freeman said: “The writing on it that they did was brilliant. But you only need to know us a little bit or know the process of it. We’re also in there, you know? It doesn’t mean it’s a co-credit. Doesn’t mean it’s improvised, but it’s nicely loose.”

Freeman, who played Tim, also said he had a good feeling about the show from the beginning.

He explained: “At the read-through, I remember thinking, ‘This script is really good, it’s brilliant’.”Despite huge success The Office was just two series long along with several Christmas specials. It inspired the award-winning US version, which ran for nine ­seasons

* The full countdown of David Brent moments is available to watch on Ricky Gervais’ YouTube channel.

Last month, veteran Hollywood producer Roy Lee got three calls in a single day from executives at three different studios. Each believed they had found the next internet-native short poised to become a Hollywood blockbuster — an online monster named Siren Head — and each was ready to make an offer and wanted Lee’s help to develop a movie.

The frenzy traces back to the enduring global box-office runs of two low-budget horror films, Curry Barker’s “Obsession” and Kane Parsons’ “Backrooms,” which have earned $403 million and $349 million, respectively. Studios have become fixated on hunting down every short film, internet meme and indie video game with the potential to “put something new and fresh on the screen,” Lee said.

“In the past, whenever we were putting together movies with the studios, they would resort to going back to safer bets with filmmakers who’ve made movies before,” Lee said, whose L.A.-based horror production company, Spooky Pictures, secured three Barker films before “Obsession” hit theaters. “But because of the [ongoing] success, bosses are going to their lower-level executives saying, ‘You better find the next person and bring them to us.’”

The race for Hollywood to capture new-age internet intellectual property, or IP, is well underway. And, in some cases, it’s happening on terms decided by the online creators themselves, according to interviews with agents and producers.

A still of leading actor Chiwetel Ejiofor in “Backrooms.”

(A24)

A new kind of scouting

Mining the internet for the next big thing isn’t a new idea. What’s changed is how major studios approach the creators behind it. In the past, studios have plucked influencers from their online niche and slotted them into whatever mainstream production needed a face. Under the precedent set by Barker and Parsons, studios are now looking to acquire a fully developed idea from creators who already have a built-in audience, agents say.

The industry has long been criticized for leaning too hard on sequels, franchises and remakes led by well-seasoned directors. But after “Obsession” and “Backrooms” were released, it became clear what kind of story could still pull audiences into a theater. Both films came from digital-native storytellers in their 20s who arrived with sizable online followings already attached. In the wake of their success, Parsons is reportedly working on a “Backrooms” sequel for A24, and Barker has another horror movie in the works for Universal Film Group.

“Hollywood is realizing that they have to take more chances,” said Jordan Lonner, Barker’s agent at United Talent Agency. “You have to take those leaps to attract a younger audience. They can feel when something is authentic and that they’re being served something by filmmakers that actually understand them, versus when they’re being served by a big corporate giant.”

Creators are calling the shots

As Hollywood looks to the internet for answers, agents and executives say creators may soon have more leverage than ever at the negotiating table. For example, creators probably will retain ownership and control of their IP, said Ty Flynn, a partner and agent at UTA’s Creators division.

“[Creators] can really have the final say in the creative oversight of their project,” Flynn said. “It’s definitely something that is unique to the space, because they’re obviously the masters of their audience. They know better than anyone else how their audience responds. It’s in the best interest of any partner to [have it] play out, versus trying to control it from the start.”

“Obsession” stars Inde Navarrette and Michael Johnston.

(Focus Features)

While creators break into the mainstream, their representatives say traditional companies are growing more comfortable betting on digital stars. UTA‘s roster includes Alix Earle, Jake Shane and Markiplier — the last of whom recently landed his own box-office breakthrough with “Iron Lung.” The YouTuber, whose real name is Mark Fischbach, self-financed the horror film for $3 million, distributed it on his own and earned roughly $50 million in 4,000 theaters worldwide.

Creative Artists Agency is also teaming up with private equity firm TPG to buy creator-led companies.

Kori Adelson, president of North Road Films — one of the financiers behind “Backrooms” — predicts this shift also will change how studios weigh “price point to risk.” If major companies are willing to diversify their budgets, she said, it could open the door for small-, mid- and big-budget projects to reach a wider range of viewers.

“There’s a direct relationship between budget and authenticity,” Adelson said. “The bigger the budget, the more protections that are in place to ensure that it makes money, because the investment is so big, so you are by definition not able to take risks. And the lower the price point is, the more freedom you have to be bold and to take big swings and to be original.”

Even before the release of “Obsession” and “Backrooms,” multiple studios competed for the theatrical rights to the popular online video game “99 Nights in the Forest,” hosted on Roblox. Disney’s 20th Century ultimately won, with the game’s developers signing on as executive producers.

