windows

In the world of child prodigies, novelists are the rarest breed. Barbara Newhall Follett, born in Hanover, N.H., in 1914, fit the bill. By the time she was 9 years-old she had completed her first novel, a subsequent draft of which was published by Knopf when she was 12. Two years after that, she released her second novel. Both were met with critical acclaim, and Newhall became a celebrity in the publishing world.

Nearly a decade later, after a fight with her adulterous husband, the 25-year-old Follett left her apartment in Brookline, Mass., with $30 in her pocket and a notebook. She was never seen or heard from again. The mystery of the vanished former child genius has pulled at the public imagination ever since, resulting in a number of books and articles about her life and disappearance, including a 2019 essay in the Los Angeles Review of Books speculating that Newhall had committed suicide by ingesting barbiturates.

Barbara Follett, a child literary prodigy, is the subject of a new musical titled “Perfect World.”

(Courtesy of Stefan Cooke / Farksolia.org)

A world-premiere musical can now be added to the growing list of Newhall-themed explorations. “Perfect World,” written by Alan Edmunds and composed by Richard Winzeler, with lyrics by both men, opens Saturday at the El Portal Theatre in North Hollywood, running through Nov. 9.

The project marks Edmunds’ debut as a librettist. The retired psychologist — who specialized in gifted children — hit upon the idea of creating a musical about Follett’s life after a deep dive into her archives at Columbia University almost 15 years ago.

“As I’m reading through this, I start to feel the tragedy of what really happened to her,” Edmunds said during an interview at the theater over the pounding of hammers and the buzzing of drills as the detailed set was put together. “I thought this is the hero’s journey. Unfortunately, it’s not a happy ending.”

Edmunds was so inspired by the 15 boxes of archival material, including hundreds of hand-typed letters that Follett wrote to dozens of relatives and acquaintances, and endless lyrical descriptions of the imaginary world of Farksolia at the heart of her debut novel, “The House Without Windows,” that he drafted his initial outline for the musical on his knee while taking the subway from Columbia to Broadway to see “La Cage aux Folles.”

The show’s team took creative license in the retelling of Follett’s story, but for the most part Edmunds adhered to the broad strokes of her short, vibrant life. The musical hops back and forth between two story lines: Follett’s experiences up until her disappearance, and the nationwide investigation that unfolded afterward, led by the dogged Capt. Stahl and forever pushed forward by her grieving mother, Helen Thomas Follett.

Follett’s childhood was marked by unhappiness, Edmunds said, noting that Helen, who wrote for a commercial shipping company, and Follett’s father, a Knopf literary editor named Wilson Follett, fought often.

“They were at each other hammer and tongs,” Edmunds said. “And even when they wrote about Barbara, subsequently, you could feel the animosity between them.”

This made sense because about a year after the publication of Barbara Follett’s first book, Wilson left Helen for a much younger woman, moving in with her in Greenwhich Village. Her father’s desertion dealt a crushing blow to Barbara, who adored him. She subsequently embarked on a sailing journey with Helen from New York to Barbados and then on through the Panama Canal. Barbara became seriously ill during the journey — the result of nerves and depression, Helen thought.

Barbara Follett, a child literary prodigy, is the subject of a new musical titled “Perfect World.”

(Courtesy of Stefan Cooke / Farksolia.org)

Around that time, Follett met and fell in love with a 25-year-old sailor named Edward Anderson. Helen did not approve, and Edmunds said she conspired to get Anderson fired from his position as second mate. The loss of Anderson was the second major blow in Follett’s life, Edmunds said, and it’s a thread that runs through the musical, leading to Follett’s meeting with a recent Dartmouth graduate named Nickerson Rogers — the man who would become her husband, and who would eventually leave her after having an affair with her best childhood friend.

The couple shared a love of nature, and before they were married, spent months hiking and camping together along the Appalachian Trail. Photos from the early 1930s show a slender, bare-legged Follett with short-cropped hair, sitting beside an open fire with a cooking pan and an old tin coffee pot.

Follett’s life was filled with crushing disappointment and near-constant stress, but nature provided a release. This is likely why she conjured up the perfect world of Farksolia at such a young age. It was an escape, and Follett packed it with as much detail as possible, including its own system of mathematics, its own language — Farksoo — and its own alphabet.

The heroine of “The House Without Windows” is a young girl named Eepersip who runs away from home to live contentedly with her animal friends in the woods. If it sounds simple, it was. But that was also its genius.

Critics loved it and it sold more than 20,000 copies upon its initial printing.

“I can safely promise joy to any reader of ‘The House Without Windows.’ Perfection,” wrote the English author of children’s books, Eleanor Farjeon, in a review.

Barbara Follett, a child literary prodigy, is the subject of a new musical titled “Perfect World.”

