YouTube

‘Aprende Peque,’ ‘Spanish with Liz’ teach kids Spanish on YouTube

Before the onset of YouTube, U.S. parents had very limited options when it came to video programs that helped teach their children Spanish.

There was, of course, the ever-popular Nickelodeon show “Dora the Explorer” and before that, the PBS show “Amigos,” that looked to instill the basics of Spanish into kids across America.

These programs — while useful, innovative and entertaining — never allowed for full-on Spanish-language immersion for viewers, relying heavily on English as their primary tongue.

Now, kid-friendly videos for language acquisition can be found on all corners of the internet with YouTube playing host to the lion’s share of the market, ranging from partially in Spanish to only in Spanish.

The Times spoke to three of the most viewed Spanish-language educators for children on YouTube to see what goes behind creating highly engaging children’s content.

Isa Muñoz — “Aprende Peque”

Isa Muñoz, 33, had known from a young age that she wanted to become a teacher.

Growing up in the Baja California city of Mexicali, Muñoz’s parents worked as teachers, as did many of her aunts and uncles. Seeing how fulfilling her family members’ careers were, she dedicated her life to educating young children.

After graduating with a bachelor’s degree and master’s in special education, she worked as a preschool teacher and a private tutor before one day receiving a call from veteran program producers Alexandra Cohen and Karen Garzon.

Born and raised in Venezuela, but now raising children in Miami, Cohen and Garzon were disappointed after scouring the internet for video tools to help them make learning Spanish fun and effective for their respective children and finding few helpful resources.

To fill this gap in the market, the duo teamed up with their lifelong friend Jessica Rutenberg to create the Spanish-only educational YouTube channel “Aprende Peque.”

As the idea came into fruition, the team searched for the perfect person to be the face of their channel — specifically someone who had experience working with kids and understood how to efficiently communicate with them.

Isa Muñoz from Aprende Pequesits in a black bean bag chair. She wears an orange sweater and blue jeans.

That’s where Muñoz came in.

As part of the auditioning process, she flew out to Miami from Mexicali to try out for the role. The trip resulted in two days of filming which produced three full episodes of the program that included 21 featured songs.

In the almost three years since “Aprende Peque” launched, the channel has gained 1.05 million subscribers on YouTube and posted more than 500 videos, which have amassed more than 500 million views.

The thumbnail of each video features Muñoz’s ever-emotive face, as well as her signature orange-and-white outfit and large orange head bow. More than just adding an energetic face to the videos, she also integrates elements from the latest studies on child education into each episode.

Interwoven between Muñoz’s warm, patient and interactive lessons are musical numbers that range from nursery range to rock to folksy with visuals that fluctuate between grounded and fantastical.

While Muñoz had always envisioned herself as an educator, she wasn’t as ready to be known for singing.

Muñoz works closely with the program’s musical director, Pablo Estacio, to craft the songs featured in each video. The Venezuelan native has served as the bassist and songwriter for the band Bacalao Men for over 27 years and earned a bachelor’s degree in music production and engineering from the lauded Berklee College of Music.

“Pablo has helped me tune, refine and shape my voice to the point that it’s at right now,” she said.

Those musical detours are crucial to breaking up the episodes into distinct sections and provide renewed points of interaction in videos that often last between 40 minutes and an hour.

The process of crafting such long and engaging videos often takes between three and five weeks, Muñoz noted.

“It takes about a week to write one script,” she said. “After that, we film the episode, which takes about 12 hours. Then comes the part that requires the most amount of time, which is editing and integrating any necessary animations.”

The team aims to complete two to three episodes monthly in order to have a constant stream of content year-round.

While making “Aprende Peque” episodes is creatively exhilarating, Muñoz said it’s the fan reaction and interaction that mean the most to her.

“We’re so lucky that our audience has so much love to give and that they send that love through their messages,” she said. “I personally get motivated by knowing that this whole project is actually helping children.

“For a person to reach a point where they believe that the program has worked so well that they feel compelled to write in to thank us is so wonderful,” she said. “That’s something that we’re so thankful for and something that inspires us.

On a personal level, Muñoz has also experienced moments of deep connection with her family thanks to “Aprende Peque.”

“My mom has joined me on several occasions at meet and greets and I’ve seen her shed tears of joy when she sees the impact that the program has had on kids,” she said.

Liz De León — “Spanish with Liz”

In contrast to Muñoz, Liz De León, 39, never really thought of entering the education space before kick-starting her YouTube channel “Spanish with Liz.”

The native Texan was born in El Paso, but spent the first few years of her life just across the Mexican border in Ciudad Juárez. She moved back to Texas for middle and high school before ultimately settling in California for work.

De León was inspired to start her YouTube channel after having kids of her own.

“Once my kids were born, I wanted them to grow up with my culture and my language and the roots that I value so much,” she said.

At first, De León thought she would be able to find plenty of helpful of educational videos online. But much like Cohen and Garzon, she soon found that many of the visual resources out there came up short when it came to teaching fundamental elements of Spanish.

“A lot of it was catered toward only grabbing the attention of the child with a lot of ice cream and candy and sweets and high energy,” she said. “It didn’t teach the true fundamentals of things moms worry about.”

De León’s husband was the one who first suggested that she record herself singing songs that she created to teach her kids. She began to consider it more seriously after a relative told her that her teaching style was similar to the uber-popular kids’ YouTuber Ms. Rachel.

“That’s when I was first introduced to an educator on-screen that I felt aligned with when it came to teaching — with clear pronunciation, a storyline, making sure everything that was spoken was foundational and root words,” she said. “I really liked her format and thought, ‘She’s just a regular person like me and she did it.’ So I just did it.”

Filmed in front of a green screen in one of the rooms of her San Diego home, De León’s videos aim at helping young children learn vocabulary for specific real-life situations.

Donning her signature pink T-shirt and rocking a slicked-back ponytail, she attempts to minimize the stress of things like going to the airport or a dentist visit by introducing kids to the many elements that factor into those experiences. She creates levity in the videos by having colorful animated backgrounds, through the use of puppets and by singing songs throughout.

Raised in a household that put a premium on education, De León had looked at life through the eyes of a student — which proved particularly helpful as a registered nurse specializing in anesthesia.

“If you ask any medical person, they are teachers. Half of your job is education and teaching people how to stay healthy and to take care of themselves,” De León said. “You have to learn to cater to what’s developmentally appropriate to each person. You learn about child behavior, child psychology and the formation of the brain and how they learn.”

Each episode is crafted with two very important subjects in mind for De León: her two kids, who are 4 and 5. As the kids develop, so does the show.

“They are now understanding the episodes at a deeper level,” she said. “For example, we just watched the Halloween episode a couple of months ago and they now understood that October is a month within the year.”

Her children are also her first round of critics and help her understand what works and what doesn’t. Perhaps most importantly, they are De León’s gauge for how engaging her songs are.

Liz from Spanish with Liz.

“They help me with the music, actually,” she said. “If they don’t learn it and it doesn’t stick with them I know it’s not good enough. Then I redo it. They’re very much my little co-creators.”

One of the reasons “Spanish with Liz” has reached more than 18 million views on YouTube is the obvious care and research that goes into every video. Being a nurse and having a physician husband, De León has extensive access to medical professionals that let her borrow tools and inform her on what they’ve seen be effective methods for working with children.

“Something unique about our channel, is that we’ve thought about the storyline, how we’re gonna say things, the phrases, what works, what doesn’t work, what kids are afraid of and how we’re gonna tackle all that,” she said. “ So much purpose goes into each episode and then we try to borrow the equipment that’s actually going to be used so they can see it.”

And when she doesn’t have an expert on a topic immediately at her disposal, De León seeks out professionals who can thoroughly inform her. For example, when working on an episode about potty training, she took a class from two potty training experts.