“Studio people were bending over backwards to make all these promises that would never happen in the past,” Lee said.

There are limits to this model, however

Replicating this success at scale won’t be easy, said Paul Dergarabedian, head of marketplace trends for Rentrak. Because major studios operate with far bigger budgets, he said, the low-budget, indie playbook doesn’t simply transfer over.

Buzz Lightyear and Woody in Disney and Pixar’s “Toy Story 5.”

(Disney / Pixar)

“The whole point is that [‘Obsession’ and ‘Backrooms’] were made by independent filmmakers with very modest budgets,” Dergarabedian said. “It makes sense that everyone’s looking for what’s next, but it’s not an easy task. Both of those films came about very organically and authentically.”

Many studios will remain “inherently risk-averse,” said Darrell Miller, an L.A.-based entertainment lawyer — largely because of how much cash flow they need just to operate. He said, “Obsession’s” $403-million worldwide gross is a “big win” for Focus Features, the indie distributor backed by Universal, but it doesn’t compare to what a major studio needs from a tentpole release.

“Major studios have to generate over a billion to pay for the overhead, the operation and the size of their business model,” Miller said. “Blockbusters average between $200 [million] and $400 million [to make] and they’re spending another one to two times for marketing. The major studio game is much bigger.”

Every film, regardless of budget, carries a degree of unpredictability. Plenty of indie productions flop at the box office or never land distribution at all — just as plenty of big-budget releases continue to resonate with mass audiences. “Toy Story 5,” for one, has taken the 31-year-old franchise to new heights. The animated film, made with a budget between $150 million and $200 million, has earned upward of $763 million globally less than a month after its release.

Some creators are saying no

Even as studios chase internet-native IP, some of the most sought-after creators are turning them down. For Luke Pounder and Tristan Tales of L.A.-based TalesVision, traditional Hollywood isn’t the goal. The duo, known for fictional young adult content on YouTube, plans to keep leveling up their material while keeping it native to the internet.

“We never wait on a green light from anyone to tell the stories that we want to tell, and social media has already given us that opportunity,” Tales said.

The pair had been in talks with traditional studios about a few of their ideas, but timeline constraints and the potential loss of creative control steered them away. Even as creators become bigger stakeholders in these deals, for Pounder and Tales, that still isn’t enough.

Later this year, they‘ll launch their first premium series, “Lostlings,” with Lion Forge Entertainment. The eight-episode, half-hour series will premiere on their own YouTube channel.

“YouTube isn’t just like this discovery platform where you pluck the talent or the IP and then throw it into the traditional system. YouTube can be that next phase as well, where you take the talent or the IP and distribute it on there,” Pounder said. “YouTube has to catch up to its creators and their ambitions.”

Meanwhile, the competitive bidding war for the internet urban legend Siren Head closed last week, with Warner Bros. winning the theatrical rights for an undisclosed amount. The film will be directed by Brian Duffield (“No One Will Save You”) and co-written by Zach Cregger (“Weapons”). Trevor Henderson, the artist who created the monster online, will serve as an executive producer.

Lee, who will serve as a producer on the “Siren Head” movie, sees this as just the beginning.

“We’re talking about making films the traditional way using the talent that learns their craft either by doing shorts on YouTube, or doing things in a non-traditional manner.”

Netflix is going bite-sized. In a pivot toward the short-form content dominating TikTok and YouTube, the streaming giant announced it will start hosting three- to 20-minute videos from top digital publishers right on its homepage starting Aug. 3.

The streamer said U.S. customers will see “fan-favorite videos” from brands run by digital publishers, including BuzzFeed Studios, Condé Nast, Hearst Magazines, PMX (a subdivision of Penske Media), People Inc. and Tastemade. The videos will cover a variety of topics, including gardening tips, travel and celebrity profiles.

The rollout comes as Netflix competes for audience time from YouTube and social media platforms such as TikTok that have viral videos that can occupy users for hours. By bringing series such as BuzzFeed Celeb’s “30 Questions,” on which celebrities provide answers, or Vanity Fair’s “Lie Detector,” on which celebrities are hooked up to polygraph machines, Netflix users can learn more information about the people they already watch on the streamer, but in shorter videos.

“Members don’t just want to watch a show or film and move on. They want to keep exploring the stories and personalities they love long after the final credits roll,” said John Derderian, a Netflix vice president overseeing the initiative. “These partnerships help us deepen fandom and create more ways for members to carry those stories with them throughout their day.”

Netflix said it will offer licensed archival and ongoing series, including Harper’s Bazaar’s “Burning Questions,” Billboard’s “24 Hrs With” and People’s “My Life in Pictures” that provide an inside look at celebrities.

