Young

British singer-songwriter Lola Young is opening up about the “breaking point” that steered her toward recovery.

The “Messy” hitmaker told Rolling Stone in a recent interview that she was grateful that she fainted onstage late last year, and framed the scary ordeal as a wake-up call. “What do you call that? Like, a breaking point which allowed me to then be able to be here today, allowed me to be better for my fans, better for the future, and better for myself,” she told the outlet.

In September, the Grammy winner collapsed onstage during a performance at the All Things Go Music Festival in New York City. Following the health scare — which drew speculation and worry from fans who’d watched the viral video of Young stumbling and dropping her microphone before falling backward — Young canceled the remainder of her tour, which included a 21-stop North American run.

The tour, in support of her third album, “I’m Only F— Myself,” was expected to conclude with two dates at the Hollywood Palladium in December. Instead, she spent two months seeking holistic addiction treatment in a facility that prioritizes psychotherapy. She’s now attending 12-step meetings and working with a sponsor.

When announcing that she would have to nix forthcoming performances to prioritize her health, Young told fans on social media that she was “going away for a while” and apologized, writing, “I love this job and I never take my commitments and audience for granted so I’m sorry to those who will be disappointed by this. … I really hope you’ll give me a second chance … once I’ve had some time to work on myself and come back stronger.”

Young told Rolling Stone that, naturally, some folks were really angry that she’d canceled her tour. “[I]t was a decision that I had to make, and it was sad that I had to do that. What else was I going to do, die? That was the reality of where my addiction was heading.”

This wasn’t the first health incident for Young, who is known for her chart-topping breakout hit, “Messy.” The budding megastar performed at the Coachella Valley Music & Arts Festival in 2025, and during her Weekend 1 performance, she struggled to get through. The heat lingered around 100 degrees, and while Young danced and sang, she began to visibly gag and retch before running off the stage and asking for a bucket.

The acclaimed artist has been candid about her struggles with cocaine and alcohol addiction and often explores those struggles in her lyrics. In the song “d£aler,” a bouncy goodbye letter to her drug dealer, she sings about spending the day trying to be sober but feeling miserable nonetheless: “I wanna get away, far from here / Pack my bags, my drugs, and disappear.” … “Pack my bags and tell my dealer I’ll miss him.”

Young also sat down with the Times UK and said that she didn’t want to say too much but confirmed that she was in recovery for drug addiction. “But what I would say is that recovery is an ongoing process. I’m not the finished article, but I’m doing a hell of a lot better.”

Shohei Ohtani’s three straight strikeouts in the fourth inning of his final spring start Tuesday featured a different putaway pitch for each.

He got Angels slugger Jorge Soler to whiff on a sweeper. Jeimer Candelario went down on a curveball. And Jo Adell struck out on a fastball.

“Just shows the confidence he has and different ways he had to attack guys, to get ahead and also put guys away,” manager Dave Roberts said after the Dodgers’ 3-0 loss to the Angels in the Freeway Series finale. “And today the feel was really good, even better than the first outing.”

Pretty much everything was clicking for Ohtani heading into the regular season, even though it was only his second spring training start on the mound. Ohtani recorded 11 strikeouts in four-plus innings. He held the Angels to four hits, three of which were consecutive singles in the fifth, and was charged with three runs, all scored in the fifth.

For the first time in three years, Ohtani is set to begin the season as a fully healthy pitcher. And it will be the Dodgers’ first time managing his two-way schedule all year. Limited the last two seasons by his recovery and build-up from elbow surgery, Ohtani last made 20-plus starts in 2023 with the Angels.

“The desire is high,” Roberts said when asked about Ohtani’s aim to pitch wall to wall. “I think it’s realistic. Then the bigger question is, how are we going to manage that and navigate it?”

Thinking through the plan going into the season, Roberts floated the idea of giving Ohtani a little extra rest between starts. Dodgers starters are already on a six- to seven-day rotation. But a six-man starting pitching group gives the team flexibility as they map out their pitching plan.