Being that making videos is her third job behind being a nurse and a mom, time is a fleeting asset for the YouTuber. Because of that, each video takes about two months to create from start to finish with De León serving as the writer, director, songwriter and preliminary editor. She is aided by her husband who helps record and occasionally functions as a puppeteer, an additional editor, a composer, a designer and a babysitter, whose help allows her the time to record.

But having a team like that doesn’t pay for itself and that’s where De León’s more than 78,000 YouTube subscribers come into play.

According to the content creator, all the money made from the channel goes into paying for the fees associated with production and the rest goes to donating to three different charities — one that helps immigrant families in the U.S.; another is an orphanage in Mexico; and the final one is World Central Kitchen, which provides food relief in response to humanitarian, climate and community crises.

De León still often finds herself shocked that she’s able to have a platform that helps empower people to achieve new goals and that she’s touched so many lives through her videos.

“Isn’t it crazy that YouTube can change someone’s life?” she asked. “I think of all the artists that came up from putting their music out there on YouTube. I feel like it’s a place the whole world can tap into, mostly for good.”

Miss Nenna — “Spanish for Minis”

From her early days of growing up in the L.A. area, Miss Nenna, 32, felt a deep connection to the universal language of math. So profound was her interest that she obtained a bachelor’s degree in civil engineering and now works at a utility firm in the San Diego area.

As an eighth grader, when she served as a math tutor, Miss Nenna thought about what went into becoming an effective teacher.

“I thought about how I could help someone learn to understand it and make it fun,” she said. “So it was always really fun trying to figure out what worked for some students and what what didn’t work for others.”

She has since taken that ethos and turned it into the YouTube channel “Spanish for Minis,” which has 289,000 subscribers and has amassed over 31 million views. As is popular in the genre, her videos are broken into segments that involve a mix of direct instruction, interactive conversation and exceedingly catchy sing-alongs.

Just like with De León, Miss Nenna first got into the video-making game based on a suggestion from her husband made back in 2022.

“He saw a lot of potential in me because I have a bubbly personality around kids,” she said. “He mentioned I should try teaching Spanish and science to kids and added that it would benefit our child.”

It wasn’t until the couple’s 16-month-old son was diagnosed with speech delay that she really got serious about making videos so that her son could interact with her when she was away.

When the project first began, Miss Nenna had no experience with shooting and editing videos.

“I just sat with my husband and we’d watch videos on how to edit, how to use different graphics, how to make sure it’s OK for us to use certain songs,” she said. “So a lot of trial and error and a lot of research, since it’s just the two of us.”

“Spanish for Minis” videos are filmed at the couple’s residence in front of a green screen and each episode takes about 40 hours to complete.

“None of it is ever scripted. I kind of just set the camera myself and all the lighting,” she said. “I get a basket and I put a bunch of toys in it from my kids’ playroom, then I walk into a room and I record myself.”

While filming, Miss Nenna imagines that she is speaking directly to her almost-4-year-old son or 1-year-old daughter in order to make sure she’s in the right headspace.

The topics of the videos aim to evolve with the ever-changing needs of her son. Most of the earlier “Spanish for Minis” videos were focused on babies and now they have transitioned into content for toddlers.

Production on Miss Nenna’s videos has slowed down in recent months as she has focused her time on raising her children, but she has goals to put out two videos each month in 2026.

One of the more rewarding aspects of “Spanish for Minis” is the interactions that Miss Nenna has with parents and children who watch the program.

“I get messages every day, and I try my best to respond to as many as I can because I love connecting with the parents online,” she said. “I also have Cameo where I make personalized videos. Those are a lot of fun because I always message the parents and it’s like, ‘Hey, give me every single detail about what your kid loves. I want to make sure this is a really personalized video and that they enjoy it.’”

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‘I went on easyJet’s cheapest five-star holiday – tourists should be aware of one thing’

Six holidaymakers paid just £450 each for a week at a five-star all-inclusive hotel in Tunisia through easyJet, including flights and transfers – but there’s one thing to watch out for

A week-long stay at a five-star, all-inclusive hotel for under £65 per night — with flights and transfers included — might sound like fantasy. But that’s exactly what one group of six holidaymakers claim they paid for a winter getaway to Tunisia through easyJet, albeit with one important caveat for travellers to bear in mind.

Terry Langley documented the trip on his YouTube channel, Travelly Man, after arriving at the Iberostar Selection Kuriat Palace in Monastir, where the group stayed for seven nights.

The seafront resort served as their base throughout the holiday.

“We have just arrived here at the Iberostar Selection Kuriat Palace in Monastir, Tunisia, which is going to be our base for this easyJet all-inclusive holiday,” he said at the start of the trip.

The hotel, which opened in 2019, appeared modern and well maintained.

“Now this hotel itself is actually really quite modern. It was only built in 2019 and I think we got this for an absolutely incredible price,” he added.

While generally impressed, Langley noted some minor cosmetic wear in places and a small maintenance issue in one of the rooms.

“The hotel, the Kuriat Palace, I think this is fantastic despite the fact there are a few knocks here and there to the rooms and the fact we did have a small maintenance issue, which was sorted straight away,” he said, reports the Express.

He mentioned that some external areas could benefit from a fresh coat of paint, though staff appeared to be preparing for the upcoming peak season. Inside, however, he described an impressive first impression.

“The common areas are really well kept and there is a real feeling of grandeur when you enter reception for the first time.”

For Langley, it was the service that truly set the hotel apart.

“More than that though, the staff are truly excellent and they do make you feel very welcome and, combined with the service that they offer, for me this is really what makes the stay,” he said.

He suggested the hospitality might be characteristic of either the Iberostar brand, North Africa more broadly, or a combination of both.

“Now I don’t know if it’s an Iberostar thing, a North African thing or a combination of the two but, for the second consecutive year, the service has been incredible — both here in Tunisia and last year in Morocco as well. And that goes for reception, housekeeping, bar staff, restaurant staff and the entertainment team as well. So I have to thank them for that.”

Despite his overwhelmingly positive review, he did flag one issue prospective guests may wish to consider — particularly during busier periods.

“Yet again, I think the only thing to note, and to give some balance, is that the food — despite it being of a really good quality — can be a little bit repetitive and it can also get a little bit congested at the buffet when it’s busy, as it is only a small space,” he said.

Given the visit took place during winter, he warned the issue could be more pronounced in summer when the hotel operates at full capacity.

“So bearing in mind that we’re here in winter, during the main holiday season I think that could be something to watch out for.”

The location may also prove less suitable for guests hoping to explore on foot.

“The other thing I need to mention is the location. It isn’t the best. You can’t really walk out of the front of the hotel and go to any shops or just take a stroll if you want to. You will need to get a taxi into Monastir, but that’ll take less than 10 minutes and it will definitely be cheap enough anyway. And then if you want to go to Sousse, that’s about a 20-minute drive in the other direction.”

However, it was the price that stood out most.

“We booked not one, not two, but three rooms for six people. We have stayed here for a full week on an all-inclusive basis. The total stay came to a cost of £2,700,” he revealed.

That works out at £450 per person, or £64.28 per night, for a five-star all-inclusive package including flights and transfers.

“I don’t know what you think, but I think that is absolutely insane value. And if you’ve ever seen those ‘I tried to profit from an all-inclusive’ videos on YouTube, I can tell you straight away — I don’t need to make such a video. I can tell you 100% that we definitely have.”

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‘I spent 4 days travelling from UK to Europe’s most southern point and got nasty surprise’

Scott Manson documented his epic six-leg journey from Glasgow to mainland Europe’s southernmost point for his YouTube channel Planes, Trains, Everything – but faced endless setbacks

A YouTuber who embarked on an epic three-night, four-day odyssey from Glasgow to mainland Europe’s southernmost point was left gobsmacked upon arrival – only to discover the gates were locked.

Scott Manson, who presents the travel channel Planes, Trains, Everything, chronicled the mammoth six-leg expedition for his audience, billing it from the start as an extraordinary undertaking.

