woman

A former British TV host who accused Arnold Schwarzenegger of fondling her breast has filed a libel action against him, alleging her reputation was smeared in the final days of last year’s historic recall election.

In the legal claim, filed in London’s High Court, Anna Richardson accused Schwarzenegger and two other people connected with his campaign of protecting the candidate’s “ruthless political ambition” by lying about an alleged groping incident in 2000.

In court papers, Richardson contends that the governor’s campaign operatives falsely described her as sexually provocative, saying she forced herself on Schwarzenegger after he appeared on her celebrity-driven show. That version of the encounter, provided by a Hollywood publicist long associated with the actor, appeared in a Los Angeles Times story published five days before last year’s gubernatorial recall election. Richardson was one of six women quoted in the story as saying Schwarzenegger had touched their bodies without consent.

The complaint, which seeks unspecified damages, was filed in May but remained confidential under British law because the governor had not been formally served with court papers. That occurred recently.

On Friday, a judge in London denied a motion by one of the governor’s co-defendants to block the case from going forward. Former campaign spokesman Sean Walsh unsuccessfully argued that the British court did not have jurisdiction. The judge’s ruling paved the way for a possible trial in London next year and raised the possibility that the governor could be forced to testify about his allegedly inappropriate treatment of women.

In addition to the governor and Walsh, the complaint names a third defendant, Sheryl Main, the Hollywood publicist whose comments in The Times triggered the legal action. She now works for the governor as a deputy communications director.

Requests for comment from Schwarzenegger and Main were referred to attorney Martin Singer. He did not return calls made to his Century City office. An attorney for Walsh, Thomas Hiltachk , said his client planned to appeal the ruling.

Richardson is the second woman to bring a libel action against Schwarzenegger since the recall. In July, a Los Angeles judge dismissed the other case, filed by former stuntwoman Rhonda Miller. She had alleged that the Schwarzenegger campaign defamed her after she publicly accused the candidate of sexual harassment.

In her suit, Miller said Schwarzenegger spokesman Walsh led reporters to believe she had a history of prostitution and drug abuse. In fact, that criminal record belonged to a woman with the same name.

The judge ruled that Miller, by holding a news conference, had become a limited public figure and was forced to show “clear and convincing” evidence that Walsh or the Schwarzenegger campaign knowingly provided false information — a burden of proof she was unable to meet.

The most recent case, however, is likely to last longer.

In Great Britain, according to legal experts, the standard for proving libel is easier than in the U.S. Here, it’s up to plaintiffs to prove that the allegedly defamatory remarks were false. There, the burden shifts to the accused, who must defend the truth of such statements.

“In a he-said, she-said case where the evidence is roughly even on both sides, it makes all the difference in the world who has the burden,” libel expert Rodney Smolla of the University of Richmond law school said in an interview earlier this year.

Richardson’s groping allegations against Schwarzenegger date to the December 2000 taping of an interview for her late-night British TV show about movies, “Big Screen.” Schwarzenegger was promoting his film, “The 6th Day.”

Immediately after the interview, Richardson said, Schwarzenegger pulled her onto his knee. “Before you go,” she quoted him as saying, “I want to know if your breasts are real.” Richardson said Schwarzenegger then circled her left nipple with his finger and said, “Yes, they are real.”

An account of the incident appeared in the British press within a few days and was included in a March 2001 article in Premiere magazine with the headline “Arnold the Barbarian.”

She reiterated the account in an interview with The Times last fall in the closing weeks of the recall battle.

When Walsh was asked by the newspaper to comment on Richardson’s allegations, he arranged for publicist Main to answer questions because she was present during the interview with Schwarzenegger in a suite at London’s Dorchester Hotel.

Main said in a telephone interview that Richardson, after finishing the interview, rose from her chair, cupped her right breast in her right hand and said: “What do you think of these?” Main said Richardson then sat in Schwarzenegger’s lap. With that, Main said, Richardson was escorted out of the room.

Main also said during the interview — in a remark not published at the time — that Richardson was dressed “rather provocatively, a very low-cut top and very short skirt.”

On at least that point, a videotape of the Schwarzenegger interview shows Main was wrong. Richardson was wearing a black, long-sleeve turtleneck and a black leather skirt that fell below the knee.

In her complaint, Richardson alleges that Main’s quoted remarks were intended to protect Schwarzenegger “from a catalog of sexual misconduct.”

Said one of her attorneys, Graham Atkins: “We look forward to proceeding swiftly to trial in order to vindicate Ms. Richardson’s reputation.”

A British athlete crowned the world’s strongest woman says she was “robbed” of her winning moment after it emerged the original champion was a transgender woman who was ineligible to compete.

Andrea Thompson was awarded the title retrospectively after American athlete Jammie Booker was disqualified.

Thompson told BBC Sport the competition, held in Arlington, Texas, was “overshadowed by somebody who shouldn’t have been there”.

“I was very frustrated and angry with what she’s done,” she said. “She lied and was very dishonest, and took away a lot of things from a lot of women.

“The lady that came 11th didn’t get the chance to do the third day… to have the top 10 status in the world.”

Organisers, Official Strongman, said “competitors could only compete in the category for their biological sex recorded at birth”, and that they had disqualified the athlete in question “who is biologically male”.

Great documentaries are sometimes lucky accidents, the product of being at the right place at the right time and then having the wherewithal to produce something extraordinary out of those unlikely circumstances. When director Julia Loktev traveled to Russia in October 2021, all she wanted was to chronicle a handful of smart, dogged journalists trying to tell the truth who, for their trouble, had been branded foreign agents by Vladimir Putin’s vindictive government. She didn’t know she would be arriving mere months before Russia’s full-scale invasion of Ukraine. But thanks to a quirk of coincidence, she ended up having a front-row seat to history.

She made the most of it: Running five-and-a-half hours without a minute wasted, “My Undesirable Friends: Part I — Last Air in Moscow” takes us inside TV Rain, one of Russia’s last independent television channels. Divided into five chapters, the documentary begins as Loktev, who was born in the former Soviet Union before leaving when she was 9, returns to her homeland armed with an iPhone to shadow veteran TV Rain reporter and host Anna Nemzer. Over the next four months, a period that ended shortly after the invasion began, Loktev embedded herself not just with Nemzer (who is credited as the film’s co-director) but several other journalists as they fear being arrested for their reporting.

Loktev hasn’t completed a film since 2011’s “The Loneliest Planet,” which starred Gael García Bernal and Hani Furstenberg as soon-to-be-wed lovers backpacking through the Georgian countryside, their seemingly close bond shattered after a harrowing encounter. In that movie and her previous feature, 2006’s “Day Night Day Night,” a spare procedural about a nameless suicide bomber in New York, Loktev explored the mysteries of human behavior under pressure. But with “My Undesirable Friends,” she takes that fascination to a new level, introducing viewers to a group of compelling subjects, many of them women in their 20s, who open up in front of her camera while hanging out at TV Rain, their apartments or in cafes, candidly processing their country’s terrifying descent into authoritarianism in real time.

These intrepid journalists couldn’t foresee the invasion that was coming, nor the brutal local crackdown on free speech in its wake, but Loktev makes those dire certainties clear from the start, solemnly intoning in voice-over, “The world you’re about to see no longer exists.” Since its premiere at last year’s New York Film Festival, “My Undesirable Friends” has been compared to a horror movie and a political thriller but perhaps more accurately, it’s a disaster film — one in which you know the characters so intimately that, when the awful event finally occurs, you care deeply about the outcome. (“My Undesirable Friends” bears the subtitle “Part I” because Loktev has nearly finished a second installment, which catches up with the women after they fled Russia.)

In its avoidance of interviews with experts or historians, the documentary offers a kind of personal scrapbook of Loktev’s subjects, showing what everyday life is like in an oppressive society: strikingly banal with a constant background hum of paranoia. Each woman comes into empathetic focus. Nemzer, who is a little older than her colleagues, balances her demanding job with marriage and motherhood. Meanwhile, her younger co-worker Ksenia Mironova keeps diligently filing stories despite her fiancé, journalist Ivan Safronov, being imprisoned for more than a year. (He would subsequently be sentenced to 22 years.) Investigative reporter Alesya Marokhovskaya has a girlfriend, whose face we never see, and eventually details grim memories of a violent childhood. And then there’s Marokhovskaya’s best friend and partner Irina Dolinina, who combats anxiety while her politically unconscious mother harangues her about not being able to find a man now that she’s been labeled a foreign agent.

The stress and uncertainty of these conversations is palpable but, remarkably, so is a spiky sense of humor. When a co-worker is temporarily locked up, Mironova cracks jokes outside his prison while awaiting his release. The journalists wear their foreign-agent designation as a badge of honor, mocking the comically lengthy disclaimer text they’re forced to run with their broadcasts, a pitch-black coping mechanism to make sense of their tense, surreal moment.

