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The most unpredictable California governor’s race in recent history took another set of dizzying turns on Monday, with former Health and Human Services Secretary Xavier Becerra surging after former Rep. Eric Swalwell dropped out in the face of sexual assault and misconduct allegations, and former state Controller Betty Yee ending her bid.

The race to replace termed-out Gov. Gavin Newsom is the first in a quarter of a century with no clear front-runner and a sprawling field of candidates who have been jockeying for the attention of Californians, who are just beginning to pay attention to the campaign two weeks before ballots arrive in their mailboxes.

“I certainly could not have imagined the twists and the disturbing turns that this race has taken,” Yee said as she announced she was dropping out. “But through it all, my values and my vision for California has never wavered.”

A poll released Monday by the state Democratic Party — its first since Swalwell (D-Dublin) dropped out — showed Becerra’s support jumped nine points to 13%, placing him in a tie with Tom Steyer, the billionaire hedge fund founder turned environmental warrior. Former Rep. Katie Porter of Orange County saw a slight bump to 10% from 7%, while the remaining Democrats in the contest were mired in the low single digits.

The party began the surveys out of concern that Democrats could be shut out of the governor’s race because of California’s unique primary system, where the top two vote-getters in the June 2 primary move on to the November general election regardless of political party.

“I continue to believe there are too many Democrats in the field,” California Democratic Party Chairman Rusty Hicks told reporters Monday. “My call for candidates to honestly assess the viability of their candidacy and campaigns still stands, especially if you are stalled in the single digits, seeing financial resources dry up and/or are failing to pick up additional support.”

Hicks and other party leaders and allies had unsuccessfully urged low-polling candidates to reconsider their candidacies before the filing deadline in an attempt to cull the field and avoid splintering the Democratic vote. Though most did not name candidates who they thought should think about their viability, Yee was widely believed to be among them.

Yee became emotional as she said on Monday that she decided to withdraw from the race because she wasn’t able to raise the resources necessary to compete in the state. She also said her message of competency and experience wasn’t resonating among voters who were seeking a fiery foil to President Trump, not “Boring Betty,” as she dubbed herself. Yee said she would assess the field before making an announcement on whether she would endorse one of her fellow Democrats.

Becerra was another candidate believed to be a target of party leaders’ efforts to shrink the field. But he held on and apparently benefited from Swalwell’s downfall.

“I’m not the richest candidate, I’m not the slickest candidate, but I am the guy that’s got you,” Becerra said, rallying supporters in Los Angeles on Saturday.

The audience was filled with members of labor groups backing the longtime politician, and Becerra told them he’d serve as a “union man” in the governor’s office.

Pro- and anti-Becerra forces tussled outside the town hall after two people, who declined to identify whom they were working for, passed out fliers highlighting critical media investigations of the U.S. Department of Health and Human Services during the migrant crisis when the agency was led by Becerra.

Pro-Becerra attendees grabbed the fliers and told the men to go away, prompting a security guard to intervene.

The question is whether Becerra, who also served as state attorney general, a member of Congress and a state Assembly member, can raise the funds necessary to compete in a state with some of the nation’s most expensive media markets. And he was tied in the state party poll with a billionaire who dumped an additional $12.1 million of his own money into his campaign last week.

Steyer’s total investment in his bid reached $133 million, according to the California secretary of state’s office. He also received the endorsement of Our Revolution, a progressive political organization founded by U.S. Sen. Bernie Sanders (I-Vt.).

“We’ve never endorsed a billionaire — but Tom Steyer is using his position to upset the system,” the group posted on X on Monday. “As Our Revolution executive director Joseph Geevarghese told @theintercept, ‘He’s been a partner in the movement. Most billionaires have used their wealth and privilege to lock in the status quo. Tom is doing the opposite.’”

San Jose Mayor Matt Mahan, who is also running for governor, accused Steyer of hypocrisy for the hedge fund he founded profiting from investments in private prisons being used to house ICE detainees, and Steyer calling for the abolishment of ICE.

Steyer got “rich investing off the ICE infrastructure he now wants to abolish,” Mahan posted on Instagram.

Steyer, who sold his stake in the hedge fund in 2012, has said he ordered the company to divest from the private prison company and has repeatedly expressed remorse about his former firm’s ties with the detention company.