(Courtesy of Stefan Cooke / Farksolia.org)

There are many theories about what happened to the adventurous and headstrong young woman after she vanished, including that she was killed by her husband, who had demanded she stop writing and failed to report her missing until two weeks after she left. Others think she simply moved far away, changed her name and continued to write under a pseudonym. Then there is the recently surfaced idea that she went to a family-owned cottage in the woods and swallowed enough barbiturates to end her life. That theory holds that a body discovered in the late 1940s was misidentified as another woman, when it was actually Follett.

Edmunds has given the matter extensive thought and believes that Follett loved life too much to kill herself. The idea that appeals to him the most comes from a crumb of a clue in Follett’s archives — a letter from the sailor Anderson that Follett received a short time before her disappearance. It could be surmised from her letters that she never stopped loving Anderson. Could it be that she went to find him when her husband’s affair became known to her?

Edmunds ultimately decided not to go down the rabbit hole of speculation about Follett’s demise, opting instead to focus the musical on Follett’s life, “What she did, how she rescued herself, how she was so engaged and connected to nature, and how she wanted people to take care of each other and be good to each other,” Edmunds said. “How we could have a better world.”

THE majority of home insurance policies do not include cover for accidental damage such as spills or smashed windows, analysis reveals.

When households take out buildings or contents insurance, many assume that they are also covered for accidental damage.

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This is protection against certain mishaps, including spilling drinks or paint on the carpet or accidentally smashing a window with a ball.

But analysis by consumer group Which? of 78 home insurance policies from 35 providers revealed this is not the case.

It found that only 28% of buildings insurance policies and 27% of contents policies included accidental damage cover as standard.

But seven in ten policies offered this cover as an optional extra or provided basic cover, such as for windows or bathroom fixtures, that you can upgrade.

The remainder of insurers don’t offer it at all.

But 31% of consumers who had bought insurance thought their policy would cover them for anything that was not their fault, according to a recent Which? survey of 4,000 people.

A similar proportion believed that if they had cover for possessions, they are protected against any event that involved those possessions – including accidental damage.

But accidental damage is one of the most common reasons that people make a home insurance claim.

This means hundreds of thousands of people could be caught out each year.

In a separate Which? survey of 2,804 people who had tried to make a claim on their policy in the last two years, accidental damage made up around a fifth of cases.

Which? said lack of clarity when people take out insurance is leading to poor outcomes for customers.

Its previous research had found customers do not understand what is included and excluded, and can’t tell the difference between products.

The findings come after Which? launched a super-complaint to industry regulator the Financial Conduct Authority.

In the complaint Which? outlined its concerns about “serious failings” in the home and travel insurance markets.

The consumer group is now calling for a fundamental reset in how insurance companies treat their customers.

What does accidental damage cover?

Home insurance is primarily designed to cover you for significant losses from events such as fire, storms and floods.

Meanwhile, accidental damage is an add-on that can provide you with further protection.

But the definition of what is covered will vary between providers, which is why it’s important to check your policy.

Sam Richardson, deputy editor of Which? Money, said: “When it comes to making a claim on your insurance, it’s sadly all too common to get caught out by the small print.”

Most policies that offer accidental damage cover include issues caused by broken glass and underground pipes.

But in many cases the cover won’t include damage caused by cleaning or by lodgers. 

Meanwhile, the insurance doesn’t include damage due to a lack of upkeep or damage caused by pets.

A spokesperson for the Association of British Insurers said: “Always check your policy details or speak to your insurer to make sure you have the right level of protection for your needs.”

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FIREFIGHTERS are tackling a massive blaze involving 250 tonnes of manure with locals warned to shut windows and doors.

Emergency services scrambled to the scene in Brigstock, Northamptonshire, to try and douse the flames.

It is expected that the blaze will burn for several days, said firefighters.

Villagers and others living nearby were advised to stay away and keep their windows and doors shut.

A spokesman for Northants Fire and Rescue said: “We are currently at the scene of a large fire in Brigstock, involving 250 tonnes of farm manure. 

“People living in the village and surrounding areas are advised to keep their windows and doors closed.

“This fire is expected to continue burn through the night, and, over the coming days.”

DOZENS of residents have been evacuated from their homes in a popular seaside town while firefighters tackle a major blaze.

Emergency crews rushed to attend the building fire in Clacton, Essex, in the early hours this morning.

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Locals have been advised to keep their windows and doors shut as plumes of smoke rise from the building on West Avenue.

Teams from seven local fire stations, including Weeley, Colchester and Chelmsford, were scrambled to the scene at around 12.35am.

Essex Fire Brigade confirmed the building was still fully alight just before 5am.

Incident Commander Nick Singleton said: “Crews have worked hard to surround the fire.

“We will be remaining here for a significant time during the day to make sure the fire is fully extinguished.

“Jackson Road, Penfold Road and Agate Road will be shut and experience disruption while our crews remain at the incident. 

“Thank you to our emergency services colleagues who have helped us safety evacuate nearby residents.” 

More to follow… For the latest news on this story keep checking back at The Sun Online

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