“My Undesirable Friends” captures dark times with some of the funniest people you’d ever hope to have as sisters-in-arms. Defiant, emotional and life-affirming, the film presents us with endearing patriots who love their country but hate its leaders, sucking us into a riveting tale with a powerful undertow.

The audience anticipates the frightening future that awaits these journalists, which makes their relentless advocacy all the more moving. If our 20s are a period of unbridled optimism — a hopefulness that slowly gets beaten out of us as we grow older — “My Undesirable Friends” stands as a touching display of the resilience of youth. There is nothing naive about these women who came of age during Putin’s cruel regime, but they nonetheless believe they can change things. While Loktev rarely inserts herself into this epic, we feel her admiration from behind the camera. The film inspires while it challenges: What were any of us doing at that age that was comparably heroic or meaningful? What are we doing now?

Those questions should stick in the craw of Americans who watch this masterwork. Loktev has made a movie about Russia but its themes spread far beyond that country’s borders. During a year in which the worst-case scenarios of a second Trump presidency have come to fruition, “My Undesirable Friends” contains plenty of echoes with our national news. The canceling of comedy shows, the baseless imprisonment of innocent people, the rampant transphobia: The Putin playbook is now this country’s day-to-day. Some may wish to avoid Loktev’s film because of those despairing parallels. But that’s only more reason to embrace “My Undesirable Friends.” Loktev didn’t set out to be a witness to history, but what she’s emerged with is an indispensable record and a rallying cry.

“Had we been aware, or had this been declared at any point before or during the competition, this athlete would not have been permitted to compete in the Woman’s Open category,” the statement added.

“It is our responsibility to ensure fairness and ensure athletes are assigned to men or women’s categories based on whether they are recorded as male or female at birth.”

Thompson, first crowned world’s strongest woman in 2018, said the manner she had won the title had taken the gloss off it, but praised Strongman for “investigating and rectifying the situation so quickly”.

“What should be a momentous occasion has sadly been overshadowed by scandal and dishonesty from someone who was welcomed into our crazy sport,” she said in a post on her Instagram, external account.

“I am not only frustrated with not being able to celebrate a win, but also for the ladies who had their time to shine on the podium or reach the final day, taken away from them.”

Thompson, from Suffolk, said she and fellow competitors were “mentally drained” having “received backlash and insults” since the decision, which “needs to stop”.

“This has been the most exhausting experience of my career,” she added.

“We, as a community are taking a stand. Protecting women’s sport as we have fought so hard for.”

A travel writer who visited Italy with her mother earlier this year said she visited two cities that gave a more authentic experience of Italy than the likes of Rome or Venice

A woman who visited Italy with her mother elected not to visit popular cities like Rome, Florence, or Venice, instead opting to try less famous and more unusual destinations.

Travel writer Jenna DeLaurentis took her mother on a “retirement trip” to the iconic European country frequented by millions of tourists each year and her verdict was that the likes of Padua and Ravenna would result in a “more authentic” experience of Italy.

For geographical context, Ravenna is located in the north east, 50 miles from Bologna whilst Padua is just 20 miles from Venice.

Jenna said that whilst Ravenna receives a lot of tourists, these mainly appeared to be day trips from Bologna which meant many of them left during the afternoon, leaving the area calm.

Meanwhile, in Padua, Jenna wrote in Business Insider that they encountered a “similar scenario”. She explained: “Sites like the Basilica of St. Anthony and Scrovegni Chapel were busy in the morning, but most tourists seemed to be gone before it got dark.

“As crowds dwindled in both Ravenna and Padua, my mum and I spent our evenings trying local cuisine and sipping cocktails at outdoor bars.”

Jenna’s conclusion was that visiting smaller cities like Padua and Ravenna gave them a much better experience than visiting major tourist hubs such as Rome and Venice.

She explained: “Though the attractions are noteworthy, they’re often overshadowed by overwhelming crowds.

“Visiting Ravenna and Padua, on the other hand, gave us the best of both worlds. We made wonderful memories together while exploring each city’s historical attractions, and loved spending quiet evenings wandering around picturesque city centres.”

Jenna’s comments about her trip in late May come as Europe recovers from another heavy tourism season and the annual questions about overtourism, a phenomenon that has raised questions about how many tourists as city can take.

However, at the start of next year, the tourism season may start earlier in Italy as the country prepares to host the Winter Olympics and Paralympic Games due to take place between February 6 and February 22 and March 6 to March 15 respectively.

In response, the UK’s Foreign Commonwealth and Development Office (FCDO) has updated its travel guidance for Italy, encouraging Britons to get travel insurance. In an update they said: “If you choose to travel, research your destinations and get appropriate travel insurance. Insurance should cover your itinerary, planned activities and expenses in an emergency.”

Addressing the Olympic Games directly, they added: “Get advice on weather and avalanche conditions before you travel and familiarise yourself with local skiing laws and regulations. You can contact the Italian State Tourist Board for advice on safety and weather conditions before you travel.”

Reports say doctors diagnosed the woman with critically low blood sugar, likely leading to her weakened condition.

A woman in Thailand has shocked staff at a Buddhist temple when she started moving in her coffin after being brought in for cremation.

Wat Rat Prakhong Tham, a temple in the province of Nonthaburi on the outskirts of the capital, Bangkok, posted a video on its Facebook page, showing a woman lying in a white coffin in the back of a pick-up truck, slightly moving her arms and head, leaving temple staff bewildered.

Pairat Soodthoop, the temple’s general and financial affairs manager, told The Associated Press news agency on Monday that the 65-year-old woman’s brother drove her from the province of Phitsanulok to be cremated.

He said they heard a faint knock coming from the coffin.

“I was a bit surprised, so I asked them to open the coffin, and everyone was startled,” he said.

“I saw her opening her eyes slightly and knocking on the side of the coffin. She must have been knocking for quite some time.”

According to Pairat, the brother said his sister had been bedridden for about two years, when her health deteriorated and she became unresponsive, appearing to stop breathing two days ago.

The brother then placed her in a coffin and made the 500km (300-mile) journey to a hospital in Bangkok, to which the woman had previously expressed a wish to donate her organs.

The hospital refused to accept the brother’s offer as he didn’t have an official death certificate, Pairat said. His temple offers a free cremation service, which is why the brother approached them on Sunday, but was also refused due to the missing document.

The temple manager said that he was explaining to the brother how he could get a death certificate when they heard the knocking. They then assessed her and sent her to a nearby hospital.

The abbot said the temple would cover her medical expenses, according to Pairat.

According to the Thailand News website, doctors later diagnosed the woman with severe hypoglycaemia, or critically low blood sugar, and confirmed she had not experienced cardiac or respiratory failure.

Natasha Blanthorn had always wanted to visit Berlin, but did not want to spend a fortune on a weekend away – so she decided to go for the day

A woman flew to Berlin and spent a day sightseeing for £100 – and she was back in bed for 10pm. Natasha Blanthorn, 26, always fancied a trip to Berlin to experience the rich culture and history.

She trawled the internet to bag some budget flights and flew out on November 8 on on a 6.20am flight, determined to stick to a budget of £100. Natasha, a college marketing manager from Macclesfield, Cheshire, spent the day sightseeing – joining a walking tour and visiting a history museum.

And 25,000 steps later she headed back to the airport to fly home – in time for 10pm bedtime. In total she spent just £102.07 for the budget day out – and said while its “not for the faint-hearted”, she loved every second.

Natasha said: “I had to get up at 3.30am for the flights – I only got about four hours’ sleep. But the second I got there, all the tiredness left my body.

“Because I joined a tour, I got to see a lot of the iconic sites. I didn’t have to use a single day of annual leave – and the whole thing cost just £100.”

Natasha had completed two ‘extreme day trips’ prior to booking her Berlin trip – and said she regularly trawled Skyscanner for reduced flights. When return flights from Manchester to Berlin dropped from around £80 to £38, she snapped them up.

Six weeks later she was on a flight, having set off early to drive to Manchester from Macclesfield, and rented a parking space on someone’s driveway, costing just £11.60 for the day.

Natasha took just one small bit of hand luggage – containing a portable charger, her passport, some breakfast bars, her headphones and her purse. They departed at 6:20am, and landed just before 9am.

She bought an £8.30 return train ticket to take her to Alexanderplatz and spent the morning wandering around the Topography of Terror exhibit. The free exhibit showcased some of the history of the SS in the Third Reich.

From there, Natasha nipped off to grab some lunch – swinging by a McDonalds for convenience – otherwise just fuelling herself on snacks. She said: “Maybe that wasn’t very culturally enriching, but time was of the essence, and there were queues at all the street vendors. I knew I needed something to keep me going through the tour.”