The videos from digital publishers will also be available to Netflix customers in Canada, the United Kingdom, Ireland, Australia and New Zealand on Aug. 3.

The Los Gatos, Calif., streamer over time has been expanding its library of content, adding games, live programming such as boxing matches and football games, alongside movies and TV shows.

A couple converted an £8k van during the pandemic, despite having no experience, and since then have swapped exotic trips abroad for staycations to some very unusual UK locations

A “battered” carpenter’s van that cost £8,000 changed the course of one couple’s lives after they turned it into a home on wheels.

Andy and Claire Stocks, also known as St Christopher of Atlantis to more than 45,000 followers on YouTube, have swapped foreign holidays for staycations in their van, sharing their adventures across the UK’s underrated spots with their fans.

The Barnsley couple fell into van life accidentally, taking on the task of turning a van into a motorhome after their Mercedes broke down during the pandemic and they were unable to get parts. “It started to get this intermittent fault on the dashboard and I didn’t really want to part with the car, but it got worse and worse, and it was coming up more and more,” Andy explained.

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“I was a little bit annoyed at it. So, I decided to buy a van instead. I just kind of threw the teddy out of the pram because the car that I liked, I couldn’t have.”

But that van ended up being life-changing for the couple. They swapped exotic jaunts to hotels and Airbnbs in the Far East and Central America for simpler staycations, and have now semi-retired to spend more time on the road and focus on their YouTube channel.

The couple has also turned their adventures into a book: It Started with a Van, due to be released in paperback on July 16. The story begins with them finding a van and deciding to give vanlife a go, with Andy noting he had no experience and “an unrealistic amount of confidence” when he took on the project.

Andy admitted that the start of the project had its hitches. “The first job that I had to do – there’s a bulkhead that separates the cab from the back to stop things flying into the cabin. So, I had to remove that. I thought that was going to be a really easy job. And I started taking the bolts out, and they were all good apart from one bolt, and that took me two weeks to actually get rid of. So it kind of set the tone for everything else that followed.”

While they learned some skills from YouTube and a book on conversions, the couple went into the project blind, doing jobs after work in the winter whenever they had enough light.

In addition to the initial cost of £8,000 for the van, the couple spent a “few thousand” on the renovations, although they haven’t worked out the true amount. Andy joked: “I might be in trouble with her if I did.”

Their first trip in the van was to Conwy in Wales, and it took place with the build half-done. The couple admitted it was less glamorous than many vanlife influencers would have you believe.

“I was trying to sell the lifestyle to Claire. What actually happened was we sat in a car park with a sandwich. On the bare floor,” laughed Andy.

As they worked on the van the couple had the idea to put updates on their progress on YouTube. They have since built a base of thousands of subscribers. But at first, the reception wasn’t quite what they expected.

Andy said: “When we put it out on YouTube, I think people thought it was a bit of a joke. Some of the initial comments were, ‘Oh, that was really funny. That was, you know, you made me laugh.’ And actually, that wasn’t your intention at all.

“No, I put my best foot forward thinking this would show people how to build a van, but they thought it was more of a funny sort of parody type thing really.”

However, they persevered and have now cut their work days to three a week to allow them to spend more time in the van and creating YouTube content.

In a typical day, the couple travel to a campsite and create a video tour of the facilities. “A lot of people book campsites off the back of us. We turn up, we set the pitch up, then we grab the cameras, and then we will go and tour the campsite and the surrounding area. And then when we’ve done that, we come back to the motor home and we’re working basically,” Andy said.

“The illusion is that we are out and just on campsites and enjoying ourselves., But we’re editing, we’re dealing with the social media side, the comments. And so it’s like our motor home now, it’s a bit like an office on wheels.”

Despite the success of their build, Andy conceded that if they had to do it all again, he’d “probably get somebody else to build it because I really found out what my limits were.”

After enjoying adventures that took them all the way to Italy through Switzerland, Germany, and Belgium, plus lots of staycations, the couple eventually traded in their carpenter’s van, opting to buy a motorhome instead.

As a couple on the road all the time, Andy and Claire noted that living in tight quarters can lead to annoyances. Their original van had no separate seating area, just a bed, and no built-in toilet, so they had to rely on campsite facilities and stay “mega organised” to cope.

The couple also dealt with breakdowns and an incident where they ended up trapped in a full-blown blizzard. Perhaps most memorable was when they ended up in completely the wrong place.

Andy said: “We did have an occasion where we put in the wrong location into the satnav. I went to the completely incorrect country. It said we should have been somewhere in France. We ended up in Belgium.”

Debunking a common myth, Andy and Claire say they like to support the local economies in places they visit, often highlighting local cafes, bars, and shops on their channel.