“I’m traveling from Glasgow to the southern tip of mainland Europe. Now, this is going to be a long, long journey. It’s going to take three nights and four days. There are six transportation legs. The first leg is Avanti West Coast down to London.”

His itinerary saw him travel from Glasgow to London Euston, then traverse the capital to St Pancras International for the Eurostar to Paris. From the French capital he pressed southward to Lyon, onwards to Barcelona, and subsequently to Madrid before boarding a long-distance coach to Algeciras.

A concluding local bus journey and stroll delivered him to Tarifa, widely acknowledged as mainland Europe’s southernmost extremity, reports Glasgow Live.

However, the expedition was anything but smooth sailing.

Scott disclosed the trip “nearly went totally belly up” following a catastrophic high-speed rail collision in Spain earlier this year. Referencing the tragedy, he explained: “One high-speed train jumped the tracks, landed on the opposite side, and was hit by a train heading in the opposite direction. Forty-five people were killed. Absolutely horrendous.”

Worried his connection might be axed, he consulted the Renfe website.

While tickets remained available initially, the evening before departing the UK he received an email stating: “Unfortunately, your train’s canceled. We apologize for the inconvenience.”

This left him frantically seeking an alternative for the vital Madrid to Algeciras stretch. Flying via Gibraltar was contemplated but ruled out as impractical and potentially costly, necessitating multiple connections and a border crossing.

Instead, he managed to book a nine-hour daytime coach – twice the duration of the train journey.

“It’s going to be horrendous, but it needs to be done,” he remarked, noting the alteration also delayed his arrival until 8pm, compelling him to postpone filming at his final destination.

The complications continued mounting. The Avanti service from Glasgow ran late, necessitating what he characterised as a hurried sprint across London.

His Eurostar seat was relocated to a “windowless window seat.” The Barcelona to Madrid train ran behind schedule.

Madrid’s weather turned “atrocious.” And the replacement train southbound was cancelled entirely.

Following all that, the ultimate disappointment awaited at Tarifa. Upon reaching the Spanish municipality, Scott headed towards Isla de Las Palomas, an island at the southern tip of Punta de Tarifa – the southernmost point of the Iberian Peninsula.

However, to Scott’s dismay, the area was cordoned off and accessible solely through guided tours. “Well, you spend three nights and four days travelling to the southernmost tip of the European mainland, and it’s shut,” he said.

“At least I’m not the only one who arrived thinking the place would be open. There are two Chinese tourists there. I can’t complain—they’ve travelled further than I have to get here—but I think it caught quite a few people off guard.”

He suggested strong winds might have rendered the exposed headland too dangerous. “But yeah, that’s as far as we can get.”

Despite the setback, Scott stayed positive. “For as long as I can recall making these YouTube videos, I’ve always felt there was a force pushing back, trying to stop me from completing videos. This was a prime example.”

Nevertheless, he maintained the experience was worthwhile. “But I am so glad I did this journey. I’m so glad you guys came along with me as well. I’ll see you next time.”

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YouTube’s Sidemen tease ‘insane’ new gameshow as fans urged to ‘start petition’

A Sidemen star has opened up about potentially launching a spin-off version of the group’s hit reality show, Inside

Sidemen star Ethan Payne has told fans to ‘start a petition’ as he teased a wild gameshow that would be open to the YouTube group’s viewers.

Best known as Behzinga, the 30-year-old co-founded the content creation group, which features KSI, Simon Minter, Vikram Singh Barn, Joshua Bradley, Harry Lewis, and Tobi Brown.

Along with their collective YouTube channels, the Sidemen also host a reality show called Inside, which was picked up by Netflix last year. The high-stakes series follows a group of influencers living under one roof and competing for a huge prize pot of up to £1 million. They face daily challenges and every decision can deduct money from the final cash prize.

While the show has traditionally featured famous faces, Ethan has confirmed that there is hope for a fresh series centred on everyday contestants.

He spoke to the Mirror ahead of the Formula E EVO Sessions, which took place last Sunday (February 16) at the Jeddah Corniche Circuit in Saudi Arabia.

The star competed against the world’s biggest content creators, getting behind the wheel of the cutting-edge GEN3 Evo race car. You can stream all the action now on Formula E’s YouTube channel.

When asked about opening up the Inside competition to their fanbase, Ethan said: “Me and JJ [KSI] have definitely said it would be insane to watch with people from the public.

“Because the amount of care for the prize money would be insane and I feel like you’d get a lot more drama. It might be too much drama.”

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

The father-of-one continued: “I definitely think there’d be a bit more of a real edge to it and people’s decisions would definitely have way more of a knock-on [effect] throughout the whole thing.” He went on to joke: “Start a petition!”

Sidemen fans should probably get a petition rolling if they want the show to become a reality, though we have to warn that Ethan set the bar at 100,000 viewers co-signing the idea. But it should be an easy feat considering group collectively boasts over 100 million subscribers.

Inside is available to stream on Netflix and Formula E’s 2026 EVO Sessions are available to stream now on YouTube.

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Who was Lil Poppa? All you need to know about rapper following his death aged 25

A YOUNG rapper signed has died days after releasing a new single, at just 25 years old.

Janarious Mykel Wheeler, known by fans as Lil Poppa, died at 11:23am on Wednesday, according to the medical examiner.

Lil Poppa began releasing music in 2017, when he was just a teenagerCredit: TikTok / lilpoppa
He had more than 600,000 monthly listeners on SpotifyCredit: Getty

According to his Spotify profile Poppa began releasing music in 2017, when he was just a teenager.

When rumours of his death first circulated, fans flooded his social media begging for answers, however the young rapper’s cause of death is currently unknown.

At the time of his death Lil Poppa had more than 600,000 monthly listeners on Spotify and over 960 thousand followers on Instagram.

In a now-tragic final post shared on his Instagram story Tuesday night, Poppa appeared to be riding in a car as he listened to Letting it go by Rod Wave.

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Who was Lil Poppa?

Lil Poppa, was born in Jacksonville, Florida, where he first started rapping at church with a group of friends and his older brother.

And at just 12 years old Poppa built a makeshift studio in the closet of his bedroom and started recording his music using just a laptop and a Radio Shack mic.

His big break came in 2018, when his independently released single Purple Hearts hit 2.3 million views on YouTube.

Since then he has released several albums with his label Collective Music Group, which has signed other industry heavyweights like GloRilla.

What was Lil Poppa’s cause of death?

The Fulton County Medical Examiner in Atlanta, Georgia, announced the tragedy, but didn’t give a cause of death, TMZ reported.

According the a medical examiner, the young rapper’s time of death was 11.23am, but his cause of death is currently unknown.

Fans began expressing their concerns about rumours of his death online when the news first started spreading.

A distraught fan wrote: “poppa please say something this can’t be happening.”

What song made Lil Poppa famous?

Lil Poppa wrote songs about relationships, mental health, and love.

The artist was best known for his tracks including “Love & War,” “Mind Over Matter,” and “HAPPY TEARS”.

Just days before his death Poppa released a new single called “Out of Town Bae”.

“And I can’t change how I’m living, I ain’t got no feelings, I pour drank in my kidney, And it’s only for the healing” he sings in his most played song on Spotify, “Eternal Living”.

Lil Poppa wrote songs about relationships, mental health, and loveCredit: Getty
Just days before his death Poppa released a new singleCredit: TikTok / lilpoppa

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Ryan Sickler transforms near-death experience into unlikely comedy mission

Ryan Sickler is used to asking the question that people are afraid to ask: “Is there anyone here who has ever actually died and come back and would be comfortable talking about it in front of all of us?”