“My intent is to be in the rotation under normal rest, normal circumstances,” Ohtani said through interpreter Will Ireton last week in Arizona. “Now if management thinks that I need extra rest, I’ll take it. But I’ll let management handle that. Just looking at our roster, we have a lot of pitchers. It doesn’t hurt to rest more.”

Ohtani’s in-game limits, after a build-up slowed by his participation in the World Baseball Classic as a position player, will be adjusted before each start. But his Freeway Series outing Tuesday set him up well. He stretched out to 86 pitches.

“When you’re talking about the first game of the season, could he get through six innings? Could he touch the seventh? Yes,” Roberts said Tuesday afternoon. “But he won’t touch the eighth inning. So there’s got to be some responsibility as far as how we manage him.”

When it comes to awards, Ohtani is going after a third World Series title. But his trophy case is well stocked with individual accolades too. He’s won four MVPs, five All-Star selections, four Silver Sluggers and a Rookie of the Year award.

The Cy Young, however, has remained elusive. He came close in 2022, when a 2.33 ERA and league-leading 11.9 strikeouts per nine innings earned him a fourth-place finish in the American League. It was the only time in his career that he crossed the 25-start threshold, with 28.

“I would never want to sacrifice our chance of winning and performing in the postseason,” Ohtani said. “So I think that’s really the No. 1 goal in my mind. Just because I want to try to win the Cy Young and throw more innings, that’s not necessarily the priority over winning a championship. So with that being said, if there’s a situation where there’s some injuries and I do have to pitch on shorter rest, I’m happy to do so.”

Would showing that he can make regular starts all year automatically put him in the Cy Young conversation?

“Oh yeah,” Roberts said. “Because of just talent, ability, will. If he does that, he’ll be in the conversation, absolutely. I have no doubt about that.”

Of course, besides reigning NL Cy Young winner Paul Skenes, Ohtani would also be competing for the award with his own teammate, Yoshinobu Yamamoto, who enters the season with the edge.

If Ohtani continues to pitch like he did on Tuesday, while building up the rest of the way, he and the Dodgers will be in good shape.

“It was another good one for him,” Roberts said, “and he’ll be ready to go.”

Nearly 600 immigrant children were held in a Texas family detention center in recent months without enough food, medical care or mental health services, as their time inside stretched beyond court-mandated limits, according to court documents.

Children and families held at the detention facility in Dilley, where 5-year-old Liam Conejo Ramos and his father were sent this year, also faced virus outbreaks and lasting lockdowns in December and January, although the total number of children held there has fallen in recent weeks, according to the attorney reports and site visits.

The case of Liam, a preschooler who was wearing a blue bunny hat and Spider-Man backpack when he was picked up in Minnesota by U.S. Immigration and Customs Enforcement agents, stoked protests over the Trump administration’s immigration crackdown, including among detainees who gathered and held up signs in the yard behind the Dilley facility’s chain-link fences.

Last week about 85 children remained detained at the Dilley facility, but concerning conditions continued, said Mishan Wroe, directing attorney at the National Center for Youth Law, who visited in mid-March. In early February, a legal advocate for the children observed about 280 children.

The filings Friday cited numerous poignant cases, including that of a 13-year-old girl held at Dilley who tried to take her own life after staff withheld prescribed antidepressants and denied her request to join her mother, as reported by the Associated Press. The government reported there had been “no placements on suicide watch,” according to the filing. The AP obtained Dilley facility discharge documents that described a “suicide attempt by cutting of wrist” and “self-harm.”

The filings were submitted in a lawsuit launched in 1985 that led to the creation in 1997 of court-ordered supervision of standards and eventually established a 20-day limit in custody. The Trump administration seeks to end the Flores settlement, as it is known.

“For years, the Flores consent decree has been a tool of the left that is antithetical to the law and wastes valuable U.S. taxpayer funded resources,” the Department of Homeland Security said in a statement. “Being in detention is a choice.”

