Young

NBA says its focus is on new global academy opening in Abu Dhabi as Africa, Mexico and Australia hit by closures.

The NBA has closed its only elite training academy in Africa, less than a decade after it was launched in Senegal to prepare promising young African players for professional leagues in the United States and elsewhere.

The decision to close NBA Academy Africa was a blow to students and young players across the continent, two former employees said.

Michel Chikwanine, who had been the academy’s performance and lifestyle adviser, said late Thursday that the news discouraged African players just beginning to build confidence.

“From the moment we told them, their confidence waned, their confidence dropped,” he said.

Michael Abbott, former head of academic planning at the academy, said it showed a lack of commitment to the students.

“They weren’t invested in them as kids as much as they were invested in the business model,” he said.

In response to questions from the Reuters news agency, the NBA said the decision reflected a shift in global basketball development strategy. It has previously closed academies in Mexico and Australia. All training will be run out of a new global academy to open soon in Abu Dhabi in the United Arab Emirates, it said.

In its statement, the NBA added that it is continuing to invest in African talent through other programmes and closing the academy does not signal a diminished commitment to the continent.

It cited examples such as the creation of a Basketball Africa League, which has concluded six seasons, and Basketball Without Borders, which organises elite training camps for young people worldwide, including in Africa.

NBA success in Africa followed by closure

NBA Academy Africa has trained about 110 students since launching in Senegal in 2018, Abbott said, and many have moved on to elite schools and universities in the US. The most successful students were drafted into the NBA.

Graduate Ulrich Kamka Chomche of Cameroon became the first player to be drafted into the NBA in 2024 and played for the Toronto Raptors. Former academy student Khaman Maluach of South Sudan plays for the Phoenix Suns.

Chikwanine said closing the academy will limit opportunities for African players, who often come from challenging backgrounds and need specific support. All African prospects will have to compete globally for spots in the UAE.

He said the NBA’s decision reinforced a message felt by many Africans that big companies come to the continent claiming to want to invest in people but in reality just want to make money.

“They come in with an extraction mindset,” he said. “That has always been a reality on the continent of Africa. … There is a huge mistrust that has been built.”

The NBA denied that closing the academy would limit opportunities for young African players. It said training all young players at a single location would give them greater exposure to professional coaches and scouts worldwide.

“We’re incredibly proud of the impact that NBA Academy Africa has had and remain committed to developing the next generation of African players,” Troy Justice, NBA senior vice president, said in a statement, adding that several other youth development initiatives still operate on the continent.

Last year, Kim was one of the sponsors of the Community Investment and Prosperity Act, a proposed law that later was encompassed in another piece of legislation that expanded banks’ ability to invest in communities in a way that promotes economic development and the public good. The law allows national and state member banks to invest up to 20% of their capital and surplus in affordable housing, small business lending and community revitalization.

“Families across California have felt the effects of rising costs for years. From delivering meaningful tax relief to supporting commonsense housing and energy reforms, I remain committed to fighting for opportunity and economic security that put Californians first,” Kim said in a press release issued by Americans for Prosperity in May.

Calvert sees affordability as the biggest challenge facing families and blames Sacramento for the rising costs and “driving businesses out of the state.” He points to his vote in support of the One Big Beautiful Bill Act, which maintained many of the tax cuts in the Tax Cuts and Jobs Act of 2017 and raised the State And Local Tax (SALT) deduction cap.

“My priority is fighting to lower everyday costs, help families keep more of what they earn and supporting policies that fuel economic growth, which in turn provides higher wages and more opportunities for California families and workers,” he said.

England lifted successive trophies in 1982 and 1984 but then had to wait 39 years until Carsley’s men won in Georgia and Romania in 2023, beating Spain in the final.

Last summer’s extra-time victory over Germany in Bratislava sealed their title defence, thanks to Jonathan Rowe’s strike.

Winning the tournament three times in a row has only ever been done once before, by Italy in the 1990s, although never in the competition’s current guise of 16 teams.