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She had pre-booked a £14.17 walking tour starting at 1pm, which lasted three hours and included informational stops at Hitler’s Bunker (the Führerbunker), Checkpoint Charlie, and the Brandenburg Gate.

She got the same train back to the airport around 4pm, arriving at 5.50pm, and boarded her flight home at 8.20pm. Despite only spending a few hours in the iconic city, she felt she was able to cover a lot of the main historical landmarks.

She said: “The walking tour was best – Berlin is so rich in history. I would never in a million years have had time to research all the facts about the different sites on my own, but I got everything on the tour.”

Natasha said the price of the day was so reasonable that she’s already planning a return to visit the east side of the city to see the art at the East Side Gallery.

She said: “When I got back, I felt like I was high, just from the adrenaline of it all. It was a busy day, but you forget all the tiredness and just remember the memories.”

A train from London to Glasgow on Tuesday, November 25 at lunchtime costs £130.80p at the time of writing – £28.73p more than Natasha’s trip.

COSTS:

Flights – £38.00 return

Parking – £11.60 for the day near airport

Breakfast at Manchester airport: £8.00

Food in total in Berlin: £22.00

Walking tour: £14.17

Train to and from Berlin airport: £8.30

Total: £102.07

Claire Rothman, a trailblazing sports and entertainment industry executive indelibly tied to the Los Angeles Lakers during their 1980s heyday, has died.

Family members confirmed her death, on Saturday, was due to complications from a fall. She was 97.

As the president and general manager of the “Fabulous Forum,” Rothman was pivotal in bringing big-name musicians to the Inglewood venue and had deep ties to the Lakers when it was the team’s home during the “Showtime” era, when the Lakers won five championships in a decade.

Jeanie Buss, the daughter of former Lakers owner Jerry Buss — who after the recent sale of the team acts as its governor in NBA meetings — lamented the loss of Rothman, a woman she said shaped her career.

“Claire paved the way for women working in live entertainment. She was tenacious, creative and indomitable. My father always described her as the MVP who championed the Fabulous Forum as the West Coast concert rival to the legendary Madison Square Garden,” Buss said Sunday evening.

“For me personally, she was a mentor and a guide, helping me learn and navigate an industry that had never been very open to women in leadership,” Buss said. “I learned an incredible amount from her as an executive and consider her one of the major influences in my life.”

Rothman, hired in 1975 by Lakers owner Jack Kent Cooke, became the vivacious president and general manager of the Forum during a pivotal moment in the Lakers’ history. She was frequently seen around town wearing the many championship rings that the team won during her tenure. Rothman was a prominent character in the HBO series “Winning Time: The Rise of the Lakers Dynasty,” played by actor Gaby Hoffmann.

“Claire Rothman is a f— legend,” Rebecca Bertuch, a writer for the show, told The Times in 2022. “I mean, she broke barriers that people didn’t think would ever be broken and she kicked ass and was notorious and well-known in her line of work for being that girl.”

Rothman has been recognized for her role in professional sports at a time when women were not commonplace or were treated poorly.

“I’m not exactly quiet,” Rothman is quoted as saying during a speech in a 1985 profile in The Times. “I am the only woman in the United States who runs a major sports arena. I have a variety of duties. I book the building. I schedule the sports. The box office answers to me, all the staffing answers to me, and at night I get to play hostess.”

She brought big-name acts such as Prince to the Forum and developed relationships with entertainers including Linda Ronstadt, Neil Diamond and Lionel Richie.

“Many building managers will not meet artists in their entire lives,” Larry Vallon, then-vice president of the Universal Amphitheatre, told The Times in 1985. “In Claire’s case, artists go out of their way to meet her. She has an incredible reputation in the industry.”

It was a remarkable position for a woman whose family had humble beginnings in this country.

Rothman’s family fled Romanian pogroms against Jewish people at the turn of the 20th century, immigrating to Philadelphia, according to Magda Peck, a cousin of Rothman’s mother.

“What I remember about Claire was how important family was to her and how close she was with my mother and the other cousins,” Peck said. “There was something about modeling how women support each other, how cousins are there for each other across generations.”

Peck, a public health expert, last saw Rothman a couple of weeks ago.

“She said, ‘Promise me that you’ll stay close to the cousins,’” Peck said. “Before she’s famous, before she’s the mother of the Lakers family, [she prioritized] the value of extended family.”

Rothman died in Las Vegas, where she had moved after leaving Southern California. She is survived by a son and a daughter, and multiple grandchildren and great-grandchildren.

The technologist and professor Mindy Seu was having drinks when her friend casually referred to the phone as a sex toy. Think about it, her friend, Melanie Hoff, explained: We send nudes or watch porn, it’s vibrating and touch-sensitive — it’s practically an appendage.

“What exactly is sex, and what exactly is technology?” Seu wondered. “Neither can be cleanly defined.”

Around the same time, in 2023, Seu had just published “Cyberfeminism Index,” a viral Google Sheet-turned-Brat-green-doorstopper from Inventory Press. Critics and digital subcultures embraced the niche volume like a manifesto — and a marker of Seu’s arrival as a public intellectual whose archiving was itself a form of activism. The cool design didn’t hurt. “If you’re a woman who owns a pair of Tabis or Miistas, you are going to have this tome,” joked comedian Brian Park on his culture podcast “Middlebrow.”

Still, the knot between sexuality and technology tugged at her. “Recently, my practice has evolved toward technology-driven performance and publication,” she said. “It’s not exactly traditional performance art, but I believe that spaces like lectures and readings can be made performative.” Though she wasn’t yet finished exploring this theme, she wasn’t sure how to approach it next — until an experiment by Julio Correa, a former Yale graduate student, sparked an idea. Correa had devised an Instagram Stories-based lecture format, and she immediately saw its potential. She reached out to ask if she could “manipulate” his idea into a performance piece, and would he like to collaborate?

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Thus, “A Sexual History of the Internet” was born. The work is two things at once: a participatory lecture-performance conducted through the audience’s phones, and an accompanying, palm-sized, 700-plus-page “script” examining how our devices serve as bodily extensions.

The book isn’t exhaustive but instead a curated miscellany of non-sequiturs and the kind of dinner-party lore Seu delights in. Did you know that the anatomical structure of the clitoris wasn’t fully mapped until a decade after the invention of the World Wide Web? Or that the first JPEG — introduced in 1992 at USC — cribbed a Playboy centerfold nicknamed “Lenna,” which journalist and the author of the 2018 “Brotopia” Emily Chang called “tech’s original sin.”

The metaverse, web3 and AI — none of this is new, Seu said in her loft this past Saturday, hours before her West Coast debut at the Geffen Contemporary at MOCA. “But understanding the arc is helpful, especially how it’s tied to militaristic origins rooted in power, and how those same people were also confronted with sexuality.”

She’s just returned from a whirlwind tour — Antwerp, New York, Oslo, Madrid — with Tokyo next month. She splits her time between L.A. and Berlin, where her boyfriend lives, but for now, she’s staying put in what she calls her “bachelor pad on the set of a ‘90s erotic thriller,” inherited from a friend, the artist Isabelle Albuquerque.

The floor-to-ceiling windows high in a historic Brutalist artists’ complex overlook MacArthur Park and the downtown skyline. She’s offset the building’s cement with a childhood baby grand piano and her grandmother’s lacquer vanity with pearl inlay. That Seu marries the feminine and the spartan in her space feels intentional — a reflection of the dualities that animate her life and work.

“A Sexual History of the Internet” by Mindy Seu

(Photography by Tim Schutsky | Art direction by Laura Coombs)

Though she moved from New York three years ago, she resists calling herself an Angeleno — partly, she admits, because she never learned to drive despite growing up in Orange County. Her parents ran a flower shop after immigrating from South Korea. The household was conservative, Presbyterian and promoted abstinence. Like with many millennials, her sexual awakening unfolded online.

“I asked Jeeves how to have an orgasm,” she writes. “I sexted with classmates on AOL Instant Messenger. Any curiosities were saved until I could sneak onto my family’s shared ice blue iMac G3 in the living room.”

At 34, the very-online academic holds a master’s from Harvard’s Graduate School of Design and has taught at Rutgers and Yale before joining her alma mater, UCLA, as one of the youngest tenured professors (and perhaps the only one who has modeled for JW Anderson and Helmut Lang). Her first three years at UCLA have each had their crises — encampments, fires, ICE raids — yet her Gen Z students give her hope. “They’re so principled and motivated, even if it’s in a nihilistic way,” she said.

Online, fans declare their “brain crushes” on Seu, whose ultra-detailed spreadsheets have become unlikely catnip for TikTok. Vanity Fair dubbed her the rare cybernaut who “lands soft-focus photoshoots in niche lifestyle publications.” Her unusual power is the ability to move through different fields, Trojan-horsing her theories across academia, the art world, the lit scene, tech, fashion, et al. Seu’s notoriety continued to swell after appearing on the popular internet talk show “Subway Takes” with the standout zinger: “Gossip is socially useful, especially to women and the marginalized.”