Attorneys for detainees highlighted the government’s data showing longer custody times for immigrant children, and also cited worms in food and poor access to medical care or sufficient legal counsel as reported by families and monitors at federal facilities.

“Dilley remains a hellhole,” said Leecia Welch, the chief legal director at Children’s Rights, who visits the center regularly to ensure compliance. “Although the number of children has decreased, the suffering remains the same.”

The Homeland Security spokesperson said the Dilley facility is retrofitted for families, who receive basic necessities including adequate food and water while in detention, and the Trump administration is working to quickly deport detainees.

A report from U.S. Immigration and Customs Enforcement showed that about 595 immigrant children were held in custody for more than the 20-day limit in December and January, with some stretching into months, per the court filings.

“Approximately 265 of these children were detained for more than 50 days and a shocking 55 children were detained more than 100 days,” the filings state.

That is up from a previous government disclosure late last year that showed that from August to September, 400 children had been held at the Dilley facility beyond the 20-day limit. Homeland Security did not respond to questions seeking comment on the data.

Chief U.S. District Judge Dolly Gee of the Central District of California is scheduled to hold a hearing on the case later this month.

Burke writes for the Associated Press.

Heavy social media use has contributed to ‘worrying decline’ in wellbeing in Western countries, World Happiness Report says.

Social media has played a large role in declining happiness among young people in Western countries, a United Nations-backed report has found.

Heavy social media use partly explains a “worrying decline” in the wellbeing of young people in the West, the latest edition of the annual World Happiness Report said on Wednesday.

In total, 15 Western countries, including the United States, Canada, Australia and New Zealand, saw significant declines in youth wellbeing over the past two decades, according to the report.

The trend was not observed globally, with young people in regions covering 90 percent of the world’s population reporting higher life satisfaction than before.

“The trends are caused by many factors, which differ between continents. However, the evidence in this report does suggest that heavy social media use, especially in some countries, provides an important part of the explanation,” researchers John F Helliwell, Richard Layard, Jeffrey D Sachs, Jan-Emmanuel De Neve, Lara B Aknin, and Shun Wang said in an executive summary of the report.

“Outside the English-speaking world and Western Europe, the links between social media use and wellbeing are more positive, and they vary between platforms,” the researchers added.

The report, published by the University of Oxford’s Wellbeing Research Centre in partnership with Gallup and the UN Sustainable Development Solutions Network, cited data from sources including the Programme for International Student Assessment (PISA) and research by the American social psychologist Jonathan Haidt.

Despite the decline in youth wellbeing, Western countries, particularly in Scandinavia, dominated the overall happiness rankings across age groups.

Finland ranked as the world’s happiest nation for the ninth consecutive year, followed by Iceland, Denmark, Costa Rica, Sweden and Norway.

The Netherlands, Israel and Switzerland also made the top 10.

Middle Eastern and African countries had the lowest happiness scores.

Afghanistan reported the lowest life satisfaction, with Zimbabwe, Malawi, Egypt, Yemen and Lebanon also ranking among the bottom 10 countries.

Social media use among young people has been a growing concern for governments amid reports linking platforms to bullying, sexual exploitation and worsening mental health.

Australia last year introduced the world’s first social media ban for under 16s, with plans for similar restrictions under way in Indonesia, France and Greece.

Ryder Cup stars Ludvig Aberg and Matt Fitzpatrick both falter as American Cameron Young comes from behind to win the Players Championship 2026 at TPC Sawgrass.

WATCH MORE: Young wins Players Championship after Fitzpatrick bogey on final hole

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SEOUL, March 5 (UPI) — South Korean zinc producer Young Poong has become embroiled in a new controversy with shareholder KZ Precision, which manufactures hydraulic equipment.

Young Poong, a major shareholder of the world’s largest non-ferrous metals producer Korea Zinc, said Wednesday that it has brought KZ Precision, an affiliate of Korea Zinc, to court.