Mahan also appeared Monday at a Hollywood production lot to announce his proposal for a special fund to lure sporting events, concerts and other productions to California as part of his plan to help the struggling film and television industry.

An independent effort supporting Mahan has also raised roughly $11 million since Swalwell left the race.

Mehta reported from Los Angeles and Nixon from Sacramento. Times staff writer Dakota Smith contributed to this report.

Mauricio Pochettino said last month that he plans to take the U.S. national team to the semifinals of this summer’s World Cup. If that’s the case, he’d better buy tickets because there’s no way the Americans are getting to that game on the field.

In its two March friendlies, the U.S. was blitzed by Belgium 5-2 and Portugal 2-0. By way of comparison, Mexico played the same two teams, in reverse order, to draws.

But wait, it gets worse. Because from the smoldering ruins of that mess, Pochettino has less than two months to choose a roster for the World Cup, a tournament U.S. Soccer has been pointing to for eight years.

Yet the March friendlies raised more questions than they answered — and it’s too late to start over.

“Right now, it’s just not enough,” DaMarcus Beasley, a four-time World Cup player, told TNT Sports. “We want to see these players compet[ing] and creating chances and being hard to play against every single match. Right now, it’s not happening.”

Pochettino ran the March training camp like an audition rather than settling on a starting 11 and trying to win games. He experimented with Tim Weah at outside back, where he has played for his club teams, and tried unsuccessfully to shake Christian Pulisic out of a career-long scoreless streak by playing him as a striker.

But he seems unable to solve some of the core issues plaguing the team. The U.S., which hasn’t posted a clean sheet since September, has become an error-prone mess on defense, with Pochettino’s wide, attack-minded approach revealing a structural fragility that has left the Americans’ thin back line exposed.

Consider the two goals in the Portugal loss. The first came after a turnover at midfield that led to a lightning-quick counterattack and the second on a poorly defended corner in which the Americans kept seven players in the six-yard box, leaving João Félix all alone at the top of the penalty area.

Behind the defense, no one has stepped up to seize the starting job in goal. Matt Turner, so spectacular four years ago in Qatar, gave up as many goals as he made saves against Belgium. And while Matt Freese was markedly better against Portugal, that was just his 14th international start.

Those are just the lowlights of the myriad issues facing Pochettino’s team.

Pulisic, the talisman who was supposed to carry the U.S., has gone cold. He hasn’t scored for the U.S. since November 2024 and hasn’t scored for his club team, AC Milan, this year. So Pochettino used him as a No. 9 against Portugal, a role Pulisic has made clear he does not like.

Christian Pulisic, left, controls the ball during an international friendly against Portugal on March 31.

(Jared C. Tilton / Getty Images)

It didn’t work, with Pulisic extending his goal-less streak to 15 games for club and country.

Tyler Adams, the captain in Qatar, has been saddled by injury and hasn’t played for the national team since September; right back Sergiño Dest, who started all four games in Qatar, is also hurt; center back Tim Ream, at 38, suddenly looks his age; and Gio Reyna, who has been unable to win a starting job on three teams in two countries since Qatar, nonetheless keeps getting called to the national team with little affect.

In the middle of it all is Pochettino, the highest-paid coach in U.S. Soccer history, who, despite a stellar resume as a club coach, has failed to find a consistent winning formula on the international level. In its 18 months under Pochettino, the national team has gone 11-2-1 against teams outside the FIFA top 25 and just 2-7-1 against teams ranked 25th or higher, according to ESPN. It has also lost eight consecutive games to European rivals.

Guess which kinds of teams the U.S. will have to beat to get to the semifinals of the World Cup?

It wasn’t supposed to be this way, of course. After failing to qualify for the 2018 World Cup, the U.S. team was ripped down to its foundation and built anew. Interim manager Dave Sarachan was tasked with reconstructing a roster that had grown old and stagnant, and in his 12 months in charge he gave a record 23 players — including nine who made the team for the last World Cup — their international debuts. With an average age of 25, the squad in Qatar was the second-youngest World Cup team in U.S. history.

But Qatar was just a trial run. The real goal was to have a mature, experienced team ready for this summer when the World Cup would be played at home. A deep run could fuel the kind of transformation the 1994 tournament in the U.S. achieved.

Instead, the U.S. team has regressed.

“It feels like four years have gone down the drain,” said ESPN’s Herculez Gomez, another former World Cup player.