“Mindy’s really good at bridging different audiences who might not read an academic text about the history of the internet but are interested in Mindy’s practice,” said Correa, Seu’s student-turned-collaborator. When the two workshopped their performance last year on their finsta (a.k.a. fake Instagram), they encountered one major hurdle: censorship. They had to get creative with their algospeak (like changing “sex” to “s*x”) to keep from getting banned.

Mindy Seu in her MacArthur Park loft.

(Carlin Stiehl / For The Times)

“A Sexual History of the Internet,” designed by Laura Coombs, carries that collaborative ethos into its financial structure. Seu’s first book went through traditional publishing, where authors often receive about 10% and contributors receive fixed fees. This time, she wanted a citation model that compensated the 46 thinkers who shaped her understanding of the subject.

She approached Yancey Strickler, director of Metalabel, “an indie record label for all forms of culture,” and co-founder of Kickstarter. Seu’s original proposal waived all profits to collaborators. “Everyone got paid but her,” Strickler said. If she wanted the model to be replicated, he told her, it needed a capitalist backbone.

They landed on Citational Splits, where everyone who was cited joined a 30% profits pool, in perpetuity, across future printings (27 opted in). The remaining 60% goes to Seu and five core collaborators. Strickler likened it to music royalties or company shares: “Your presence increases the project’s value, and some of that value should flow back to you.”

Neither can name a publishing precedent. “It shows a profound, practical morality that underlies her work,” he said.

At MOCA, about 300 Angelenos braved an atmospheric river to sit in the darkened former police car warehouse bathed in red light. No projector, no spotlight. A pair of Tabis winks at her all-black-clad friend; a couple holds hands as Seu moves through the room. (“I intentionally wear very noisy shoes,” she said earlier.)

With the calm cadence of a flight attendant, Sue instructs everyone to put their phones on Do Not Disturb, sound and brightness to max and open Instagram to find @asexualhistoryoftheinternet.

The audience reads in unison when their designated color appears. What follows is a chorus of anecdotes, artworks and historical fragments tracing the pervasive — and sometimes perverted — roots of our everyday technologies. Hearing men and women say “click and clitoris” together is its own spectacle.

“From personal websites to online communities, cryptocurrencies to AI, the internet has been built on the backs of unattributed sex workers,” one slide notes. Sex work has long been an early adopter of emerging technology — from VHS to the internet — and the present is no exception. Two years ago, OnlyFans creators made more money than the total NBA salary combined; today, the company now generates more revenue per employee than Apple or Nvidia.

Seu ends with the widely known dominatrix Mistress Harley’s concept of data domination, a subset of BDSM in which her “subs” (a.k.a. submissives) grant her remote access to their machines. Seu tells the crowd that she has essentially done the same, “viewing the voyeurs” and taking photos of us throughout the performance, which are already posted to Instagram.

We walk out into the dark rain, wondering what exactly we witnessed — and realizing, perhaps, we’ve been witnessing it all along.

Elphaba and Glinda have changed the box office, at least for this weekend.

“Wicked: For Good” — the conclusion to Universal Pictures’ two-part film franchise — hauled in an estimated $150 million in the U.S. and Canada this weekend, marking the second-highest domestic opening this year, trailing only blockbuster hit “A Minecraft Movie.” Globally, the film grossed about $226 million.

The opening weekend audience for “Wicked: For Good” skewed even more female (69%) than the first film, which counted 61% of its viewers as women, according to data from EntTelligence.

Lionsgate’s “Now You See Me: Now You Don’t” came in a distant second at the domestic box office with $9.1 million. The third installment of the illusionist franchise has now brought in a cumulative $36.8 million in the U.S. and Canada and a total of $109.4 million globally across its two weekends.

Disney’s 20th Century Studios’ “Predator: Badlands,” Paramount Pictures’ “The Running Man” and “Rental Family” from Searchlight Pictures rounded out this weekend’s top five.

The Cynthia Erivo and Ariana Grande-led film was bolstered by a massive marketing push that began early last year before the first “Wicked” movie debuted. Though the films are based on the hit Broadway play, Universal wanted to expand awareness of the story to markets that had been less exposed to the theatrical show.

As a result, the franchise has partnered with more than 100 brands, including toy companies like Lego and Mattel as well as more unexpected firms such as household goods giant P&G and online Asian supermarket Weee!, where director Jon M. Chu serves as chief creative officer.

The film’s opening weekend success also points to a demand for female-focused franchises.

After 2023’s “Barbie” grossed $1.4 billion at the global box office, there were countless calls for more films geared toward women. But this year, many of the big-budget movies were male-leaning, and the narrower returns at the box office have prompted questions about whether films were reaching all possible demographics.

“Women continue to be a really underserved audience,” said Shawn Robbins, director of movie analytics at Fandango and founder of the website Box Office Theory. “In terms of large blockbusters, it’s been a minute since there’s been a female-skewing movie on the scale of ‘Wicked’ or ‘Lilo & Stitch.’”

“Suffs,” Shaina Taub’s musical about how women finally secured the right to vote in America, won Tony Awards for its book and score. It lost the best musical race to “The Outsiders,” but the respect it earned when it opened last spring on Broadway made it an unequivocal winner.

The show is having its Los Angeles premiere at the Hollywood Pantages Theatre in a touring production that is smooth and smart. Taub’s work deserves nothing less than an A. The cast is excellent, the staging is graceful and the political message could not be more timely.

The show might not have the crackling vitality of “Hamilton” or the bluesy poignancy of “The Scottsboro Boys.” It’s a good deal more earnest than either of these history-laden musicals. There’s an educational imperative at the heart of “Suffs,” which deals with a subject that has been marginalized in schools and in the collective consciousness.

The 19th Amendment, which gave women the right to vote, was ratified in 1920, a little more than a century ago. The history isn’t so distant yet I’m sure I wasn’t the only one at Wednesday’s opening who was learning about the forceful tactics that helped Alice Paul and her fellow suffragists push their movement over the finish line.

“Suffs,” a musical for the public square, is as informative as it is uplifting. It is above all a moving testament to the power of sisterhood. The struggle for equality continues to face crushing setbacks today, but Taub wants us to remember what can happen when people stand united for a just cause.

Alice (a winning Maya Keleher) doesn’t seem like a rabble-rouser. A bright, well-educated woman with a polite demeanor, she looks like a future teacher of the year more than a radical organizer. But she has an activist’s most essential quality: She won’t take no for an answer. (Keleher lends alluring warmth to the role Taub made her Broadway debut in.)

Marya Grandy and the company of the national tour of “Suffs.”

(Joan Marcus)

She’s rebuffed by Carrie Chapman Catt (Marya Grandy), the president of the National American Woman Suffrage Assn., whose motto (“Let your all-American mother vote”) is the basis for the show’s opening number, “Let Mother Vote” — a distillation of the old-guard approach that has yet to yield women the vote.

Alice wants to organize a march in Washington, D.C., to force the president’s reluctant hand, but Carrie prefers a more genteel strategy. “Miss Paul, if my late great mentor Susan B. Anthony taught me anything, it’s that men are only willing to consider our cause if we present it in a lady-like fashion.

“State by state, slow and steady, until the country’s ready” is, after all, NAWSA’s fundamental creed. But Alice points out that if they continue at this glacial pace they’ll be dead before they can ever cast a vote.

Swinging into action, Alice teams up with her friend Lucy Burns (Gwynne Wood), who worries that they haven’t the experience to take on such a momentous mission. “We’ve never planned a national action before,” she objects at the start of their duet “Find a Way.” But undaunted Alice has the bold idea of recruiting Inez Milholland (played at the opening night performance by Amanda K. Lopez), and a way forward miraculously materializes.

Inez has just the right glamorous public image that Alice thinks will give their march the publicity boost it needs. Studying for the bar exam, Inez is initially reluctant but agrees if she can lead the march on horseback.

This image of Inez on a steed becomes central both to the movement and to director Leigh Silverman’s production, which finds simple yet striking ways of bringing revolutionary change to life. A chorus line of activists wearing suffragist white (kudos to the luminous tact of costume designer Paul Tazewell) eloquently communicates what solidarity can pull off.

Brandi Porter, left, and Jenny Ashman as President Woodrow Wilson in “Suffs.”

(Joan Marcus)

An all-female and nonbinary cast dramatizes this inspiring American story. Taub takes some fictional license with the characters but largely sticks to the record.