Carsley is aware of the challenge ahead – but also the lasting impact more success could have.

“The older you get, you want to leave a legacy, don’t you?” He said, with England top of Group D and three points clear of Slovakia.

“There would have been an easy move, after the first win, to go and do club management and go and accept a few of the offers.

“But I enjoy the job I’m doing and I enjoy that I’m part of a bigger quest to win a major tournament. I want to be part of the FA when we do that.”

Carsley also says he welcomes the pressure of attempting to do something no Young Lions team has done before.

“I think we have to embrace that,” said the former Everton and Derby midfielder. “They come to play for the under-21s, you’re back-to-back champions. There’s a bullseye that goes with that. We have to be aware of that and go for it.

“The expectancy, we’ll just get through the group and then we’ll win the quarters, we’ll win the semis and then we’ll just win the final… it’s very difficult.

“My priority is definitely qualifying and then that’s something I’ll think about.”

Some graduates are paying thousands just to look employed. And parents are spending up to $50,000 on career coaches. Why is the entry level job market so broken? Al Jazeera’s Yasmeen ElTahan explains.

DAVID Walliams’ entire children’s book catalogue has been dropped by publisher HarperCollins.

The author and TV star, 55, was let go by the company last year after it had been reported that he “harassed” young female staff.

A junior employee had complained about Walliams’ conduct, prompting an internal investigation.

HarperCollins will now phase out physical copies in bookshops before removing ebook and audiobook versions.

His back catalogue of titles includes Billionaire Boy and Gangsta Granny.

In December 2025 the publisher said it would not publish any new titles by Walliams, saying it “takes employee wellbeing extremely seriously”.

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Bosses at a Waterstones festival also cut ties and the BBC said it had no projects “directly involving” him.

Walliams began writing after finding fame as the star of BBC comedy Little Britain.

He went on to sell more than 60million copies, starting with 2008’s The Boy in the Dress.

In November 2022, Walliams quit as a judge on Britain’s Got Talent after lewd comments about contestants were leaked.

He apologised for the “disrespectful” remarks but later sued BGT makers Fremantle and secured a big payout.

A spokesman for Walliams had said in December: “David has never been informed of any allegations raised against him by HarperCollins.

“He was not party to any investigation or given any opportunity to answer questions.

“David strongly denies that he has behaved inappropriately and is taking legal advice.”

New York Mets first baseman Jared Young was carted off the field Thursday night after he took a knee to the head during a collision with pitcher Nolan McLean while both players were trying to make a play on a ground ball hit by Philadelphia’s Justin Crawford.

Young, who landed face-first in the dirt, reportedly was briefly knocked unconscious during the sixth-inning incident at Citi Field.

“It was scary to sit there and just know that he wasn’t with us in that moment,” Mets shortstop Francisco Lindor said after the game. “He was just somewhere else.”

Young was able to give a thumbs-up to the crowd, however, as he was driven off. Mets interim manager Andy Green told reporters after the game that it “feels at this point in time like we’ve avoided the scariest outcomes.”

A CT scan at a hospital was negative, said Green, who added that Young had concussion symptoms but also had full use of his extremities.

Still, Green said after his team’s 3-0 loss, “it was a terrifying moment on a baseball field. Took him a while to come to. It was a really scary collision.”

McLean remained in the game and struck out Philadelphia’s Garrett Stubbs to end the inning. He was replaced by reliever Tobias Myers in the seventh.

Young, 31, has been a bright spot for the Mets (69-84) during his first full season, hitting .266 with nine homers and 39 RBIs in 103 games. A left knee injury caused him to miss six weeks early in the season.

“He’s somebody we all respect and appreciate and have love for,” Lindor said. “He’s been a big part of our team this whole year.”

The Associated Press contributed to this report.