And their trip highlights? The Isle of Mull was a favourite of Claire’s as it has “the most wonderful sunset we’ve ever seen”. She recommended a campsite called Fidden Farm and said: “And the beaches truly are white beaches up there”, comparing it to the Maldives.

Andy’s favourite was a little more unusual: “This is a really random place that we would never expect it. We went to Hartlepool Marina and we saw dolphins. It was so beautiful, kind of an industrial location actually, but then you look up and you’re watching the dolphins.Goodness!

“The Northeast is a bit like that. You know, you can be on a beach and you look one way and there’s industry, but then you look the other way and you’ve got wildlife. Everywhere has got something going for it.”

So, will Andy and Claire ever hang up their motorhome keys? The couple said that they’d like to stay on the road for as long as possible. “We are quite young to be motorhomers. The demographic of our channel is a lot of people that are older than us. So, we’ve got all that to go and we’ll do it as long as we enjoy it,” Andy added.

And his advice to anyone thinking of taking on this kind of life? “Just do it now while you can. Just do whatever you want to do. Get out and do it. That’s my advice.”

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A Welsh couple decided to check in at the cheapest all-inclusive hotel they could find in Benidorm to see if they could find the reason why it’s the cheapest of them all

A Welsh couple who were travelling to Benidorm decided to stay at the cheapest all-inclusive hotel they could find in the popular tourist destination to see if it was worth the price. Benidorm is a popular holiday destination for Brits, and for good reason.

It’s located by the coast, got several amazing beaches, and is just a short flight away from the UK. But it’s also become famous from the popular TV show of the same name. But with it being so popular, the large variety of hotels you can stay at can vary massively in terms of quality and price.

So, during their holiday to Benidorm, ne Welsh couple named Ash and Kelsey, who often share their travels with their 74,000 YouTube subscribers, decided to stay in the cheapest all-inclusive hotel they could find to see if it was worth the price, or if it’s better to pick something a bit more pricey.

“We’re spending the next three nights in Benidorm’s cheapest all-inclusive hotel, the Sandos Benidorm Suites,” Ash revealed at the start of the video, explaining they were planning on testing out the various facilities, trying the food, and inspecting their room to find out if the hotel is worth the money.

The price and room reveal

Ash went on to say they’d booked their hotel stay last minute and had opted for the cheapest all-inclusive hotel they could find. But as they’d decided to go during half-term, there hadn’t been that much to pick from.

In total, they’d ended up paying £333 for three nights between the two of them for a room in the three-star hotel, which Kelsey said she still thought was a good deal, taking into consideration they were in a popular travel destination during half-term.

As they stood on the road outside of the hotel, they noticed it looked ‘a lot better than surrounding buildings’. But the question was, would it looked as nice on the inside?

“It’s very clean, very white,” Ash said as they walked into the building to the reception area. After checking in, they took the lift up to their room on the 20th floor, but predicted that they’d have to ‘wait ages’ for the lift as there was only one working.

“Wow, this is really nice! I didn’t realise we’d have a living room,” Kelsey exclaimed as they walked through the doors, with Ash saying it was better than he’d expected.

Despite being a ‘standard’ hotel room, it included a bathroom that was fully equipped with everything you might need, a desk, a sofa with a TV, and a large bed. They had also been given a free bottle of sparkling cider, waiting for them in the fridge. However, they quickly noticed that the accompanying glasses weren’t as clean as they’d want.

“I think the best part of this room has to be the balcony,” Kelsey said as she walked out to the balcony in question, which had four chairs and overlooked the city of Benidorm with the sea in the distance. Looking down, they could also see the hotel’s private pool. However, they also noticed a lot of rubbish laying in the green area next to the hotel.

All-inclusive perks

With their pink all-inclusive wristbands, they went on to get their first free drinks, with Ash explaining that most drinks were included with their all-inclusive deals. As for alcohol, the local brands were inclusive, while you’d have to pay extra for branded drinks. As for cocktails, there were 11 different drinks included in the all-inclusive package, which Ash was happy with.

“All in all, this is a pretty decent all-inclusive menu,” he said. “There’s enough options for everyone, good variety.

The all-inclusive package also includes of breakfast, lunch, and dinner in an international buffet, snacks between meals, on top of the unlimited domestic drinks that Ash and Kelsey had already explored.

For the food, the couple showed off the variety of food available at the different meals, which had everything you’d may want and more.

“No we know hotel food’s never the best food you’re gonna get, but as far as all-inclusive breakfasts go, I’d say that was pretty good,” Ash said after they’d enjoyed their first breakfast.

They also went on to see what facilities the hotel had to offer, which included entertainment areas, a large pool with sun loungers and seating areas, a play park for kids, a kids pool, as well as various bars and restaurant areas. The hotel is also located a 12 minute walk from the popular Levante beach, as determined by Kelsey and Ash, making it easy to walk to the beach if you so wish.