Young Poong accused KZ Precision of deliberately creating an illegal cross-shareholding structure during the Korea Zinc management control dispute ahead of Korea Zinc’s shareholders’ meeting early last year.

Young Poong alleged that KZ Precision sold its shares in Young Poong to an Australian-based Korea Zinc subsidiary with the aim of restricting Young Poong’s voting rights over Korea Zinc.

Over the past year, Korea Zinc has sought to fend off a takeover bid from Young Poong, which has joined with Korea’s top private equity firm, MBK Partners.

“We have filed a damages lawsuit against KZ Precision as our shareholder value was harmed by an unlawful restriction of voting rights,” Young Poong said in a statement.

“As the largest shareholder of Korea Zinc, we will keep playing a responsible role in normalizing the company’s corporate governance and enhancing shareholder value,” it added.

Meanwhile, KZ Precision criticized Young Poong’s management.

“Young Poong’s corporate value, reputation and internal control system have been damaged to an irreparable extent, resulting in adverse effects on shareholder value,” KZ Precision said in a statement.

“The current management of Young Poong was hesitant to make capital investments, which caused the corporation to lose competitiveness in its core smelting business and accumulate losses,” it said.

Young Poong has suffered from operating losses over the past few years, totaling $50 million in 2021, $74 million in 2022, $97 million in 2023, and $60 million in 2024. The Seoul-based company has yet to disclose last year’s results.

KZ Precision also took issue with the environmental concerns involving Young Poong, whose smelter operations in Korea were suspended for two months last year after discharging polluted wastewater without approval.

In response to Young Poong’s claim that it has channeled hundreds of millions of dollars to improve the environment around its smelter, KZ Precision argued that there may be accounting irregularities, which are reportedly under investigation by regulators.

LONDON — Sherlock Holmes and James Moriarty are notorious literary foes, but in “Young Sherlock” the duo make the unlikeliest of friends. The Prime Video series premiering Wednesday reimagines the fictional detective’s early years as he investigates a murder case that originates at Oxford, where he first meets his eventual antagonist. Their relationship is the basis of the first season, and in the hands of actors Hero Fiennes Tiffin and Dónal Finn, it’s particularly electric.

“I was always interested in the Moriarty character because he’s a hugely iconic villain,” says showrunner Matthew Parkhill. Guy Ritchie, who directs and is an executive producer on the series, tapped him to expand on an idea for a show that revealed Sherlock’s evolution into the detective we know and love.

“He’s mentioned in four books, but he’s only ever in one,” Parkhill adds, speaking from London’s Rosewood Hotel during a press day in late February. “Why are these guys such great enemies? If a great friendship turns sour, it can become a great rivalry. But the story is basically going to be how this incredible friendship unravels.”

Tiffin, who previously worked with Ritchie in 2024’s “The Ministry of Ungentlemanly Warfare,” auditioned to play Sherlock while on vacation in Thailand. Parkhill responded to the “sense of innocence and wonder” Tiffin brought to the long-established character, who is 19 during the events of this season. After being cast, he did a series of chemistry reads with several actors up for Moriarty. Finn had been one of the last tapes Parkhill had watched, but the showrunner was immediately captivated by his “magnetism and intensity and charm.”

“Very quickly it became apparent that there was this energy and the chemistry they had together,” Parkhill says. “For me, they’re two sides of the same coin. What we’ll explore if we get to carry on even more is why one chooses one path and one chooses another. Dónal had a charm and these flashes of darkness.”

In “Young Sherlock,” Moriarty (Dónal Finn), left, and Sherlock (Hero Fiennes Tiffin) become friends at Oxford.

(Daniel Smith / Prime)

Both actors could feel it as well. “When Dónal came in within 2½ seconds I realized I need to bring my A-game because he was going to make me look bad otherwise,” says Tiffin, 28, speaking alongside Finn at the Rosewood later that day. “Once we started filming, we were on the same wavelength. We weren’t coming in and trying to go toe-to-toe and test each other, but we were collaborating and working towards the same goal.”