WASHINGTON — A nonprofit run by Black federal lawmakers launched a multimillion-dollar effort Tuesday to engage lower-propensity voters in key districts in the midterm elections, following years of dissatisfaction over traditional efforts to reach such voters.

The Congressional Black Caucus Institute’s “SO VOTE” campaign will seek to register and mobilize young voters, as well as voters in majority-Black and rural communities, across the South, Midwest and West. The campaign involves partnerships with dozens of local organizations, the institute said, with in-person and online outreach to voters often sidestepped by major political campaigns.

“For decades, as far as I can remember, there are those of us who have always complained about the fact that neither party spends the significant and requisite time with Black and brown and poor and rural communities,” said Marcia Fudge, a former Democratic congresswoman from Ohio who served as the secretary of Housing and Urban Development during the Biden administration.

“So we finally decided to take it upon ourselves to do something that we didn’t think anybody else in the industry was doing,” said Fudge, who is spearheading the new effort alongside former Black Caucus colleagues.

Effort blends old tactics with new technologies to boost turnout

Voter engagement efforts will cover outreach across Georgia and Mississippi, as well as target voters in 16 congressional districts that are likely to determine control of the House.

Instead of traditional television advertising, the campaign will convene local civic groups and houses of worship, as well as fraternities and sororities. The effort will also use some now-widespread techniques in political campaigns, such as geotargeting online ads and partnerships with local content creators for audiences who mainly receive their news online.

While the voter engagement efforts are officially nonpartisan, the Black Caucus’ targeted races are in many regions where Black voter turnout could prove key to whether a Democratic candidate prevails in closely divided House districts. Cedric Richmond, a former Louisiana Democratic congressman who served as a senior adviser to President Joe Biden, said the effort would focus on repeatedly engaging voters in rural communities who feel alienated from Democratic campaigns.

“If you’re not happy with the way things are going, then voting is part of the solution, but it takes constant communication,” Richmond said.

The Black Caucus’ institute has raised about $1 million for the campaign, primarily from individual donors, and plans to spend at least $4.5 million in the midterm election cycle.

Campaign responds to GOP redistricting and disappointing turnout in the past

The new outreach effort follows years of disappointment and frustration among some in the Black Caucus at the broader Democratic Party’s efforts to court Black, rural and younger voters.

Rep. Jim Clyburn, an influential South Carolina Democrat who decried the lackluster voter turnout in the 2024 election, said the campaign “allows us to put to practice that which we have been proposing, and we have never had the resources to do it. But this year we do.”

The effort is also a response to Republican-led redistricting efforts in multiple states, said Rep. Bennie Thompson, a Mississippi Democrat.

“These Southern states are trying to minimize Black political participation and ultimately Black political strength,” he said. “So what we have to do is take that low-propensity voter and elevate their participation so they become an additional voice to be reckoned with.”

Brown writes for the Associated Press.

RIYADH: The performing arts in the Kingdom is undergoing a transformation driven by cultural investment, new venues, international collaboration, and a growing network of local professional and academic institutions, making it tempting for young Saudis to pursue.

While academic study in the field is comparatively new, Saudi theatrical production is not. The Kingdom has long produced recognized theater throughout the Gulf and regionally, but many practitioners studied overseas.

Today, Saudi Arabia is localizing the education of its creative talent through academic and professional training in the country.

Since 2020, Saudi has dedicated a Theater and Performing Arts Commission to regulate and develop a sector encompassing theater, dance, circus, improvisational comedy, street performance, ballet and opera.

Not only through training but also national competitions and workshops.

Undergraduate programs are offered at King Saud University, Princess Nourah University and most recently the Riyadh University of Arts. While the Royal Institute of Traditional Arts provides postgraduate and diploma-level education, Scene Institute, and Ithra have further professional training.

As Saudi universities begin their academic year, many students are continuing their conventional degrees. Other creatives are pursuing their passions academically, making the most of the opportunities the Kingdom has to offer.