It’s not your typical comedy show crowd work but it has profound results. During his special “Ryan Sickler: Live & Alive” released on YouTube in October, a woman in the audience talked about a near-death experience as a child where she rode her bicycle in front of a neighbor’s station wagon. But Sickler pointed out that this remarkable level of candor in the audience is something he continues to marvel about. In fact, he said they did two shows the night they taped his special and during the second show two people in the crowd said they had near-death experiences.

“When I ask the question, I know there’s someone in the crowd that’s like, ‘There’s nobody in here that’s died and come back,’” Sickler said. “So now they’re all very excited to listen too. Like, what happened to this lady, or what happened to this guy? You know, there’s been some wild ones, some real funny ones out there too.”

Given how many comedy specials are being released on various streaming platforms, he says that “we have lost the specialness of the special.” But Sickler said since coming so close to death and being able to talk about it with candor and relatability, he is still calling his latest self-produced YouTube special, special. It now has more than 1 million views on YouTube. Sickler has been on the comedy scene for more than 30 years and released his comedy special “Lefty’s Son” in 2023. He also hosts the “HoneyDew Podcast.” His comedy career has often incorporated his lived experience with a rare blood-clotting disease called Factor V Leiden that almost killed him.

But these days, he’s grateful to be alive, to have been able to wake up when it looked like he might not, to watch his daughter continue to grow up and the laughs along the way. Sickler has long been candid about his chronic health issues with his comedy but he has found particular meaning in doing crowd work when he performs, that talks about death and what it means to live.

The Times recently spoke with Sickler about his special and how he thinks about his sense of health, humor and mortality.

Comedian sitting in a podcast studio

Ryan Sickler in the studio where he films the “HoneyDew Podcast.”

(Al Seib / For The Times)

What did you want to say this time around in your new special?

My first special was something that was a bit of a hybrid of stuff that had been out there and around, but I didn’t own it. It was out there on people’s platforms. They’re making the money off of it. And so I did a bit of, “Let me get this stuff on my channel where I can control it.” And then the other part of that special was becoming a new single dad, all those things this time, specifically, I really just wanted to talk about what had happened and the results after that. I follow these comedy accounts and in October, there were 31 stand-up specials that hit between Netflix, Hulu, YouTube. November was 30. This month was a little slow because the holidays, but it was still at 18 the last time I checked. So I don’t think there’s anything special about stand-up specials anymore. You’re in an environment now where there’s a stand-up special a day, people are doing that with podcasts. There’s so much content going on out there, and I feel like a lot of it is the same. So I this time wanted to just take something that happened very personal to me, this incident, and then tell the story, not only behind it, but what happened after and I was really proud of being able to just focus on that and make that into this special instead of just my observations on this or my thoughts on that. I’m a storyteller and I really think that’s what art is.

When did you realize you had the courage to write about this neardeath experience?

I know I had the courage to write about it a long time ago. When I’m making people laugh at my father’s funeral and things like that, I knew I was comfortable being able to take on the material. But what I didn’t know was, could I make it funny? Could I make it relatable? Could I make this one thing that happened to this one person on this rock in outer space matter to anybody and make them care? Because it’s not like we all had this happen to us. This is just one thing that happened to this one dude. So that was really what I was more worried about, is like, can I get this message across and make it relatable, funny and entertaining at the same time? Which is why I threw in those really expensive light cues.

It can be very challenging to hear about these traumatic [neardeath] experiences that people have had. How do you absorb that and not absorb it too much?

I’ve been doing this show for so long that it does start to wear on you a little bit hearing a lot of the trauma. So I created a new podcast a couple years ago called the Wayback, which is just fun, funny, nostalgia. So that also for me, was like, let’s not dig into the tears and let’s just laugh about growing up. So that was one way where I could still keep it in my lane and do my job, where I alleviate that a little bit. But the other thing, and I make fun of myself a little, is I’m like the paramedic at the party now. I’m the guy that’s like “You think that’s bad, wait until you hear this.” “This one guy …” “This one lady …” You know what I mean? So I’ve almost become sort of their voice, and I have absorbed it in a way that isn’t so negative, where I carry it home with me. I always forget the quote how it’s worded, but it’s something to the tune of, if we all stood in a circle and threw our problems in the middle, we’d all take our shit right back. It’s like you know what, that’s what you’re dealing with? I’m gonna go ahead and take mine.

How is hearing all these stories and connecting with the crowd and fans in this way [about neardeath experiences] changed how you think about your own sense of mortality?

Even with my close call, like, that one angered me, because you start to think about things. You never know how you’re really going to go. You might have an idea if you’re getting older and cancer runs in your family, whatever, but the fact that you could go to a hospital for a simple surgery, they don’t listen to you, everything’s there in your paperwork. You’re your own advocate. You’re doing all the right stuff by yourself, and you’re among professionals, medical professionals, not Yahoos, and you can still have someone else make a mistake and your life is gone. That started me thinking a lot like, “Oh man, for no fault of my own, I could also be gone.” So I go day by day, and I try to be happy day by day. And I’m not going to lie, I also like to know I got a little something tomorrow too.

Do you think that incorporating death and neardeath in your comedy helps people work through their own feelings about death and grief?

I only say yes to that because the amount of emails I get, the amount of feedback we get, the amount of guests that still continue to show up [to support] the Patreon. I’ve definitely found, I would say, a purpose in my people. If you’re someone saying you’re a jerk for laughing at this lady talking about cancer, we’re not laughing at her cancer. We’re laughing at something, some light that she found in the darkness of this and trying to have a moment here together, all about, “Hey, there’s some positive ways to look at things at your lowest.” So I know it’s helped people. I mean, we have, over the years, probably thousands of emails now. We have people telling us how much it’s helped. And I mean just through podcasting, I found out I have this blood disease. I was 42 at the time, and already been podcasting. There’s a lady I went to high school with. She’s like “Ryan, my son is 17. He started clotting.” I said, “Go ahead and check for this.” He listens to the podcast. This kid has it. I said, “Well, bad news. It’s genetic.” Now the whole family’s got to get tested. And if you have it from one parent, it’s not great, but having it from two is bad. The whole family gets tested. The parents have it. She’s got it from both her parents. So I can’t get over the fact that a woman I knew when we were children, 35 years later is like, “Hey, that thing you’re talking about on your podcast, my kids, my family, we all have it.” And then I’ve talked about another disease I also have, called Charcot-Marie-Tooth disease, which is CMT. And from bringing that up, people hit me up on that like “I have it, no one ever talks about that.”

What have you found to be one of the positives — besides surviving — of your neardeath experience?

Gosh, so many. I have a child, so getting to see her grow and really taking care of my health and things. Not that I wasn’t before, but just I dove in even deeper. I went and got what’s called a gallery test for prescreening for cancer. I started doing all these blood works and like, “Let’s go find out everything you know, because I didn’t find out that I had this blood disease until I was 42 when I clotted.” I’m living my whole life, not even knowing I have this thing and and if I don’t clot, there are plenty of people out there that live to 100 years old and have it. It’s really made me appreciate life and trying to take things day by day. I also was living in a little single-dad pad at the time. We had no central air. We had tandem parking. We were above dumpsters. Our laundry was outside in a room with quarters. And when I got home — I’m still on a walker — and I was like, “What are we doing? We’re going to die without central air? Are we going to die with a bucket of quarters on the fridge? No more.” And so I moved my home, I moved my studio, I did all these things that are, like, the biggest thing you can do in life. We’re going to roll the dice, scared money don’t win, and we’re just going to go for it. Also, as a comedian and anybody in entertainment will tell you, a lot of times you work scared, you hold that money and you wait until the next thing comes. And also, as a single parent, you know we got to budget. And I was like, no more. We’re not going to go out and buy 10 Porsches. We’re going to be responsible. But I was on point with let’s go get a living will and trust. Let’s make sure we have that life insurance policy. Let’s make sure we have all the proper paperwork and stuff done before we do anything like go on a vacation, you know, let’s get this done now and get it done proper.