Was it worth it?

As they went to share their thoughts of the hotel, they noted that while their room was ‘pretty basic’, it was modern and clean, but with the large balcony being their favourite part.

“It is a three-star hotel, but it does have some pretty decent facilities,” Ash said, saying the pool and outdoor area both seemed ‘big enough’ for when it’s more crowded during peak season. He also mentioned there was entertainment shows on every night.

They were also happy with the food and drinks, especially praising the large variety of both meals and drinks.

“The only issue we’ve found with this hotel is waiting on the lift,” Ash said in the video, as there was still only one working lift that went to their floor.

But this doesn’t seem to have bothered them too much, as they both said they’d happily stay there again and were leaving the hotel happy and impressed.

A New Zealand expat and his Spanish wife, who share travel guides about Spain on YouTube, have named one city as their top destination

Perched on a narrow strip of land encircled by the Atlantic Ocean lies Cádiz, one of the oldest continuously inhabited cities in Western Europe, which one expat living in Spain is urging visitors to make time for. The capital of the Province of Cádiz, in the autonomous community of Andalusia, the city is over 3,000-years-old and dotted with remarkable ancient buildings gazing out over the breathtaking blue waters that surround it.

New Zealand expat James and his Spanish wife Yoly, who both reside in Spain, have made it their mission to help others experience Spain on a deeper level through the travel guides they share on their YouTube channel @spainrevealed. They spotlighted the magnificent city of Cádiz as their “number one place to visit” on any trip to Spain, reports the Express.

“You see this city deep in the southwest of Spain on this impossibly small spit of land is the most magical city in Spain according to me,” said James.

Indeed, the expat fell so deeply in love with the region that he has long dreamed of living there for a period. He even goes as far as suggesting it would be a “crime to visit Spain without seeing Cádiz”, a sentiment his wife Yoly wholeheartedly echoes, describing such an omission as “unforgivable”.

James places the city’s rich history at the very top of his list of favourite things about Cádiz, with traces of its remarkable past visible at virtually every corner.

“There’s almost a sense that Cádiz has so much history that it can’t keep up it can’t keep it in check and all of these historic buildings are being beaten by the weather that comes off the Atlantic so it’s a challenge to keep these buildings in a state of good repair,” he said.

“And for better or worse what that does mean is that these historic parts of Cádiz have this gritty authenticity to them.”

Centuries-old buildings and cobbled streets are dotted throughout the city’s various districts, known in Spain as barrios, including El Pópulo, La Viña, and Santa María. El Pópulo is the city’s most ancient quarter, situated at the gateway to the historical centre, nestled between the Town Hall and the Cathedral.

It is widely regarded as the true medieval heart of the city, with roots stretching back to the 13th century.

The promenade is another unmissable attraction, where visitors can stroll along and take in the city’s breathtaking scenery, including the shimmering golden dome of the cathedral.

The Cathedral itself ranks amongst the most iconic landmarks in Cádiz, blending baroque and neoclassical architectural styles. Visitors can even embark on tours to oft-overlooked sections of the cathedral, including its crypts.

Plaza de las Flores is a charming square flanked by an array of cafés serving up local delicacies such as churros and fried fish, while Mercado Central buzzes with stalls brimming with locally-sourced produce.

While the millennia-old heritage forms a significant part of the fabric of Cádiz, the city has also welcomed modernity, as evidenced by the contemporary Parador de Cádiz.

The hotel first opened its doors in 2013 and boasts a stunning outdoor swimming pool with Atlantic views as its backdrop.

Flights from London to Cádiz take around two hours and 45 minutes with the nearest airport to the city is Jerez. From there it takes 45 minutes to drive with flights starting from £67.

A travel blogger has warned holidaymakers not to put their full address on their luggage tags, as it could open them up to luggage tag scams and holiday fraud

With summer rapidly approaching, countless Brits will be getting ready to fly off on their summer getaways. However, one travel expert is cautioning people against including their full address on their luggage.

That advice might appear contradictory to many, given traditional luggage tags typically feature space for your name, phone number, address, and even email. Yet travel blogger Mark Wolters argues that displaying your address on your suitcase could expose you to a range of scams.

Mark, who posts as Wolter’s World on YouTube, cautions that unscrupulous individuals could even exploit the address to reroute your suitcase, pinching your valuable possessions. In a YouTube video, he said: “When it comes to your bag tags, don’t put your whole address on them.

“Think about it, if you’re at baggage claim and you’re a cute young man like myself, and my address and phone number are right there, and someone goes ‘I like, that guy, I’m going to follow him to his house.’ You don’t want that.”