“The most dramatic version of this show was if an unstoppable force meets an immovable object and there’s an equality in what they do,” adds Finn, 30. “That required both of us to make each other look as good as we could.”

“Young Sherlock” is inspired by but not based on Andrew Lane’s “Young Sherlock Holmes” book series. Although it sees Ritchie returning to the world of Sir Arthur Conan Doyle, the show is not a prequel to the director’s 2009 film “Sherlock Holmes” nor its 2011 sequel, which starred Robert Downey Jr. as the titular character.

“This is a different universe,” Parkhill confirms. “They are cousins in terms of tone. But Guy’s not the same director he was when he made those. The things he was interested in exploring now were also different. But we wanted the show to have that same irreverence.”

He adds, “The most basic thing for me was: What makes him become this person? He’s on the cusp of trying to find his place in the world and his sense of self, which makes it an interesting period of his life to explore.”

“When Dónal came in within 2½ seconds I realized I need to bring my A-game because he was going to make me look bad otherwise,” says Tiffin, right, posing with Finn.

(Evelyn Freja / For The Times)

The eight-episode series opens with a flashback to Sherlock’s childhood, revealing the loss of his sister Beatrice. Her death has sent a ripple effect through his family — his mother, Cordelia (Natascha McElhone), is in an asylum and his father, Silas (Joseph Fiennes), has departed. Sherlock himself has been incarcerated, much to the dismay of his older brother Mycroft (Max Irons), a civil servant who pulls a few strings to get Sherlock out of prison. Sherlock accepts a job as a servant at Oxford, where he meets Moriarty. The pair investigate a murder at the university involving Princess Gulun Shou’an (Zine Tseng), which eventually is far more complex than they could have imagined.

“The plot has got to be clear enough that the audience can go on this journey with us, but difficult and mysterious enough that Sherlock doesn’t guess it straight away,” Finn says. “I have a great admiration for Matthew for managing that, and also giving each character a role to play in that journey.”

One of those characters is Silas, Sherlock’s adventuring father who doesn’t appear until the end of Episode 4. Parkhill approached Fiennes, Tiffin’s uncle, to play the role.

“When I sat down with Matthew, I thought, ‘Oh, God, is this a gimmicky thing of getting family members?’” says Fiennes in a separate interview. “But I quickly felt, ‘No, it’s not.’ It felt very natural and it’s a gift to play family members with family. Actors are always trying to research and unearth and unpack to get to that state, but we could walk on set and already have that.”

Tiffin and Fiennes hadn’t previously worked together, but they found a rhythm quickly when Fiennes arrived a few months into production in Wales. Episode 5, a chapter of the saga that pits Sherlock against his father and reckons with their history, felt like a real moment of collaboration.

Joseph Fiennes plays Sherlock Holmes’ father, Silas, in “Young Sherlock.” The actor is Tiffin’s uncle: “It felt very natural and it’s a gift to play family members with family.”

(Daniel Smith / Prime)

“We were four months into shooting, so I’d built this confidence up, and then Joe comes in and I shrunk back into the shell of myself,” Tiffin says. “I’d love to put it down to acting, but that’s definitely my relationship with Joe seeping through. It’s good because Silas has been absent in Sherlock’s life for a while, and Sherlock wants to please and impress him too.”

He describes an “unspoken, innate, really deep, almost inaccessible thing” between himself and his uncle. “When I opened the doors at the end of Episode 4 and see Joe, I’ve opened my front door at my parents’ house when he’s come over for dinner when I’m 6 years old,” Tiffin says.

Ritchie directed the first two episodes and then handed off the reins, but his signature style is infused through the series. It has a contemporary bent despite the 1870s setting, with modern music used as the soundtrack. It’s full of action and momentum, much like Ritchie’s “Sherlock Holmes” films, but here the character is still finding his footing. When we meet Sherlock, he’s not an established detective and he has no idea how to properly fight.