What do those conversations look like, if you have them at all, about encouraging your male friends to go to the doctor or encouraging them to take care of themselves, physically and emotionally?

I would say the conversations go something like this. My younger brother is like, “Hey, man, I just went in for a test, and they’re telling me I got to have an old school triple bypass,” and then that’s what we all get tested. “Hey guys, I found I got a blood disease.” “Oh man, we all better look into it now.” That’s usually how it goes. I don’t know many men who are proactive. There are a few of us these days. But it’s usually something horrible happens and then we’ll be proactive about everything else.

Do you have male fans who also say “I [saw] your special I went to your show, and it made me go [to the doctor]?

Yeah, but I’m saying, though, it still took them to come see a professional clown to get them to go to the damn doctor. I actually have been very good about going, because everyone in my family died. So I’ve been proactive in the sense that I go get two physicals a year. I’ve been doing that since my 20s. I always tell my doctor, if I can go buy expensive sushi, if I go buy weed, if I go buy all these things, I can put money into myself here and come see you a second time and pay for all that. So I do two physicals a year, and I’ve been doing that forever. But I’ve never done any sort of like gallery test. And now we’re in our 50s, so we got to go get the prostate and all that. That’s when you start hearing about that stuff. There’s a lot of ignorance that goes into it as well. I just had a guest here on the “HoneyDew” and said he didn’t go to a doctor or anything for over 20 years because he was just scared of what they were going to tell him. He was scared to get the bad news. You can kind of get the bad news and you could turn that into good news. It doesn’t need to be deadly news.

How do you know when you’ve been too open?

It usually tends to be a personal thing where someone’s like, “I don’t really appreciate you bringing that up.” So I don’t anymore. I’m always cognizant of [saying] like, “Hey, would it be cool if I talked about this or whatever?” I feel like the question you’re asking me would have been great for me just before I started, like, the “HoneyDew” and stuff because this is what I really want to talk about. Everyone wants to talk about the best and bring their best and I just really do want to hear about, you know, the trauma bond. I want to hear about the worst times in your life. I want to know because, honestly, that tells me so much more about you than you verbally talking about you. You know who you were in those moments, how you reacted, how you behaved, how you’ve adjusted. Those things really end up defining who you are, and that’s more what I want to know about. I don’t want to know your best polished version of yourself.

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YouTube TV introduces lower-priced sports and news packages

YouTube TV will start offering customers lower-priced channel packages, including one aimed at sports fans.

The Google-owned pay-TV service announced Monday it will roll out more than 10 plans that will be priced below a full YouTube TV subscription that offers more than 100 channels.

The introduction, which will begin over the next few weeks, is in response to growing consumer resentment over the rising cost for the service, currently available for $82.99 a month. YouTube TV was introduced in 2017 as an alternative to increasingly expensive cable and satellite services with an initial price of $35 a month.

Consumer interest is likely to be highest for the Sports Plan, available this fall. For $64.99 a month, consumers will get the four broadcast networks, which all carry the NFL, plus Fox Sports 1, the NBC Sports Network and all of the ESPN channels. New subscribers will be offered a one-year introductory rate of $54.99 a month.

YouTube will also offer a Sports + News plan, which combine the two most-watched genres in the pay TV bundle. For $71.99 a month, consumers get the sports package and news networks CNN, Fox News, MS NOW, Bloomberg, C-SPAN and Fox Business. The introductory rate is $56.99.

The new plans will aim to compete with the direct to consumer offering of ESPN, which is available in tandem with Fox One, a service combining Fox Corp’s news and sports channels. The two are being offered together for $39.99 a month.

Over the last two years, El Segundo-based DirecTV rolled out smaller packages of channels aimed at consumers who no longer want a big monthly bill for networks they don’t watch. The satellite TV service now offers smaller genre packages of channels and streaming apps that cater to a particular interest available at a lower price — designed for news junkies, sports fans, children and Spanish-language speakers.

Pay-TV providers are under pressure to provide more pricing options to consumers to keep them from cutting the cord.

At the same time, carriage negotiations with programmers are more fraught, often leading to standoffs where channels are pulled, disrupting service to customers.

Disney’s channels, including ESPN, were off of YouTube TV for nearly 15 days last fall. Separately, YouTube TV customers lost access to Univision’s Spanish-language channels for two months, which drew the attention of legislators on both sides of the political spectrum.

YouTube, which has about 10 million subscribers, is also offering an Entertainment Plan that includes the major broadcast networks and an array of cable channels including FX, Hallmark, Comedy Central, Bravo, Paramount, Food Network and HGTV at $54.99 a month and an introductory rate of $44.99.

A News + Entertainment + Family Plan — which combines, news, entertainment and children’s channels including Disney Channel, Cartoon Network and Nickelodeon, will be available for $69.99 a month and an introductory rate of $59.99.

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‘I quit UK for new life in Spain but it turned my life upside down’

Mark Danby relocated in January 2025 to embrace the warmer climate of the Costa del Sol, settling in Manilva, a municipality in Malaga, but it’s not been without its challenges

A British man who ditched the UK for a new life in Spain has reflected on the move one year later and how he’s had to turn his life “upside down in the summer”. Originally from Stockport, Greater Manchester, Mark Danby relocated in January 2025 to embrace the warmer climate of the sun-drenched Costa del Sol, settling in Manilva, a municipality in Malaga.

An IT worker and content creator who shares insights about life abroad on his YouTube channel, Tapas Guy, Mark has now settled and is enjoying his new home in the sun. He admitted that he doesn’t particularly miss much about the UK, with the possible exception of the “good old English pub.”

Adapting to a new culture inevitably presents challenges, and Mark – who has previously discussed his biggest Spanish “culture shock” – has certainly faced his own. In an exclusive interview, he reflected on his “new way of life” and highlighted the necessity of embracing change when moving to Spain.

When asked to name some of the most significant challenges he has faced since moving, Mark said: “Adapting to a new routine, a new way of life; you do have to adapt, and you haven’t, I mean you have to, you’ve got no choice. And I think that is one of the biggest challenges of moving.

“And a lot of people don’t realise; I think a lot of people think that… If you are sort of moving, you just bring your life with you, and you’re just going to be living in Spain with different weather. No, it doesn’t work like that. You do have to…you change. And you know, we’re humans, and we do adapt to different changes in the environment, don’t we?

“You do really have to fully embrace it and accept the changes you have to make to your routine, particularly in the summer. I mean, it is hot. You really do have to turn your life upside down in the summer. You can’t sort of go out doing things during the day.

“You have to keep out the heat, take it steady. Life comes to a complete standstill here in Spain in the summer, and then you have to live your life in the evenings. So you do have all these changes in routines that you have to adapt to.” Back in July 2025, Mark discussed how he thought the country was “about 20 years or so behind the UK” in one particular aspect.

Having entered Spain on a digital nomad visa, which allows foreigners to live in Spain while working remotely for companies abroad or as self-employed, Mark said he discovered that some bureaucratic processes can be slow, suggesting this could be the result of a stark “contrast” between Spain and the UK.

In his response to a query about the most significant cultural shock he’d experienced, Mark highlighted in one of his videos that Spain seemed to be “about 20 years or so behind the UK” in a particular area. He said: “And I describe it as being Spain being about 20 years or so behind the UK in kind of technology. Everything takes so long. They don’t go for electronic systems. They like their pieces of paper; that is the biggest shock.

“They are paper pushers; they’re pen pushers. Everything is paper, like when you go for visa applications. I’m now waiting for my TIE card, which is my foreign residency card, everything is paper processed.” He went on to explain that, at the time, he was waiting for his card, but they’d “already kind of accepted it”.

He noted that those applying would present their documents at a police station, where they would have their fingerprints taken, and the individual would produce the card. Mark added: “If they had a little printer machine by them, they could just press a button and print it out, but oh no. You know, it has to go through the paper process.”