Mark reveals he and his family simply list their name, phone number, and email address. He continued: “If I travel, how is my home address going to help? They’re not going to send it to London, they’re going to send it back to the US.”

He went on to stress that travellers should refrain from sharing “too much information”. He also urged travellers to ensure they have a privacy flap concealing their basic details.

While this may appear over-the-top to some, he insists that anyone seeking access to your information is merely a straightforward photograph away. He warns that your private information could also be exploited for identity fraud.

If your details remain visible on your luggage, Mark cautions travellers that fraudsters can manipulate the airline into rerouting their baggage elsewhere, granting them access to your belongings.

He said: “Your bag tags have that number on there, and people can file false claims saying, ‘Here’s my bag tag number, where is it? Oh it’s not there, send it to this hotel, this address’. Then you’re out of luck.”

This prompted Mark to urge holidaymakers not to reveal excessive personal information on social media. Beyond the bag tags, he warns this can include your boarding pass or even updates while you’re away.

He explains that disclosing precise trip details essentially alerts potential thieves that your property is “wide open”. On top of this, Mark cautions tourists to be vigilant for fraudulent customer service contacts.

He points out that posting about your airline on social media can attract fake accounts messaging you, claiming they can resolve your issue if you provide your banking information. He added: “Those airlines aren’t going to ask for your credit card details in your DMs, they already have that information because you bought a ticket.”

He urges travellers to ensure they are contacting verified customer service channels.

Two of the biggest box-office standouts of 2026 so far were not made by established studio directors or built on franchise IP.

“Obsession” and “Backrooms” — horror films from internet-native directors in their 20s — have outperformed far more expensive studio releases.

The breakout success of these films has ignited debate across Hollywood about what made these movies so popular, especially among Gen Z moviegoers who haven’t been flocking to cinemas in recent years. Here’s what to know:

The numbers

”Obsession” was directed by 26-year-old Curry Barker, who got his start on YouTube with sketch comedy and horror shorts. Released May 15 by Focus Features, the film was made for just $750,000 but opened to a staggering $17 million and has improved on its debut every weekend since.

“Obsession” set an all-time horror record for the biggest fourth weekend for a film at the domestic box office, raking in $25.4 million. It now ranks as the year’s fifth most popular film, nearing $200 million domestically and roughly $295 million worldwide — ahead of Pixar’s “Hoppers” ($166 million) and Paramount’s “Scream 7” ($121 million), per Box Office Mojo.

“Backrooms,” from 21-year-old Kane Parsons — known on YouTube as Kane Pixels — drew on an online fascination with liminal spaces, leading audiences through an endless run of nearly indistinguishable rooms.

Released May 29 by A24 (known for such acclaimed films as “Moonlight” and Everything Everywhere All at Once”) on a reported $10-million budget, it opened to $81 million and crossed $100 million in under a week.

Within two and a half weeks, it had outgrossed the entire theatrical runs of horror films “Five Nights at Freddy’s 2,” “Smile” and “Scream 7.” It sits as 2026’s eighth-highest-grossing film.

Who is watching?

The audiences are young. In recent weeks, nearly 90% of “Backrooms’” viewers were under 35, with more than half under 25. Over “Obsession’s” first few weekends, 75% of the audience was 17 to 34, which is significant at a time when major studios have struggled to consistently get younger viewers to trek to the multiplex.

Why it’s working

Audiences have clearly latched onto the stories, said Jason Blum of Blumhouse–Atomic Monster, who worked on both films.

“There’s been an audience kind of waiting to get back to the movie theaters, and we in Hollywood really have not landed on what would get them back,” he told The Times in an interview this week.

Blum, who upended horror genre with the “Paranormal Activity” franchise, ties the success of “Backrooms” and “Obsession” to a connection to the directors’ origins.

Because the films were made by creators who speak to younger viewers daily on YouTube, he said, that generation “feels like they’re being spoken to.”

David Gross, an analyst at FranchiseRe, framed it as a new pipeline of talent and material. Creators can build large followings very inexpensively, he said, and their stories arrive further developed — which expedites the development and discovery process. He called internet-based storytelling “another additive source for material for movies.” Blum added that the films’ success could make studios more willing to bet on undiscovered directors who “might not have been considered” before.

Rosie Ramirez, chief marketing officer at Galaxy Theatres, said a young first-wave audience tends to generate buzz. More than a month after “Obsession” was released, she said, the Nevada chain’s four California locations are only now seeing a second wave of moviegoers curious about the hype.

Notably, the rise of these two films has unfolded in the shadow of major releases like Disney’s “Star Wars: The Mandalorian and Grogu,” and Mattel’s “Masters of the Universe,” both of which returned underwhelming numbers in their respective opening weekends.

Is it a trend or an anomaly?