Notable allies in Alice’s organization include Ruza Wenclawska (Joyce Meimei Zheng) a Polish-born trade union organizer with a no-nonsense grassroots style, and Doris Stevens (Livvy Marcus), a shy yet undeterred student from Nebraska who becomes the group’s secret weapon secretary.

Ida B. Wells (Danyel Fulton), an early leader in the civil rights movement, takes part in the march but resists being used as a prop in what she calls NAWSA’s “white women convention.” Mary Church Terrell (Trisha Jeffrey), a fellow Black activist, by contrast believes that it’s only through participation that representation can move forward.

President Woodrow Wilson (Jenny Ashman), who makes promises to the suffragists he is hesitant to keep, is a crucial target of Alice’s pressure campaign. Her group’s access to him is aided by Dudley Malone (Brandi Porter), Wilson’s right-hand man, who becomes smitten with Doris.

The score marches ahead in a manner that makes progress seem, if not inevitable, relentless in its pursuit of justice. The songs combine the patriotic exuberance of John Philip Sousa and the American breadth of Broadway composer Stephen Flaherty (“Ragtime”). The note of pop accessibility in Taub’s music and the satiric humor of her lyrics add to the buoyancy. You won’t leave humming a tune, but the overall effect (while ephemeral) is pleasing in the theater.

With the history already determined, the book can’t help resembling at times a civics exhibition. Dramatic tension is hard to come by. Alice and her cohorts suffer grave disappointments and indignities (including a harrowing stint in prison), but the eventual outcome of their struggles is known.

“Suffs” sometimes feels like a history lesson neatly compartmentalized into Important Episodes. There’s a whiff of PBS to the way the musical unfolds. This is cultural programming that’s good for you.

But the teamwork of the performers honors the messy yet undeniably effective cooperation of Alice and her freedom fighters — women who changed the world by not staying silent in their prescribed place.

Inside a dim New Orleans-style bar in Hollywood, dozens of strangers mingle under the thump of pop music while nursing complimentary cocktails. Each person is sporting a name tag along with a personality sticker, or a few, that best captures their vibe. Neat freak. Plant parent. Night owl. Craft beer aficionado.

The scene reads like a friendly singles mixer, but listen to their conversations and it’s clear the chemistry they are hoping for isn’t romantic. They are here to find the perfect roommate.

Participants mingle around the bar area during SpareRoom’s “speed roommating” event at the Sassafras Saloon in Hollywood.

(Kendra Frankle / For The Times)

Hosted by rental platform SpareRoom, the monthly “speed roommating” event connects people who are renting rooms with those who are looking for one in a low-key, in-person setting — no endless online profiles to fill out, no awkward interviews. Loosely based on speed dating, sans the timed interactions, attendees put on name tags indicating either “I need a room” or “I need a roommate” along with their ideal budget and neighborhoods. Then they wander freely. One woman passed out flyers for a furnished studio in downtown L.A. with air conditioning, a Murphy bed, an in-unit washer and dryer and streaming TV. Another woman showed people her rental on an iPad.

Pris Liora, 40, who was looking for someone to rent the extra room in her Koreatown apartment, didn’t prepare any questions for potential housemates, saying she just wanted to do a vibe check. Her only deal breakers? “No pets, no children, no cigarette smoking and no secret cocaine problem,” she says with a laugh.

With the average rent for a studio starting about $1,688 per month, $2,166 for a one-bedroom apartment and roughly $2,983 for a two-bedroom apartment in Los Angeles, according to Apartments.com, more people are embracing shared living arrangements. Rupert Hunt, founder and CEO of SpareRoom, says they’re doing so not only to cut expenses, but also to foster community. The company’s mixers can help spark those connections, he believes — they’ve been hosting speed roommating events in L.A. since June, following successful events in London, San Francisco and New York.

“There’s something so immediate about the event,” says Rupert Hunt, founder and CEO of SpareRoom.

(Kendra Frankle / For The Times)

“There’s something so immediate about the event,” Hunt says. “You meet 10 people in the time it would take you to meet one the traditional way.”

Hunt has even found a housemate for himself at one of the mixers. “I love sharing,” says Hunt, who notoriously rented out two rooms in his New York City apartment for just $1. “I think I’m a better version of myself. I think I get a bit lazy if I’m living on my own.”

At the event, Aeris DeLeon, who was wearing a sticker with the phrase “foodie,” says her mother was the person who told her about the speed roommating event. The 25-year-old was temporarily living in Bakersfield but recently moved back home to L.A.

“It was just dead over there and I was just home sick, and it wasn’t really working out for me,” she says.

Upon arrival, attendees can pick out personality stickers with phrases like coffee addict, plant lover and early bird. (Kendra Frankle / For The Times)

She decided to attend the event because it’s more “personable than just going on Craigslist or Facebook, and it’s the best [way] to weed out scammers,” she says. Her mission was to find an apartment that cost $1,300 a month max with someone preferably close in age.

James Caton, 68, was just getting started in his search for a room. After learning that his apartment building — where he’s lived for nearly a decade — might be sold, he jumped into action.

“To me, as soon as you find out, it’s better to go ahead and start looking for something,” says Caton, who attended the mixer with his childhood friend who was looking to rent a room.

SpareRoom’s speed roommating events are free with an RSVP, and each person receives two complimentary drinks along with a one month trial of SpareRoom premium.

Speed roommating is free to attend and comes with complimentary drinks.

(Kendra Frankle / For The Times)

Even if attendees didn’t find a roommate at the event, several of them continued their conversations late into the evening. Some even stayed for karaoke at the bar. It seemed that in a world where talking about finances can be seen as taboo, having a space to openly discuss rent prices, how to deal with nightmare landlords and housemates and other grievances was its own win, a moment when they could feel a bit less alone.

Nov. 20 (UPI) — The Justice Department on Thursday ended its case against a woman who was shot after allegedly ramming a Customs and Border Protection vehicle in October.

Marimar Martinez, 30, and Anthony Ian Santos Ruiz, 21, were charged with assault for following and allegedly ramming a Chevrolet Tahoe driven by CBP agent Charles Exum on Oct. 4, the Chicago Sun Times reported.

U.S. Attorney for Northern Illinois Andrew Boutros filed court papers to end the prosecution on Thursday without citing a reason, though.

U.S. District of Northern Illinois Judge Georgia Alexakis granted the DOJ’s motion to dismiss the case against both defendants early Thursday evening, KTEN reported.

“Border Patrol law enforcement officers were ambushed by domestic terrorists that rammed federal agents with their vehicles,” the Department of Homeland Security said Thursday in a prepared statement, as reported by NBC News.

Martinez “was armed with a semi-automatic weapon and has a history of doxing federal agents,” the DHS added.

Her attorney agreed she had a firearm in her vehicle but argued that she was not brandishing it.

Both defendants pleaded not guilty, but evidence revealed Exum bragged in messages to others about shooting five times and causing seven wounds.

During a recent hearing, a defense attorney asked Exum why he apparently bragged about shooting Martinez while using the Signal messaging app.

He said he is a firearms instructor and “I take pride in my shooting skills.”

Exum was participating in Immigration and Customs Enforcement’s “Operation Midway Blitz” when Martinez and Ruiz allegedly boxed in the vehicle he was driving and then struck it.

The defendants said Exum struck them with the vehicle he was driving and then shot Martinez.

They performed together with Frank Sinatra. With Harry Belafonte. With Fred Astaire. And on Monday, Germany’s Kessler twins — Alice and Ellen — ended their lives together at age 89.

Police confirmed the death to the Associated Press, stating in an email that it was a “joint suicide.” The women shared a house in the suburb of Grünwald, just south of Munich,

The sisters, who were born in the town of Nechau on Aug. 20, 1936, “no longer wanted to live” and “had chosen to end their lives together,” the German outlet Bild reported Monday, according to an automated translation. Medically assisted dying is allowed in Germany under certain conditions, the outlet said, for people who are legally capable and acting of their own free will.

The women were inseparable in life as well as death, learning to dance when they were children and applying their skills with the Leipzig Opera children’s ballet, the AP said. In 1952, after World War II ended and the family found itself living in the newly created German Democratic Republic, East Germany, they all fled to West Germany.

The tall twosome — reportedly 5-foot-10 — was discovered three years later while dancing in Düsseldorf in 1955, by the director of Paris’ Lido cabaret, according to German news agency DPA International. That launched an international career for the Kesslers, who moved to Rome, toured the world and performed with luminaries, DPA said.

They refused an offer to appear in “Viva Las Vegas” with Elvis Presley, the AP said, not wanting to get pigeon-holed in American musical films. But according to IMDb, they had a decent career in film and TV, which included mostly Italian and German projects. They sang on “The Ed Sullivan Show” three times in the early 1960s and on “The Red Skelton Show” in 1963.

The Kesslers worked well into their 80s, telling DPA at one point, “Being on the road as a duo only has advantages. You’re stronger together.”