In further comments, he explained that you “sort of make another appointment to go back”, pointing out that “everything’s booked up solid”, and everything “takes a long time”. Despite this minor grievance, Mark previously explained that, overall, he was having an “absolutely wonderful” experience in Spain.

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Chris Evans makes major comeback with TFI Friday as beloved show returns to screens

Chris Evans has made a major comeback with the relaunch of TFI Friday and brought the iconic programme to his radio station almost 30 years after it first aired

Chris Evans has relaunched his hit 90s series TFI Friday. The presenter, 59, fronted the hit series during its initial run on Channel 4 from 1996 until 2000 and it became staple viewing at the start of the weekend.

The format featured a mix of live performances and celebrity interviews. Chris left the programme after the fifth series, and big names like the Spice Girls, Davina McCall and Elton John stepped in to take the reins for the last run of episodes in the build up to Christmas 2000. Now best known for fronting his radio show on Virgin, the TV star, who also presented the short-lived revival in 2015, has brought the programme back once more.

The revamped version of the iconic series is currently being released on Virgin Radio’s YouTube channel, and welcoming the audience to the first episode, Chris said: “Hello friends. Thank you for tuning in! Welcome to TFI Unplugged.

READ MORE: BBC presenter Chris Evans breaks down as he pays emotional tribute to Eddie JordanREAD MORE: This Morning guest sparks chaos by failing to show up to ITV show

“On the way today, Delroy Lindo, currently nominated for Academy Award, Hollywood Sim Car of course. Also on the way, the hilarious Ross Noble going to be here!”

Some of the more regular segments during the original run of the show included Freak or Unique, which encouraged participants to show off a strange talent. Other items included Fishbowl Challenge, Show Us Your Face Then and Sink Or Swim.

The show also ran a segment called Someone’s Going to Be a Millionaire!, based on Who Wants To Be A Millionaire?, and on Christmas Eve 1999, TFI Friday became the first British programme to issue a £1 million prize, almost a year before one player won the jackpot on the ITV game show.

Chris became a major television star in the early 1990s, as the Channel 4 show The Big Breakfast which he presented alongside Gaby Roslin, before other showbiz favourites like Denise Van Outen, Zoe Ball and Kelly Brook took on the hosting role.

He wrote and presented TFI Friday whilst working on the BBC Radio 1 Breakfast Show, which he eventually resigned from whilst he was live on air in 1997 after Radio 1 refused to allow him to work a four-day week.

He also presented The One Show on Fridays between 2010 and 2015, and later became the lead host of Top Gear in 2015 after the sacking of Jeremy Clarkson.

In 2022, Chris explained on his radio show that a reboot of TFI Friday didn’t need to be on television anymore thanks to the advent of streaming. He said: “Can I tell you a bit more about it?

“Oh, sure. The thing is, you don’t need a TV channel now. You don’t don’t need one. It’s amazing what you can do. TFI Friday doesn’t have to be an hour long, it could be longer, we could livestream it!”

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How to watch and stream this year’s Oscar-nominated movies

Now that the 2026 Oscar nominations are out, it’s officially binge watch o’clock.

Chances are you caught a few of the contenders upon their 2025 movie theater openings, but with the onslaught of new releases in the weeks leading up to Thursday’s nominations announcement, even some voters are surely behind. (Don’t tell the Academy of Motion Pictures Arts and Sciences).

The good news is, the lion’s share of nominated films are available to stream or see in theaters (or both).

Here is a guide to where you can find all the feature-length nominees ahead of the Academy Awards on March 15, paired with some commentary from Times critics.

“The Alabama Solution”

Where to watch: HBO Max
Nominated for: Documentary feature
What we said: “Much of ‘The Alabama Solution,’ which reports on inhumane living conditions, forced labor and widespread violence against the state’s incarcerated population, is comprised largely of footage captured by inmates using contraband cellphones, offering one of the most shocking, visceral depictions of our carceral state ever put to film.”

“Arco”

Where to watch: In theaters
Nominated for: Animated feature
What we said: “The most impressive part of French animated sci-fi epic ‘Arco,’ which took the top prize at the Annecy International Animation Film Festival, is its imaginative world-building.”

“Avatar: Fire and Ash”

Where to watch: In theaters
Nominated for: Costume design, visual effects
What we said: “Viewed in ultra-crisp high frame rate, ‘Fire and Ash’ feels so overwhelmingly real that it circles back around to surreal.”

“Blue Moon”

Where to watch: Apple TV, Prime Video, Fandango at Home, in theaters
Nominated for: Lead actor, original screenplay
What we said: “[Richard] Linklater’s movies have frequently featured affable underdogs, but by contrast, ‘Blue Moon’ is an elegy to a bitter, insecure man whose view of himself as a failure has become a self-fulfilling prophecy.”

“Bugonia”

Where to watch: Peacock
Nominated for: Best picture, lead actress, adapted screenplay, original score
What we said: “‘Bugonia’ is a hilarious movie with no hope for the future of humanity. What optimism there is lies only in the title, an ancient Greek word for the science of transforming dead cows into hives, of turning death into life.”

“Come See Me in the Good Light”

Where to watch: Apple TV
Nominated for: Documentary feature
What we said: “‘Throughout the Festival, we saw audiences moved by Andrea Gibson’s and Megan Falley’s journeys in ‘Come See Me in the Good Light,’’ Sundance Film Festival Director of Programming Kim Yutani said to the fest’s website. ‘Festival goers embraced the humor and heartbreak of this intimate documentary directed by Ryan White, as it speaks to art and love and reminds us what it means to be alive as we face mortality.’”

“Cutting Through Rocks”

Where to watch: Not currently available
Nominated for: Documentary feature

“Diane Warren: Relentless”

Where to watch: YouTube, Prime Video, Fandango at Home, Google Play, Apple TV
Nominated for: Original song

“Elio”

Where to watch: Disney+
Nominated for: Animated feature
What we said: “‘Elio’ is a breezy Pixar adventure, the studio’s pivot back to making original, rip-roaring children’s yarns.”

“F1”

Where to watch: Apple TV
Nominated for: Best picture, editing, sound, visual effects
What we said: “The pleasures of ‘F1’ are engineered to bypass the brain. It’s muscular and thrilling and zippy, even though at over two and a half hours long, it has a toy dump truck’s worth of plot.”

“Frankenstein”

Where to watch: Netflix, in theaters
Nominated for: Best picture, supporting actor, adapted screenplay, cinematography, costume design, makeup & hairstyling, original score, production design, sound
What we said: “‘Frankenstein’ is [Guillermo del Toro’s] lifelong passion project: He doesn’t just want to make a ‘Frankenstein’ but the ‘Frankenstein,’ so he’s faithfully set his adaptation in the past. But he’s adjusted the wiring so that 1850s Europe reminds us of Silicon Valley. The result is the best movie of his career.”

“Hamnet”

Where to watch: In theaters
Nominated for: Best picture, director, lead actress, adapted screenplay, casting, costume design, original score, production design
What we said: “The film’s depiction of grief has rightly been at the center of the conversation around ‘Hamnet,’ with their revelatory performances resulting in immense Oscar buzz for both actors. But [Paul] Mescal and [Jessie] Buckley were almost more interested in the relationship between William and Agnes and how artists navigate the trappings of conventional life.”

“If I Had Legs I’d Kick You”

Where to watch: YouTube, Prime Video, Fandango at Home, Google Play, Apple TV, in theaters
Nominated for: Lead actress
What we said: “From the moment it begins, Mary Bronstein’s ‘If I Had Legs I’d Kick You’ aims to put you inside the head of a mother in crisis, and for the next couple of hours it does so in such an exhausting, claustrophobic, anxiety-inducing manner that, as you take a journey on this cinematic endurance test, you feel many things: grudging admiration, abject terror and, finally, sweet relief when the closing credits roll.”