Whether this marks a lasting shift or a fluke is unclear. May crossed $1 billion in box office — with “Backrooms” and “Obsession” doing much of the heavy lifting. Despite the improvement, the box office has yet to full return to pre-pandemic levels, with the summer tracking roughly 3.5% behind summer 2019, said Comscore’s Paul Dergarabedian.

And Dergarabedian questioned how the industry could replicate a success that, in his words, was “authentically and organically created” rather than manufactured: “It just happened,” he said.

Ramirez argued the broader summer slate — franchise tentpoles like “Toy Story 5” alongside some original surprises — points to a healthy box office regardless, a reminder that “it doesn’t always have to be the big summer blockbuster.”

The mayor of Venice is proposing an increase to the city’s controversial tourist entry fee, which could see the charge rise to as much as €50 (around £43) in a bid to tackle overtourism.

Brits heading to a beloved European holiday hotspot could soon face a new £43 levy. Simone Venturini, the newly appointed mayor of Venice, is putting forward plans to significantly raise a contentious tourist charge for visitors entering the historic city.

In 2024, Venice made history as the first tourist destination to impose an entry fee, initially set at €5, approximately $4.30, on busy days spanning April to July. Additional days were subsequently added to the scheme, with the charge for last-minute visitors later rising to €10, roughly £8.60.

Politicians maintain that the levy would help alleviate overcrowding in the ancient city and would deter people from visiting during peak periods. This comes as approximately 30 million people annually are believed to flock to Venice.

Mr Venturini is now pushing to raise the entry fee to as much as €50. This, he argues, will “discourage people further from coming to Venice at certain times of the year”.

Speaking to Corriere della Sera, he said: “If today it ranges from €5 to €10, my proposal is to increase it to €30 to €50.”

Critics of the initiative however claim it has made minimal impact on tourist numbers. Most visitors reportedly view it as “relatively insignificant” when weighed against the cost of a single glass of wine or a pint, reports The Telegraph.

Venice has continuously grappled with the challenge of overtourism. This comes as the city’s population has plummeted from approximately 170,000 in 1950 to roughly 48,000 today.

Visitors to Venice consistently exceed the number of locals. However, there were concerns that a hefty entrance charge might put off tourists who were deemed less affluent.

Former city mayor Massimo Cacciari went so far as to describe the fee as “barbarous”. He said: “There is no other city in Italy or Europe where you have to enter with a ticket, as though it was a museum.

“It is barbarous, uncivilised and, in my opinion, against the constitution. It is simply obscene. I thought that Venturini would be more intelligent than his predecessor and would scrap the fee.”

One business owner, however, has urged for the charge to be increased even more substantially. Jewellery shop proprietor Setrak Tokatzian suggests the city ought to be introducing a €100 levy on visitors.

Tourism expert Doug Lansky, recognised as ReThinkingTourism online, reckons the €5 charge would be unlikely to put anyone off. In a YouTube video he said: “I predicted that €5 wouldn’t have any effect.

“I mean, €5 isn’t enough to get me to choose one dinner entre over another at a restaurant, I’ve paid that much for a cappucino or a bottle of water at a concert.”

One of the most devastating moments in world history will be brought to life on Disney+ by a beloved star of The Night Manager and Marvel blockbusters

It’s shaping up to be one of the year’s most gripping docudramas.

BBC The Night Manager star Tom Hiddleston will be playing time detective in an immersive new historical series coming to National Geographic and Disney+ later this year.

Pompeii: Out of Time will reunite the iconic Marvel star with Loki executive producer Kevin R Wright for the three-part series that promises to lift the lid on the explosive historical moment.

The first-look trailer has given fans a glimpse of Hiddleston stepping into his new role as he makes the case that the eruption of Vesuvius wasn’t just a catastrophic day of death and destruction.

His latest series will feature an eye-opening investigation into those who may have survived the blast, brought to life with immersive and thrilling dramatisations.

Along for the journey is a team of ancient Rome experts, from archaeologists and historians to geologists and disaster experts, who will uncover remarkable real-life stories that challenge assumptions people have about the fateful day in 79 AD.

A teenage apprentice, a powerful businesswoman and a mysterious Praetorian Guard are all vital pieces of the puzzle as Hiddleston steps back in time to explore the hours before and during Vesuvius’ eruption in what is shaping up to be an essential watch for any history buff. A synopsis from Disney+ teases: “As the volcano awakens and the countdown to catastrophe begins, the evidence converges in a gripping race against time to uncover who survived, who perished, and what determined their fate.”

Hiddleston says in a statement: “The ancient world has compelled my imagination and curiosity for as long as I can remember: I’ve been fascinated by it all my life.