“I do have to admit from watching Robert Downey Jr. in Guy Ritchie’s movies, especially as a young boy, he was the epitome of cool,” Tiffin says. “So it was a complete surprise to me that my Sherlock was not just going to not be able to fight, but was terrible at defending himself. ”

Moriarty, however, is far better equipped, teaching Sherlock how to defend himself. Finn relished working with Ritchie, whose fight scenes are a signature of his work.

“They’re brilliant, but he knows that we see fight sequences every day and wants to make them special,” Finn says. “He knows how to sprinkle them with humor or to film them in a way you don’t expect.”

“I do have to admit from watching Robert Downey Jr. in Guy Ritchie’s movies, especially as a young boy, he was the epitome of cool,” says Tiffin about the “Sherlock Holmes” films.

(Evelyn Freja / For The Times)

“They’re also not one-dimensional,” Tiffin adds. “The fight always informs something. It’s never just two people fighting.”

Tiffin had a lot of previous iterations of Sherlock to draw from, as well as the novels themselves. He visited the Sherlock Holmes Museum in London ahead of shooting. He pulled from his longtime love of Downey’s portrayal, but he wanted to make the character his own.

“A big thing for us was making sure that our characters show signs of becoming the characters who are fully developed in Conan Doyle’s works,” he says. “They need to be close enough, but still have room to grow. Sherlock hasn’t been exposed to the hardships of the world yet, so he still has this youthful energy. If we get more seasons, we will see Sherlock lose that.”

There are fewer cinematic touchpoints for Moriarty, although Andrew Scott famously played him in the BBC’s adaptation alongside Benedict Cumberbatch. Finn had a photograph of Scott on his wall during drama school.

“It’s hard not to be inspired by what people have done before you, but you also have to draw the line somewhere,” Finn says. “And these aren’t iterations of the characters we’ve seen before. We have the opportunity to map out what events or what choices they make that shape the person we know.”

There are nods to the more established versions throughout the series, including Sherlock picking up his iconic hat in a shop and Moriarty rejecting it. Several of Sherlock’s famous lines from the novels are actually spoken first by Moriarty, who repeatedly emphasizes that he is not a sidekick but an equal.

“There are these great moments when these characters have left a mark on each other,” Finn says. “If you’re a fan of the Sherlock Holmes canon, you’ll notice them.”

“Its so fun and interesting planting those seeds,” Tiffin adds. “Not only is it fun to explore in our story, but it makes you understand Conan Doyle’s works in a different way and enriches that. Everything about the idea of Moriarty and Sherlock being enemies is enriched by the idea that they were once friends.”

“There are these great moments when these characters have left a mark on each other,” Finn says. “If you’re a fan of the Sherlock Holmes canon, you’ll notice them.”

(Evelyn Freja / For The Times)

There are a few glimmers of Moriarty’s future sensibility, although for the most part Sherlock and Moriarty remain steadfast pals. For Fiennes, this “bromance” is the heart of the story alongside the familial dynamic between Sherlock and Silas.

“You get these two incredibly intelligent misfits who are out of joint with the social world that they’re in,” Fiennes says. “Oxford, the mothership of intellect, is devoid of spirituality, and these two misfits have this spirit we love. We want to hang with them because of their mischievous nature. We know it will all come crashing down and feed into the characters we know later.”

“They are both looking for some sense of connection,” Finn adds. “And so it makes the friendship a really true friendship. It’s rare for both of these characters to feel that they find someone who is an intellectual match. It enriches the idea that when there is a rivalry it’s not just because of opposing moral views. What if it’s driven by revenge or heartbreak or betrayal?”

Parkhill has mapped out several potential future seasons of “Young Sherlock.” The finale concludes with a cliffhanger and a possible new mystery. The showrunner plans to take the show as far as 1887’s “A Study in Scarlet,” the first of Doyle’s novels, and then pass the baton back to literature.

“We will never go past that book, which psychologically gave me a freedom I needed to do this series,” Parkhill says. “We’re aware of the stories, but we used them as a playground in which to play instead of drawing from them directly.”