Fortunately, the U.S. was drawn into a soft group for the World Cup. And because the tournament’s expansion to 48 teams means just 16 countries will be eliminated in the first round, even a poorly built American team should advance.

But the semifinals? Not this team and not in this tournament. To do that the U.S. would have to be better than at least four teams on a list that includes England, France, Spain, Argentina, Germany, Morocco, Brazil and the Netherlands. We already know it’s not better than Belgium or Portugal.

It might not even win its group now that Turkey, a top 25 team which beat the U.S. 2-1 last June, has qualified. And a stumble early in the tournament would make the kind of deep run Pochettino promised that much more difficult.

“We are so close to the World Cup,” Pochettino said after the Portugal loss. “But I think we are intelligent enough to know what we need to do.”

Buy tickets was not supposed to be the answer.

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“I want to lick your stink … I want to taste your foulness … I want to shower in your rot … I want to feast in your fetid funk.”

Have more romantic sweet nothings ever graced the screen? Scripted by Grace Glowicki and Ben Petrie (partners in life and in filmmaking), these words of seduction are music to the ears of a lonely Gravedigger (Glowicki), who has been formulating a perfume to cover up her corpse-like stench. What she discovers is that the right one will love her exactly the way she smells, learning that she’s not so pheromonally challenged after all.

Glowicki’s sophomore feature “Dead Lover,” sometimes presented in “Stink-O-Vision,” is one of those entirely singular freakouts that we can thank Telefilm Canada for subsidizing (see also: the Cronenberg family oeuvre, Matt Johnson’s current “Nirvanna the Band the Show the Movie” and many more).

She co-writes, directs and stars in this highly stylized, wonderfully DIY handmade project, beautifully designed with gruesomely gothic sets by production designer Becca Morrin and art director Ashley Devereux. The blend of intentional artifice paired with deep emotion calls to mind other Canadian auteurs like Guy Maddin and Matthew Rankin (“The Twentieth Century”), but Glowicki’s film also exists within another lineage: the feminist Frankenstein film.

The film opens with a quote from Mary Shelley: “There is something at work in my soul which I do not understand.” Her 1818 novel “Frankenstein: or, the Modern Prometheus” has always been a feminist text (despite Guillermo del Toro’s more bro-ey adaptation), grappling with the terrifying power of creating life — and how close that is to death. Feminist filmmakers have drawn out these inherent themes from the book, the most recent and loudest example being Maggie Gyllenhaal’s “The Bride!” But “Dead Lover” hews closer to Laura Moss’ modern medical take, “birth/rebirth,” and even more closely to Zelda Williams’ cute, poppy “Lisa Frankenstein,” in which a young seamstress stitches up a reanimated boyfriend.

Our Gravedigger speaks to us, and to the moon, about her heart’s desire in charming cockney rhyming slang. Her hopes are rather simple and conventional: one true lifelong love and a family. After much rejection, she finally finds her Lover (Petrie) in the cemetery, saving him from a ferocious beast while he mourns his late opera-singer sister (Leah Doz). After the pair consummate their fragrant lust, the Gravedigger is ready to settle down right away.

In order to make her dreams come true, Lover travels to Europe for fertility treatments, where he drowns on a ship, the only thing left of him a finger, delivered to her by fishermen. Our enterprising Gravedigger, a true woman of science, engineers a lizard elixir and regenerates the finger into a long tentacle that eventually demands a body. What better choice than his own sister? But when her wild new Creature (Doz) comes to life, all hell breaks loose, summoning the sister’s jealous, grief-stricken Widower (Lowen Morrow) into an unfortunate love triangle (or square?).

Glowicki is a terrific filmmaker, marshaling her tiny troupe to execute this unique project. Petrie, Doz and Morrow play multiple roles, including a gossipy Greek chorus and the band of merry fisherman (truly an astonishing array of Canadian accent work on display). Her commitment to her singular vision never wavers, but as an actor, Glowicki is truly astonishing. Caked in Halloween makeup and lit with an array of colored gels, Glowicki summons something primal, pure and deeply moving about the lengths one will go to for love, a screech from the depths of her gut.

With a dream-pop soundtrack by U.S. Girls that would be at home in an episode of “Twin Peaks,” “Dead Lover,” in all its stinky, sexy, queer and grotesque glory, is one of the grossest and loveliest films about love I’ve ever seen. This one’s for the horny, hopeless goth inside all of us.