“Classical Antiquity is the foundation and cornerstone of Western and European culture. To visit Pompeii is to feel the distance of the 2,000 years between now and then compress. The past becomes the present; the past feels so close. Tangible, honest and real.

“Our relationship with the past is alive — studying who we were in order to understand who we are. Pompeii is a gateway for that conversation. It’s a privilege to host this visually immersive and dynamic series.”

He added: “Pompeii is often remembered for how its story ended. But by looking closer, we can uncover the details of people’s lives, the choices they made, and the moments that came before the city was buried.

“To revisit the final hours of those ordinary people, caught in an extraordinary moment, and to help bring these remarkable human stories back into the light, is a genuine honour.”

The upcoming series is already generating excitement amongst fans, with one user commenting below the trailer on YouTube: “Omg this seems so interesting.”

“This is absolutely fascinating — Pompeii is an incredible place, and this approach brings its story to life in a very powerful way,” someone else replied, adding they’re “really looking forward” to tuning in.

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“I want to see it NOW!” another fan exclaimed, and a final fan wrote: “For someone who’s survived Ragnarok, Tom Hiddleston couldn’t be better suited for this doc. Looking forward – or back – to it.”

Mark your calendars, as all three episodes will be available to stream in just over a month’s time.

Pompeii: Out of Time with Tom Hiddleston premieres Thursday, 23rd July on National Geographic and Disney+.

THE Sidemen appeared to take a sideswipe at KSI after he announced he was splitting from the YouTubers earlier this week.

In bombshell news the Britain’s Got Talent judge revealed he had recorded his last video with his mates and was flying solo.

Today The Sidemen put up a long post on their social media which seemed to criticise the way in which KSI did it.

They wrote: “Ideally, we would have loved the opportunity to give JJ the send off he deserved, a proper farewell video, time for everyone to process it, and a chance to celebrate everything we’ve built together.

“Unfortunately JJ released the news before we had agreed on a mutual way of letting our audience know.”

KSI posted a long video on Sunday afternoon which not only caught fans unaware but seemed to do the same for The Sidemen too.

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They said: “His exit did not happen in the way any of us wanted it to. That has understandably left lots of you confused and we feel like we owe you some clarity.

“It’s difficult for us to address the situation and has taken some time, because we’re a group and not an individual.

“We don’t have a spokesperson as such and each of our opinions and feelings differ, which is why we’re using this shared statement.”

Though they did sound a note of positivity, starting off the statement by saying: “We as the Sidemen wish JJ the best and respect his decision to leave.

“We will be forever grateful for the amazing moments and memories we’ve shared together.”

They also signed off reassuring their fans: “This is the end of an era, but not the end of the Sidemen. The rest of us will continue to bring you Sidemen content with the same commitment and optimism we’ve always had.

“We look forward to continuing the journey with you all, and thank you for always supporting us through everything. Ethan – Harry – Josh – Simon – Tobi – Vik.”

In the video KSI posted he said: “This is honestly the hardest video I’ve ever had to make in my life.

“I’ve gone back and forth on this decision for a very long time. I’ve spent months trying to figure out what the right thing to do is.

“But after a lot of thought, I’ve decided that I’m no longer be doing sidemen videos. Today, 31st of May, will be my final Sidemen video.

“Even saying those words out loud doesn’t feel real.”

KSI went on to say: “The Sidemen have been such a huge part of my life for over 12-13 years.

“For almost half my life, this Sidemen has been my second family. We’ve grown up together. We’ve travelled the world together.”

He later added: “The truth is, nothing bad has happened. This decision is completely my own.

“Over the last few years, I’ve felt myself being pulled in a lot of directions than ever before.

“Between everything else in my life, I feel like I’ve been running at full speed at 100mph.

“I’ve spent so long trying to be everything for everyone. Trying to be everywhere. Trying to do it all. Trying not to let anyone down. But somewhere along the way, I started losing the balance in my own life.”

KSI went on: “I’ve found it hard to make enough time for myself. I’ve definitely found it hard to find time for my family. I’ve found it hard to make time for the people I love. And I’ve realised that something has to change.

“The Sidemen deserve somebody who can give 100%. And right now, I know I can’t do that. It just wouldn’t be fair to the boys.

“It wouldn’t be fair to you. And it wouldn’t be fair to myself. Walking away from something you love is painful. Trust me, it’s not been easy. But deep down, I know it’s the right thing to do.

“Those boys helped shape who I am today. And I hope in some small way I helped shape who they became too.”

KSI then went on to thank each of the men behind the successful YouTube channel, before thanking the crew and the fans who supported them on their journey.

Concluding his statement, KSI signed off by saying: “But for now, I need to focus on myself, and I need to focus on fixing my work life balance, just so I can finally focus on my health, and finally make time to see my family and make time to see my partner.”