The women told Bild in 2024 that they had “stipulated in [their] wills” that they wanted to be buried in the same urn, alongside their mother and a beloved dog. They never married.

On Monday, Radio Monte Carlo posted a tribute to Ellen and Alice Kessler on social media.

“Alice and Ellen Kessler left together, just as they lived: inseparable,” the radio station, which broadcasts out of Monaco and Milan, said in Italian on Instagram. “Born in 1936, they were an absolute symbol of European spectacle, including music, dance and television. In Italy, they became celebrities as the ‘legs of the nation,’ icon[s] of elegance and stage presence since the Fifties.

“A unique artistic couple, capable of leaving an indelible imprint on the collective imagination.”

Porsha Williams of “The Real Housewives of Atlanta” appears to have gotten a mouthful from a woman on her flight back to Georgia from Las Vegas on Sunday night, her lawyer says.

The Atlanta Police Department said Tuesday that it had investigated the incident, then handed off victim and witness statements to the FBI. It didn’t identify Williams specifically.

“Upon arrival, officers made contact with two females who may have been involved in the dispute,” the department said in a statement on its website. “Preliminary investigation indicated that both parties may have been involved in a verbal dispute that reportedly escalated into a physical dispute during an inbound flight to Atlanta.”

Now, the real housewife’s attorney, Joe Habachy, did identify his client specifically, saying in a statement, “Ms. Williams was verbally assaulted by an irate and unhinged passenger without provocation. The passenger then proceeded to make false allegations that were in direct conflict with observations from several eyewitnesses.”

The women were separated “on the scene,” according to police, and both parties were interviewed by officers.

Williams had been at the BravoCon 2025 fan fest in Las Vegas before she was videotaped walking with the officers who met her at Hartsfield-Jackson Atlanta International Airport. TMZ posted the video Monday. A Delta spokesperson told that site that both women had been spoken to on the plane as well as at the airport.

“FBI Atlanta is aware of the incident on the flight,” a representative for that office said in a statement Tuesday. “It is unknown at this time if federal charges will apply.”

But attorney Habachy said that’s par for the course when something happens on a plane. “[F]ederal authorities are required to conduct an investigation involving all parties to determine what, if any, offenses occurred,” he said, adding that Williams intended to cooperate with law enforcement “to whatever extent necessary.”

She is confident the other passenger ultimately will be charged, he said.

Annie Leibovitz strides onto the Wiltern stage to the thunderous cheers of 1,500 mostly female fans. She takes her place at the podium, a small, casually dressed figure on a big stage. On the screen behind her are images of the matching covers of her new two-book set, “Annie Leibovitz: Women.” Volume 1 is her 1999 collection. Volume 2 has 100 new photos captured in the 25 years since. Taken together, the slipcased set zooms in on the past quarter century of American womankind, rendered in 250 images of dancers, actors, astronauts, artists, politicians, farmers, writers, CEOs, philanthropists, soldiers, musicians, athletes, socialites and scientists.

“The book was Susan’s idea,” Leibovitz says on Tuesday, referring to writer Susan Sontag, her partner until Sontag’s death in 2004. “I thought doing a photo book about women was a bad idea, like going out and photographing the ocean. But then I heard what Hillary Clinton said at the U.N. Conference on Women in 1995 — ‘Women’s rights are human rights, and human rights are women’s rights’ — and I reconsidered.” Applause shakes the Wiltern rafters.

An image from Volume 2 appears, featuring a somber-looking Sontag. “This is the last formal portrait of Susan,” Leibovitz says. “You could think she’s projecting a sense of strength, but really, she was mad at me for making her go outside to take the picture.” The crowd roars with laughter.

Think of Leibovitz, and some legendary photographs spring to mind. Whoopi Goldberg submerged in a milk-filled bathtub on the cover of Vanity Fair, July 1984. Also on VF covers: Michael Jackson, fittingly clothed and shot in black-and-white, in 1989. Demi Moore, fully pregnant and fully naked, two years later. But the photo that remains Leibovitz’s most iconic to date is the January 1981 cover of Rolling Stone featuring a nude, fetal John Lennon wrapped around Yoko Ono. “John showed up naked,” Leibovitz tells the audience. “Yoko wanted to wear clothes, so she’s fully dressed.” Leibovitz took the Polaroid on Dec. 8, 1980 — a few steps away from, and a few hours before, Lennon was shot and killed by former fan Mark David Chapman.

Joan Baez in Woodside, Calif., in 2007, from “Annie Leibovitz: Women.”

(Annie Leibovitz)

In Volume 2, we find a barefoot Joan Baez sitting in a tree strumming her guitar; a pregnant Rihanna draped in jewels and fur; Billie Eilish dreaming over a journal with pencil in hand; Shonda Rhimes with her feet up on a desk as massive as her oeuvre; and an uninhibited Michelle Obama as we’ve never seen her before: chin raised, eyes closed, hair tossed back, T-shirt and jeans parted to reveal her midriff. “I was in shock,” Leibovitz says. “But the first lady’s assistant was standing next to me, shouting, ‘That’s my first lady!’”

Familiar faces dominate, but woven between them are portraits of “regular” American women. A botanist precedes Oprah Winfrey, a philanthropist and a rabbi surround the founder of a Skid Row nonprofit, the reproductive rights activists of Moms Demand Action share space with a nude Lady Gaga. “I told her to bring a slip,” Leibovitz comments. “I’d rather people keep their clothes on at this point in my life.”

Volume 2 includes one essay each from activist Gloria Steinem, Nigerian writer Chimamanda Ngozi Adichie and Leibovitz herself. Steinem writes, “This book will help us to discover our adventurous true selves. … We are atoms whirling in place, affected by and affecting those near and far from where we are.”

Adichie agrees. “Taken as a whole,” she writes, “these photographs create a deeply moving experience, they refute the singular lens, they revel in plurality’s power, and because of — or perhaps in spite of — their wide range, they are infused with a spirit that is communal, collective, even unifying — and ultimately hopeful.”

Leibovitz concludes the second book. “For this volume I thought about issues that are important today,” she writes. In 2016, when she was beginning work on Volume 2, the notoriously cloistered Leibovitz told a New York Times reporter about the nationwide “talking circles” she and Steinem had organized, in which women shared their experiences with issues including sexual violence, technology and human rights. “Talking in groups like that, it brings me to tears,” Leibovitz told the reporter, adding that the new work she was making for Volume 2 was more “democratic.” Volume 2 is indeed more diverse, possibly in response to a widely discussed critique of Leibovitz’s photographs of Black women.

No celebrity survives fame without acquiring a layer or two of tarnish. In the decades between Volumes 1 and 2, Leibovitz’s representations of Black women painted Leibovitz with hers. A 2022 Guardian story was headlined, “Annie Leibovitz proves yet again: she can’t photograph Black women.”

“Leibovitz’s photographs are what happens when Blackness is seen through a white gaze incapable of capturing its true beauty,” contributor Tayo Bero wrote, referring to a list of Leibovitz subjects including Simone Biles, Viola Davis, Serena Williams and Rihanna. Bero wrote, “In all cases, she manages to make her subjects look dull, ashy, pained and sad, a far cry from the lively and graceful people that they usually are.”

Bero and others particularly criticized an image Leibovitz made for Vogue, depicting Supreme Court Justice Ketanji Brown Jackson at the Lincoln Memorial. In the photo, the snow-white marble statue takes center stage, overlooking Brown Jackson on the lower left. At the Wiltern, when that image appears, Leibovitz speaks of her own experience shooting it, not the controversy surrounding its publication. “I was skeptical about that idea,” Leibovitz says. “But she walked into the rotunda and she started reading Lincoln’s words that are engraved into the wall. It was such a moving moment.”

Two years later, the controversy was reawakened by Leibovitz’s depictions of Zendaya, also in Vogue. An April 2024 piece on the website Screenshot Media reiterated the photos’ failure to accurately reflect “the beauty of melanated skin tones, with poor lighting that often results in lackluster portrayals.”

In her introductory essay to Volume 2, Adichie, on the other hand, praises Leibovitz’s sensitivity. “The first time Annie photographed me, more than ten years ago at my home, she sensed my discomfort right away and knew it was not merely about my general awkwardness with being photographed. It was specifically about my belly, which was newly postpartum, although I would probably still have worried even if it wasn’t. … Annie’s sanguine reaction was a relief. There was no divisiveness, no judgment.”

Rihanna at the Ritz Hotel, Paris, in 2022, from “Annie Leibovitz: Women.”

(Annie Leibovitz)

Leibovitz, her representatives and her publisher, Phaidon Press, declined to comment on the critique. In an email interview with Phaidon Vice President Deborah Aaronson, who worked on four Leibovitz titles, Aaronson said, “‘Women’ reaffirms Annie Leibovitz’s place in the photographic canon. In the ‘Women’ series, she captures a breadth of experience and people who live and work in different spheres that’s unparallelled. I believe the series makes her the most important chronicler of women over the past 50 years.”