“We’ve shown signs of them eventually being able to become these more developed characters that Doyle established, but we need to document that journey,” Tiffin adds. “I will never feel complete until I can finish that journey and arrive at 221b Baker Street and meet John Watson and draw a line through the word ‘young.’”

When 32 freshman football players filed excitedly into the meeting room at John McKay Center in January for their first official meeting at USC, each new Trojan from the nation’s No. 1 recruiting class in 2026 was asked to stand up, share their name, number, position and an interesting fact about them.

This was pretty standard fare, as far as ice-breakers go. Albeit with one notable difference from past years.

“It was abnormally long [this year,] for sure,” senior offensive lineman Tobias Raymond said, with a laugh.

As USC opened spring practice on Tuesday, a cursory glance through its spring roster would tell you just how much the Trojans will need those freshmen to find their footing — and fast — in a season likely to be defined by their development. Nearly half of the players in attendance for Tuesday’s first day (46 of 103) were either freshmen or redshirt freshmen. That’s almost triple the current size of USC’s junior or senior classes (16).

If the Trojans have any hope of making the College Football Playoff for the first time in five tries under Lincoln Riley, an influx of 18- and 19-year-olds will play a major part.

“There’s a lot of new guys,” Riley said Tuesday. “Getting a look at these people, seeing where they’re at in terms of their development and where they’ve gotta go, I think the evaluation process is going to be really important.”

At no position will that be more critical than pass catcher, where USC must replace its top two wide receivers, Makai Lemon and Ja’Kobi Lane, and top two tight ends, Lake McRee and Walker Lyons. In their place steps a deep crop of young talented options, all hoping to emerge this spring.

There will certainly be no shortage of opportunity for USC’s four incoming freshmen receivers (Kayden Dixon-Wyatt, Trent Mosley, Luc Weaver and Tron Baker) and two incoming tight ends (freshman Mark Bowman and junior college transfer Josiah Jefferson) to make that impression. In addition to the void left by Lemon and Lane’s departures, the Trojans will also be without their top returning wideout this spring, as Tanook Hines will sit out the entire session following an offseason procedure.

Hines, who’s only a sophomore, could probably use the next five weeks of spring to develop, considering how much of the Trojans passing attack is likely to rest on his shoulders this fall. But Riley said he thought Hines’ absence could actually be “a blessing in disguise” for the rest of the room.

“All these guys, they’re going to get a ton of reps and they all need them,” Riley said. “What a phenomenal opportunity for all those other guys to develop and to take advantage of those reps. We’re going to need that.”

That directive has been clear enough to USC starting quarterback Jayden Maiava since the Trojans’ fleet of freshmen arrived on campus. Maiava has spent much of the past two months trying to build a connection with young players on both sides of the ball, taking them out to dinners, watching film with them, walking through the playbook and even conducting players-only sessions on the practice field.

“It’s a big impact for the guys I’m going out there with,” Maiava said Tuesday. “Just letting them know I care about them and I care about their success. I want the best for them, and I want them to know that.”

In his third season as starter, Maiava won’t have the benefit of one of college football’s best pass-catching pairs at his disposal. He’ll also enter 2026 on the shortlist for the Heisman Trophy — and all the pressure that comes with that.

Offensive coordinator Luke Huard said last month that Maiava has had “a tremendous sense of urgency” since the end of last season.

Raymond, who will snap to Maiava as a center this spring, said the quarterback’s communication has improved “exponentially.”

“Seeing when someone is down or seeing when someone has a good play and picking them up or congratulating them, but also getting on people when they do something wrong,” Raymond said. “If he sees something, he calls it out. If he sees something good, he calls it out.”

Receiver isn’t the only spot where freshmen will get a serious chance to compete next season. On the offensive line, five-star offensive tackle Keenyi Pepe — at 6-foot-7, 330 pounds — already looks quite capable of contributing on a Big Ten front. The same could be said of edge rusher Luke Wafle — 6-foot-6, 265 pounds — and defensive tackles Jameion Winfield — 6-foot-3, 325 pounds — all of whom were five-star prospects.