“It Was Just an Accident”

Where to watch: YouTube, Apple TV, Prime Video, Google Play, Fandango at Home, in theaters
Nominated for: International feature, original screenplay
What we said: “In a movie full of heightened emotions and anxious uncertainty, ‘It Was Just an Accident’ (which is France’s entry for the international film Oscar) glides between genres, too slippery to be nailed down. [Jafar] Panahi dabbles in the road movie, the revenge thriller, even the ‘getting the band back together’ comedy.”

“Jurassic World Rebirth”

Where to watch: Peacock
Nominated for: Visual effects
What we said: “‘Rebirth’ is a confounding title for a downbeat entry that’s mostly preoccupied by death and neglect.”

“Kokuho”

Where to watch: In theaters (Feb. 5)
Nominated for: Makeup & hairstyling

“KPop Demon Hunters”

Where to watch: Netflix
Nominated for: Animated feature, original song
What we said: “‘KPop Demon Hunters,’ the cartoon musical about a girl group using catchy tunes to keep evil at bay, has become a viral phenomenon since it launched on the streamer June 20. With 210 million views globally so far, it’s the most watched animated movie ever on Netflix, and is expected to soon top ‘Red Notice’ as the company’s most popular film.”

“Little Amélie or the Character of Rain”

Where to watch: YouTube, Apple TV, Prime Video, Google Play, Fandango at Home
Nominated for: Animated feature
What we said: “Amélie’s rowdy approach becomes more nuanced when she is confronted with a loved one’s death, as well as her own mortality in the aftermath of two accidents. [Liane-Cho] Han and [Maïlys] Vallade also make room for her realizations about life’s unfairness and the inevitability of sorrow — all communicated via flights of fancy that only animation can materialize.”

“The Lost Bus”

Where to watch: Apple TV
Nominated for: Visual effects
What we said: “This time [director Paul Greengrass] mixes star heroism with you-are-there spectacle and the results can be galvanizing if awkwardly framed.”

“Marty Supreme”

Where to watch: In theaters
Nominated for: Best picture, director, lead actor, casting, cinematography, costume design, editing, production design, original screenplay
What we said: “The movie’s moxie makes it impossible not to get caught up in Marty’s crusade. We’re giddy even when he’s miserable.”

“Mr. Nobody Against Putin”

Where to watch: Apple TV
Nominated for: Documentary feature

“One Battle After Another”

Where to watch: HBO Max, in theaters
Nominated for: Best picture, director, lead actor, supporting actor, supporting actress, adapted screenplay, casting, cinematography, editing, sound, original score, production design
What we said: “Paul Thomas Anderson’s fun and fizzy adaptation views its Molotov cocktail as half-full. Yes, it says, the struggle for liberation continues: ideologues versus toadies, radicals versus conservatives, loyalists versus rats. But isn’t it inspiring that there are still people willing to fight?”

“The Perfect Neighbor”

Where to watch: Netflix
Nominated for: Documentary feature
What we said: “‘The Perfect Neighbor’ does leave us with a patiently earned moment of justice. But it’s haunted by the notion that a lethal rage prevailed, that a crime was allowed to happen and an ordinary, trusting American neighborhood — where a loving mom unhesitatingly tells an inquiring cop, ‘All these kids are mine’ — isn’t protectable ground.”

“The Secret Agent”

Where to watch: In theaters
Nominated for: Best picture, international feature, lead actor, casting
What we said: “‘The Secret Agent’ isn’t tightly coiled so much as it gradually unfolds, its full meaning unclear until the filmmaker eventually hurtles forward nearly 50 years, snapping the final puzzle piece into place.”

“Sentimental Value”

Where to watch: Fandango at Home, YouTube, Apple TV, Prime Video, Google Play, in theaters
Nominated for: Best picture, director, lead actress, supporting actor, supporting actress, editing, international feature, original screenplay
What we said: “‘Sentimental Value’ is a movie for people who don’t like to cry, who may not admit that they have ever cried, who listen to Loudon Wainwright’s song ‘The Man Who Couldn’t Cry’ and say, ‘Yes, that’s me!’”

“Sinners”

Where to watch: HBO Max, in theaters
Nominated for: Best picture, director, lead actor, supporting actor, supporting actress, casting, cinematography, costume design, editing, makeup & hairstyling, original score, original song, production design, sound, visual effects, original screenplay
What we said: “What a blood rush to exit Ryan Coogler’s ‘Sinners’ aware that you’ve seen not merely a great movie but an eternal movie, one that will transcend today’s box office and tomorrow’s awards to live on as a forever favorite.”

“Sirāt”

Where to watch: Not currently available
Nominated for: International feature, sound
What we said: “‘Sirāt’ is taut and riveting and nearly all mood. You feel the exhilaration of veering off the path, the self-exile of speeding toward nowhere, the dread that this caravan has veered too far for its own safety.”

“The Smashing Machine”

Where to watch: YouTube, Prime Video, Fandango at Home, Google Play, Apple TV
Nominated for: Makeup & hairstyling
What we said: “While ‘The Smashing Machine’ represents a step in a new direction for [Dwayne] Johnson, it also finds [Benny] Safdie setting off on a new path as a writer and director on his own after years of collaborations with his brother. Sifting through the emotional and physical struggles of [Mark] Kerr’s life, Safdie found something at its core that aligns with his own ongoing interest in what it takes to move forward despite life’s difficulties. It’s not about being a loser, he thinks, but it is about not winning.”

“Song Sung Blue”

Where to watch: In theaters, YouTube, Apple TV, Google Play, Fandango at Home
Nominated for: Lead actress
What we said: “‘Song Sung Blue’ couldn’t be less cool. But the Sardinas were completely sincere and [Hugh] Jackman and [Kate] Hudson honor their innocence by playing them straight.”

“Train Dreams”

Where to watch: Netflix, in theaters
Nominated for: Best picture, adapted screenplay, cinematography, original song
What we said: “‘Train Dreams’ is the kind of movie that people often say they want more of, but when one actually comes along they don’t quite know what to do with it. Told with an unassuming, gentle simplicity that grows into an accumulating emotional power, the film manages to feel very small and specific while also vast and expansive.”

“The Ugly Stepsister”

Where to watch: Hulu
Nominated for: Makeup & hairstyling

“Viva Verdi!”

Where to watch: Not currently available
Nominated for: Original song

“The Voice of Hind Rajab”

Where to watch: In theaters
Nominated for: International feature
What we said: “The movie is a powerfully blunt instrument of empathy. [Kaouther] Ben Hania’s insistence on close-up melodramatics — faces in anguish, a handheld camera glued to them — sometimes overshadows a thirst for something more analytical. But it’s decidedly a vision, one steeped in roiling pain.”

“Weapons”

Where to watch: HBO Max
Nominated for: Supporting actress
What we said: “A former sketch comic, [Zach] Cregger knows how to work a crowd. The combination of his assurance and his characters’ confusion is wonderful in the moment, as though you’re listening to a spiel from someone who sounds crazy but might be making all the sense in the world.”

“Zootopia 2”

Where to watch: In theaters, YouTube
Nominated for: Animated feature
What we said: “After several haphazard attempts with the ‘Frozen’ and ‘Moana’ franchises, ‘Zootopia 2’ can take the title as Disney’s most effective animated sequel yet.”

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Theme park revenue soared, but the YouTube dispute took a toll on Disney’s Q1 earnings

A record fiscal quarter for Walt Disney Co.’s theme parks division was dampened slightly by a streaming aquisition and a protracted fight with YouTube, the Burbank media and entertainment giant reported Monday.

Disney recorded overall revenue of about $26 billion in the three-month period that ended Dec. 27, up 5% compared to the previous year. Disney’s income before income taxes totaled nearly $3.7 billion, a 1% jump from the same time period last year. Earnings per share were $1.34 for the quarter, down from $1.40.