Annie Leibovitz entered the San Francisco Art Institute at 22, intending to be a painter. But a night photography class she took on a whim changed her medium, and her life. While still a student, manifesting the confidence that would characterize her career, Leibovitz pitched a Lennon shoot to Rolling Stone. Three years later, rendered immortal as the final photographer of Lennon and Ono, Leibovitz became Rolling Stone’s chief photographer.

In 1983, Leibovitz joined the staff of Vanity Fair, where her field of exploration, and her social sphere, expanded to include actors, athletes and politicians. In 1991, she became the first woman to have a solo show at the National Portrait Gallery in Washington, D.C. She was designated a Library of Congress Living Legend in 2000.

In 2001, at age 52, Leibovitz gave birth to her first daughter, Sarah Cameron Leibovitz. Sontag was at her bedside. In May 2005, via surrogate, Leibovitz became the mother of twin daughters, Susan (named for her beloved painter sister) and Samuelle. In 2009, Leibovitz was commissioned to make the official portrait of the first family — President Barack Obama; his wife, Michelle; and their daughters, Sasha and Malia — continuing the relationship that began in 2004 when she photographed Obama in his run for the U.S. Senate.

“I want to photograph the White House,” Leibovitz says, “but I don’t think there will be much of it left when I get to it.” The evening ended as it began: with the enthusiastic applause of her audience.

COLUMBIA, S.C. — Sending women who get abortions to prison for decades. Outlawing IUDs. Sharply restricting in vitro fertilization.

These are the strictest abortion prohibitions and punishments in the nation being considered by South Carolina lawmakers, as opponents of the procedure are divided over how far to go.

The bill faces a long legislative path and uncertain prospects, even if it clears the state Senate subcommittee that’s reviewing it.

But the measure up for a second hearing Tuesday would go further than any considered since the Supreme Court overturned Roe vs. Wade in 2022, as abortion remains an unsettled issue in conservative states.

What’s in the bill

The proposal would ban all abortions unless the woman’s life is at risk and eliminates exceptions for rape and incest victims for pregnancies up to 12 weeks. Current law blocks abortions after cardiac activity is detected, which is typically six weeks into a pregnancy, before many women know they are pregnant.

The proposal would also go further than any other U.S. state. Women who get an abortion and anyone who helps them could face up to 30 years in prison. It appears to ban any contraception that prevents a fertilized egg from implanting. That would ban IUDs and could strictly limit in vitro fertilization.

Providing information about abortions would be illegal, leaving doctors worried they couldn’t suggest legal abortion elsewhere.

OB-GYN Natalie Gregory said passing a bill like this would make so many discussions in her practice — about contraceptives, losing a pregnancy, in vitro fertilization options — a “legal minefield” that could have her risking decades in prison.

“It constitutes a unconstitutional reach that threatens the very fabric of healthcare in our state,” she said during an eight-hour public hearing on the bill last month, adding that the proposal is a waste of time and public money.

The proposal has even split groups that oppose abortion and once celebrated together when South Carolina passed the six-week ban in 2021, a trigger law that took effect after Roe vs. Wade was overturned the next year.

South Carolina Citizens for Life, one of the state’s largest and oldest opponents of abortion, issued a statement the day of last month’s hearing saying it can’t support the bill because women who get abortions are victims too and shouldn’t be punished.

On the other side, at least for this bill, are groups including Equal Protection South Carolina. “Abortion is murder and should be treated as such,” the group’s founder, Mark Corral, said.

Past messaging fuels divide

Mary Ziegler, a law professor at UC Davis who has written extensively about abortion, said the divide stems from long-standing messaging that labeled abortion murder while avoiding punishment of women.

Ziegler refers to groups pushing for more penalties and restrictions as “abolitionists” and said their success in reshaping laws in conservative states, as well as shifting the broader political climate, has emboldened them to push ideas that don’t appear to have broad public support. They also have enough influence to get lawmakers to listen.

“It’s not going to go away. The trajectory keeps shifting and the abolitionists have more influence,” Ziegler said.

As the nation’s social and political discussions lurch to the right, with debates over whether same-sex marriage should be made illegal again or whether women should work outside the home, Ziegler said it has become easier to push for restrictions that might have never been brought before legislatures before.

“There is more breathing room for abolitionists now,” she said.

The bill’s prospects

A similar House bill last year got a public hearing but went no further. As the subcommittee met, Republican House leaders issued a statement that they were happy with the current state law, and that bill went nowhere.

But things are less certain in the Senate, where nine of the 34 Republicans in the 46-member chamber were elected after the current law was passed. Three of them unseated the Senate’s only Republican women, a trio who called themselves the “Sister Senators” after helping block a stricter abortion ban after Roe was overturned.

Republican Sen. Richard Cash, who sponsors the bill and is one of the Senate’s most resolute voices against abortion, will run Tuesday’s subcommittee. He acknowledged problems last month with potentially banning contraception and restricting the advice doctors can give to patients. But he has not indicated what changes he or the rest of the subcommittee might support. Six of the nine members are Republicans.

GOP Senate leaders said there is no guarantee if the bill passes out of the subcommittee that it goes any further.

“I can say this definitively — there has been not only no decision made to bring up that bill, there’s been no discussion about bringing up that bill,” Senate Majority Leader Shane Massey said.

Collins writes for the Associated Press.

Sometimes a person needs to find a new hobby — one that doesn’t involve terrifying celebrities.

An Australian man who threw his arms around Ariana Grande after charging at her Thursday during arrivals at the Singapore premiere of “Wicked: For Good” has been charged with being a public nuisance, the BBC reported.

In various videos capturing the incident, as Grande greeted hundreds of fans lined up behind a barricade along a yellow carpet at the premiere, the man can be seen jumping a barricade on the other side of the carpet, running toward her with his arms and legs flailing, then grabbing her roughly around the neck and shoulders before turning and smiling happily for the cameras. Cynthia Erivo, who was walking with her co-star as well as Jeff Goldblum and Michelle Yeoh, immediately got between Grande and the man and appeared to shout at him.

Security then escorted the man away from the very shaken star, who plays Glinda in the “Wicked” movies. He was arrested, charged and later released, according to the BBC, which identified him as Johnson Wen, 26. If convicted, he could be fined more than $1,500 in U.S. dollars.

Wen, who goes by the name Pyjama Man on Instagram, considers himself a “stage invader” who has surprised major stars including Katy Perry and the Weeknd. He has been carted off by security at a Paris Olympics track and field event and more than once ran onto soccer pitches during high-profile matches. Wen seems to post media coverage of his bad behavior as a badge of honor on his Instagram account, where he refers to himself as a “Troll Most Hated.”

One video of the event, incidentally, can be seen on Wen’s Instagram grid, where he had the nerve to write as his caption, “Dear Ariana Grande Thank You for letting me Jump on the Yellow Carpet with You.”

“you literally assaulted her and you’re posting it? bro you deserve to be in jail there is something severely wrong with you,” one commenter wrote below the video.

Another went into it in more detail, writing, “Congratulations. You managed to turn what should’ve been a magical premiere into a global showcase of your complete inability to behave like a functioning adult. … Rushing a woman — any woman, let alone someone who has survived unimaginable trauma — is not ‘a prank’. It’s not ‘a stunt’. It’s not ‘funny’. It’s pathetic, dangerous, and shows a total lack of respect for boundaries, safety, and basic human decency.”

After giving Erivo props for her quick response, the second commenter closed by saying, “You didn’t get attention. You got exposed — as reckless, inconsiderate, and utterly unaware of the impact of your actions on a woman who has already lived through real horror.

“If your goal was to be remembered, congratulations again: You’re remembered for all the wrong reasons. And trust me — no one is impressed.”

A third person addressed their comment to Instagram, writing, “why is this person allowed to continually post videos of himself assaulting/harassing people? It’s distressing and disgusting and unlawful. @instagram Please make him go away.”

Grande has not commented publicly on the incident.

The New York City premiere of “Wicked: For Good” is scheduled for Monday. The second half of the two-part big-screen adaptation of the Broadway musical “Wicked” opens wide in U.S. theaters Nov. 21.

Kai Trump, a high school senior playing in an LPGA Tour event for reasons beyond her ability to hit a golf ball, went from “definitely really nervous” in the first round Thursday to “very calm and peaceful” Friday in the second.

All in all, an impressive improvement.

Still, Trump, 18, didn’t make the cut, not after finishing last among 108 players with a two-round total of 18-over par, 27 shots behind leader Grace Kim and 17 away from the projected cut line. The granddaughter of President Trump improved eight strokes to a 75 in the second round of the tournament hosted by Hall of Famer Annika Sorenstam at Pelican Golf Club in Belleair, Fla.