Still, it may take some time for that young talent to show through, with USC also breaking in both a new defense and special teams concepts. But for what the Trojans will likely lack in experience this spring, they’ll make up for, in some part, with depth.

“We’ve never had a spring practice, none of us in all of our years, that we’ve had this high of a percentage of your full roster already here for spring,” Riley said. “Which is a huge advantage.”

There’s still the small matter of getting all those newcomers to gel. But on that note, Riley thinks talk of USC’s youth movement overlooks how many talented players are returning.

“We’ve kind of gotten painted on the outside as just this crazy young team,” Riley said. “Like, we do have some really good youth, and I know that class has gotten some attention in terms of how that recruiting process played out, but we’ve got a lot of guys that have played a lot of ball here. … You like the talent that we have, you like the returners. I love the guys we brought in. But like one of the best sports franchises of all time said, ‘You’re not collecting talent, you’re building a team.’

“We’ve got talent. Now we’ve got to build a team.”

Injury report

In addition to being down its No. 1 receiver, USC will be without two of its returning starters on the offensive line this spring. Center Kilian O’Connor and right tackle Justin Tauanuu will sit out while recovering from surgical procedures. Left tackle Elijah Paige didn’t practice on Day 1 of spring ball, either.

Cornerbacks Jontez Williams and Chasen Johnson and safety Christian Pierce won’t participate this spring, either, Riley said Tuesday.

Running back Waymond Jordan was limited to start spring ball, as was defensive tackle Jahkeem Stewart.

Trae Young has yet to play a game for the Washington Wizards.

The four-time All Star has, however, already been ejected from a game as a member of the team.

That happened Monday night, three days before Young’s expected debut for the team that acquired him in a trade with the Atlanta Hawks on Jan. 7. He has not played in an NBA game since Dec. 27 because of knee and quadriceps injuries.

Earlier on Monday, Young posted a video on Instagram that showed him in Wizards gear and ended with “3/5” on the screen, indicating the date Washington hosts the Utah Jazz later this week. Before his team’s game against the Houston Rockets on Monday night, Wizards coach Brian Keefe said Young was trending toward being able to play in the Utah game.

Still, Young was in street clothes and watching the Rockets-Wizards game on the bench at Capital One Arena. During the third quarter, Houston’s Tari Eason shoved Washington’s Jamir Watkins to the floor, an incident that did not draw a whistle from the referees.

A few seconds later, after a foul was called on Eason for a different incident involving Watkins, Young stepped onto the court while yelling at referee Jacyn Goble apparently over the previous no-call against Eason. Goble called a technical foul on Young, then spoke with crew chief Tony Brothers and umpire Marat Kogut.

Brothers then announced that the technical foul had been called on Young for running onto the court and that Young had been ejected from the game. Eason also was ejected.

Young gave high fives to fans as he left toward the locker room. He did not speak to reporters after the Wizards’ 123-118 loss but joked about his ejection on X.

“Don’t expect me to get ejected too many more times D.C.,” Young wrote, adding a crying-with-laughter emoji, “but I’m definitely bringing that energy & competitiveness when I’m back for my brothers!”

After the game, Keefe praised Young for having his fellow player’s back.

“I think he was just sticking up for his teammates, which I thought was great,” Keefe told reporters. “Obviously, the refs missed a call in which our guy got knocked down, and I loved how our teammates stuck with him. So, whatever happened in that moment, I was actually proud of him because he stuck up for his teammates and I really care about that type of stuff.”

Keefe added that it’s an example of the type of engagement Young has shown since he’s joined the team.

“It’s nothing that he’s not been doing the whole time since he’s been here,” Keefe said. “He’s talking to everybody in every timeout. He sees so much. He has so much stuff to share. He’s completely engaged in the whole game. So I am not surprised that he stood up [for] his teammates. That’s the type of guy he is, and we’re lucky to have him.”