Osama Almutairi, a final-year Bachelor of Arts in Theater student at King Saud University, spoke to Arab News about the feasibility of his academic choice.

“My love and passion for the arts, particularly theater, naturally led me to this specialization.”

Theater was not his first choice. “I initially considered studying political science but was accepted into theater as part of the first cohort at the College of Arts,” he said.

“Despite my initial interest in pursuing a conventional degree in the humanities, the continuous development of Saudi Arabia’s arts sector encouraged me to take this step.”

Saudi Arabia has been taking proactive measures while localizing performing arts scholarships.

The Ministry of Culture has been running a fully funded Cultural Scholarship Program that supports creative specializations at 278 approved institutions across 15 countries, including performing arts.

One beneficiary is Majed Al-Muwallad, an actor and theater teacher at Afaq Academy, who completed his Bachelors in Theater Studies at Royal Holloway, University of London.

“I travelled to London in 2021. During my studies, I participated in several theatrical productions, ranging from small projects to larger, more academically oriented university productions.

“I had loved acting since I was about 14 years old. I loved films, acting, stories and dramatic texts. When the scholarship opportunity appeared, I thought: ‘Why should I let this opportunity pass?’ I decided to take it.”

Al-Muwallad said he left a job at Aramco to pursue his childhood dream, although members of his community were uncertain about his unconventional choice.

“They were not sure about the professional opportunities available or where such a career could lead,” he said.

“It was a major career change, and leaving Aramco to pursue acting was an unfamiliar idea. People do not usually leave Aramco to become actors,” he added.

Now that he has graduated and is teaching Saudi youth to act, Al-Muwallad believes it was a good decision.

He is even considering pursuing a master’s degree in the performing arts, specifically in performance design. For him, the opportunities are not limited to acting. He hopes to build on his studies in costume, lighting and set design.

“Every theatrical production needs design. It requires a set, costumes and lighting. Rather than limiting myself to the acting and performance side of theater, I would like to develop expertise in design and contribute to the audience’s overall visual experience.”

Almutairi believes perceptions will continue to change as Saudi artists demonstrate the value of academic training.

“The future is wide open for the arts and artists. Society’s perception will continue to change as academically trained Saudi artists demonstrate their ability to represent their communities and country.

“This change is already becoming evident, with society playing an increasingly important role in supporting the success of Saudi artists nationally and internationally.”

For Al-Muwallad, theater should be approached holistically — not only as a career or degree, but also as a journey of self-discovery.

“I learned a great deal before I even began teaching the students. I had to learn how to communicate theatrical knowledge and present information in a way students could understand.

“The experience has taught me a lot about communication and how to identify students’ talents. Theater teaches communication and helps students discover themselves.”

Al-Muwallad encourages young people in Saudi Arabia to pursue their passions academically. “My advice is not to treat university as merely a stage that you pass through and finish,” he said.

“Students should engage with the experience deeply and benefit from it in every possible way.”

He said soft skills can be learned through theater, including communication, emotional intelligence and teamwork.

“Another piece of advice we were always given in London was to always ask questions. A question produces an answer, and that answer often generates another question.

“Asserting that openness and eagerness to learn is vital to a good actor, theater itself is founded on curiosity.

“Students should watch a wide variety of theater and explore different traditions, including Arab, English, Greek and Russian theater, as well as influential approaches such as Russian (theatre practitioner Konstantin) Stanislavski’s.”

On Saudi having a relatively emerging academic orientation to performing arts, Almuwallad sees it as a big opportunity rather than a challenge or a barrier.

“Saudi Arabia is still developing in this field, which means students now have an opportunity to participate in shaping it. What they create can become visible and make an impact relatively quickly.”

“Students should recognize that they are important. They should not treat themselves as secondary characters in this development. They have the opportunity to play a central role because the field is still new.”

For Saudi youth choosing an arts degree over a safer, conventional path, there is an opportunity to turn passion into a profession, and ultimately shape the nation’s creative scene.