How dramatic was the improvement? Trump had nine bogeys, two doubles and one birdie Thursday. A day later she was briefly under par when she birdied the par-three third hole, but she bogeyed the fourth and triple-bogeyed the par-four fifth hole.

Trump rebounded to birdie three of her next six holes. How relaxed was she? She literally laughed off her triple bogey.

“Things are going to happen,” she said. “Once it happens, you can’t go back in time and fix it. The best thing I could do is move on. Like, I told my caddie, Allan [Kournikova], kind of just started laughing, ‘it is what it is.’

“We got that out of the way, so let’s just move on. It was pretty easy to move on after that.”

Especially on the par-three 12th where she nearly made the first hole-in-one of her life.

“I hit like a tight little draw into it,” Trump said. “Tried not to get too high because of the wind. Yeah, it was a great shot.”

What would she tell her grandfather about the round? “That I hit a great shot on 12 two days in a row.”

“I did everything I could possibly have done for this tournament, so I think if you prepare right, the nerves can … they’re always going to be there, right?,” she said. “They can be a little softened. So I would just say that.”

Critics among and beyond her nearly 9 million social media followers were relentless in noting her obvious privilege for securing a sponsor invitation. Dan Doyle Jr., owner of Pelican Golf Club, cheerfully acknowledged that Trump’s inclusion had little to do with ability and a lot to do with public relations.

“The idea of the exemption, when you go into the history of exemptions, is to bring attention to an event,” Doyle told reporters this week. “You got to see her live, she’s lovely to speak to.

“And she’s brought a lot of viewers through Instagram, and things like that, who normally don’t watch women’s golf. That was the hope. And we’re seeing that now.”

Trump attends the Benjamin School in Palm Beach and will attend the University of Miami next year. She is ranked No. 461 by the American Junior Golf Assn.

Stepping up to the LPGA, complete with a deep gallery of onlookers and a phalanx of Secret Service agents surrounding her, could have been daunting. Trump, though, said the experience was “pretty cool.”

It was an eventful week for Trump. She played nine holes of a pro-am round Monday with tournament host Sorenstam, who empathized with the difficulty of handling an intense swirl of criticism and support.

“I just don’t know how she does it, honestly,” Sorenstam said. “To be 18 years old and hear all the comments, she must be super tough on the inside. I’m sure we can all relate what it’s like to get criticism here and there, but she gets it a thousand times.”

Sorenstam recalled her own exemption for the Bank of America Colonial in 2003 when she became the first woman to play in a men’s PGA Tour event in 58 years. She made a 14-foot putt at the 18th green to give her a 36-hole total of five-over 145. She hurled her golf ball into the grandstand, wiped away tears and was hugged by her husband, David Esch.

“That was, at the time, maybe a little bit of a controversial invite,” Sorenstam said. “In the end, I certainly appreciated it. It just brings attention to the tournament, to the sport and to women’s sports, which I think is what we want.”

After enduring others teeing off on her for two weeks, Kai Trump was finally able to set a golf ball on a tee and swing away in an LPGA Tour event.

President Trump’s eldest granddaughter shot a 13-over 83 Thursday in the first round of the Annika at Pelican Golf Club in Belleair, Fla. The high school senior and University of Miami commit bogeyed the first five holes before registering a par, totaling 42 on her front nine and 41 on the back.

Critics among and beyond her nearly nine million social media followers were relentless in noting the 18-year-old’s obvious privilege for securing a sponsor invitation. Dan Doyle Jr., owner of Pelican Golf Club, cheerfully admitted that Trump’s inclusion had little to do with ability and a lot to do with public relations.

“The idea of the exemption, when you go into the history of exemptions, is to bring attention to an event,” Doyle told reporters this week. “You got to see her live, she’s lovely to speak to.

“And she’s brought a lot of viewers through Instagram, and things like that, who normally don’t watch women’s golf. That was the hope. And we’re seeing that now.”

Trump attends the Benjamin School in Palm Beach and is ranked a distant No. 461 by the American Junior Golf Assn. She also competes on the Srixon Medalist Tour on the South Florida PGA. Her top finish was a tie for third in July.

On the eve of the Annika, Trump got a boost from a chat with Tiger Woods, who is dating her mom, Vanessa Trump. More privilege, sure, but what did he tell her?

“I mean, he is the best golfer in the entire world. I would say that. And an even better person,” Kai Trump told reporters. “He told me to go out there and have fun and just go with the flow. Whatever happens, happens.”

What happened was far from flawless. With Allan Kournikova — younger brother of tennis star Anna Kournikova and a lifelong friend — as her caddie, Trump bogeyed the first four holes before registering her first par.

She will play again Friday and is the longest of shots to make the cut for the final two rounds over the weekend after finishing the first round in 108th — and last — place.

It’s been an eventful week for Trump. She played nine holes of a pro-am round Monday with tournament host Annika Sorenstam, who empathized with the difficulty of handling an intense swirl of criticism and support.

“I just don’t know how she does it, honestly,” Sorenstam said. “To be 18 years old and hear all the comments, she must be super tough on the inside. I’m sure we can all relate what it’s like to get criticism here and there, but she gets it a thousand times.”

Sorenstam recalled her own exemption for the Bank of America Colonial in 2003 when she became the first woman to play in a men’s PGA Tour event in 58 years. She made a 14-foot putt at the 18th green to save par and end her round of 74, giving her a 36-hole total of five-over 145. She hurled her golf ball into the grandstand, wiped away tears and was hugged by her husband, David Esch.

“That was, at the time, maybe a little bit of a controversial invite,” Sorenstam said. “In the end, I certainly appreciated it. It just brings attention to the tournament, to the sport and to women’s sports, which I think is what we want.”

Attention was temporarily diverted Wednesday from Trump to WNBA star Caitlin Clark and her Indiana Fever teammate Sophie Cummingham at the Annika pro-am. Clark, paired with defending tournament champion Nelly Korda, went viral by sinking a long putt from off the green.

“I actually grew up playing a little bit. I remember for one of my birthdays, I got this cute little set of pink golf clubs,” Clark said. “Then, I kind of stopped playing and then during COVID, I picked it back up.”

Cunningham’s moment was less majestic. After Clark hit her tee shot on the 10th hole down the middle of the fairway, Cunningham sliced hers into the crowd. She yelled “Happy Gilmore,” drawing laughs from the gallery.

Trump, for her part, swished a basket from beyond the free-throw line of an outdoor court near the first tee while waiting to begin the pro-am.

Sponsor invitations have long been used to attract attention to a tournament through a golfer who is from a well-known family or, in recent years, has a strong social media presence. Trump qualifies on both counts.

Her nine million followers combined on Instagram, Tiktok, YouTube and X include teens, golf fans and members of her grandfather’s administration such as Vice President J.D. Vance, Secretary of Defense Pete Hegseth and Secretary of Homeland Security Kristi Noem.

In addition to posting what she does on and off the course, Trump creates videos of playing golf with her grandpa and chronicled their visit to the Ryder Cup. She also recently launched her own sports apparel and lifestyle brand, KT.

“Kai’s broad following and reach are helping introduce golf to new audiences, especially among younger fans,” said Ricki Lasky, the LPGA‘s chief tour business and operations officer.

Beth Ann Nichols, a senior writer a Golfweek, has gone from believing Trump receiving a sponsor into the Annika as a “terrible idea” to a supporter of it. She wrote that her first reaction was that “her game isn’t ready for this kind of spotlight; there’s too much on the line at the season’s penultimate event to have a circus break out.”

But once the week unfolded she changed her mind, believing the President’s grandaughter is good for women’s golf.

“Between the presence of Caitlin Clark in the pro-am and President Donald Trump’s granddaughter in the 108-player field, this might become one of the most talked-about LPGA events in the tour’s 75-year history,” Nichols wrote. “For those who understand how painstakingly tough it is for women’s golf to break through the golf world, let alone the sports world and beyond, these opportunities don’t come often.”

Trump will need to improve her game to become more than a novelty. She finished last among a field of 24 at 52-over par in the Junior Invitational at Sage Valley in March. Her performance Thursday illustrated that while she is strong off the tee, her short game needs to develop.

“I don’t think anybody here is thinking that she will be the one holding the trophy on Sunday,” Sorenstam said. “I spoke to her a little bit yesterday. You know, just make the most out of this week. There will be lessons learned. Take them to the future and learn.”

The oldest of the president’s 11 grandchildren, Kai became known nationally when she made a speech in support of her grandfather’s campaign at the 2024 Republican National Convention. Her parents, Donald Trump Jr. and Vanessa Trump, divorced in 2018, and her mother has been dating Woods for about a year.