Disney Chief Executive Bob Iger said in a statement that he was “pleased” with the company’s start to the fiscal year and nodded at the transition ahead to a new CEO.

“As we continue to manage our company for the future, I am incredibly proud of all that we’ve accomplished over the past three years,” he said.

It was a big quarter for Disney’s experiences division, which includes its theme parks, cruise line and Aulani resort and spa in Hawaii.

The sector reported $10 billion in revenue, aided by a 1% bump in attendance at its domestic theme parks and higher guest spending. The launch of the new Disney Destiny cruise ship in November also helped boost operating income to $3.3 billion, a 6% boost compared to the previous year.

Disney’s box office success with billion-dollar hits like “Zootopia 2” and “Avatar: Fire and Ash” helped propel revenue for its entertainment division by 7% to $11.6 billion. But costs related to its acquisition of a majority stake in FuboTV, as well as higher marketing costs in theatrical distribution and streaming services affected the sector’s operating income, which declined 35% to $1.1 billion.

The dip in operating income from the entertainment sector took a toll on the company’s total segment operating income, which was down 9% to $4.6 billion. That was also partly due to Disney’s contract dispute last fall with YouTube TV, which lasted for nearly 15 days and resulted in a blackout of Disney channels.

The temporary suspension of Disney channels on YouTube TV took a $110 million toll on operating income within Disney’s sports division, which was down 23% to $191 million. Sports revenue for the quarter totaled $4.9 billion, up 1% compared to the previous year.

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‘I travelled to mysterious UK island removed from maps and what I found was horrifying’

In her exploration of so-called “banned” locations Ellie Whitby set out to investigate an island in northwest Scotland, renowned for its disturbing past, and where access was strictly prohibited

A brave YouTuber has explored a remote Scottish island that was once erased from maps, but what she found was terrifying. Last year, Ellie Whitby, who runs the EllieMarieTV channel on YouTube, ventured to a mysterious island off northwest Scotland with a notoriously dark history as part of a video investigating so-called “banned” locations.

Ellie and a companion drove to Gruinard Island, also known as “Anthrax Island”, a sinister moniker it acquired after scientists contaminated the land whilst carrying out secret biological weapons experiments during World War II.

Anthrax is a potentially fatal infectious disease typically caused by the Bacillus anthracis bacterium. Following these experiments, Gruinard Island was deemed far too hazardous for both livestock and people.

The island’s grim history didn’t deter Ellie, who acknowledged it was “very scary”, but was determined to speak with local inhabitants about the site and, courageously, hoped to persuade someone to take her across to the island.

She explained: “So, we’re in the local town and see if there’s anyone willing to take me out to Anthrax Island, and I want to know their opinions on this. What do they think about this massive, secret government cover-up that happened a mile off their shores?”

Ellie proceeded to interview local residents, one of whom confirmed that the government kept the island under wraps, while another alleged that the tests resulted in the death of sheep on the mainland.

She ultimately discovered a kayaker called Will, who was willing to ferry Ellie across to the island. She remarked: “It was time to be one of very few people to ever step foot on an island hidden from the entire world and see if any of the conspiracies are true.”

Setting off across the water, she quipped: “I literally never used to leave my room out of fear of germs, and now I’m going all the way to an Anthrax Island. I think my therapist would be proud of me or, actually, very concerned.”

Ultimately, they landed on the island near a cave system, but Ellie seemed to have a change of heart. Once she determined there were no “nuclear bunkers”, she declared that she wasn’t “stupid enough” to remain any longer.

Back in 1942, then-Prime Minister Winston Churchill, concerned that Nazi Germany had developed a biological weapon, instructed scientists to investigate ways of weaponising the lethal bacterial infection, the BBC reports.

Located in Gruinard Bay, the 522-acre island served as a testing ground; residents in nearby settlements were unaware of these experiments, but rumours reportedly started to circulate once livestock began dying.

In a 2022 documentary, The Mystery of Anthrax Island, Edward Spiers, emeritus professor at the University of Leeds, stated: “The aim was to test whether the anthrax would survive an explosion in the field. They didn’t know that, and then would it remain virulent thereafter.

“Eighty-odd sheep were tethered at various stages downwind of the likely explosion. The explosion was done by remote control. It isn’t a great bang, a draught of highly potent spores moving down on the wind and causing infection and death wherever it goes.”

This led to devastating consequences, as the sheep rapidly developed symptoms and died; their bodies were then incinerated or buried under debris.

The covert trials lasted until 1943, but the impact of the experiments would be long-lasting. The highly resistant anthrax can reportedly remain in the soil for decades, and access to the island became strictly prohibited.

As reported by Lethbridge News, Gruinard Island was even erased from some maps due to fears that terrorist groups “would travel to the island to procure samples” of the deadly bacteria.

Deemed a success, the scientists concluded their work and returned to Porton Down, a secretive government facility in Wiltshire where research into diseases and chemical weapons is conducted.

Churchill’s proposed biological weapon was never used, and a militant group known as the Dark Harvest Commando of the Scottish Citizen Army (DHC) sought action from the government to decontaminate the island.

One of their strategies involved leaving a bucket of contaminated soil outside Porton Down. Years later, efforts were made to cleanse the island, which seemingly proved successful.

In 1990, the UK government officially announced that the island was free from anthrax, bringing a 48-year quarantine period to a close.

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‘I quit the UK and moved to Spain and you’ll be surprised the reason why’

After uprooting himself from the UK, expat Mark Danby has revealed that there has been one surprising upside of moving from Britain to the Costa del Sol in Spain

As Storm Chandra batters the UK with fierce winds and heavy downpours, many Brits will find themselves fantasising about relocating to warmer climes. One Briton who made the move is Mark Danby, who left his home in the UK and moved to Spain’s Costa del Sol.

However, it wasn’t the holiday destination’s blistering summers that drew Mark in, but rather its gentle, temperate winters. On his Tapas Guy channel on YouTube, he reveals that winter on the Costa del Sol is when he feels most content as an expat.

He explains: “You may be surprised to know that I moved to the Costa Del Sol because of the winter, not because of the summer.

“Winter here is when a place actually reveals whether it’s the right place to live or not, or whether it’s just a place to come for your summer holidays. Before I came here, winter meant something very, very different to me. It meant short, dark days, and cold, wet mornings.”

The milder climate in southern Spain allows Mark to genuinely savour a complete day, wandering in the winter sunshine instead of sheltering indoors from the rain. “My first winter here felt somewhat unfamiliar,” he recalled. “The beaches were quiet. Evenings were calm. For the first time in a long time, my winter days weren’t dictated by weather extremes. I didn’t realise how much I needed that until I had it.”

Mark reveals that his relocation from the UK to Spain has had an unexpectedly positive impact on his mental health. He shares: “Here in the winter, mornings can start with a walk or a drink outside, even in January.”

He elaborates: “Physically and mentally, winter has changed things for me. I get out more. I walk more. I spend more time outside. And as a result of that, I do feel generally less stressed.”

He also notes that his improved mood has boosted his productivity. However, he points out that life isn’t just easier during the Spanish winter, it’s also more affordable.

“The winter in the Costa del Sol is when it becomes financially honest,” he says. “There’s no tourists. Rents drop, sometimes significantly. Leases become available and eating out feels sustainable not just like a luxury.”

Mark admits that some eateries and pubs do shut down during the winter, resulting in slightly fewer dining options.

On the other hand, he observes, the Spanish summer also brings everything to a halt. He adds: “It becomes too hot, everything shuts down and it takes even longer to get things done.”

The rhythm of life, Mark explains, is generally more laid-back throughout the year.

Yet it’s the winter season that holds a special charm. He concludes: “The mild climate removes friction from your daily life. You don’t have to fight the weather like you do in the summer. You can actually live with it.

“When you stay through winter, something changes. You stop being a visitor. You become part of the rhythm.”

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